Browse content similar to Mead. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Welcome to the programme that hunts for hidden treasures in your home | 0:00:02 | 0:00:05 | |
then sells them with you at auction. | 0:00:05 | 0:00:07 | |
Very often when you move house, you find that all those things | 0:00:07 | 0:00:11 | |
that fitted comfortably into the old property just don't quite fit into the new house, | 0:00:11 | 0:00:15 | |
especially if that home is a lot smaller. | 0:00:15 | 0:00:19 | |
That's exactly the problem that's facing our family today, | 0:00:19 | 0:00:22 | |
who are rather hoping that, having called us in, | 0:00:22 | 0:00:25 | |
once they've had a clear-out, they'll be able to earn some much-needed cash in the attic. | 0:00:25 | 0:00:29 | |
Coming up on Cash In The Attic, a Hollywood heartthrob | 0:00:50 | 0:00:54 | |
brings a touch of romance to our rummage. | 0:00:54 | 0:00:56 | |
He came up and spent time with me, because, as he put in there, he loves me. | 0:00:56 | 0:01:01 | |
THEY LAUGH | 0:01:01 | 0:01:03 | |
And is Jonty shaken, not stirred, by this Art Deco drinks cabinet? | 0:01:03 | 0:01:08 | |
-This was my mother and father's. -Wow, look at that! | 0:01:08 | 0:01:12 | |
And, come auction day, Alison is still on the fence | 0:01:12 | 0:01:15 | |
about a few items. | 0:01:15 | 0:01:16 | |
-Any second thoughts about it? -Yes. | 0:01:16 | 0:01:19 | |
-ANGELA LAUGHS -That was very unqualified! | 0:01:19 | 0:01:22 | |
Find out what happens when the hammer falls. | 0:01:23 | 0:01:26 | |
You join me at Kings Hill near West Malling in Kent, | 0:01:28 | 0:01:32 | |
and I'm on my way to meet a mother and daughter | 0:01:32 | 0:01:35 | |
who've recently moved into this brand new estate | 0:01:35 | 0:01:38 | |
into a new but small house. | 0:01:38 | 0:01:41 | |
Mum is hoping that, by having a clear-out, | 0:01:41 | 0:01:44 | |
she'll be able to raise enough money to take her girls on a surprise trip. | 0:01:44 | 0:01:50 | |
Alison Mead is a busy working mum | 0:01:50 | 0:01:53 | |
who manages her own successful advertising agency. | 0:01:53 | 0:01:56 | |
Before having her daughters Emma and Louisa, | 0:01:56 | 0:01:59 | |
Alison started out in publishing. | 0:01:59 | 0:02:02 | |
Over the years, Alison made it her mission | 0:02:02 | 0:02:05 | |
to balance work with family, and through it all, | 0:02:05 | 0:02:08 | |
the Meads have survived a fair share of family upsets. | 0:02:08 | 0:02:11 | |
Recently separated from her husband, | 0:02:11 | 0:02:14 | |
Alison decided to move into a new, smaller home, | 0:02:14 | 0:02:17 | |
and today it's time to de-clutter and put the money we raise | 0:02:17 | 0:02:21 | |
with the help of expert Jonty Hearnden to better use. | 0:02:21 | 0:02:25 | |
Hi, Alison. And Emma, giving Mum a hand with the flowers! | 0:02:25 | 0:02:28 | |
It's nice to have you in the house today. | 0:02:28 | 0:02:31 | |
-You're not here normally during the day, are you? -No, I'm at university. | 0:02:31 | 0:02:35 | |
-I think you're studying what? -Psychology. | 0:02:35 | 0:02:38 | |
-Has she psychoanalysed you, then? -Oh, yes. | 0:02:38 | 0:02:40 | |
I won't do that. I'm just going to ask you a simple question. | 0:02:40 | 0:02:44 | |
Why have you called in Cash In The Attic? | 0:02:44 | 0:02:46 | |
I've had a problem for about 20 years of not being able to fly. | 0:02:46 | 0:02:50 | |
Really terrified. So both my daughters have suffered from that, | 0:02:50 | 0:02:54 | |
cos they've not travelled. So I'd like to be able to go | 0:02:54 | 0:02:57 | |
and get some help, and they do courses | 0:02:57 | 0:03:01 | |
that are day courses, and then I'd like to maybe treat my girls | 0:03:01 | 0:03:05 | |
to a surprise. | 0:03:05 | 0:03:07 | |
What sort of things are we taking to auction to help pay for all this? | 0:03:07 | 0:03:11 | |
Some are from the family, and others are from various auctions | 0:03:11 | 0:03:16 | |
I've been to, any jumble sales... | 0:03:16 | 0:03:19 | |
-And there's just not room for them in the new house. -No. | 0:03:19 | 0:03:22 | |
We've come from a bigger house to a smaller house, | 0:03:22 | 0:03:25 | |
and you can't have some of the things I've got | 0:03:25 | 0:03:27 | |
-in a more modern house. -So we're doing a great thing, | 0:03:27 | 0:03:30 | |
clearing out the house for you, getting you on one of these courses. | 0:03:30 | 0:03:34 | |
-How much is this likely to cost? -I hope to raise about £1,000. | 0:03:34 | 0:03:38 | |
Obviously if we get more, then, great, | 0:03:38 | 0:03:41 | |
but about 1,000 would be lovely. | 0:03:41 | 0:03:43 | |
Well, I brought Jonty Hearnden with me, | 0:03:43 | 0:03:45 | |
and he's going to take a look at everything you've got | 0:03:45 | 0:03:48 | |
to see whether or not we can raise that £1,000. | 0:03:48 | 0:03:51 | |
Shall we go and find him and see what he's managed to root out? | 0:03:51 | 0:03:54 | |
Come on, then. | 0:03:54 | 0:03:56 | |
This three-bedroom house may be smaller | 0:03:57 | 0:04:00 | |
than the last home that Alison lived in, | 0:04:00 | 0:04:02 | |
but Jonty still has his work cut out. | 0:04:02 | 0:04:05 | |
Among the collection of books lining the shelves, | 0:04:05 | 0:04:08 | |
it looks like he's found something particularly noteworthy. | 0:04:08 | 0:04:12 | |
Jonty, taking time out for a quick read? | 0:04:12 | 0:04:15 | |
Actually, I was looking for your picture in this book. | 0:04:15 | 0:04:18 | |
-Why? -I wondered if you'd be in this David Niven signed book. | 0:04:18 | 0:04:21 | |
-Ah! -But you're not. -Signed to you? | 0:04:21 | 0:04:24 | |
-Signed to me. -How did you come by that? | 0:04:24 | 0:04:26 | |
Well, he came to the publisher's that I worked for, | 0:04:26 | 0:04:30 | |
Hodder and Stoughton, and I was with him while he did his signing. | 0:04:30 | 0:04:34 | |
That was one of my jobs to do, | 0:04:34 | 0:04:37 | |
so he came up and spent time with me, | 0:04:37 | 0:04:40 | |
cos, as he put in there, he loves me. THEY LAUGH | 0:04:40 | 0:04:44 | |
-And clearly you were smitten. -I was, very much so. | 0:04:44 | 0:04:47 | |
He's a lovely man. Very, very lovely. | 0:04:47 | 0:04:50 | |
Here we go. We've got the signature just here on the inside. | 0:04:50 | 0:04:53 | |
So, this was his second book, because the most popular book, | 0:04:53 | 0:04:56 | |
or the most successful, was this one here, | 0:04:56 | 0:04:59 | |
The Moon's A Balloon. Bring On The Empty Horses was a sequel to that. | 0:04:59 | 0:05:03 | |
So we've got these two books, | 0:05:03 | 0:05:05 | |
but there's also another little special book here. | 0:05:05 | 0:05:08 | |
-Tell me about this. -Oh, no. Ronnie Barker - | 0:05:08 | 0:05:10 | |
another lovely man, very nice, very pleasant man. | 0:05:10 | 0:05:14 | |
-Now, is this signed? -Yes. -Oh, there we go again. | 0:05:14 | 0:05:17 | |
-And again to me. -So we've got three books. -Yes. | 0:05:17 | 0:05:19 | |
-Are you happy to sell all three? -Yes. | 0:05:19 | 0:05:22 | |
I've had them an awful long time, and they just sit in a cupboard. | 0:05:22 | 0:05:25 | |
-It's time for them to go. -Jonty, will those famous signatures | 0:05:25 | 0:05:29 | |
have an effect on the price we might get at auction? | 0:05:29 | 0:05:32 | |
Well, we have ordinary paperbacks here, | 0:05:32 | 0:05:34 | |
so ordinarily these books have no value at all. | 0:05:34 | 0:05:37 | |
But because of the signature, yes. | 0:05:37 | 0:05:40 | |
We're looking at instantly £50 to £80. | 0:05:40 | 0:05:42 | |
-Oh, wow! Excellent. -£50 to £80? | 0:05:42 | 0:05:45 | |
-Good for a start today. -Definitely. | 0:05:45 | 0:05:48 | |
But we've got a fair way to go to raise the money you want to raise. | 0:05:48 | 0:05:52 | |
So, sleeves rolled up! To work, girls! | 0:05:52 | 0:05:55 | |
We're certainly going to need all hands on deck today | 0:05:58 | 0:06:01 | |
to achieve our £1,000 target. | 0:06:01 | 0:06:03 | |
'So, while Emma and I make a start on the house, | 0:06:03 | 0:06:06 | |
'Jonty comes across something in one of the upstairs bedrooms.' | 0:06:06 | 0:06:10 | |
Not only was I looking at this lovely picture, | 0:06:10 | 0:06:13 | |
but I've kind of been admiring this dressing-table set here, | 0:06:13 | 0:06:17 | |
because I notice that we actually have a hallmark on the side. | 0:06:17 | 0:06:21 | |
We've got the little anchor, which means this set was made in Birmingham. | 0:06:21 | 0:06:25 | |
At first glance this set looks like it's pewter, | 0:06:25 | 0:06:29 | |
but it's not. It's solid silver. | 0:06:29 | 0:06:32 | |
-So whose is it? -It's just my bad cleaning. | 0:06:32 | 0:06:35 | |
I don't think it's ever been cleaned. Am I right? | 0:06:35 | 0:06:38 | |
Oh, Jonty, that's so unfair! | 0:06:38 | 0:06:41 | |
Well, it might have been once. OK. THEY LAUGH | 0:06:41 | 0:06:44 | |
So, tell me the story behind this dressing-table set. | 0:06:44 | 0:06:47 | |
This set, I'm not sure where it originated from, | 0:06:47 | 0:06:50 | |
but it does come from my father's side of the family. | 0:06:50 | 0:06:54 | |
-It's been handed down. -It's quite staggering, | 0:06:54 | 0:06:57 | |
the detail. If you look at these brushes, they're very similar | 0:06:57 | 0:07:00 | |
if not identical. All of this embossed decoration | 0:07:00 | 0:07:03 | |
would have been made by machine at this time, | 0:07:03 | 0:07:06 | |
so this is not hand-done, but the detail here is lovely. | 0:07:06 | 0:07:09 | |
Yes, these brushes are identical, and look at those flower heads. | 0:07:09 | 0:07:12 | |
Very nice indeed. Value-wise, we're looking at £40 to £60. | 0:07:12 | 0:07:15 | |
-OK. -It's absolutely fine. People will buy these. | 0:07:15 | 0:07:19 | |
They're very decorative, and once it is cleaned, they'll look lovely. | 0:07:19 | 0:07:24 | |
An estimate of £40 to £60 is a good start for our target, | 0:07:24 | 0:07:28 | |
but just what will the bidders make of it come auction day? | 0:07:28 | 0:07:32 | |
£30. 35. | 0:07:32 | 0:07:35 | |
Which way will the bidding go - up or down? Find out later. | 0:07:35 | 0:07:39 | |
We're slowly making inroads into our £1,000 target, | 0:07:40 | 0:07:44 | |
and Emma finds an interesting piece tucked away in a cupboard. | 0:07:44 | 0:07:47 | |
This modern-style teacup is part of a four-piece set | 0:07:47 | 0:07:50 | |
made by Crown Ducal. Jonty hopes it will raise £20 to £30. | 0:07:50 | 0:07:54 | |
There are still plenty of nooks and crannies to be searched, | 0:07:56 | 0:08:00 | |
but for now, I'm curious to know how Alison developed | 0:08:00 | 0:08:03 | |
such an unnerving phobia of flying. | 0:08:03 | 0:08:05 | |
Alison, raising money to send you off on a course | 0:08:05 | 0:08:09 | |
so you can get over your fear of flying. | 0:08:09 | 0:08:11 | |
Now, where does that come from? | 0:08:11 | 0:08:13 | |
Well, um, 20 years ago - probably a bit longer than that now - | 0:08:13 | 0:08:18 | |
I flew out to see my friend who lives in Washington DC, | 0:08:18 | 0:08:22 | |
and, as I'm flying from Kennedy Airport down, | 0:08:22 | 0:08:26 | |
the plane got hit by lightning. | 0:08:26 | 0:08:31 | |
-Everybody in the plane was praying. -You thought you were going to die. | 0:08:31 | 0:08:35 | |
Yeah. Something very dramatic was happening. | 0:08:35 | 0:08:38 | |
But we did finally land, cos I'm still here, | 0:08:38 | 0:08:41 | |
and I did have to come back from there to get home, | 0:08:41 | 0:08:44 | |
but it has put a fear, and it was stronger when the children were born. | 0:08:44 | 0:08:49 | |
Um, but fear is irrational, isn't it, | 0:08:49 | 0:08:52 | |
and you never understand why you're frightened. | 0:08:52 | 0:08:54 | |
Whether it was because I was scared that I wouldn't be around | 0:08:54 | 0:08:58 | |
for the children, I don't know, but... No. | 0:08:58 | 0:09:01 | |
Just talking about it's making me... Oh, it's horrible. | 0:09:01 | 0:09:06 | |
-Oh, really? -Yes. It's a real... It's just a horrible feeling. | 0:09:06 | 0:09:10 | |
But now, as well as getting over the fear, of course, | 0:09:10 | 0:09:13 | |
what you want to do with the money we raise, | 0:09:13 | 0:09:15 | |
and we couldn't discuss this when Emma was around, | 0:09:15 | 0:09:18 | |
because you want to take the girls on a special trip. | 0:09:18 | 0:09:21 | |
I want to take them to New York. It's something they've always wanted to do, | 0:09:21 | 0:09:25 | |
and, um, I'd really like to get over the fear so I can. | 0:09:25 | 0:09:29 | |
We've obviously got a fair amount of money to raise | 0:09:29 | 0:09:32 | |
so that you can get over your fear of flying | 0:09:32 | 0:09:35 | |
and take your girls on that special trip to New York. | 0:09:35 | 0:09:38 | |
-Fantastic. -Shall we see what else Jonty's found to take to auction? | 0:09:38 | 0:09:42 | |
'We've only made 110 of our £1,000 target so far, | 0:09:42 | 0:09:47 | |
'so we'd better get moving if we want to close that gap.' | 0:09:47 | 0:09:51 | |
'In the dining room, a bit of retro glassware catches Jonty's eye. | 0:09:51 | 0:09:55 | |
'These two pieces are Babycham glasses, | 0:09:55 | 0:09:58 | |
'named after the brand of sparkling perry | 0:09:58 | 0:10:00 | |
'that was so popular during the swinging '60s.' | 0:10:00 | 0:10:03 | |
This set of eight, plus three perfume bottles, | 0:10:06 | 0:10:09 | |
will make up a lot that's valued at £30 to £50. | 0:10:09 | 0:10:13 | |
Not bad! But we still need to find quite a lot more | 0:10:13 | 0:10:16 | |
to make that £1,000. | 0:10:16 | 0:10:18 | |
Upstairs, Alison has found an unusual family heirloom | 0:10:18 | 0:10:22 | |
that will hopefully get us on track. | 0:10:22 | 0:10:25 | |
Angela, I wondered if you'd had a look at these pictures. | 0:10:25 | 0:10:28 | |
-Aren't they lovely? Pencil sketches? -Yes, done by relations of mine | 0:10:28 | 0:10:32 | |
many years ago. I never actually met them. | 0:10:32 | 0:10:34 | |
John Lamb was a photographer in Edinburgh, | 0:10:34 | 0:10:39 | |
and these are done by his daughters, | 0:10:39 | 0:10:42 | |
and John Lamb's related to me on my father's side of the family. | 0:10:42 | 0:10:46 | |
So, how did you come by them? | 0:10:46 | 0:10:48 | |
My uncle has a gallery, or did have a gallery. | 0:10:48 | 0:10:51 | |
He hasn't any more. And he gave them to me | 0:10:51 | 0:10:53 | |
because we used to get on very well together, | 0:10:53 | 0:10:55 | |
and we were related, so he felt it was important | 0:10:55 | 0:10:57 | |
that they were passed down in the family. | 0:10:57 | 0:11:00 | |
Well, I think someone who should come in and look at them is Jonty, | 0:11:00 | 0:11:04 | |
-because he might be able to tell us more about them... -Yes, please. | 0:11:04 | 0:11:08 | |
..than even you know. Jonty, can you just stop what you're doing | 0:11:08 | 0:11:11 | |
and come and take a look at these rather lovely pictures? | 0:11:11 | 0:11:14 | |
Aren't they grand? They're really superb. | 0:11:14 | 0:11:17 | |
-They're set in time, aren't they? -Yes. | 0:11:17 | 0:11:19 | |
Pictures like that are set in aspic. | 0:11:19 | 0:11:22 | |
-You know they're going to come from the mid-1800s. -You have that sense | 0:11:22 | 0:11:26 | |
that they are 19th century, and look, we have a date here - 1876. | 0:11:26 | 0:11:31 | |
There's a serenity to these pictures. | 0:11:31 | 0:11:33 | |
There's a beauty. There's a sentimentality to them, as well. | 0:11:33 | 0:11:37 | |
Now, for me, what lets this picture down, | 0:11:37 | 0:11:40 | |
and I don't want to be too picky here, | 0:11:40 | 0:11:42 | |
but really look at the quality of her face. | 0:11:42 | 0:11:44 | |
One thing that I have noticed is, if you look at the face | 0:11:44 | 0:11:49 | |
in relation to the hand, it's all out of proportion. | 0:11:49 | 0:11:53 | |
The hand is a lot smaller than the face. | 0:11:53 | 0:11:56 | |
And that's simply because the artist wanted to concentrate | 0:11:56 | 0:11:59 | |
on the beauty of the face, and not the hands. | 0:11:59 | 0:12:02 | |
And that is the difference between very good portraiture | 0:12:02 | 0:12:05 | |
and not so good. But I don't want to condemn them, | 0:12:05 | 0:12:08 | |
because I think they have a beauty to them. | 0:12:08 | 0:12:11 | |
-Are you thinking of selling them? -I don't know, | 0:12:11 | 0:12:13 | |
cos they really are quite sentimental value. | 0:12:13 | 0:12:16 | |
But if we did take them to auction, what might we get for them? | 0:12:16 | 0:12:20 | |
We're looking at, for the pair, | 0:12:20 | 0:12:21 | |
between - and you're not going to like me for this - | 0:12:21 | 0:12:24 | |
-between £80 and £120 at auction. -So you're going to think about that? | 0:12:24 | 0:12:28 | |
I think so, yeah. | 0:12:28 | 0:12:29 | |
I think Alison was hoping for more for the two Victorian drawings, | 0:12:29 | 0:12:34 | |
so we'll have to wait and see if she does decide to take them to auction. | 0:12:34 | 0:12:37 | |
'I've found a selection of late 19th-century prints | 0:12:38 | 0:12:42 | |
'painted by the London artist TM Baynes. | 0:12:42 | 0:12:45 | |
'These depict the great castles and architecture of England. | 0:12:45 | 0:12:48 | |
'Jonty values them at £40 to £60. | 0:12:48 | 0:12:51 | |
'We are still nowhere near the target, and time is running out. | 0:12:51 | 0:12:55 | |
'Are we going to find enough to reach that magic figure of £1,000? | 0:12:55 | 0:12:58 | |
'I do hope so.' | 0:12:58 | 0:13:01 | |
Jonty, I would like to show you this. | 0:13:01 | 0:13:03 | |
Angela told me you were a little bit of a drinker, | 0:13:03 | 0:13:06 | |
so I thought I might be able to give you a quick, er... | 0:13:06 | 0:13:09 | |
-This was my mother and father's. -Wow, look at that! | 0:13:09 | 0:13:12 | |
They bought it when they got married. | 0:13:12 | 0:13:14 | |
OK. Well, cocktail cabinets like this... | 0:13:14 | 0:13:17 | |
Let me close it up. Let's have a look at the outside. | 0:13:17 | 0:13:20 | |
These are classic cocktail-cabinet proportions. | 0:13:20 | 0:13:23 | |
We've got the two cupboards below, probably storing bottles, | 0:13:23 | 0:13:26 | |
and then we have the opening mechanism for the glasses. | 0:13:26 | 0:13:30 | |
Now, cocktail cabinets like this were made in the 1930s and 1920s. | 0:13:30 | 0:13:35 | |
They were very popular items to have. | 0:13:35 | 0:13:37 | |
They were what I would call essential nonessentials. | 0:13:37 | 0:13:41 | |
It was very fashionable to serve cocktails before your evening meal, | 0:13:41 | 0:13:45 | |
and a lot of people could afford, for the first time, | 0:13:45 | 0:13:48 | |
items of furniture like this. The timber that's used is walnut. | 0:13:48 | 0:13:52 | |
Are they fairly rare, or quite common? | 0:13:52 | 0:13:55 | |
They're really quite common. A lot of them will be in auction rooms | 0:13:55 | 0:13:58 | |
up and down the country. Let's open it and have a look at the inside. | 0:13:58 | 0:14:02 | |
I notice that we've got some cracks in the glass here. Is that right? | 0:14:02 | 0:14:07 | |
-Yes. -And this mirror plate here, that's damaged as well. | 0:14:07 | 0:14:11 | |
That, as far as value is concerned, makes all the difference | 0:14:11 | 0:14:15 | |
between a dealer buying it straight off or having to think about restoration. | 0:14:15 | 0:14:19 | |
As far as value is concerned, it has to be a keen enough price at auction | 0:14:19 | 0:14:23 | |
for somebody to buy it. | 0:14:23 | 0:14:25 | |
So we're looking at, really, below the £100 mark, | 0:14:25 | 0:14:29 | |
so at auction, you're looking between £40 and £60, | 0:14:29 | 0:14:31 | |
-which is not very much money at all. -It's less than I was hoping for, | 0:14:31 | 0:14:35 | |
but you're the expert when it comes to things like this. | 0:14:35 | 0:14:38 | |
I'm not. It's just a shame, when it's connected to your family | 0:14:38 | 0:14:43 | |
like it is, for it to be so low, but I can't use it. | 0:14:43 | 0:14:47 | |
'Sadly not a great price for that lovely cabinet, | 0:14:48 | 0:14:51 | |
'but hopefully Jonty and Alison won't have to drown their sorrows with a few cocktails. | 0:14:51 | 0:14:56 | |
'But hold on, guys. There's some good news afoot. | 0:14:56 | 0:14:59 | |
'I've struck gold with a box of seven rings. | 0:14:59 | 0:15:02 | |
'They look like they're just collecting dust in the cupboard, | 0:15:02 | 0:15:05 | |
'so far better to go to auction, | 0:15:05 | 0:15:07 | |
'especially as Jonty values them at £100 to £150. | 0:15:07 | 0:15:10 | |
'Alison has pulled out a travel gramophone. | 0:15:10 | 0:15:13 | |
'It may not be as portable as today's iPod, | 0:15:13 | 0:15:15 | |
'but it's certainly enjoyed a much longer history. | 0:15:15 | 0:15:18 | |
'From the 1870s till the 1980s, | 0:15:18 | 0:15:20 | |
'records were the most common way of listening to music. | 0:15:20 | 0:15:23 | |
'Jonty values it at £20 to £30, | 0:15:23 | 0:15:26 | |
'and goes in search of more auction items, | 0:15:26 | 0:15:29 | |
'whilst I find out from Emma why her studies are so important to her.' | 0:15:29 | 0:15:33 | |
Emma, you're at university, and you're studying psychology. | 0:15:35 | 0:15:39 | |
-That's right. -What made you choose that? | 0:15:39 | 0:15:41 | |
I've always been interested in it, ever since I was young. | 0:15:41 | 0:15:45 | |
I've always wanted to study it, and there's a history of mental illness | 0:15:45 | 0:15:49 | |
in my family, so that's made me want to study it, as well. | 0:15:49 | 0:15:53 | |
You were diagnosed with bipolar, weren't you? | 0:15:53 | 0:15:56 | |
-When were you diagnosed with that? -Three years ago. | 0:15:56 | 0:15:59 | |
For those who don't know, just explain what bipolar is. | 0:15:59 | 0:16:02 | |
It's what people used to call manic depression. | 0:16:02 | 0:16:06 | |
Basically you have your manic moods, | 0:16:06 | 0:16:09 | |
which is really elated moods, | 0:16:09 | 0:16:12 | |
and then there's the really low dip in the cycle. | 0:16:12 | 0:16:17 | |
That must have been pretty dreadful for you as a teenager, | 0:16:17 | 0:16:21 | |
all those highs and lows. It must have made life really difficult. | 0:16:21 | 0:16:25 | |
Yeah. I've tried to be as open as I can about it, | 0:16:25 | 0:16:28 | |
and let people know that I've got what I've got, | 0:16:28 | 0:16:31 | |
and, um, people have been really helpful, | 0:16:31 | 0:16:35 | |
and, um, they've got me through, really. | 0:16:35 | 0:16:40 | |
You also had health problems with your other daughter, Louisa. | 0:16:40 | 0:16:44 | |
Yes. She was ill from when I was pregnant with her, | 0:16:44 | 0:16:48 | |
so, yeah. But we didn't know that. | 0:16:48 | 0:16:51 | |
It was quite by accident that they found it out, | 0:16:51 | 0:16:54 | |
when I went and had a scan at 36 weeks, | 0:16:54 | 0:16:56 | |
and they found that she'd got, um, a brain cyst | 0:16:56 | 0:17:00 | |
that was taking up half the size of her brain. | 0:17:00 | 0:17:04 | |
-So, um... -She's come through that? -Oh, gosh, definitely. | 0:17:04 | 0:17:08 | |
-She's had two brain operations now. -Must be really tough, then, | 0:17:08 | 0:17:11 | |
-with your little sister being so ill. -It was really tough. | 0:17:11 | 0:17:15 | |
What do you and your sister think of your mum's phobia | 0:17:15 | 0:17:18 | |
-about not being able to fly? -I think it's ridiculous. | 0:17:18 | 0:17:21 | |
THEY LAUGH | 0:17:21 | 0:17:23 | |
Thank you. | 0:17:23 | 0:17:24 | |
THEY LAUGH | 0:17:24 | 0:17:25 | |
Yes, we'd all better get back to work, | 0:17:28 | 0:17:30 | |
or Alison won't have the chance to conquer her fear | 0:17:30 | 0:17:34 | |
and take the girls shopping in New York. | 0:17:34 | 0:17:36 | |
But luckily she decides to part with a modern necklace | 0:17:36 | 0:17:40 | |
with a gold cross and bracelet. She doesn't wear them any more, | 0:17:40 | 0:17:43 | |
and Jonty thinks they'll fetch between £150 to £200. | 0:17:43 | 0:17:46 | |
Now we're talking! We've nudged over the £500 mark. | 0:17:48 | 0:17:52 | |
But, if they want to have fun as well as a flight, | 0:17:52 | 0:17:54 | |
we need to make up the remaining £500. | 0:17:54 | 0:17:58 | |
Aha, cigarette cards! OK, so, we've got two framed here. | 0:18:00 | 0:18:04 | |
Look at those. Really very good quality. | 0:18:04 | 0:18:07 | |
-Where are these from? -They're from Rye. | 0:18:07 | 0:18:09 | |
My mum bought the cards and bought the frame separately, | 0:18:09 | 0:18:14 | |
and put all the cards in from Rye. | 0:18:14 | 0:18:16 | |
They've been very cleverly done, because you can see all the set | 0:18:16 | 0:18:21 | |
on the front. Do you know why cigarette cards like this were made? | 0:18:21 | 0:18:26 | |
-I'm not that clear, no. -The whole purpose of cigarette cards | 0:18:26 | 0:18:30 | |
is that they were used as a marketing tool, | 0:18:30 | 0:18:32 | |
so you would get one in each packet of cigarettes, | 0:18:32 | 0:18:36 | |
and it encouraged the smoker to not only buy the same brand | 0:18:36 | 0:18:40 | |
but to carry on collecting, | 0:18:40 | 0:18:41 | |
because they would get a different card in every pack. | 0:18:41 | 0:18:44 | |
They were very popular towards the end of the late 19th century | 0:18:44 | 0:18:48 | |
all the way through to the 20th century, | 0:18:48 | 0:18:51 | |
-and post the Second World War. -OK. | 0:18:51 | 0:18:53 | |
So, here we've got a set of plants, here, | 0:18:53 | 0:18:57 | |
and they often came in sets of 25 and 50s, | 0:18:57 | 0:19:00 | |
so this one is a set of 25, | 0:19:00 | 0:19:03 | |
and down below, this is a set of 50. | 0:19:03 | 0:19:05 | |
Can I give you that? I just want to have a look at this in more detail. | 0:19:05 | 0:19:09 | |
Now, here... | 0:19:09 | 0:19:11 | |
we have a set of 50 Alice In Wonderland cigarette cards. | 0:19:11 | 0:19:15 | |
This set would have been made around the 1930 period. | 0:19:15 | 0:19:19 | |
But I think they're wonderful. | 0:19:19 | 0:19:20 | |
They've been superbly framed, and there's still a market for them. | 0:19:20 | 0:19:24 | |
As far as our two sets here are concerned, | 0:19:24 | 0:19:27 | |
of course they have value, but not a great deal. | 0:19:27 | 0:19:29 | |
-We're looking at £20 to £30 for the pair. -OK. That's good. | 0:19:29 | 0:19:32 | |
-It all helps, doesn't it? -Yeah. It all helps. -Good. | 0:19:32 | 0:19:35 | |
You take that, and we'll find some more bits. I'll follow you. | 0:19:35 | 0:19:38 | |
'You're right, Jonty - that has helped. | 0:19:38 | 0:19:42 | |
'But only a little. Is there nothing else in the house | 0:19:42 | 0:19:45 | |
'that can be offered up? Alison is having one last push, | 0:19:45 | 0:19:49 | |
'and looks through her jewellery box. | 0:19:49 | 0:19:51 | |
'Could something in here do the trick?' | 0:19:51 | 0:19:54 | |
-Look what I've found. -Wow, Alison! | 0:19:54 | 0:19:56 | |
That is a serious bit of bling! Where did you get that? | 0:19:56 | 0:20:00 | |
From Covent Garden. It never gets worn. | 0:20:00 | 0:20:03 | |
I could count on one hand how many times I've worn it. | 0:20:03 | 0:20:06 | |
I think Jonty would like to have a look at these little sparklers | 0:20:06 | 0:20:10 | |
and give us an idea of what we might get for them at auction. | 0:20:10 | 0:20:13 | |
Jonty, come and take a look at this rather nice little brooch. | 0:20:13 | 0:20:18 | |
Oh, I say, look at that. Isn't that beautiful? | 0:20:18 | 0:20:20 | |
-All those diamonds! How many have we got? -11. | 0:20:20 | 0:20:23 | |
Let's take a look, because when you're valuing diamonds, | 0:20:23 | 0:20:27 | |
it's the size of them, which is really the carat we're looking at. | 0:20:27 | 0:20:31 | |
Look at that! That's a beautiful diamond in the middle there. | 0:20:31 | 0:20:36 | |
Now, that is, I would suggest, three quarters of a carat, | 0:20:36 | 0:20:40 | |
just that single one in the middle there. | 0:20:40 | 0:20:42 | |
They get slightly smaller round towards the edge, | 0:20:42 | 0:20:46 | |
but I would estimate we're looking just in excess of two carats. | 0:20:46 | 0:20:51 | |
And look at the simplicity. That is so beautiful. | 0:20:51 | 0:20:54 | |
Turning it upside down, having a look at the pin itself, | 0:20:54 | 0:20:58 | |
just by the colour, that is probably 18-carat gold, | 0:20:58 | 0:21:03 | |
and I love this little extra pin, just in case it falls off. | 0:21:03 | 0:21:07 | |
-The safety chain. -Yes. | 0:21:07 | 0:21:09 | |
I think that's really fantastic. You have saved the day, | 0:21:09 | 0:21:13 | |
because - wait for this... | 0:21:13 | 0:21:15 | |
this is worth between £700 to £900 at auction. | 0:21:15 | 0:21:19 | |
-Oh, wow! -Really? | 0:21:19 | 0:21:21 | |
Well, if we're looking to raise £1,000, | 0:21:21 | 0:21:25 | |
if you put even the lowest, £700, | 0:21:25 | 0:21:28 | |
on everything else we've looked at today, | 0:21:28 | 0:21:31 | |
-that means we should be able to make your target... -Oh, definitely! | 0:21:31 | 0:21:35 | |
..and some, | 0:21:35 | 0:21:37 | |
because even on his lowest estimate on everything he's looked at, | 0:21:37 | 0:21:40 | |
it comes to... | 0:21:40 | 0:21:42 | |
£1,290. | 0:21:42 | 0:21:47 | |
-How about that? -Excellent. Fantastic. | 0:21:47 | 0:21:49 | |
It's really good. | 0:21:49 | 0:21:52 | |
If that doesn't cure your phobia about flying, | 0:21:52 | 0:21:56 | |
nothing will, because if you can make that much at auction, | 0:21:56 | 0:22:01 | |
we should all be flying. | 0:22:01 | 0:22:03 | |
Excellent. Thank you very much. | 0:22:03 | 0:22:05 | |
I'm so glad we sailed past our target, | 0:22:05 | 0:22:08 | |
and hopefully we will raise even more on auction day. | 0:22:08 | 0:22:11 | |
So, what are the highlights of our auction list? | 0:22:11 | 0:22:14 | |
There are the two Eliza Lamb drawings. | 0:22:14 | 0:22:17 | |
They're a rare find, and at £80 to £120, | 0:22:17 | 0:22:20 | |
let's hope Alison does decide to take them to the auction room. | 0:22:20 | 0:22:23 | |
At £50 to £80, will there be an autograph hunter | 0:22:23 | 0:22:26 | |
bidding for our signed books from the famed Hollywood star David Niven | 0:22:26 | 0:22:30 | |
and the comedian Ronnie Barker? | 0:22:30 | 0:22:32 | |
But the big one to watch out for is the diamond brooch, | 0:22:32 | 0:22:35 | |
and with a value of £700 to £900, | 0:22:35 | 0:22:38 | |
its sale will make or break the holiday dream. | 0:22:38 | 0:22:40 | |
Find out how much money these and Alison's other items | 0:22:40 | 0:22:44 | |
will raise on auction day. | 0:22:44 | 0:22:45 | |
Still to come on Cash In The Attic, | 0:22:45 | 0:22:48 | |
will the power of celebrity be enough to attract a high sale price? | 0:22:48 | 0:22:52 | |
It's the signatures they're going for, isn't it? | 0:22:52 | 0:22:55 | |
And Jonty gets Alison in a lather! | 0:22:55 | 0:22:57 | |
I promise not to mention the cleanliness of your house again. | 0:22:57 | 0:23:02 | |
Find out how they all got on when the final hammer falls. | 0:23:02 | 0:23:05 | |
Several weeks have passed now | 0:23:11 | 0:23:14 | |
since we spent time with Alison and Emma | 0:23:14 | 0:23:16 | |
at their rather lovely modern new house, | 0:23:16 | 0:23:19 | |
sorting through their clutter so we could sell it today | 0:23:19 | 0:23:22 | |
here at the Tring Market auction just on the edge of the Chilterns. | 0:23:22 | 0:23:25 | |
Now, Alison's target is £1,000. | 0:23:25 | 0:23:28 | |
She wants to take her girls on a very special trip to New York, | 0:23:28 | 0:23:33 | |
but that's still a secret. But even before she gets there, | 0:23:33 | 0:23:36 | |
she'll have to go on a course to help her get over her fear of flying. | 0:23:36 | 0:23:40 | |
So let's hope everybody here today is really generous | 0:23:40 | 0:23:43 | |
when her things go under the hammer. | 0:23:43 | 0:23:46 | |
Tring Auctions in Hertfordshire is held on a Saturday, | 0:23:47 | 0:23:51 | |
and it looks as though there's a good turnout. | 0:23:51 | 0:23:53 | |
It's not even midday, but Jonty's found his way to the drinks cabinet. | 0:23:55 | 0:23:59 | |
Fancy a tipple before we start the auction? | 0:24:00 | 0:24:03 | |
What would you like? Shaken, not stirred? | 0:24:03 | 0:24:05 | |
Oh, absolutely. Every time! It's a very retro piece of furniture, this. | 0:24:05 | 0:24:09 | |
Very popular, these cocktail cabinets, in the 1930s, | 0:24:09 | 0:24:12 | |
so you do see a lot in the auction room. | 0:24:12 | 0:24:14 | |
The only problem with ours, we've got a bit of a crack | 0:24:14 | 0:24:17 | |
in the interior shelving there, which is a bit of a problem, | 0:24:17 | 0:24:20 | |
so I'm not too hopeful that we'll get a high price on this one, | 0:24:20 | 0:24:24 | |
but there is something that Alison has | 0:24:24 | 0:24:26 | |
-that is an absolute gem. -Ah! The brooch! | 0:24:26 | 0:24:30 | |
The sparklies, the bling, the girl's best friend, | 0:24:30 | 0:24:33 | |
the diamonds! | 0:24:33 | 0:24:35 | |
And I'm convinced that's going to do incredibly well today. | 0:24:35 | 0:24:39 | |
We've got to remember that the money we're raising is for what is still a very secret trip to New York, | 0:24:39 | 0:24:45 | |
so, um... They've both arrived, so we'd better watch our Ps and Qs when we're talking to them. | 0:24:45 | 0:24:50 | |
'Yep, that trip to New York is still a surprise, | 0:24:50 | 0:24:52 | |
'as neither of Alison's daughters know what she's planning. | 0:24:52 | 0:24:56 | |
'So we'll have to stay tight-lipped during the auction. | 0:24:56 | 0:24:59 | |
'But Alison and Emma have obviously been hard at work!' | 0:24:59 | 0:25:03 | |
-Well, my goodness, Jonty! -Look at this! -Someone's been busy. | 0:25:03 | 0:25:07 | |
This is outrageous. Is this the same silver, Alison? | 0:25:07 | 0:25:10 | |
Yes, it is. Hard elbow-grease, and I've brought it up shining. | 0:25:10 | 0:25:14 | |
Will that make any difference to its value? | 0:25:14 | 0:25:17 | |
I often say to people, "Don't bother cleaning your silver," | 0:25:17 | 0:25:20 | |
but this, I think it's going to make all the difference. | 0:25:20 | 0:25:24 | |
Jonty, you were rude the last time. I can't believe... | 0:25:24 | 0:25:27 | |
that you're mentioning how dirty my stuff was yet again. | 0:25:27 | 0:25:32 | |
-But it looks very impressive today, and that's what counts. -That's it. | 0:25:32 | 0:25:36 | |
You brought a lot of jewellery, but I've noticed in the catalogue | 0:25:36 | 0:25:39 | |
-there's a few bits missing. -Yes. | 0:25:39 | 0:25:41 | |
There were two rings that I decided I'd like to keep back. | 0:25:41 | 0:25:45 | |
But you also decided to leave behind the two paintings | 0:25:45 | 0:25:48 | |
-that were in your bedroom. -For the money they'd bring in, | 0:25:48 | 0:25:51 | |
and the fact that they were heirlooms - | 0:25:51 | 0:25:54 | |
my ancestors painted them - I wanted to keep them, really. | 0:25:54 | 0:25:57 | |
-And you'd like to have them, Emma? -Yeah. I'd like to inherit them | 0:25:57 | 0:26:01 | |
-one day. -Right. Let's go and see how much your hard work will pay off, | 0:26:01 | 0:26:06 | |
-because the auction's about to start. -Excellent. | 0:26:06 | 0:26:09 | |
'With almost 2,000 lots in the auction, | 0:26:10 | 0:26:13 | |
'today is going to be action-packed, | 0:26:13 | 0:26:15 | |
'but we're in position in plenty of time for our first lot. | 0:26:15 | 0:26:18 | |
'It's Alison's impressive collection of rings.' | 0:26:18 | 0:26:21 | |
-You've put an £80 reserve on them. You've put reserves on all your jewellery. -I have, yes. | 0:26:24 | 0:26:29 | |
I decided the jewellery was important. | 0:26:29 | 0:26:31 | |
I didn't want it to go for next to nothing. | 0:26:31 | 0:26:33 | |
I wanted to keep them in the family if they didn't go for that money. | 0:26:33 | 0:26:38 | |
I think that's a sensible reserve, | 0:26:38 | 0:26:40 | |
and I still would stick to my original estimate of 100 to 150. | 0:26:40 | 0:26:44 | |
OK. | 0:26:44 | 0:26:45 | |
Are we close to 50? We are 50. We are 60. 70. | 0:26:45 | 0:26:49 | |
80. £90 now. | 0:26:49 | 0:26:50 | |
80 I am bid. £80. £90, and 100 now. | 0:26:50 | 0:26:54 | |
-100. I am bid 100. -Over your reserve! -It's exciting! | 0:26:54 | 0:26:59 | |
120, sir? £120. | 0:26:59 | 0:27:01 | |
And 30 now? 120, then. You're out, back row. | 0:27:01 | 0:27:04 | |
-That's really good news. -And I sell at £120. Thank you. | 0:27:04 | 0:27:08 | |
-Happy with that? -Yes! -Well done. | 0:27:08 | 0:27:11 | |
-You're enjoying this! -I am. | 0:27:11 | 0:27:13 | |
-Have you been to an auction before, either of you? -Never. | 0:27:13 | 0:27:16 | |
A long, long time ago. | 0:27:16 | 0:27:17 | |
'So, £120 for those rings is a good way | 0:27:17 | 0:27:20 | |
'to get Alison back into the swing of things for today's sale, | 0:27:20 | 0:27:23 | |
'and give Emma an introduction. | 0:27:23 | 0:27:26 | |
'Memories and mementoes from two truly well known names are up next, | 0:27:27 | 0:27:31 | |
'debonair actor David Niven and comic genius Ronnie Barker, | 0:27:31 | 0:27:34 | |
'both of whom signed their books especially for Alison.' | 0:27:34 | 0:27:38 | |
£60 or £70 for them? Anybody got £30? Surely. | 0:27:40 | 0:27:44 | |
Ronnie Barker. £30. £20 bid. £20 I'm bid for those two, then. | 0:27:44 | 0:27:48 | |
At £20. And two for you, sir? And five. | 0:27:48 | 0:27:51 | |
And eight. And 30. And two. | 0:27:51 | 0:27:53 | |
And five. And then 40. | 0:27:53 | 0:27:56 | |
And two. And five. And eight. And 50. | 0:27:56 | 0:27:59 | |
Getting closer. It's the signatures they go for! | 0:27:59 | 0:28:02 | |
48. Going down at £48 if there's no further bid. | 0:28:02 | 0:28:05 | |
No, sir. Madam's at £48. | 0:28:07 | 0:28:09 | |
-£48! -We're just under, but that's fine. | 0:28:09 | 0:28:11 | |
I was hoping for £50, £60. £2 out, I'm not too disappointed. | 0:28:11 | 0:28:16 | |
-And nor are you? -No. -Good. | 0:28:16 | 0:28:18 | |
'So, the price of celebrity was £48. | 0:28:18 | 0:28:22 | |
'But what price now for four 19th-century English prints?' | 0:28:22 | 0:28:27 | |
40 has them. They're at £40. Thank you very much. | 0:28:28 | 0:28:31 | |
Yes, it is yours for £40. Thank you. | 0:28:31 | 0:28:35 | |
Wonderful. Sold for £40. How about that? | 0:28:35 | 0:28:37 | |
Excellent. I only paid 50p each for them, so... | 0:28:37 | 0:28:40 | |
That's a real return on your money, isn't it? | 0:28:40 | 0:28:44 | |
'And now there's potential for even more profit with the next lot. | 0:28:44 | 0:28:48 | |
'It's a necklace with a cross and a bracelet, | 0:28:48 | 0:28:51 | |
'and this is one precious metal that's currently doing very well.' | 0:28:51 | 0:28:55 | |
We're doing well on gold because gold is holding its value. | 0:28:56 | 0:28:59 | |
It's just a perfect time to sell. | 0:28:59 | 0:29:02 | |
That's why I've put £150 to £200 on this lot. | 0:29:02 | 0:29:04 | |
150. 60. 70. 80 I'm bid. | 0:29:04 | 0:29:07 | |
90 for you, sir. | 0:29:07 | 0:29:08 | |
190, two of you. | 0:29:08 | 0:29:10 | |
-200 I'm bid. -There you go! | 0:29:10 | 0:29:12 | |
Ten? Yes. 210. 220 I am bid, and 30 now. | 0:29:12 | 0:29:17 | |
230. And 40. 240. | 0:29:17 | 0:29:19 | |
250? At 240. At 50 now? | 0:29:19 | 0:29:21 | |
Yes? At 240. Right, then, it's going. | 0:29:21 | 0:29:24 | |
I sell at £240. | 0:29:24 | 0:29:27 | |
-240! -What do you reckon to that? | 0:29:27 | 0:29:30 | |
-It's brilliant! -Brilliant! -ANGELA LAUGHS | 0:29:30 | 0:29:33 | |
'What a result! That's £40 over Jonty's top estimate, | 0:29:33 | 0:29:37 | |
'and almost a quarter of our target in one hit. | 0:29:37 | 0:29:40 | |
'Fantastic. | 0:29:40 | 0:29:42 | |
'The next piece shown to the room is that precious diamond brooch | 0:29:42 | 0:29:46 | |
'that Alison bought in London's Covent Garden. | 0:29:46 | 0:29:48 | |
'Let's hope those 11 little sparklers catch someone's eye.' | 0:29:48 | 0:29:52 | |
The bling! | 0:29:52 | 0:29:53 | |
That wonderful, wonderful diamond brooch. | 0:29:53 | 0:29:58 | |
You've put your reserve of £900 on this. | 0:29:58 | 0:30:01 | |
-Any second thoughts about it? -Yes. | 0:30:01 | 0:30:03 | |
-ANGELA LAUGHS -That was very unqualified! | 0:30:03 | 0:30:07 | |
Little bit of a... | 0:30:07 | 0:30:09 | |
-But, no. It's here. It's to go. -What do we think, Jonty? | 0:30:09 | 0:30:13 | |
Well, I estimated £700 to £900 when I saw it, | 0:30:13 | 0:30:17 | |
and I always put an estimate which is a sensible estimate, | 0:30:17 | 0:30:20 | |
but I believe we could get above that, so I'm not too worried. | 0:30:20 | 0:30:23 | |
-Because they are quality diamonds, aren't they? -Here it is. | 0:30:23 | 0:30:27 | |
Here it comes. | 0:30:27 | 0:30:28 | |
£1,000 for a good bar of diamonds. There you are. What about 500? | 0:30:28 | 0:30:32 | |
500 is bid for it. 520 I am bid for that one. | 0:30:32 | 0:30:36 | |
520. 550. | 0:30:36 | 0:30:39 | |
580. £600 I am bid for it, then. | 0:30:39 | 0:30:42 | |
At 600. 620. | 0:30:42 | 0:30:44 | |
At 650. | 0:30:44 | 0:30:46 | |
680. | 0:30:46 | 0:30:48 | |
700 I am bid for it. At £700. | 0:30:48 | 0:30:50 | |
£700. And 20, sir? | 0:30:50 | 0:30:52 | |
720 I am bid for it. At 750 I am bid. | 0:30:52 | 0:30:56 | |
780 I am bid. | 0:30:56 | 0:30:58 | |
Have you given him any discretion on this? | 0:30:58 | 0:31:02 | |
800. Are you finished, sir? I am bid £800. | 0:31:02 | 0:31:07 | |
At £800. I am bid 800. I am going to sell it. | 0:31:07 | 0:31:10 | |
At £800, then. | 0:31:10 | 0:31:11 | |
One last chance. OK. It's yours, then, | 0:31:11 | 0:31:14 | |
for £800. Thank you very much. | 0:31:14 | 0:31:19 | |
Have you started breathing again now? | 0:31:19 | 0:31:21 | |
Are you happy? You were the one who gave the auctioneer the nod. | 0:31:21 | 0:31:25 | |
-Yes. No, thanks. Yeah. -Emma, what do you think? | 0:31:25 | 0:31:27 | |
I think that's reasonable. I think it's all right. | 0:31:27 | 0:31:30 | |
But I don't know what I'm talking about! | 0:31:30 | 0:31:33 | |
THEY LAUGH | 0:31:33 | 0:31:35 | |
'Believe me, diamonds really are these girls' best friend today. | 0:31:35 | 0:31:40 | |
'Alison wants to surprise her daughters at the end of the auction, | 0:31:40 | 0:31:43 | |
'and this morning's sales have already provided a healthy sum | 0:31:43 | 0:31:47 | |
'for their special trip to America.' | 0:31:47 | 0:31:49 | |
When we came into the auction room, you were hoping to raise £1,000. | 0:31:49 | 0:31:52 | |
Yes. We're halfway through the day. We've got more jewellery to come, | 0:31:52 | 0:31:56 | |
and some more really nice things, and already you have made... | 0:31:56 | 0:31:59 | |
£1,248! | 0:31:59 | 0:32:03 | |
-Already! -Already. | 0:32:03 | 0:32:04 | |
-That's pretty good. -It's fantastic. -As you say, already! | 0:32:04 | 0:32:09 | |
I think we'll go and take a bit of a break now. | 0:32:09 | 0:32:12 | |
I think these girls need a lie-down. | 0:32:12 | 0:32:14 | |
Jonty and I will go and see what else is going on | 0:32:14 | 0:32:17 | |
around the auction room. We'll come back for the second half. | 0:32:17 | 0:32:20 | |
-A brandy, maybe, now. Is that... -There's a lot to look at. | 0:32:20 | 0:32:23 | |
Stay with us for the second half. | 0:32:23 | 0:32:26 | |
With the fear-of-flying course now paid for, | 0:32:26 | 0:32:28 | |
the rest of the items can go towards that surprise trip to New York. | 0:32:28 | 0:32:33 | |
Whilst Alison and Emma take a break from the morning's excitement, | 0:32:33 | 0:32:37 | |
Jonty just can't resist a nose around | 0:32:37 | 0:32:39 | |
to see what else is on offer in the auction room. | 0:32:39 | 0:32:43 | |
You're staring at that very intently, Jonty. | 0:32:43 | 0:32:45 | |
Take a look at this. This is a beautiful, delicate little object. | 0:32:45 | 0:32:50 | |
It's a silver card case. | 0:32:50 | 0:32:52 | |
That Victorian ladies would have kept their calling cards in | 0:32:52 | 0:32:55 | |
to leave with other Victorian ladies. | 0:32:55 | 0:32:57 | |
And gents, as well. Now, it was very fashionable | 0:32:57 | 0:33:00 | |
to hold a card case, and so they came in different materials, | 0:33:00 | 0:33:04 | |
were made in different materials. This one's a solid-silver card case, | 0:33:04 | 0:33:08 | |
but they were made from tortoiseshell, ivory, | 0:33:08 | 0:33:11 | |
all sorts of different materials. And the more expensive they were, | 0:33:11 | 0:33:16 | |
it showed off your wealth, essentially. | 0:33:16 | 0:33:18 | |
This is no ordinary card case. | 0:33:18 | 0:33:20 | |
This is made by one of the best known makers | 0:33:20 | 0:33:24 | |
of the finest silver card cases to ever be made in this country, | 0:33:24 | 0:33:28 | |
so I regard this as a bit of sleeper in this auction room. | 0:33:28 | 0:33:32 | |
-So, who was he? -Nathaniel Mills. | 0:33:32 | 0:33:34 | |
Nathaniel Mills, in the mid-19th century, | 0:33:34 | 0:33:37 | |
made some of the finest card cases ever produced in this country, | 0:33:37 | 0:33:41 | |
and we can see his name just there, Nathaniel Mills, | 0:33:41 | 0:33:44 | |
the N and M. That will make all the difference to this. | 0:33:44 | 0:33:47 | |
Now, he died in 1840, | 0:33:47 | 0:33:49 | |
so it was his two sons who were partners in the business, | 0:33:49 | 0:33:52 | |
William and Thomas, between 1840 and 1853, | 0:33:52 | 0:33:56 | |
they would have been responsible for making this. | 0:33:56 | 0:33:59 | |
Beautiful, delicate work on there, | 0:33:59 | 0:34:01 | |
the chasing on the main body of the case, | 0:34:01 | 0:34:04 | |
and that very attractive little sign in the middle | 0:34:04 | 0:34:07 | |
-where you can put your initials. -It's very, very delicate. | 0:34:07 | 0:34:10 | |
But simply because we have the maker's name there, | 0:34:10 | 0:34:13 | |
the NM, that will make all the difference, | 0:34:13 | 0:34:16 | |
because collectors will really want this. | 0:34:16 | 0:34:18 | |
-How much will it go for? -In the catalogue, it says £150 to £200, | 0:34:18 | 0:34:23 | |
-but who knows where it might end? -Let's look out for it | 0:34:23 | 0:34:26 | |
when it comes under the hammer. | 0:34:26 | 0:34:28 | |
'Well, Jonty, it's a good job you weren't buying today, | 0:34:29 | 0:34:32 | |
'because it sold on estimate at £180. | 0:34:32 | 0:34:35 | |
'Now, will the bidders take a shine to Alison's 1930s cocktail cabinet?' | 0:34:39 | 0:34:44 | |
'And who wouldn't? It's only estimated at £40.' | 0:34:44 | 0:34:48 | |
Jonty and I reckon that this is quite an interesting piece | 0:34:50 | 0:34:54 | |
of retro furniture, the little cocktail cabinet, | 0:34:54 | 0:34:56 | |
which you had in the corner of the dining room. | 0:34:56 | 0:34:59 | |
-Yes. It was my mother's. -What have we got on this one? | 0:34:59 | 0:35:01 | |
What do we realistically think it will make? | 0:35:01 | 0:35:04 | |
Well, I put £40 to £60 on it to attract the sale, | 0:35:04 | 0:35:07 | |
but remember, we've got that crack in the shelf, | 0:35:07 | 0:35:10 | |
and dealers just prefer things that are ready to go. | 0:35:10 | 0:35:14 | |
I think possibly £50 for it. Anybody got 40? | 0:35:14 | 0:35:18 | |
30 I'm bid? 20 for it, then. | 0:35:18 | 0:35:20 | |
25. 30. There's two of you want it. | 0:35:20 | 0:35:22 | |
Five. 40. | 0:35:22 | 0:35:25 | |
She wants it for 40, doesn't she? | 0:35:25 | 0:35:28 | |
45, I've got now. | 0:35:28 | 0:35:30 | |
I'm selling. It's going. I shall sell it. | 0:35:31 | 0:35:34 | |
At the very back, then. It's going for £45. | 0:35:34 | 0:35:37 | |
-Happy with that? -Yes. -£45! | 0:35:37 | 0:35:40 | |
'And that's not bad, for something in need of restoration, | 0:35:40 | 0:35:44 | |
'and which didn't fit into Alison's new home. | 0:35:44 | 0:35:47 | |
'I think she's well pleased with yet another £45 | 0:35:47 | 0:35:50 | |
'to help her on her way to New York. Next to try their luck in the room | 0:35:50 | 0:35:54 | |
'are the collection of framed cigarette cards. | 0:35:54 | 0:35:57 | |
'These were all collected by Alison, | 0:35:57 | 0:36:00 | |
'and Jonty thinks her efforts could fetch £20 to £30.' | 0:36:00 | 0:36:03 | |
Surely there's £20 I am bid for those. | 0:36:03 | 0:36:06 | |
Two of you would like, for £20. Two out at five. | 0:36:06 | 0:36:09 | |
-Come on! -£30 I am bid, then. | 0:36:09 | 0:36:11 | |
£30, and two anywhere to sell those for? | 0:36:11 | 0:36:15 | |
-£30. -20 to 30 is what we said. | 0:36:15 | 0:36:18 | |
How about that, Emma? Cos you found that. | 0:36:18 | 0:36:20 | |
-Yeah. No, yes. -Well done. -All right. I wanted a bit more. | 0:36:20 | 0:36:24 | |
She's getting quite cool about this now. | 0:36:24 | 0:36:26 | |
THEY LAUGH "I wanted a bit more, but..." | 0:36:26 | 0:36:30 | |
'Some of the girls' items in this half of the sale | 0:36:30 | 0:36:33 | |
'may be less valuable than those that we saw earlier, | 0:36:33 | 0:36:36 | |
'but they are still doing OK. | 0:36:36 | 0:36:38 | |
'Our next lot is the vintage gramophone, | 0:36:38 | 0:36:41 | |
'and it's certainly a nostalgic item, | 0:36:41 | 0:36:44 | |
'but I wonder if it has limited appeal in this day and age. | 0:36:44 | 0:36:47 | |
'We're looking for £20 to £30.' | 0:36:47 | 0:36:49 | |
35, £40 I am bid. At 40. I am bid 40. | 0:36:49 | 0:36:51 | |
-Ooh, we hit 40 already! -Yeah! | 0:36:51 | 0:36:54 | |
At £45, you've got the old entertainment. £45. | 0:36:54 | 0:36:57 | |
It goes down here for £45. Thank you. | 0:36:57 | 0:37:00 | |
-£45! -What a result! Well done! | 0:37:00 | 0:37:02 | |
-That's 50 percent more than you thought. -Wonderful. | 0:37:03 | 0:37:06 | |
'That was a great result! £15 over Jonty's top estimate. | 0:37:06 | 0:37:11 | |
'Bidders do seem to have taken a shine to our family's things today. | 0:37:11 | 0:37:15 | |
'And it's another nostalgic lot that's up next - | 0:37:15 | 0:37:17 | |
'some perfume bottles and the collection of Babycham glasses, | 0:37:17 | 0:37:21 | |
'which at one time were considered the height of sophistication. | 0:37:21 | 0:37:24 | |
'How are they going to fare, I wonder.' | 0:37:24 | 0:37:26 | |
I'm going to show my age now, but I can remember when it was very cool | 0:37:26 | 0:37:30 | |
for a girl on her first date to ask for a glass of Babycham. | 0:37:30 | 0:37:33 | |
We've now got your Babycham glasses coming up. | 0:37:33 | 0:37:36 | |
-Well, I remember Babycham as well. -And you drank these? -Oh, yeah. | 0:37:36 | 0:37:40 | |
I think we ought to be looking somewhere in the region of £30. | 0:37:40 | 0:37:44 | |
-£20 bid. At £20. -£20 already! | 0:37:44 | 0:37:47 | |
At £20 bid. Five with you, sir. | 0:37:47 | 0:37:49 | |
28. 30. And two. One more. | 0:37:49 | 0:37:52 | |
£32, then. At £32. Is that it? They're going to be sold. | 0:37:52 | 0:37:56 | |
Make no mistake. They're yours, then, at £32. | 0:37:56 | 0:37:59 | |
There we go. Sold! | 0:37:59 | 0:38:01 | |
The Babycham glasses and things, I'd bought them | 0:38:01 | 0:38:04 | |
for such a small amount of money. | 0:38:04 | 0:38:06 | |
If you knew how many glasses I had at home... | 0:38:06 | 0:38:09 | |
I think they went brilliantly. It was just the fact that they sold. | 0:38:09 | 0:38:12 | |
'£2 over Jonty's lower estimate, | 0:38:12 | 0:38:15 | |
'and at least it shows there's still a market for these iconic glasses. | 0:38:15 | 0:38:19 | |
'We're looking for collectors of modern tableware now. | 0:38:21 | 0:38:24 | |
'It's the Crown Ducal set for one, valued at between £20 and £30.' | 0:38:24 | 0:38:29 | |
At £30. 32. 35. | 0:38:30 | 0:38:33 | |
Wow! | 0:38:33 | 0:38:34 | |
No more? 35. At 35. | 0:38:34 | 0:38:37 | |
-I shall sell it to you, sir, for £35. -A result! | 0:38:37 | 0:38:40 | |
-Well done! -That's really good. | 0:38:40 | 0:38:42 | |
'Yet another thing selling over Jonty's top estimate. | 0:38:42 | 0:38:45 | |
'We've really had some great results today. | 0:38:45 | 0:38:49 | |
'Now, let's see how the room reacts to our final lot. | 0:38:49 | 0:38:52 | |
'It's the silver dressing-table set, which looks a bit different | 0:38:52 | 0:38:55 | |
'to when we found it.' | 0:38:55 | 0:38:57 | |
Alison, it's your very clean dressing-table set. | 0:38:57 | 0:39:00 | |
The gleaming set. | 0:39:00 | 0:39:02 | |
Clean, Jonty. You're mentioning it again! | 0:39:02 | 0:39:05 | |
Yes. I promise not to mention the cleanliness of your house ever again. | 0:39:05 | 0:39:09 | |
-SHE LAUGHS -Well, I think they look very nice | 0:39:09 | 0:39:12 | |
-now that they've been cleaned. -Thank you so much. | 0:39:12 | 0:39:15 | |
I'm sure that the bidders in the room will appreciate it, | 0:39:15 | 0:39:18 | |
and it probably will make a difference to the price. | 0:39:18 | 0:39:21 | |
Well, I did find polish in my cupboard. | 0:39:21 | 0:39:23 | |
-Did you blow the dust off the polish? -So rude again! | 0:39:23 | 0:39:27 | |
THEY LAUGH | 0:39:27 | 0:39:29 | |
I'm not going to talk to him for a while. I'll just talk to you, Angela. | 0:39:29 | 0:39:32 | |
What about £40? | 0:39:32 | 0:39:34 | |
£30? 35. | 0:39:34 | 0:39:37 | |
-£40 bid. -40! Well, we're already up to 40. | 0:39:37 | 0:39:40 | |
-60, sir. At £60. -60! | 0:39:40 | 0:39:43 | |
60. And five for you, madam? No? At £60, then, | 0:39:43 | 0:39:47 | |
-it is yours, sir. -There you go. | 0:39:47 | 0:39:49 | |
-Cleaning made all the difference. -THEY LAUGH | 0:39:49 | 0:39:52 | |
You had to get the last word in there, didn't you? | 0:39:52 | 0:39:56 | |
'And that really has added a shine to our day. | 0:39:56 | 0:39:59 | |
'I just can't wait to tell them how much they've raised.' | 0:39:59 | 0:40:02 | |
-You've had a really exciting day. -Yeah! Sold everything. | 0:40:03 | 0:40:07 | |
-It's brilliant. -You already know you've made your £1,000, | 0:40:07 | 0:40:10 | |
because even at the halfway stage, we'd made £1,248. | 0:40:10 | 0:40:14 | |
And all the exciting items were in that first half. | 0:40:14 | 0:40:17 | |
But you've done really well, | 0:40:17 | 0:40:19 | |
because what you've made is... | 0:40:19 | 0:40:22 | |
£1,495. | 0:40:22 | 0:40:26 | |
Another five would have made it the round £1,500. | 0:40:26 | 0:40:31 | |
-Wow! -What do you think of that? -Oh, it's fantastic. -Well done. | 0:40:31 | 0:40:34 | |
You've got something very special lined up for this money. | 0:40:34 | 0:40:38 | |
-Will you tell them today? -I'd like to. | 0:40:38 | 0:40:41 | |
Well, your other daughter, Louisa, was at school | 0:40:41 | 0:40:44 | |
when we were doing the rummage, but she has come today to the auction. | 0:40:44 | 0:40:48 | |
Do you want to come and join us? Come and join your sister Emma. | 0:40:48 | 0:40:52 | |
Now, Mummy's made £1,495 at auction, | 0:40:52 | 0:40:56 | |
and she's now going to tell you what she's going to do with it. | 0:40:56 | 0:41:00 | |
I'm going to go and get my fear of... | 0:41:00 | 0:41:03 | |
-Are you all right? -..fear of flying out of the way, | 0:41:03 | 0:41:07 | |
then I'm going to take you to New York. | 0:41:07 | 0:41:09 | |
And I'm crying! | 0:41:12 | 0:41:14 | |
THEY LAUGH | 0:41:15 | 0:41:17 | |
The girls' trip to New York is still a few weeks away, | 0:41:23 | 0:41:26 | |
but before Alison can cross the Atlantic, | 0:41:26 | 0:41:29 | |
she first needs to conquer her fear of flying. | 0:41:29 | 0:41:32 | |
Today she's taking part in a course which puts people's fear to rest | 0:41:32 | 0:41:36 | |
by demystifying the inner workings of the airplane. | 0:41:36 | 0:41:38 | |
But the real test takes place when they head for the skies. | 0:41:38 | 0:41:42 | |
Getting into the plane right at this moment in time | 0:41:42 | 0:41:46 | |
is a horrible thought! | 0:41:46 | 0:41:49 | |
I don't want to do it. | 0:41:49 | 0:41:52 | |
I'm quite tense today. It's quite a nerve-racking thing. | 0:41:52 | 0:41:56 | |
I didn't sleep very well last night, | 0:41:56 | 0:41:58 | |
and I was wondering whether I'd actually make it today. | 0:41:58 | 0:42:01 | |
Sitting through take-off and landing is tough, | 0:42:04 | 0:42:06 | |
but it takes Alison that much closer to her dream trip | 0:42:06 | 0:42:09 | |
with her daughters. | 0:42:09 | 0:42:11 | |
'Today went fine. I found it very motivating.' | 0:42:11 | 0:42:14 | |
I did have one wobbly moment where I cried, | 0:42:14 | 0:42:18 | |
but apart from that, I did it, | 0:42:18 | 0:42:20 | |
and I'm going to go and book the flights for New York. | 0:42:20 | 0:42:24 | |
So New York, here we come! | 0:42:24 | 0:42:26 | |
Subtitles by Red Bee Media Ltd | 0:42:47 | 0:42:50 |