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Welcome to Cash in the Attic. There comes a time for most people | 0:00:02 | 0:00:04 | |
when the children have flown the nest and it's time to downsize. | 0:00:04 | 0:00:08 | |
That's the dilemma facing the lady we're meeting today. | 0:00:08 | 0:00:11 | |
We hope to help her have a clear out | 0:00:11 | 0:00:13 | |
and find plenty of treasures to take to auction too. | 0:00:13 | 0:00:16 | |
Coming up on Cash in the Attic... | 0:00:37 | 0:00:39 | |
Jonty makes me a promise after I reveal a childhood secret. | 0:00:39 | 0:00:43 | |
I had this one. Sea and Seashore. | 0:00:43 | 0:00:45 | |
I could never find a starfish. | 0:00:45 | 0:00:47 | |
Lorne, I'll find you a starfish! | 0:00:47 | 0:00:50 | |
And he's presented with something that touches his heart. | 0:00:50 | 0:00:54 | |
-How romantic! -Yes, wasn't it? | 0:00:54 | 0:00:57 | |
We came home with a boot full of fossils! | 0:00:57 | 0:01:00 | |
When it comes to the auction, | 0:01:00 | 0:01:02 | |
I offer some sound philosophical advice. | 0:01:02 | 0:01:04 | |
-I think what happens is what should happen. -Yes. | 0:01:04 | 0:01:07 | |
So, find out what does happen later. | 0:01:07 | 0:01:09 | |
Today I've come to this really pretty Suffolk village | 0:01:11 | 0:01:14 | |
to meet a lady who's lived here a very long time. | 0:01:14 | 0:01:17 | |
Before she moves on, she's enlisted | 0:01:17 | 0:01:18 | |
the help of her daughter-in-law and us | 0:01:18 | 0:01:20 | |
to raise some much-needed funds. | 0:01:20 | 0:01:23 | |
Olive Osborne has lived in this | 0:01:23 | 0:01:25 | |
chalet bungalow for over 40 years, bringing up her four sons here. | 0:01:25 | 0:01:29 | |
Her husband John passed away 12 years ago. | 0:01:31 | 0:01:35 | |
During their time together, he ran a car dealership | 0:01:35 | 0:01:38 | |
and Olive had the bed and breakfast next door. | 0:01:38 | 0:01:40 | |
Olive is now planning to move and she'll be downsizing too. | 0:01:40 | 0:01:43 | |
So she needs a clear-out, which is why she's called us in. | 0:01:43 | 0:01:47 | |
With her today to help make those | 0:01:47 | 0:01:49 | |
tough decisions of what should go, is daughter-in-law Helen. | 0:01:49 | 0:01:53 | |
I'm confident our expert Jonty Hearnden | 0:01:53 | 0:01:55 | |
will be able to spot some valuables | 0:01:55 | 0:01:57 | |
to make some money for Olive too. | 0:01:57 | 0:01:59 | |
While he starts his search, I go off to find our hosts. | 0:02:01 | 0:02:04 | |
-Ah, good morning! -Ah, hello! -You must be Olive. This is your house. | 0:02:06 | 0:02:12 | |
-Yes. -And you are daughter-in-law Helen? -Yes. -Right. OK. | 0:02:12 | 0:02:16 | |
-This is a lovely village. Really pretty. -It is. | 0:02:16 | 0:02:19 | |
-I understand you're thinking of moving? -I need to downsize. | 0:02:19 | 0:02:23 | |
I would like to be nearer... Have some neighbours, and nearer shops. | 0:02:23 | 0:02:28 | |
So the money we're looking to raise. Is that towards the move? | 0:02:28 | 0:02:31 | |
Specifically for the move in that | 0:02:31 | 0:02:34 | |
I've got two very nice Parker Knoll chairs that the cats have shredded. | 0:02:34 | 0:02:38 | |
They need to be re-upholstered and recovered. | 0:02:38 | 0:02:41 | |
So that's what I'd like to raise the money for. | 0:02:41 | 0:02:44 | |
Do you know how much that's likely to cost? | 0:02:44 | 0:02:46 | |
-Between 700 and £800. -Crikey, that's expensive for upholstery. | 0:02:46 | 0:02:50 | |
-So we need to raise £800. -Yes. | 0:02:50 | 0:02:53 | |
Our expert today is Jonty Hearnden. | 0:02:53 | 0:02:55 | |
He's having a look around. | 0:02:55 | 0:02:56 | |
Helen, if you could have a look in here. | 0:02:56 | 0:02:59 | |
We'll cover as much ground as possible. | 0:02:59 | 0:03:01 | |
-Let's find Jonty. -Lovely. | 0:03:01 | 0:03:03 | |
It looks like Jonty's many years | 0:03:05 | 0:03:07 | |
in the antiques business means he's done a quick scan | 0:03:07 | 0:03:10 | |
and decided a piece of bedroom furniture | 0:03:10 | 0:03:13 | |
should receive a closer look. | 0:03:13 | 0:03:15 | |
-Ah, there you are, Jonty. -Hi, guys. | 0:03:20 | 0:03:21 | |
The highest point of the house. | 0:03:21 | 0:03:23 | |
I started at the top and I'll work my way down. | 0:03:23 | 0:03:26 | |
I've found something we could put in the auction. | 0:03:26 | 0:03:29 | |
Olive, is this an object we can now sell? | 0:03:29 | 0:03:32 | |
Yes, I'm happy for this to go. | 0:03:32 | 0:03:35 | |
This piece is an Edwardian dressing table. | 0:03:35 | 0:03:38 | |
And it wouldn't have been this colour originally. | 0:03:38 | 0:03:40 | |
-It would have been darker, stained to look like a mahogany. -Right. | 0:03:40 | 0:03:46 | |
The timber is beech, and just on the side here is pine. | 0:03:46 | 0:03:51 | |
So that's another indicator to show | 0:03:51 | 0:03:53 | |
you it was always designed to be stained and never this colour. | 0:03:53 | 0:03:58 | |
We're looking at auction, 30, 40, £50. | 0:03:58 | 0:04:02 | |
If we put that sort of price on it, it should walk out the door. | 0:04:02 | 0:04:06 | |
-Lovely. -What do you think of that valuation? -I'm happy with that. | 0:04:06 | 0:04:09 | |
OK. That's a good start, then. | 0:04:09 | 0:04:11 | |
Daughter-in-law Helen has been hard at work, too. | 0:04:11 | 0:04:14 | |
She's found something else from | 0:04:14 | 0:04:16 | |
the bed and breakfast Olive ran in the cottage next door. | 0:04:16 | 0:04:19 | |
It's a mid-20th-century mahogany | 0:04:19 | 0:04:21 | |
chest of drawers with shell-shaped handles. | 0:04:21 | 0:04:24 | |
Jonty reckons it should certainly draw attention | 0:04:24 | 0:04:27 | |
with a guide price of 30 to £50. | 0:04:27 | 0:04:30 | |
Jonty spots a Swiss clock which Olive's mother bought in the 1950s. | 0:04:30 | 0:04:33 | |
Swiss clocks are among the most famous in the world. | 0:04:35 | 0:04:38 | |
But unfortunately this one is not a particularly good make | 0:04:38 | 0:04:40 | |
and so only gets a 20 to £30 estimate. | 0:04:40 | 0:04:43 | |
I'm going to guess that these are the chairs you want reupholstered. | 0:04:44 | 0:04:48 | |
-How did you know? -Well, that's a giveaway. | 0:04:48 | 0:04:52 | |
Definitely signs of cat or dog, isn't it? | 0:04:52 | 0:04:55 | |
How long have they been mullering your chairs? | 0:04:55 | 0:04:57 | |
Only recently. The two cats I've got now | 0:04:57 | 0:05:00 | |
are quite new. And they did this. The others never did. | 0:05:00 | 0:05:04 | |
So when you do move, what are you hoping to achieve from that? | 0:05:04 | 0:05:07 | |
The principle difference is being able to go to the shops on foot | 0:05:07 | 0:05:11 | |
and not have to get the car out. | 0:05:11 | 0:05:14 | |
And another big difference will be having neighbours. | 0:05:14 | 0:05:18 | |
Because now my neighbours, they're lovely people, | 0:05:18 | 0:05:20 | |
but they are weekenders. | 0:05:20 | 0:05:22 | |
I'm surrounded by them. So I am, in fact, very isolated here. | 0:05:22 | 0:05:26 | |
And I'd like to be among people. So those are the two big differences. | 0:05:26 | 0:05:32 | |
Then being in a town, you change your wants, your aspirations. | 0:05:32 | 0:05:36 | |
I always used to say I love | 0:05:36 | 0:05:38 | |
being solitary and I do love being solitary. | 0:05:38 | 0:05:40 | |
But now as I'm getting older, I want to be among people more. | 0:05:40 | 0:05:44 | |
I really hope it goes well for you. | 0:05:44 | 0:05:46 | |
And I hope we make the money for you. | 0:05:46 | 0:05:49 | |
So it's back to the search for us. | 0:05:49 | 0:05:51 | |
Daughter-in-law Helen has been very productive. | 0:05:51 | 0:05:54 | |
She's come across a ring that was | 0:05:54 | 0:05:55 | |
given to Olive's mother on her silver wedding anniversary. | 0:05:55 | 0:05:58 | |
It's made of nine-carat gold | 0:05:58 | 0:06:00 | |
and has a large peridot and two small diamonds. | 0:06:00 | 0:06:03 | |
Unfortunately, the peridot stone | 0:06:03 | 0:06:05 | |
has a crack in it which affects its valuation. | 0:06:05 | 0:06:08 | |
It only gets 50 to £70. | 0:06:08 | 0:06:09 | |
So, when it comes up at auction, will that damage lower its appeal? | 0:06:13 | 0:06:17 | |
Two bids I have. I'm clearing the book at £50. | 0:06:17 | 0:06:21 | |
Will it exceed Jonty's estimate? | 0:06:21 | 0:06:23 | |
50. 5. 60. | 0:06:23 | 0:06:25 | |
5. 70. | 0:06:25 | 0:06:27 | |
Back at Olive's house, she still has lots of things here | 0:06:28 | 0:06:32 | |
which she needs to get rid of before she moves. | 0:06:32 | 0:06:34 | |
So she makes good use of our expert today. | 0:06:34 | 0:06:37 | |
Jonty, look what I've found. | 0:06:38 | 0:06:40 | |
Wow. Yet more stones. Are those fossils in there? | 0:06:40 | 0:06:42 | |
-Yes. Fossils and pieces of rock. -So whose were these? | 0:06:42 | 0:06:50 | |
This was my husband's. | 0:06:50 | 0:06:51 | |
He collected this over the years. Even on our honeymoon. | 0:06:51 | 0:06:55 | |
-On your honeymoon? -As we were driving along, | 0:06:55 | 0:06:58 | |
if we came across some roadworks, | 0:06:58 | 0:06:59 | |
he would screech to a halt, jump out, go in the great pile, | 0:06:59 | 0:07:05 | |
and nine times out of ten, he would come out with a fossil! | 0:07:05 | 0:07:09 | |
-Really? -Amazing, yes. -How romantic! | 0:07:09 | 0:07:13 | |
Yes, wasn't it? We came home with a boot full of fossils! | 0:07:13 | 0:07:16 | |
-As I'm sure you're aware, I'm used to handling antiques. -Right. | 0:07:16 | 0:07:20 | |
But this is the extreme, of course! | 0:07:20 | 0:07:23 | |
These items here are literally millions of years old. | 0:07:23 | 0:07:26 | |
There are all sorts of goodies. There's a beautiful ammonite there. | 0:07:26 | 0:07:31 | |
Ammonites became extinct 65 million years ago. | 0:07:31 | 0:07:35 | |
The oldest ammonites were around 240 million years ago. | 0:07:35 | 0:07:41 | |
You can see why people like | 0:07:41 | 0:07:43 | |
your husband get very excited about these. | 0:07:43 | 0:07:46 | |
With selling a collection like this, | 0:07:46 | 0:07:48 | |
there will be amateur palaeontologists who want these. | 0:07:48 | 0:07:52 | |
They have to be worth 40 to £60. | 0:07:52 | 0:07:55 | |
-Oh, that's lovely. -Why not? -Good. | 0:07:55 | 0:07:58 | |
Olive's husband John was obviously a keen collector. | 0:07:58 | 0:08:01 | |
In one of the bedrooms, I come across another of his compilations. | 0:08:01 | 0:08:05 | |
It's a stamp and coin collection that he started as a child, | 0:08:05 | 0:08:08 | |
but Jonty reckons there's nothing exceptional here, | 0:08:08 | 0:08:11 | |
so his valuation is 40 to £60. | 0:08:11 | 0:08:14 | |
Helen digs out two Polaroid instamatic cameras which Olive | 0:08:14 | 0:08:18 | |
had found in her shed. | 0:08:18 | 0:08:20 | |
Olive's late husband was into photography and | 0:08:20 | 0:08:22 | |
these cameras are in great condition and in their original boxes. | 0:08:22 | 0:08:27 | |
Jonty hopes they'll make £20-30. | 0:08:27 | 0:08:29 | |
Jonty, have a look. What do you think of this? | 0:08:31 | 0:08:34 | |
That looks rather grand. | 0:08:34 | 0:08:35 | |
How long have you had this? | 0:08:37 | 0:08:38 | |
-About seven years. -And why did you buy it? | 0:08:38 | 0:08:41 | |
I bought it as an investment. | 0:08:41 | 0:08:43 | |
But in all those years, I've only worn it three times. | 0:08:43 | 0:08:47 | |
-OK. -It is so lovely and I'm into horses and gardening | 0:08:47 | 0:08:51 | |
and you don't wear that sort of | 0:08:51 | 0:08:54 | |
thing riding horses and digging in the garden! | 0:08:54 | 0:08:56 | |
Absolutely. If we look closely, | 0:08:56 | 0:08:59 | |
the ring band is 18-carat gold, which is very good. | 0:08:59 | 0:09:03 | |
We've got three rubies and two diamonds inset into the ring. | 0:09:03 | 0:09:09 | |
A very clever design. | 0:09:09 | 0:09:11 | |
Having looked closely at these stones, | 0:09:11 | 0:09:14 | |
the diamonds are roughly about a third of a carat. | 0:09:14 | 0:09:19 | |
You can't tell exactly because you | 0:09:19 | 0:09:21 | |
can't weigh them as they're inset into the ring itself. | 0:09:21 | 0:09:26 | |
The rubies look slightly bigger. | 0:09:26 | 0:09:29 | |
So we're looking about half a carat each for those rubies. | 0:09:29 | 0:09:34 | |
The band itself is very good | 0:09:34 | 0:09:36 | |
and it's a ring that a dealer could easily buy and just sell on. | 0:09:36 | 0:09:41 | |
It's very contemporary looking. | 0:09:41 | 0:09:43 | |
The value at auction for this ring | 0:09:43 | 0:09:46 | |
at the moment would be roughly between 300 and £500. | 0:09:46 | 0:09:50 | |
-Right. -How do you feel about that? | 0:09:50 | 0:09:52 | |
-That's fine. -Yeah? -I'd like it to go at that, please. -A great find. | 0:09:52 | 0:09:57 | |
Well done. That is halfway onto our target already. | 0:09:57 | 0:10:01 | |
So really very good news indeed. | 0:10:01 | 0:10:03 | |
I've noticed the paintings dotted around Olive's house. | 0:10:05 | 0:10:08 | |
But Jonty's drawn to a pine Welsh dresser, | 0:10:08 | 0:10:11 | |
that Olive bought 25 years ago. | 0:10:11 | 0:10:14 | |
The most sought-after Welsh dressers | 0:10:14 | 0:10:15 | |
hail from the early part of the 18th century | 0:10:15 | 0:10:18 | |
and are usually made of oak. | 0:10:18 | 0:10:20 | |
This one is made of reclaimed pine, | 0:10:20 | 0:10:22 | |
so gets a lower valuation of 60 to £80. | 0:10:22 | 0:10:26 | |
Olive is wondering whether this crystal necklace might be valuable. | 0:10:26 | 0:10:31 | |
It was given to Olive's mother | 0:10:31 | 0:10:33 | |
as a 21st birthday present from her own mother, back in 1928. | 0:10:33 | 0:10:36 | |
It's a pretty piece of costume jewellery | 0:10:36 | 0:10:39 | |
and hopefully it will sparkle in the auction at 20 to £40. | 0:10:39 | 0:10:43 | |
Then I noticed something that takes me back to my childhood. | 0:10:43 | 0:10:47 | |
Jonty? I've found the Observer books. | 0:10:47 | 0:10:49 | |
-Did you have these as a child? -This takes me back! | 0:10:49 | 0:10:52 | |
-They were great, weren't they? -Wonderful. | 0:10:52 | 0:10:56 | |
We've got all sorts of different genres, | 0:10:56 | 0:10:58 | |
-which is what the Observer books were all about. -Yes. | 0:10:58 | 0:11:02 | |
They first started in 1937. | 0:11:02 | 0:11:03 | |
If we open up, we can see the publishers, Frederick Warne & Co. | 0:11:03 | 0:11:08 | |
They published Beatrix Potter books as well. | 0:11:08 | 0:11:11 | |
If you've got a rare one, in good condition, | 0:11:11 | 0:11:14 | |
if not mint condition, a first edition, | 0:11:14 | 0:11:16 | |
you're looking in excess of £100 for one book. | 0:11:16 | 0:11:19 | |
How do you spot whether they're first editions? | 0:11:19 | 0:11:22 | |
It's a bit of a mystery, the old first edition scenario. | 0:11:22 | 0:11:25 | |
-Look inside. -Right. -If it doesn't say "reprinted", it just has a date, | 0:11:25 | 0:11:31 | |
then you know that it's a first edition. | 0:11:31 | 0:11:34 | |
On this one here, it was originally printed in 1971, | 0:11:34 | 0:11:39 | |
reprinted and reprinted. | 0:11:39 | 0:11:41 | |
We also have the added information down here on this one, | 0:11:41 | 0:11:45 | |
here we have 75 and the six in front. | 0:11:45 | 0:11:48 | |
That means this book was printed in June 1975. | 0:11:48 | 0:11:52 | |
Because of the condition of them, | 0:11:52 | 0:11:54 | |
you could let the children use them and enjoy them | 0:11:54 | 0:11:57 | |
without worrying about them being kept perfect. | 0:11:57 | 0:12:00 | |
I had this one, Sea And Seashore, | 0:12:00 | 0:12:02 | |
and I could never find a starfish. | 0:12:02 | 0:12:05 | |
So what sort of value, do you think? | 0:12:05 | 0:12:06 | |
We won't get a vast sum of money for them | 0:12:06 | 0:12:08 | |
because we haven't got one gem here. But they will sell. | 0:12:08 | 0:12:12 | |
-20 to 30 quid at auction sale. -Lovely. -Somebody will buy these. | 0:12:12 | 0:12:16 | |
-Pleased with that? -That's great. | 0:12:16 | 0:12:18 | |
-It all helps. It all adds up. -Absolutely. | 0:12:18 | 0:12:20 | |
Tell you what, Lorne, I'm off to find you a starfish! | 0:12:20 | 0:12:23 | |
You may find that hard in Suffolk, but good luck! | 0:12:23 | 0:12:27 | |
I love these. They're great. | 0:12:27 | 0:12:30 | |
I won't hold my breath for that, Jonty. | 0:12:30 | 0:12:32 | |
You've got more pressing business to get on with, | 0:12:32 | 0:12:34 | |
like finding out if there's anything else here worth taking to auction. | 0:12:34 | 0:12:39 | |
We've managed to find three pictures. | 0:12:43 | 0:12:45 | |
Are there more around the house? | 0:12:45 | 0:12:47 | |
-One more little one. -Do you know the ladies in these? | 0:12:47 | 0:12:51 | |
-Yes, that's my sister, and that's me. -Wow, how lovely. | 0:12:51 | 0:12:56 | |
They were painted by my brother-in-law. | 0:12:56 | 0:12:58 | |
Colin Orchard, we have his signature here. | 0:12:58 | 0:13:01 | |
-Yes, that's Colin Orchard. -And we can see that... -CO. -Absolutely. | 0:13:01 | 0:13:06 | |
So which of these do you think you'd be willing to part with? | 0:13:06 | 0:13:09 | |
-Certainly not these, two, no. -Right. -But I'd consider selling that one. | 0:13:09 | 0:13:16 | |
Obviously because this has the family connection | 0:13:16 | 0:13:18 | |
-and that's more abstract. -Yes. | 0:13:18 | 0:13:20 | |
-That's a Barbara Hepworth sculpture from the garden in St Ives. -Right. | 0:13:20 | 0:13:25 | |
-In the museum grounds? -Yes, that's right. -OK. | 0:13:25 | 0:13:28 | |
Well, he really is a very famous artist. | 0:13:28 | 0:13:31 | |
He's a member of the Royal Society of British Artists | 0:13:31 | 0:13:34 | |
and you don't get much bigger than that! | 0:13:34 | 0:13:36 | |
He regularly exhibits at the summer exhibition at the Royal Academy. | 0:13:36 | 0:13:41 | |
-So when you bought this painting, how long ago was that? -Um... | 0:13:41 | 0:13:47 | |
A long time. | 0:13:47 | 0:13:48 | |
Well, on the back here we have the date of December '89. | 0:13:48 | 0:13:52 | |
But in red there's a price of £330. | 0:13:52 | 0:13:57 | |
-I paid 300 for it. -Ooh, you got £30 off! | 0:13:57 | 0:14:01 | |
-Family discount! -I'd say not long after it was painted. | 0:14:01 | 0:14:04 | |
Right. £300, 20 years ago. | 0:14:05 | 0:14:08 | |
If we take this to auction, you've got to remember | 0:14:08 | 0:14:11 | |
that a dealer will need to buy it, make a profit, | 0:14:11 | 0:14:15 | |
and also pay the auctioneer a premium as well. | 0:14:15 | 0:14:19 | |
So an auction estimate for this picture | 0:14:19 | 0:14:22 | |
is now going to be 300 to £400. | 0:14:22 | 0:14:26 | |
How do you feel about that? | 0:14:26 | 0:14:28 | |
I'll have to give it a bit of thought. Yes. | 0:14:28 | 0:14:30 | |
I know you're not decided at | 0:14:30 | 0:14:32 | |
the moment what you're going to do with the painting. | 0:14:32 | 0:14:35 | |
But for the sake of argument, if I include it at this point, | 0:14:35 | 0:14:38 | |
the value of everything going to auction comes to £930. | 0:14:38 | 0:14:43 | |
-Wow! -Lovely. | 0:14:43 | 0:14:45 | |
-The next time we see you will be at auction. -Lovely. -Thank you. | 0:14:45 | 0:14:49 | |
Well, after a slow start, I'm so pleased | 0:14:51 | 0:14:54 | |
we managed to exceed Olive's target. | 0:14:54 | 0:14:56 | |
I'm looking forward to seeing how well she does come auction day. | 0:14:56 | 0:15:00 | |
My favourites are the 20 Observer books collected by her husband John. | 0:15:00 | 0:15:05 | |
At 20 to £30, they're definitely one to watch | 0:15:05 | 0:15:08 | |
when they go before the bidders. | 0:15:08 | 0:15:11 | |
There's the 18-carat gold ring with rubies and diamonds | 0:15:11 | 0:15:14 | |
that Olive bought as an investment seven years ago. | 0:15:14 | 0:15:17 | |
Jonty gives it a glittering 300 to £500 valuation. | 0:15:17 | 0:15:21 | |
And will Olive part with a painting | 0:15:23 | 0:15:26 | |
by her brother-in-law, Colin Orchard, | 0:15:26 | 0:15:28 | |
a member of the Royal Society of British Artists? | 0:15:28 | 0:15:31 | |
With a price tag of 300 to £400, | 0:15:31 | 0:15:33 | |
it could pay for the re-upholstering of one chair on its own! | 0:15:33 | 0:15:37 | |
Still to come on Cash in the Attic... | 0:15:38 | 0:15:40 | |
Olive lets slip her trust in what we've chosen for auction. | 0:15:40 | 0:15:44 | |
-I didn't think it would sell. -Really? | 0:15:44 | 0:15:46 | |
-You of little confidence! -I know! | 0:15:46 | 0:15:48 | |
And I'm impressed by the sale price of our most unusual lot. | 0:15:49 | 0:15:53 | |
-Wow! -What a good price! -Fantastic! | 0:15:54 | 0:15:56 | |
We should auction each other, next time! | 0:15:56 | 0:15:59 | |
There's a lot of money in old fossils! | 0:15:59 | 0:16:01 | |
Find out how all our lots do when the final hammer falls. | 0:16:01 | 0:16:05 | |
It's been a few weeks since we met Olive at her home in Suffolk. | 0:16:10 | 0:16:14 | |
She's planning to move and wanted to get rid of a few bits and pieces. | 0:16:14 | 0:16:18 | |
We've found some lovely items that | 0:16:18 | 0:16:20 | |
we've brought to Stacey's Auction House in Essex. | 0:16:20 | 0:16:22 | |
She's looking to raise funds to rescue two of her favourite chairs | 0:16:22 | 0:16:26 | |
that have been demolished by the cats, | 0:16:26 | 0:16:28 | |
so she wants to re-upholster them. | 0:16:28 | 0:16:30 | |
Let's hope we make the money she wants and a bit more. | 0:16:30 | 0:16:33 | |
This family-run firm are based in Rayleigh, not far from Southend. | 0:16:33 | 0:16:38 | |
Their auctions are always packed. | 0:16:38 | 0:16:40 | |
The auction house is filling up with bidders now. | 0:16:40 | 0:16:43 | |
But as soon as we spot Olive and Helen, | 0:16:43 | 0:16:46 | |
their decision regarding the painting is obvious. | 0:16:46 | 0:16:49 | |
-Good morning. -Hi, guys. -Hi! | 0:16:49 | 0:16:50 | |
How do you feel about it being here? | 0:16:50 | 0:16:52 | |
I've put a good reserve on it, so if it doesn't go, I won't mind. | 0:16:52 | 0:16:57 | |
-What figure have you put on it? -I've put 400 on it. -OK. | 0:16:57 | 0:17:01 | |
As you can tell, the auction's started. | 0:17:01 | 0:17:03 | |
Let's get in position. Come on. | 0:17:03 | 0:17:06 | |
There are over 1,200 lots in today's auction | 0:17:07 | 0:17:10 | |
so Olive's heirlooms and collectibles face stiff competition. | 0:17:10 | 0:17:14 | |
First up is the oval bedside Swiss clock. | 0:17:14 | 0:17:17 | |
It's up for a very reasonable price of 20 to £30. | 0:17:17 | 0:17:22 | |
£10 straight in for this lot? £10 I'm bid. Thank you, at ten. | 0:17:22 | 0:17:26 | |
12. 15. 18. | 0:17:26 | 0:17:27 | |
-At £18. -Come on. -Lovely. | 0:17:27 | 0:17:29 | |
At the back at £18. | 0:17:29 | 0:17:32 | |
-Just under. -£18. Slightly under. | 0:17:32 | 0:17:35 | |
I think, we talk about £18 to us, cos we're selling the items. | 0:17:35 | 0:17:40 | |
But the person buying has commission. | 0:17:40 | 0:17:42 | |
-So it's going to cost them more than £20. -Right. | 0:17:42 | 0:17:46 | |
You have to bear that in mind. | 0:17:46 | 0:17:48 | |
It was only £2 below Jonty's lower estimate, | 0:17:48 | 0:17:51 | |
so we can't be too disappointed with that sale. | 0:17:51 | 0:17:54 | |
Let's hope she does better with the crystal necklace | 0:17:54 | 0:17:57 | |
up for 20 to £40. | 0:17:57 | 0:17:59 | |
£10 in for it. Ten I'm bid now. | 0:17:59 | 0:18:01 | |
12. At £12. Any advance on 12? Are we all done? | 0:18:01 | 0:18:04 | |
£12. 15. 18. | 0:18:04 | 0:18:06 | |
Against you. At £20 bid. | 0:18:06 | 0:18:08 | |
On my left at £20. Any advance? Last time. I'm selling at £20 only. | 0:18:08 | 0:18:14 | |
-Not bad! -Oh, great! -That is good. Somebody will wear it now. | 0:18:14 | 0:18:18 | |
-I didn't think it would sell. -Really? You of little confidence! | 0:18:18 | 0:18:23 | |
Hopefully, that sale, bang on | 0:18:23 | 0:18:25 | |
Jonty's lower estimate will be the start of a good run for us now. | 0:18:25 | 0:18:28 | |
Olive's next lot is unusual for an auction house. | 0:18:28 | 0:18:31 | |
It's the interesting collection of fossils. | 0:18:31 | 0:18:34 | |
And it has a price tag of 40-£60. | 0:18:34 | 0:18:37 | |
-You've put a reserve on this as well? -I put 50 on it, yes. | 0:18:39 | 0:18:43 | |
-So if we don't get £50 for it, it's going back. -Yes. -Fine. | 0:18:43 | 0:18:47 | |
One bid I have. I'm clearing the book at £40. | 0:18:47 | 0:18:50 | |
Ooh, lovely! | 0:18:50 | 0:18:52 | |
45. 50. | 0:18:52 | 0:18:54 | |
Five. 60. | 0:18:54 | 0:18:55 | |
65. 70. | 0:18:55 | 0:18:58 | |
Can't see you. £70. The bid's here with me at 70. Any advance on £70? | 0:18:58 | 0:19:01 | |
New bidder. Against you. And five. 90. Five. | 0:19:01 | 0:19:05 | |
The specialists are here! | 0:19:05 | 0:19:07 | |
At £100. £100. Any advance on 100? | 0:19:07 | 0:19:10 | |
Are you done? Last time. Selling at £100. | 0:19:10 | 0:19:14 | |
-Wow! -Fantastic! | 0:19:14 | 0:19:16 | |
We should auction each other next time. There's money in old fossils! | 0:19:16 | 0:19:21 | |
That was more than double Jonty's lower estimate. | 0:19:21 | 0:19:24 | |
I think Olive is quite happy not to be taking them back home. | 0:19:24 | 0:19:28 | |
The bidders are keen on her husband's | 0:19:28 | 0:19:30 | |
coin and stamp collection, too. | 0:19:30 | 0:19:32 | |
An advance on £40? | 0:19:33 | 0:19:34 | |
Hammer going down at 40. | 0:19:34 | 0:19:37 | |
Bang on Jonty's lower estimate. We're doing pretty well so far. | 0:19:37 | 0:19:41 | |
Now it's the turn of some of | 0:19:41 | 0:19:43 | |
Olive's furniture that she bought when she ran a bed and breakfast. | 0:19:43 | 0:19:47 | |
It's the mahogany chest of drawers with shell handles. | 0:19:47 | 0:19:50 | |
-Jonty, what do we want for this? -I put 30 to £50 on it. | 0:19:51 | 0:19:55 | |
But there is a big split in the top, so I would have put more. | 0:19:55 | 0:19:58 | |
But I hope the dealers are here to buy it because it is a dealer's lot. | 0:19:58 | 0:20:02 | |
£20 straight in for this one? | 0:20:02 | 0:20:04 | |
£20. 20 I'm bid, thank you. | 0:20:04 | 0:20:07 | |
And two. 25. 28. £28 now. | 0:20:07 | 0:20:10 | |
In the room at £28. Are we all done? | 0:20:10 | 0:20:13 | |
-A little bit short again. -No, that's OK. Yes, I'm fine with that. | 0:20:13 | 0:20:19 | |
Just missed our lowest estimate by two pounds. | 0:20:19 | 0:20:22 | |
But there are furniture buyers in the room. | 0:20:22 | 0:20:25 | |
Yet when Olive's pine dresser goes before the bidders at 60 to £80... | 0:20:25 | 0:20:30 | |
Failed to sell, I'm afraid. | 0:20:30 | 0:20:32 | |
Oh, shame! | 0:20:32 | 0:20:34 | |
It went to £40 but the auctioneer used his discretion | 0:20:34 | 0:20:38 | |
and decided it was worth more. | 0:20:38 | 0:20:40 | |
With half our lots sold, we've banked £206 towards the £800 target. | 0:20:40 | 0:20:46 | |
Not bad going, as there are still some great items yet to come. | 0:20:46 | 0:20:50 | |
Now, if, like Olive, you have a special reason to raise some cash | 0:20:50 | 0:20:54 | |
and are thinking of heading to auction, | 0:20:54 | 0:20:56 | |
remember, commission and other charges may apply. | 0:20:56 | 0:20:59 | |
Check the details with the auction house. | 0:20:59 | 0:21:01 | |
Next is the Edwardian dressing table. | 0:21:01 | 0:21:04 | |
I bought that at a sale room when | 0:21:04 | 0:21:06 | |
I was doing bed and breakfast in the cottage. | 0:21:06 | 0:21:09 | |
It's been much loved and much used. What's its value, Jonty? | 0:21:09 | 0:21:13 | |
30 to £50 on this one. | 0:21:13 | 0:21:15 | |
Start the bidding at £20. Straight in? 20, anywhere? | 0:21:15 | 0:21:19 | |
20 I'm bid. | 0:21:19 | 0:21:20 | |
At £20. Any advance on 20? | 0:21:20 | 0:21:22 | |
Are we all done, then, at £20? | 0:21:22 | 0:21:26 | |
-£20 is not going to... -It's not sold. -Really? -Not sold. | 0:21:26 | 0:21:30 | |
Once again, the auctioneer used his discretion | 0:21:30 | 0:21:33 | |
and decided £20 was not enough for that piece. | 0:21:33 | 0:21:36 | |
The next lot is Olive's star lot, | 0:21:36 | 0:21:38 | |
the painting by her brother-in-law, Colin Orchard. | 0:21:38 | 0:21:41 | |
Jonty valued this at £300-400, | 0:21:41 | 0:21:44 | |
and Olive's decided on a £400 reserve. | 0:21:44 | 0:21:48 | |
Let's not waste time. Start the bidding at £300. £300 in. | 0:21:49 | 0:21:53 | |
£300 for it. No-one want it for 300? | 0:21:53 | 0:21:54 | |
300. 320. £320. | 0:21:54 | 0:21:57 | |
330. 340. | 0:21:57 | 0:21:59 | |
At £340. Are we all done at 340? | 0:21:59 | 0:22:02 | |
Last time, then, at £340. | 0:22:02 | 0:22:06 | |
340. Sorry, that failed to sell. | 0:22:06 | 0:22:08 | |
-So it goes. -You know what the answer is. It's staying in the family. | 0:22:08 | 0:22:12 | |
Look at the smile on this girl's face! | 0:22:12 | 0:22:14 | |
I have to say, I think what happens is what should happen. | 0:22:14 | 0:22:18 | |
-Yes. -So had it reached that money and gone, fine. | 0:22:18 | 0:22:21 | |
But it hasn't and you'll enjoy it and love it. | 0:22:21 | 0:22:24 | |
-And there were bids for it. -Yes. -Absolutely. Yes. | 0:22:24 | 0:22:28 | |
It didn't sell, but Olive and Helen | 0:22:28 | 0:22:30 | |
are delighted it's staying with them. | 0:22:30 | 0:22:33 | |
I've got some of these myself. I love these Observer books. | 0:22:33 | 0:22:37 | |
They're fantastic. So much information in a tiny book. | 0:22:37 | 0:22:40 | |
What do we want for these, Jonty? | 0:22:40 | 0:22:42 | |
I put £20 as the lower end of the estimate. | 0:22:42 | 0:22:44 | |
You have to let the room decide. 20 to £30 would be great. | 0:22:44 | 0:22:48 | |
Start me off at £20. £20 for this lot? £20 I'm bid. 22. | 0:22:48 | 0:22:53 | |
25. £25 front row bid at £25. 28 against you. | 0:22:53 | 0:22:58 | |
-At £28 on my left. £28. Are we all done? -That's fine. | 0:22:58 | 0:23:02 | |
-Lovely. -That's all right. -£28. | 0:23:02 | 0:23:04 | |
-£28. -That's good, isn't it? | 0:23:04 | 0:23:07 | |
Excellent. | 0:23:07 | 0:23:08 | |
Just two pounds under the top estimate. | 0:23:08 | 0:23:12 | |
A very good result for those lovely little books. | 0:23:12 | 0:23:14 | |
They're quickly followed by the pair of Polaroid cameras... | 0:23:14 | 0:23:17 | |
£10 I'm bid. All done, then? | 0:23:18 | 0:23:20 | |
On my right at £10. Are we all done? I'm selling | 0:23:20 | 0:23:22 | |
at £10 only. | 0:23:22 | 0:23:26 | |
..which add another £10 to the pot. | 0:23:26 | 0:23:30 | |
We have just two more lots to go, both gold rings. | 0:23:30 | 0:23:32 | |
First up is the nine-carat gold cocktail ring | 0:23:32 | 0:23:35 | |
with a peridot and two diamonds. | 0:23:35 | 0:23:37 | |
It has a value of 50 to £70. | 0:23:37 | 0:23:40 | |
Two bids I have. I'm clearing the book. At £50. | 0:23:41 | 0:23:45 | |
Here at £50. Any advance on 50? | 0:23:45 | 0:23:47 | |
Five. 60. Five. 70. | 0:23:47 | 0:23:50 | |
Five. 80. | 0:23:50 | 0:23:52 | |
- Five. 90. - Wow! | 0:23:52 | 0:23:55 | |
At £95 on my left. At £95. Are we all done? | 0:23:55 | 0:23:59 | |
Hammer going down. £95. | 0:23:59 | 0:24:01 | |
-Lovely. -Are you happy with that? -Lovely, yes. | 0:24:01 | 0:24:04 | |
-Fantastic. -That makes up for the others not selling. | 0:24:04 | 0:24:07 | |
You've got to take an overview of all these things. | 0:24:07 | 0:24:10 | |
It's not over till the fat lady sings. | 0:24:10 | 0:24:13 | |
The ring went for almost double Jonty's lower estimate. | 0:24:13 | 0:24:18 | |
That's a great result, | 0:24:18 | 0:24:19 | |
and Olive looks thrilled. How will the other ring do? | 0:24:19 | 0:24:23 | |
Now, we really do hope this one sells. | 0:24:23 | 0:24:26 | |
It's the ring with three rubies, two diamonds and it's 18-carat gold. | 0:24:26 | 0:24:31 | |
So a higher quality of gold. | 0:24:31 | 0:24:33 | |
I put 300 to £500 on it. | 0:24:33 | 0:24:35 | |
OK? That's what I've done. | 0:24:35 | 0:24:37 | |
I've also had a chat with the auctioneer. | 0:24:37 | 0:24:39 | |
-One of his concerns is that the actual ring is quite small. -Yes. | 0:24:39 | 0:24:43 | |
That is a bit of a problem | 0:24:43 | 0:24:45 | |
because it'll be difficult to put the ring on many ladies' fingers. | 0:24:45 | 0:24:50 | |
So could be a problem. | 0:24:50 | 0:24:52 | |
-I hadn't thought of that. -Yes. Let's see how we go. | 0:24:52 | 0:24:56 | |
One commission bid I have. I'm clearing at £150. | 0:24:56 | 0:24:59 | |
-The bid's at 150. Any advance on that? -We need more than that. | 0:24:59 | 0:25:03 | |
155. 160. 165. 170. 175. | 0:25:03 | 0:25:07 | |
180. 185. 190. | 0:25:07 | 0:25:10 | |
195. At £195 now with the lady. | 0:25:10 | 0:25:13 | |
-Are we all done? -I think it's going. -195. | 0:25:13 | 0:25:15 | |
-Right, it's sold. -Yes. | 0:25:17 | 0:25:19 | |
Oh, dear. That ring didn't even reach Jonty's lower estimate, | 0:25:19 | 0:25:23 | |
so we have quite a few unsold items, | 0:25:23 | 0:25:25 | |
but we did rather well on other lots. | 0:25:25 | 0:25:28 | |
So have much have we made overall? | 0:25:28 | 0:25:30 | |
Now, you wanted £800 to get these chairs reupholstered. | 0:25:30 | 0:25:34 | |
I haven't got that, have I? | 0:25:34 | 0:25:36 | |
No, I'm afraid not! | 0:25:36 | 0:25:39 | |
I was trying to think of a way to break it to you, | 0:25:39 | 0:25:42 | |
but you've gone straight in. | 0:25:42 | 0:25:43 | |
You've actually made £534. | 0:25:43 | 0:25:47 | |
That's £534 more than I had when I arrived. | 0:25:47 | 0:25:51 | |
Very true. Is that enough to get the chair project under way? | 0:25:51 | 0:25:55 | |
Certainly well on its way, yes. | 0:25:55 | 0:25:57 | |
Don't forget you're taking that fantastic painting back with you. | 0:25:57 | 0:26:01 | |
-Enjoy it. -Will do, definitely. -There's still a smile on her face. | 0:26:01 | 0:26:06 | |
Olive is keen to get the work on her two chairs started. | 0:26:12 | 0:26:15 | |
She heads over to the local upholsterers. | 0:26:15 | 0:26:17 | |
-Hello! -Nice to see you, Olive. Nice to see you again. | 0:26:17 | 0:26:21 | |
-You liked the look of that one. -I liked the floral. -Yeah. | 0:26:21 | 0:26:25 | |
When they're finished, I think her | 0:26:25 | 0:26:27 | |
chairs will take pride of place in her new, less cluttered home. | 0:26:27 | 0:26:30 |