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Welcome to Cash In The Attic. | 0:00:02 | 0:00:04 | |
I'm sure lots of us collect things and then run out of room for them. | 0:00:04 | 0:00:08 | |
That's what happened to the family I'm about to meet, who hope their clearout produces hidden treasures. | 0:00:08 | 0:00:16 | |
'Coming up: indisputable proof of my language skills.' | 0:00:36 | 0:00:40 | |
-Buongiorno! -Buongiorno! -I don't speak Italian! | 0:00:40 | 0:00:44 | |
'And a 1970s till brings back memories of an old sitcom.' | 0:00:44 | 0:00:48 | |
-Are you being served? -I'm free! | 0:00:49 | 0:00:52 | |
'Come sale day, the auctioneer works hard to rouse the bidders.' | 0:00:54 | 0:00:58 | |
£32 bid. I'll take 35. At £32. 35! He's back in! Getting excited. | 0:00:58 | 0:01:03 | |
'Be there when the gavel finally falls.' | 0:01:03 | 0:01:06 | |
Today I'm in Hertfordshire and about to meet a passionate collector. | 0:01:07 | 0:01:13 | |
But I think she's hoping that by getting rid of some stuff | 0:01:13 | 0:01:17 | |
she's going to be able to raise enough money to put towards a really terrific family holiday. | 0:01:17 | 0:01:23 | |
Louisa and Carlo Ieraci have been married for 32 years. | 0:01:23 | 0:01:27 | |
For most of their married life, they ran cafes and restaurants in London, | 0:01:27 | 0:01:32 | |
but now they're retired. | 0:01:32 | 0:01:35 | |
They have a daughter, Louisa has two children from a previous marriage and they have three grandchildren. | 0:01:35 | 0:01:41 | |
Understandably, Louisa dotes on them. They'd like to organise a special trip for the whole family. | 0:01:41 | 0:01:47 | |
That's why they called us in. | 0:01:47 | 0:01:50 | |
Joining me today is Paul Hayes. He was born into the antiques trade, so his knowledge is invaluable. | 0:01:50 | 0:01:58 | |
-Hi, Louisa! Carlo! Buongiorno! -Buongiorno! | 0:01:58 | 0:02:02 | |
-I don't speak Italian. -But that's good. -You ARE Italian. -Yes. | 0:02:02 | 0:02:07 | |
-Are you Italian also, Carlo? -Yes, I am. | 0:02:07 | 0:02:10 | |
Why have you called in Cash In the Attic? | 0:02:10 | 0:02:14 | |
Well, I've collected a lot of items | 0:02:14 | 0:02:16 | |
and I'd like to sell some of them. | 0:02:16 | 0:02:19 | |
-Are you a bit of a passionate collector? -I am, yes. Very much so. | 0:02:19 | 0:02:24 | |
-What are you going to spend the money on? -We've never been on a family holiday. | 0:02:24 | 0:02:31 | |
We've got a new addition to the family, a new grandson. | 0:02:31 | 0:02:35 | |
And we'd like to go as a family, all together, | 0:02:35 | 0:02:39 | |
which we've never done before. It would be towards that. | 0:02:39 | 0:02:43 | |
-A wonderful way to spend a holiday. -It would be lovely. | 0:02:43 | 0:02:47 | |
-How much do you think we might raise? -Er, £500, hopefully? -OK. | 0:02:47 | 0:02:52 | |
Let's put that very carefully back in its box and find Paul Hayes | 0:02:52 | 0:02:57 | |
-who's going to help you make that £500 target. -Fantastic. -Shall we go and find him? -Yes. | 0:02:57 | 0:03:03 | |
'Carlo and Louisa have lived in this three-bedroomed semi for 12 years. | 0:03:03 | 0:03:08 | |
'In that time, she's collected a great variety of stuff! | 0:03:08 | 0:03:13 | |
'Some items come from antique shops, but most were bought new. | 0:03:13 | 0:03:17 | |
'When we find Paul, I'm pleased to see that he's got his hands full.' | 0:03:17 | 0:03:22 | |
-Ah, hello! -Hello. | 0:03:22 | 0:03:24 | |
-How are you? -Fine, thank you. -I see you've found a classic piece of Italian pottery. | 0:03:24 | 0:03:30 | |
-Of course, yes. -Where did this come from? -This was a present | 0:03:30 | 0:03:34 | |
-from our daughter. -A lovely piece of Majolica. | 0:03:34 | 0:03:38 | |
It has Cupid in various pursuits. Mount Vesuvius in the background. | 0:03:38 | 0:03:44 | |
The whole thing has been modelled on a fountain, | 0:03:44 | 0:03:48 | |
so you've got wonderful gargoyle-type heads, lion masks, | 0:03:48 | 0:03:53 | |
you've got fish or dolphins at the bottom. | 0:03:53 | 0:03:57 | |
Beautifully made - the garland of flowers. These pictures are very similar to what Michelangelo | 0:03:57 | 0:04:03 | |
-was doing, Leonardo Da Vinci. That's the inspiration. -If it was an original piece of Majolica, | 0:04:03 | 0:04:10 | |
-it would be worth thousands. -Mega mega. -Mega. | 0:04:10 | 0:04:13 | |
-But if we take it to auction, how much might we get? -I'd like to see it with £150-£200. | 0:04:13 | 0:04:20 | |
It's the sort of thing I'd like to put with a conservative estimate. | 0:04:20 | 0:04:25 | |
-If we said £120-£150, to give it a chance, how does that sound? -Yes. | 0:04:25 | 0:04:30 | |
I think it's fabulous. It really is. | 0:04:30 | 0:04:33 | |
'Majolica is very collectable, | 0:04:34 | 0:04:37 | |
'so let's hope that this does really well at auction. | 0:04:37 | 0:04:40 | |
'It got us off to a good start. Louisa really loves ornaments - their home is full of them. | 0:04:40 | 0:04:47 | |
'In the hall, Carlo wonders if this carved wooden table with a folding base might be worth selling. | 0:04:47 | 0:04:54 | |
'Carlo says he loves the intricate details in the hand carving. | 0:04:54 | 0:04:59 | |
'They paid over £150 for it in an antiques shop nearly 20 years ago, | 0:04:59 | 0:05:04 | |
'but they accept Paul's new valuation of £50-£80. | 0:05:04 | 0:05:08 | |
'On a dressing table, Paul's spotted some pretty figurines. | 0:05:08 | 0:05:13 | |
'They're made by Coalport, a famous Staffordshire pottery. | 0:05:13 | 0:05:17 | |
'Louisa's been ordering them from catalogues and magazines. | 0:05:17 | 0:05:21 | |
'Now at £70-£100 she's happy for them to go. | 0:05:21 | 0:05:26 | |
'And in the kitchen she wants to show Paul some more of her mail order items.' | 0:05:26 | 0:05:32 | |
-Now then, Louisa. -Hello! -I don't think we need as many cups. | 0:05:32 | 0:05:36 | |
-I'd like you to have a look at these for me, please. -OK. | 0:05:36 | 0:05:40 | |
These are beautiful. Royal Albert. A pattern called Old Country Roses. | 0:05:40 | 0:05:44 | |
And it really is one of the best-selling sets of all time. something like 100 million sold. | 0:05:44 | 0:05:52 | |
You can see why. It's very pleasing. | 0:05:52 | 0:05:55 | |
They're tried to go back to that wonderful Edwardian period of people having afternoon tea | 0:05:55 | 0:06:02 | |
in an English country garden. | 0:06:02 | 0:06:05 | |
You've got a good collection here. | 0:06:05 | 0:06:08 | |
If I said at least £50-£80, does that equate with what you paid? | 0:06:08 | 0:06:13 | |
-Were they very expensive? -Well, | 0:06:13 | 0:06:16 | |
-I think I paid a lot more. -Really? OK. -I think they were... I can't remember exactly. | 0:06:16 | 0:06:22 | |
-But, yes, I did pay a lot more. -You can still buy it today. | 0:06:22 | 0:06:27 | |
-And the second-hand market... -I haven't seen them. -You can. Any good high street shop. | 0:06:27 | 0:06:33 | |
-That's a realistic sort of price on the second-hand market. -Fine. -It'll be someone's cup of tea. | 0:06:33 | 0:06:39 | |
Yes! | 0:06:39 | 0:06:41 | |
-OK, talking of which, let's find you a kettle. -It's there. | 0:06:41 | 0:06:46 | |
'But Carlo has a bombshell when the tea set reaches the auction.' | 0:06:48 | 0:06:53 | |
-You're just glad it's going out of the auction room! -I've never had a cup of tea from it. | 0:06:53 | 0:06:59 | |
'Stay tuned for news of their final sale price. | 0:06:59 | 0:07:03 | |
'Going by Paul's lower estimates so far, we stand to raise a very healthy £290, | 0:07:04 | 0:07:10 | |
'so we're already halfway to our target. In one bedroom, I open a box with a pretty brooch. | 0:07:10 | 0:07:16 | |
'It's nine-carat gold and Louisa once bought it at auction. | 0:07:16 | 0:07:21 | |
'Her children don't want it and she's hardly worn it, so it's back in the box | 0:07:21 | 0:07:26 | |
'ready for our auction. | 0:07:26 | 0:07:29 | |
'Louisa's making a thorough search of her cupboards, but it's Carlo who spots the next good find.' | 0:07:30 | 0:07:37 | |
Ah, now then. Wow, look at that! | 0:07:37 | 0:07:40 | |
She's a beauty, isn't she? Where's this come from, then? | 0:07:40 | 0:07:44 | |
Em, that is one of my wife's purchases. | 0:07:44 | 0:07:47 | |
-I don't know where she got it from. -Right. Did you often go to auctions and antiques shops? -Antiques shops. | 0:07:47 | 0:07:54 | |
Right. Well, that's fabulous. It's very Ancient Rome, isn't it, if you have a look at it. | 0:07:54 | 0:08:00 | |
It's a wonderful definition. It's a very heavy lamp, definitely bronze. Looks like brass there. | 0:08:00 | 0:08:07 | |
Very attractive. The sort of thing you'd find maybe in 1900, 1920. Quite Art Deco, really. | 0:08:07 | 0:08:13 | |
She's lovely. Great facial features, and her hair. | 0:08:13 | 0:08:18 | |
I think she's fantastic. I think 1900, 1920. Neo-classical. | 0:08:18 | 0:08:23 | |
Absolutely beautiful. If I said around the £100 mark, sort of £80-£120? | 0:08:23 | 0:08:29 | |
-How does that sound? -Yeah, I suppose so. -All right. I'm sure she'll light up the room. | 0:08:29 | 0:08:35 | |
'Carlo does seem to hold his cards close to his chest. | 0:08:35 | 0:08:40 | |
'I wonder if he'll be able to contain his feelings at the auction. | 0:08:40 | 0:08:44 | |
'The Ieracis are passionate about their Italian roots | 0:08:44 | 0:08:49 | |
'and food. I wonder if that's what brought them together.' | 0:08:49 | 0:08:54 | |
-Tell me how you met Carlo. -Well, I used to run this restaurant in Elizabeth Street. | 0:08:54 | 0:09:00 | |
And Carlo was a coach driver. | 0:09:00 | 0:09:03 | |
The coach station was just opposite to the restaurant. | 0:09:03 | 0:09:08 | |
He used to come there for his meals, | 0:09:08 | 0:09:11 | |
for teas and all that. And we got talking. | 0:09:11 | 0:09:16 | |
I suppose being half-Italian we had something in common and one thing led to another. | 0:09:16 | 0:09:22 | |
-We got married after a couple of years. -Well, he knew he was marrying a good cook! -He loved the tea | 0:09:22 | 0:09:30 | |
I was making for him. And the food, he must have liked that as well. | 0:09:30 | 0:09:35 | |
What was the point at which you realised this bloke wasn't just there for food, | 0:09:35 | 0:09:41 | |
-he was interested in you? -I think he was coming in for his food at first! | 0:09:41 | 0:09:47 | |
I think it's because I was... you know, I spoke Italian that I got attracted to him. | 0:09:48 | 0:09:55 | |
-He had somebody to talk Italian to. -Plus a few other bits. | 0:09:55 | 0:09:59 | |
'Goodness! | 0:10:01 | 0:10:03 | |
'I think Carlo's given us a hint of the red-blooded Italian lurking behind that calm exterior. | 0:10:03 | 0:10:10 | |
'And it seems Paul feels a bit hot under the collar, too. | 0:10:10 | 0:10:14 | |
'Louisa has stepped outside and been reminded of this bronze-like statue. | 0:10:14 | 0:10:20 | |
'She bought it at a local auction 30 years ago and paid £180. | 0:10:20 | 0:10:24 | |
'Unfortunately, it seems she paid over the odds. Paul reckons it's worth only £40-£60. | 0:10:24 | 0:10:30 | |
-'Carlo's checking out a painting at the bottom of the stairs. We're at the top.' Paul? -Uh-huh? | 0:10:32 | 0:10:38 | |
Do you want to come and join us? | 0:10:38 | 0:10:40 | |
I feel I ought to say, "Are you being served?" | 0:10:40 | 0:10:45 | |
I'm free! | 0:10:45 | 0:10:47 | |
-Are you free, Paul? -I wasn't expecting to find that up here! | 0:10:47 | 0:10:52 | |
-Are these collectable? -Certainly are. Older ones much more so. | 0:10:52 | 0:10:57 | |
The original ones are very ornate. Imagine an old country cafe, | 0:10:57 | 0:11:02 | |
or coffee shop, with brass fittings. | 0:11:02 | 0:11:05 | |
-And these were pounds, shillings and pence. -Yes. -This is decimalisation. | 0:11:05 | 0:11:10 | |
You've got the £2, 60p and so on. | 0:11:10 | 0:11:12 | |
So is this something a collector would buy? Is there a market? | 0:11:12 | 0:11:16 | |
They're quite an interesting item. The original concept was a cash register. | 0:11:16 | 0:11:23 | |
Every time you'd taken some money, you'd register that amount | 0:11:23 | 0:11:27 | |
-on a roll in there. -So how much do we think this might make at auction? | 0:11:27 | 0:11:32 | |
I think sort of...£30-£50. That sort of price. It will have handled a lot more in its day! | 0:11:32 | 0:11:39 | |
Is that what you were expecting? | 0:11:41 | 0:11:43 | |
-Yes. -Quite happy? -Quite happy. | 0:11:43 | 0:11:46 | |
'So let's hope that the till from their old restaurant will register some interest later. | 0:11:46 | 0:11:53 | |
'Paul's investigating a carved wooden chest in the bedroom. | 0:11:53 | 0:11:58 | |
'Louisa thinks some brass-coloured horse ornaments may add to the fund. | 0:11:58 | 0:12:03 | |
'But Carlo's next find - a hard, stone globe - is certainly destined for the sale room. | 0:12:03 | 0:12:09 | |
'It was a present from Louisa's son Paolo. She thinks it's too big | 0:12:09 | 0:12:14 | |
'and Paolo doesn't mind them selling it, | 0:12:14 | 0:12:17 | |
'so with an estimate of £100-£150, it has added a nice, round figure to our running total.' | 0:12:17 | 0:12:23 | |
Carlo? Angela? There you are. | 0:12:25 | 0:12:28 | |
-We've found a fantastic range. Look at that. -Oh, yes. Tell me why you bought it. | 0:12:28 | 0:12:33 | |
First of all, I fell in love with the workmanship of it. | 0:12:33 | 0:12:37 | |
Also the fact that you can't get anything like this nowadays. | 0:12:37 | 0:12:41 | |
All hand-made. | 0:12:42 | 0:12:44 | |
-A lot of intricate work has gone into making it. -It's like the original Aga. -Exactly. | 0:12:44 | 0:12:50 | |
That's the whole concept. You're instantly transported back to the 19th century or earlier. | 0:12:50 | 0:12:56 | |
These were extremely popular in the late-19th century. | 0:12:56 | 0:13:01 | |
-It would have been self-sufficient. -How much might it make? | 0:13:01 | 0:13:05 | |
You do have to factor in maybe a couple of hundred pounds just to have it shifted about, | 0:13:05 | 0:13:10 | |
so I'd be looking at least at £150, £200, that sort of price. | 0:13:10 | 0:13:15 | |
-How does that sound? -Not very good. -Do you remember how much you paid? | 0:13:15 | 0:13:20 | |
Somewhere in the region of £150. | 0:13:20 | 0:13:23 | |
-Plus the transportation. -Yes. | 0:13:23 | 0:13:26 | |
Whether that goes to auction or not, | 0:13:26 | 0:13:29 | |
we are going to take a lot of other things, so there will be more room. | 0:13:29 | 0:13:33 | |
And if we add the £150 Paul says we might make on that to everything else, | 0:13:33 | 0:13:38 | |
I know you want to raise £500, but with luck we should be able to make £730. | 0:13:38 | 0:13:45 | |
-Oh, that's brilliant. -There we go. -More than we expected. | 0:13:45 | 0:13:49 | |
-Fantastic. -But it will depend on whether or not you take that and how everything else goes, | 0:13:49 | 0:13:55 | |
-but whatever you do decide to take, you will have more room in the house! -Yes, definitely! | 0:13:55 | 0:14:01 | |
'We'll have to wait for auction day to find out if they do part with the range cooker, | 0:14:03 | 0:14:09 | |
'but here's a reminder of some items that definitely are for sale. | 0:14:09 | 0:14:14 | |
'The large Italian Majolica vase, a present from their daughter almost 30 years ago. | 0:14:14 | 0:14:19 | |
'It's a very popular make and we hope it's going to bring in £120-£150. | 0:14:19 | 0:14:25 | |
'And there's the present from Louisa's son - the globe, | 0:14:25 | 0:14:29 | |
'which Louisa thinks is too big for the house. At £100-£150, it should attract some attention. | 0:14:29 | 0:14:37 | |
'The early 20th-century bronze lamp, bought in an antiques shop 25 years ago. | 0:14:37 | 0:14:42 | |
'It's a classy piece and it should reach £80-£120. | 0:14:42 | 0:14:48 | |
'Coming up: Carlo knows what will happen to the bronze statue if it doesn't perform.' | 0:14:49 | 0:14:54 | |
It will go back to making a doorstop again. | 0:14:54 | 0:14:58 | |
'The auction rollercoaster makes Louisa feel giddy.' | 0:14:58 | 0:15:02 | |
I'll need to take it back home! | 0:15:04 | 0:15:06 | |
'Will she still be laughing when the last hammer falls?' | 0:15:06 | 0:15:11 | |
So a couple of weeks ago we were with Carlo and Louisa at their home in Hertfordshire | 0:15:16 | 0:15:21 | |
and today they've joined us here at the Chiswick Auction Rooms | 0:15:21 | 0:15:25 | |
where we've brought all of their items to sell in the hope of raising £500 for a special family holiday. | 0:15:25 | 0:15:33 | |
'Viewing starts early here as people searching for something special, | 0:15:35 | 0:15:40 | |
'although Paul casts his mind back to schooldays.' | 0:15:40 | 0:15:44 | |
-Having a quick geography lesson? -I'm finding out where I'm going for my holidays next. | 0:15:44 | 0:15:50 | |
-I can't decide on Tanzania or Old Blighty. -There's plenty of choice. | 0:15:50 | 0:15:55 | |
It's so colourful because it's made out of semi-precious stones and marbles. | 0:15:55 | 0:16:01 | |
-What's Britain made out of here? -A shell from New Zealand. It's very iridescent. | 0:16:01 | 0:16:07 | |
-The whole of Australia's the same. -What do you think will do particularly well for them today? | 0:16:07 | 0:16:14 | |
I like to think the bronze items. They have interesting bits and bobs. | 0:16:14 | 0:16:18 | |
The till is the only one I'm concerned with, | 0:16:18 | 0:16:22 | |
-but some great items. -They've put a reserve on a couple of things. | 0:16:22 | 0:16:27 | |
-Perhaps we should ask them about it. -Of course. | 0:16:27 | 0:16:30 | |
'I know this globe has a high reserve, but a little bird tells me it's not the only one.' | 0:16:30 | 0:16:36 | |
-Hi, Louisa! -Hello, Angela. -Having a last look at it? -Hello. | 0:16:36 | 0:16:41 | |
-You've put quite a hefty reserve on this one. -Yes, we have. -What is it? | 0:16:41 | 0:16:45 | |
Eh, 140, yes. | 0:16:45 | 0:16:47 | |
-And why? -Because I think it's worth it. It's a beautiful statue. | 0:16:47 | 0:16:53 | |
-And if I don't sell it for that money, then I'd rather keep it. -You might be right there today. | 0:16:53 | 0:16:59 | |
I think you'll get your 140, but if it doesn't fetch the £140, it will go back with you. | 0:16:59 | 0:17:05 | |
-Exactly, yes. -It'll go back to making a doorstop again. | 0:17:05 | 0:17:11 | |
-No, it's such a beautiful thing! -As you can see, the room is filling up quite rapidly. | 0:17:11 | 0:17:17 | |
-I think we should go and bag our seats in the corner. -Right. | 0:17:17 | 0:17:22 | |
'Louisa and Carlo have not brought the range cooker, which means they start £150 down, | 0:17:23 | 0:17:29 | |
'but there are nine other interesting lots still to sell, which hopefully will make £500. | 0:17:29 | 0:17:35 | |
'First up, the cash register from their old restaurant.' | 0:17:35 | 0:17:40 | |
-This was quite difficult to price. -Yes, technology's moved on so much. It's all on computers now. | 0:17:40 | 0:17:48 | |
But for someone who wants that antique look, a bit of nostalgia, 30 quid hopefully. | 0:17:48 | 0:17:54 | |
-Let's hope so. -A penny for every pound that's gone in there! | 0:17:54 | 0:17:58 | |
£10 for it? Have we got £10 for it? | 0:17:58 | 0:18:02 | |
Prefer the digital ones, do you? £10 for it? Nobody? I'll pass. | 0:18:02 | 0:18:07 | |
-Nobody at £10? -Not sold. | 0:18:07 | 0:18:10 | |
-I'll need to take it back home! -Nobody wants it. | 0:18:11 | 0:18:15 | |
'Well, if Louisa reacts like that to a non-sale, what will happen when we do make one? | 0:18:15 | 0:18:21 | |
'Next up is the nine-carat gold brooch, which Louisa bought at auction, but has left in its box. | 0:18:21 | 0:18:28 | |
'How appealing is it with a price tag of £40-£50?' | 0:18:28 | 0:18:32 | |
£50? £30? Worth that. | 0:18:32 | 0:18:35 | |
£30. Take 32. At £30. 32. 35. | 0:18:35 | 0:18:38 | |
38 over there. 40. 42? | 0:18:38 | 0:18:42 | |
£40. Anyone at 42? | 0:18:42 | 0:18:44 | |
Are we done? £40 all out and going? | 0:18:44 | 0:18:46 | |
£40 all out? | 0:18:46 | 0:18:49 | |
On the nose - £40. | 0:18:49 | 0:18:51 | |
-That was all right. -Brilliant. | 0:18:51 | 0:18:54 | |
'I think Louisa's going to be smiling no matter what the result. | 0:18:54 | 0:18:58 | |
'Next is the lovely bronze Art Nouveau statue from the garden. | 0:18:58 | 0:19:03 | |
'Paul valued it at £40-£60, | 0:19:03 | 0:19:06 | |
'but our couple have decided to put a reserve on it of £140.' | 0:19:06 | 0:19:11 | |
Is it worth £100 to start me? £100 for it? £100 for it? | 0:19:11 | 0:19:15 | |
Thank you. Bid £100. I'll take 110. £100. 110? | 0:19:15 | 0:19:19 | |
I'll take 110. A bid of 110. | 0:19:19 | 0:19:21 | |
120? | 0:19:21 | 0:19:23 | |
130? 130. 140? | 0:19:23 | 0:19:26 | |
She's asking her husband. 140. 150? | 0:19:26 | 0:19:30 | |
-You made your reserve. -£140. 150? | 0:19:30 | 0:19:34 | |
£140. Are we done? All out? I'm selling for 140, then. | 0:19:34 | 0:19:39 | |
-Brilliant! -On the nose. -You're so lucky! If it stuck at 130, you would have been taking it home. | 0:19:41 | 0:19:47 | |
'I think Paul is pleased with that sale, too, | 0:19:47 | 0:19:51 | |
'even though it was way above his estimate. | 0:19:51 | 0:19:54 | |
'The Royal Albert tea set is next. Louisa spent a lot on this collection from a catalogue. | 0:19:54 | 0:20:00 | |
'For the auction, it's at £50-£80.' | 0:20:00 | 0:20:04 | |
-You were quite attached to this. -Yes, yes, it's a beautiful set. -12 cups and saucers. | 0:20:04 | 0:20:09 | |
-Very attractive looking. Have you not missed this, Carlo? -No, Paul. | 0:20:09 | 0:20:14 | |
-You're just glad it's going out of the auction room. -Well, I've never had a cup of tea out of it! | 0:20:14 | 0:20:21 | |
At £42, are we done? £42, all out and going. | 0:20:21 | 0:20:25 | |
42. Not quite the 50 at the lowest end, but someone's going to have a cup of tea out of them, Carlo. | 0:20:25 | 0:20:32 | |
-Yes. -Not you. -I wasn't allowed to use them. | 0:20:32 | 0:20:36 | |
'Poor Carlo. But it seems he and Louisa are enjoying this auction. | 0:20:36 | 0:20:42 | |
'What will the bidders will make of their carved Indian hardwood table?' | 0:20:43 | 0:20:47 | |
£85. £85 and going. At £85, all out and gone. | 0:20:47 | 0:20:51 | |
'It's so satisfying to see something like that sell well. | 0:20:51 | 0:20:55 | |
'It exceeded the upper estimate by £5.' | 0:20:55 | 0:20:59 | |
We've been doing quite well in the first half. You wanted to raise £500. | 0:20:59 | 0:21:05 | |
We are at the halfway stage, so we should have £250 by now. | 0:21:05 | 0:21:09 | |
-We're not there. -No. -We're at 307. | 0:21:09 | 0:21:13 | |
-Ooh! That's fantastic. -And you didn't sell the cash register. | 0:21:13 | 0:21:18 | |
-That's right. -At this rate, it's a good job you didn't. | 0:21:18 | 0:21:22 | |
-You'll need the cash register to tot everything up. -And put our money in. | 0:21:22 | 0:21:27 | |
'If Louisa and Carlo's success so far has inspired you to try your hand at selling at auction, | 0:21:27 | 0:21:34 | |
'do remember that charges such as commission apply and they do vary, so check in advance. | 0:21:34 | 0:21:41 | |
'We have just four more items to sell, including that large Majolica vase | 0:21:41 | 0:21:48 | |
'and the impressive stone globe. | 0:21:48 | 0:21:50 | |
'As we take our places again, | 0:21:50 | 0:21:53 | |
'the bronze lamp comes up next.' | 0:21:53 | 0:21:56 | |
£100 for it? £50 for it? | 0:21:56 | 0:21:58 | |
Thank you. £50 I'm bid. I'll take 55. 55. 60? | 0:21:58 | 0:22:02 | |
60? 5. 70? | 0:22:03 | 0:22:06 | |
-Oh, good. It's going up. -5. 80? | 0:22:06 | 0:22:09 | |
5? At £80. At £80, all out? | 0:22:11 | 0:22:15 | |
At £80 and gone, then. | 0:22:15 | 0:22:18 | |
-There we go, dead on. -£80. Absolutely right. | 0:22:18 | 0:22:22 | |
Very good. | 0:22:22 | 0:22:24 | |
'Right on Paul's lower estimate and Carlo and Louisa are delighted. | 0:22:24 | 0:22:29 | |
'The next lot is a reminder of the age of elegance. | 0:22:29 | 0:22:33 | |
'It's the three Coalport figurines which Louisa bought over the years.' | 0:22:33 | 0:22:38 | |
32. 35? Come on. | 0:22:38 | 0:22:41 | |
35? A £32 bid. At 32. Take 35. | 0:22:41 | 0:22:45 | |
At £32. 35 - he's back in. Getting excited. 38? | 0:22:45 | 0:22:49 | |
-Wear him out. 38. -We're at 40. -40. | 0:22:49 | 0:22:52 | |
At £40. Take 42. At 40. | 0:22:52 | 0:22:55 | |
-There you go. -£40. | 0:22:55 | 0:22:57 | |
£40. | 0:22:57 | 0:22:58 | |
'Unfortunately, those figurines weren't so popular with bidders, failing to reach the estimate. | 0:22:58 | 0:23:06 | |
'Next, that inlaid hard-stone globe, | 0:23:06 | 0:23:09 | |
'a recent Christmas present from Carlo and Louisa's son. | 0:23:09 | 0:23:13 | |
'It's an attractive item and almost new. | 0:23:13 | 0:23:17 | |
'With a £120 reserve on it, I wonder how it will go down.' | 0:23:17 | 0:23:22 | |
£100 for it? Thank you. £100. I'll take 110. | 0:23:22 | 0:23:26 | |
Came in straight away at £100. I'll take 110. 110. 120? | 0:23:26 | 0:23:31 | |
130. 140. 150? | 0:23:31 | 0:23:34 | |
He's looking down already. The bid's here at 140. | 0:23:34 | 0:23:38 | |
-140 and going. -There you go. That was all right. | 0:23:38 | 0:23:42 | |
-£140. -Excellent, well done. A little more than expected. -Yes. | 0:23:42 | 0:23:46 | |
'It just goes to show that contemporary items can sell well at a general sale. | 0:23:46 | 0:23:52 | |
'We've arrived | 0:23:52 | 0:23:54 | |
'at the Ieracis' final item of the day - the large Majolica vase. | 0:23:54 | 0:23:59 | |
'It was a gift from their daughter 30 years ago.' | 0:23:59 | 0:24:02 | |
£100 for it? | 0:24:02 | 0:24:04 | |
110. Thank you. 120. | 0:24:04 | 0:24:07 | |
130. 140. | 0:24:07 | 0:24:09 | |
I do see you bidding. 140. 150? 150 would you like? | 0:24:09 | 0:24:14 | |
150. 160? 170. | 0:24:14 | 0:24:16 | |
-170! -180? -Yes! | 0:24:16 | 0:24:18 | |
170 bid. Take 180 for it. | 0:24:18 | 0:24:21 | |
180 there. 190. 200? | 0:24:21 | 0:24:24 | |
190. A bid of 190. Take 2 now. | 0:24:24 | 0:24:27 | |
Thank you, 200 there. 210? | 0:24:27 | 0:24:29 | |
Come on. 210. 220. 230? | 0:24:29 | 0:24:33 | |
Thank you. 240? One more. 240. 250? | 0:24:33 | 0:24:37 | |
260? He's looking down. The bid's there at £250. | 0:24:37 | 0:24:41 | |
250. Are we done? All out at 250? | 0:24:41 | 0:24:44 | |
Are we done? Thank you for the bid. | 0:24:44 | 0:24:46 | |
-There you go! -Terrific! -Fantastic! | 0:24:46 | 0:24:49 | |
Just think of it - a cheque for £250 doesn't take up anything like as much room | 0:24:49 | 0:24:56 | |
-as the original bowl did! -Exactly. | 0:24:56 | 0:25:00 | |
'Well, it took a whole to build, but a great result. | 0:25:00 | 0:25:04 | |
'I think that final sale even got a smile out of Carlo.' | 0:25:04 | 0:25:08 | |
You know we were already over the halfway point at the halfway point. | 0:25:08 | 0:25:12 | |
Since then, we've had a couple of really, really good sales. | 0:25:12 | 0:25:17 | |
-£500 was your target. -Yes. | 0:25:17 | 0:25:19 | |
-Only one thing you haven't sold. That was that cash register. -We're going to need that. -Yes. | 0:25:19 | 0:25:25 | |
-There's a ring of confidence in your voice, Carlo. -Certainly is. | 0:25:25 | 0:25:30 | |
That's OK. I'm going to back up that confidence now | 0:25:35 | 0:25:39 | |
and tell you that you have made £817. | 0:25:39 | 0:25:42 | |
-Wow! -Fantastic. -That is brilliant. Absolutely brilliant. | 0:25:42 | 0:25:47 | |
-Are you putting this towards a family holiday? -Yes, definitely. -Ice cream cones for everyone. | 0:25:47 | 0:25:53 | |
-£800-worth of them! -Yes. -Congratulations. -Thank you. -Thank you very much. | 0:25:53 | 0:25:59 | |
'Although they've lived in London for most of their life, Carla and Louisa love the taste of home - | 0:26:03 | 0:26:10 | |
'Italy. Soon it will be time for them to set off with their children and grandchildren | 0:26:10 | 0:26:16 | |
'to taste the real thing.' | 0:26:16 | 0:26:18 | |
-Arrivederci! -Arrivederci! | 0:26:18 | 0:26:21 | |
'The kids are very excited about the holiday.' | 0:26:21 | 0:26:25 | |
Two daughters, a son, grandchildren and their partners. | 0:26:25 | 0:26:30 | |
There's 10 of us altogether who are going, yes. It should be a great holiday. | 0:26:30 | 0:26:36 | |
Subtitles by Red Bee Media Ltd | 0:27:01 | 0:27:04 |