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Welcome to the show that finds all those hidden treasures around your home and then, of course, | 0:00:02 | 0:00:06 | |
we help you sell them at auction. Today, I'm going to be meeting a lady for whom these spoons | 0:00:06 | 0:00:11 | |
from the Far East have a particular significance. | 0:00:11 | 0:00:13 | |
Find out what it is later on Cash In The Attic. | 0:00:13 | 0:00:16 | |
Coming up, a crate of late 20th-century dolls may prove too sentimental to part with. | 0:00:38 | 0:00:44 | |
There is still a tug on the heart strings here. | 0:00:44 | 0:00:47 | |
And when John casts his eyes over these 1930s coffee spoons, he certainly doesn't mince his words. | 0:00:47 | 0:00:53 | |
They're not made of precious metal so they won't make huge sums of money. | 0:00:53 | 0:00:57 | |
But when we get to auction, there's magic in the air. | 0:00:57 | 0:01:00 | |
That's a result, isn't it? | 0:01:00 | 0:01:02 | |
-Well done! -Oh, that is really good. | 0:01:02 | 0:01:05 | |
Find out how valuable these antiques turn out to be when the final hammer falls. | 0:01:06 | 0:01:10 | |
Sold then. | 0:01:10 | 0:01:12 | |
Today I've come to St Ives in Cambridgeshire to meet a lady | 0:01:13 | 0:01:16 | |
who's called in the Cash In The Attic team | 0:01:16 | 0:01:18 | |
to help her raise some funds for a very special project. | 0:01:18 | 0:01:21 | |
This beautiful house in St Ives was bought 30 years ago | 0:01:22 | 0:01:26 | |
by Angie Dickinson's recently widowed mother. | 0:01:26 | 0:01:30 | |
Ten years later, Angie and her family moved in. | 0:01:30 | 0:01:33 | |
At the time, the family ran a business in the town centre... | 0:01:33 | 0:01:37 | |
an art shop and gallery. | 0:01:37 | 0:01:40 | |
Angie divorced nine years ago and her three children are now grown up, | 0:01:40 | 0:01:44 | |
so she lives here on her own. | 0:01:44 | 0:01:46 | |
Today, her best friend Sue is on hand to help her realise her dream of making it a family home again. | 0:01:47 | 0:01:54 | |
-Are you ready for this, John? -I was born ready, Lorne. | 0:01:54 | 0:01:56 | |
Oh, that's good to hear! Come on. | 0:01:56 | 0:01:58 | |
John Cameron's our expert today. | 0:01:58 | 0:02:01 | |
His two decades of antique know-how is just what we need. | 0:02:01 | 0:02:05 | |
While he makes a start, I go in search of our hostess. | 0:02:05 | 0:02:08 | |
-Ah, good morning. -Good morning. | 0:02:10 | 0:02:12 | |
Are you measuring up for a picture here under the picture light? | 0:02:12 | 0:02:15 | |
No, we're going to knock the wall down. | 0:02:15 | 0:02:17 | |
Right, and why are you going to knock the wall down? | 0:02:17 | 0:02:19 | |
Well, I'm intending to foster, and what I want to do is knock this wall down so that the room | 0:02:19 | 0:02:24 | |
can be made much bigger and much more friendly between the kitchen and the dining room. | 0:02:24 | 0:02:29 | |
OK, and have you a figure in mind? | 0:02:29 | 0:02:31 | |
I'd like to raise between £500 and £600 to start the project off. | 0:02:31 | 0:02:35 | |
-So you've got dragged into this as well, Sue? -I certainly have! -Are you handy with a hammer? | 0:02:35 | 0:02:40 | |
Very. Yes, we have to be. | 0:02:40 | 0:02:41 | |
-We do. -OK, so we need to raise between £500 and £600 for you so the renovations can get underway. | 0:02:41 | 0:02:47 | |
Shall we go and see if we can find John Cameron? | 0:02:47 | 0:02:50 | |
Inside, there isn't much clutter, but I'm sure our expert's eye | 0:02:50 | 0:02:55 | |
will spot any prized possessions hidden away. | 0:02:55 | 0:02:58 | |
Ah, John! Whoa, this is nice. | 0:02:59 | 0:03:02 | |
This looks like a card table. | 0:03:02 | 0:03:04 | |
It is indeed. A nice elegant piece as well. Where did it come from, Angie? | 0:03:04 | 0:03:08 | |
It was my grandparents'. | 0:03:08 | 0:03:09 | |
Did they use it as a card table or just as a table? | 0:03:09 | 0:03:12 | |
They used it as a card table. I remember my grandfather playing bridge on it. | 0:03:12 | 0:03:16 | |
Gaming tables have always been popular in this country, certainly since the restoration of Charles II. | 0:03:16 | 0:03:21 | |
When he came back from exile in France, he brought back lots of habits, | 0:03:21 | 0:03:25 | |
one of which was gambling. We start card tables evolving, | 0:03:25 | 0:03:28 | |
certainly more in the early part of the 18th century. | 0:03:28 | 0:03:30 | |
The style of this piece would suggest about 1790, | 0:03:30 | 0:03:34 | |
very Sheraton or Adamesque in its sort of elegance | 0:03:34 | 0:03:38 | |
and the decorative motifs employed here. | 0:03:38 | 0:03:41 | |
But this piece dates a bit later than that, about 100 years later. | 0:03:41 | 0:03:44 | |
It's in the Sheraton revival period of about 1900. | 0:03:44 | 0:03:48 | |
It's a nice piece, very elegant, and nice use of hard woods here. | 0:03:48 | 0:03:52 | |
We've got beautiful rosewood here | 0:03:52 | 0:03:55 | |
and these lovely inlaid boxwood arabesques. | 0:03:55 | 0:03:57 | |
But I've always loved this type of card table - | 0:03:57 | 0:04:00 | |
the envelope-folding card table - just because of the way it opens up. | 0:04:00 | 0:04:03 | |
-Ah, very clever. -You turn it round like that | 0:04:03 | 0:04:06 | |
and you open it up, and there we are. | 0:04:06 | 0:04:08 | |
You can have a game of cards, and you can see... | 0:04:08 | 0:04:11 | |
the real beauty of that rosewood when you open it up. | 0:04:11 | 0:04:14 | |
-It's much darker. -Oh, yes. | 0:04:14 | 0:04:16 | |
And the baize is in nice condition. | 0:04:16 | 0:04:18 | |
I love these little scallop dishes for your gaming chips. | 0:04:18 | 0:04:21 | |
So a really nice piece of furniture. | 0:04:21 | 0:04:24 | |
It's in lovely condition and it's both elegant and functional, | 0:04:24 | 0:04:27 | |
so two great pluses there. | 0:04:27 | 0:04:29 | |
At auction, I would think we'd be looking at £250-£350 for it. | 0:04:29 | 0:04:33 | |
-Are you happy with that? -Brilliant! | 0:04:33 | 0:04:35 | |
That's more or less half what we're looking for, so maybe we'll have an easy day. | 0:04:35 | 0:04:39 | |
-Let's hope so. -Or maybe not! Let's see what else we can find. | 0:04:39 | 0:04:43 | |
But when it goes to auction, will our bidders be prepared to take a gamble? | 0:04:44 | 0:04:48 | |
Anybody want that for £200? | 0:04:48 | 0:04:50 | |
£200 is bid... | 0:04:50 | 0:04:51 | |
Let's hope it won't be game over for the 19th-century card table when it's shown to the room. | 0:04:51 | 0:04:56 | |
Back in the rummage, | 0:04:58 | 0:05:00 | |
Sue finds these 19th-century nutcrackers that were inherited from Angie's grandmother 30 years ago. | 0:05:00 | 0:05:07 | |
They add another £20-30 to the renovation fund. | 0:05:07 | 0:05:11 | |
Good Lord, what have you got there, Angie? | 0:05:11 | 0:05:13 | |
These are my collection of dolls. | 0:05:13 | 0:05:16 | |
-They certainly look like they have a story to tell. -They do. | 0:05:16 | 0:05:19 | |
Do tell me about them. Where have they come from? | 0:05:19 | 0:05:22 | |
They were a very important part of my life as I was growing up. | 0:05:22 | 0:05:25 | |
As my father was in the forces, we often didn't know whereabouts he was going when he went off on trips, | 0:05:25 | 0:05:31 | |
and the only time we knew where he'd been was when he brought a doll back. | 0:05:31 | 0:05:35 | |
-So how long did he go away for? What sort of periods? -We never knew how long he was going to be away. | 0:05:35 | 0:05:40 | |
He could be away two days, three days, or three weeks. We never knew. | 0:05:40 | 0:05:43 | |
-That must've been quite hard. -It was strange, but we got used to it because that was part of our lives. | 0:05:43 | 0:05:48 | |
We didn't know any different from what any normal children would do nowadays. | 0:05:48 | 0:05:53 | |
So do you remember the first doll you had? | 0:05:53 | 0:05:55 | |
I think my first doll was the geisha, this one. | 0:05:55 | 0:05:59 | |
-And was that your favourite? -She's still my favourite. | 0:05:59 | 0:06:02 | |
So how old were you when it started? | 0:06:02 | 0:06:04 | |
I was probably about three or four, | 0:06:04 | 0:06:07 | |
and it continued right the way up to my teens until he left. | 0:06:07 | 0:06:10 | |
So when you were married, you said, "Dad, you've got to stop bringing me dolls back!" | 0:06:10 | 0:06:14 | |
-It's about time we stopped this! -So how many are in here, do you think? | 0:06:14 | 0:06:18 | |
-There's about 40. -About 40 of them? | 0:06:18 | 0:06:20 | |
-Yeah. -So is that your favourite one, although it was the first? -It is my favourite. | 0:06:20 | 0:06:24 | |
She's so colourful and she's still actually | 0:06:24 | 0:06:26 | |
in quite good condition considering she must be 50 years old plus. | 0:06:26 | 0:06:31 | |
Apart from the geisha girl, are there any other favourites in here? | 0:06:31 | 0:06:34 | |
This is another favourite of mine. | 0:06:34 | 0:06:37 | |
My daughter's name is Rhian and it's a Welsh name, | 0:06:39 | 0:06:43 | |
and she used to dress up like that when they went to school on St David's Day, | 0:06:43 | 0:06:47 | |
-so that brings back some nice memories. -You'd be happy to take them to auction? Depending on what I say? | 0:06:47 | 0:06:52 | |
Yeah, it depends, yes. There is still a tug on the heart strings here. | 0:06:52 | 0:06:56 | |
I think we'd be looking at about £30-£50, so how would that sound? | 0:06:56 | 0:07:01 | |
-I'll have to think about that. -You can tell me at the auction, but if that's the case, | 0:07:01 | 0:07:06 | |
we'll have to find something else because we need to hit our target. | 0:07:06 | 0:07:09 | |
So we'll leave Myfanwy and Yoko here on their own and we'll go and see what else we can find. | 0:07:09 | 0:07:14 | |
OK. Fine. | 0:07:14 | 0:07:17 | |
We'll find out if Angie's willing to part with them on auction day. | 0:07:17 | 0:07:23 | |
John tracks down this pretty 20th-century, silver-plated | 0:07:23 | 0:07:26 | |
Elkington and Co cutlery set in a wooden box. | 0:07:26 | 0:07:30 | |
It's a wonderful collection with beautiful detail and will | 0:07:30 | 0:07:33 | |
certainly win over the bidders with its attractive £30-£60 price tag. | 0:07:33 | 0:07:37 | |
He also spots a 1930s Bar-let typewriter in its original case. | 0:07:39 | 0:07:44 | |
The company made around 30,000 of these in 1936, | 0:07:44 | 0:07:49 | |
and John reckons it'll fetch £10-£20. | 0:07:49 | 0:07:52 | |
There you are. I've found something. It's a collection of spoons. | 0:07:52 | 0:07:56 | |
There's a couple of different sets, but I particularly thought the ones | 0:07:56 | 0:08:00 | |
that look like they're from Siam or something... | 0:08:00 | 0:08:02 | |
Quite nice, not bad condition. | 0:08:02 | 0:08:04 | |
These are obviously some sort of Hindu Buddha on the handle there. | 0:08:04 | 0:08:08 | |
Gold-plated, but there'll be a base metal under there. | 0:08:08 | 0:08:12 | |
Did somebody collect these? How come we've got three different sets? | 0:08:12 | 0:08:16 | |
My dad was a great collector. Wherever he went, he wanted something to remind me of where he'd been | 0:08:16 | 0:08:20 | |
and he was very good at bringing things back from different parts of the world. | 0:08:20 | 0:08:24 | |
These are interesting because, if you look at the handles, they look like coffee beans. | 0:08:24 | 0:08:29 | |
They look like coffee spoons. | 0:08:29 | 0:08:30 | |
These look almost like cocktail ones cos they look like cherries! | 0:08:30 | 0:08:33 | |
They're interesting. You do see sets of coffee spoons like this | 0:08:33 | 0:08:37 | |
really more so in the 20th century for some reason, | 0:08:37 | 0:08:39 | |
certainly round the 1930s and '40s. | 0:08:39 | 0:08:42 | |
There must've been a huge demand for manufacturers to start producing individual sets. | 0:08:42 | 0:08:47 | |
These ones look like EPNS. | 0:08:47 | 0:08:49 | |
Yeah, they're silver-plated. | 0:08:49 | 0:08:52 | |
They are Yeoman plate, it is an English maker. The other ones... | 0:08:52 | 0:08:56 | |
well, this little set | 0:08:56 | 0:08:57 | |
is definitely English, and they've got Goldoid stamped on the bowl. | 0:08:57 | 0:09:02 | |
That's a trade name for that gold-plated finish. | 0:09:02 | 0:09:05 | |
What sort of value are we talking about? | 0:09:05 | 0:09:08 | |
They're not made of precious metal, so they won't make huge sums, | 0:09:08 | 0:09:10 | |
but on the plus side, you've got complete sets of six | 0:09:10 | 0:09:13 | |
and they retain the original boxes, so I think about £20-£30 at auction. | 0:09:13 | 0:09:17 | |
Every little helps. | 0:09:17 | 0:09:19 | |
I spot this Wedgwood jug and bowl in the corner of the hallway. | 0:09:19 | 0:09:22 | |
It's called Peaches and was made in around 1906. | 0:09:22 | 0:09:26 | |
Angie tells me that her father bought it at auction, | 0:09:26 | 0:09:28 | |
and it should make £20-£30 when it goes back to one. | 0:09:28 | 0:09:32 | |
And there's no stopping me now | 0:09:32 | 0:09:33 | |
as I find this 50-piece orange and blue dinner service which belonged to Angie's grandmother. | 0:09:33 | 0:09:38 | |
That should serve up £20-£30. | 0:09:38 | 0:09:42 | |
Being here is a bit like being a little girl in a sweet shop. | 0:09:42 | 0:09:46 | |
-CASH REGISTER RINGS -Wow, this is great, Angie! | 0:09:46 | 0:09:49 | |
You've got a cash register here. Isn't that a fantastic sound? | 0:09:49 | 0:09:53 | |
-I love that noise. -It's lovely, isn't it? | 0:09:53 | 0:09:55 | |
This was from my parents' art shop | 0:09:55 | 0:09:57 | |
and we used it right up until the last day when we closed. | 0:09:57 | 0:10:00 | |
-How long ago was that? -It's five years ago now. | 0:10:00 | 0:10:03 | |
Obviously once the shop was shut, what did you decide to do then? | 0:10:03 | 0:10:07 | |
I retrained as a life coach. Trying to help people move forward. | 0:10:07 | 0:10:11 | |
It's helping them deal with the past, | 0:10:11 | 0:10:13 | |
accept you can't change the past, but you can change your future. | 0:10:13 | 0:10:17 | |
So what made you decide then to get into fostering? | 0:10:17 | 0:10:21 | |
I think again it's the nurturing side and wanting to help people. | 0:10:21 | 0:10:24 | |
I enjoy helping people. I'm involved a lot in the town in other organisations. | 0:10:24 | 0:10:29 | |
There's a lot of young children out there, teenagers, | 0:10:29 | 0:10:32 | |
that need help and support, and I don't think a lot of the time there's a lot of help out there. | 0:10:32 | 0:10:37 | |
Obviously you've had a lot of changes, you've decided to become a foster mum, | 0:10:37 | 0:10:41 | |
which is a training in itself, but you've also decided to have these major renovations happen. | 0:10:41 | 0:10:45 | |
-That's quite drastic. -I think the house was OK a few years ago | 0:10:45 | 0:10:50 | |
when people used to eat in dining rooms. | 0:10:50 | 0:10:53 | |
I usually only use the dining room now on a walk through to the kitchen, so it just seemed a sensible idea | 0:10:53 | 0:10:58 | |
to knock the wall down, make it much more user-friendly, child-friendly, and much more sociable. | 0:10:58 | 0:11:03 | |
I had a look in the cash till and there's no money in there, so shall we go and see | 0:11:03 | 0:11:07 | |
whether John Cameron's found anything we can dust off? Come on! | 0:11:07 | 0:11:11 | |
John's still on the look-out, but Angie heads straight to the loft to dig out two 1950s' coffee sets. | 0:11:11 | 0:11:19 | |
Again, they were a present from her father from his travels in Singapore, | 0:11:19 | 0:11:22 | |
and they're valued at £20-£30. | 0:11:22 | 0:11:26 | |
Hi, John. I found a piece of Waterford in the lounge. | 0:11:26 | 0:11:30 | |
I think it's quite interesting. Would you have a look? | 0:11:30 | 0:11:32 | |
Sure. So where did all this come from? | 0:11:32 | 0:11:35 | |
Are these pieces that Angie's acquired herself? | 0:11:35 | 0:11:38 | |
No, they're not really that she's acquired herself. This piece would've been from her father. | 0:11:38 | 0:11:43 | |
I know that he used to go quite regularly to auctions, | 0:11:43 | 0:11:47 | |
so he would've picked that up there. | 0:11:47 | 0:11:49 | |
She has got other pieces in there that have come from grandparents | 0:11:49 | 0:11:53 | |
-and gifts over the years. -They're mostly Waterford? | 0:11:53 | 0:11:57 | |
It looks like it to me, but I'd like you to have a look. | 0:11:57 | 0:11:59 | |
In terms of a good name, they don't come much better than that. | 0:11:59 | 0:12:03 | |
They're based in Ireland and started there around the 1780s by the Penrose brothers. | 0:12:03 | 0:12:07 | |
Somebody's had a real field day doing this. | 0:12:07 | 0:12:09 | |
You've got strawberry cuts here, you've got hobnails, | 0:12:09 | 0:12:14 | |
you've strawberry fields here, panels, swags. | 0:12:14 | 0:12:17 | |
-It's all going on in this one piece. -It is a beautiful piece. | 0:12:17 | 0:12:21 | |
It really is a kind of tour de force of glass-cutting skill. | 0:12:21 | 0:12:24 | |
If you bought that new today, you'd be parting with at least a couple of hundred pounds | 0:12:24 | 0:12:28 | |
for something like that, but at auction, that's about £20-£30. | 0:12:28 | 0:12:32 | |
But you said there are some other pieces. | 0:12:32 | 0:12:34 | |
There's a decanter and glasses that came from her grandmother. | 0:12:34 | 0:12:38 | |
There's also a rather lovely little clock. | 0:12:38 | 0:12:42 | |
Why don't we have a look at them, see the condition, see if we can | 0:12:42 | 0:12:45 | |
make a nice lot up, and we'll put an estimate on it then. | 0:12:45 | 0:12:48 | |
John soon selects a few more pieces to go off to auction, | 0:12:48 | 0:12:52 | |
bringing the total to £50-£80. | 0:12:52 | 0:12:55 | |
Angie's dug out some signed, | 0:12:55 | 0:12:57 | |
limited-edition prints by the famous wildlife artist David Shepherd. | 0:12:57 | 0:13:01 | |
They used to hang in her parents' art gallery | 0:13:01 | 0:13:04 | |
and include various wildlife scenes | 0:13:04 | 0:13:06 | |
and a large print of the Flying Scotsman steam engine. | 0:13:06 | 0:13:10 | |
John values the collection at an impressive £200-£300. | 0:13:10 | 0:13:14 | |
And the artwork just keeps coming. | 0:13:14 | 0:13:16 | |
I've brought you to look at this picture, see what you think of it. | 0:13:16 | 0:13:20 | |
It's been hanging here for 15 years now. | 0:13:20 | 0:13:23 | |
Well, my first impression, Angie, is it's a very accomplished picture. | 0:13:23 | 0:13:27 | |
-We've got a painting here... -Bet it's not as nice as this! | 0:13:27 | 0:13:31 | |
-No. Is that a painting or a print? -It is indeed. It's a watercolour. | 0:13:31 | 0:13:34 | |
Wow, that is lovely. | 0:13:34 | 0:13:36 | |
So, Angie, what do you know about the subject matter? | 0:13:36 | 0:13:38 | |
Not a huge amount, other than I know that it's Reims Cathedral. | 0:13:38 | 0:13:41 | |
It is indeed Reims Cathedral, which is a very, very important cathedral in French monarchical history. | 0:13:41 | 0:13:47 | |
It's where the kings and queens were crowned, so it's pretty much like our Westminster Abbey. | 0:13:47 | 0:13:52 | |
The more you look at it, the more detail you can see. | 0:13:52 | 0:13:55 | |
Just emerging here from the doors is a Catholic priest, and so many | 0:13:55 | 0:13:59 | |
little minor conversations going on throughout the picture. | 0:13:59 | 0:14:03 | |
The artist... It is signed Neil Stuart Crichton. | 0:14:03 | 0:14:06 | |
Not a great deal known about him which often puzzles me. | 0:14:06 | 0:14:09 | |
I've only ever found a couple of examples of his work. | 0:14:09 | 0:14:12 | |
They tend to turn up in pairs. | 0:14:12 | 0:14:14 | |
He was flourishing around the latter part of the 19th century, but what's always puzzled me is that, | 0:14:14 | 0:14:20 | |
for such a skilled artist who he obviously is, not much work exists. | 0:14:20 | 0:14:24 | |
It leads me to think that possibly he sold a lot of works unsigned. | 0:14:24 | 0:14:29 | |
So, John, what do you think it might make at auction? | 0:14:29 | 0:14:32 | |
Well, value-wise, I'd be looking at about £200-£300, something like that. | 0:14:32 | 0:14:37 | |
What do you think of that, Angie? | 0:14:37 | 0:14:39 | |
I'd be reluctant to see it go for under £300. | 0:14:39 | 0:14:41 | |
If we were to have a reserve of £300, that would mean we'd have | 0:14:41 | 0:14:45 | |
to bring the estimate up to £300-£400, but it's worth a chance. | 0:14:45 | 0:14:49 | |
It's still a very attractive picture | 0:14:49 | 0:14:51 | |
and it's got every chance of achieving that. | 0:14:51 | 0:14:54 | |
OK, right. Well, you've made enough money to get the professionals in, | 0:14:54 | 0:14:58 | |
because the value of everything going to auction comes to £970! | 0:14:58 | 0:15:02 | |
-Brilliant news. -Wonderful. -Excellent, isn't it? | 0:15:02 | 0:15:06 | |
It's really good. Really pleased. | 0:15:06 | 0:15:08 | |
Hopefully maybe even a bit more if that flies off the wall on the day. | 0:15:08 | 0:15:11 | |
We have high hopes that Angie will make the £500 she needs. | 0:15:11 | 0:15:17 | |
We found some fantastic items that I'm sure will interest the bidders on auction day. | 0:15:17 | 0:15:20 | |
There's the fabulous 19th-century gaming table. | 0:15:20 | 0:15:24 | |
Angie remembers her grandfather playing cards on it. | 0:15:24 | 0:15:28 | |
John's value was £250-£350. | 0:15:28 | 0:15:32 | |
Let's not forget the ten David Shepherd prints, | 0:15:32 | 0:15:34 | |
including the Flying Scotsman, valued at £200-£300. | 0:15:34 | 0:15:39 | |
And the dolls that Angie collected as a little girl. | 0:15:40 | 0:15:43 | |
They were given to her by her father and hold strong sentimental value. | 0:15:43 | 0:15:48 | |
They have a £30-£50 price tag, but we'll have to find out on the day | 0:15:48 | 0:15:52 | |
if she's willing to part with them. | 0:15:52 | 0:15:54 | |
Still to come on Cash In The Attic: | 0:15:55 | 0:15:58 | |
one of our sales leaves us all gobsmacked. | 0:15:58 | 0:16:00 | |
Oh, goodness! | 0:16:00 | 0:16:02 | |
Whoa! | 0:16:02 | 0:16:03 | |
Even our expert is surprised with the result of one of our pieces. | 0:16:03 | 0:16:08 | |
I really had hoped that that was going to take off. | 0:16:08 | 0:16:11 | |
Let's hope it's not a crash landing when the final hammer falls. | 0:16:11 | 0:16:14 | |
Yours, madam. | 0:16:14 | 0:16:15 | |
It's some time since we visited Angie at her home in Cambridgeshire, and she collected a lot of things | 0:16:20 | 0:16:25 | |
over the years, but we had a good look through them, together with her friend Sue, | 0:16:25 | 0:16:29 | |
and the items of value we've brought here to Sworders Auction House in Stansted Mountfitchet. | 0:16:29 | 0:16:34 | |
Now, she wants to raise £500 to do some improvements to her kitchen | 0:16:34 | 0:16:38 | |
and make a bit more room because she plans to start fostering children. | 0:16:38 | 0:16:42 | |
With such a fantastic idea in mind and £500 to make, | 0:16:42 | 0:16:46 | |
let's hope the bidders dig deep and help us reach that target. | 0:16:46 | 0:16:51 | |
This Essex auction runs every Wednesday morning and sells | 0:16:51 | 0:16:55 | |
an eclectic mix of antiques, including furniture, glass, | 0:16:55 | 0:16:59 | |
pictures and jewellery. This should bode well for Angie's items, | 0:16:59 | 0:17:03 | |
but have they all made it to the saleroom? | 0:17:03 | 0:17:06 | |
-Hello. -Hi. | 0:17:06 | 0:17:08 | |
We're dying to know, because there's so many boxes of things here, | 0:17:08 | 0:17:11 | |
whether or not you've brought your dolls. | 0:17:11 | 0:17:14 | |
No, I've decided not to bring them this time. | 0:17:14 | 0:17:17 | |
-Why was that? -Well, they've got a lot of sentimental value to me and they've got a lot of memories | 0:17:17 | 0:17:22 | |
and I've decided that I want to keep those memories. | 0:17:22 | 0:17:25 | |
So, Angie, any reserves on your items today? | 0:17:25 | 0:17:27 | |
I've put a £350 reserve on the Crichton watercolour. | 0:17:27 | 0:17:30 | |
That's in the middle of our £300-£400 estimate. It's a wonderful watercolour. | 0:17:30 | 0:17:34 | |
If it's going to sell at that money, it will. | 0:17:34 | 0:17:36 | |
You're not worried about taking it back home? | 0:17:36 | 0:17:38 | |
I'm quite happy to take it back. The space is still available. | 0:17:38 | 0:17:41 | |
Fair enough. Come on, then, let's get in position. | 0:17:41 | 0:17:45 | |
So the dolls stay at home. | 0:17:45 | 0:17:47 | |
Fortunately, that's not a huge loss for us, | 0:17:47 | 0:17:50 | |
but we also lose the blue and orange dinner service valued at £20-£30. | 0:17:50 | 0:17:56 | |
Angie's nephew dropped it when moving so, in total, that's £50 off our renovation fund. | 0:17:56 | 0:18:01 | |
If, like Angie, you have a special reason to raise some cash and are thinking of heading to auction, | 0:18:01 | 0:18:06 | |
remember that commission and other charges may apply, so check the details with your auction house. | 0:18:06 | 0:18:11 | |
As today's auctioneer gets proceedings under way... | 0:18:11 | 0:18:13 | |
Selling at £55. | 0:18:13 | 0:18:17 | |
..we take our place ready for our first lot. | 0:18:17 | 0:18:19 | |
It's the silver cutlery set in a wooden box, valued at £30-£60. | 0:18:19 | 0:18:24 | |
Lot 159, who'll start me here at £20? | 0:18:24 | 0:18:27 | |
£20 is bid on commission, 22, 25, 28, 30, 32 in the room now. 32, commission's lost. | 0:18:27 | 0:18:32 | |
35 where? | 0:18:32 | 0:18:33 | |
So £32 in the room, selling at £32, all finished at 32... | 0:18:33 | 0:18:37 | |
£32. That's OK, isn't it? | 0:18:37 | 0:18:40 | |
So not a bad start, and someone's got a real bargain. | 0:18:40 | 0:18:43 | |
Angie's happy with the result, so let's hope she's still smiling after the next item. | 0:18:43 | 0:18:48 | |
Crystal may not be the thing of the moment, but Waterford's a very good name, isn't it? | 0:18:51 | 0:18:54 | |
You're quite right, a very good name, | 0:18:54 | 0:18:57 | |
but fashion is a funny thing, and that's where demand is driven. | 0:18:57 | 0:18:59 | |
I'm sure that at least the first piece that you found, Sue, would've been worth that on its own. | 0:18:59 | 0:19:03 | |
-It certainly would've cost more than that. So we've got a nice collection we put together. -We did. | 0:19:03 | 0:19:08 | |
And we're looking for £50-£80. Should do it. | 0:19:08 | 0:19:11 | |
Anyone to start at £50? | 0:19:11 | 0:19:12 | |
50 bid, thank you, sir. 55, madam? | 0:19:12 | 0:19:14 | |
55, 60, 5, 70, 5, 80... | 0:19:14 | 0:19:20 | |
-Keep going. -85? good Waterford here, sir. | 0:19:20 | 0:19:24 | |
85, a lady's bid at 85. 90 anywhere? | 0:19:24 | 0:19:26 | |
Sold to the lady at £85, at 85... Brilliant! | 0:19:26 | 0:19:30 | |
That's all right, isn't it? | 0:19:30 | 0:19:32 | |
Just over our top estimate. | 0:19:32 | 0:19:34 | |
Fantastic, and we're on a roll. | 0:19:34 | 0:19:36 | |
The 1930s Bar-let typewriter quickly follows suit. | 0:19:36 | 0:19:41 | |
Selling on a commission at £25. Are we all done, please, at 25? | 0:19:41 | 0:19:45 | |
Selling £5 over John's top estimate. | 0:19:45 | 0:19:49 | |
So far, so good, but now it's time to take a gamble. | 0:19:49 | 0:19:52 | |
OK, now this is a lovely lot. | 0:19:52 | 0:19:54 | |
We were looking at this earlier on. It's the card table. | 0:19:54 | 0:19:57 | |
-How did you acquire this? -This was my grandmother's. -Right. | 0:19:57 | 0:20:00 | |
She's kept it in very good condition. | 0:20:00 | 0:20:02 | |
If you remember, on the day we were saying the fact that it's not faded or warped on the top... | 0:20:02 | 0:20:07 | |
She must've really looked after it. | 0:20:07 | 0:20:09 | |
She did. They used it to play regularly as well. | 0:20:09 | 0:20:11 | |
I love that idea - sitting down and playing bridge or parlour games. | 0:20:11 | 0:20:14 | |
The envelope card table, rosewood and inlaid, for £200. | 0:20:14 | 0:20:18 | |
Anybody want that for £200? | 0:20:19 | 0:20:21 | |
-£200 is bid. A lady's bid at £200. -Yes, thank God! | 0:20:21 | 0:20:25 | |
At £200, 220... | 0:20:25 | 0:20:26 | |
..240, 260, | 0:20:28 | 0:20:31 | |
280, 300. | 0:20:31 | 0:20:34 | |
£300. A gentleman's bid in the room at £300, and we're selling. | 0:20:35 | 0:20:39 | |
-Are we all done and finished at £300? -Really pleased with that. -Good. | 0:20:39 | 0:20:43 | |
So we're all happy as £300 | 0:20:43 | 0:20:45 | |
is a massive amount towards our £500 target. | 0:20:45 | 0:20:49 | |
There are smaller contributions from the Wedgwood jug and bucket | 0:20:49 | 0:20:53 | |
and the silver nutcrackers. | 0:20:53 | 0:20:55 | |
12. | 0:20:55 | 0:20:56 | |
Adding just £24 to our kitty between them. | 0:20:56 | 0:21:00 | |
With half our lot sold, we've made an impressive £466, | 0:21:00 | 0:21:04 | |
which means our £500 target is nearly in the bag. | 0:21:04 | 0:21:08 | |
There's plenty more to sell, though, so we could be in for a showstopper. | 0:21:08 | 0:21:13 | |
But it's the two coffee sets from Singapore coming up next. | 0:21:13 | 0:21:16 | |
They're valued at £20-£30. | 0:21:16 | 0:21:19 | |
Ten years ago, sets like this individually made £50-£80. | 0:21:19 | 0:21:22 | |
We've got two sets here for £20-£30. | 0:21:22 | 0:21:24 | |
-Let's hope they haven't gone down in demand any more. -£20 for the two. | 0:21:24 | 0:21:28 | |
Lot 208, we're selling the Japanese eggshell there for £20. | 0:21:28 | 0:21:32 | |
Two coffee sets for £20. For 10? £10 for the two. Any interest at £10? | 0:21:32 | 0:21:38 | |
Oh, no! I'm so sorry. | 0:21:38 | 0:21:42 | |
I'm going to sell it at £10. Sold at 10... | 0:21:42 | 0:21:44 | |
Wow! £10. What were we saying? "Let's hope they haven't dropped in demand any more." | 0:21:44 | 0:21:48 | |
We nearly didn't get a bid at all for that. £10 for two Japanese coffee sets. | 0:21:48 | 0:21:53 | |
Quite cheap. How do you feel? | 0:21:53 | 0:21:55 | |
A bit disappointed, but it's better to have the money in the pocket. | 0:21:55 | 0:21:59 | |
John's on the ball with his predictions today. | 0:22:00 | 0:22:03 | |
It's not the result we were hoping for but, as Angie said, it's all money in the pot. | 0:22:03 | 0:22:07 | |
It's the same result again for the three boxes of coffee spoons. | 0:22:08 | 0:22:12 | |
Going to sell at £10. No more interest, then £10. | 0:22:12 | 0:22:15 | |
Definitely a bargain for someone. | 0:22:16 | 0:22:19 | |
Onwards and upwards, as the next item is shown to the room. | 0:22:19 | 0:22:22 | |
It's the set of ten prints by artist David Shepherd. | 0:22:22 | 0:22:26 | |
They're valued at £200-£300. | 0:22:26 | 0:22:28 | |
Now, I remember five or six years ago, | 0:22:28 | 0:22:32 | |
David Shepherd prints would've made about £100 each, | 0:22:32 | 0:22:35 | |
and we've got ten here for £200-£300 which reflects | 0:22:35 | 0:22:38 | |
-a slight shift in demand. -What did you used to sell these for? | 0:22:38 | 0:22:42 | |
Anything up to £500, £600 for them framed. | 0:22:42 | 0:22:44 | |
-This way they should sell well. -Yeah. | 0:22:44 | 0:22:47 | |
£100 for them, the signed David Shepherd prints. I've £100 bid. | 0:22:47 | 0:22:50 | |
110, 120, 130, 140, | 0:22:50 | 0:22:53 | |
150, 160. | 0:22:53 | 0:22:56 | |
160 on account, 160, at 160... | 0:22:56 | 0:22:58 | |
170 where now? At 160. | 0:22:58 | 0:23:00 | |
170 anywhere? At 160. | 0:23:00 | 0:23:01 | |
170 anywhere? | 0:23:01 | 0:23:03 | |
Selling on account at 160. | 0:23:03 | 0:23:05 | |
All done at 160. | 0:23:05 | 0:23:07 | |
-£160. -I'm a little bit disappointed at that. | 0:23:07 | 0:23:11 | |
I really had hoped that that was going to take off. How do you feel? | 0:23:11 | 0:23:15 | |
That's £16 each. That seems like nothing to me. | 0:23:15 | 0:23:18 | |
It's disappointing, but it's better money in the pocket again. | 0:23:18 | 0:23:22 | |
We may be disappointed, but Angie's got a great attitude | 0:23:23 | 0:23:26 | |
to the sale, and let's face it, £160 all goes towards our total. | 0:23:26 | 0:23:30 | |
Now it's our star item, the original watercolour of Reims Cathedral, | 0:23:30 | 0:23:35 | |
and we're hoping this is what the serious buyers | 0:23:35 | 0:23:37 | |
have been holding out for. | 0:23:37 | 0:23:39 | |
Although this particular subject matter isn't hugely popular, | 0:23:39 | 0:23:43 | |
you don't see big panoramic views like this with so much detail. | 0:23:43 | 0:23:46 | |
I think it's a wonderful picture, | 0:23:46 | 0:23:48 | |
I think the best I've ever seen of those European scenes. | 0:23:48 | 0:23:52 | |
At £300-£400, I still think that would be cheap. | 0:23:52 | 0:23:54 | |
You've got a reserve? | 0:23:54 | 0:23:56 | |
Yes, I have got a reserve on it of £350. | 0:23:56 | 0:23:58 | |
Tempt you all with a teasing bid to start off at £200. | 0:23:58 | 0:24:01 | |
We're away at £200. I'll take 20 now. | 0:24:01 | 0:24:03 | |
I've £200, here with me at £200. | 0:24:03 | 0:24:06 | |
220, 240, 260, 280, 300, 320... | 0:24:06 | 0:24:11 | |
Keep going, keep going! | 0:24:11 | 0:24:12 | |
-340, 360, 380, 400... -Oh, goodness! | 0:24:12 | 0:24:17 | |
-440... -Whoa! -With me here at £440. At 440, do I see 60 anywhere else now? | 0:24:17 | 0:24:23 | |
The room's out, so, on a commission, selling at £440. 440... | 0:24:23 | 0:24:27 | |
£440! | 0:24:28 | 0:24:31 | |
That's a result, isn't it? | 0:24:31 | 0:24:32 | |
-Well done. -Oh, that is really good. | 0:24:32 | 0:24:36 | |
Maybe they're coming back into fashion. Who cares? £440! | 0:24:36 | 0:24:39 | |
-Now what am I going to put on my wall? -Who cares? | 0:24:39 | 0:24:42 | |
For £440, you'll find something! | 0:24:42 | 0:24:45 | |
-Absolutely. Brilliant! -That's such a relief. | 0:24:45 | 0:24:48 | |
It's a fantastic outcome, selling for £40 over John's upper estimate. | 0:24:48 | 0:24:52 | |
All that remains is to work out just how much Angie's made. | 0:24:53 | 0:24:57 | |
Well, you wanted £500. | 0:24:57 | 0:25:00 | |
You know we're really close to that cos we banked £466 this morning. | 0:25:00 | 0:25:05 | |
Do you think we've made much more this afternoon? | 0:25:05 | 0:25:07 | |
I hope we've made our target and more besides. | 0:25:07 | 0:25:10 | |
We've actually banked £1,086. | 0:25:10 | 0:25:13 | |
That's really good! Thank you so much. That's brilliant news. | 0:25:13 | 0:25:17 | |
Back home, Angie's clearing out the rooms in preparation for the | 0:25:24 | 0:25:27 | |
big renovation, and her friend Sue is here again to help out. | 0:25:27 | 0:25:31 | |
The kitchen and the dining room are being knocked through to make one big room. | 0:25:31 | 0:25:36 | |
It's quite surreal now. It's actually happening and it's brilliant. | 0:25:36 | 0:25:39 | |
It's taken me so long to get to this stage and I'm really looking forward | 0:25:39 | 0:25:43 | |
to seeing what it's like in there now, now that the wall's coming down. | 0:25:43 | 0:25:47 | |
It's a big job, but once the builders get to work, | 0:25:48 | 0:25:52 | |
it doesn't take long before the changes start to take shape. | 0:25:52 | 0:25:55 | |
Wow! Look at that! | 0:25:57 | 0:26:00 | |
What a difference. | 0:26:00 | 0:26:02 | |
I can't believe how quick you've done that, guys. It's brilliant! | 0:26:04 | 0:26:08 | |
Oh, I can start planning now! | 0:26:08 | 0:26:10 | |
'It's the best thing that I could've done.' | 0:26:10 | 0:26:12 | |
The room was used as a walk-through, from one room to the other, | 0:26:12 | 0:26:15 | |
so this is going to make such a difference to the whole house, the whole feel of the house as well. | 0:26:15 | 0:26:20 | |
-It's going to be much more sociable, isn't it? -I think so, yes. | 0:26:20 | 0:26:24 |