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Welcome to the show that searches out all those hidden treasures in your home | 0:00:02 | 0:00:05 | |
and then, of course, we sell them at auction. | 0:00:05 | 0:00:07 | |
The British love a bric-a-brac shop. | 0:00:07 | 0:00:09 | |
You never know what you may find - a bargain or a diamond amongst the rough. | 0:00:09 | 0:00:13 | |
And the lady we're going to meet today is very good at spotting the diamond. | 0:00:13 | 0:00:18 | |
Find out what the things may be worth on Cash In The Attic. | 0:00:18 | 0:00:21 | |
Coming up on Cash In The Attic... | 0:00:41 | 0:00:44 | |
Oh, I say! Look at that. | 0:00:44 | 0:00:47 | |
A 1920s watch proves to be a girl's best friend. | 0:00:47 | 0:00:50 | |
All the stones that we're looking at here are diamonds. | 0:00:50 | 0:00:53 | |
The vintage work of a Victorian naturalist gives our family an unexpected surprise. | 0:00:53 | 0:00:59 | |
-You're joking. -How exciting is that? | 0:00:59 | 0:01:02 | |
You're speechless! THEY LAUGH | 0:01:02 | 0:01:05 | |
And at auction, could it be our lucky day? | 0:01:05 | 0:01:08 | |
-I have seen them sell at that price before, but not double. -That's incredible, isn't it? | 0:01:08 | 0:01:14 | |
Find out what happens when the hammer falls. | 0:01:14 | 0:01:18 | |
Today, I have come to Lewes in East Sussex to meet a lady | 0:01:18 | 0:01:22 | |
who has called in the Cash In The Attic team | 0:01:22 | 0:01:24 | |
to help her raise the funds she needs | 0:01:24 | 0:01:25 | |
for a rather special school project. | 0:01:25 | 0:01:29 | |
Kay Towner teaches English to sixth-form students in town | 0:01:29 | 0:01:33 | |
here at Sussex Downs College. | 0:01:33 | 0:01:35 | |
She lives with her three children, one of whom, Freya, will be helping her out today. | 0:01:35 | 0:01:39 | |
Her love of literature has led to her long-standing hobby of book collecting. | 0:01:39 | 0:01:44 | |
But it's teaching that's always been at the centre | 0:01:44 | 0:01:46 | |
of her life. Jonty Hearnden is our expert today. | 0:01:46 | 0:01:49 | |
He'll help us find the items that will make the most for Kay on auction day. | 0:01:49 | 0:01:54 | |
Oh, hello. You must be Freya and Kay? | 0:01:55 | 0:01:58 | |
Hello. | 0:01:58 | 0:01:59 | |
Now, Jonty obviously needs to find plenty of stuff to sell. | 0:01:59 | 0:02:03 | |
-Have you got a figure in mind? How much you'd like to raise? -About £400, if we can. | 0:02:03 | 0:02:07 | |
All right. Jonty, it's £400 then. | 0:02:07 | 0:02:09 | |
-You'd better go and see what you can find. -I'll see you later. | 0:02:09 | 0:02:12 | |
-What do you want this money for? -I'm going to go out to Uganda | 0:02:12 | 0:02:15 | |
to teach English in a development centre. | 0:02:15 | 0:02:18 | |
-That'll be interesting. Have you done anything like that before? -No, it's a real adventure. | 0:02:18 | 0:02:22 | |
I'm excited, but a bit scared at the same time. | 0:02:22 | 0:02:24 | |
What do you think about it? | 0:02:24 | 0:02:26 | |
I think it's a good idea that she's going to be helping people there. | 0:02:26 | 0:02:31 | |
The items we're looking at to make this money, where have they come from? | 0:02:31 | 0:02:34 | |
I've picked them up in my travels, really. | 0:02:34 | 0:02:37 | |
Sussex is a great place to go and rummage and there are all sorts of | 0:02:37 | 0:02:41 | |
bric-a-brac shops and I've been collecting books for a long time. | 0:02:41 | 0:02:45 | |
So I get home and the children say, "Oh, Mummy, not more books!" | 0:02:45 | 0:02:49 | |
Well, Jonty's the man for valuation. | 0:02:49 | 0:02:51 | |
So hopefully he'll be able to get us to our target. | 0:02:51 | 0:02:53 | |
So let's go and find him. Come on. | 0:02:53 | 0:02:55 | |
Kay's home is filled with books and collectables, | 0:02:57 | 0:03:01 | |
so I'm certain we'll find plenty of items to make her dream of a Uganda trip come true. | 0:03:01 | 0:03:06 | |
In addition to teaching, Kay also has a passion for drama. | 0:03:06 | 0:03:10 | |
She's a member of the village theatre group and has spent many hours performing and singing. | 0:03:10 | 0:03:14 | |
I'm not surprised when Jonty turns out this handsome instrument. | 0:03:14 | 0:03:18 | |
-Oh, Jonty. -Aha. -Give us a tune. | 0:03:18 | 0:03:20 | |
I've found this wonderful violin. Do you play violin? | 0:03:20 | 0:03:23 | |
I used to when I was younger. I used to play in an orchestra. | 0:03:23 | 0:03:26 | |
-If you have a look in the middle there, it says Stradivarius. -It does. | 0:03:26 | 0:03:29 | |
-Wouldn't that be fabulous if it was? -It would! | 0:03:29 | 0:03:32 | |
The truth of the matter is that of course there have been hundreds | 0:03:32 | 0:03:37 | |
of thousands, if not millions, of copies of great Stradivarius violins. | 0:03:37 | 0:03:41 | |
The real dead giveaway is this patent number up here. | 0:03:41 | 0:03:45 | |
That is something that's possibly put in pre- the Second World War | 0:03:45 | 0:03:48 | |
or even post- the Second World War. It's not particularly old. | 0:03:48 | 0:03:52 | |
Do you remember how much you paid for it? | 0:03:52 | 0:03:54 | |
I just got it in a bric-a-brac shop. | 0:03:54 | 0:03:57 | |
It did need some work done on it, but I paid about £25 for it. | 0:03:57 | 0:04:00 | |
It cost about £200 to get it to the condition it's in now. | 0:04:00 | 0:04:04 | |
I don't think we are going to get your restoration costs back. | 0:04:04 | 0:04:08 | |
I've seen a lot of violins of this sort of quality in auctions | 0:04:08 | 0:04:11 | |
and they tend to sell for less than £100. | 0:04:11 | 0:04:14 | |
So auction value for this | 0:04:14 | 0:04:16 | |
will be £60 to £80. | 0:04:16 | 0:04:18 | |
Is that all? I thought it was worth more than that. | 0:04:18 | 0:04:21 | |
-We can always put a reserve on it for you. -Shall we say £200? | 0:04:21 | 0:04:25 | |
OK, I don't think we're going to risk you giving us a tune, Jonty... | 0:04:25 | 0:04:30 | |
Oh, really? | 0:04:30 | 0:04:31 | |
-What can you play? -I'll show you later. | 0:04:31 | 0:04:34 | |
All right, come on. | 0:04:34 | 0:04:35 | |
Kay has spent a considerable amount on restoration, so her determination | 0:04:36 | 0:04:40 | |
to obtain a high estimate is perhaps not surprising. | 0:04:40 | 0:04:44 | |
I hope Freya has permission to go rummaging | 0:04:44 | 0:04:46 | |
through her mum's jewellery box like this. | 0:04:46 | 0:04:49 | |
But it seems like a sensible move. | 0:04:49 | 0:04:50 | |
She discovers two costume rings created in the Edwardian style. | 0:04:50 | 0:04:55 | |
They may not be the real thing, | 0:04:55 | 0:04:57 | |
but Jonty thinks someone might want to take a chance on them | 0:04:57 | 0:05:00 | |
at £20 to £30. | 0:05:00 | 0:05:01 | |
We've found some saleable items, but could Kay's packed bookshelves | 0:05:01 | 0:05:05 | |
give us the hot find we really need? | 0:05:05 | 0:05:07 | |
Where do these come from? Are these ones you picked up on your travels? | 0:05:07 | 0:05:10 | |
-Yes, more bric-a-brac shop finds. -Really? | 0:05:10 | 0:05:14 | |
-Cos they're Charles Dickens. -Are they? Can I have a look? | 0:05:14 | 0:05:17 | |
I love the bindings on these. | 0:05:17 | 0:05:19 | |
-How much did you pay for these two? -It was about £10 each. | 0:05:19 | 0:05:23 | |
-It was a few years ago now. -This is Bleak House | 0:05:23 | 0:05:25 | |
and this one's The Mystery of Edwin Drood. | 0:05:25 | 0:05:27 | |
-His last unfinished novel. -Yes. | 0:05:27 | 0:05:29 | |
And Bleak House is one of his most famous novels. Regarded as one of his best. | 0:05:29 | 0:05:34 | |
It is, yes, undoubtedly. | 0:05:34 | 0:05:36 | |
Now, we can learn a lot from looking at books like this | 0:05:36 | 0:05:38 | |
just by turning the first few pages. | 0:05:38 | 0:05:40 | |
And here we see that this was published in 1853. | 0:05:40 | 0:05:46 | |
Which makes this a first edition. | 0:05:46 | 0:05:49 | |
And this is how they were bound, in this sort of half leather-bound form. | 0:05:49 | 0:05:54 | |
The Bleak House is slightly worn, if you look at the cover | 0:05:54 | 0:05:58 | |
and certainly if you turn the inside and look at the illustration pages. | 0:05:58 | 0:06:01 | |
They are foxed. Which is actually quite standard for his books. | 0:06:01 | 0:06:06 | |
So it matters that these are first editions, because it gives them added value. | 0:06:06 | 0:06:10 | |
I think at auction we're looking at between £100 and £150. | 0:06:10 | 0:06:14 | |
-Really? Goodness. -They will fly out of the auction room. | 0:06:14 | 0:06:18 | |
So many people want to get their hands on these. Wonderful. | 0:06:18 | 0:06:21 | |
Wow! Two awe-inspiring items of literature, | 0:06:21 | 0:06:24 | |
which bring us a few steps nearer to Kay's Ugandan teaching trip. | 0:06:24 | 0:06:28 | |
As our rummage continues, I notice a pair of lovely floral vases. | 0:06:28 | 0:06:33 | |
They have a 1920s design, but as the maker's mark is elusive, | 0:06:33 | 0:06:37 | |
Jonty thinks a fair asking price would be £20 to £30. | 0:06:37 | 0:06:40 | |
Freya's first jewellery find was so good, it looks like Kay is happy | 0:06:40 | 0:06:44 | |
for her daughter to carry on with the search through her knick-knacks. | 0:06:44 | 0:06:47 | |
I found this in my mum's drawers. | 0:06:49 | 0:06:51 | |
Do you think it would be any good at auction? | 0:06:51 | 0:06:53 | |
Oh, wow, look at that! A beautiful necklace. | 0:06:53 | 0:06:56 | |
That's a gold necklace. Do you like this? | 0:06:56 | 0:06:58 | |
Yeah, it's very pretty. | 0:06:58 | 0:07:00 | |
It is very pretty, isn't it? You see all these stones? | 0:07:00 | 0:07:03 | |
Those are turquoise stones. | 0:07:03 | 0:07:06 | |
Let's have a look at these links in more detail. | 0:07:06 | 0:07:08 | |
You see this one? Just the one, they're all identical. | 0:07:08 | 0:07:11 | |
There are seven main links here. | 0:07:11 | 0:07:13 | |
And that style there is Edwardian style. | 0:07:13 | 0:07:17 | |
So these links and the whole chain are about 100 years old. | 0:07:17 | 0:07:22 | |
So it's really quite old. You can imagine a lady with fine ruffs | 0:07:22 | 0:07:27 | |
round her neck, maybe a stiff collar, | 0:07:27 | 0:07:30 | |
and that would be placed on the outside, so everyone could see it. | 0:07:30 | 0:07:33 | |
Something that is solid gold and is as beautiful as that, | 0:07:33 | 0:07:36 | |
-what sort of price do you think that's worth? -About £20? | 0:07:36 | 0:07:41 | |
We're looking at - and this gets very exciting - £60 to £80. | 0:07:41 | 0:07:46 | |
-That's quite good. -That's very good. | 0:07:46 | 0:07:48 | |
Freya's certainly impressed, | 0:07:48 | 0:07:51 | |
but will the bidders find the necklace as enticing as we do? | 0:07:51 | 0:07:54 | |
90, right-handed. And 5. 100. And 10. And 20. 130... | 0:07:54 | 0:07:59 | |
Find out later when the hammer falls. | 0:07:59 | 0:08:02 | |
As we continue our rummage at Kay's house, | 0:08:05 | 0:08:07 | |
Freya's found Kay's well-used, but charming salt and pepper pots. | 0:08:07 | 0:08:11 | |
The whimsical mushroom design is made by Carlton Ware, | 0:08:11 | 0:08:14 | |
a company known for its playfully designed pottery. | 0:08:14 | 0:08:17 | |
Jonty values this set at £20 to £30. | 0:08:17 | 0:08:20 | |
It seems that you're quite musical and quite theatrical in this family. | 0:08:20 | 0:08:25 | |
-Where does that come from? -Goodness! Where do you get that impression? | 0:08:25 | 0:08:29 | |
I suppose it originated from my dad. | 0:08:29 | 0:08:32 | |
He was a piano teacher and also organist and choir master. | 0:08:32 | 0:08:35 | |
So we all grew up in a choir. | 0:08:35 | 0:08:37 | |
So tell me a bit about why you decided to go into teaching. | 0:08:37 | 0:08:40 | |
A love of drama and a love of literature combined, | 0:08:40 | 0:08:46 | |
and the chance to spend my life focusing on those things | 0:08:46 | 0:08:49 | |
was just ideal. | 0:08:49 | 0:08:51 | |
It's hard work, being a teacher though, isn't it? | 0:08:51 | 0:08:53 | |
It's jolly hard work. The workload is big. | 0:08:53 | 0:08:57 | |
-So you've got to be committed. -So tell me bit about the trip | 0:08:57 | 0:09:00 | |
that you're going to be making to Uganda. | 0:09:00 | 0:09:03 | |
Ian Elgey, who teaches world development at Sussex Downs, | 0:09:03 | 0:09:08 | |
is running a study tour of Uganda, | 0:09:08 | 0:09:10 | |
so that staff or students can stay there and work | 0:09:10 | 0:09:14 | |
for three months over the summer, in whatever way they can help out, | 0:09:14 | 0:09:18 | |
and it just seemed like such a fantastic opportunity. | 0:09:18 | 0:09:23 | |
What sort of things will you be doing when you get there? | 0:09:23 | 0:09:26 | |
There's a project going on at the moment, teaching people to build rocket stoves. | 0:09:26 | 0:09:30 | |
It's a much more efficient way of cooking and using fuel. | 0:09:30 | 0:09:34 | |
So that's one of the things that I believe they want us to get involved with. | 0:09:34 | 0:09:38 | |
So what's the cost of the trip overall? | 0:09:38 | 0:09:40 | |
Probably about £1,000, all told. | 0:09:40 | 0:09:43 | |
Between food and air flights and transport. | 0:09:43 | 0:09:46 | |
And we need to buy the air ticket as soon as possible to get a good deal. | 0:09:46 | 0:09:50 | |
That being the case, maybe we'd better chivvy Jonty along. Come on. | 0:09:50 | 0:09:55 | |
This sounds like a worthwhile cause. | 0:09:56 | 0:09:59 | |
We'll do all we can to get Kay on her way. | 0:09:59 | 0:10:01 | |
Freya's been busy. | 0:10:01 | 0:10:03 | |
She's found two collectable, pop-up Magic Roundabout books dating back to 1976. | 0:10:03 | 0:10:08 | |
No stranger to the Herb Garden himself, our Jonty | 0:10:08 | 0:10:11 | |
is sure someone will part with £20 to £30 for these charming stories. | 0:10:11 | 0:10:15 | |
Also going along to the auction is this 19th-century Windsor chair. | 0:10:15 | 0:10:21 | |
Made from elm, Kay bought this classic piece at an antique shop many years ago. | 0:10:21 | 0:10:27 | |
We think it should walk out of the auction room priced to sell | 0:10:27 | 0:10:30 | |
at £40 to £60. | 0:10:30 | 0:10:31 | |
Kay discovers a watch once given to her by her ex-husband. | 0:10:32 | 0:10:37 | |
It has been shut away for quite some time. | 0:10:37 | 0:10:39 | |
-Jonty? -Hello. | 0:10:39 | 0:10:41 | |
-I think I've got something here. -What have we got? | 0:10:41 | 0:10:44 | |
Oh, I say. Look at that. That's rather delicate. | 0:10:44 | 0:10:48 | |
We're looking at a lady's wristwatch that has to be 1920s | 0:10:48 | 0:10:53 | |
and if you look at the style here, it's much more the Art Deco style. | 0:10:53 | 0:10:58 | |
It's that lovely sort of angular look that people are genuinely looking for | 0:10:58 | 0:11:02 | |
and all the stones that we're looking at are diamonds. | 0:11:02 | 0:11:06 | |
Which are really beautiful. Absolutely stunning. | 0:11:06 | 0:11:10 | |
It says "Made in France" and "Platinum"... | 0:11:10 | 0:11:13 | |
-Aha. -..on the clasp. | 0:11:13 | 0:11:15 | |
I would suspect that this base will be silver | 0:11:15 | 0:11:18 | |
rather than platinum, because it's cheaper to make. | 0:11:18 | 0:11:20 | |
Maybe the settings, just the settings alone will be platinum, | 0:11:20 | 0:11:24 | |
because it's a much more expensive material to use. | 0:11:24 | 0:11:27 | |
So how many times have you worn it? | 0:11:27 | 0:11:29 | |
Only about three times. Because it is very delicate. | 0:11:29 | 0:11:32 | |
-Does it work? -It does, or it did the last time I wore it. | 0:11:32 | 0:11:35 | |
That works all in its favour. This is a wonderful object of beauty. | 0:11:35 | 0:11:38 | |
At auction, a bare minimum of £100. | 0:11:38 | 0:11:41 | |
£100 to £200 would be my estimate, | 0:11:41 | 0:11:44 | |
-but I wouldn't be surprised if it makes more than the £200. -Marvellous. | 0:11:44 | 0:11:48 | |
I want to put that back in the box for safe-keeping. | 0:11:48 | 0:11:51 | |
-Let's go and find some more bits. -OK. | 0:11:51 | 0:11:53 | |
With Kay's trip to Uganda potentially riding on this rummage, | 0:11:53 | 0:11:57 | |
let's hope Jonty is spot on with his estimate, so we can bring some bling into the sale room. | 0:11:57 | 0:12:02 | |
Kay's also going to put forward this over-loved teddy bear, | 0:12:02 | 0:12:06 | |
which once belonged to her uncle. | 0:12:06 | 0:12:08 | |
It dates back to the 1930s and, come auction day, | 0:12:08 | 0:12:11 | |
we hope someone takes it off our hands for £10 to £20. | 0:12:11 | 0:12:15 | |
Another scan of the book shelves and Kay's turned up another literary relic. | 0:12:15 | 0:12:19 | |
Hello, people. What have I got here? | 0:12:19 | 0:12:21 | |
Let me guess - it's another book. | 0:12:21 | 0:12:24 | |
Which one's this one? | 0:12:24 | 0:12:26 | |
It is the Origin of Species by Charles Darwin. | 0:12:26 | 0:12:29 | |
Wow! Fantastic. Can I have a look? Wonderful. | 0:12:29 | 0:12:32 | |
Don't tell me this is another purchase from a bric-a-brac shop? | 0:12:32 | 0:12:36 | |
-I confess. -Yes? -Yes, it is. | 0:12:36 | 0:12:39 | |
-For the vast sum of? -£3. | 0:12:39 | 0:12:43 | |
It has to be one of the most important books ever written, | 0:12:44 | 0:12:47 | |
because it changed the way we all thought about how the world was created. | 0:12:47 | 0:12:51 | |
Here we have got the date of 1872 and this is the sixth edition. | 0:12:51 | 0:12:57 | |
The first was 1859. | 0:12:57 | 0:13:00 | |
And this was when they changed the title. | 0:13:00 | 0:13:03 | |
It was only a subtle change. But it was a change nonetheless. | 0:13:03 | 0:13:07 | |
The original book was On The Origins of Species. | 0:13:07 | 0:13:10 | |
This is correct, the green cloth cover is spot on. | 0:13:10 | 0:13:15 | |
We have got a bit of damage down the spine there. | 0:13:15 | 0:13:18 | |
Even in this state, at auction, we are looking at between £150 and £250. | 0:13:18 | 0:13:25 | |
-You're joking. -How exciting is that? | 0:13:25 | 0:13:28 | |
You're speechless. | 0:13:28 | 0:13:30 | |
OK, well that is good news. | 0:13:30 | 0:13:32 | |
Now, you wanted to raise £400 for this big trip to Uganda. | 0:13:32 | 0:13:36 | |
The value of everything that is going to auction comes to £600. | 0:13:36 | 0:13:40 | |
That's all right! | 0:13:40 | 0:13:42 | |
-What about you, Freya? Are you coming on the day? -Yeah. | 0:13:42 | 0:13:45 | |
Just remember, don't sneeze and don't put your hand up. All right? | 0:13:45 | 0:13:50 | |
We don't want to buy it back again! | 0:13:50 | 0:13:52 | |
I think we have found the missing link in this rummage. | 0:13:52 | 0:13:55 | |
Hopefully this will get Kay on that plane to Africa, | 0:13:55 | 0:13:59 | |
along with the Art Deco watch. | 0:13:59 | 0:14:01 | |
It should add some glamour to the occasion at £100 to £200. | 0:14:01 | 0:14:05 | |
Plus this beautiful gold necklace | 0:14:05 | 0:14:07 | |
with turquoise stones is sure to please at £60 to £80. | 0:14:07 | 0:14:10 | |
And we all have Great Expectations for those first edition | 0:14:10 | 0:14:14 | |
Charles Dickens books that Jonty valued at £100 to £150. | 0:14:14 | 0:14:19 | |
Still to come on Cash In The Attic - one item rockets past the asking price. | 0:14:26 | 0:14:31 | |
-How about that? -£130 - that's more than double the estimate! | 0:14:31 | 0:14:34 | |
Double the bottom estimate... | 0:14:34 | 0:14:36 | |
But can we be certain they'll all go the same way? | 0:14:36 | 0:14:39 | |
Are we done at £85? Do I see 90? Come along... | 0:14:39 | 0:14:43 | |
Find out when the final hammer falls. | 0:14:43 | 0:14:45 | |
Now, it's been a few weeks since we were with Kay Towner | 0:14:49 | 0:14:53 | |
and her daughter, Freya, trying to find the diamonds amongst the rough, and we managed it - | 0:14:53 | 0:14:57 | |
the antiques and collectables that we discovered, we've brought here | 0:14:57 | 0:15:00 | |
to the Denhams Auction House in Sussex. | 0:15:00 | 0:15:03 | |
Remember, they are looking to raise £400 towards that trip to Uganda. | 0:15:03 | 0:15:07 | |
Let's hope the bidders have got their cards ready when our items go under the hammer today. | 0:15:07 | 0:15:12 | |
This family-run auction house in Horsham is filled floor to ceiling | 0:15:13 | 0:15:18 | |
with fine art, antiques and collectables. | 0:15:18 | 0:15:21 | |
With over 900 lots on view, there are plenty of bidders eyeing up Kay's items. | 0:15:21 | 0:15:26 | |
Jonty's already double-checking his assessment | 0:15:26 | 0:15:29 | |
of the books that Kay sent along. | 0:15:29 | 0:15:31 | |
This one should appeal to all wannabe David Attenboroughs in the room. | 0:15:31 | 0:15:35 | |
Good morning, Jonty. How are you? | 0:15:35 | 0:15:37 | |
-Doing a bit of light reading. -Origin of Species. | 0:15:37 | 0:15:41 | |
-Has there been any interest in that so far, do you know? -Not quite sure. | 0:15:41 | 0:15:44 | |
I'm a bit concerned we have quite a bit of split down the spine here. | 0:15:44 | 0:15:48 | |
-But it is an iconic book. -Does anything else take your fancy? | 0:15:48 | 0:15:51 | |
I particularly love the little wooden crinoline chair. | 0:15:51 | 0:15:54 | |
It's a beautiful thing. Beautiful object. | 0:15:54 | 0:15:57 | |
-What about the violin? -I haven't seen that around at all today. I'm not sure where that is. | 0:15:57 | 0:16:02 | |
Let's go and see if we can either find the violin or find them. | 0:16:02 | 0:16:06 | |
Remember, Kay was uncertain whether she would part with the violin for less than £200. | 0:16:06 | 0:16:11 | |
Maybe she's had second thoughts. | 0:16:11 | 0:16:12 | |
-Good morning. -Hello. -Hi, guys, how are you? | 0:16:12 | 0:16:15 | |
-You're obviously at home here, because there is lots of bric-a-brac. -It is, yes. | 0:16:15 | 0:16:19 | |
-Everything's here, is it, from our rummage day? -I haven't brought the violin. | 0:16:19 | 0:16:24 | |
Because it's been valued at quite a lot of money by a specialist, so I think that perhaps | 0:16:24 | 0:16:29 | |
a specialist auction or through a violin dealer | 0:16:29 | 0:16:31 | |
is the way to raise some money through that, | 0:16:31 | 0:16:34 | |
-rather than a general sale. -Yes, that's perfectly understandable. | 0:16:34 | 0:16:38 | |
I gave you a value for a general auction sale and if you can get more for it, woop-dee-doo! | 0:16:38 | 0:16:43 | |
-Are you looking forward to today? -Yeah. | 0:16:44 | 0:16:46 | |
So how does it feel to see your items actually in the auction house now? | 0:16:46 | 0:16:50 | |
It looks very odd, they look as if... I don't know. | 0:16:50 | 0:16:53 | |
They don't look like mine any more. | 0:16:53 | 0:16:55 | |
I really hope your items take off. | 0:16:55 | 0:16:58 | |
-Shall we get in position, ready for the auction? -OK. -Follow us, then. | 0:16:58 | 0:17:01 | |
I think we're all eager to get started and earn as much as possible for Kay's trip. | 0:17:02 | 0:17:07 | |
If you would like to raise money by selling at auction, | 0:17:07 | 0:17:10 | |
remember the sale room will charge fees such as commission. | 0:17:10 | 0:17:13 | |
These vary, so always enquire in advance. | 0:17:13 | 0:17:16 | |
Our first lot is the much-loved 1930s teddy bear | 0:17:16 | 0:17:20 | |
that once belonged to Kay's uncle. | 0:17:20 | 0:17:23 | |
-What is the story behind him? -Sadly, nobody's been loving him. | 0:17:23 | 0:17:26 | |
He's been in the bottom of the wardrobe for years now. | 0:17:26 | 0:17:29 | |
So it's time for him to go, and make a contribution towards the trip. | 0:17:29 | 0:17:32 | |
-And you're not interested in him either? -It's a bit old. | 0:17:32 | 0:17:35 | |
A bit old and tatty? OK. | 0:17:35 | 0:17:38 | |
But, still, teddy bears are popular and collectable. | 0:17:38 | 0:17:40 | |
Yes, don't throw a teddy bear like this away, whatever you do. | 0:17:40 | 0:17:44 | |
I've put £10 to £20 on it. You know. That all helps. | 0:17:44 | 0:17:47 | |
I bid 20 straight in. And 2. 24. 26. | 0:17:47 | 0:17:50 | |
28, 30. And 2. 34... | 0:17:50 | 0:17:52 | |
-Listen to this! -30. 40. And 2. | 0:17:52 | 0:17:56 | |
44 now? 44 seated. At £44. | 0:17:56 | 0:17:59 | |
Are we done at 44? Selling. | 0:17:59 | 0:18:02 | |
-£44! -£44. -That's a good start. -Amazing. | 0:18:02 | 0:18:06 | |
This bear may have seen his fair share of love, | 0:18:06 | 0:18:08 | |
but since he sold for over double Jonty's upper estimate | 0:18:08 | 0:18:11 | |
it is safe to say someone's ready to give him a good home. | 0:18:11 | 0:18:15 | |
Our next lot is the Carlton Ware | 0:18:15 | 0:18:16 | |
novelty condiment set. | 0:18:16 | 0:18:18 | |
Shaped as a mushroom. I absolutely love the range | 0:18:18 | 0:18:20 | |
that Carlton Ware do, it's so wacky. | 0:18:20 | 0:18:22 | |
-It is shaped like a mushroom with a condiment set inside. -A bit of kitsch. | 0:18:22 | 0:18:27 | |
I'm bid 10. 12. 14. | 0:18:27 | 0:18:29 | |
16. 18. 20. | 0:18:29 | 0:18:31 | |
-And 2... -The bidders are bidding away. | 0:18:31 | 0:18:34 | |
24. 26. 26 seated now. All done at 26, are we? 28 standing. | 0:18:34 | 0:18:38 | |
30. And 2. 34. 36. | 0:18:38 | 0:18:40 | |
38. 40. And 2. | 0:18:40 | 0:18:45 | |
44. 46. 48... | 0:18:45 | 0:18:48 | |
50. And 2. | 0:18:48 | 0:18:50 | |
-Good grief! -50 seated. All done and selling at £50. | 0:18:50 | 0:18:53 | |
Anyone want to jump in? | 0:18:53 | 0:18:54 | |
Now, that is extraordinary, because this is not a rare item. | 0:18:54 | 0:18:59 | |
You do see these items coming up, and I have to say, | 0:18:59 | 0:19:02 | |
I've never seen one priced at that price, have you? | 0:19:02 | 0:19:04 | |
That's the reason I put £20 to £30, because I've seen them sell at that price before. But not double. | 0:19:04 | 0:19:09 | |
-Not double. -That's incredible, isn't it? | 0:19:09 | 0:19:11 | |
Another smashing sale for Kay. | 0:19:11 | 0:19:14 | |
If we keep this up, we'll be reaching our target in no time. | 0:19:14 | 0:19:17 | |
Now, our next lot is the Victorian gold necklace, set with turquoise. | 0:19:17 | 0:19:23 | |
Now, I've put £60 to £80 on it. | 0:19:23 | 0:19:25 | |
-That's a reasonable price to reel in the buyers for you. -OK. | 0:19:25 | 0:19:29 | |
There we have him, and I'm bid 50 for it? 40? | 0:19:29 | 0:19:34 | |
I'm bid 50. And 5. 60. And 5. | 0:19:34 | 0:19:37 | |
70. And 5. 80. | 0:19:37 | 0:19:39 | |
And 5. 90? 90, right-handed. | 0:19:39 | 0:19:42 | |
And 5. 100. And 10. | 0:19:42 | 0:19:45 | |
120. 130. | 0:19:45 | 0:19:48 | |
-140. The lady's bid, 130. Front row. 130. -£130! | 0:19:48 | 0:19:52 | |
-Done, are we? -How about that? | 0:19:52 | 0:19:54 | |
£130 - that's more than double our estimate. | 0:19:54 | 0:19:58 | |
It looks like Jonty's plan worked! | 0:19:58 | 0:20:00 | |
Price it right and the bidders will follow. | 0:20:00 | 0:20:02 | |
Up next is another one of Kay's bric-a-brac finds. | 0:20:02 | 0:20:06 | |
Two 1920s-style floral vases. | 0:20:06 | 0:20:09 | |
Our next lot, again, I must admit, I like these. | 0:20:09 | 0:20:12 | |
They are the gourd-shaped vases. | 0:20:12 | 0:20:15 | |
I love the glaze that's on them. The decoration. | 0:20:15 | 0:20:17 | |
What do we say for a pair of vases like that? £20, do we say? 10, then. | 0:20:17 | 0:20:22 | |
Come along, now. 5 there. £5. 6. 7. | 0:20:22 | 0:20:26 | |
8. 9. 10. | 0:20:26 | 0:20:28 | |
12. 14. At £14, then. | 0:20:28 | 0:20:31 | |
Are you done and selling now at £14? | 0:20:31 | 0:20:34 | |
-All at 14 then. Not sold - £14. -Unsold. | 0:20:34 | 0:20:37 | |
We've hit our first patch of troubled water. | 0:20:37 | 0:20:41 | |
Still, Kay has many other stunning items left. | 0:20:41 | 0:20:43 | |
So, with luck, we'll recover. | 0:20:43 | 0:20:45 | |
The next two lots sent us on a bit of a bumpy ride. | 0:20:45 | 0:20:48 | |
The two 1976 Magic Roundabout books, valued at £20 to £30, | 0:20:48 | 0:20:53 | |
proved to be as unpopular as Ermintrude's daffodil curry! | 0:20:53 | 0:20:57 | |
At, £14 then... Not sold - £14. | 0:20:57 | 0:21:01 | |
But the two Edwardian-style rings fared much better, selling at £42. | 0:21:01 | 0:21:06 | |
There we go. How about that? | 0:21:08 | 0:21:09 | |
The good news is we're moving slowly but surely to Kay's target. | 0:21:09 | 0:21:13 | |
And so far we've bagged £266. | 0:21:13 | 0:21:16 | |
Now, our next item is one that Jonty predicts might be a sleeper. | 0:21:16 | 0:21:21 | |
Now, this next lot is a Windsor armchair. | 0:21:21 | 0:21:24 | |
It's early 19th century. It's a beautiful thing. | 0:21:24 | 0:21:27 | |
I've put a low estimate of £40 to £60, and my hunch is that it's worth a lot more. | 0:21:27 | 0:21:31 | |
-I have had another look at it. -OK. | 0:21:31 | 0:21:34 | |
It's got a lovely crinoline stretcher to it | 0:21:34 | 0:21:36 | |
and I think that we should be doubling the estimate on this one. | 0:21:36 | 0:21:40 | |
A handsome chair. What do we say for it? £100 for it. | 0:21:40 | 0:21:44 | |
I'm bid 50. And 5. 60. And 5. 70. | 0:21:44 | 0:21:47 | |
And 5. 80. And 5. 90. And 5. 100. | 0:21:47 | 0:21:52 | |
And 10. 120. 130. 140. | 0:21:52 | 0:21:55 | |
-With me now, at 140. -There you go. | 0:21:55 | 0:21:58 | |
Are we done and selling? £140. All done now, at 140, are you? | 0:21:58 | 0:22:02 | |
-£140! -That's even more than you said it would go for. | 0:22:02 | 0:22:06 | |
-Wonderful. -That's incredible. | 0:22:06 | 0:22:08 | |
-Do you remember how much you paid for it? Because it was with another chair. -£35. | 0:22:08 | 0:22:14 | |
With that kind of return, it's safe to say Kay certainly has a gift | 0:22:14 | 0:22:18 | |
for spotting a bargain. | 0:22:18 | 0:22:19 | |
Our next lot is one of Kay's best ever buys. | 0:22:19 | 0:22:23 | |
It's a sixth edition copy of Charles Darwin's The Origin of Species. | 0:22:23 | 0:22:27 | |
Jonty thinks it's worth £150 to £250, | 0:22:28 | 0:22:31 | |
and given that, Kay's put a £100 reserve on it. | 0:22:31 | 0:22:36 | |
Tell me the story about this. | 0:22:36 | 0:22:38 | |
I bought this in Heathfield for £3. | 0:22:38 | 0:22:42 | |
It's the last edition of The Origin of Species | 0:22:42 | 0:22:47 | |
that Darwin altered before he died. | 0:22:47 | 0:22:50 | |
There we are, what do we say for this, then? £100 for it, do we say? | 0:22:50 | 0:22:54 | |
Come along now. 75? | 0:22:54 | 0:22:56 | |
I'm bid 50. And 5. 60. | 0:22:56 | 0:22:59 | |
And 5. 70. And 5. | 0:22:59 | 0:23:01 | |
80. And 5. | 0:23:01 | 0:23:03 | |
At £85 then. | 0:23:03 | 0:23:05 | |
Are we done at £85? 90? Come along. At £85. | 0:23:05 | 0:23:10 | |
Do we have 90 now? At £85 then. | 0:23:10 | 0:23:13 | |
-All done at 85. -I'll take it home. | 0:23:13 | 0:23:15 | |
-Unsold. -That's OK. -How are you feeling? | 0:23:15 | 0:23:18 | |
That's fine. I've got other books that I want to take and be valued. | 0:23:18 | 0:23:22 | |
Again, as you were saying, it is a bit like the violin - perhaps it needs to go to a specialist auction. | 0:23:22 | 0:23:27 | |
It is a real shame we didn't have the interest today. | 0:23:27 | 0:23:30 | |
But I'm confident that when she submits it to a specialist sale, | 0:23:30 | 0:23:33 | |
she'll get the buyer she's looking for. | 0:23:33 | 0:23:35 | |
Let's try two more books from Kay's collection. | 0:23:35 | 0:23:38 | |
We still have those first edition Charles Dickens books | 0:23:38 | 0:23:42 | |
valued at £100 to £150. | 0:23:42 | 0:23:45 | |
Let's hope the right buyer's here, because they are worth every penny. | 0:23:45 | 0:23:49 | |
-But in a general sale, you never really quite know. -OK. | 0:23:49 | 0:23:52 | |
What do we say for the pair of them? Do we say £100? | 0:23:52 | 0:23:56 | |
I'm bid 50, thank you. And 5. | 0:23:56 | 0:23:57 | |
60. And 5. 70. and 5. 80. | 0:23:57 | 0:24:01 | |
And 5. 90. With me now at £90. I'm going to sell now at £90. | 0:24:01 | 0:24:05 | |
I'm selling at 90. Make no mistake. The hammer's up at £90 now... | 0:24:05 | 0:24:09 | |
-£90. -£90. | 0:24:09 | 0:24:11 | |
It may be just shy of what Kay was hoping for, | 0:24:11 | 0:24:14 | |
but every bit helps towards that plane ticket to Uganda. | 0:24:14 | 0:24:18 | |
Our next lot is the lovely 1920s cocktail wristwatch, | 0:24:18 | 0:24:22 | |
and in its original case as well. | 0:24:22 | 0:24:25 | |
Bids here, start us here at £100. | 0:24:25 | 0:24:29 | |
And 10. 120. 130. 140... | 0:24:29 | 0:24:33 | |
150. 160. With me at 160, then. | 0:24:33 | 0:24:36 | |
170. 180. 190. 190 right-handed. | 0:24:36 | 0:24:40 | |
Shall we round it up to 200? | 0:24:40 | 0:24:41 | |
190 right-handed. Selling at 190. | 0:24:41 | 0:24:44 | |
Wow! £190. That's great, isn't it? You must be pleased with that? | 0:24:44 | 0:24:49 | |
Yes, that's good. | 0:24:49 | 0:24:50 | |
Our experience of the sale has been like a roller coaster. | 0:24:50 | 0:24:54 | |
So my hope this we've raised enough to make Kay's dream a reality. | 0:24:54 | 0:24:59 | |
Now, you wanted to raise £400 towards this trip to Uganda. | 0:24:59 | 0:25:02 | |
Well, you've actually banked... | 0:25:02 | 0:25:04 | |
-£686. -That's smashing. | 0:25:04 | 0:25:08 | |
That's pretty good going, I would say. Don't you think? | 0:25:08 | 0:25:11 | |
Especially when some of your favourite items you've kept hold of. | 0:25:11 | 0:25:15 | |
-Is that going to help towards the trip? -It'll be a tremendous help. | 0:25:15 | 0:25:18 | |
It'll pay for the lion's share, I'm really pleased about that. | 0:25:18 | 0:25:21 | |
-Have a great trip. -Thank you very much. | 0:25:21 | 0:25:24 | |
With a volunteering trip to Africa still a few months away, | 0:25:29 | 0:25:32 | |
Kay has time to take part in a special orientation course. | 0:25:32 | 0:25:35 | |
It takes place at the sixth-form school where she's a teacher. | 0:25:35 | 0:25:40 | |
I think it's going to be very exciting. | 0:25:40 | 0:25:43 | |
I think the study tour will be very intensive, | 0:25:43 | 0:25:45 | |
but will give me a clear idea of what work I'd like to do when I stay out there. | 0:25:45 | 0:25:49 | |
Once there, Kay will help students from Sussex Downs College | 0:25:49 | 0:25:53 | |
with their two-week study course. | 0:25:53 | 0:25:55 | |
They'll be fully immersed in Ugandan culture, and help to build housing and sanitary facilities. | 0:25:55 | 0:26:00 | |
Ian Elgey started the programme and has continued to lead the team for the last six years. | 0:26:00 | 0:26:05 | |
We want a mixture of staff and students. | 0:26:05 | 0:26:08 | |
So, for example, the young students will be out there playing football. | 0:26:08 | 0:26:12 | |
I don't expect Kay to be playing football out in the village. | 0:26:12 | 0:26:15 | |
But she will be able to give her experience | 0:26:15 | 0:26:18 | |
and that will be a great asset. | 0:26:18 | 0:26:20 | |
Subtitles by Red Bee Media Ltd | 0:26:27 | 0:26:30 |