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Hello and welcome to the show that searches for hidden treasures around your home, sells them at auction | 0:00:02 | 0:00:06 | |
and raises funds for you and your family. | 0:00:06 | 0:00:08 | |
You know what it's like when you downsize, you think you've got rid of the clutter | 0:00:08 | 0:00:12 | |
but you end up taking it with you. That's happened to the lady we're going to be meeting today, | 0:00:12 | 0:00:16 | |
but she's decided to clear it all out and find out whether any of it | 0:00:16 | 0:00:20 | |
has any value on today's Cash In The Attic. | 0:00:20 | 0:00:22 | |
On today's Cash In The Attic, | 0:00:44 | 0:00:47 | |
James goes gaga over a 1970s vinyl record. | 0:00:47 | 0:00:51 | |
Well, hey-hey, Larry Lurex! | 0:00:51 | 0:00:54 | |
And his head is turned by a pretty 20th-century bust. | 0:00:54 | 0:00:59 | |
-Well, when you turn her up and you see the magic word Lladro written on the bottom... -Yeah, yeah. | 0:00:59 | 0:01:04 | |
That wasn't actually what I expected to see. | 0:01:04 | 0:01:06 | |
And at auction, are mother and daughter thinking of taking up another hobby rather than antiques? | 0:01:06 | 0:01:12 | |
-Well, we may have to start reading them now! -Exactly! | 0:01:12 | 0:01:15 | |
That's you sorted out, isn't it? | 0:01:15 | 0:01:17 | |
Well, let's see what they do sort out when the final hammer falls. | 0:01:17 | 0:01:22 | |
I'm in Chester to meet a mother and daughter | 0:01:22 | 0:01:24 | |
who've had rather a tough year, so they've called in | 0:01:24 | 0:01:27 | |
the Cash In The Attic team to help them raise some money for a rather special trip. | 0:01:27 | 0:01:32 | |
75-year-old Margaret Fell is a woman with quite a past and has led a very glamorous life. | 0:01:36 | 0:01:41 | |
In the 1950s she met and married Ray Fell, a budding comedian who | 0:01:41 | 0:01:45 | |
went on to appear in many television variety shows, including Three Of A Kind with Mike Yarwood and Lulu. | 0:01:45 | 0:01:51 | |
Margaret and Ray had two daughters, Melanie and Karen. | 0:01:51 | 0:01:55 | |
In the late 1970s the family moved to Las Vegas, but after two years | 0:01:55 | 0:01:59 | |
Margaret and Ray divorced and she returned to Chester with their teenage girls. | 0:01:59 | 0:02:04 | |
Nowadays daughter Melanie lives directly opposite her mother in a new mews development | 0:02:04 | 0:02:10 | |
and is currently undergoing chemotherapy for breast cancer. | 0:02:10 | 0:02:13 | |
They hope that the money they raise from selling at auction | 0:02:13 | 0:02:16 | |
will help to fund a Christmas family holiday to Las Vegas. | 0:02:16 | 0:02:20 | |
Our expert to help them on their way today is James Rylands. | 0:02:20 | 0:02:23 | |
-Ah, good morning, ladies. -Hello. | 0:02:27 | 0:02:29 | |
-Morning, morning, morning! -Lovely weather, isn't it? | 0:02:29 | 0:02:32 | |
-Now, are you OK if James gets going and has a good look round? -Yes. -Go for it! | 0:02:32 | 0:02:37 | |
-Hot to trot, I'm off! -Over to you, then. | 0:02:37 | 0:02:40 | |
Now, tell me, how long have you two lived so close to each other? | 0:02:40 | 0:02:44 | |
About nine months now. | 0:02:44 | 0:02:47 | |
So what's made you decide to call in Cash In The Attic? | 0:02:47 | 0:02:50 | |
There is still an awful lot of clutter because Mum | 0:02:50 | 0:02:53 | |
has been a collector over the years, as I have too, and some things | 0:02:53 | 0:02:58 | |
we didn't really want to part with and then you think, | 0:02:58 | 0:03:00 | |
"Well, maybe I'll sell them one day," and so we have | 0:03:00 | 0:03:03 | |
over many years now... I think Mum started in the '70s, collecting things from old house sales. | 0:03:03 | 0:03:09 | |
Right. How much money would you like to raise? | 0:03:09 | 0:03:11 | |
Well, about 500 would be lovely. | 0:03:11 | 0:03:15 | |
We'd like to visit Melanie's sister. | 0:03:15 | 0:03:17 | |
-And where does she live? -In Vegas. -She lives in Las Vegas. | 0:03:17 | 0:03:20 | |
And what's made you decide to want to do that trip now? | 0:03:20 | 0:03:23 | |
Well, I was diagnosed with breast cancer earlier this year. My sister and father live in Las Vegas. | 0:03:23 | 0:03:30 | |
We'd like to be together for Christmas and New Year this year, so that's our plan. | 0:03:30 | 0:03:33 | |
-All right, well, let's go and see if James has got anything for us to see yet, shall we? -Lovely. | 0:03:33 | 0:03:38 | |
-If you go back to your place, we'll pop over to you in a bit. -OK. | 0:03:38 | 0:03:41 | |
-Let's check out Mum's first. Come on. -All right, thank you. | 0:03:41 | 0:03:44 | |
And Margaret's certainly created a beautiful home here in Chester. | 0:03:44 | 0:03:50 | |
It's a real reflection of Margaret's life, with a touch of Las Vegas glitz combined with English style. | 0:03:50 | 0:03:56 | |
Ah, James, have you found something already? | 0:03:57 | 0:04:00 | |
Well, it didn't take me long, did it? | 0:04:00 | 0:04:02 | |
-Wow, this is lovely. -It is. | 0:04:02 | 0:04:05 | |
I see we've got two of these tables. Where did they come from? | 0:04:05 | 0:04:09 | |
-There's a third one, there's one behind. -Oh, right, you've got three. | 0:04:09 | 0:04:12 | |
-It gets better! -Yes, it's a lovely set. | 0:04:12 | 0:04:14 | |
So what's the story behind these? | 0:04:14 | 0:04:16 | |
These were a surprise gift one Christmas morning. | 0:04:16 | 0:04:19 | |
I saw them in Waring & Gillow, who used to be in Chester in the 1970s. | 0:04:19 | 0:04:25 | |
I fell in love with them and kept going on about them, but my husband said, "No, no, no, no." | 0:04:25 | 0:04:31 | |
But on Christmas morning a neighbour knocked on the door | 0:04:31 | 0:04:34 | |
and said, "I have another gift for you in my house." | 0:04:34 | 0:04:37 | |
And there the three were. | 0:04:37 | 0:04:39 | |
My husband had bought them as a surprise, but he couldn't hide them anywhere. | 0:04:39 | 0:04:43 | |
-You can't fit these in a sock, can you? -No, so they kept them next door. | 0:04:43 | 0:04:47 | |
Robert Gillow started bringing back | 0:04:47 | 0:04:50 | |
the first consignments of mahogany furniture | 0:04:50 | 0:04:53 | |
in the early part of the 18th century. | 0:04:53 | 0:04:56 | |
-Yes. -Well, of course yours aren't made of mahogany. They're actually | 0:04:56 | 0:04:59 | |
made of gilt brass. And I guess for the three tables, | 0:04:59 | 0:05:06 | |
being mean with you, conservative, | 0:05:06 | 0:05:08 | |
we'd probably put £60 to £100 on the three. | 0:05:08 | 0:05:10 | |
-Yes. -What do you think of that valuation? -That's great. | 0:05:10 | 0:05:12 | |
-Are you quite happy with that? -Yes. | 0:05:12 | 0:05:14 | |
Good. Well, let's hope we can spend the whole of the day getting lovely valuations like that. | 0:05:14 | 0:05:19 | |
-Come on, let's see what else we can find. -Thank you. | 0:05:19 | 0:05:24 | |
Not a bad start to the day. | 0:05:24 | 0:05:26 | |
James heads over to Melanie's house to search for items with potential there. | 0:05:26 | 0:05:30 | |
But back in Margaret's house, I'm in the bedroom where I spot this framed | 0:05:30 | 0:05:34 | |
19th-century fan which Margaret bought 25 years ago. | 0:05:34 | 0:05:39 | |
It's made out of black lace and mother-of-pearl, | 0:05:39 | 0:05:41 | |
At just £20 to £40, we're making very slow progress today. | 0:05:41 | 0:05:46 | |
James, I found this record. It's been knocking around | 0:05:47 | 0:05:50 | |
in my drawer for quite a long time and I don't know much about it. | 0:05:50 | 0:05:54 | |
Well, hey-hey, Larry Lurex! | 0:05:54 | 0:05:57 | |
Now, do you know who that is? | 0:05:57 | 0:05:59 | |
Somebody mentioned to me once that Larry Lurex might have been an early name for Freddie Mercury. | 0:05:59 | 0:06:05 | |
Well, close. Close, close, close. | 0:06:05 | 0:06:08 | |
In 1973, basically Trident Studios... Who should be working in the same | 0:06:08 | 0:06:12 | |
studios, but Freddie Mercury and Roger Taylor. | 0:06:12 | 0:06:16 | |
So, this is before they first became big with Bohemian Rhapsody and things like that. | 0:06:16 | 0:06:22 | |
And really the value on this is the fact that Freddie Mercury has actually sung on it. | 0:06:22 | 0:06:27 | |
-Oh, right. -So it's one of his earliest recordings, if you like, so it's actually quite a rare thing. | 0:06:27 | 0:06:33 | |
It has got a crack, but never mind, never mind. | 0:06:33 | 0:06:36 | |
-For someone who actually wants... I mean, Queen are huge, still. -Yes. | 0:06:36 | 0:06:39 | |
So, value wise, well, I'm hoping we'd get £50 or £60. | 0:06:39 | 0:06:43 | |
-Gosh, that's marvellous. -Let's just hope at the auction | 0:06:43 | 0:06:46 | |
there are going to be a few Freddie Mercury fans | 0:06:46 | 0:06:49 | |
and that it fetches a record! | 0:06:49 | 0:06:51 | |
James also spots these two etchings by Roland Langmaid. | 0:06:51 | 0:06:56 | |
He was appointed artist to the Mediterranean Fleet in the Second World War | 0:06:56 | 0:07:01 | |
and a collection of his paintings are in the National Maritime Museum in Greenwich in London. | 0:07:01 | 0:07:05 | |
Unfortunately it's not a great valuation again, | 0:07:05 | 0:07:09 | |
with James giving them just £20 to £30. | 0:07:09 | 0:07:13 | |
Melanie has spotted something of her mum's in her flat. | 0:07:13 | 0:07:16 | |
They're two Italian cherubs that Margaret bought at auction. | 0:07:16 | 0:07:19 | |
They're from the 1960s and get another low estimate of £20 to £30. | 0:07:19 | 0:07:23 | |
James has headed back to Margaret's house, where she has dug out | 0:07:26 | 0:07:29 | |
an ornate Victorian desk set. It has pen holders, a stamp box | 0:07:29 | 0:07:32 | |
and two inkwells made by the well-known firm Coalport. | 0:07:32 | 0:07:35 | |
James hopes it'll make £40 to £80. | 0:07:35 | 0:07:40 | |
At the auction, will the sale of that decorative inkwell be anything to write home about? | 0:07:41 | 0:07:46 | |
70. I have £70 in the centre. At 75, fresh money. | 0:07:46 | 0:07:49 | |
-How high does it go? -80. Five. 90. Five. -Find out later. | 0:07:49 | 0:07:54 | |
All that drama is still to come. | 0:07:55 | 0:07:58 | |
Back at Mum's house, we continue with the rummage. | 0:07:58 | 0:08:01 | |
Margaret has come across 13 volumes of Thackeray books | 0:08:01 | 0:08:05 | |
which she bought at a house sale more than 30 years ago. | 0:08:05 | 0:08:08 | |
William Makepeace Thackeray was an English novelist of the 19th century | 0:08:08 | 0:08:13 | |
and his most famous work is Vanity Fair. | 0:08:13 | 0:08:16 | |
James gives them another low estimate of £20 to £40, | 0:08:16 | 0:08:19 | |
which means the trip to Las Vegas is still out of our reach. | 0:08:19 | 0:08:24 | |
-Now, we're in Chester and that's where you come from. -Yes. | 0:08:24 | 0:08:29 | |
I was born within the city walls, one of the original Cheshire Cats. | 0:08:29 | 0:08:33 | |
-What made you decide to leave this area? -My husband got into show business. | 0:08:33 | 0:08:38 | |
We needed extra money and he had a very good singing voice and he had talent. | 0:08:38 | 0:08:43 | |
To help pay the mortgage, my husband used to go out to Liverpool, to the clubs. | 0:08:43 | 0:08:50 | |
All the known names would be over in Liverpool working one club or another, | 0:08:50 | 0:08:55 | |
sometimes two, sometimes three a night. | 0:08:55 | 0:08:59 | |
And anyone that had that twang, Northern twang, was picked up | 0:08:59 | 0:09:03 | |
and went along on that tidal wave that followed The Beatles into London. | 0:09:03 | 0:09:08 | |
But then he got a show on television, Three Of A Kind, | 0:09:08 | 0:09:13 | |
the first Three Of A Kind with Mike Yarwood and Lulu. | 0:09:13 | 0:09:17 | |
And what role did you play in all of this? | 0:09:17 | 0:09:19 | |
Well, I was a shorthand typist. | 0:09:19 | 0:09:22 | |
I looked after the accounts and the scripts, sitting up till the early hours going through gags and jokes, | 0:09:22 | 0:09:28 | |
mostly in the bath at home, and I'd say, "Oh, don't do that one," or, "Yes, do that one." | 0:09:28 | 0:09:34 | |
What's the connection with Las Vegas, then? | 0:09:34 | 0:09:37 | |
How did you end up going out there? | 0:09:37 | 0:09:38 | |
Ray was going on the QE2 on a round the world cruise, but it was ending | 0:09:38 | 0:09:43 | |
at LA and he phoned me and said, "There's a chance that they're looking for a comic, a comedian, | 0:09:43 | 0:09:49 | |
"in Vegas for one of the shows and there's a chance that I can make it." | 0:09:49 | 0:09:54 | |
And I said, "Yes, go for it." I did encourage that. That was wonderful. | 0:09:54 | 0:09:58 | |
I understand you had a dinner date with Cilla Black? | 0:09:58 | 0:10:01 | |
It was lovely to meet her and to listen to her accent and, yes, | 0:10:01 | 0:10:05 | |
and Bobby, her husband, was with her. | 0:10:05 | 0:10:07 | |
And it was a happy time, a happy night. | 0:10:07 | 0:10:10 | |
And Ray met the Beatles, too. | 0:10:10 | 0:10:12 | |
Ray had been booked to appear as the presenter at the Hammersmith Palais | 0:10:12 | 0:10:18 | |
in London, but this particular photograph was backstage | 0:10:18 | 0:10:23 | |
and I think Ringo's looking at Ray's nose | 0:10:23 | 0:10:26 | |
because there wasn't much difference in the size of their noses! | 0:10:26 | 0:10:30 | |
Have you ever regretted the change between your lifestyles? | 0:10:30 | 0:10:33 | |
No, I don't, because I had it. | 0:10:33 | 0:10:35 | |
We were married for 20 years and I had that life | 0:10:35 | 0:10:39 | |
and it was a wonderful experience, | 0:10:39 | 0:10:42 | |
but there's been many more wonderful experiences here in England. | 0:10:42 | 0:10:48 | |
You've definitely had a very glamorous life, haven't you? | 0:10:48 | 0:10:51 | |
I'll tell you someone else who's got a rather glamorous past | 0:10:51 | 0:10:54 | |
-and that's our very own expert, James Rylands, so shall we go and see what he's found? -Yes, let's. | 0:10:54 | 0:10:59 | |
James is on the landing at Margaret's house when he notices seven 20th-century prints. | 0:10:59 | 0:11:04 | |
Two are watercolours by a local artist, JW Gill, which Margaret bought at auction 30 years ago, | 0:11:04 | 0:11:10 | |
and the other five are by a Shropshire artist, Jesse Thurber. | 0:11:10 | 0:11:14 | |
James gives the lot a £30 to £50 price tag. | 0:11:14 | 0:11:18 | |
But that's not all he's spotted. | 0:11:18 | 0:11:22 | |
What's really taken my eye is this wonderful extravagance. | 0:11:22 | 0:11:25 | |
-I have to say, it's not the sort of thing I normally expect to see in a bedroom. -No! | 0:11:25 | 0:11:30 | |
Why is it in the bedroom? | 0:11:30 | 0:11:32 | |
Because there's nowhere else to put it! | 0:11:32 | 0:11:35 | |
And where did it come from? Did you buy it for this property? | 0:11:35 | 0:11:38 | |
I bought it in an auction and I thought it looked stunning. | 0:11:38 | 0:11:42 | |
-How long ago did you buy it? -About 20 years ago. -OK. | 0:11:42 | 0:11:45 | |
No, well, that would actually figure because basically it's not that old. | 0:11:45 | 0:11:49 | |
It is very much a 20th-century Italian copy | 0:11:49 | 0:11:54 | |
of a 19th-century French original. | 0:11:54 | 0:11:57 | |
And, I mean, the original idea was that in the days before electric light | 0:11:57 | 0:12:02 | |
you needed to be able to see what time it was, so you'd have this on your mantelpiece and then you'd have | 0:12:02 | 0:12:07 | |
the candlesticks either side with candles in and you'd be able to see what time it was telling. | 0:12:07 | 0:12:11 | |
But it is wonderfully extravagant. | 0:12:11 | 0:12:14 | |
We've got marble here, a nice sort of Italian pink marble, and then the rest is a sort of gilt brass | 0:12:14 | 0:12:19 | |
or possibly gilt bronze, but with these little patinated figures of what we call fauns. | 0:12:19 | 0:12:25 | |
And also these little amorini. | 0:12:25 | 0:12:27 | |
So value on it today, I would think, is probably going to be | 0:12:27 | 0:12:31 | |
between £200 and £400, something like that, but it's basically... | 0:12:31 | 0:12:37 | |
-It's a decorative value rather than antique or rarity value. -Yes. | 0:12:37 | 0:12:40 | |
-But are you happy with that? -Yes, I am. I need the space. | 0:12:40 | 0:12:43 | |
You need the space. | 0:12:43 | 0:12:45 | |
-I would imagine sleeping in this room being woken up with the clock going off! -It's a chiming clock! | 0:12:45 | 0:12:50 | |
James and I continue the search, but while Margaret is still in the bedroom she opens up a box | 0:12:50 | 0:12:57 | |
containing some 1950s doll's house furniture which she bought in Chester over 40 years ago. | 0:12:57 | 0:13:02 | |
They're made of Limoges porcelain, an exquisite form of translucent pottery. | 0:13:02 | 0:13:08 | |
Their valuation is just £15 to £20. | 0:13:08 | 0:13:11 | |
While the cat grabs my attention, | 0:13:12 | 0:13:15 | |
James is having a final search around the lounge. | 0:13:15 | 0:13:18 | |
-Ah, hello! -Hello. | 0:13:20 | 0:13:23 | |
Jasper and I could hear you coming. | 0:13:23 | 0:13:26 | |
-Cool! -What do you think about this? | 0:13:26 | 0:13:28 | |
Look at this! Oh, she looks fun. Where did she come from? | 0:13:28 | 0:13:32 | |
She came from an antique fair at a place called the Northgate Arena | 0:13:32 | 0:13:36 | |
and I took my daughter, dropped her off, and as I walked out | 0:13:36 | 0:13:43 | |
I saw this head through the corner of my eyes and I thought, "Oh, my God, I love her." | 0:13:43 | 0:13:48 | |
But I said, "No, no, no, be strong, be strong, walk, walk, walk, walk." | 0:13:48 | 0:13:52 | |
And went home. And when I got home the phone was ringing, | 0:13:52 | 0:13:55 | |
it was Melanie and she said, "Have I got a head for you!" | 0:13:55 | 0:13:58 | |
-Oh, how lovely. -Yes. You've got them well trained, haven't you? -Yes. | 0:13:58 | 0:14:03 | |
I tell you what, she wasn't actually what I expected her to be because, | 0:14:03 | 0:14:06 | |
well, when you turn her up and you see the magic word Lladro | 0:14:06 | 0:14:10 | |
written on the bottom. That wasn't actually what I expected to see | 0:14:10 | 0:14:14 | |
because she's not actually very typical of Lladro. | 0:14:14 | 0:14:18 | |
But what I find unusual is that most of the Lladro figures we see, | 0:14:18 | 0:14:22 | |
you normally get far more pastel colours, you know, with the... | 0:14:22 | 0:14:26 | |
greys and they're very, very light. Having this sort of... | 0:14:26 | 0:14:29 | |
-This sort of quite brown, almost bisque porcelain... -Yes, yes. | 0:14:29 | 0:14:33 | |
..with the sort of matt glaze on it is actually quite unusual. | 0:14:33 | 0:14:36 | |
Value wise, being mean, probably between £80 and £120, something like that? | 0:14:36 | 0:14:40 | |
How does that sound? | 0:14:40 | 0:14:41 | |
Oh, I think she's worth a little more than that. She's rather lovely. | 0:14:41 | 0:14:46 | |
What about a reserve of, say, 200? | 0:14:46 | 0:14:49 | |
No, that's fine. | 0:14:49 | 0:14:50 | |
No, I think that's absolutely fine because if you think retail, | 0:14:50 | 0:14:54 | |
what you'd pay for something like that new, it would be a lot more. | 0:14:54 | 0:14:58 | |
-Now, you wanted £500, didn't you, for the trip to Las Vegas? -Yes. | 0:14:58 | 0:15:01 | |
The good news is the value of everything going to auction | 0:15:01 | 0:15:04 | |
-comes to £675. -Oh, that's wonderful. Yeah. | 0:15:04 | 0:15:08 | |
So with a bit of luck, if they do make that money, | 0:15:08 | 0:15:10 | |
there'll be a little bit of money there for a few slot machines! | 0:15:10 | 0:15:14 | |
Melanie's told me all about that! | 0:15:14 | 0:15:16 | |
Will Margaret's Lladro bust reach her £200 reserve? | 0:15:16 | 0:15:19 | |
We'll have to wait for the auction in a couple of weeks. | 0:15:19 | 0:15:22 | |
And here's a quick reminder of some of the things Margaret and Melanie will be sending there. | 0:15:22 | 0:15:28 | |
The Larry Lurex seven-inch vinyl record on which Freddie Mercury | 0:15:28 | 0:15:32 | |
makes one of his earliest recordings. | 0:15:32 | 0:15:34 | |
Hopefully it won't bite the dust at £50-£60. | 0:15:34 | 0:15:39 | |
And those three gilt brass Waring & Gillow tables | 0:15:39 | 0:15:42 | |
that were a Christmas surprise present for Margaret. | 0:15:42 | 0:15:45 | |
Let's hope they give her another surprise | 0:15:45 | 0:15:47 | |
and surpass James' estimate of £60-£100. | 0:15:47 | 0:15:52 | |
Plus that 20th-century reproduction ornate marble clock with candelabra | 0:15:52 | 0:15:57 | |
which received James' highest valuation today at £200-£400. | 0:15:57 | 0:16:02 | |
'Still to come on Cash In The Attic, we're pleasantly surprised by some of our items.' | 0:16:02 | 0:16:08 | |
Next time you say, "Do you want to see my etchings?" I'm going to say, "Yes." | 0:16:08 | 0:16:12 | |
'And double entendres seem to be the name of the game today.' | 0:16:12 | 0:16:15 | |
Obviously there's someone out there who's an old Queen fan. | 0:16:15 | 0:16:19 | |
Or an old queen, one or the other. | 0:16:19 | 0:16:22 | |
'James is clearly not amused. | 0:16:22 | 0:16:24 | |
'Find out what happens when the final hammer falls.' | 0:16:24 | 0:16:28 | |
Now it's been a few weeks since we met Margaret | 0:16:33 | 0:16:36 | |
and her daughter Melanie. | 0:16:36 | 0:16:37 | |
Now, if you remember, Margaret had already downsized, | 0:16:37 | 0:16:41 | |
but still had plenty of items that she was prepared to sell | 0:16:41 | 0:16:44 | |
in the effort to raise the money she was looking for to go on a trip to Las Vegas. | 0:16:44 | 0:16:48 | |
Now, she wanted £500 and the items we found, | 0:16:48 | 0:16:50 | |
we've brought here to Cuttlestones Auction Rooms in Staffordshire, | 0:16:50 | 0:16:54 | |
so let's just hope that today the bidders are feeling very generous. | 0:16:54 | 0:16:58 | |
'Cuttlestones is based in the historic market town of Penkridge in Staffordshire. | 0:16:59 | 0:17:04 | |
'It originally traded as an agricultural auction | 0:17:04 | 0:17:07 | |
'but changed to antiques and collectibles as recently as the early 1990s. | 0:17:07 | 0:17:11 | |
'There are certainly some interesting items | 0:17:11 | 0:17:14 | |
'from Margaret and Melanie going to auction. | 0:17:14 | 0:17:18 | |
'So fingers crossed, and mother and daughter are already here.' | 0:17:18 | 0:17:21 | |
-Good morning, ladies. -Oh, good morning. | 0:17:21 | 0:17:24 | |
-Good morning. -She's lovely, isn't she? | 0:17:24 | 0:17:26 | |
-Yes. -She is. -Gorgeous, yeah. | 0:17:26 | 0:17:27 | |
Don't say that, they won't want to sell it! | 0:17:27 | 0:17:30 | |
Well, I've seen lots of people looking at her, I must say. | 0:17:30 | 0:17:33 | |
I thought about doing this, taking her home! | 0:17:33 | 0:17:35 | |
Is there anything you haven't brought to the auction? | 0:17:35 | 0:17:39 | |
The Limoges miniature furniture, | 0:17:39 | 0:17:43 | |
I couldn't find it at the last moment. | 0:17:43 | 0:17:45 | |
-So it's missing in action? -It is. -It's probably meant to stay with you, then. | 0:17:45 | 0:17:49 | |
-Well, it doesn't take up a lot of space. -No. | 0:17:49 | 0:17:52 | |
-No. -Are you looking forward to the auction today? -Yes. | 0:17:52 | 0:17:55 | |
-Very much so. -Very excited. | 0:17:55 | 0:17:56 | |
-Yeah. -OK, well, we need to make that money, don't we? | 0:17:56 | 0:17:59 | |
-Yes, please! Yes. -Well, we're only going to make it if we make sure | 0:17:59 | 0:18:02 | |
that everything that's here gets sold and not taken back home. | 0:18:02 | 0:18:06 | |
-Yes. -Right. -So hands down there. Good sign. | 0:18:06 | 0:18:08 | |
-OK. -Come on, let's go and get in position, ready. | 0:18:08 | 0:18:11 | |
I think this is going to be an emotional sale for Margaret. | 0:18:14 | 0:18:17 | |
She's very fond of some of her things going to auction today, | 0:18:17 | 0:18:21 | |
but she also wants that holiday, so let's hope they go for a good price. | 0:18:21 | 0:18:25 | |
And the first lot to go under the hammer is the pair of Italian cherub figurines. | 0:18:25 | 0:18:30 | |
They're delightful, but not antique, so James has put a conservative estimate of £20-£30. | 0:18:30 | 0:18:37 | |
At £20 I'm already bid. £20. £20. | 0:18:37 | 0:18:39 | |
22. 25. The bid's with us at £25. | 0:18:39 | 0:18:42 | |
All done at £25? | 0:18:42 | 0:18:45 | |
Sold there at £25. | 0:18:45 | 0:18:46 | |
£25, bang in the middle of the estimate. Are you happy? | 0:18:46 | 0:18:49 | |
-Yes. -Yes, absolutely. | 0:18:49 | 0:18:51 | |
It all builds up, though. That's all right. | 0:18:51 | 0:18:53 | |
'That's the first one under our belt and right on mid-estimate. | 0:18:53 | 0:18:57 | |
'Phew! Only ten more to go.' | 0:18:57 | 0:19:00 | |
Our next lot is the Victorian desk stand | 0:19:02 | 0:19:04 | |
and I've never seen one quite like this, | 0:19:04 | 0:19:07 | |
with the two Coalport inkwells. So where did this come from? | 0:19:07 | 0:19:10 | |
-A house sale. -Do you remember what you paid? | 0:19:10 | 0:19:13 | |
-About £30. -Right, OK. And how long ago was that, do you think? | 0:19:13 | 0:19:17 | |
-I would say late '70s. -Yeah. -That was a lot of money in those days | 0:19:17 | 0:19:21 | |
because we've got an estimate of £40-£80. | 0:19:21 | 0:19:23 | |
It's very high Victorian. | 0:19:23 | 0:19:25 | |
-I hope you get your money back. -Thank you. I hope so! | 0:19:25 | 0:19:28 | |
I have £70 in the centre. | 0:19:28 | 0:19:31 | |
At 75, fresh money. 80. Five. | 0:19:31 | 0:19:33 | |
90. Five. | 0:19:33 | 0:19:35 | |
-Ah! Excellent! -100. 110. | 0:19:35 | 0:19:37 | |
At 110 seated. At 110 bid. | 0:19:37 | 0:19:39 | |
-£110... -GAVEL BANGS | 0:19:39 | 0:19:42 | |
-Excellent, excellent. -Now that was a good investment then, wasn't it? | 0:19:42 | 0:19:47 | |
'£110. That was a pleasant surprise. | 0:19:48 | 0:19:53 | |
'Next up is the two etchings of the boats by Roland Langmaid. | 0:19:53 | 0:19:57 | |
30. Two. 35. 38. 40. Five. | 0:19:57 | 0:20:01 | |
50. Five. 60. Five. 70. | 0:20:01 | 0:20:05 | |
-75. -Wow, this is brilliant! | 0:20:05 | 0:20:08 | |
85. 90. I have £90 in the doorway. | 0:20:08 | 0:20:11 | |
-At 90. -90 in the door. -At £90. | 0:20:11 | 0:20:14 | |
Doorway I have. Five, if you like. | 0:20:14 | 0:20:17 | |
At £90. The bid's away. At 95. Back in 95. 100. | 0:20:17 | 0:20:19 | |
At £100. No, he says. At 100 away. | 0:20:19 | 0:20:23 | |
100 bid and selling there at £100... | 0:20:23 | 0:20:25 | |
GAVEL BANGS | 0:20:25 | 0:20:27 | |
Next time you say, "Do you want to see my etchings?" I'm going to say, "Yes." | 0:20:27 | 0:20:32 | |
-I think your ship came in on that one! -Absolutely. | 0:20:32 | 0:20:34 | |
'Fantastic, £100! | 0:20:36 | 0:20:38 | |
'£80 above the lowest estimate. | 0:20:38 | 0:20:40 | |
That's quickly followed by the trio of tables, | 0:20:40 | 0:20:44 | |
which top up our kitty by another £65 - not too bad at all. | 0:20:44 | 0:20:49 | |
'The 19th-century framed fan is up next.' | 0:20:49 | 0:20:52 | |
Now, did you have this framed or did you buy it like this? | 0:20:53 | 0:20:56 | |
No, I bought it, I bought it. | 0:20:56 | 0:20:58 | |
-A friend was selling several of them and I bought one. -Do you remember what you paid for it? | 0:20:58 | 0:21:03 | |
-About £50. -Yes, about £50. -A long time ago. | 0:21:03 | 0:21:06 | |
A long, long time ago, yes. | 0:21:06 | 0:21:08 | |
It'll tempt you all day long, I'm only bid £20 for it. | 0:21:08 | 0:21:11 | |
-He's up there already. -£20 I've got. The framed fan at £20. Cheap lot at £20. Two if you like. | 0:21:11 | 0:21:16 | |
At £20. 22. Lady's bid at 22. | 0:21:16 | 0:21:18 | |
I'm out at 22. | 0:21:18 | 0:21:19 | |
It's all your own way. At £22. At £22. 25. | 0:21:19 | 0:21:23 | |
28. | 0:21:23 | 0:21:25 | |
28. I have the lady's bid in the centre at £28. Are we 30 quickly? | 0:21:25 | 0:21:29 | |
It's here to sell. At £28. 30. | 0:21:29 | 0:21:32 | |
32. | 0:21:32 | 0:21:34 | |
35. | 0:21:34 | 0:21:35 | |
38. £38. | 0:21:35 | 0:21:37 | |
Still in the centre at £38. You're out on the right and no mistake. | 0:21:37 | 0:21:41 | |
We sell at £38. 516, thank you. | 0:21:41 | 0:21:45 | |
-£38. Are you a bit disappointed with that? -No, no. -No? -It's fine. | 0:21:45 | 0:21:49 | |
£38 for the framed fan. That was a good sale. | 0:21:49 | 0:21:53 | |
With half our lot sold, we've clocked up £338 | 0:21:53 | 0:21:57 | |
towards that £500 target. | 0:21:57 | 0:22:00 | |
We're well on our way to Vegas. | 0:22:00 | 0:22:04 | |
Remember, if you are thinking of heading off to auction to raise some money, | 0:22:04 | 0:22:07 | |
do bear in mind that there are charges to be paid, such as commission. | 0:22:07 | 0:22:11 | |
These vary from one saleroom to another so check in advance. | 0:22:11 | 0:22:14 | |
'Our next lot is 13 volumes by the English 19th-century novelist | 0:22:16 | 0:22:21 | |
'William Thackeray. | 0:22:21 | 0:22:22 | |
'James originally estimated these at only £20-£40, but the auction house has advised a higher estimate.' | 0:22:22 | 0:22:29 | |
The big question, Margaret, have you read them? | 0:22:29 | 0:22:33 | |
No. No, definitely not, no. | 0:22:33 | 0:22:34 | |
At £50 I'm only bid. At £50. Five. | 0:22:34 | 0:22:37 | |
60. Five. At 65 I'm only bid. | 0:22:37 | 0:22:39 | |
Lady's bid at £65. Are we 70 now? | 0:22:39 | 0:22:42 | |
There and done at 65? | 0:22:42 | 0:22:44 | |
We've got to hang on to those at 65. | 0:22:44 | 0:22:47 | |
-They didn't reach the price he wanted so they're not sold. -OK. -How do you feel about that? | 0:22:47 | 0:22:52 | |
Well, I'm happy. That's fine. | 0:22:52 | 0:22:54 | |
-Well, we may have to start reading them now! -Exactly! | 0:22:54 | 0:22:57 | |
That's you sorted out, isn't it? | 0:22:57 | 0:22:59 | |
'Well, it's good Margaret and Melanie can see the funny side, | 0:22:59 | 0:23:02 | |
'but it's a loss to the much-needed £500 target | 0:23:02 | 0:23:06 | |
'for their trip to Las Vegas. | 0:23:06 | 0:23:08 | |
'We've still got over £150 to raise. | 0:23:08 | 0:23:10 | |
'I know I sound like a broken record, | 0:23:10 | 0:23:13 | |
'but can the Larry Lurex vinyl do the trick?' | 0:23:13 | 0:23:16 | |
I'm just hoping there are going to be some old groovers out there who really want to get on down. | 0:23:16 | 0:23:21 | |
-Apart from yourself. -Apart from myself. Just keep my hands down. | 0:23:21 | 0:23:24 | |
Larry Lurex, the vinyl single, | 0:23:24 | 0:23:26 | |
and we've got interest in it and I will start straight in at £35. | 0:23:26 | 0:23:30 | |
It's out of the Spector, the Wall of Sound stuff, and I'm bid £35. | 0:23:30 | 0:23:34 | |
Obviously there's someone out there who's an old Queen fan. | 0:23:34 | 0:23:38 | |
Or an old queen, one or the other! | 0:23:38 | 0:23:40 | |
The commission bid is with me and it's all I have. 38 if you like. At £35. Where are we, Mrs Fell? | 0:23:40 | 0:23:46 | |
Do we sell it at £35? | 0:23:46 | 0:23:48 | |
-Yes. -I think so. Yes? | 0:23:48 | 0:23:49 | |
-Yes, yes. -Yeah. | 0:23:49 | 0:23:50 | |
At £35. It doesn't want to go home and it's sold at £35. | 0:23:50 | 0:23:56 | |
-Excellent. I'm happy with that. -Yes. -Yeah. | 0:23:56 | 0:23:59 | |
'£35 is a good sum. The legendary name sold it in spite of the damage. | 0:23:59 | 0:24:04 | |
And there's another few pounds in the pot | 0:24:04 | 0:24:06 | |
when the collection of prints go under the hammer. | 0:24:06 | 0:24:10 | |
All done quickly at £32... | 0:24:10 | 0:24:14 | |
Selling for just over James's £30 estimate. | 0:24:14 | 0:24:18 | |
I think that's a bargain! | 0:24:18 | 0:24:20 | |
Our next lot, I have to say, is probably my favourite. | 0:24:21 | 0:24:24 | |
It's that Lladro bust and I just think it's a lovely piece of art, | 0:24:24 | 0:24:28 | |
with or without the Lladro name, James. | 0:24:28 | 0:24:30 | |
I'm hoping the fact it is unusual is going to help it. | 0:24:30 | 0:24:33 | |
It is still there? You haven't smuggled it out? | 0:24:33 | 0:24:36 | |
I've been watching her! | 0:24:36 | 0:24:38 | |
I will start it straight in at £100 bid. On the Lladro bust at £100. | 0:24:38 | 0:24:42 | |
At £100 I'm only bid there. 100 bid. | 0:24:42 | 0:24:44 | |
At 100. At 110. | 0:24:44 | 0:24:47 | |
120. I've 120 bid only. At 120. | 0:24:47 | 0:24:51 | |
I'm only bid at 120. I think this is too low. | 0:24:51 | 0:24:53 | |
Staying with us and no mistake at £120. No, that stays with us at 120. | 0:24:53 | 0:24:59 | |
So, having made sure you didn't smuggle it out of the auction house, | 0:24:59 | 0:25:03 | |
you can now, officially, proudly walk home with it. | 0:25:03 | 0:25:07 | |
'Mum and daughter are happy it didn't sell. | 0:25:07 | 0:25:10 | |
'Very cleverly, Margaret put a reserve price of £200 | 0:25:10 | 0:25:13 | |
'on the Lladro piece, | 0:25:13 | 0:25:14 | |
'a decision which turned out for the best. | 0:25:14 | 0:25:18 | |
'Our final lot is the clock garniture set. | 0:25:18 | 0:25:21 | |
'This comes with a hefty £200-£400 estimate.' | 0:25:21 | 0:25:25 | |
And we will start the garniture straight in at £200. | 0:25:25 | 0:25:27 | |
-We're in there! -Good! | 0:25:27 | 0:25:29 | |
At 200. At £200 I'm bid. At 210. | 0:25:29 | 0:25:31 | |
220. 230. 240. 250. | 0:25:31 | 0:25:34 | |
My commission's out at £250. At 250. | 0:25:34 | 0:25:38 | |
Only bid at 250. At 250. 260. | 0:25:38 | 0:25:42 | |
I have 260. Standing at 260. | 0:25:42 | 0:25:43 | |
Are we 270? At £260... | 0:25:43 | 0:25:48 | |
'£260, what a fantastic end to the sale. | 0:25:48 | 0:25:52 | |
'That's really boosted the total. I think they may even be able | 0:25:52 | 0:25:55 | |
'to have a little flutter on the tables in Las Vegas now.' | 0:25:55 | 0:25:59 | |
-Well, you wanted £500 for your trip to Las Vegas. -Yes. | 0:25:59 | 0:26:03 | |
Despite not selling two items you've actually made £665! | 0:26:03 | 0:26:07 | |
-Oh, fabulous. -That's great. That's great. -That's really good. | 0:26:07 | 0:26:10 | |
-There's a bit of extra money there. What's that going to go on, ladies? -I think probably gambling! | 0:26:10 | 0:26:15 | |
Well, thanks to their success at auction, | 0:26:20 | 0:26:22 | |
Melanie and Margaret's dream came true | 0:26:22 | 0:26:24 | |
and they spent five weeks in Las Vegas with Karen and her family. | 0:26:24 | 0:26:29 | |
It was very emotional to see my sister... | 0:26:29 | 0:26:32 | |
-Yes. -..and also my nephew and brother-in-law. | 0:26:32 | 0:26:34 | |
It's always fantastic to see them. | 0:26:34 | 0:26:37 | |
We cried when we got there and we cried when we left! | 0:26:37 | 0:26:41 |