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Welcome to Cash In The Attic, the show that finds hidden treasures | 0:00:02 | 0:00:05 | |
in your home and helps to sell them at auction. | 0:00:05 | 0:00:07 | |
Today, I am in Chelsea in southwest London | 0:00:07 | 0:00:09 | |
and this is the beautiful Physics Gardens. | 0:00:09 | 0:00:11 | |
I may not have green fingers, but I do like getting my hands dirty, which is great news because | 0:00:11 | 0:00:16 | |
it's time to move on to our next location. | 0:00:16 | 0:00:19 | |
Yes, it's time for a rummage. | 0:00:19 | 0:00:20 | |
I do hope we find some interesting items to take to auction. | 0:00:20 | 0:00:24 | |
On today's Cash In The Attic, our expert John | 0:00:43 | 0:00:46 | |
finds Victorian buttons of surprising value. | 0:00:46 | 0:00:49 | |
I think it's fabulous actually. | 0:00:49 | 0:00:51 | |
They have been sitting in the drawer. Yes, it would be brilliant. | 0:00:51 | 0:00:54 | |
And when it comes to valuations, he finds there is no messing with the mother-in-law. | 0:00:54 | 0:00:59 | |
-How much do you think they're worth? -I'd like to think at auction today they'd make about £80-£120. -Each? | 0:00:59 | 0:01:05 | |
No, that's for the pair. | 0:01:05 | 0:01:07 | |
On auction day, is our willpower enough to push the bids sky high? | 0:01:07 | 0:01:11 | |
Come on, come on. | 0:01:11 | 0:01:13 | |
Find out what happens when the final hammer falls. | 0:01:13 | 0:01:17 | |
We've moved a couple of miles down the road. | 0:01:17 | 0:01:20 | |
We're still in south London and we've reached Tooting. | 0:01:20 | 0:01:22 | |
We're going to meet a lady | 0:01:22 | 0:01:24 | |
who's called in the Cash In The Attic team | 0:01:24 | 0:01:26 | |
because she wants to treat her family to a wild experience. | 0:01:26 | 0:01:29 | |
Katie Freeland might look like any mum playing in the garden | 0:01:29 | 0:01:33 | |
with her children, but she has a remarkable family history. | 0:01:33 | 0:01:37 | |
Her great-grandfather exported tea from Burma, | 0:01:37 | 0:01:40 | |
her great-aunt was a governess to a princess in Romania, | 0:01:40 | 0:01:44 | |
but if there's one thing she has in common with all her ancestors | 0:01:44 | 0:01:48 | |
is that they all love new and exciting experiences. | 0:01:48 | 0:01:50 | |
Something tells me that's what we'll be in for today. | 0:01:50 | 0:01:53 | |
-Hello. -Hello. -What a beautiful home. | 0:01:53 | 0:01:57 | |
-You must be Katie. -Yes. -Which makes you the mother-in-law, who's Kate. | 0:01:57 | 0:02:01 | |
The big question then is, what do you want to raise the money for, and how much do you need? | 0:02:01 | 0:02:06 | |
If I could get about £500. | 0:02:06 | 0:02:08 | |
Ideally, we'd all love to go to South Africa and do a safari. | 0:02:08 | 0:02:12 | |
£500 to £600. Are you ready for this? | 0:02:12 | 0:02:14 | |
-Are you sure? -I think so. | 0:02:14 | 0:02:17 | |
-She's not coming! -I'm not coming, but I'm pleased to help. | 0:02:17 | 0:02:20 | |
Katie was too polite to reveal that she and her family are going through tough times right now. | 0:02:20 | 0:02:26 | |
Both her sisters have recently passed away and she also lost her mother a few months ago. | 0:02:26 | 0:02:32 | |
She wants to travel to South Africa with her husband and three children | 0:02:32 | 0:02:36 | |
to create happy memories and move on from these sad times. | 0:02:36 | 0:02:40 | |
Looking around the house, I wonder if any of these | 0:02:40 | 0:02:43 | |
interesting-looking pieces are steeped in family history. | 0:02:43 | 0:02:46 | |
I'd normally expect John Cameron to get us started with a fine piece of furniture, | 0:02:46 | 0:02:52 | |
but something shiny has caught his eye. | 0:02:52 | 0:02:54 | |
-He's there. -Hi. -Hi, John. What have you got for us? | 0:02:56 | 0:03:00 | |
I have found some rather attractive silver buttons. | 0:03:00 | 0:03:03 | |
They date from the turn of the last century. | 0:03:03 | 0:03:05 | |
I reckon that's Granny or Granny's mum, yes. | 0:03:05 | 0:03:08 | |
Around that time. They'd probably came back from Asia at that time. | 0:03:08 | 0:03:11 | |
Interesting about the travelling, because these aren't English. | 0:03:11 | 0:03:15 | |
They're Continental, certainly imported. | 0:03:15 | 0:03:17 | |
We can tell that because they have "sterling" engraved on the back | 0:03:17 | 0:03:20 | |
as opposed to a set of British hallmarks. | 0:03:20 | 0:03:23 | |
The decoration on the front would support that. If you have | 0:03:23 | 0:03:25 | |
a look at the beautiful lady there, very much in the Art Nouveau style. | 0:03:25 | 0:03:30 | |
So buttons, are we talking about for a man's waistcoat, trousers? | 0:03:30 | 0:03:33 | |
Well, I think the only man's costume this would have been on, Chris, is probably Oscar Wilde. | 0:03:33 | 0:03:37 | |
-Oh, no! -And he's of that period. | 0:03:37 | 0:03:40 | |
-They're quite large, aren't they? -They are large. | 0:03:40 | 0:03:43 | |
You can't imagine going to buy anything like this today. | 0:03:43 | 0:03:46 | |
The Victorians certainly knew how to do things properly. | 0:03:46 | 0:03:50 | |
Their accessories were superb. | 0:03:50 | 0:03:52 | |
-I think there's another box somewhere. -I'd like to see those, if they're of this quality. | 0:03:52 | 0:03:56 | |
Some rummaging to come. | 0:03:56 | 0:03:58 | |
Value-wise, I would suggest | 0:03:58 | 0:04:00 | |
about £70 to £90 for them. | 0:04:00 | 0:04:02 | |
-You don't seem that excited. -I think it's fabulous. | 0:04:02 | 0:04:05 | |
-They've been sitting in a drawer. -I'd like to see the others. | 0:04:05 | 0:04:08 | |
-OK, let's go and find them. -That way, I think. -OK. | 0:04:08 | 0:04:11 | |
What a nice surprise to start us off. | 0:04:11 | 0:04:13 | |
We're all straight down to work | 0:04:13 | 0:04:14 | |
and there are plenty of nooks and crannies to search through today. | 0:04:14 | 0:04:18 | |
I wonder if these are any good to go to auction. | 0:04:18 | 0:04:22 | |
Well, they certainly look interesting. | 0:04:22 | 0:04:24 | |
-Where do they come from? -Burma. They were Katie's grandfather's. | 0:04:24 | 0:04:28 | |
-OK, so they were well travelled? -Very much so, yes. -Interesting. | 0:04:28 | 0:04:31 | |
They're called cloisonne. The first thing you do with cloisonne | 0:04:31 | 0:04:34 | |
is have a look at it for damage because the surface of this | 0:04:34 | 0:04:38 | |
is covered with enamel, which is literally vitrified glass. | 0:04:38 | 0:04:41 | |
Once this gets damaged, it's very, very hard to repair. | 0:04:41 | 0:04:44 | |
Right, OK. They look pretty good. | 0:04:44 | 0:04:46 | |
-They're Japanese. -Right. | 0:04:46 | 0:04:49 | |
If we look at those birds amidst the branches there, | 0:04:49 | 0:04:51 | |
these beautifully blossoming trees, the way it's quite asymmetric | 0:04:51 | 0:04:55 | |
in its layout, that's typically Japanese, | 0:04:55 | 0:04:58 | |
as opposed to Chinese, which tend to formulate things in mirror image. | 0:04:58 | 0:05:01 | |
Date-wise, I would say about the latter part of the 19th century. | 0:05:01 | 0:05:06 | |
What we call the Meiji period, from the 1860s to about 1912. | 0:05:06 | 0:05:10 | |
I thought they were older. | 0:05:10 | 0:05:12 | |
-That's where I'd put them. -How much are they worth? | 0:05:12 | 0:05:15 | |
Well, they are in good condition. | 0:05:15 | 0:05:17 | |
-I'd like to think at auction today they would make about £80 to £120. -Each? | 0:05:17 | 0:05:21 | |
No, that's for the pair! | 0:05:21 | 0:05:23 | |
But who knows? They are nice. | 0:05:23 | 0:05:26 | |
If they made double that I would be absolutely delighted for you. | 0:05:26 | 0:05:29 | |
Katie also has another pair of cloisonne vases, pink ones. | 0:05:30 | 0:05:34 | |
They're going to auction with a pair of blue plates. | 0:05:34 | 0:05:37 | |
John values the lot at... | 0:05:37 | 0:05:40 | |
Upstairs, Katie has found that other box of buttons. | 0:05:43 | 0:05:46 | |
She thinks they were a present to her great-grandfather | 0:05:46 | 0:05:50 | |
who returned to the UK from Burma in the early 1900s. | 0:05:50 | 0:05:53 | |
The thistle design is made from silver and blue enamel, | 0:05:53 | 0:05:58 | |
and John values them at £30 to £50. | 0:05:58 | 0:06:00 | |
It's amazing how many items | 0:06:00 | 0:06:02 | |
have been passed down through Katie's family. | 0:06:02 | 0:06:05 | |
I wondered where you'd got to. What have you got there? | 0:06:05 | 0:06:09 | |
Family photos? I've noticed you've got a fascinating family history. | 0:06:09 | 0:06:13 | |
You have loads of legal documents on the walls, great photographs of all the family members. | 0:06:13 | 0:06:17 | |
Let's start with your father's side, your great-grandfather. They weren't based in the UK, were they? | 0:06:17 | 0:06:22 | |
No, they were Scottish so they grew up in Scotland. | 0:06:22 | 0:06:25 | |
The bit that starts to come in with the stuff that we've got is really when they were in Burma, | 0:06:25 | 0:06:31 | |
exporting tea. | 0:06:31 | 0:06:33 | |
I think they must have made quite a lot of money out there actually. | 0:06:33 | 0:06:37 | |
And it gets more fascinating. | 0:06:37 | 0:06:39 | |
I don't know which side of the family this is, but I've seen letters from royalty. | 0:06:39 | 0:06:43 | |
Actually, that's mostly on my lovely great-aunt Ida's side. | 0:06:43 | 0:06:48 | |
She actually taught as a governess and went out to Romania to the Princess Ileana of Romania. | 0:06:48 | 0:06:54 | |
And actually through her entire life they remained firm friends. | 0:06:54 | 0:06:57 | |
She had a zest for life and just had a sparkle in her eyes. | 0:06:57 | 0:07:01 | |
I'm hoping, actually, because I lost my mum earlier this year, | 0:07:01 | 0:07:04 | |
I really hope that my children will remember my mum with the same fondness | 0:07:04 | 0:07:08 | |
that I remember Aunt Ida and actually a lot of this is all due to her. | 0:07:08 | 0:07:12 | |
I suppose if you've got all these lovely photographs and letters, as you have, | 0:07:12 | 0:07:16 | |
getting rid of items or antiques is not so painful, or is it? | 0:07:16 | 0:07:20 | |
There's always one or two things that are really difficult to part with. | 0:07:20 | 0:07:24 | |
For some strange reason, they just mean something more to you | 0:07:24 | 0:07:27 | |
-and the antiques start to become easier to part with. -I agree with you. | 0:07:27 | 0:07:30 | |
The only problem is, it could take us ages to look through all the letters and we haven't got any time. | 0:07:30 | 0:07:35 | |
-John's going to get very angry if we don't get back. -OK. | 0:07:35 | 0:07:38 | |
Come on, let's go and find some antiques. | 0:07:38 | 0:07:41 | |
While we've been chatting, both John and Kate have left no corner unexplored. | 0:07:42 | 0:07:46 | |
Kate's uncovered this Staffordshire tea set. | 0:07:46 | 0:07:49 | |
Tea has clearly played a big part in the family life. | 0:07:49 | 0:07:52 | |
Auntie Enid collected china sets including this one, | 0:07:52 | 0:07:56 | |
valued by John at £30 to £50. | 0:07:56 | 0:07:59 | |
Kate also digs out a pair of handmade lace bonnets | 0:07:59 | 0:08:03 | |
which Katie inherited from her mum. | 0:08:03 | 0:08:05 | |
They're in good condition | 0:08:05 | 0:08:07 | |
and John hopes they'll net... | 0:08:07 | 0:08:10 | |
Kate's stunning home has so many interesting family items. | 0:08:12 | 0:08:16 | |
It's a pleasure to learn about them. | 0:08:16 | 0:08:18 | |
Now, has she laid her hands on two more that could set John's heart a-flutter? | 0:08:18 | 0:08:23 | |
-John, do you think these would be worth anything? -Let's take a look at those. | 0:08:23 | 0:08:27 | |
Where did you find those? | 0:08:27 | 0:08:29 | |
It was my great-grandfather. They got married in Burma. | 0:08:29 | 0:08:32 | |
He worked out there for quite a long time. | 0:08:32 | 0:08:34 | |
They certainly look of that origin and they're made of silver. | 0:08:34 | 0:08:37 | |
They're not hallmarked as British silver would be, | 0:08:37 | 0:08:40 | |
and they still retain the original gilding on the inside. | 0:08:40 | 0:08:43 | |
Interesting, the shape - they're totally export pieces. | 0:08:43 | 0:08:47 | |
That scrollwork handle is very much a European thing. | 0:08:47 | 0:08:50 | |
The work that's gone into them is absolutely remarkable. | 0:08:50 | 0:08:54 | |
When you look on the inside | 0:08:54 | 0:08:55 | |
you can see that these haven't been cast. | 0:08:55 | 0:08:58 | |
They've been worked by hand by a silversmith | 0:08:58 | 0:09:00 | |
punching all that detail out from reverse, | 0:09:00 | 0:09:03 | |
before turning it around and then doing the same | 0:09:03 | 0:09:05 | |
this side in finer detail to chase out the textures of the fur and the bodies and so on. | 0:09:05 | 0:09:11 | |
There are some really little details in here. | 0:09:11 | 0:09:13 | |
A lot of work has gone into them. | 0:09:13 | 0:09:15 | |
It's part of a three-piece tea set. | 0:09:15 | 0:09:17 | |
We've got the sugar and cream jug. We're missing a teapot. | 0:09:17 | 0:09:21 | |
-What happened to it? -I haven't seen it, actually. | 0:09:21 | 0:09:24 | |
-I still think they're saleable. -OK. | 0:09:24 | 0:09:25 | |
They are good quality and there is a market for foreign silver. | 0:09:25 | 0:09:28 | |
Even though we're lacking the teapot, this should make at least £100 to £150. | 0:09:28 | 0:09:33 | |
I think someone will really enjoy them. | 0:09:33 | 0:09:36 | |
I'd love to see how they perform at auction. They're super quality. | 0:09:36 | 0:09:39 | |
Well, John, you won't have to wait long to see what the bidders make of them. | 0:09:39 | 0:09:43 | |
Come on. Come on... | 0:09:43 | 0:09:46 | |
But will it make enough money to help Katie achieve her dream? | 0:09:46 | 0:09:49 | |
Thank you very much. | 0:09:49 | 0:09:51 | |
All that excitement is still to come, but as our rummage continues, | 0:09:51 | 0:09:56 | |
John keeps up the good work in the attic, finding a tapestry. | 0:09:56 | 0:09:59 | |
Katie thinks it was embroidered by someone in her family. | 0:09:59 | 0:10:02 | |
It shows a woman watching Bonnie Prince Charlie drinking from a spring. | 0:10:02 | 0:10:06 | |
John values it at an impressive £100 to £200. | 0:10:06 | 0:10:11 | |
We're bounding ever closer to that £500 target | 0:10:11 | 0:10:14 | |
and I've found this standard lamp | 0:10:14 | 0:10:17 | |
which was bought by Katie's great-grandmother around 1918. | 0:10:17 | 0:10:21 | |
It's going to auction | 0:10:21 | 0:10:22 | |
with a price tag of £20 to £40. | 0:10:22 | 0:10:25 | |
Katie has such a huge variety of items hidden away | 0:10:25 | 0:10:29 | |
and there's no prizes for guessing | 0:10:29 | 0:10:31 | |
where this next little collection has come from. | 0:10:31 | 0:10:33 | |
I've had these fans for quite a while, actually. | 0:10:33 | 0:10:36 | |
They're probably family - grand...great-grandmother. | 0:10:36 | 0:10:41 | |
These would date to the latter part of the 19th century, early 20th century. The use of fans | 0:10:41 | 0:10:46 | |
goes back a lot further, several hundred years and certainly in the 18th century it was a necessity, | 0:10:46 | 0:10:51 | |
especially in high society balls, where they were used as an object to communicate with. | 0:10:51 | 0:10:56 | |
I'm not terrible voiced in the communication process... | 0:10:56 | 0:10:59 | |
-Fan etiquette! -No, exactly. But they're quite a nice collection. | 0:10:59 | 0:11:02 | |
You've got some ivory here and these look ebonised. | 0:11:02 | 0:11:05 | |
-Looking at the fans here, I think these are European. -OK. | 0:11:05 | 0:11:08 | |
The decoration, although they're ivory, I think are Continental, probably French. | 0:11:08 | 0:11:12 | |
This one's quite interesting. Looks Japanese to me. | 0:11:12 | 0:11:14 | |
Ebonised sticks, nicely embroidered flower work here. | 0:11:14 | 0:11:18 | |
Typically Japanese. | 0:11:18 | 0:11:20 | |
Collectors are looking for several things - condition is very, very important, | 0:11:20 | 0:11:25 | |
the quality of design and the materials. | 0:11:25 | 0:11:28 | |
You often see ivory, as we have here, tortoiseshell, | 0:11:28 | 0:11:32 | |
ebony and other timbers and sometimes beautifully inlaid. | 0:11:32 | 0:11:35 | |
That's been painted, but you often see them | 0:11:35 | 0:11:38 | |
inlaid with silver and gold wire so they can be really exquisite things. | 0:11:38 | 0:11:43 | |
Works of art, aren't they? | 0:11:43 | 0:11:44 | |
Absolutely, they were works of art made by craftsmen of their day. | 0:11:44 | 0:11:48 | |
-I would suggest putting them together as one lot and I think we'd be looking at £100 to £150. -OK. | 0:11:48 | 0:11:53 | |
-Are you happy with that? -Yes. -Methinks you have made a wise choice, madam. | 0:11:53 | 0:11:57 | |
Well done. We will leave those there and see what else we can find. | 0:11:57 | 0:12:01 | |
OK, let's go. | 0:12:01 | 0:12:03 | |
Bear in mind that in the UK it's only legal to sell | 0:12:03 | 0:12:06 | |
worked ivory made before 1947 and that is classed as antique. | 0:12:06 | 0:12:10 | |
If in doubt, ask your auction house. | 0:12:10 | 0:12:14 | |
Downstairs, Kate has spotted this large Edwardian high-backed chair. | 0:12:14 | 0:12:17 | |
It's in need of new upholstery, but John's very keen on the carved frame. | 0:12:17 | 0:12:22 | |
It adds another £50 to £80 | 0:12:22 | 0:12:24 | |
to our ever increasing total. | 0:12:24 | 0:12:27 | |
The chair belonged to Katie's great-aunt Ida. When she left the Romanian royal household | 0:12:27 | 0:12:32 | |
to move back to England, she bought an old Tudor building called the Old House in Cambridgeshire | 0:12:32 | 0:12:38 | |
and turned it into a tearoom. | 0:12:38 | 0:12:40 | |
Remarkably, Katie has a fabulous set of china from that very place. | 0:12:40 | 0:12:46 | |
-This is a really pretty set. It's a cake set. -Let's have a look. | 0:12:46 | 0:12:50 | |
Actually, there's only two pieces here but there's a whole set of them. | 0:12:50 | 0:12:54 | |
-How many have you got in the set? -There's a few, actually. | 0:12:54 | 0:12:57 | |
-I think there's probably five cake stands and 14 plates. -It's certainly a dessert set. | 0:12:57 | 0:13:03 | |
You can just imagine a Victorian table laid out with these. | 0:13:03 | 0:13:06 | |
When you see those old cookery books, the amount and variety of cakes and sweets, | 0:13:06 | 0:13:10 | |
it makes you wish you were born in that period. | 0:13:10 | 0:13:12 | |
Looking at the decoration, Kate, does that remind you | 0:13:12 | 0:13:16 | |
-of those vases we looked at earlier? -Yes. | 0:13:16 | 0:13:18 | |
That's because the decoration was inspired by the Orient. | 0:13:18 | 0:13:22 | |
This is exactly the period we were talking about with those vases, the Meiji period, | 0:13:22 | 0:13:26 | |
when Japanese artworks inspired a whole movement in this country called the Aesthetic Movement. | 0:13:26 | 0:13:31 | |
But if we turn them over and have a look on the back, | 0:13:31 | 0:13:34 | |
we can see a retailer's mark there - James Green & Nephew. | 0:13:34 | 0:13:38 | |
I love that, not James Green & Son. | 0:13:38 | 0:13:40 | |
I wonder if you ever see James Green & Second Cousin Twice Removed! | 0:13:40 | 0:13:43 | |
-Exactly! -That's the retailer, not the maker. | 0:13:43 | 0:13:45 | |
If we look closely, it's a bit obscured | 0:13:45 | 0:13:48 | |
-but there is an impressed mark. Can you see that? -Mm-hm. | 0:13:48 | 0:13:51 | |
That is Bodley. It's been obscured by the glaze. | 0:13:51 | 0:13:54 | |
Bodley were an English company based in Burslem in Staffordshire. | 0:13:54 | 0:13:57 | |
They were only around from the 1870s to the very early 1890s, and that ties in perfectly with this period. | 0:13:57 | 0:14:03 | |
So they're in fact English, but the decoration is typically Japanese, | 0:14:03 | 0:14:07 | |
It's been transfer-printed on, this brown border, and the outline of the fruiting trees, | 0:14:07 | 0:14:13 | |
and the fruit trees have been hand-painted in afterwards, so a series of processes. | 0:14:13 | 0:14:17 | |
I think the colours are lovely, and it's got a real feminine part to it. | 0:14:17 | 0:14:22 | |
They do remind me of cakes, just that colour. | 0:14:22 | 0:14:25 | |
-Everything reminds you of cakes! -Besotted with cakes! | 0:14:25 | 0:14:28 | |
This has a chip. What are they like for condition? | 0:14:28 | 0:14:31 | |
Actually, all the cake stands are in very good condition, | 0:14:31 | 0:14:35 | |
but there may be a couple of chips on a couple of the plates. | 0:14:35 | 0:14:38 | |
OK, we'll take that into consideration, plus the fact that it's not a major maker. | 0:14:38 | 0:14:42 | |
I would suggest an estimate of about £100 to £150. | 0:14:42 | 0:14:45 | |
You don't seem very happy about that. | 0:14:45 | 0:14:48 | |
Well, there's a sentimental bit here. | 0:14:48 | 0:14:51 | |
I don't know whether it's enough to make me part with them. | 0:14:51 | 0:14:54 | |
Right, so if we said £100, that is not good enough for you? | 0:14:54 | 0:14:58 | |
-I'd really have to think about it. -Right, we have something that hangs in the balance. | 0:14:58 | 0:15:02 | |
I suppose we weren't going to have a trouble-free day, John? | 0:15:02 | 0:15:05 | |
-Can't have your cake and eat it! -Very good, very good. | 0:15:05 | 0:15:08 | |
-The good news is that the rummaging is over. Are you pleased with that, Kate? -Great! | 0:15:08 | 0:15:12 | |
-It's time for a gin and tonic. -Oh, yeah! | 0:15:12 | 0:15:15 | |
Now, you wanted to raise £500 to £600 today, didn't you? | 0:15:15 | 0:15:19 | |
That would be great. | 0:15:19 | 0:15:21 | |
Now, with the plates and cake stands hanging in the balance, we reckon we can raise £780. | 0:15:21 | 0:15:27 | |
That's quite good, and I would be quite pleased, but... | 0:15:27 | 0:15:31 | |
Without the plates, of course, it's £680. | 0:15:31 | 0:15:34 | |
I think that's all right for a good day's work. | 0:15:34 | 0:15:36 | |
What a fascinating day we've had. | 0:15:36 | 0:15:38 | |
I feel we've really got to know Katie's family through her items. | 0:15:38 | 0:15:42 | |
Here's a quick reminder of the most interesting ones heading to auction. | 0:15:42 | 0:15:46 | |
Two boxes of silver buttons, | 0:15:46 | 0:15:48 | |
which once belonged to Katie's great-grandfather. | 0:15:48 | 0:15:51 | |
We're hoping that these will make the combined total of £100 to £140. | 0:15:51 | 0:15:56 | |
Worthy of £100 to £150, I wonder if Katie's great-grandmother | 0:15:56 | 0:16:00 | |
attracted her great-grandad's attention with these lovely fans. | 0:16:00 | 0:16:04 | |
Plus, of course, we've got those cake stands, | 0:16:04 | 0:16:07 | |
which once had pride of place in Aunt Ida's tea room. | 0:16:07 | 0:16:09 | |
If Katie can bring herself to let them go, | 0:16:09 | 0:16:12 | |
with a bit of luck they'll bring in £100 to £150. | 0:16:12 | 0:16:16 | |
Find out how they all get on when the final hammer falls. | 0:16:18 | 0:16:21 | |
Hopefully, it won't fall anywhere near Katie's fragile ceramics! | 0:16:21 | 0:16:25 | |
Still to come on Cash In The Attic, | 0:16:25 | 0:16:28 | |
we have our fair share of nail-biting moments. | 0:16:28 | 0:16:32 | |
Fingers crossed, I think, on this one. | 0:16:32 | 0:16:36 | |
But there's more than a glimmer of hope of hitting our £500 target. | 0:16:36 | 0:16:40 | |
-Yes! -We got those away. | 0:16:40 | 0:16:42 | |
Thank you very much. | 0:16:42 | 0:16:44 | |
It turned out to be a real trip down memory lane for Katie at her home in southwest London. | 0:16:48 | 0:16:54 | |
She had a fascinating family history, | 0:16:54 | 0:16:56 | |
and we found some wonderful items that we hope go really well here | 0:16:56 | 0:17:00 | |
at Sworders auction house in Essex. | 0:17:00 | 0:17:02 | |
Katie wants to raise around £500 to £600 for a family trip to go on safari, | 0:17:02 | 0:17:07 | |
so let's hope everybody in there is in generous mood, as her items go under the hammer. | 0:17:07 | 0:17:13 | |
It might be early in the day, but the auction room is already packed with prospective buyers | 0:17:13 | 0:17:19 | |
sizing up today's lots, and there's plenty up for sale too. | 0:17:19 | 0:17:23 | |
John and I find Katie in the midst of things. | 0:17:23 | 0:17:27 | |
Hello, Katie, nice to see you. | 0:17:27 | 0:17:30 | |
What have you done with the mother-in-law? | 0:17:30 | 0:17:32 | |
I think we wore her out the other day! | 0:17:32 | 0:17:35 | |
We've got one big question for you, and it is... | 0:17:35 | 0:17:37 | |
Have you brought your dessert service? | 0:17:37 | 0:17:41 | |
No, I haven't, I'm afraid. I did think long and hard about it. | 0:17:41 | 0:17:44 | |
I think if it had been worth a little bit more, I might have been tempted, | 0:17:44 | 0:17:48 | |
but it's got a bit of sentimental value attached to it. | 0:17:48 | 0:17:50 | |
So no, I've left it at home. | 0:17:50 | 0:17:52 | |
-Oops. That's hit us hard, a little bit, hasn't it? -It takes at least £100 off our target, I think. | 0:17:52 | 0:17:57 | |
I think we're running out of time, let's get into the auction. Come on. | 0:17:57 | 0:18:02 | |
'Positive mental attitude. The room is full of people, and we have plenty of items to sell. | 0:18:02 | 0:18:07 | |
'We're ready to go, and so is our first lot. | 0:18:07 | 0:18:09 | |
'That's the Staffordshire tea set that once was owned by Aunt Enid in the 1920s. | 0:18:09 | 0:18:14 | |
'We want £30 to £50.' | 0:18:14 | 0:18:17 | |
We're not asking for much, are we? | 0:18:17 | 0:18:19 | |
No, but they've described it as a part tea service, implying that it's not complete. | 0:18:19 | 0:18:23 | |
We have got odd numbers of cups and plates and so on, hence my £30 to £50 estimate. | 0:18:23 | 0:18:29 | |
I don't think I could have put a much lower estimate on it. | 0:18:29 | 0:18:31 | |
Good decorative lot, we'll start here at £10 to bid. | 0:18:31 | 0:18:35 | |
£10 I am bid. 12, 15, 18, 20. | 0:18:35 | 0:18:38 | |
At £20? £22, | 0:18:38 | 0:18:40 | |
£25. £25 here on my right. | 0:18:40 | 0:18:43 | |
It's in the room now, £25, I'm going to sell. | 0:18:43 | 0:18:46 | |
Thank you very much. | 0:18:46 | 0:18:48 | |
You didn't want to take that home, did you? You weren't ever going to use it again. | 0:18:48 | 0:18:53 | |
It would've been nice to get more, but I'm pleased. | 0:18:53 | 0:18:55 | |
'We're straight out of the blocks with £25, | 0:18:55 | 0:18:58 | |
'just short of John's lower estimate, but we're on the move, | 0:18:58 | 0:19:01 | |
'and it looks like there are lots of keen buyers in the room. | 0:19:01 | 0:19:04 | |
'I wonder if there'll be any interest | 0:19:04 | 0:19:06 | |
'in the two late-Victorian silver pieces from Burma.' | 0:19:06 | 0:19:10 | |
-I'm looking for five if you want. 55, 60... -Come on. | 0:19:10 | 0:19:14 | |
85. £85 there. | 0:19:14 | 0:19:17 | |
Any advance at 85? I'm going to sell, make no mistake. | 0:19:17 | 0:19:20 | |
At £85. | 0:19:20 | 0:19:22 | |
Thank you very much. | 0:19:22 | 0:19:24 | |
-Not quite what we hoped, but they have sold. OK with that, Katie? -Yes. | 0:19:24 | 0:19:28 | |
'£85 is just short of John's lower estimate of £100, | 0:19:28 | 0:19:32 | |
'but it's more cash towards the family trip to South Africa. | 0:19:32 | 0:19:37 | |
'Next, it's the fan collection from the turn of the 19th century, that's been handed down through the family. | 0:19:37 | 0:19:42 | |
'John fancied that they might make £100 to £150.' | 0:19:42 | 0:19:47 | |
-At £25 a fan, don't know, let's see. Here we go. -Fingers crossed. | 0:19:47 | 0:19:52 | |
We'll start here at £40, it's a low start. | 0:19:52 | 0:19:55 | |
I'll take five if you wish. 45, 50, 55, 60. | 0:19:55 | 0:19:59 | |
-At £60 here. Against the room at £60... -It's not... | 0:19:59 | 0:20:03 | |
-Not sold. -No fans for fans. -Disappointing. | 0:20:03 | 0:20:06 | |
Disappointing, as you say, but it is a specific thing, | 0:20:06 | 0:20:09 | |
and there was nobody here today that wanted fans. | 0:20:09 | 0:20:12 | |
'It's so difficult to gauge today what's going to sell or not. | 0:20:12 | 0:20:16 | |
'Two separate cloisonne lots coming up, | 0:20:16 | 0:20:18 | |
'dating from the Meiji period in Japan. We want....' | 0:20:18 | 0:20:21 | |
At £60, with me now. | 0:20:25 | 0:20:27 | |
Still with me at £60. | 0:20:27 | 0:20:31 | |
Not sold. | 0:20:31 | 0:20:33 | |
-Their loss. -Their loss completely. | 0:20:33 | 0:20:36 | |
'Now, don't be upset, Katie. | 0:20:36 | 0:20:38 | |
'At least the auctioneer didn't let them go for a silly price. | 0:20:38 | 0:20:42 | |
'We really need the room to love our items, but I'm not sure about what's next. | 0:20:42 | 0:20:46 | |
'Why? Well, it's our second of our cloisonne lots. | 0:20:46 | 0:20:50 | |
'£50 to £100 is the estimate on these.' | 0:20:50 | 0:20:54 | |
We've got more vases here, John, which I'm a bit concerned about. Just a different colour. | 0:20:54 | 0:20:59 | |
It's not looking great. | 0:20:59 | 0:21:00 | |
These are pink variety, slight damage, together with a pair of plates of mediocre quality, | 0:21:00 | 0:21:05 | |
hence my 50-100 estimate. Fingers crossed, I think, on this one. | 0:21:05 | 0:21:10 | |
All the same, some interest here. At £40. | 0:21:10 | 0:21:14 | |
Any advance on £40? 45, 50. | 0:21:14 | 0:21:16 | |
At £50. We're going to sell this time. | 0:21:16 | 0:21:19 | |
Against the room. 55, 60, 65. | 0:21:19 | 0:21:23 | |
£65 is bid. | 0:21:23 | 0:21:25 | |
-Yes! -Well, we got those away. | 0:21:25 | 0:21:27 | |
I wonder which part they were after, the plates or the vases. | 0:21:27 | 0:21:30 | |
'Unbelievable! I really thought Katie would be taking them home. | 0:21:30 | 0:21:35 | |
It has been quite hard work, gang, hasn't it? | 0:21:35 | 0:21:38 | |
John, I don't know what to say to Katie. Her little face there, look. She's a bit disappointed. | 0:21:38 | 0:21:42 | |
I saw you having a chat to the auctioneer, have you got some good news for us? | 0:21:42 | 0:21:46 | |
We've had word from the auctioneer that the chap | 0:21:46 | 0:21:49 | |
who was bidding on the cloisonne vases has come back and offered £80, our lower estimate. | 0:21:49 | 0:21:53 | |
-Would you be happy with that, Katie? -Yes. Yes. | 0:21:53 | 0:21:56 | |
OK, so we've got another £80. | 0:21:56 | 0:21:58 | |
£80 on top of that. We're at the halfway stage. | 0:21:58 | 0:22:01 | |
You wanted to raise about £500 - £600 for that safari. | 0:22:01 | 0:22:04 | |
I've got some good news, you're going to get the taxi to the airport anyway. So far we've raised £255. | 0:22:04 | 0:22:11 | |
OK, that's more than I thought. | 0:22:11 | 0:22:13 | |
Not too bad, is it? It's a lot better than I thought as well. | 0:22:13 | 0:22:16 | |
'So, halfway towards our £500 target, and we have everything to play for. | 0:22:16 | 0:22:21 | |
'If you've been inspired by Katie's progress to try your hand at the auction game, do bear in mind | 0:22:21 | 0:22:27 | |
'that there are various charges to be paid, such as commission. | 0:22:27 | 0:22:30 | |
'They vary from one saleroom to another, so it's always worth checking in advance. | 0:22:30 | 0:22:36 | |
'Next, the standard lamp | 0:22:36 | 0:22:37 | |
'picked up by Katie's great-grandmother around 1918. | 0:22:37 | 0:22:42 | |
'John valued it at, "at least £20".' | 0:22:42 | 0:22:45 | |
-You don't like this much, do you? -I would rather not take it home. | 0:22:45 | 0:22:49 | |
-Right. -Mainly because my husband doesn't like it. I grew up with it. | 0:22:49 | 0:22:52 | |
It's been in my house for years, but my husband's not very fond of it. | 0:22:52 | 0:22:56 | |
10 I have there. 12, 15, 18... | 0:22:56 | 0:22:58 | |
-Yes, we're off! -..20, 22. | 0:22:58 | 0:23:02 | |
£22 on the pillar now. 25, 28? | 0:23:02 | 0:23:06 | |
25, close by. 28, fresh bidder. | 0:23:06 | 0:23:08 | |
30, 32, 35, | 0:23:08 | 0:23:11 | |
38, 40, 42.... | 0:23:11 | 0:23:14 | |
At £42. | 0:23:14 | 0:23:17 | |
-There's no accounting for taste. -What do men know? | 0:23:17 | 0:23:20 | |
'Smiles all round then, and another £42 in the kitty. | 0:23:20 | 0:23:25 | |
'The second half of our auction has got off to a great start, and we're all in good spirits. | 0:23:25 | 0:23:30 | |
'Let's hope the bidders are just as interested in our next lot, | 0:23:30 | 0:23:34 | |
'that Edwardian high-backed chair.' | 0:23:34 | 0:23:36 | |
Good, comfortable lot there. | 0:23:36 | 0:23:37 | |
I bid £20. | 0:23:37 | 0:23:39 | |
-Any advance on 20? -Oh, no. | 0:23:39 | 0:23:41 | |
22, 25, 28, 30. | 0:23:41 | 0:23:44 | |
At 30? | 0:23:44 | 0:23:45 | |
Any advance on £30? Any further interest? | 0:23:45 | 0:23:49 | |
'I can't believe no-one was interested in the chair. | 0:23:49 | 0:23:52 | |
'Chin up though, we've still got plenty of items to go. | 0:23:52 | 0:23:55 | |
'Next up, it's the Victorian tapestry, featuring Bonnie Prince Charlie. | 0:23:55 | 0:24:00 | |
'John found this, and he values it at £100 to £200.' | 0:24:00 | 0:24:04 | |
Any further interest at £40? | 0:24:04 | 0:24:07 | |
No, no interest. Not sold. | 0:24:07 | 0:24:09 | |
'Uh-oh, another unsold item, and things go from bad to worse | 0:24:09 | 0:24:13 | |
'when the Victorian hand-made lace bonnets go under the hammer. | 0:24:13 | 0:24:17 | |
'We wanted £50 to £80.' | 0:24:17 | 0:24:20 | |
No further interest at £20. | 0:24:20 | 0:24:22 | |
All done? £20. Not sold. | 0:24:22 | 0:24:25 | |
'They don't sell either. OK, everyone, take a deep breath. | 0:24:25 | 0:24:29 | |
'Two items to go, and we need £203 to hit our target. | 0:24:29 | 0:24:33 | |
'I really like this next lot from the Victorian times, | 0:24:33 | 0:24:36 | |
'and I've got everything crossed that the bidders in the room share my view.' | 0:24:36 | 0:24:42 | |
Up next we've got those Art Nouveau buttons. | 0:24:42 | 0:24:44 | |
They are nice, cased and silver, so I hope we've got some collectors here today. | 0:24:44 | 0:24:50 | |
65 at the back of the room. Any advance on £65? | 0:24:50 | 0:24:54 | |
£70 anywhere? Selling at £65. | 0:24:54 | 0:24:58 | |
We're limping towards those bottom estimates, but it sold. £65. | 0:24:58 | 0:25:03 | |
'Time now for our final item, | 0:25:03 | 0:25:06 | |
'and it's the second of our Victorian button lots. | 0:25:06 | 0:25:08 | |
These have a thistle design, and are made from silver and enamel. | 0:25:08 | 0:25:12 | |
Any advance on 32, madam? | 0:25:12 | 0:25:15 | |
38, 40. £40 there. | 0:25:15 | 0:25:18 | |
42, 45, takes it from commission. | 0:25:18 | 0:25:21 | |
It's in the room now. At £45, selling. | 0:25:21 | 0:25:25 | |
-Yes! £45. They did all right. -We're in! | 0:25:25 | 0:25:30 | |
'Well, we've ended on a high, £45 more to add to our total. | 0:25:30 | 0:25:35 | |
'It's been a really tough day trying to hit our £500 target. | 0:25:35 | 0:25:39 | |
Well, that is it. | 0:25:39 | 0:25:40 | |
I've got to say, John, I know we didn't bring the cake stands, you couldn't part with them, | 0:25:40 | 0:25:45 | |
of all the auctions I've been to, I've never had such high hopes and been so disappointed. | 0:25:45 | 0:25:49 | |
The things I thought would do well didn't, and the things I thought wouldn't, did! | 0:25:49 | 0:25:54 | |
-In total today we've raised £407. -OK. | 0:25:54 | 0:25:58 | |
-Not too bad. -Not too bad. | 0:25:58 | 0:26:00 | |
We're all going to a fancy-dress party in those bonnets. | 0:26:00 | 0:26:03 | |
-Yes, Victorian party invites in the post. -Yes! | 0:26:03 | 0:26:06 | |
I'll take a rain check on that one! | 0:26:06 | 0:26:07 | |
Katie and her family won't be going on safari until next year. | 0:26:13 | 0:26:16 | |
But a few weeks after the auction, she's decided to test the water for what it might be like. | 0:26:16 | 0:26:21 | |
The whole family are ready to go. I wonder what's first for them to see. | 0:26:21 | 0:26:26 | |
-I can see one! -Can you see one? | 0:26:26 | 0:26:28 | |
They're stunning, aren't they, these animals? | 0:26:28 | 0:26:32 | |
Well, you can't feed the lions, but someone else is hungry. | 0:26:32 | 0:26:36 | |
It's been brilliant, a fantastic day. | 0:26:36 | 0:26:39 | |
A really memorable day. Thank you, it's brilliant. | 0:26:39 | 0:26:41 |