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Hello and welcome to the programme that helps people find unwanted collectibles | 0:00:02 | 0:00:06 | |
that they can take to auction, to raise money for a favourite project or a treat. | 0:00:06 | 0:00:10 | |
It's always fun to meet someone who just can't resist going into junk shops or to car boot sales, | 0:00:10 | 0:00:15 | |
in the hope of finding a real bargain. | 0:00:15 | 0:00:18 | |
Is that £3 purchase going to turn into a £300 profit? | 0:00:18 | 0:00:22 | |
Find out on Cash in the Attic. | 0:00:22 | 0:00:24 | |
Coming up on Cash in the Attic... Our expert plays the joker | 0:00:45 | 0:00:48 | |
when he hears the purchase price of a mahogany card table... | 0:00:48 | 0:00:52 | |
Whoa! A massive £18! | 0:00:52 | 0:00:55 | |
How long ago? | 0:00:55 | 0:00:56 | |
About 25 years ago. | 0:00:56 | 0:00:58 | |
We discover something with royal connections... | 0:00:58 | 0:01:01 | |
See what it says round there? | 0:01:01 | 0:01:03 | |
"Honi soit qui mal y pense". | 0:01:03 | 0:01:06 | |
'And that's the motto of the Most Noble Order of the Garter.' | 0:01:06 | 0:01:10 | |
'When it comes to auction James foresees a good sale for a Victorian telescope.' | 0:01:13 | 0:01:17 | |
I'm feeling bullish? I think we're going to guarantee you a profit. | 0:01:17 | 0:01:21 | |
Find out if he's right, when the hammer falls. | 0:01:21 | 0:01:23 | |
Today, I'm in Buckinghamshire and I'm about to meet Angela | 0:01:25 | 0:01:29 | |
and her daughter, Nina, who are looking forward | 0:01:29 | 0:01:31 | |
to putting their glad rags on, for a very special outing. | 0:01:31 | 0:01:34 | |
Angela Hougham has collected all sorts of things for years, even chickens, | 0:01:36 | 0:01:41 | |
but after a house renovation, she's decided that she needs a good clear out. | 0:01:41 | 0:01:45 | |
She was born in Kenya, | 0:01:45 | 0:01:48 | |
but her family immigrated to the UK when she was 12. | 0:01:48 | 0:01:51 | |
She's been married to Bob for the past 17 years and they have one daughter, Nina. | 0:01:51 | 0:01:56 | |
Angela and Bob are both now retired, but do voluntary work for local charities, | 0:01:57 | 0:02:01 | |
regularly organising dinners at their home, to raise funds. | 0:02:01 | 0:02:05 | |
They bought a bungalow eight years ago and have spent the last four | 0:02:05 | 0:02:08 | |
having it converted into a five bedroom house with a large garden. | 0:02:08 | 0:02:12 | |
Helping Angela today is daughter, Nina. | 0:02:14 | 0:02:16 | |
James Rylands is with me and he started his career at Sotheby's, | 0:02:19 | 0:02:23 | |
so he's just the man we need to get our search underway. | 0:02:23 | 0:02:27 | |
-Hi Nina, Angela. -Hi! | 0:02:30 | 0:02:32 | |
These chickens are so cute. Have you named them all? | 0:02:32 | 0:02:35 | |
Yes, they've all got names. | 0:02:35 | 0:02:36 | |
-You can identify all of them? -Yes. | 0:02:36 | 0:02:38 | |
-I take it none of them are going to end up on the lunch table? -No. | 0:02:38 | 0:02:41 | |
So, why have you called in Cash in the Attic? | 0:02:41 | 0:02:44 | |
Well, this was a bungalow and we've made it into a house. | 0:02:44 | 0:02:47 | |
I can't believe that. It looks so amazing! | 0:02:47 | 0:02:49 | |
-Yes, we had to work quite hard at it. -I bet you did. | 0:02:49 | 0:02:52 | |
And we have a lot of things that we don't want to keep. | 0:02:52 | 0:02:56 | |
We've started decorating and we don't really need these things. | 0:02:56 | 0:02:59 | |
-Are you changing the style of the house? -We're going to make it more modern. | 0:02:59 | 0:03:03 | |
Where did all of this stuff come from? | 0:03:03 | 0:03:05 | |
Various places. Auctions and car boot sales and some was already in the family. | 0:03:05 | 0:03:12 | |
Are you an inveterate collector, who can't resist going into antique shops and car boot sales? | 0:03:12 | 0:03:18 | |
I can't. I come home every Saturday morning with lots and lots of things. | 0:03:18 | 0:03:21 | |
How much money do you think we're going to raise from all that we take to auction? | 0:03:21 | 0:03:25 | |
I'd like to raise about £700. | 0:03:25 | 0:03:29 | |
-And what are you going to spend it on? -Nina's going to be 16 soon and I'd like to surprise her. | 0:03:29 | 0:03:34 | |
Nina, how do you feel about that? A special surprise for your birthday? | 0:03:34 | 0:03:38 | |
I'm quite scared. I don't know what she's going to do! | 0:03:38 | 0:03:42 | |
I tell you what, James Rylands has come with me and I know he can't wait to get started on finding | 0:03:43 | 0:03:48 | |
what you've bought at all those car boots and antique shops that we can take to auction. | 0:03:48 | 0:03:53 | |
-Shall we go and find him? -Yes. | 0:03:53 | 0:03:55 | |
Angela's impressive house conversion has a clean, modern feel, | 0:03:55 | 0:04:00 | |
so I can understand why she wouldn't want to keep too many antiques about the place. | 0:04:00 | 0:04:05 | |
James is in the lounge and he's already found something that might be absolutely right for the auction. | 0:04:05 | 0:04:12 | |
-Hi, James. -Hello, Angelas. -Meet the other Angela. | 0:04:14 | 0:04:17 | |
Nice to see you. Well, you've found me discovering the secrets of this wonderful table of yours. | 0:04:17 | 0:04:23 | |
-Isn't it delightful? -It is nice. -What is it? -Games table, I believe. | 0:04:23 | 0:04:28 | |
You're absolutely right, that's exactly what it is. | 0:04:28 | 0:04:30 | |
Did you buy it to play games? | 0:04:30 | 0:04:32 | |
No, no, I just bought it as an occasional table. | 0:04:32 | 0:04:35 | |
-Where did you get this, Angela? -I bought this in a junk shop. | 0:04:35 | 0:04:38 | |
-On one of your forays? -Yes. -You just -can't resist, can you? I just can't. | 0:04:38 | 0:04:43 | |
-Can you remember what you gave for it? -Yes, £18. | 0:04:43 | 0:04:46 | |
-Ooh, a massive £18! -How long ago? | 0:04:46 | 0:04:50 | |
About 25 years ago. | 0:04:50 | 0:04:52 | |
Well, that was more than a week's pocket money, then. | 0:04:52 | 0:04:55 | |
It is for cards. It's made around 1910 and there's some quality about it. | 0:04:55 | 0:05:01 | |
It's got some nice work down here, actually. | 0:05:01 | 0:05:04 | |
It has. All this nice blind fret and then fretwork has all been done by hand. | 0:05:04 | 0:05:09 | |
It's made of mahogany - expensive wood - and, actually, there's an interesting pointer here, | 0:05:09 | 0:05:15 | |
because if you look at the top there and you look at the colour. | 0:05:15 | 0:05:19 | |
Now, look at the inside. That tells you what sunlight does to mahogany. | 0:05:19 | 0:05:25 | |
So, you can imagine that nice Edwardian lady sitting there in her crinoline skirt playing her cards. | 0:05:25 | 0:05:32 | |
But, the fact of the matter is, it also doubles up as an occasional table. | 0:05:32 | 0:05:36 | |
So, just as you've got it. It folds up nicely, you put a lamp on it. | 0:05:36 | 0:05:40 | |
Bearing in mind you paid £18 for it, have we got a profit in this? | 0:05:40 | 0:05:43 | |
-We'll put £60 to £100 on it. So, you've tripled your money. -Yes. | 0:05:43 | 0:05:49 | |
-There are a lot of things 25 years ago where you wouldn't have. Are you happy with that? -Definitely. | 0:05:49 | 0:05:54 | |
Well, let's hope we can do some tripling up | 0:05:54 | 0:05:57 | |
on some other of the items we find today. | 0:05:57 | 0:06:00 | |
The Hougham home has so many bedrooms and reception rooms to explore | 0:06:00 | 0:06:05 | |
that we have to divide our efforts, to be sure that nothing is missed. | 0:06:05 | 0:06:08 | |
Nina heads upstairs, to make a start in her parents' bedroom, | 0:06:10 | 0:06:15 | |
while James makes a careful inspection of what appears to be some delftware in the kitchen. | 0:06:15 | 0:06:21 | |
But everyone seems to have missed this attractive glazed cabinet, which Angela paid £200 for. | 0:06:21 | 0:06:28 | |
James tells me it's made of oak and while furniture like this | 0:06:28 | 0:06:32 | |
was once the height of fashion, sadly, that's no longer the case. | 0:06:32 | 0:06:35 | |
He gives it a £50 to £80 estimate. | 0:06:35 | 0:06:37 | |
I wonder if Nina's had any luck upstairs? | 0:06:40 | 0:06:43 | |
-Ah, Nina, how are you getting on? -I'm all right, thanks. -What have you found? | 0:06:43 | 0:06:47 | |
-I like this, where did it come from? -My dad bought it about 25 years ago. | 0:06:47 | 0:06:52 | |
Do you like it? | 0:06:52 | 0:06:54 | |
-It's a bit old fashioned for me. -It's probably 100 years old... | 0:06:54 | 0:06:58 | |
-Really? -..110 years old. | 0:06:58 | 0:07:00 | |
Interestingly it's made by a very interesting firm, Comitti of London, | 0:07:00 | 0:07:06 | |
and they go back quite a long way, because, originally, it was started | 0:07:06 | 0:07:10 | |
by an Italian, Onorato Comitti, and in the 18th and 19th centuries, | 0:07:10 | 0:07:15 | |
so over 200 years ago, there was a wonderful tradition of Italian craftsmen coming over to England | 0:07:15 | 0:07:21 | |
and making, primarily, barometers, which is what this guy did, and then they moved into clocks, as well. | 0:07:21 | 0:07:27 | |
This one, probably made 1900-1910, it's in a nice mahogany case, | 0:07:27 | 0:07:33 | |
we've got this nice inlay, this stringing, as we call it, here | 0:07:33 | 0:07:37 | |
and then, funnily enough, there's no winding hole on the front, which quite often you'll find. | 0:07:37 | 0:07:42 | |
That is because there's a French carriage clock movement inside, | 0:07:42 | 0:07:47 | |
which is what he used to originally make it. | 0:07:47 | 0:07:50 | |
He got parts from all over the place and then put his name on the dial - Comitti of London. | 0:07:50 | 0:07:54 | |
Value would be round about £60 to £80, | 0:07:54 | 0:07:58 | |
something like that. That sound all right? | 0:07:58 | 0:08:00 | |
-It's good, but -I -wouldn't buy it. | 0:08:00 | 0:08:02 | |
Well, you may not like it, Nina, but someone might come auction day. | 0:08:02 | 0:08:08 | |
-£50... for it, £40... for it. -Come on. -42. 42. 45. | 0:08:08 | 0:08:12 | |
Find out later if it reaches James's estimate. | 0:08:12 | 0:08:16 | |
There's so much to see in the Hougham home. | 0:08:18 | 0:08:21 | |
Inspired by her first find, Nina delves into the rafters | 0:08:21 | 0:08:26 | |
alongside her parents' room and she pulls out a box that needs some investigation. | 0:08:26 | 0:08:32 | |
James is downstairs now, where the lounge cabinet offers a small Victorian brass pocket telescope. | 0:08:32 | 0:08:39 | |
Angela bought this at a boot sale, for £50, a few years ago. | 0:08:39 | 0:08:43 | |
Unfortunately, we won't be magnifying her investment, | 0:08:43 | 0:08:47 | |
as it stands to make only £20 to £30 now. | 0:08:47 | 0:08:52 | |
But, adding that to James's estimate so far, we stand to raise around £190 at auction. | 0:08:52 | 0:08:59 | |
So, we are not doing badly. | 0:08:59 | 0:09:01 | |
Angela, when I'm inside the house, it is extraordinary to think this was a bungalow. | 0:09:01 | 0:09:06 | |
You've completely rebuilt the whole thing, haven't you? | 0:09:06 | 0:09:09 | |
Oh, yes, when we came here eight years ago it was in a dreadful state and we've had to almost rebuild it. | 0:09:09 | 0:09:16 | |
You've done a wonderful job on it, I have to say. | 0:09:16 | 0:09:19 | |
But you weren't born here. You were born in Kenya? | 0:09:19 | 0:09:21 | |
Yes, I was born in Kenya, many years ago. | 0:09:21 | 0:09:24 | |
-And you left when you were how old? -12. -Was that old enough | 0:09:24 | 0:09:28 | |
to realise what you were leaving behind. Do you miss it? | 0:09:28 | 0:09:31 | |
Not really, no, because I think, | 0:09:31 | 0:09:34 | |
at that age, I was, sort of, really looking forward to going ahead | 0:09:34 | 0:09:38 | |
and going to a new country and a new place. You know, it didn't really matter. | 0:09:38 | 0:09:43 | |
When you got here to Britain, what were your ambitions as a young woman? What did you achieve? | 0:09:43 | 0:09:48 | |
I wanted to be able to do everything, so I could fit in any role that there was need for. | 0:09:48 | 0:09:55 | |
I had two hairdressing salons, then I gave up when I got married. | 0:09:55 | 0:10:02 | |
I met Bob in a social group about 17 years ago. | 0:10:02 | 0:10:07 | |
You also like cooking, don't you? You've managed to use the cooking to help raise money for charity. | 0:10:07 | 0:10:12 | |
Well, I get people to come to my dinner and I call it, my charity dinner. | 0:10:12 | 0:10:16 | |
When they come I then say to them, "It's going to be like a restaurant | 0:10:16 | 0:10:21 | |
"and you just pay me what you think it's worth." I'm able to collect money that way. | 0:10:21 | 0:10:26 | |
And you raised quite a lot for the tsunami? | 0:10:26 | 0:10:29 | |
Yes, we raised over £3,500. | 0:10:29 | 0:10:32 | |
Well, on this occasion, we're going to be raising money for you, | 0:10:32 | 0:10:35 | |
so you can do a very special birthday treat for Nina. | 0:10:35 | 0:10:38 | |
-So, maybe we should drink up and go and find James. -Yes! | 0:10:38 | 0:10:42 | |
The birthday girl is oblivious to our chat, as she's so absorbed in her antiques hunt. | 0:10:45 | 0:10:50 | |
James, meanwhile, has turned his attention to a storage cupboard in the hall. | 0:10:50 | 0:10:56 | |
Nina's rummage pays off, when she finds these silver mirrors and hairbrushes in a spare room. | 0:10:59 | 0:11:05 | |
They belonged to her grandmother, Freda, and were assayed | 0:11:05 | 0:11:08 | |
in Birmingham in the late 1930s. James prices them | 0:11:08 | 0:11:12 | |
at £50 to £80. | 0:11:12 | 0:11:13 | |
-Angela? -Yes, James. | 0:11:18 | 0:11:21 | |
Look what I found lurking in your cupboard here - this amazing collection of scent bottles. | 0:11:21 | 0:11:27 | |
-Where do they all come from? -Oh, various places, car boot sales, | 0:11:27 | 0:11:30 | |
jumble sales and some I've bought abroad. | 0:11:30 | 0:11:34 | |
-This particular one came from a charity place. -You got this at a charity shop? | 0:11:34 | 0:11:38 | |
Well, you did very well, because it's a nice Victorian scent bottle, in cut glass, | 0:11:38 | 0:11:43 | |
with this silver top and, basically, as you take the silver top off, | 0:11:43 | 0:11:47 | |
you've got this little stopper there to actually take off, as well. | 0:11:47 | 0:11:52 | |
What we tend to forget is that people tended to be a lot smellier in the old days, than we are now, | 0:11:52 | 0:11:59 | |
before the invention of the deodorant. | 0:11:59 | 0:12:01 | |
So, perfume was very important, because it masked all those horrible bodily smells. | 0:12:01 | 0:12:06 | |
Perfume has actually been with us for thousands of years. | 0:12:06 | 0:12:09 | |
The ancient Persians had it, the Egyptians had it. | 0:12:09 | 0:12:12 | |
In fact, the word perfume comes from the Latin "per fuma", which means, literally, through the smoke. | 0:12:12 | 0:12:19 | |
I guess it's supposed to describe that wonderful aura that girls have when they wear perfume. | 0:12:19 | 0:12:25 | |
Now, which is your favourite out of all these? | 0:12:25 | 0:12:27 | |
That one. | 0:12:27 | 0:12:29 | |
-Why is that? -I think it's so unusual. | 0:12:29 | 0:12:31 | |
It's almost in the form of what we'd call a cornucopia. | 0:12:31 | 0:12:35 | |
In other words, full of, a cornucopia of plenty. | 0:12:35 | 0:12:38 | |
That is an unusual one and also, I like the fact that | 0:12:38 | 0:12:43 | |
it's heavily-cut glass. It's really, really good quality. | 0:12:43 | 0:12:46 | |
So, no regrets about seeing any of them go? | 0:12:46 | 0:12:48 | |
Oh, no, Not at all, I am trying to minimalise, so it will be lovely for it. | 0:12:48 | 0:12:53 | |
You've got quite a big collection here, so I would think probably, | 0:12:53 | 0:12:57 | |
conservatively, we'll probably put | 0:12:57 | 0:12:59 | |
£60 to £100 on the lot and that'll really get the bidders going. | 0:12:59 | 0:13:03 | |
-How does that sound? -Sounds lovely. -You better show me more. | 0:13:03 | 0:13:06 | |
Angela's roomy house is a joy to explore and I don't even feel in need of a tea break yet, | 0:13:07 | 0:13:13 | |
'although this one would be far too small.' | 0:13:13 | 0:13:18 | |
Our host has been exploring a bookcase and pulled out an old cloth-bound book | 0:13:18 | 0:13:24 | |
about Robin Hood, the famous outlaw of Sherwood Forest. | 0:13:24 | 0:13:27 | |
Angela bought this in a box of books for £2, at a garage sale. | 0:13:27 | 0:13:32 | |
This time, there's a good return on her investment, | 0:13:32 | 0:13:34 | |
because James values it at £10 to £15. | 0:13:34 | 0:13:39 | |
We're all making steady progress so it's time to check the garage, to make sure nothing's forgotten. | 0:13:39 | 0:13:46 | |
'In the office, I've come across something that I really want to show the others.' | 0:13:47 | 0:13:52 | |
James, Nina. | 0:13:53 | 0:13:54 | |
-I certainly didn't expect to find this. -What?! | 0:13:56 | 0:14:00 | |
Horse brass and, blimey, a shoebox full of very, very heavy | 0:14:00 | 0:14:07 | |
-brass tracers. -Those are very heavy. | 0:14:07 | 0:14:09 | |
Wow, let's put those down. Where did these come from, do you know? | 0:14:09 | 0:14:12 | |
My dad's dad was the chauffeur to Lord Hambleden. | 0:14:12 | 0:14:19 | |
About 60 years ago, they cleaned out all the stables | 0:14:19 | 0:14:25 | |
and because this is obviously Lord Hambleden's coat of arms, they decided to take them home with them. | 0:14:25 | 0:14:31 | |
-Obviously, Lord Hambleden's coat of arms. -Yes. | 0:14:31 | 0:14:34 | |
See what it says round there? | 0:14:34 | 0:14:36 | |
"Honi soit qui mal y pense". | 0:14:36 | 0:14:40 | |
'Which translates as "Evil to he who thinks evil", | 0:14:40 | 0:14:44 | |
'the motto of the Most Noble Order of the Garter. | 0:14:44 | 0:14:47 | |
'Membership is limited to the Sovereign, the Prince of Wales and a select group of 24 others.' | 0:14:47 | 0:14:53 | |
Well, it gets more and more interesting. | 0:14:53 | 0:14:55 | |
Now, much as I think that Lord Hambleden was a very, very important person, this is even more important, | 0:14:55 | 0:15:00 | |
because this is actually a Royal coat of arms. | 0:15:00 | 0:15:03 | |
There in the middle, we've actually got VR, which is Victoria Regina. | 0:15:03 | 0:15:08 | |
So, that's Queen Victoria's cipher. | 0:15:08 | 0:15:10 | |
What that means is that, 60 years ago, not long after cars came in, they were obviously having a bit of | 0:15:11 | 0:15:19 | |
a clear out and thought, "We'll get rid of all of the old tack." | 0:15:19 | 0:15:23 | |
This is almost certainly from a Royal carriage. | 0:15:23 | 0:15:26 | |
So, what do you think about that? | 0:15:26 | 0:15:28 | |
That is quite amazing, actually. | 0:15:28 | 0:15:30 | |
Royal connections are worth money, but I think we've just got to put £30 to £50 on them and let them run. | 0:15:30 | 0:15:37 | |
-How does that sound? -Just as they did originally, on the horses! | 0:15:37 | 0:15:41 | |
What an incredible find, there. | 0:15:41 | 0:15:43 | |
I think Nina's a little lost for words. | 0:15:43 | 0:15:47 | |
Apparently, she's not usually so stuck for something to say. | 0:15:47 | 0:15:51 | |
She has ambitions to be on the big screen. | 0:15:51 | 0:15:53 | |
So, Angela you've got a budding actress in the family. Is there any theatrical blood in the family? | 0:15:55 | 0:16:00 | |
-No, not at all. -So, where did this come from, do you think? | 0:16:00 | 0:16:04 | |
When Nina was a little kid, she was always performing and she was quite outgoing and we thought | 0:16:04 | 0:16:10 | |
she had a bit of a talent, there. | 0:16:10 | 0:16:12 | |
So, how are you helping her to achieve this ambition? | 0:16:12 | 0:16:15 | |
Well, we registered her with one of the dance schools, performing schools, and she's still with them. | 0:16:15 | 0:16:22 | |
What sort of things have you done so far? | 0:16:22 | 0:16:24 | |
I was on a TV programme about three or four years ago, called Ultimate Force, | 0:16:24 | 0:16:29 | |
and I was a kidnap victim in that, and all these army people, they came and tried to save us. | 0:16:29 | 0:16:36 | |
-And you were saved, I take it? -Yes. | 0:16:36 | 0:16:38 | |
It must be really tough, though, Angela, on you and your husband, | 0:16:39 | 0:16:43 | |
as parents, when she gets called to an audition? | 0:16:43 | 0:16:45 | |
Sometimes yes, you have to drop everything and just take her there, | 0:16:45 | 0:16:49 | |
but it's not always myself who goes, sometimes my husband takes her, | 0:16:49 | 0:16:54 | |
because you're waiting in the wings, worrying. | 0:16:54 | 0:16:57 | |
Is it much more daunting for you, Nina? | 0:16:57 | 0:16:59 | |
No, I find it actually so exciting. As soon as I come home, Mum's like, | 0:16:59 | 0:17:03 | |
"Oh, you've got an audition." I actually scream the place down. | 0:17:03 | 0:17:07 | |
This special thing that you're organising for the 16th birthday. | 0:17:08 | 0:17:12 | |
Close up her ears, so she doesn't know what it is, but it is going to be something very special? | 0:17:12 | 0:17:17 | |
It is going to be special, yes. She's going to be 16, | 0:17:17 | 0:17:19 | |
so I'm going to actually give her a treat which will help her, hopefully. | 0:17:19 | 0:17:23 | |
Oh, we won't say anything more! | 0:17:23 | 0:17:26 | |
-That sounds really good, doesn't it? -Yes. | 0:17:27 | 0:17:30 | |
I know that James is still looking around the house for things we can | 0:17:30 | 0:17:33 | |
take to auction to make that £700, so maybe we should go and join him and see what else he's found. | 0:17:33 | 0:17:38 | |
What's he doing? Well, he's pondering the contents of this corner cupboard. | 0:17:40 | 0:17:44 | |
Or maybe it's the cupboard itself that he likes the look of. | 0:17:44 | 0:17:47 | |
Angela is wondering about some ornaments on her mantelpiece | 0:17:47 | 0:17:51 | |
and, upstairs, I've spotted these two cigarette cases. | 0:17:51 | 0:17:55 | |
Angela bought them at a car boot sale and says | 0:17:55 | 0:17:57 | |
she didn't pay very much for them, | 0:17:57 | 0:17:59 | |
but one is silver and James has valued the lot at £20 to £40. | 0:17:59 | 0:18:02 | |
And it looks like our expert's rummage in the lounge has paid off. | 0:18:02 | 0:18:08 | |
Hi, Angela. | 0:18:08 | 0:18:09 | |
Hello, I see you've found one of my paintings. | 0:18:09 | 0:18:12 | |
I have, Edwin Earp, very nice. | 0:18:12 | 0:18:14 | |
-And I've got another one like this. -You've got a pair? -Yes. -Fantastic. | 0:18:14 | 0:18:18 | |
Oh, I see, yes, over there. Where did they come from, Angela? | 0:18:18 | 0:18:22 | |
An art gallery, not far from here. | 0:18:22 | 0:18:24 | |
Well, he's moderately well known, Edwin Earp, and he was actually an artist born down in Brighton, | 0:18:24 | 0:18:30 | |
on the South Coast, in the mid-19th century. | 0:18:30 | 0:18:32 | |
Looking at this, with these quite big mountains and stuff, | 0:18:32 | 0:18:37 | |
that is definitely not a scene from the South of England. | 0:18:37 | 0:18:40 | |
Late Victorian times was a time when a lot of English were going on tours around Europe and views like this, | 0:18:40 | 0:18:48 | |
if you like, idealise the sort of things they would have seen, because it's a very romantic view, isn't it? | 0:18:48 | 0:18:54 | |
-Yes. -It is actually a water colour and one of the problems with water colours is that if they've had direct | 0:18:54 | 0:18:59 | |
sunlight on them, the colour, over a period of time, begins to fade. | 0:18:59 | 0:19:04 | |
Now, with these ones, it's just begun to go. | 0:19:04 | 0:19:06 | |
It's still OK, but it's not quite as fresh as when it was done. | 0:19:06 | 0:19:11 | |
You bought them, Angela. What did you like about them when you bought them? | 0:19:11 | 0:19:15 | |
I quite liked them, because I was looking for some paintings, but I had been on an open evening, | 0:19:15 | 0:19:21 | |
where we were all having a good old drink | 0:19:21 | 0:19:23 | |
and I think I bought these when I'd had one too many! | 0:19:23 | 0:19:26 | |
-What did you pay for them? Can you remember? -£100, for the pair. | 0:19:26 | 0:19:30 | |
Credit to your eye. That's all right. | 0:19:30 | 0:19:32 | |
Conservatively, we'd certainly put £150-£250 on the pair. How does that sound? | 0:19:32 | 0:19:39 | |
That sounds really good. | 0:19:39 | 0:19:40 | |
That's a terrific addition to our haul, which means we should | 0:19:40 | 0:19:45 | |
be in pretty good shape to help pay for Nina's birthday surprise. | 0:19:45 | 0:19:48 | |
Angela is spurred on by that result and has gone up to the attic. | 0:19:49 | 0:19:53 | |
'I can't resist a peek up there myself.' | 0:19:53 | 0:19:56 | |
The next item to go towards our auction haul is something that our host has unearthed. | 0:19:56 | 0:20:01 | |
It's a canteen of silver-plated cutlery, in a mahogany case. | 0:20:01 | 0:20:05 | |
Made in the 1930s, it comes from Bob's family, but hasn't been used for years. | 0:20:05 | 0:20:10 | |
It's a good find, earning a £30 to £60 estimate from James. | 0:20:10 | 0:20:14 | |
And my investigation in the attic WAS fruitful. | 0:20:15 | 0:20:18 | |
James, Angela, Nina, | 0:20:19 | 0:20:22 | |
look what I found up in the attic. | 0:20:22 | 0:20:24 | |
James, there's a wonderfully clear hallmark on that, | 0:20:24 | 0:20:27 | |
you should take a look, and a great one here, too. | 0:20:27 | 0:20:30 | |
-Silver candlesticks. Where did you get these, Angela? -A car boot sale. | 0:20:30 | 0:20:34 | |
What?! In a car boot sale? | 0:20:34 | 0:20:36 | |
Like this, already made into lamps? | 0:20:36 | 0:20:38 | |
-Yes, they were in a junk box. -And how much did you pay for them? | 0:20:38 | 0:20:42 | |
£1. | 0:20:42 | 0:20:45 | |
-Do you have any idea how old this is? -No. | 0:20:45 | 0:20:48 | |
-Well, it's hallmarked, London, 1763. -Wow. | 0:20:48 | 0:20:53 | |
So, that is getting on for 250 years old. | 0:20:53 | 0:20:57 | |
That would have been part of a pair of candlesticks. | 0:20:57 | 0:20:59 | |
Basically, very neo-classical, with this Corinthian column, | 0:20:59 | 0:21:06 | |
and would have sat and graced any dining table in the country. | 0:21:06 | 0:21:10 | |
-This one is a lot younger, isn't it? -It's Birmingham, 1920-something. | 0:21:10 | 0:21:15 | |
So, although that has value, this is the real, real find. | 0:21:15 | 0:21:19 | |
And I guess someone's converted it to a lamp and everyone thought it must be electric, | 0:21:19 | 0:21:24 | |
it must be relatively new. | 0:21:24 | 0:21:26 | |
Is that going to make much difference to its value, | 0:21:26 | 0:21:29 | |
-the fact that someone's converted it to electricity? -No, nothing's been drilled. | 0:21:29 | 0:21:33 | |
You take that wooden base off, take the fitting out of that. You've still got the sconce, | 0:21:33 | 0:21:38 | |
-the drip tray. -They get lost, don't they? | 0:21:38 | 0:21:40 | |
They get lost, so you've got everything. | 0:21:40 | 0:21:42 | |
What you haven't got is the pair. | 0:21:42 | 0:21:44 | |
To have 18th century...you imagine Robert Adam, neo-classical, very much the influence on this. | 0:21:44 | 0:21:50 | |
It is in good condition. I can't see any damage on it. So, what a find. | 0:21:50 | 0:21:55 | |
So, what sort of profit is she likely to make on her £1? | 0:21:55 | 0:21:59 | |
I think an estimate between £200 and £400 together would be conservative. | 0:21:59 | 0:22:05 | |
And you may have thought they weren't worth a light, but let me tell you, they are. | 0:22:05 | 0:22:11 | |
Absolutely fantastic. | 0:22:11 | 0:22:12 | |
What is nice that if we add that £200 now to the lowest estimate | 0:22:12 | 0:22:16 | |
that James has given you on everything else he's seen... | 0:22:16 | 0:22:19 | |
I know you want to raise £700 for something special for Nina's 16th birthday | 0:22:19 | 0:22:23 | |
we should be able to make £740, but, who knows, as James says, that could be worth even more than £200. | 0:22:23 | 0:22:32 | |
So, keep you fingers crossed for the day of the auction. | 0:22:32 | 0:22:35 | |
You have got an eye for a bargain, haven't you? | 0:22:35 | 0:22:38 | |
I'm jealous, I'm taking notes here! | 0:22:38 | 0:22:40 | |
I'll have to come with you. | 0:22:40 | 0:22:43 | |
I think that Angela is something of an expert-in-the-making! | 0:22:43 | 0:22:46 | |
I can't wait to see how all her items do when she takes them to the sale room. | 0:22:46 | 0:22:51 | |
Remember the scent bottles she's collected over the years? | 0:22:51 | 0:22:55 | |
Well, there's a good collection that should make between £60 and £100. | 0:22:55 | 0:23:01 | |
Plus that Edwardian mahogany card table. | 0:23:01 | 0:23:04 | |
That should bring in another £60 to £100. | 0:23:04 | 0:23:07 | |
Finally, the collection of horse tack | 0:23:07 | 0:23:09 | |
showing Queen Victoria's emblem. | 0:23:09 | 0:23:11 | |
James gave it a conservative £30 to £50 estimate, | 0:23:11 | 0:23:15 | |
but, with its Royal connection, who knows what it will make on the day? | 0:23:15 | 0:23:19 | |
Still to come on Cash In The Attic, will Robin Hood come riding through the glen for us? | 0:23:22 | 0:23:28 | |
I'm not sure whether we did rob from the rich to give to the poor, | 0:23:28 | 0:23:32 | |
but it was a good try! | 0:23:32 | 0:23:34 | |
-We feel the angst of the bidder. -She can't resist it. | 0:23:34 | 0:23:38 | |
-And the excitement of the seller. -You out? | 0:23:38 | 0:23:41 | |
-But who'll be the happiest when the final hammer falls? -Are we all done? | 0:23:41 | 0:23:46 | |
Well, it's just been a couple of weeks since we were with Angela | 0:23:49 | 0:23:53 | |
and her daughter Nina at their home in Berkshire. | 0:23:53 | 0:23:56 | |
Angela's goal is £700 | 0:23:56 | 0:23:57 | |
so that she can have a very special birthday treat | 0:23:57 | 0:24:01 | |
for her daughter Nina when she's 16. | 0:24:01 | 0:24:03 | |
So we've brought all her items here today to sell | 0:24:03 | 0:24:06 | |
at the Chiswick auction rooms in west London, | 0:24:06 | 0:24:08 | |
and we're just waiting now for the bidders to arrive | 0:24:08 | 0:24:11 | |
and hopefully, they'll buy their things when they go under the hammer. | 0:24:11 | 0:24:15 | |
Today, we're at a sale of fine antiques and works of art. | 0:24:16 | 0:24:20 | |
I hope that's good news for Angela and her items, | 0:24:20 | 0:24:23 | |
in particular, the Edwin Earp watercolours and, of course, the Georgian silver candlestick. | 0:24:23 | 0:24:30 | |
They really do look rather splendid here on all this lovely furniture, don't they, James? | 0:24:31 | 0:24:37 | |
I'm having one last nostalgic look at this wonderful Georgian silver candlestick. | 0:24:37 | 0:24:41 | |
-Yes, because that really does have age and quality to it. -Absolutely. | 0:24:41 | 0:24:46 | |
Whereas this one, having taken a closer look at it, always was a silver lamp. | 0:24:46 | 0:24:50 | |
Absolutely and quite rightly, the auction house have chopped off the wires. | 0:24:50 | 0:24:54 | |
They are not guaranteeing it's safe as an electrical fitting. You've got to source out the electrics yourself. | 0:24:54 | 0:25:01 | |
Completely. This one, we decided, was round about what period? | 0:25:01 | 0:25:04 | |
I think that's 1930s. It's actually not a particularly old one. | 0:25:04 | 0:25:08 | |
It's a wonderful sale here today and I think the people here will recognise the quality in that piece. | 0:25:08 | 0:25:13 | |
Hope so. | 0:25:13 | 0:25:15 | |
The bidders have now started to arrive and there seems to be a fair amount of interest in our items. | 0:25:15 | 0:25:22 | |
But there's one piece they can't look at just now. | 0:25:22 | 0:25:26 | |
Hello Angela and Nina, taking a last look at your royal connections there! | 0:25:26 | 0:25:31 | |
You didn't know what that was, did you? | 0:25:31 | 0:25:33 | |
-No, not at all. -But we think that might do quite well today? | 0:25:33 | 0:25:36 | |
I think so, with that royal connection and all the carriage fittings. | 0:25:36 | 0:25:41 | |
-£30 to £50, it's got to do better than that. -It should do. | 0:25:41 | 0:25:44 | |
£700 is our target. Angela, have you told Nina yet | 0:25:44 | 0:25:46 | |
what you're going to do for her 16th birthday? | 0:25:46 | 0:25:49 | |
-Yes. -So, she knows already. | 0:25:49 | 0:25:52 | |
-I have told her. -So, what are you going to do? | 0:25:52 | 0:25:55 | |
We're going to actually do a makeover for her, for her bedroom. | 0:25:55 | 0:25:58 | |
Fantastic! Have you worked out what you want to do in the bedroom? | 0:25:58 | 0:26:01 | |
-Yeah. -What's it going to be? -We're going to wallpaper a wall and change my bed and change everything. | 0:26:01 | 0:26:07 | |
-Fantastic, so that £700 target we've got today, we've got to make, haven't we? -Oh, yes. | 0:26:07 | 0:26:13 | |
Shall we go and take our places? Let battle commence! | 0:26:13 | 0:26:16 | |
Angela has a dozen interesting offerings here, so let's hope they stand out amongst the competition. | 0:26:19 | 0:26:24 | |
The first of her lots to come up is a lovely old book | 0:26:27 | 0:26:30 | |
with a price tag of... | 0:26:30 | 0:26:32 | |
Angela, tell me about this book, | 0:26:35 | 0:26:36 | |
The Historical Anecdotes of the Life of Robin Hood. | 0:26:36 | 0:26:40 | |
It came from a garage sale near my house. | 0:26:40 | 0:26:42 | |
We were going out for the afternoon to get some plants | 0:26:42 | 0:26:45 | |
and I saw this sign, | 0:26:45 | 0:26:46 | |
and I said to my husband, "Let's go and have a look," | 0:26:46 | 0:26:48 | |
and I had a box full of books for two pounds. | 0:26:48 | 0:26:50 | |
-You can't resist it, can you? -No, I can't. | 0:26:50 | 0:26:53 | |
£10, £10 for it? £5 for it? Thank you, a bid at 5. | 0:26:53 | 0:26:57 | |
INAUDIBLE | 0:26:57 | 0:26:59 | |
Bidder at £5. Give me 6 for it? | 0:26:59 | 0:27:01 | |
£5, a starting bid of £5. Are we done? £5, you bidding 6? | 0:27:01 | 0:27:04 | |
-£5 and going... -GAVEL BANGS | 0:27:04 | 0:27:07 | |
I'm not sure whether we did rob from the rich to pay the poor, | 0:27:07 | 0:27:11 | |
but it was a good try! | 0:27:11 | 0:27:12 | |
It was a profit! | 0:27:12 | 0:27:14 | |
And it's a start, | 0:27:15 | 0:27:17 | |
but not much will change in Nina's bedroom | 0:27:17 | 0:27:19 | |
unless we make more than a fiver. | 0:27:19 | 0:27:21 | |
Next up is a lot that's fit for a queen. | 0:27:21 | 0:27:24 | |
It's the collection of horse tack that once adorned the horses | 0:27:24 | 0:27:28 | |
of Victoria Regina's Knights and Ladies of the Garter. | 0:27:28 | 0:27:32 | |
Perhaps even the Queen herself. | 0:27:32 | 0:27:35 | |
You're going to have people interested in horses and interested in royalty here. | 0:27:37 | 0:27:41 | |
Well, absolutely. I think Lord Hambleden is obviously very posh, | 0:27:41 | 0:27:46 | |
but not as posh as royalty, and that's what we're hoping for | 0:27:46 | 0:27:49 | |
is to get a paltry £30 to £50. | 0:27:49 | 0:27:52 | |
With that royal connection and the fantastic quality | 0:27:52 | 0:27:55 | |
on those tracers, I hope it canters away. | 0:27:55 | 0:27:59 | |
£40. £20. | 0:27:59 | 0:28:01 | |
-Oh, no. -£10. -No. -My goodness! | 0:28:01 | 0:28:05 | |
Thank you, a bid at 10. | 0:28:05 | 0:28:07 | |
A bid at 10, looking for 12, who'll give me 12? 15. | 0:28:07 | 0:28:10 | |
15? 15. 18? 18. 20? | 0:28:10 | 0:28:12 | |
22? 22. | 0:28:12 | 0:28:14 | |
25. At £25... 28? At £25...we're done. | 0:28:14 | 0:28:20 | |
Last time £25, all done. £25... | 0:28:20 | 0:28:24 | |
£25, you look disappointed. | 0:28:24 | 0:28:27 | |
-I thought it would be more than that. -It didn't run away. | 0:28:27 | 0:28:32 | |
That WAS a little disheartening though, | 0:28:32 | 0:28:36 | |
especially given its royal connections. | 0:28:36 | 0:28:39 | |
Still, it did almost make | 0:28:39 | 0:28:40 | |
James's lowest estimate. | 0:28:40 | 0:28:42 | |
Next it's the turn of the small Victorian brass telescope. | 0:28:42 | 0:28:45 | |
The estimate here is... | 0:28:45 | 0:28:48 | |
Where did this come from? | 0:28:50 | 0:28:51 | |
-A car-boot sale. -Surprise me, tell me what you paid for it? | 0:28:51 | 0:28:56 | |
-I paid about 50p for it. -Oh, well, even though it's got a bit of damage, | 0:28:56 | 0:29:00 | |
I'm feeling bullish - I think we're going to guarantee a profit on this. | 0:29:00 | 0:29:04 | |
Here we go! | 0:29:04 | 0:29:05 | |
Victorian brass telescope. £20... | 0:29:05 | 0:29:08 | |
Take a bid at £20... £20... 22... | 0:29:08 | 0:29:12 | |
22... 25... | 0:29:12 | 0:29:15 | |
30... 32? 30, is that all? | 0:29:17 | 0:29:20 | |
At £30, | 0:29:20 | 0:29:22 | |
at £30, all done, | 0:29:22 | 0:29:26 | |
£30, it goes out the door... | 0:29:26 | 0:29:28 | |
-Wonderful. -Not bad. -£30 was the top of the estimate. -All right, top of the estimate. | 0:29:28 | 0:29:32 | |
So, that was right on the nose, James. | 0:29:32 | 0:29:35 | |
And a good profit. | 0:29:35 | 0:29:37 | |
Angela certainly seems to have a talent for spotting classy items, | 0:29:37 | 0:29:41 | |
and her next lot is something else she picked up at a car-boot sale. | 0:29:41 | 0:29:46 | |
The two cigarette cases, now with a price tag of... | 0:29:46 | 0:29:49 | |
I think its surprising that, since smoking became one of those things you don't do in public any more, | 0:29:53 | 0:29:59 | |
how many times we find wonderful cigarette cases tucked away in drawers in people's homes. | 0:29:59 | 0:30:04 | |
People do use them for all sorts of things and, of course, these do have a hallmark on them. | 0:30:04 | 0:30:08 | |
They're such good quality that people just like to have them on display. | 0:30:08 | 0:30:13 | |
£20 apiece doesn't sound a lot to me. | 0:30:13 | 0:30:16 | |
£20, please, a bid at £20... 22... | 0:30:16 | 0:30:20 | |
25... 28... 30... 32... 35... 38... | 0:30:20 | 0:30:28 | |
40... 42... 45... £42... | 0:30:28 | 0:30:31 | |
Come on, my son. | 0:30:31 | 0:30:33 | |
42... £42... All finished at £42, | 0:30:33 | 0:30:36 | |
are we done? All finished at £42... | 0:30:36 | 0:30:39 | |
£42, £2 over your highest estimate, James. | 0:30:39 | 0:30:42 | |
-So they went really well. -Yeah. | 0:30:42 | 0:30:45 | |
And another great result. | 0:30:45 | 0:30:47 | |
You know, Angela could have found her forte here. | 0:30:47 | 0:30:50 | |
The next item is the Comitti clock that is up for £60 to £80. | 0:30:50 | 0:30:55 | |
It was bought about 20 years ago, not by Angela, but her husband, Bob. | 0:30:55 | 0:31:00 | |
-Did he like it? -I think he did, yeah. | 0:31:02 | 0:31:04 | |
His he going to be happy to see it go? | 0:31:04 | 0:31:06 | |
I don't know about him, but I am. | 0:31:06 | 0:31:09 | |
-Why's that? -I just really want modern items in the house. | 0:31:09 | 0:31:14 | |
You're ganging up against your poor old dad and making him sell it! | 0:31:14 | 0:31:18 | |
Maybe. | 0:31:18 | 0:31:20 | |
£50 for it? | 0:31:20 | 0:31:21 | |
£40 for it? Bid at 40... | 0:31:21 | 0:31:25 | |
42... 45... 48... | 0:31:25 | 0:31:27 | |
50... | 0:31:27 | 0:31:29 | |
That was 50 already. | 0:31:29 | 0:31:31 | |
£50 now, 55... 60? | 0:31:31 | 0:31:33 | |
Back in at 55... | 0:31:33 | 0:31:35 | |
£55, and going. 55, your bid. | 0:31:35 | 0:31:38 | |
-£55. -It wasn't bad. | 0:31:38 | 0:31:41 | |
You two will be pleased it's gone, your new look. | 0:31:41 | 0:31:45 | |
Just break the news to him gently. | 0:31:45 | 0:31:48 | |
Well, Bob may not have the golden touch of his wife, | 0:31:48 | 0:31:51 | |
but still, his clock was only £5 beneath James's lowest estimate. | 0:31:51 | 0:31:56 | |
Angela, something coming up that you have not bought | 0:31:56 | 0:31:59 | |
at a car-boot sale, and that's the canteen of silver-plated cutlery. | 0:31:59 | 0:32:02 | |
Remind where it did come from. | 0:32:02 | 0:32:04 | |
It was my husband's mother's. | 0:32:04 | 0:32:06 | |
It was their family cutlery, their best. | 0:32:06 | 0:32:09 | |
£30 to £60 about right, James? | 0:32:09 | 0:32:12 | |
I think it is about right, if you had for eight, or ten, or 12, | 0:32:12 | 0:32:15 | |
you'd be in hundreds and hundreds of pounds. | 0:32:15 | 0:32:18 | |
It's the fact that if you're giving a dinner party, | 0:32:18 | 0:32:21 | |
most people want more than six people there - it's as simple as that. | 0:32:21 | 0:32:25 | |
£30, start me. Thank you, £30. 32... | 0:32:25 | 0:32:28 | |
-They're already at £40. -That's good. -40 over there... | 0:32:28 | 0:32:32 | |
42... 45... 48... 50... | 0:32:32 | 0:32:35 | |
At 48, then, 50... | 0:32:35 | 0:32:39 | |
55... 60... 65... At £60, all done, your bid and gone, £60. | 0:32:39 | 0:32:45 | |
£60, top of the estimate! | 0:32:45 | 0:32:47 | |
-Top of the morning to you. -That's a good result, isn't it? -Yes. | 0:32:47 | 0:32:52 | |
There were quite a few bidders interested in that set | 0:32:52 | 0:32:55 | |
which pushed its price to the top. | 0:32:55 | 0:32:58 | |
Most of Angela's items have done really well today | 0:32:58 | 0:33:01 | |
and I think Angela and Nina are keen to know what the total is so far. | 0:33:01 | 0:33:05 | |
Halfway point, £700 is your total, so we'd be looking to make about £350 at this stage. | 0:33:05 | 0:33:12 | |
We're not quite there yet, but we do have some interesting things to come in the second half. | 0:33:12 | 0:33:17 | |
What's very interesting is, Angela, | 0:33:17 | 0:33:19 | |
you've been really cool as a cucumber watching everything go through, | 0:33:19 | 0:33:22 | |
and, Nina, you have been going... | 0:33:22 | 0:33:24 | |
SHE SQUEAKS | 0:33:24 | 0:33:26 | |
-..and almost levitating, are you enjoying yourself? -Oh, definitely. | 0:33:26 | 0:33:31 | |
-So far, we've made £217. -Wow. | 0:33:31 | 0:33:34 | |
But we've sold everything and we've got some great things to come. | 0:33:34 | 0:33:38 | |
If you have a special project in mind and need to raise a little money for it at auction, | 0:33:38 | 0:33:43 | |
it is worth bearing in mind that there are charges to be paid, | 0:33:43 | 0:33:47 | |
such as commission and they do vary from one sale room to another, so it is a good idea to check in advance. | 0:33:47 | 0:33:53 | |
Angela and Nina have six more items left to sell, including the stunning Georgian silver candlestick. | 0:33:53 | 0:34:00 | |
Next up is the oak-glazed display cabinet. | 0:34:00 | 0:34:05 | |
The price tag in the catalogue here is... | 0:34:05 | 0:34:07 | |
There's a large piece of furniture coming up. It must have left a hole. | 0:34:09 | 0:34:13 | |
Yes, there is a hole, but it's quite nice because I can now put something else more suitable. | 0:34:13 | 0:34:18 | |
£50 for it. £30 for it. Take 30... 32... | 0:34:18 | 0:34:23 | |
35... 38... 40... 42... 45... | 0:34:23 | 0:34:26 | |
Working its way up to what we really wanted! | 0:34:26 | 0:34:29 | |
55... 60... 65... One more please, 65... 70.. £70... | 0:34:29 | 0:34:35 | |
70, 75... £70, are we done at £70? | 0:34:35 | 0:34:43 | |
£70. | 0:34:43 | 0:34:45 | |
-That's not too bad. -Could have done better, but you are delighted to have got rid of it, aren't you? | 0:34:45 | 0:34:51 | |
Yes, I don't want to take it back. | 0:34:51 | 0:34:53 | |
It wouldn't have gone back in the back of the car easily! | 0:34:53 | 0:34:56 | |
Just £10 under the top estimate is another great result | 0:34:56 | 0:35:00 | |
and £70 is a good amount to put in the pot. | 0:35:00 | 0:35:05 | |
The mahogany card table is up next. Will it be snapped up | 0:35:05 | 0:35:09 | |
for £60 to £100? | 0:35:09 | 0:35:11 | |
According to the catalogue, the next item of yours to come up | 0:35:12 | 0:35:17 | |
is the Edwardian mahogany tea table with a fold-over top and under-tier. | 0:35:17 | 0:35:22 | |
You were pretty convinced that this was a games table. | 0:35:22 | 0:35:25 | |
I'm not sure why they've called it a tea table, | 0:35:25 | 0:35:27 | |
because you've got cubby holes for putting your chips and playing cards. | 0:35:27 | 0:35:32 | |
I'd much rather be playing a game at that table than taking tea, which no-one does any more! | 0:35:32 | 0:35:36 | |
£50 for it, please... £50 for it. | 0:35:36 | 0:35:39 | |
The table. £50... 55... 60... | 0:35:39 | 0:35:45 | |
65... 70... 75... | 0:35:45 | 0:35:47 | |
-Still going up. -Come on! | 0:35:47 | 0:35:50 | |
At £70, I'm going at £70... | 0:35:50 | 0:35:53 | |
£70, that's a bit more than you paid for it, isn't it, Angela? | 0:35:53 | 0:35:56 | |
Oh, yes, I paid about £18. | 0:35:56 | 0:35:58 | |
There you go, got a return. | 0:35:58 | 0:36:00 | |
You see? Learn from your mother, Nina. | 0:36:00 | 0:36:02 | |
I wonder if the winning bidder is going to play cards on it, | 0:36:04 | 0:36:08 | |
or take tea. | 0:36:08 | 0:36:09 | |
Now, we've got your wonderful collection of scent bottles here. | 0:36:09 | 0:36:13 | |
Although these were very girlie and very feminine, I liked them. | 0:36:13 | 0:36:17 | |
You must be sorry to see some of these go. | 0:36:17 | 0:36:19 | |
I am, in a way, because some of them are very, very lovely. | 0:36:19 | 0:36:22 | |
-How many have you got? -Between 15 and 20, I think. | 0:36:22 | 0:36:26 | |
You're getting quite a lot for your money, | 0:36:26 | 0:36:28 | |
because £60 to £100 for the entire collection, | 0:36:28 | 0:36:31 | |
it's three of four quid each, which isn't huge. | 0:36:31 | 0:36:34 | |
They're very collectible, scent bottles. | 0:36:34 | 0:36:36 | |
£50... Thank you, a bid at £50. 55... 60... | 0:36:36 | 0:36:42 | |
65, I'll come back to you. 65... 70... | 0:36:42 | 0:36:44 | |
75... 80... 85... | 0:36:44 | 0:36:47 | |
90... 95... | 0:36:47 | 0:36:49 | |
-100... 110... -Yes! | 0:36:49 | 0:36:51 | |
120... | 0:36:51 | 0:36:53 | |
130... Up to you now. | 0:36:53 | 0:36:56 | |
At 120... | 0:36:56 | 0:36:58 | |
130, new bidder. 140... | 0:36:58 | 0:37:01 | |
130... 140... At 130 in the middle, £130. | 0:37:01 | 0:37:06 | |
She really wants them, she's been outbid. | 0:37:06 | 0:37:08 | |
135, you want? | 0:37:08 | 0:37:11 | |
135, she's come back in. | 0:37:11 | 0:37:14 | |
She can't resist it, she's back in again. | 0:37:14 | 0:37:16 | |
£140, 145... | 0:37:16 | 0:37:19 | |
£140... 145, she means it... | 0:37:19 | 0:37:23 | |
150... 150... | 0:37:23 | 0:37:26 | |
155... You going to roll your eyes again? | 0:37:26 | 0:37:29 | |
At 150, and 155... | 0:37:29 | 0:37:34 | |
You out? 155! Why not? | 0:37:34 | 0:37:36 | |
160? | 0:37:36 | 0:37:37 | |
You've got 'em at 155. | 0:37:37 | 0:37:40 | |
-155, all done. 238, 155. -GAVEL BANGS | 0:37:40 | 0:37:44 | |
Good price, and I'm glad she got them, because... | 0:37:44 | 0:37:47 | |
The look of disappointment! And then she thought, "There's going to be one more bid." | 0:37:47 | 0:37:52 | |
It was a very feminine lot, so it's right that she gets it. | 0:37:52 | 0:37:56 | |
We all felt quite involved there | 0:37:56 | 0:37:57 | |
and really wanted the bottles to go to that lady. | 0:37:57 | 0:38:00 | |
They went for a terrific price too, so we're doubly delighted. | 0:38:00 | 0:38:04 | |
Next, another collection that belonged to Angela's mother-in-law. | 0:38:04 | 0:38:08 | |
These silver hairbrushes and table mirrors are valued at... | 0:38:08 | 0:38:14 | |
Not something that you used on your dressing table. | 0:38:14 | 0:38:17 | |
They've just sat in a box for ages. | 0:38:17 | 0:38:19 | |
-And it's not the kind of thing you would use either presumably, Nina? -No, not really. | 0:38:19 | 0:38:24 | |
Is it because you didn't like them, or...? | 0:38:24 | 0:38:26 | |
They just weren't my style. | 0:38:26 | 0:38:29 | |
£50... | 0:38:29 | 0:38:30 | |
£30, start me. | 0:38:30 | 0:38:32 | |
A bid at £30. 32... | 0:38:32 | 0:38:34 | |
32... 35... 38... 40... | 0:38:34 | 0:38:37 | |
42... 45... 48... 50... 55... | 0:38:37 | 0:38:41 | |
It's now at £50... | 0:38:41 | 0:38:44 | |
Are we done at £50? Going at £50... | 0:38:44 | 0:38:48 | |
£50, bottom of the estimate, but that's a good result. | 0:38:48 | 0:38:51 | |
That's all right. | 0:38:51 | 0:38:53 | |
Right on the nose, and another £50 into the pot. | 0:38:53 | 0:38:58 | |
Angela has just two lots left, with the Edwin Earp watercolours up first. She bought them | 0:38:58 | 0:39:03 | |
from a local gallery, and now they're valued at... | 0:39:03 | 0:39:08 | |
You were a little bit tipsy when you bought these, weren't you? | 0:39:09 | 0:39:13 | |
I really was, yes. | 0:39:13 | 0:39:14 | |
I'd had a few drinks because they had an open evening | 0:39:14 | 0:39:17 | |
and of course it was free drink and I decided I'd have something as well. | 0:39:17 | 0:39:21 | |
So, I was showing off, I suppose! | 0:39:21 | 0:39:24 | |
Three watercolours, £100... | 0:39:24 | 0:39:26 | |
Thank you for the £100. | 0:39:26 | 0:39:27 | |
110... 120... 130... 140... 150... 160... | 0:39:27 | 0:39:33 | |
£150... | 0:39:33 | 0:39:35 | |
150, take 160. | 0:39:35 | 0:39:37 | |
-150, last chance, your bid... -GAVEL BANGS | 0:39:37 | 0:39:41 | |
-£150. -It wasn't bad. | 0:39:41 | 0:39:43 | |
It's time for somebody else to enjoy them. | 0:39:43 | 0:39:45 | |
£150. That's £50 over what Angela paid for them originally. | 0:39:45 | 0:39:50 | |
So, in spite of being a little tipsy at the time, she made a profit. | 0:39:50 | 0:39:55 | |
It's time for our final lot and we should be going out with a bang, | 0:39:55 | 0:39:58 | |
as it's the two candlesticks, one of which is Georgian. | 0:39:58 | 0:40:03 | |
You bought it for next to nothing, didn't you? | 0:40:07 | 0:40:10 | |
-What did you pay for them? -I only paid £1 for each of them. | 0:40:10 | 0:40:13 | |
I'm going to come along with you. Next time you go for one of these, I want to be there! | 0:40:13 | 0:40:18 | |
Let's see what your return is going to be on that one. | 0:40:18 | 0:40:21 | |
150 to start me. 150 there. | 0:40:21 | 0:40:23 | |
160... 170... 180... | 0:40:23 | 0:40:27 | |
190... 200... | 0:40:27 | 0:40:28 | |
210... 220... 230... | 0:40:28 | 0:40:32 | |
240... 250... | 0:40:32 | 0:40:34 | |
260... At £250... | 0:40:34 | 0:40:38 | |
Going at £250 and gone... | 0:40:38 | 0:40:40 | |
-Good. -£250. | 0:40:40 | 0:40:43 | |
Good result. | 0:40:43 | 0:40:45 | |
It's a shame they didn't make more, | 0:40:45 | 0:40:48 | |
but Angela seems very relaxed about the sale and she doesn't know her full total yet. | 0:40:48 | 0:40:53 | |
I'm sure she's going to have good cause to get excited. | 0:40:53 | 0:40:58 | |
I did say at the halfway point that we were not halfway to your £700, but never fear, | 0:40:58 | 0:41:04 | |
because we were all optimistic that the second half was going to be good and it really has been. | 0:41:04 | 0:41:09 | |
£700 is what you wanted to spend on that makeover for Nina's room, but there's going to be a bit left over | 0:41:09 | 0:41:16 | |
and I think, Angela, you should decide how you want | 0:41:16 | 0:41:19 | |
to spend the rest of the money, because you've made £962. | 0:41:19 | 0:41:23 | |
-Oh, lovely. -What?! | 0:41:23 | 0:41:26 | |
So, I think your mum gets to spend £262 on something else. | 0:41:26 | 0:41:30 | |
-A bit of pampering. -Clothes for me! | 0:41:30 | 0:41:33 | |
How about something for your mum? | 0:41:33 | 0:41:35 | |
No! | 0:41:35 | 0:41:37 | |
Back at their house, and Angela has wasted no time in transforming Nina's bedroom. | 0:41:42 | 0:41:48 | |
Even her dad, Bob, has been roped in | 0:41:48 | 0:41:50 | |
along with a family friend to do the finishing touches. | 0:41:50 | 0:41:53 | |
We've gone for the glamorous style, really. | 0:41:53 | 0:41:58 | |
She wanted it done as a movie star because she's heading into that kind of thing. | 0:41:58 | 0:42:04 | |
So, what does Nina think of the makeover? | 0:42:04 | 0:42:08 | |
NINA GASPS | 0:42:08 | 0:42:09 | |
No way! | 0:42:09 | 0:42:11 | |
I think it's really, really amazing. | 0:42:11 | 0:42:15 | |
I absolutely love the light. It is so nice when you turn it on the light reflects on the ceiling. | 0:42:15 | 0:42:22 | |
-And now she's going to keep it nice and clean, she's promised. Hopefully. -Hopefully. | 0:42:22 | 0:42:27 | |
Subtitles by Red Bee Media Ltd | 0:42:37 | 0:42:41 | |
E-mail [email protected] | 0:43:08 | 0:43:11 |