Dickinson Cash in the Attic

Welcome to the show that finds all those hidden treasures around your home and then, of course,

we help you sell them at auction. Today, I'm going to be meeting a lady for whom these spoons

from the Far East have a particular significance.

Find out what it is later on Cash In The Attic.

Coming up, a crate of late 20th-Century dolls may prove too sentimental to part with.

There is still a tug on the heart strings here.

And when John casts his eyes over these 1930s' coffee spoons, he certainly doesn't mince his words.

They're not made of precious metal so they won't make huge sums of money.

But when we get to auction, there's magic in the air.

That's a result, isn't it?

-Well done!

-Oh, that is really good.

Find out how valuable these antiques turn out to be when the final hammer falls.

Sold then.

Today I've come to St Ives in Cambridgeshire to meet a lady

who's called in the Cash In The Attic team

to help her raise some funds for a very special project.

This beautiful house in St Ives was bought 30 years ago

by Angie Dickinson's recently widowed mother.

Ten years later, Angie and her family moved in.

At the time, the family ran a business in the town centre...

an art shop and gallery, which also sold home-brew kits.

Angie divorced nine years ago and her three children are now grown up,

so she lives here on her own.

Today, her best friend Sue is on hand to help her realise her dream of making it a family home again.

More about that in a moment. After a troubled few years,

at last things are looking up for Angie, and that's where we come in.

-What's the measurement, Sue?

-Seven centimetres.

-Are you ready for this, John?

-I was born ready, Lorne.

Oh, that's good to hear! Come on.

John Cameron's our expert today.

His two decades of antique know-how is just what we need.

While he makes a start, I go in search of our hostess.

-Ah, good morning.

-Good morning.

Are you measuring up for a picture here under the picture light?

No, we're going to knock the wall down.

Right, and why are you going to knock the wall down?

Well, I'm intending to foster, and what I want to do is knock this wall down so that the room

can be made much bigger and much more friendly between the kitchen and the dining room.

OK, and have you a figure in mind?

I'd like to raise between £500 and £600 to start the project off.

-So you've got dragged into this as well, Sue?

-I certainly have!

-Are you handy with a hammer?

Very. Yes, we have to be.

-We do.

-OK, so we need to raise between £500 and £600 for you so the renovations can get under way.

Shall we go and see if we can find John Cameron? He's probably feeding the swans or something!

Angie's house was built in the 1860s

and backs onto a stream that's home to many beautiful swans.

This peaceful retreat will make a wonderful home to the children she fosters.

Inside, there isn't much clutter, but I'm sure our expert's eye

will spot any prized possessions hidden away.

And I'm right - John has wasted no time making the first find.

Ah, John! Whoa, this is nice.

This looks like a card table.

It is indeed. A nice elegant piece as well. Where did it come from, Angie?

It was my grandparents'.

Did they use it as a card table or just as a table?

They used it as a card table. I remember my grandfather playing bridge on it.

Gaming tables have always been popular in this country, certainly since the restoration of Charles II.

When he came back from exile in France, he brought back lots of habits,

one of which was gambling. We start card tables evolving,

certainly more in the early part of the 18th century.

The style of this piece would suggest about 1790,

very Sheraton or Adamesque in its sort of elegance

and the decorative motifs employed here.

But this piece dates a bit later than that, about 100 years later.

It's in the Sheraton revival period of about 1900.

It's a nice piece, very elegant, and nice use of hard woods here.

We've got beautiful rosewood here

and these lovely inlaid boxwood arabesques.

But I've always loved this type of card table -

the envelope-folding card table - just because of the way it opens up.

-Ah, very clever.

-You turn it round like that

and you open it up, and there we are.

You can have a game of cards, and you can see...

the real beauty of that rosewood when you open it up.

-It's much darker.

-Oh, yes.

And the baize is in nice condition.

I love these little scallop dishes for your gaming chips.

So a really nice piece of furniture.

Have you any idea what you'd like to get for it?

I have no idea at all on this one, I'm afraid.

What's your guess, then, John?

Well, it's in lovely condition and it's both elegant and functional,

so two great plusses there.

At auction, I would think we'd be looking at £250-£350 for it.

-Are you happy with that?

-Brilliant!

That's more or less half what we're looking for, so maybe we'll have an easy day.

-Let's hope so.

-Or maybe not! Let's see what else we can find.

But when it goes to auction, will our bidders be prepared to take a gamble?

Anybody want that for £200?

£200 is bid...

Let's hope it won't be game over for the 19th-Century card table when it's shown to the room.

Angie decided to foster nine months ago

and plans to make the house more open and friendly,

but it's a pricey gesture that could cost anything up to £10,000.

Sue finds these 19th-Century nutcrackers that were inherited from Angie's grandmother 30 years ago.

They had been handed down through her family and add another £20-30 to the renovation fund.

Angie's father Derek was a navigator in the RAF

and travelled all over the world.

In fact, she was born in Egypt and lived in Singapore

until she was four years old, before settling in the UK.

She's keen for John to take a look at the collectable souvenirs of all that globe-trotting.

Good Lord, what have you got there, Angie?

These are my collection of dolls.

-They certainly look like they have a story to tell.

-They do.

Do tell me about them. Where have they come from?

They were a very important part of my life as I was growing up.

As my father was in the forces, we often didn't know whereabouts he was going when he went off on trips,

and the only time we knew where he'd been was when he brought a doll back.

-So how long did he go away for? What sort of periods?

-We never knew how long he was going to be away.

He could be away two days, three days, or three weeks. We never knew.

-That must've been quite hard.

-It was strange, but we got used to it because that was part of our lives.

We didn't know any different from what any normal children would do nowadays.

So do you remember the first doll you had?

I think my first doll was the geisha, this one.

-And was that your favourite?

-She's still my favourite.

So how old were you when it started?

I was probably about three or four,

and it continued right the way up to my teens until he left.

So when you were married, you said, "Dad, you've got to stop bringing me dolls back!"

-It's about time we stopped this!

-So how many are in here, do you think?

-There's about 40.

-About 40 of them?

-Yeah.

-So is that your favourite one, although it was the first?

-It is my favourite.

She's so colourful and she's still actually

in quite good condition considering she must be 50 years old plus.

Apart from the geisha girl, are there any other favourites in here?

This is another favourite of mine.

My daughter's name is Rhian and it's a Welsh name,

and she used to dress up like that when they went to school on St David's Day,

-so that brings back some nice memories.

-You'd be happy to take them to auction? Depending on what I say?

Yeah, it depends, yes. There is still a tug on the heart strings here.

I think we'd be looking at about £30-£50, so how would that sound?

-I'll have to think about that.

-You can tell me at the auction, but if that's the case,

we'll have to find something else because we need to hit our target.

So we'll leave Myfanwy and Yoko here on their own and we'll go and see what else we can find.

OK. Fine.

I don't suppose I was expecting much more than that,

but I think it's the sentimental bit that will keep me keeping those here

rather than sending them to auction.

We'll find out if Angie's willing to part with them on auction day.

John doesn't do a bad job navigating himself around the house, and tracks

down this pretty 20th-Century, silver-plated Elkington and Co cutlery set in a wooden box.

It's a wonderful collection with beautiful detail and will

certainly win over the bidders with its attractive £30-£60 price tag.

The weather's holding out for our search in Cambridgeshire, and perhaps it's time

to find out more about the warm friendship that's lasted almost all of Angie and Sue's lives.

Now, Sue, I know Angie's connection with the town,

but tell me about yourself. Are you from this area?

Well, I moved to the area because my family was RAF.

My father was posted to Brampton and then to Wyton.

Now, you've been friends for 40 years. Why do you think that friendship's been so enduring?

Sue and I have a lot in common.

We've obviously been brought up together over the years,

and our likes and dislikes are very much the same as well,

and we have other friends in common as well,

so we have a really good friendship and warm relationship.

So when you decided to do this, Angie, was Sue the first person you turned to to help?

Sue is always there whenever I need her so she was my first choice.

What are the qualities that will make her such a good foster mum?

Angie is a very, very good listener.

Um...

She will help anybody at any time.

She'd give you the shirt off her back.

Her advice is 100%. I mean...

I haven't known her get it wrong yet.

And all ages go to see Angie.

When she had her shop, it was a communal sort of meeting point

and people would go to her with their...

not just troubles, but good things as well.

Right, fingers crossed that you get approved to become a foster mum,

in which case, before that happens, we need to take the wall down,

-so shall we go and see if John has found anything else to sell?

-Absolutely.

-Good idea.

Angie is now a life coach, but in the past, she's worked

as a school helper, spending time with troubled children.

It sounds as if she'll make a great foster mum.

John comes across a piece of memorabilia from the family-run shop where Angie used to work.

It's a 1930s' Bar-let typewriter in its original case.

The company made around 30,000 of these in 1936,

and John reckons it'll fetch £10-£20.

We all keep our eyes peeled and crack on with the search.

There you are. I've found something. It's a collection of spoons.

There's a couple of different sets, but I particularly thought the ones

that look like they're from Siam or something...

I take it that's the family connection again, going back to Singapore?

That's right, yes, it is.

It's a continuation of where I spent most of my childhood, yes.

Quite nice, not bad condition.

These are obviously some sort of Hindu Buddha on the handle there.

Gold-plated, but there'll be a base metal under there.

Did somebody collect these? How come we've got three different sets?

My dad was a great collector. Wherever he went, he wanted something to remind me of where he'd been

and he was very good at bringing things back from different parts of the world.

These are interesting because, if you look at the handles, they look like coffee beans.

They look like coffee spoons.

These look almost like cocktail ones cos they look like cherries!

They're interesting. You do see sets of coffee spoons like this

really more so in the 20th century for some reason,

certainly round the 1930s and '40s.

There must've been a huge demand for manufacturers to start producing individual sets.

If you think about it, if you think of the Art Deco ceramics,

most of the coffee sets had coffee cans that, when you look at them now,

you think, "That's got to be an espresso." It's so small

-so I suppose they went with those.

-They would've done. These ones look like EPNS.

Yeah, they're silver-plated.

They are Yeoman plate, it is an English maker. The other ones...

well, this little set

is definitely English, and they've got Goldoid stamped on the bowl.

That's a trade name for that gold-plated finish.

What sort of value are we talking about?

They're not made of precious metal, so won't make huge sums,

but on the plus side, you've got complete sets of six

and they retain the original boxes, so I think about £20-£30 at auction.

-Every little helps.

-Absolutely.

Happy for them to go?

-Definitely.

-Good, cos I could do with a coffee. Come on, I'll make one.

-Let's go.

At £20-£30, they should stir things up in the saleroom.

Going by John's lowest estimates,

with the items we've found so far we should stand to make

at least £360, so we're over halfway towards our target,

but our search needs to go on.

I spot this Wedgwood jug and bowl in the corner of the hallway.

It's called Peaches and was made in around 1906.

Angie tells me that her father bought it at auction,

and it should make £20-£30 when it goes back to one.

John, what do you think to these?

Here, Angie.

-They're limited...

-You hold that one.

David Shepherd. I recognise that work.

-Yeah, that's right.

-Where did they come from?

Originally they came from the gallery that my parents and we used to own,

and we always had David Shepherds on display and sold them from there.

-Do you have any more?

-Yes.

There's at least eight,

and one really, really big one, which is the Flying Scotsman 34.

-OK, so the Flying Scotsman...

-Absolutely, yes.

Which is interesting. Are you a fan of Shepherd?

We were very much fans of David Shepherd.

Much prefer the animals rather than the Flying Scotsman, but everybody has their own favourites.

If we look at these pictures, very typical of Shepherd's work,

real sentimental, and he does paint

with a real understanding of the surroundings and of the animals he's actually depicting.

Typical of his work is his love of Africa.

We can see here by these spring lambs, something closer to home, that he's apt at painting

all sorts of animals in various surroundings. We can see on this one it's signed

in pencil down in the border, very typical in these limited edition prints.

That one is 154 of 850 and this one, if I can read it upside down,

37 of 850, so not huge editions and quite low numbers.

-Yeah.

-He does turn up at auction still today.

We see a lot of them because he seems to have been predominantly bought by an older generation.

I see a lot of his work coming through the probate route into auction.

Demand hasn't picked up, obviously the younger generations

not warming to Shepherd as much as past generations, so I've seen a dip in prices.

-If you had eight of them, and some of them are big...

-That's right.

Well, I reckon if we were to price them around £25 each, unframed,

that gives a potential buyer some room for profit.

I think if we put £200-£300 on there,

cheap enough to tempt some bidders, but not too low.

-We do want to make some money, don't we?

-Definitely, yes, we do!

-Jolly good. Why don't you show me the others?

-OK. Come this way.

This is a terrific picture of the Flying Scotsman,

which was first exhibited in 1924 at the British Empire exhibition.

The engine was withdrawn from service in 1964.

The vibrant age of steam is really brought to life in this colourful image, and there's no stopping me

now as I find this 50-piece orange and blue dinner service which belonged to Angie's grandmother.

That should serve up £20-£30.

Being here is a bit like being a little girl in a sweet shop.

-CASH REGISTER RINGS

-Wow, this is great, Angie!

You've got a cash register here. Isn't that a fantastic sound?

-I love that noise.

-It's lovely, isn't it?

-So where's this from?

-This has some very interesting history.

This was from my parents' art shop

and we used it right up until the last day when we closed.

-How long ago was that?

-It's five years ago now.

Obviously once the shop was shut, what did you decide to do then?

I decided after that that, if I was going to make a change in my life, which I was having to because

I'd become divorced by then, so I retrained as a life coach.

Now, explain to me, what exactly is a life coach?

It's trying to help people move forward.

It's helping them deal with the past, accept you can't change the past,

but you can change your future,

and I'm now helping people going through divorce

because that's probably one of the biggest traumatic experiences anybody can have in their lives.

Having been through that myself, having gone through it, I know that you can get out of it

at the end, and you can be an equally as strong person.

So what made you decide then to get into fostering?

I think again it's the nurturing side and wanting to help people.

I enjoy helping people. I'm involved a lot in the town in other organisations.

There's a lot of young children out there, teenagers,

that need help and support, and I don't think a lot of the time there's a lot of help out there.

Obviously you've had a lot of changes, you've decided to become a foster mum,

which is a training in itself, but you've also decided to have these major renovations happen.

-That's quite drastic.

-I think the house was OK a few years ago

when people used to eat in dining rooms.

I usually only use the dining room now on a walk through to the kitchen, so it just seemed a sensible idea

to knock the wall down, make it much more user-friendly, child-friendly, and much more sociable.

So that's the idea behind it now, to knock that wall down,

extend the kitchen through and make it more usable for the children that I'm hoping to foster.

I had a look in the cash till and there's no money in there, so shall we go and see

whether John Cameron's found anything we can dust off? Come on!

John's still on the look-out, but Angie heads straight to the loft to dig out two 1950s' coffee sets.

Again, they were a present from her father from his travels in Singapore,

and they're valued at £20-£30.

Hi, John. I found a piece of Waterford in the lounge.

I think it's quite interesting. Would you have a look?

Sure. So where did all this come from?

Are these pieces that Angie's acquired herself?

No, they're not really that she's acquired herself. This piece would've been from her father.

I know that he used to go quite regularly to auctions,

so he would've picked that up there.

She has got other pieces in there that have come from grandparents

-and gifts over the years.

-They're mostly Waterford?

It looks like it to me, but I'd like you to have a look.

In terms of a good name, they don't come much better than that.

They're up there with the best of British manufacturers.

They're based in Ireland and started there around the 1780s by the Penrose brothers.

Somebody's had a real field day doing this.

You've got strawberry cuts here, you've got hobnails,

you've strawberry fields here, panels, swags.

-It's all going on in this one piece.

-It is a beautiful piece.

It really is a kind of tour de force of glass-cutting skill.

If you bought that new today, you'd be parting with at least a couple of hundred pounds

but at auction, that's about £20-£30.

But you said there are some other pieces.

There's a decanter and glasses that came from her grandmother.

There's also a rather lovely little clock.

Why don't we have a look at them, see the condition, see if we can

make a nice lot up, and we'll put an estimate on it then.

John soon selects a few more pieces to go off to auction,

bringing the total to £50-£80. With the day coming to an end,

I'm wondering if there's anything left to add to the haul.

I've brought you to look at this picture, see what you think of it.

It's been hanging here for 15 years now.

Well, my first impression, Angie, is it's a very accomplished picture.

-We've got a painting here...

-Bet it's not as nice as this!

-No. Is that a painting or a print?

-It is indeed. It's a watercolour.

Wow, that is lovely.

So, Angie, what do you know about the subject matter?

Not a huge amount, other than I know that it's Reims Cathedral.

It is indeed Reims Cathedral, which is a very, very important cathedral in French monarchical history.

It's where the kings and queens were crowned, so it's pretty much like our Westminster Abbey.

The more you look at it, the more detail you can see.

Just emerging here from the doors is a Catholic priest, and so many

little minor conversations going on throughout the picture.

The artist... It is signed Neil Stuart Crichton.

Not a great deal known about him which often puzzles me.

I've only ever found a couple of examples of his work.

They tend to turn up in pairs.

He was flourishing around the latter part of the 19th century, but what's always puzzled me is that,

for such a skilled artist who he obviously is, not much work exists.

It leads me to think that possibly he sold a lot of works unsigned.

So, John, what do you think it might make at auction?

Well, value-wise, I'd be looking at about £200-£300, something like that.

What do you think of that, Angie?

I'd be reluctant to see it go for under £300.

So is there anything we can do about that, John?

If we were to have a reserve of £300, that would mean we'd have

to bring the estimate up to £300-£400, but it's worth a chance.

It's still a very attractive picture

and it's got every chance of achieving that.

OK, right. Well, taking all that into consideration, then, we've run out of time for looking

at anything else, apart from the ducks swimming out there.

The good news it won't be John or me knocking down your walls.

You've made enough money to get the professionals in

because the value of everything going to auction comes to £970!

-Brilliant news.

-Wonderful.

-Excellent, isn't it?

It's really good. Really pleased.

Hopefully maybe even a bit more if that flies off the wall on the day.

I'm really looking forward to this auction.

We have high hopes that Angie will make the £500 she needs

so she can knock down that wall and create more space for the children she hopes to foster.

We found some fantastic items that I'm sure will interest the bidders on auction day.

There's the fabulous 19th-century gaming table.

Angie remembers her grandfather playing cards on it.

John's value was £250-£350.

Those beautiful 1930s and '40s coffee spoons that Angie's father

brought back from his travels. They should fetch £20-£30.

Let's not forget the ten David Shepherd prints,

including the Flying Scotsman, valued at £200-£300.

And the dolls that Angie collected as a little girl.

They were given to her by her father and hold strong sentimental value.

They have a £20-£30 price tag, but we'll have to find out on the day

if she's willing to part with them.

Still to come on Cash In The Attic:

one of our sales leaves us all gobsmacked.

Oh, goodness!

Whoa!

But will our good fortune take a turn for the worse?

Oh, no, I'm so sorry!

Even our expert is surprised with the result of one of our pieces.

I really had hoped that that was going to take off.

Let's hope it's not a crash landing when the final hammer falls.

Yours, madam.

It's some time since we visited Angie at her home in Cambridgeshire, and she collected a lot of things

over the years, but we had a good look through them, together with her friend Sue,

and the items of value we've brought here to Sworders Auction House in Stansted Mountfitchet.

Now, she wants to raise £500 to do some improvements to her kitchen

and make a bit more room because she plans to start fostering children.

With such a fantastic idea in mind and £500 to make,

let's hope the bidders dig deep and help us reach that target.

This Essex auction runs every Wednesday morning and sells

an eclectic mix of antiques, including furniture, glass,

pictures and jewellery. This should bode well for Angie's items, and

our expert John is already checking to see if they've arrived safely.

-Hi, John.

-Hi, Lorne.

-This looks very good here.

It's a cracking card table.

Really nice example with some lovely features, and in good condition, too.

So what was your estimate on this?

Estimate was £250-£350

and I think that's quite cheap for a lot of card table.

And we've got some dolls as well?

We have a rather interesting collection of souvenir dolls that

her father brought back from his various trips abroad with the RAF.

She was attached to them and I don't think she was impressed with my low estimate!

But I know she's here so let's go and have a chat with her.

John gave the lot a value of £30-£50.

I can understand why Angie was reluctant to let them go, so let's find out what she's decided.

-Hello.

-Hi.

We're dying to know, because there's so many boxes of things here,

whether or not you've brought your dolls.

No, I've decided not to bring them this time.

-Why was that?

-Well, they've got a lot of sentimental value to me and they've got a lot of memories

and I've decided that I want to keep those memories.

So, Angie, any reserves on your items today?

I've put a £350 reserve on the Crichton watercolour.

That's in the middle of our £300-£400 estimate. It's a wonderful watercolour.

If it's going to sell at that money, it will.

You're not worried about taking it back home?

I'm quite happy to take it back. The space is still available.

Fair enough. Come on, then, let's get in position.

So the dolls stay at home.

Fortunately, that's not a huge loss for us,

but we also lose the blue and orange dinner service valued at £20-£30.

Angie's nephew dropped it when moving so, in total, that's £50 off our renovation fund.

With a hefty £350 reserve on the watercolour, we'll need to keep our fingers firmly crossed,

because that makes up the majority of our £500 target.

If, like Angie, you have a special reason to raise some cash and are thinking of heading to auction,

remember, commission and other charges may apply, so check the details with your auction house.

As today's auctioneer gets proceedings under way...

Selling at £55.

..we take our place ready for our first lot.

It's the silver cutlery set in a wooden box, valued at £30-£60.

The intricate detail on the cutlery really stands out, and I think they're rather posh.

People don't really use these now, do they?

We do in our house, Lorne!

Oh, they're very posh down in Portsmouth! Have you ever used it?

No, I haven't! They've been in the box for a long time.

Lot 159, who'll start me here at £20?

£20 is bid on commission, 22, 25, 28, 30, 32 in the room now. 32, commission's lost.

35 where?

So £32 in the room, selling at £32, all finished at 32...

£32. That's OK, isn't it?

-Great. Brilliant.

-Considering nobody uses them, I think that's pretty good! £32.

So not a bad start, and someone's got a real bargain.

Angie's happy with the result, so let's hope she's still smiling after the next item.

It's the Waterford crystal that was displayed in her living room.

At £50-£80, let's hope it glitters enough for the bidders.

Crystal may not be the thing of the moment, but Waterford's a very good name, isn't it?

You're quite right, a very good name,

but fashion is a funny thing and that's where demand is driven.

I'm sure that at least the first piece that you found, Sue, would've been worth that on its own.

-It certainly would've cost more than that. So we've got a nice collection we put together.

-We did.

And we're looking for £50-£80. Should do it.

Anyone to start at £50?

50 bid, thank you, sir. 55, madam?

55, 60, 5, 70, 5, 80...

-Keep going.

-85? Good Waterford here, sir.

85, a lady's bid at 85. 90 anywhere?

Sold to the lady at £85, at 85... Brilliant!

That's all right, isn't it?

Just over our top estimate.

Fantastic, and we're on a roll.

Hopefully the next lot will help make a tidy profit.

With a £10-£20 price tag,

this 1930s' Bar-let typewriter with case holds some fond memories.

I'm a fan of the old-fashioned typewriters, mainly because, when I went into

journalism years ago, that's what we typed on! They're fantastic.

-They make a great noise. Bang, bang, bang, bang, bang. Have you ever used it?

-No, I haven't!

-Let's see what we can get for it.

-Starting me here, £10 is bid.

On the market and selling, £10 is bid, do I see 12 where now? I've £10 bid, so I see 12?

15, 18, 20, 22, 25...

There we are. £25.

25 is here. 28, sir? Selling here with me on a commission at £25. Are we all done and finished at 25?

£25. That's not too bad, is it?

Not bad at all. Again, over our estimate.

Hm, £5 over. I just hope the new owner enjoys it.

So far, so good, but now it's time to take a gamble.

Angie's grandparents used to play bridge on this wonderful inlaid gaming table.

It dates from the 19th century and, at £250-£350,

we're laying down all our cards with this one.

OK, now this is a lovely lot.

We were looking at this earlier on. It's the card table.

-How did you acquire this?

-This was my grandmother's.

-Right.

She's kept it in very good condition.

If you remember, on the day we were saying the fact that it's not faded or warped on the top...

-She must've really looked after it.

-She did. They used it to play regularly as well.

I love that idea - sitting down and playing bridge or parlour games.

The envelope card table, rosewood and inlaid, for £200.

Anybody want that for £200?

£200 is bid. A lady's bid at £200.

-Yes, thank God!

-At £200, 220...

..240, 260, 280...

300.

£300. A gentleman's bid in the room at £300, and we're selling.

-Are we all done and finished at £300?

-£300.

-Brilliant.

Right in the middle of our estimate, and it didn't start straight away.

He really had to try there. I thought it was going to be unsold.

-Are you happy with that?

-Really pleased with that.

-Good, good.

So we're all happy as £300

is a massive amount towards our £500 target.

Will the Wedgwood jug and bucket raise our game?

Wedgwood, again another good name.

Yes, a good name, Lorne, but part wash basin so it's not terribly

popular these days, so £20-£30 is a reasonable estimate.

Hopefully we'll get it away today.

£20 for that. Good decorative lot there, slop pail and the jug there.

For £20, for 10?

It's Wedgwood. £10 is bid, £10 is bid, do I see 12 where now?

£10 is bid, do I see 12 anywhere else now? 12...

Good pedigree, madam. £12 is bid. A gentleman's bid, and selling at £12.

All done at 12?

£12. A bit less than we wanted but, hey, it was in the shop, it didn't cost you anything, did it?

No. Every little helps.

Oh, dear, almost half of John's lower estimate.

Items like these are just not fashionable in today's market

and the sale price reflects this.

Next up are the nutcrackers and grape peelers presented in their original box.

-So a family piece, this?

-Yes, again they're from my grandmother.

-OK, and they're in the box.

-And in the box.

I do like things in the box, John, especially when they're nutcrackers.

Start me at £10.

12?

£12 is bid, 15 where now? £12 is bid, do I see 15 anywhere?

£12. All done and finished at £12?

At 12...

-£12. Is that all right?

-Yep, that's better than nothing.

It certainly is, but we need as much cash as possible

towards the renovation of Angie's home.

As far as today's sale is concerned, we started well, but our last two lots have been disappointing.

But that's the nature of auctions. You never can tell what's going to happen.

As the halfway point approaches, it's time to add up the numbers.

I wonder how close we are to Angie's original target of £500-£600.

Right, OK, now, we've sold some of our items, but we've got more

to come this afternoon, so how do you think we've done so far, Angie?

I have no idea, but I hope it's somewhere near our target.

Well, so far we've banked £466...

-Brilliant!

-..which rather takes the pressure off, but we've got some good items this afternoon,

including the wonderful watercolour of Reims Cathedral, so I'm pretty hopeful we should get there.

Now, John, have you spotted anything?

Always. I'm going to have a closer look at something, so you guys take the weight off your feet

-and I'll catch up with you in a bit.

-Sounds good to me. Come on.

A general auction like this is an ideal place

to find valuable antiques on sale for reasonable prices.

That is, if you know what you're looking for.

Our expert has spotted something that could be a fine investment.

-My horse, my horse, my kingdom for my horse, is it?

-Well, I don't think you'd need to

part with a kingdom for it, Lorne, or even a king's ransom, in fact.

It's a humble Beswick pottery figure of a horse, and I'm a big fan of Beswick. How about you?

Yes. Well, I have to say I can see why people

really like the Beswick ranges because they are fantastically and very realistically modelled.

This particular model here

was introduced by Arthur Gredington in around 1958, something like that.

It's actually the second version of this type and that's the interesting part.

The first version, the tail was attached to the leg and I don't

know why they changed that, because it's probably easier to damage detached like that.

But the wonderful thing about Beswick is there are some great reference books

so anybody that's wishing to get into the area of collecting Beswick, it's so easy to get a book,

start buying, and then you can have a look at the variations in model.

We already know here there are two versions of this, but they also do various different colourways.

This one here is known as piebald.

He's in gloss finish, piebald being the black and white patches.

You also get skewbald, brown and white, palomino, chestnuts,

dapple greys, you name it. A fascinating area of study,

and because they covered every animal possibly you could imagine,

-there's something for everyone in Beswick.

-How many do you have?

Oh, we're up at about 460 right now.

Cor, that's a lot of horse feed each week!

Beswick animals have a fine sale record in our experience

on Cash In The Attic and this one looks likely to follow in that trend.

With the second part of the auction about to begin, we retake our positions.

Yours, madam.

We still have the framed original watercolour of Reims Cathedral for sale later

and, with a reserve of £350, we're anxious about the outcome.

But it's the two coffee sets from Singapore coming up next.

They're valued at £20-£30.

-Now, this is down to your dad, isn't it?

-That's right, they both came from my father.

They're nice. You can see the pictures in the base.

Geisha girls in the bases.

It's so typical for Army, Navy and Air Force families to have things

like this and they were brought back in huge quantities

in the early 20th century by families posted abroad.

Ten years ago, sets like this individually made £50-£80.

We've got two sets here for £20-£30.

-Let's hope they haven't gone down in demand any more.

-£20 for the two.

Lot 208, we're selling the Japanese eggshell there for £20.

Two coffee sets for £20. For 10? £10 for the two. Any interest at £10?

Oh, no! I'm so sorry.

I'm going to sell it at £10. Sold at 10...

What were we saying? "Let's hope they haven't dropped in demand any more."

We nearly didn't get a bid at all for that. £10 for two Japanese coffee sets.

Quite cheap. How do you feel?

A bit disappointed, but it's better to have the money in the pocket.

John's on the ball with his predictions today.

It's not the result we were hoping for but, as Angie said, it's all money in the pot.

Next up are the three boxes of 1930s and '40s coffee spoons

collected by Angie's dad on his travels.

They're a very pretty lot, and at £20-£30 they should attract a buyer.

-These again were from your dad's travels, weren't they?

-Yes.

-It must've been exciting when he came home.

-Absolutely.

He would bring us mementoes from everywhere.

So this is quite a mixed collection.

What price have you been able to put on this?

Well, we've got £20-£30. We can't really go much lower than that and, you know,

hopefully we'll get somewhere around that lower estimate.

Who wants that lot at £10? Any interest? £10 is bid. Do I see 12 where now?

Come on, come on.

Do I see 12 anywhere else now for all the teaspoons?

I'm going to sell at £10. No more interest, then, £10...

£10.

-That's quite embarrassing, really.

-It is.

-I think, you know,

the problem is that they don't have much value,

but they do have sentimental value and that's the problem that we have.

-To somebody else, I'm afraid they're only worth £10. Are you OK about that?

-I'm fine, yes.

Definitely a bargain for someone. I think they should've made more,

but I'm relieved that Angie's happy to see them go for that price.

Onwards and upwards, as the next item is shown to the room.

It's the set of ten prints by artist David Shepherd.

They're valued at £200-£300, a very reasonable price for so many prints.

Next up is a lot that should restore some credibility to us here today.

It's our ten signed David Shepherd limited edition prints.

Now, I remember five or six years ago,

David Shepherd prints would've made about £100 each,

and we've got ten here for £200-£300 which reflects

-a slight shift in demand.

-What did you used to sell these for?

Anything up to £500, £600 for them framed.

-This way they should sell well.

-Yeah.

£100 for them, the signed David Shepherd prints. I've £100 bid.

110, 120, 130, 140,

150, 160.

160 on account, 160, at 160...

170 where now? At 160.

170 anywhere?

Selling on account at 160.

All done at 160.

-£160.

-I'm a little bit disappointed at that.

I really had hoped that that was going to take off. How do you feel?

That's £16 each. That seems like nothing to me.

It's disappointing, but it's better money in the pocket again.

We may be disappointed, but Angie's got a great attitude

to the sale, and let's face it, £160 all goes towards our total.

Now it's our star item, the original watercolour of Reims Cathedral,

and we're hoping this is what the serious buyers have been holding out for.

Although this particular subject matter isn't hugely popular,

you don't see big panoramic views like this with so much detail.

I think it's a wonderful picture, I think the best I've ever seen of those European scenes.

At £300-£400, I still think that would be cheap.

You've got a reserve?

Yes, I have got a reserve on it of £350.

Tempt you all with a teasing bid to start off at £200.

We're away at £200. I'll take 20 now.

I've £200, here with me at £200.

220, 240, 260, 280, 300, 320...

Keep going, keep going!

-340, 360, 380, 400...

-Oh, goodness!

-440...

-Whoa!

-With me here at £440. At 440, do I see 60 anywhere else now?

The room's out so, on a commission, selling at £440. 440...

£440!

That's a result, isn't it?

-Well done.

-Oh, that is really good.

Maybe they're coming back into fashion. Who cares? £440!

-Now what am I going to put on my wall?

-Who cares?

For £440, you'll find something!

-Absolutely. Brilliant!

-That's such a relief.

It's a fantastic outcome, selling for £40 over John's upper estimate.

Mind you, Angie was right to put a reserve on it.

All that remains is to work out just how much Angie's made.

Well, you wanted £500.

You know we're really close to that cos we banked £466 this morning.

Do you think we've made much more this afternoon?

I hope we've made our target and more besides.

We've actually banked £1,086.

That's really good! Thank you so much. That's brilliant news.

Will that make a lot of difference to what you can do at home?

That will be a really good start for having the wall knocked down.

Back home, Angie's clearing out the rooms in preparation for the

big renovation, and her friend Sue is here again to help out.

The kitchen and the dining room are being knocked through to make one big room.

It's quite surreal now. It's actually happening and it's brilliant.

It's taken me so long to get to this stage and I'm really looking forward

to seeing what it's like in there now, now that the wall's coming down.

It's a big job, but once the builders get to work,

it doesn't take long before the changes start to take shape.

Wow! Look at that!

What a difference.

I can't believe how quick you've done that, guys. It's brilliant!

Oh, I can start planning now!

'It's the best thing that I could've done.'

The room was used as a walk-through, from one room to the other,

so this is going to make such a difference to the whole house, the whole feel of the house as well.

-It's going to be much more sociable, isn't it?

-I think so, yes.

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