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Welcome to the show that finds the hidden treasures in your home | 0:00:02 | 0:00:05 | |
and then we sell them at auction. Today, we're helping a family | 0:00:05 | 0:00:09 | |
who have a fascination | 0:00:09 | 0:00:10 | |
with the Orient. They're looking to take a trip halfway around the world | 0:00:10 | 0:00:14 | |
for a family reunion. | 0:00:14 | 0:00:16 | |
Let's see if we can find some cash in their attic. | 0:00:16 | 0:00:19 | |
'Today, there's some white gold, in amongst the family heirlooms.' | 0:00:39 | 0:00:44 | |
That is absolutely fantastic. Are you going to wear this? | 0:00:44 | 0:00:48 | |
Well, apparently not! | 0:00:48 | 0:00:51 | |
'Maybe we'll have better luck with the family silverware?' | 0:00:51 | 0:00:55 | |
-Is it complete? -Yes. -Where's the bread knife? | 0:00:55 | 0:00:59 | |
-It's missing. -I thought you wouldn't notice! | 0:00:59 | 0:01:02 | |
'Nothing gets past me, but this wastepaper bin | 0:01:02 | 0:01:05 | |
'had uses even I hadn't foreseen.' | 0:01:05 | 0:01:08 | |
-It's a plant pot! -Yeah. | 0:01:08 | 0:01:11 | |
Well, a wastepaper bin/planter. | 0:01:11 | 0:01:14 | |
'Whatever you call it, it's bound to be of value when the hammer falls.' | 0:01:14 | 0:01:20 | |
Rodney and Jean Berman have lived in this bungalow for over 30 years. | 0:01:20 | 0:01:25 | |
Though he's semi-retired, | 0:01:25 | 0:01:28 | |
Rodney still jets around the world on business trips, | 0:01:28 | 0:01:32 | |
usually accompanied by their son, Joel. | 0:01:32 | 0:01:34 | |
With their four children having flown the nest, | 0:01:34 | 0:01:36 | |
The Bermans now feel ready to downsize, | 0:01:36 | 0:01:38 | |
but it's to help with another long-haul trip that they've called | 0:01:38 | 0:01:42 | |
in the Cash In The Attic team. | 0:01:42 | 0:01:44 | |
The Bermans' home looks as if it's packed with collectables. | 0:01:46 | 0:01:50 | |
Paul Hayes has already got to work. | 0:01:50 | 0:01:53 | |
With 20 years' experience as a dealer, | 0:01:53 | 0:01:56 | |
he's just the right man for the job. | 0:01:56 | 0:02:00 | |
A-ha. Good morning. Looking at flights? | 0:02:00 | 0:02:04 | |
-Yes. -Where are you planning on going? -To Hong Kong. | 0:02:04 | 0:02:08 | |
OK. Any particular reason? | 0:02:08 | 0:02:10 | |
We have a son and daughter-in-law and two grandchildren there, | 0:02:10 | 0:02:15 | |
so we're planning to visit. | 0:02:15 | 0:02:17 | |
-Joel, are you going? -Probably not. | 0:02:17 | 0:02:20 | |
Not unless you find something REALLY good! | 0:02:20 | 0:02:23 | |
-What do you think of your parents going? -It's great. | 0:02:23 | 0:02:27 | |
They should get out more often, go travelling, see the family. | 0:02:27 | 0:02:30 | |
-I understand that you're selling this house. -It's on the market. | 0:02:30 | 0:02:35 | |
-It's enormous! -Too big for two of us. -They've all gone, have they? | 0:02:35 | 0:02:41 | |
They've all left the nest. | 0:02:41 | 0:02:43 | |
So you decided, that's enough housework! | 0:02:43 | 0:02:46 | |
Yes. Instead of the children coming to visit us, we will visit them. | 0:02:46 | 0:02:52 | |
So, if you want to raise the money for going to Hong Kong, | 0:02:52 | 0:02:57 | |
what figure are you looking at? | 0:02:57 | 0:03:00 | |
-I was hoping for £1,000. -Right. | 0:03:00 | 0:03:03 | |
So we need to raise £1,000 for this trip to Hong Kong. | 0:03:03 | 0:03:08 | |
-Shall we get the items valued, then? Find Paul? -Yes. | 0:03:08 | 0:03:11 | |
-Follow me, then. -Thank you. | 0:03:11 | 0:03:14 | |
Family ties are clearly important, | 0:03:14 | 0:03:16 | |
so let's see what we can do to get them on that trip. | 0:03:16 | 0:03:20 | |
In the hallway, something has stopped Paul in his tracks. | 0:03:20 | 0:03:25 | |
-Paul. -Hello, there. -Good morning. Where was that? -Just here. | 0:03:25 | 0:03:31 | |
-How unusual is that? It's like a gate or door. -It is an old gate. | 0:03:31 | 0:03:35 | |
It came from Marrakech. | 0:03:35 | 0:03:39 | |
I tried to find out more of the history from my friend in Marrakech. | 0:03:39 | 0:03:43 | |
He tells me it's the door of the big gates that go into a courtyard. | 0:03:43 | 0:03:50 | |
So they could just walk in. | 0:03:50 | 0:03:52 | |
I tried to find out how old it is. He thinks it goes back a long time. | 0:03:52 | 0:03:57 | |
-What do you think, Paul? -I'd say 19th century. | 0:03:57 | 0:04:01 | |
If not a little earlier. They used camel or cow bone instead of ivory. | 0:04:01 | 0:04:06 | |
It would be profusely decorated. | 0:04:06 | 0:04:10 | |
If we put this to auction with at least £100, £150. | 0:04:10 | 0:04:16 | |
-How does that sound? -Sounds pretty good. -Fantastic. | 0:04:16 | 0:04:19 | |
So, while Paul flexes his rummaging muscles with that intriguing gate, | 0:04:22 | 0:04:27 | |
Rodney's already busy | 0:04:27 | 0:04:29 | |
turning up this impressive set of plates by Royal Worcester, | 0:04:29 | 0:04:34 | |
a prestigious manufacturer with a timeless appeal, | 0:04:34 | 0:04:38 | |
famous for fine decoration. | 0:04:38 | 0:04:40 | |
Paul values this 1960s set | 0:04:40 | 0:04:43 | |
at a distinguished... | 0:04:43 | 0:04:47 | |
Jean's happy to part with this collection of oriental furniture - | 0:04:47 | 0:04:53 | |
a cabinet, side table and mirror. | 0:04:53 | 0:04:55 | |
They brought them back from Hong Kong in the late 1970s. | 0:04:55 | 0:04:59 | |
Paul gives the lot a price tag of... | 0:04:59 | 0:05:05 | |
-Paul, come and look at these chairs a minute. -Where are you? | 0:05:05 | 0:05:11 | |
-Oh! These are nice, aren't they? Is this your style? -Yes. | 0:05:11 | 0:05:16 | |
These are like a director's chair. How long have you had these? | 0:05:16 | 0:05:20 | |
These we've had about 30 years. | 0:05:20 | 0:05:23 | |
-Just the two of them? -Just the two. We bought a matched pair. | 0:05:23 | 0:05:27 | |
-Are these inherited? -No. | 0:05:27 | 0:05:30 | |
We bought these in a high street store in London. | 0:05:30 | 0:05:34 | |
They're extremely modern. | 0:05:34 | 0:05:37 | |
They were developed in the 1920s | 0:05:37 | 0:05:39 | |
and were extremely popular, very modern. | 0:05:39 | 0:05:42 | |
A guy called Marcel Breuer made the design for them. | 0:05:42 | 0:05:47 | |
1920, just come out of the First World War, everything was dark, | 0:05:47 | 0:05:52 | |
Victorian interiors. | 0:05:52 | 0:05:54 | |
These were a totally different look. He was a revolutionary, a modernist. | 0:05:54 | 0:05:59 | |
Only now we call it Art Deco, in hindsight. It was ultra modern. | 0:05:59 | 0:06:04 | |
Apparently, he was inspired by the handlebars on his push bike. | 0:06:04 | 0:06:08 | |
He thought, "Why don't we make furniture from these?" | 0:06:08 | 0:06:11 | |
He bent chromium tubes, which make the frame, then the use of leather. | 0:06:11 | 0:06:17 | |
What you end up with is a very geometric, very funky design. | 0:06:17 | 0:06:21 | |
I think they're fantastic. | 0:06:21 | 0:06:22 | |
You'll certainly get your money back. They were a great investment. | 0:06:22 | 0:06:26 | |
You've had use of them for 30 years. I think someone will fancy those. | 0:06:26 | 0:06:31 | |
If I was selling them, you're looking at the 300 mark. | 0:06:31 | 0:06:35 | |
For auction... | 0:06:35 | 0:06:39 | |
Not a bad return after 30 years. | 0:06:39 | 0:06:40 | |
-You get your money back. -Absolutely. | 0:06:40 | 0:06:44 | |
They're quite light to shift, but we'll leave that to somebody else. | 0:06:44 | 0:06:49 | |
Paul's attention turns to this pair of gold watches. | 0:06:49 | 0:06:54 | |
The round watch belonged to Jean's Polish grandmother. | 0:06:54 | 0:06:58 | |
The square rotary watch was Jean's mother's. | 0:06:58 | 0:07:01 | |
Paul values them at... | 0:07:01 | 0:07:05 | |
-How long ago did you meet? -We actually met at school. | 0:07:06 | 0:07:10 | |
Right, so was it love at first sight, Jean? | 0:07:10 | 0:07:12 | |
-I'm sure it was. -And was it the same for you, Rodney? -Absolutely. Yes. | 0:07:12 | 0:07:17 | |
-How long have you been married? -For 42 years. | 0:07:17 | 0:07:20 | |
-That's a long time. -It is. | 0:07:20 | 0:07:24 | |
A lot of that time, Rodney, you've been away because of the business. | 0:07:24 | 0:07:29 | |
We were married when I was 21. | 0:07:29 | 0:07:32 | |
-I've been travelling to the Far East for 40 years. -Goodness. | 0:07:32 | 0:07:36 | |
What's your secret ingredient for being together for this long? | 0:07:36 | 0:07:40 | |
Well, he used to always bring me something nice back. | 0:07:40 | 0:07:44 | |
-That helps, let's be honest! -He used to bring for the children, as well. | 0:07:44 | 0:07:49 | |
When was the last time you saw your son who lives in Hong Kong? | 0:07:49 | 0:07:54 | |
The children were here in the summer for the first time in four years, | 0:07:54 | 0:07:59 | |
but he was only here for a short time. | 0:07:59 | 0:08:02 | |
We want you to raise the money for those tickets to Hong Kong. | 0:08:02 | 0:08:06 | |
-Shall we see if Paul's found something? -Absolutely. | 0:08:06 | 0:08:10 | |
'All this talk of globe-trotting is tiring me out.' | 0:08:10 | 0:08:14 | |
There's no time to rest if we're to send the Bermans to Hong Kong. | 0:08:14 | 0:08:20 | |
Paul's spotted a figurine which was given to Jean as a gift. | 0:08:20 | 0:08:24 | |
It's made by the popular firm Lladro, which started in the 1950s | 0:08:24 | 0:08:27 | |
and gets a modest price tag... | 0:08:27 | 0:08:32 | |
At auction, I wonder whether the little Lladro boy | 0:08:32 | 0:08:35 | |
will find someone to give him a new home. | 0:08:35 | 0:08:39 | |
£20, I'm bid, for the lovely Lladro. | 0:08:39 | 0:08:41 | |
'Will he reach his estimated price?' | 0:08:41 | 0:08:44 | |
I've got to sell. Two. 22. Five. 25... | 0:08:44 | 0:08:47 | |
Stay with us and find out. | 0:08:47 | 0:08:50 | |
As our rummage continues, chez Berman, | 0:08:50 | 0:08:54 | |
we've passed the halfway mark on our way to £1,000. | 0:08:54 | 0:08:57 | |
-Lorne. Paul. What do you think of this? -Look at that! | 0:08:57 | 0:09:01 | |
What a lovely canteen. | 0:09:01 | 0:09:04 | |
This is a 12-piece cutlery set, bone handled. | 0:09:04 | 0:09:07 | |
It was left to my parents in 1983. | 0:09:07 | 0:09:10 | |
The person who left it got it as a wedding present in the 1930s. | 0:09:10 | 0:09:16 | |
-That's what we think is the history. -You hit the nail on the head. | 0:09:16 | 0:09:19 | |
These are often wedding presents, and 1930s fits in with this example. | 0:09:19 | 0:09:24 | |
The original idea goes back to the 18th century. | 0:09:24 | 0:09:29 | |
This is a silver table, it would be in your room with your teapot, | 0:09:29 | 0:09:33 | |
maybe your sugar and cream sat on the side ready for use. | 0:09:33 | 0:09:38 | |
As time progressed, it turned into a canteen. | 0:09:38 | 0:09:41 | |
We've got Queen Anne legs, the ball and claw feet, | 0:09:41 | 0:09:45 | |
a power symbol of the 18th century. | 0:09:45 | 0:09:47 | |
-Is it complete? -Yes. -Where's the bread knife? | 0:09:47 | 0:09:50 | |
I thought you wouldn't notice! | 0:09:50 | 0:09:53 | |
I wouldn't have, except for the big sign that says "bread knife". | 0:09:53 | 0:09:57 | |
-Can you get another one? -You can always get another one. | 0:09:57 | 0:10:02 | |
It's very hard to find the exact one that would match this canteen. | 0:10:02 | 0:10:06 | |
You could get a "marriage". It's almost right, but not quite. | 0:10:06 | 0:10:10 | |
What value are we talking about, Paul? | 0:10:10 | 0:10:13 | |
The 200 mark, upwards. | 0:10:13 | 0:10:16 | |
If two people fancy it, we could do quite well with it. | 0:10:16 | 0:10:20 | |
-What do you think about that valuation? -That makes sense. | 0:10:20 | 0:10:24 | |
It has got the bread knife missing. I think that's fair value. | 0:10:24 | 0:10:28 | |
Good, well, that's going to help. Shall we see what else we can find? | 0:10:28 | 0:10:33 | |
Another terrific item to take to auction. | 0:10:33 | 0:10:37 | |
Joel unearths a bone china tea set | 0:10:37 | 0:10:40 | |
by the Derbyshire company, Abbeydale. | 0:10:40 | 0:10:43 | |
There are plenty of Abbeydale admirers, including Paul, | 0:10:43 | 0:10:47 | |
who values this set at a refreshing... | 0:10:47 | 0:10:50 | |
-I wonder, Paul, if these are any interest. -Ah, now, then. | 0:10:51 | 0:10:56 | |
These are nice, aren't they? Little chariots. | 0:10:56 | 0:10:59 | |
-Where are these from? -They came from Japan. -What a nice thing! | 0:10:59 | 0:11:04 | |
-It must be exciting seeing all these exotic places. -It must have been. | 0:11:04 | 0:11:09 | |
What's beautiful about all Japanese items | 0:11:09 | 0:11:12 | |
is they have a style of their own. | 0:11:12 | 0:11:15 | |
Japan was a closed country until the late 19th century. | 0:11:15 | 0:11:19 | |
All their styles and work was individual. | 0:11:19 | 0:11:24 | |
The metalwork is superb quality. | 0:11:24 | 0:11:28 | |
It comes from making Samurai swords, part of Japanese dress. | 0:11:28 | 0:11:33 | |
When they adopted the Western style, they had wonderful metalworkers. | 0:11:33 | 0:11:38 | |
They made items from silver and bronze. | 0:11:38 | 0:11:41 | |
They're regarded as the best in the world. | 0:11:41 | 0:11:44 | |
This is solid silver. It's been made with the European market in mind. | 0:11:44 | 0:11:49 | |
In English, it's got "Japan" and "sterling". | 0:11:49 | 0:11:53 | |
It's telling us this is good quality. | 0:11:53 | 0:11:56 | |
If this was made from 100% pure silver, it would be too soft. | 0:11:56 | 0:12:02 | |
They have to mix it with an alloy, usually copper. | 0:12:02 | 0:12:06 | |
That gives it its sterling standard. It has to be at least 92.5% pure. | 0:12:06 | 0:12:11 | |
But these have a use. They have a little trap door. | 0:12:11 | 0:12:15 | |
You'd put a powder in there. | 0:12:15 | 0:12:17 | |
One has a narrow hole, one has a large hole. | 0:12:17 | 0:12:21 | |
The narrow for salt, the large for pepper. | 0:12:21 | 0:12:25 | |
I think they're top quality. | 0:12:25 | 0:12:27 | |
If you've got a Japanese and a silver collector, | 0:12:31 | 0:12:35 | |
-they should do well. -That sounds lovely. | 0:12:35 | 0:12:38 | |
-Let's put them somewhere safe, back in the drawer. -Thank you very much. | 0:12:38 | 0:12:43 | |
It's been a journey of discovery, | 0:12:45 | 0:12:48 | |
with items from every corner of the world. | 0:12:48 | 0:12:51 | |
The search isn't quite over yet. | 0:12:51 | 0:12:54 | |
-I've just found this in the other room. -That's a nice one. | 0:12:56 | 0:13:00 | |
It's a white gold Jaeger-LeCoultre dress watch. | 0:13:00 | 0:13:04 | |
I was going to ask if it was silver or gold! | 0:13:04 | 0:13:07 | |
Is that what you keep for best? | 0:13:07 | 0:13:10 | |
When you're dressed up, going to a wedding or a charity function, it looks the part. | 0:13:10 | 0:13:16 | |
What I want to find out is the carat value. Do you know? | 0:13:16 | 0:13:20 | |
-Is it 9 carat or 18 carat? -18 carat. | 0:13:20 | 0:13:22 | |
It is. It says 750. | 0:13:22 | 0:13:25 | |
That means that it's 75% pure gold, which is 18-carat, as we know it. | 0:13:25 | 0:13:30 | |
It's called a mesh design, it's all interlaced like rope. | 0:13:30 | 0:13:34 | |
Very popular in the 1960s, 1970s. | 0:13:34 | 0:13:38 | |
It can split through overuse, but this is perfect. | 0:13:38 | 0:13:43 | |
I have seen splits where someone's tried to repair it | 0:13:43 | 0:13:47 | |
and you get these horrible blobs. | 0:13:47 | 0:13:50 | |
Are you going to wear this, then? | 0:13:50 | 0:13:53 | |
-Is this being handed down? -Apparently not! | 0:13:53 | 0:13:58 | |
I didn't know about this watch. | 0:13:58 | 0:14:00 | |
It's a beautiful watch, but things go in and out of fashion. | 0:14:00 | 0:14:04 | |
To sell this now, you're looking... | 0:14:04 | 0:14:06 | |
-That sounds good to me. -Would you put a reserve on it? | 0:14:10 | 0:14:14 | |
On your basis, maybe 750, 800? | 0:14:14 | 0:14:17 | |
If you're happy with that, say about 700. | 0:14:17 | 0:14:21 | |
Put that reserve on it as a minimum and see how it goes. | 0:14:21 | 0:14:25 | |
What a fantastic thing! | 0:14:25 | 0:14:27 | |
What a great result. | 0:14:27 | 0:14:29 | |
The Bermans stand to make around £1,650, | 0:14:29 | 0:14:32 | |
well beyond their original target. | 0:14:32 | 0:14:34 | |
It won't be long before their lovely items come up for auction. | 0:14:34 | 0:14:38 | |
Let's hope their success or failure doesn't hinge on that Moroccan gate. | 0:14:39 | 0:14:47 | |
The charming rickshaw salt and pepper pots should prove tempting. | 0:14:47 | 0:14:53 | |
And there's the impressive set of Far Eastern furniture. | 0:14:54 | 0:15:02 | |
I can't wait to see how that gets on. | 0:15:02 | 0:15:05 | |
Still to come on Cash In The Attic, | 0:15:05 | 0:15:07 | |
Joel is keen to distance himself from the Lladro boy. | 0:15:07 | 0:15:11 | |
-Nothing to do with you? -Nothing to do with me. It's hideous! | 0:15:11 | 0:15:15 | |
'Will Rodney be happy with the auctioneer's pricing?' | 0:15:15 | 0:15:18 | |
His price is unreasonable. It's far too low. | 0:15:18 | 0:15:22 | |
And will Jean's expectations be met when the final hammer falls? | 0:15:22 | 0:15:27 | |
When we met the Berman family, they were in the process of downsizing. | 0:15:32 | 0:15:37 | |
That involved clearing out 30 years worth of clutter. | 0:15:37 | 0:15:41 | |
We found some very collectable pieces, that we've brought here | 0:15:41 | 0:15:46 | |
to Frank Marshall auction rooms in Knutsford. | 0:15:46 | 0:15:49 | |
They want to raise £1,000 to visit their son Daniel in Hong Kong. | 0:15:49 | 0:15:53 | |
Let's hope the bidders are enthusiastic when our items go under the hammer today. | 0:15:53 | 0:16:00 | |
They say the early bird gets the worm. As soon as the doors open, | 0:16:00 | 0:16:03 | |
potential bidders are eagerly looking over today's best buys. | 0:16:03 | 0:16:08 | |
Jean, Rodney and Joel are eager to see | 0:16:08 | 0:16:11 | |
if they can still raise that £1,000 total. | 0:16:11 | 0:16:15 | |
-Good morning. How are you? -Very excited. | 0:16:15 | 0:16:19 | |
-Are you? You've moved, of course. -Yes, we've left the big house, now. | 0:16:19 | 0:16:25 | |
Some of your furniture is here, so is it like deja vu? | 0:16:25 | 0:16:29 | |
It is strange to see it in a confined space. It was spread round the house. | 0:16:29 | 0:16:34 | |
-It's not just furniture, Paul. -We have a real mixed lot. | 0:16:34 | 0:16:38 | |
-Some Chinese items and a door from Marrakech! -Like you do! | 0:16:38 | 0:16:43 | |
It's quiet because everything's happening upstairs. | 0:16:43 | 0:16:46 | |
-Shall we go and get in position? -Yes, let's go. | 0:16:46 | 0:16:49 | |
'We'll leave the furniture area and go upstairs to the collectables. | 0:16:49 | 0:16:55 | |
'It'll be fascinating to see how the family's smaller items fare. | 0:16:55 | 0:17:00 | |
'We're in position, as the first item goes before the room. | 0:17:00 | 0:17:04 | |
'It's the pair of gold watches, valued at... | 0:17:04 | 0:17:09 | |
Right, I can start the bidding at £130. | 0:17:09 | 0:17:14 | |
Five? 130 bid. Any more? At 130. | 0:17:14 | 0:17:17 | |
135. 140 on commission. | 0:17:17 | 0:17:21 | |
145. 150. Commission bid of £150. | 0:17:21 | 0:17:24 | |
Any more? Are you out in the room, 150? | 0:17:24 | 0:17:28 | |
All done at 150. | 0:17:28 | 0:17:30 | |
That's a great result! | 0:17:31 | 0:17:34 | |
Certainly was, and we're hoping Rodney's very smart dress watch | 0:17:34 | 0:17:37 | |
in white gold could do even better. | 0:17:37 | 0:17:39 | |
Right, I can start the bidding on commission at £810... | 0:17:39 | 0:17:45 | |
£810, straightaway! | 0:17:45 | 0:17:47 | |
..Anybody else? At 810. I'll take 820, if you like. | 0:17:47 | 0:17:51 | |
Are you bidding? 820. 830 here. | 0:17:51 | 0:17:55 | |
At 830. Any more? 840. £840. | 0:17:55 | 0:17:58 | |
850, on commission. At 850. | 0:17:58 | 0:18:02 | |
Last chance, is at 850. | 0:18:02 | 0:18:05 | |
There you go. Are you pleased with that? That's fantastic. | 0:18:05 | 0:18:10 | |
'We're already winding up very close to our overall target! | 0:18:10 | 0:18:15 | |
'The Japanese silver cruet set fails to get the bidders going. | 0:18:15 | 0:18:19 | |
At 35. Any advance, then, quickly...? | 0:18:19 | 0:18:21 | |
-He's not going to sell them. -..Yes or no, at 35? | 0:18:21 | 0:18:24 | |
Not quite there, I'm afraid. | 0:18:24 | 0:18:27 | |
'So, it heads home with Jean. | 0:18:27 | 0:18:30 | |
'The Abbeydale tea set does find a new owner, though... | 0:18:30 | 0:18:33 | |
£38. At 38. Take 40. At £38, the bid's on my left. 40, sir? | 0:18:33 | 0:18:39 | |
-No...? -He's going to let it go. | 0:18:39 | 0:18:42 | |
There you go. | 0:18:42 | 0:18:43 | |
..albeit a little short of Paul's £50 estimate. | 0:18:43 | 0:18:47 | |
'Hopefully, the canteen of cutlery | 0:18:47 | 0:18:50 | |
'will get a more enthusiastic response. | 0:18:50 | 0:18:52 | |
'We're looking for £200.' | 0:18:52 | 0:18:55 | |
Nice lot, there. Where are you going to be? | 0:18:55 | 0:18:57 | |
Should be a couple of hundred pounds. 200. | 0:18:57 | 0:19:00 | |
Where are you going to be? One? 100, surely. 100 I've got. | 0:19:00 | 0:19:04 | |
£100 I'm bid. And ten. | 0:19:04 | 0:19:07 | |
120. 130. 140. 140 at the back. £140. | 0:19:07 | 0:19:13 | |
50 where? At £140. In the doorway at 140. | 0:19:13 | 0:19:17 | |
Last chances, now. | 0:19:17 | 0:19:20 | |
At £140... | 0:19:20 | 0:19:23 | |
He's let it go. £140. That's less than we wanted, isn't it? | 0:19:23 | 0:19:28 | |
'Not as much as we hoped, but with the bread knife missing, | 0:19:28 | 0:19:33 | |
'£140 isn't too bad. | 0:19:33 | 0:19:35 | |
'Rodney and Jean's trip to visit their son Daniel is edging closer.' | 0:19:35 | 0:19:40 | |
Completely into modern collectables. This is a Lladro figurine. | 0:19:40 | 0:19:45 | |
Lladro is the one people really like to see. | 0:19:45 | 0:19:50 | |
This one's really sweet - a little child with a dummy. | 0:19:50 | 0:19:54 | |
-Nothing to do with you? -Nothing to do with me. It's hideous. | 0:19:54 | 0:19:58 | |
-You're not going to miss it? -No. | 0:19:58 | 0:20:00 | |
Cute little figure, there. £40. | 0:20:00 | 0:20:03 | |
Where are you going to start me? 20? 20... | 0:20:03 | 0:20:06 | |
It must be more than 20. | 0:20:06 | 0:20:09 | |
..At £20? At £20 only... | 0:20:09 | 0:20:11 | |
It's a bargain. | 0:20:11 | 0:20:14 | |
We've got to sell. Two. 22. | 0:20:14 | 0:20:16 | |
Five? 25. Eight? £28 at the back. | 0:20:16 | 0:20:20 | |
Any advance on 28? Here to go. At the back of the room at £28. | 0:20:20 | 0:20:25 | |
BANGS GAVEL | 0:20:25 | 0:20:27 | |
-Don't think that was close to your heart now, was it? -Don't cry(!) | 0:20:27 | 0:20:33 | |
'I think Joel's over that one! | 0:20:33 | 0:20:35 | |
'The Lladro boy is one item | 0:20:35 | 0:20:40 | |
'the Bermans are pleased to see the back of. | 0:20:40 | 0:20:43 | |
At the halfway point, we've already made our target and then some, | 0:20:43 | 0:20:47 | |
'with £1,206 in the kitty. | 0:20:47 | 0:20:51 | |
'We've got six more lots, too, so who knows where we'll end up? | 0:20:51 | 0:20:55 | |
'If you've been inspired to try an auction, | 0:20:55 | 0:20:57 | |
remember that charges apply, whether buying or selling. | 0:20:57 | 0:21:01 | |
'Your sale room will give you all the details. | 0:21:01 | 0:21:03 | |
'Our last lot upstairs | 0:21:03 | 0:21:06 | |
'is the Royal Worcester dinner service, | 0:21:06 | 0:21:08 | |
'but the bidders don't seem keen. | 0:21:08 | 0:21:10 | |
80, then? Anybody here for it? | 0:21:10 | 0:21:13 | |
£80? No? Come on. | 0:21:13 | 0:21:17 | |
If you're not interested, we're not going to sell it. | 0:21:17 | 0:21:20 | |
OK? £80? Leave it. | 0:21:20 | 0:21:23 | |
-Are you relieved that he hasn't sold it for £80? -Yes. | 0:21:23 | 0:21:27 | |
'A no sale for the dinner service but, since we've made our target, | 0:21:27 | 0:21:31 | |
'we're far from all washed-up. | 0:21:31 | 0:21:34 | |
'In the furniture room, | 0:21:34 | 0:21:36 | |
'I'm curious what the bidders will make of that door from Marrakech.' | 0:21:36 | 0:21:41 | |
There's been a discussion on the price. | 0:21:41 | 0:21:45 | |
-Paul, what was the estimate you put on it? -A minimum of £100. | 0:21:45 | 0:21:50 | |
It's a fantastic example, but where else do you compare a price to it? | 0:21:50 | 0:21:56 | |
The auctioneer disagreed and said 20 to 30. | 0:21:56 | 0:21:59 | |
I disagree with the auctioneer. That's a ridiculously low value. | 0:21:59 | 0:22:03 | |
What's your view? | 0:22:03 | 0:22:05 | |
His price is unreasonable, I think. It's far too low. | 0:22:05 | 0:22:09 | |
-Do you have a bottom-line figure in mind? -I think £50. | 0:22:09 | 0:22:13 | |
-So we need to make at least £50. -Let's find some middle ground. £50. | 0:22:13 | 0:22:18 | |
Marrakech hardwood door panel. Good decorator's piece this. | 0:22:18 | 0:22:23 | |
Where are we going to go? £50? | 0:22:23 | 0:22:26 | |
£50 anywhere? £50? £40? £30 start me? | 0:22:26 | 0:22:29 | |
Good decorator's lot at £30. | 0:22:29 | 0:22:32 | |
Who'll start me off at £30? Need to start this going at £30. | 0:22:32 | 0:22:37 | |
I have a reserve. Thank you, madam. 30, I am bid. 35. 40. Five. | 0:22:37 | 0:22:41 | |
£50 seated. On my right at £50. Anyone else coming in? | 0:22:41 | 0:22:45 | |
The bid's in the room, on my right at £50. | 0:22:45 | 0:22:49 | |
You're relieved you haven't got to turn it into a coffee table! | 0:22:49 | 0:22:54 | |
'Someone found a use for it. | 0:22:54 | 0:22:57 | |
'Only half of Paul's estimate, | 0:22:57 | 0:22:59 | |
'but comfortably beating the one set by the auction house.' | 0:22:59 | 0:23:05 | |
Next it's the Chinese furniture. | 0:23:05 | 0:23:07 | |
According to the catalogue, a four-piece set | 0:23:07 | 0:23:10 | |
comprising a side table, a cabinet, a mirror and a wastepaper bin. | 0:23:10 | 0:23:15 | |
-Plant pot! -Oh, it's a plant pot! -Yeah. A planter. | 0:23:15 | 0:23:19 | |
Well, wastepaper bin/planter. | 0:23:19 | 0:23:22 | |
-LAUGHS -That's what it says. What can I say? | 0:23:22 | 0:23:27 | |
£80, surely? | 0:23:27 | 0:23:28 | |
Four good bits in the lot for £80. 70, 60, 50 will start me. 50? | 0:23:28 | 0:23:34 | |
At £50? £40? Someone going to start the bidding at £40? | 0:23:34 | 0:23:39 | |
Nice decorative Chinese suite of furniture. | 0:23:39 | 0:23:42 | |
Surely someone at £40? £30? How low do you go? 30 I'm bid. | 0:23:42 | 0:23:47 | |
35 against you. 40. Five. | 0:23:47 | 0:23:50 | |
45 to my right, now. Any further bid on £45? Not a dear lot this at £45. | 0:23:50 | 0:23:56 | |
Last chance. Selling, then, at £45. | 0:23:56 | 0:24:00 | |
-ALL GROAN -£45! -Bit of a disappointment. | 0:24:00 | 0:24:03 | |
That is really disappointing. | 0:24:03 | 0:24:05 | |
'Plant pot or wastepaper bin, it was a bargain. | 0:24:05 | 0:24:11 | |
'Let's hope, for the family's sake, the rest of the sale goes better.' | 0:24:11 | 0:24:17 | |
I put these in as a pair but the auctioneer's split them up. | 0:24:17 | 0:24:22 | |
Realistically, we're looking for £100 a chair. | 0:24:22 | 0:24:27 | |
There's another one matching coming up afterwards. | 0:24:27 | 0:24:30 | |
I've got commission bids and I'm going to start on the book at... | 0:24:30 | 0:24:35 | |
-£60... -£60, we're in. | 0:24:35 | 0:24:38 | |
..85. 95. 100 with me. 110. You're in there. | 0:24:38 | 0:24:41 | |
-£110. Book's out. 110... -That's better. | 0:24:41 | 0:24:44 | |
..130, conflicting bids. £130, with the porter's bids. | 0:24:44 | 0:24:50 | |
At 130 in the room. Any further bid? All finished at £130...? | 0:24:50 | 0:24:54 | |
BANGS GAVEL | 0:24:54 | 0:24:56 | |
-Yes! -£130! That is good, isn't it? | 0:24:56 | 0:25:00 | |
'Not bad at all. A comfortable £130. | 0:25:00 | 0:25:03 | |
'Will the second chair make as much for the Bermans' travel fund?' | 0:25:03 | 0:25:09 | |
Straight in at 130. At £130. | 0:25:09 | 0:25:12 | |
Any advance at 130? Anyone else? All done at 130. I'm selling here. | 0:25:12 | 0:25:17 | |
That was good, then, wasn't it? Absolutely. | 0:25:17 | 0:25:21 | |
'An excellent result and a nice conclusion to our auction. | 0:25:21 | 0:25:26 | |
'Rodney and Jean have raised a tidy sum for that all-important family visit to the Far East.' | 0:25:26 | 0:25:32 | |
-You wanted £1,000 to go and see Daniel in Hong Kong. -Yes. | 0:25:32 | 0:25:36 | |
-Do you think you've got anything like that? -Yes. -You have! | 0:25:36 | 0:25:41 | |
You've got £1,561! | 0:25:41 | 0:25:43 | |
-Fantastic! -Thank you very much. | 0:25:43 | 0:25:46 | |
-Mind you, you're taking a few things home! -Thank you, yes. | 0:25:46 | 0:25:50 | |
-We don't mind! -Absolutely. | 0:25:50 | 0:25:53 | |
It's been a number of weeks since Rodney and Jean's day at auction. | 0:25:57 | 0:26:02 | |
To get a taste for their trip, the couple made the journey to London | 0:26:02 | 0:26:08 | |
to the annual Chinese New Year celebrations. | 0:26:08 | 0:26:11 | |
We've come to get a flavour of the Chinese New Year, | 0:26:13 | 0:26:18 | |
because we're going to spend our money in the Far East. | 0:26:18 | 0:26:21 | |
I've had an association with Hong Kong for many years. | 0:26:21 | 0:26:24 | |
It's always been business trips, | 0:26:24 | 0:26:26 | |
but this time we thought we'd spend it as purely family time. | 0:26:26 | 0:26:30 |