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Hello and welcome to Cash In The Attic, | 0:00:02 | 0:00:03 | |
the show that hunts out hidden treasures and helps you sell them at auction. | 0:00:03 | 0:00:07 | |
Today, I'm in all the hubbub of east London and I'm on my way to a house that I think is full of promise. | 0:00:07 | 0:00:13 | |
I'm told there are all sorts of collectables in there, including this, an ostrich egg! | 0:00:13 | 0:00:18 | |
What do you reckon it's worth? Well, I couldn't possibly tell you, | 0:00:18 | 0:00:21 | |
but I know a man who can and all will be revealed before the final hammer falls. | 0:00:21 | 0:00:27 | |
Coming up on Cash In The Attic, one of our items is music to Jonty's ears. | 0:00:46 | 0:00:52 | |
-I really do like that sound. -That is beautiful. -It's the ring of confidence. | 0:00:52 | 0:00:56 | |
-Yes, definitely! -There's excitement at a rare and valuable find. | 0:00:56 | 0:01:02 | |
I knew that that was a loved piece, but now my heart's racing! | 0:01:02 | 0:01:07 | |
And at the auction, is satisfaction ever guaranteed? | 0:01:07 | 0:01:11 | |
-She says it's not enough. -It's not enough. Come on, more! | 0:01:11 | 0:01:14 | |
Find out when the final hammer falls. | 0:01:14 | 0:01:18 | |
I'm in Bethnal Green and I'm on my way to meet the daughters | 0:01:18 | 0:01:21 | |
of a truly remarkable woman who is sadly no longer with us. | 0:01:21 | 0:01:25 | |
But she's left behind a rich legacy from a lifetime of collecting. | 0:01:25 | 0:01:29 | |
The question, though, is are there any real riches there? | 0:01:29 | 0:01:32 | |
The Cash In The Attic team have been called in to find out. | 0:01:32 | 0:01:36 | |
Until just a few weeks ago, this house in London's Bethnal Green was home to Doreen Perry. | 0:01:36 | 0:01:42 | |
She was a remarkable woman whose achievements in life included the creation of a highly successful | 0:01:42 | 0:01:47 | |
record label and saving a school from certain closure. | 0:01:47 | 0:01:52 | |
Her passion for collecting has left this three-bedroomed home full of antiques | 0:01:52 | 0:01:56 | |
and their destiny now lies in the hands of her two daughters, | 0:01:56 | 0:02:00 | |
Louise, a website designer, and Nicki, who has her own restaurant in New York. | 0:02:00 | 0:02:06 | |
Jonty Hearnden is our expert today and he's looking forward to finding | 0:02:06 | 0:02:10 | |
an array of antique furniture and, hopefully, some quality collectables. | 0:02:10 | 0:02:15 | |
-Hello, ladies. -Hello. -Hi. -Hello. | 0:02:15 | 0:02:17 | |
-Who's who here, then? -Nicki. | 0:02:17 | 0:02:18 | |
-Hi, Nicki. -Louise. -Thank you so much for inviting us here | 0:02:18 | 0:02:22 | |
-because I know that your mother passed away very recently, didn't she? -Yeah. | 0:02:22 | 0:02:25 | |
-What kind of woman was she? -Unbelievably enthusiastic about the things that she loved. | 0:02:25 | 0:02:29 | |
Very black and white person. | 0:02:29 | 0:02:31 | |
-So how much money do you want to raise today? -We think £1,000. -As much as possible. -Yes, as much... | 0:02:31 | 0:02:36 | |
-Yes, as much as possible. -And what's it going to go towards? | 0:02:36 | 0:02:39 | |
She was the chair of governors at the Sir John Cass Foundation Redcoat School here in Bethnal Green, | 0:02:39 | 0:02:45 | |
-which is why she moved here. -It's for the school that your mother helped so much? | 0:02:45 | 0:02:50 | |
-Yeah. -Brilliant. All right, so £1,000 for the school. | 0:02:50 | 0:02:53 | |
-We'd better get rummaging. -Yes. | 0:02:53 | 0:02:55 | |
Doreen's antiques took pride of place in her home. | 0:02:55 | 0:02:59 | |
The display is remarkable and, with any luck, | 0:02:59 | 0:03:02 | |
we should be able to find enough items to raise that £1,000 at the auction. | 0:03:02 | 0:03:07 | |
Jonty, of course, has spent his life immersed in the world of antiques | 0:03:09 | 0:03:14 | |
and he's always the first to get started on our rummaging. | 0:03:14 | 0:03:17 | |
Today, it looks as if he's going to have | 0:03:17 | 0:03:19 | |
some excellent support from Nicki and Louise, | 0:03:19 | 0:03:21 | |
who've already found something to show him. | 0:03:21 | 0:03:24 | |
We've got three maps of old London. | 0:03:24 | 0:03:26 | |
Wonderful. These are originals. | 0:03:26 | 0:03:29 | |
-Really? -We should have a date here at the bottom. | 0:03:29 | 0:03:31 | |
It says 1755? | 0:03:31 | 0:03:33 | |
That's very old, isn't it? | 0:03:33 | 0:03:35 | |
-That's amazing. -Yeah, that is amazing. | 0:03:35 | 0:03:37 | |
And they really are a snapshot in time. | 0:03:37 | 0:03:39 | |
This is obviously what the north of the old city of London looked like. | 0:03:39 | 0:03:43 | |
So this is of Cripplegate. | 0:03:43 | 0:03:45 | |
Cripplegate was a gate in the old wall in the City of London | 0:03:45 | 0:03:48 | |
-and it's the Barbican now. -My mother lived in the Barbican. | 0:03:48 | 0:03:52 | |
-Oh, that's where she had this. -That's why she's got that, yeah. | 0:03:52 | 0:03:55 | |
That's why maps are interesting, how the world changed. | 0:03:55 | 0:03:57 | |
Often you see little maps of London and then, voom, it's a whole metropolis. | 0:03:57 | 0:04:02 | |
-So, can we sell these? -Yes, absolutely. What do you think we'd get for those? | 0:04:02 | 0:04:06 | |
We're looking at, what? | 0:04:06 | 0:04:07 | |
For three, £100 to £150. | 0:04:07 | 0:04:10 | |
That's a good valuation to kick off our day here in Bethnal Green, | 0:04:17 | 0:04:22 | |
and we have our first contribution towards that target of £1,000. | 0:04:22 | 0:04:27 | |
As we split up to cover all corners, | 0:04:27 | 0:04:29 | |
it's becoming clear just how keen a collector Doreen was. | 0:04:29 | 0:04:32 | |
There's more than enough here to keep Jonty busy. | 0:04:32 | 0:04:36 | |
-Well, it's a holder to put your plant pot into. -Right. | 0:04:36 | 0:04:39 | |
But it really is very good quality. | 0:04:39 | 0:04:41 | |
I don't think this is 19th century, I think it's 20th century. | 0:04:41 | 0:04:45 | |
-OK. -But the decoration is really top quality, it's very, very beautiful, | 0:04:45 | 0:04:50 | |
and all of that is hand-decorated with this lovely gilded decoration round the outside. | 0:04:50 | 0:04:55 | |
The mark is Copeland. Now, that's a good sign because Copeland started life in Staffordshire in the 1770s, | 0:04:55 | 0:05:02 | |
And I think this jardiniere is so attractive, so decorative, | 0:05:02 | 0:05:05 | |
that it's got to be worth around about £100. | 0:05:05 | 0:05:09 | |
-That's great. -Happy? -Very happy. | 0:05:09 | 0:05:11 | |
Oh, I'm happy. I really do like that sound. | 0:05:11 | 0:05:13 | |
-That is beautiful. -It's nice, isn't it? | 0:05:13 | 0:05:15 | |
-It's the ring of confidence. -Yes, definitely! | 0:05:15 | 0:05:18 | |
What a great price for a modern piece with no antique value, | 0:05:18 | 0:05:22 | |
but will Jonty be as confident about the next item? | 0:05:22 | 0:05:24 | |
I can't imagine he's come across too many giant ornamental eggs in his time! | 0:05:24 | 0:05:30 | |
Of course, they're ostrich eggs, | 0:05:30 | 0:05:32 | |
but we have a pair here, but we've also got | 0:05:32 | 0:05:34 | |
this lovely decorated ostrich egg here, covered in butterflies. | 0:05:34 | 0:05:39 | |
But ostrich eggs, you can see just how decorative they are. | 0:05:39 | 0:05:42 | |
Well, let's take a look at the pair in more detail. | 0:05:42 | 0:05:45 | |
If I pick this one up here, we can see that we have a crack in the top. | 0:05:45 | 0:05:48 | |
This is where the innards have been taken out, but to cover that crack up | 0:05:48 | 0:05:52 | |
they have placed this decorative finial on the top, | 0:05:52 | 0:05:55 | |
but the stands themselves are extraordinary. | 0:05:55 | 0:05:58 | |
They are gilded bronze, very heavy, and I believe these to be stands | 0:05:58 | 0:06:01 | |
for oriental vases, so the vases have been taken away | 0:06:01 | 0:06:05 | |
and the stands have been almost like recycled to place the pair of eggs on the top, | 0:06:05 | 0:06:09 | |
but they make just a great pair. I suspect that we're looking at | 0:06:09 | 0:06:12 | |
between £80 and £120 there. | 0:06:12 | 0:06:14 | |
What do you think of that valuation? | 0:06:14 | 0:06:17 | |
-That's fabulous. -OK? -Absolutely. | 0:06:17 | 0:06:18 | |
I just hope those eggs get to auction in one piece! | 0:06:18 | 0:06:23 | |
While Jonty, Nicki and Louise are still hunting around the house, | 0:06:23 | 0:06:26 | |
I'm reminded that Doreen's passion for collecting encompassed both old and new. | 0:06:26 | 0:06:30 | |
In her old bedroom, there's more evidence of her love of the contemporary. | 0:06:30 | 0:06:35 | |
These two blown glass bowls are really rather stylish | 0:06:35 | 0:06:38 | |
and Jonty packs them off to auction with a £50 to £70 price tag. | 0:06:38 | 0:06:43 | |
On the landing, he spots a pair of pictures of Doreen's favourite subject matter, the butterfly. | 0:06:43 | 0:06:49 | |
They're Oriental silk and date from the 19th century. | 0:06:49 | 0:06:52 | |
Jonty thinks they should fetch £40 to £60 at auction. | 0:06:52 | 0:06:57 | |
The butterfly motif appears in almost every room of Doreen's house. | 0:06:57 | 0:07:01 | |
She was clearly quite a character and I want to learn more about her. | 0:07:01 | 0:07:05 | |
So this is your mother, Doreen. | 0:07:05 | 0:07:07 | |
My goodness me! | 0:07:07 | 0:07:09 | |
What a stylish, incredible lady. Are these quite recent, these pictures? | 0:07:09 | 0:07:14 | |
-They are recent. I think they're within the last six months. -Yeah, they are. | 0:07:14 | 0:07:18 | |
And even when she was very, very ill, she still had the full face of make-up, the shoes, the outfit | 0:07:18 | 0:07:25 | |
-when she could barely walk. -She was clearly a most extraordinary woman, but what was her upbringing like? | 0:07:25 | 0:07:31 | |
We didn't know who her real parents were. She wouldn't discuss it. | 0:07:31 | 0:07:34 | |
In actual fact, when she was 18 months old, | 0:07:34 | 0:07:36 | |
her parents separated and they dumped her in a children's home. | 0:07:36 | 0:07:41 | |
-How extraordinary. -Which is why I think | 0:07:41 | 0:07:43 | |
-she's always been for the underdog. -She was very tough. | 0:07:43 | 0:07:46 | |
Passionate about the opera and classical music. | 0:07:46 | 0:07:49 | |
We were not allowed to play pop music in the house. | 0:07:49 | 0:07:52 | |
She loved it. It was her passion. | 0:07:52 | 0:07:55 | |
And I don't know that she knew as much as my dad, but she absolutely loved it. | 0:07:55 | 0:07:59 | |
And the two of them started Hyperion Records, | 0:07:59 | 0:08:03 | |
which is the most prestigious small classical record label in the world | 0:08:03 | 0:08:06 | |
and has won all sorts of awards, and they started that company together. | 0:08:06 | 0:08:10 | |
-I tell you, you two have got something to live up to, haven't you? -We have! | 0:08:10 | 0:08:14 | |
I don't think we'll ever make it! Not even combined! | 0:08:14 | 0:08:17 | |
What a lady! | 0:08:17 | 0:08:20 | |
And that's not to mention the school she saved from closure. | 0:08:20 | 0:08:22 | |
But we're here to raise £1,000 so we need to get back to work. | 0:08:22 | 0:08:27 | |
Jonty's still hard at it, and has unearthed an Edwardian oval tray. | 0:08:27 | 0:08:31 | |
With a musical design in the centre and a fluted edge, | 0:08:31 | 0:08:34 | |
it wings its way to auction with an estimate of £30-£50. | 0:08:34 | 0:08:38 | |
As we continue to search every inch of this property, Nicki concentrates | 0:08:38 | 0:08:43 | |
her efforts in the garden room, home to her mum's favourite pieces of china. | 0:08:43 | 0:08:48 | |
She picks out this porcelain cow, which is, in fact, a novelty creamer. | 0:08:48 | 0:08:52 | |
It's based on a design that originated in Holland | 0:08:52 | 0:08:55 | |
and was later produced in the UK from the mid-18th century. | 0:08:55 | 0:08:59 | |
It's in great condition and heads off to auction | 0:08:59 | 0:09:02 | |
with a very respectable £80 to £120 estimate. | 0:09:02 | 0:09:04 | |
And in the dining room, | 0:09:04 | 0:09:06 | |
something rather special has caught Jonty's eye. | 0:09:06 | 0:09:09 | |
Take a look at this. | 0:09:09 | 0:09:11 | |
-Gosh, that's beautiful. -This fan is stunning. | 0:09:11 | 0:09:14 | |
This whole scene here is hand-painted, | 0:09:14 | 0:09:17 | |
so this is a paper fan suspended on mother-of-pearl. | 0:09:17 | 0:09:21 | |
That's what gives it the lovely glistening effect. | 0:09:21 | 0:09:23 | |
Yes, can you imagine in subdued light, | 0:09:23 | 0:09:26 | |
under candlelight or under oil light, the shimmer of mother-of-pearl? | 0:09:26 | 0:09:29 | |
-Is it old, then? -Very old. Date-wise, we're looking between 210, | 0:09:29 | 0:09:35 | |
maybe 240 years old and it's not English, it's French. | 0:09:35 | 0:09:39 | |
Oh, my word, that's incredible! | 0:09:39 | 0:09:41 | |
Yeah. It's very interesting, that, because the closer you look, | 0:09:41 | 0:09:44 | |
the more restoration you see, which makes sense because this is paper, just how fragile it would be. | 0:09:44 | 0:09:50 | |
-It's been restored? -Have a look here. Can you see... -Oh, OK. | 0:09:50 | 0:09:53 | |
-..that there is extra layers of paper that have been laid upon...? -Wow! | 0:09:53 | 0:09:57 | |
And therefore hand-painted in to restore it. | 0:09:57 | 0:10:00 | |
-It all makes sense. -So it's been loved, then. | 0:10:00 | 0:10:02 | |
Absolutely. And it's been worth one's while restoring this | 0:10:02 | 0:10:07 | |
because you're looking not at just a fan, you're looking at a work of art. | 0:10:07 | 0:10:11 | |
I was going to say that. It is a work of art. | 0:10:11 | 0:10:13 | |
-It really is. -It's very beautiful. -Hence the reason why it's framed. | 0:10:13 | 0:10:16 | |
And why people collect these - they're so beautiful. | 0:10:16 | 0:10:19 | |
But with a fan like this, | 0:10:19 | 0:10:22 | |
there's something else to be looked at, so let me show you. | 0:10:22 | 0:10:25 | |
Now, can you notice that this has no back to it at all? | 0:10:25 | 0:10:29 | |
-OK. -That was an optical illusion. I thought there was a backing. | 0:10:29 | 0:10:32 | |
So let me take this off. What can we see? | 0:10:32 | 0:10:35 | |
-Oh, my goodness! -Wow! -What do I see? -It's painted on the back. | 0:10:35 | 0:10:37 | |
So it's totally different. It's unique. | 0:10:37 | 0:10:40 | |
I don't want to put an exact figure on it because of the restoration, | 0:10:40 | 0:10:43 | |
but we're looking at between £200 and £400. | 0:10:43 | 0:10:47 | |
-Whoa! -Wow, that's incredible. | 0:10:47 | 0:10:49 | |
-Yes? Happy? -That's fantastic. | 0:10:49 | 0:10:51 | |
That really is an amazing object and so delicate. | 0:10:51 | 0:10:56 | |
Will that count on sale day? | 0:10:56 | 0:10:58 | |
At £65. I'm bid 70. 75. 80. | 0:10:58 | 0:11:02 | |
Find out later whether this gilt-framed work of art reaches its top estimate at auction. | 0:11:02 | 0:11:06 | |
The fan has spurred us all on to keep looking and Nicki has spotted a pair of framed prints of London. | 0:11:09 | 0:11:15 | |
Jonty thinks the prints could appeal to history-lovers | 0:11:15 | 0:11:18 | |
and values the pair at £80 to £120. | 0:11:18 | 0:11:21 | |
Louise is upstairs, searching through her mum's old cupboards and discovers an impressive collection | 0:11:23 | 0:11:28 | |
of hats, some of them by milliner, Stephen Jones. | 0:11:28 | 0:11:32 | |
I've heard how particular Doreen was about her appearance and Jonty thinks | 0:11:32 | 0:11:36 | |
this rather splendid collection could fetch upwards of £80. | 0:11:36 | 0:11:43 | |
On a roll, she sends this elegant chair off to auction. | 0:11:43 | 0:11:47 | |
Its ornate tapestry covering is in superb condition, | 0:11:47 | 0:11:51 | |
but it's a modern reproduction of a French-style chair | 0:11:51 | 0:11:54 | |
so Jonty values it accordingly at £60 to £80. | 0:11:54 | 0:11:58 | |
We're making good progress towards our target of £1,000 that the sisters will donate to the school. | 0:12:01 | 0:12:06 | |
And, lurking amongst the mass of china, | 0:12:06 | 0:12:09 | |
Jonty discovers an item that could be the find we're all hoping for. | 0:12:09 | 0:12:13 | |
-Guys, you HAVE to stop what you're doing here because I have found a really rare item. -Oh, really? | 0:12:13 | 0:12:20 | |
Look at this beautiful bowl. This is quite... | 0:12:20 | 0:12:24 | |
-You know, I'm gobsmacked, I really am! I really am gobsmacked. -Did you know this was special? | 0:12:24 | 0:12:28 | |
-I knew that that was a loved piece, but now my heart's racing! -Well, it is very exciting. | 0:12:28 | 0:12:34 | |
This is a bowl that was made in Worcester, | 0:12:34 | 0:12:38 | |
but made a long time ago in the Worcester factory. About 1770. | 0:12:38 | 0:12:44 | |
-Wow! -Really? -And we have the mark on the underside here. | 0:12:44 | 0:12:48 | |
-This under-glaze blue mark was used by the factory all the way up until 1785. -OK. | 0:12:48 | 0:12:53 | |
But it's distinctively Worcester. | 0:12:53 | 0:12:56 | |
If you see the blue, particularly, that is in the style of fish scales. | 0:12:56 | 0:13:02 | |
They were copying factories like Sevres and Chelsea, | 0:13:02 | 0:13:06 | |
but at the time, at the time when this bowl was made, | 0:13:06 | 0:13:09 | |
they were producing the finest porcelain the country was producing | 0:13:09 | 0:13:13 | |
and that's why so many people collect Worcester of this period. | 0:13:13 | 0:13:17 | |
But there's a little bit of a problem that we have on the other side. | 0:13:17 | 0:13:21 | |
It looks perfect, | 0:13:21 | 0:13:23 | |
but there's a slightly different colour. | 0:13:23 | 0:13:27 | |
There's a bit of a shadow there. | 0:13:27 | 0:13:29 | |
-Now, I think that that's restoration. -Really? -Yes. | 0:13:29 | 0:13:33 | |
-If you turn it on the other side too, can you see a slightly different colour... -Oh, yes, yes. | 0:13:33 | 0:13:39 | |
..to the inside there? Now, if this was in good condition, and I don't | 0:13:39 | 0:13:43 | |
believe that it is in perfect condition, at auction, this should sell for in excess of £1,000. | 0:13:43 | 0:13:50 | |
But with restoration, I believe this to be more like the £500 mark. | 0:13:50 | 0:13:55 | |
-That's not too bad, is it? -No, it's fantastic. -Yeah? You'd better tell Louise about it. | 0:13:55 | 0:14:00 | |
-Louise! -Go and tell her that we've made a very interesting find. | 0:14:00 | 0:14:04 | |
Hi! I think you can stop rummaging now, my dear. | 0:14:04 | 0:14:07 | |
-Ah, the bowl. -Yeah. -Yes. Beautiful. | 0:14:07 | 0:14:11 | |
I got very, very excited, but I think I've spotted a bit of restoration, | 0:14:11 | 0:14:15 | |
-so we are still, hopefully, looking around £500 at the moment. -Wow, that's fantastic. | 0:14:15 | 0:14:20 | |
It's a very positive way to end the day, actually, and what a day it's been! | 0:14:20 | 0:14:24 | |
-At the start of the day, we were saying that you wanted to raise £1,000... -Yeah. | 0:14:24 | 0:14:28 | |
..to help the school that your mother did so much for and that meant so much to her. | 0:14:28 | 0:14:34 | |
Well, even with the damaged bowl, we reckon that you will, in fact, | 0:14:34 | 0:14:39 | |
at the auction make £1,380. | 0:14:39 | 0:14:42 | |
Fantastic. | 0:14:42 | 0:14:44 | |
-Brilliant. -The school will be thrilled with that. -Yeah. -Yeah. | 0:14:44 | 0:14:48 | |
We've had a fascinating day in Bethnal Green hearing all about a quite remarkable woman. | 0:14:48 | 0:14:52 | |
And didn't she have an eye for collectables! | 0:14:52 | 0:14:55 | |
Heading off to auction, we have the highly unusual collection | 0:14:55 | 0:14:58 | |
of decorative ostrich eggs. | 0:14:58 | 0:15:00 | |
Who knows what someone might pay for this quirky lot, | 0:15:00 | 0:15:03 | |
but we're hoping it'll be at least £80. | 0:15:03 | 0:15:07 | |
The beautiful hand-painted fan that survived intact | 0:15:09 | 0:15:12 | |
for over two centuries. | 0:15:12 | 0:15:13 | |
It's a work of art and deserves to reach its £200 estimate. | 0:15:13 | 0:15:17 | |
And, of course, the incredible 18th-century Worcester plate. | 0:15:19 | 0:15:23 | |
Jonty was rendered almost speechless by its rarity | 0:15:23 | 0:15:26 | |
and there's every chance | 0:15:26 | 0:15:28 | |
his estimate could be blown clean out of the water. | 0:15:28 | 0:15:30 | |
Still to come on Cash In The Attic, there's division in the ranks. | 0:15:34 | 0:15:37 | |
I'm going to feel positive. I'm going to send out positive vibes. | 0:15:37 | 0:15:42 | |
I don't know, I'm feeling sort of either way on this one. | 0:15:42 | 0:15:45 | |
It's a rollercoaster ride, but all is not lost. | 0:15:45 | 0:15:48 | |
-Result! Hurrah! -And does Doreen's spirit live on? | 0:15:48 | 0:15:53 | |
-She is here. -She's definitely here. | 0:15:53 | 0:15:56 | |
And she's cross! | 0:15:56 | 0:15:57 | |
Find out when the final hammer falls. | 0:15:57 | 0:16:00 | |
It's a couple of weeks since we were with Nicki and Louise at their mother's home | 0:16:05 | 0:16:08 | |
in Bethnal Green, and I have to say it was one of the most fascinating days of rummaging I've ever had. | 0:16:08 | 0:16:14 | |
Now, remember they want to raise £1,000 for the school | 0:16:14 | 0:16:18 | |
that meant so much to their mother, | 0:16:18 | 0:16:19 | |
so let's hope the bidders here at Chiswick Auction Rooms | 0:16:19 | 0:16:22 | |
in west London really are going to do her memory proud when her items go under the hammer. | 0:16:22 | 0:16:28 | |
Now, Jonty always has an eye | 0:16:28 | 0:16:31 | |
for the out-of-the-ordinary and he's headed straight for our star item. | 0:16:31 | 0:16:35 | |
Since the rummage, he's had time to do a bit more research about it. | 0:16:35 | 0:16:38 | |
Good morning. | 0:16:38 | 0:16:40 | |
-Oh, there you are. -Oh! | 0:16:40 | 0:16:41 | |
-Still admiring my lovely bowl. -Oh, the bowl. Oh. | 0:16:41 | 0:16:44 | |
This bowl is exquisite. | 0:16:44 | 0:16:46 | |
-We were worried about the damage. -I know. -Did you get a second opinion? | 0:16:46 | 0:16:50 | |
Well, I've had a second opinion, yes, and I've talked to the guys here and they think | 0:16:50 | 0:16:54 | |
that my initial gut reaction of £500 might even be too high, so we're looking at more like £300 to £500. | 0:16:54 | 0:16:59 | |
-Oh, well, hopefully, somebody does! -Well, I do, too. -Yes. -Because we've got other items. | 0:16:59 | 0:17:03 | |
-Let's go and see if the girls have arrived. -OK. | 0:17:03 | 0:17:07 | |
It's disappointing that the Worcester bowl | 0:17:07 | 0:17:09 | |
hasn't turned out to be worth more, | 0:17:09 | 0:17:10 | |
so let's hope Nicki and Louise aren't too deflated before we even start the day. | 0:17:10 | 0:17:15 | |
-Good morning. -Hello. -Hi! How are you? | 0:17:15 | 0:17:17 | |
-How you're you doing? -Nice to see you again. -And you. -We had such fun! -It was fun. -Yeah, a really good day. | 0:17:17 | 0:17:22 | |
And you've got the lovely egg. | 0:17:22 | 0:17:24 | |
-We have. -The auctioneer's split up the ostrich collection. | 0:17:24 | 0:17:27 | |
Now, that lovely one you've got in your hand will be sold separately | 0:17:27 | 0:17:30 | |
and all the others will be in a different lot. | 0:17:30 | 0:17:33 | |
They'll get more money that way, so that's good news for us. | 0:17:33 | 0:17:37 | |
Shall we get a place? The auction's about to start. | 0:17:37 | 0:17:40 | |
-Yes. -Put it down carefully! -Yes, don't break the egg! -No! -OK. | 0:17:40 | 0:17:43 | |
Go and get a spot. | 0:17:43 | 0:17:45 | |
If, like Nicki and Louise, you're thinking of heading to auction, remember that commission | 0:17:45 | 0:17:49 | |
and other charges may be added to your bill, so do check the details with your auction house. | 0:17:49 | 0:17:54 | |
The sale is about to start and we all get into position for the opening lot of the day. | 0:17:54 | 0:17:59 | |
This is my favourite of your ostrich eggs, actually. | 0:17:59 | 0:18:02 | |
This lovely painted one. I think it's gorgeous, I really do. | 0:18:02 | 0:18:05 | |
-So, we want 80 to 120. -£80 to £120. | 0:18:05 | 0:18:07 | |
-Come on! -I've got to start this no less than £60. £60, start me. | 0:18:07 | 0:18:11 | |
Bid me £60. No bids of 60, I'll move on. | 0:18:11 | 0:18:13 | |
-Oh, no! -No interest at £60. | 0:18:13 | 0:18:17 | |
-Oh. -Unsold. | 0:18:17 | 0:18:19 | |
-That's bad news. -That's not a good start. -No. | 0:18:19 | 0:18:21 | |
Well, there just wasn't a market for our decorated egg. | 0:18:21 | 0:18:25 | |
The other eggs will be coming up later. | 0:18:25 | 0:18:27 | |
Maybe the engravings of these London landmarks | 0:18:27 | 0:18:30 | |
that Jonty valued at £80 to £120 will ignite some interest. | 0:18:30 | 0:18:35 | |
No bids of £60. I'm forced to pass it. No interest at £60. | 0:18:36 | 0:18:40 | |
-This is not on, is it? -Not sold. | 0:18:40 | 0:18:43 | |
-She's in the room. -She's here. | 0:18:43 | 0:18:45 | |
-She's in the room. -She's here, she's mad! | 0:18:45 | 0:18:47 | |
-Really? -She's cross with you! Oh, girls, you look really shocked! | 0:18:47 | 0:18:51 | |
I am! I'm a bit freaked out. | 0:18:51 | 0:18:53 | |
-She IS here. -She's definitely here. | 0:18:53 | 0:18:55 | |
And she's cross! | 0:18:55 | 0:18:57 | |
With such a slow start to the day, it's no surprise that the sisters | 0:18:57 | 0:19:00 | |
are wondering whether they should be selling | 0:19:00 | 0:19:03 | |
their mother's belongings at all, | 0:19:03 | 0:19:05 | |
but Nicki and Louise are sure that it's all for a cause their mother was passionate about, | 0:19:05 | 0:19:11 | |
so let's hope the Staffordshire cow creamer stirs up some interest. | 0:19:11 | 0:19:13 | |
£40? I don't know if I can sell it. £40, I'm bid. 45, there. 50. Five. | 0:19:13 | 0:19:17 | |
60. Five. 70. | 0:19:17 | 0:19:19 | |
You know you want it. | 0:19:19 | 0:19:21 | |
£70, I'm bid, to my left. At £70. That's more like it. | 0:19:21 | 0:19:23 | |
I'll take five elsewhere. | 0:19:23 | 0:19:25 | |
Is that the money, then? At £70 and selling. | 0:19:25 | 0:19:27 | |
We got that away. Sold. | 0:19:27 | 0:19:30 | |
Sold. We've started! | 0:19:30 | 0:19:32 | |
Thank goodness, a sale at last! But just under Jonty's lowest estimate. | 0:19:32 | 0:19:37 | |
It seems the bidders here only have eyes for our quirkier items. | 0:19:37 | 0:19:41 | |
Next up is the exquisite hand-painted fan. | 0:19:41 | 0:19:44 | |
It's in absolutely perfect condition and might just be the piece to get hearts racing. | 0:19:44 | 0:19:49 | |
I've got a good feeling about this and Jonty thinks we can get £200 | 0:19:49 | 0:19:53 | |
to £400 for it, but has he got the measure of the crowd here today? | 0:19:53 | 0:19:58 | |
At £65. I'm bid 70. 75. 80. | 0:20:00 | 0:20:03 | |
85. 90. | 0:20:03 | 0:20:05 | |
-95. 100. 110. 120? At £110. -Come on. | 0:20:05 | 0:20:09 | |
Need 120, now. At £110. Commission bidder at £110 and selling. | 0:20:09 | 0:20:14 | |
Are we all done? | 0:20:14 | 0:20:15 | |
-Disappointing. -Yes. -Oh, I was hoping for so much more than that, but it's sold. -It's sold. | 0:20:18 | 0:20:22 | |
It's a sale, but well below Jonty's lowest estimate. | 0:20:22 | 0:20:27 | |
We really need to drum up some interest to get | 0:20:27 | 0:20:29 | |
anywhere near our target of £1,000 and help Doreen's school. | 0:20:29 | 0:20:33 | |
Luck's just not on our side, as the hand-painted jardiniere | 0:20:33 | 0:20:37 | |
fails to attract any bids at all! | 0:20:37 | 0:20:40 | |
No interest at £60. | 0:20:40 | 0:20:43 | |
It's beginning to look | 0:20:43 | 0:20:45 | |
as if Nicki and Louise will be taking more of their mum's collectables home | 0:20:45 | 0:20:48 | |
than they'd thought. | 0:20:48 | 0:20:51 | |
And next is the contemporary glass bowls | 0:20:51 | 0:20:53 | |
that Jonty priced at £50 to £70. | 0:20:53 | 0:20:56 | |
£30, to start me. £30, I'm bid. Take two. | 0:20:56 | 0:20:59 | |
-At £30. -Thank God for that. | 0:20:59 | 0:21:01 | |
At 32. 35. 38. At £35, then. | 0:21:01 | 0:21:04 | |
At £35. I'll take 38 now. All done at £35 and selling? | 0:21:04 | 0:21:08 | |
-We got a sale. -We have. | 0:21:08 | 0:21:10 | |
Well, it's a result, but well under Jonty's lowest estimate. | 0:21:10 | 0:21:14 | |
At the halfway stage of the sale, we've made £215 towards our £1,000 target. | 0:21:14 | 0:21:21 | |
We've a long way to go. | 0:21:21 | 0:21:22 | |
Let's hope the 18th century maps of London come up trumps! | 0:21:22 | 0:21:25 | |
Jonty valued them at £100 to £150. | 0:21:25 | 0:21:29 | |
I've got two bids on this. I'll start it with me at £130. | 0:21:29 | 0:21:32 | |
-I'll take 140 in the room. 140 there. -Yeah! -150. 160. | 0:21:32 | 0:21:35 | |
As £150 with me, then. I'll take 160 now. | 0:21:35 | 0:21:37 | |
-Come on. -At £150 on commissions. | 0:21:37 | 0:21:40 | |
Are we all done? Last chance of selling at £150, then. | 0:21:40 | 0:21:43 | |
-Yes. -Result! Hurrah! | 0:21:43 | 0:21:46 | |
Fantastic, and it seems we're on a roll, as the reproduction | 0:21:46 | 0:21:50 | |
tapestry chair flies out of the room. | 0:21:50 | 0:21:53 | |
At £65. 70. 75. 80. | 0:21:53 | 0:21:56 | |
Are we all done? And selling them, 173, £85. | 0:21:56 | 0:21:59 | |
-Yes! Well done. Yes! -Yeah! -How does that feel? -Feels good! | 0:21:59 | 0:22:04 | |
£5 over Jonty's top estimate. | 0:22:04 | 0:22:06 | |
At last, things seem to be picking up in the saleroom. | 0:22:06 | 0:22:09 | |
And next under the hammer is the item we're all counting on. | 0:22:09 | 0:22:13 | |
With any luck, the distinctive 18th-century Worcester bowl | 0:22:13 | 0:22:16 | |
will turn everybody's heads. | 0:22:16 | 0:22:18 | |
Jonty's certain that somebody will be happy | 0:22:18 | 0:22:20 | |
to part with £300 to £500 for it. | 0:22:20 | 0:22:23 | |
I'm feeling nervous because we really need this to sell. | 0:22:23 | 0:22:26 | |
-It's your star item. It's the bowl, the Worcester bowl. -How are the vibes, girls? | 0:22:26 | 0:22:30 | |
I'm going to feel positive. I'm going to send out positive vibes. | 0:22:30 | 0:22:34 | |
I don't know, I'm feeling sort of either way on this one. | 0:22:34 | 0:22:37 | |
OK. Let's see if we can sell it. Fingers crossed. | 0:22:37 | 0:22:39 | |
Start me at £300, please. No interest at 300. | 0:22:39 | 0:22:42 | |
No bids at £300, then. | 0:22:42 | 0:22:45 | |
So, we won't be giving the school £1,000, then. | 0:22:45 | 0:22:49 | |
-No. -Silence has fallen over the room. | 0:22:49 | 0:22:51 | |
-Yes, there is a silence. -It's all gone deadly quiet. Unsold. | 0:22:51 | 0:22:55 | |
Well, there are stunned faces all round. | 0:22:55 | 0:22:57 | |
That really is a huge disappointment for us all. | 0:22:57 | 0:23:00 | |
We're going to need a dramatic turn in Nicki and Louise's fortunes | 0:23:00 | 0:23:04 | |
if they're to donate £1,000 to the school now. | 0:23:04 | 0:23:06 | |
Can those ostrich eggs possibly do it for them? | 0:23:06 | 0:23:09 | |
£30 to start me. £30 I'm bid. | 0:23:09 | 0:23:10 | |
Take two. At £30. A maiden bid at £30, then. | 0:23:10 | 0:23:13 | |
I'm selling at £30. All done. | 0:23:13 | 0:23:16 | |
£30, sold. | 0:23:16 | 0:23:18 | |
-Egg-cellent. -Well, not... -Egg-cellent! | 0:23:18 | 0:23:20 | |
You don't have egg on your face. | 0:23:20 | 0:23:22 | |
Not bad, but it hasn't done enough to rescue us. | 0:23:22 | 0:23:26 | |
We have to make more sales, and quick! | 0:23:26 | 0:23:28 | |
We still have the Edwardian inlaid tray is up next, and Jonty thinks we can get £30 to £50 for it. | 0:23:28 | 0:23:35 | |
At £40, then. In front of me at £40. All done, then, at £40. | 0:23:35 | 0:23:39 | |
A great result, bang in the middle of Jonty's estimate, | 0:23:39 | 0:23:42 | |
but we need some even better sales if we're to get anywhere near | 0:23:42 | 0:23:46 | |
supporting their mother's cherished cause. | 0:23:46 | 0:23:48 | |
Maybe the silk butterfly pictures will get a bidding war going. | 0:23:48 | 0:23:53 | |
£50 to start me for the butterflies. £40. £40 I'm bid. | 0:23:54 | 0:23:57 | |
Take five now. 45. 50. | 0:23:57 | 0:24:00 | |
-Five. 60. Five. At £60. -That's good, that's fine. -I'll take five now. | 0:24:00 | 0:24:05 | |
Is that enough at £60? Are we all done? | 0:24:05 | 0:24:07 | |
Selling at £60, then. 589. | 0:24:07 | 0:24:11 | |
-She says it's not enough. -It's not enough, come on, more! | 0:24:11 | 0:24:15 | |
We have just one more lot to sell in the quest to help Doreen's school. | 0:24:15 | 0:24:19 | |
Let's hope that this amazing collection of designer hats | 0:24:19 | 0:24:22 | |
leave the saleroom in style. | 0:24:22 | 0:24:24 | |
It's a splendid collection. We're hoping for how much? | 0:24:24 | 0:24:27 | |
-£80 to £120. -Hard to value, really. | 0:24:27 | 0:24:30 | |
They are, but they've got great designer names | 0:24:30 | 0:24:32 | |
-and very good quality, so... -OK. -Let's see what happens. -Here we go. | 0:24:32 | 0:24:36 | |
And for the ladies, dress hats. I've got four commission bids. | 0:24:36 | 0:24:40 | |
-Listen to this! -Four commission bids. | 0:24:40 | 0:24:42 | |
And at for 549 here, starting with at £125. I'll take 130 in the room. | 0:24:42 | 0:24:47 | |
-Whoa! -That's great. -I'm bid 130. 135. 140. | 0:24:47 | 0:24:50 | |
145. 150. 155. 160. | 0:24:50 | 0:24:52 | |
£155 with me, then. I'll take 160 now. 160 there. | 0:24:52 | 0:24:56 | |
It beats commissions. I'll take 170. £160 in the room. It beats commissions by a fiver. | 0:24:56 | 0:25:01 | |
£160. All done... | 0:25:01 | 0:25:03 | |
170 there. 180. £170. The backroom bidder at 170, in time. | 0:25:03 | 0:25:08 | |
All done and selling. 180 back in. | 0:25:08 | 0:25:10 | |
-190. -They are amazing hats. | 0:25:10 | 0:25:12 | |
Says no at £200. At £190, then. | 0:25:12 | 0:25:16 | |
-Are we all done and selling at 190 and done? -Yes! -Yes! | 0:25:16 | 0:25:20 | |
-That was important to you, wasn't it? -It was. -Yes. | 0:25:20 | 0:25:23 | |
A well-deserved outcome, way over Jonty's top estimate. | 0:25:23 | 0:25:27 | |
It was a tough start and an emotional day for everyone, | 0:25:27 | 0:25:31 | |
but what a great end to the auction. | 0:25:31 | 0:25:34 | |
The hats really were the main attraction, but how far off our target are we? | 0:25:34 | 0:25:38 | |
OK, we were hoping for £1,000 for your school. | 0:25:38 | 0:25:42 | |
-You won't be surprised to know we haven't quite made £1,000 but you have made £770. -Oh, wow! | 0:25:42 | 0:25:46 | |
-That's pretty good! -Not bad at all! | 0:25:46 | 0:25:49 | |
-That's amazing. -That is amazing, actually. It's a lot more than I thought. | 0:25:49 | 0:25:53 | |
-All right? -That's great. -Fantastic. Thank you so much. | 0:25:53 | 0:25:56 | |
Not at all. | 0:25:56 | 0:25:58 | |
It's just a few weeks after the auction. | 0:26:02 | 0:26:05 | |
Today, Louise has come to the Sir John Cass Red Coat School in Stepney, east London. | 0:26:05 | 0:26:10 | |
Their mother devoted so much of her time and energy to ensuring its future. | 0:26:10 | 0:26:14 | |
The headmaster, Haydn Evans, is very happy with the donation | 0:26:14 | 0:26:18 | |
and a Doreen Perry prize for literacy is being set up. | 0:26:18 | 0:26:22 | |
It will help secure Doreen's memory at the school and should inspire many pupils for years to come. | 0:26:22 | 0:26:27 | |
Both me and my sister were just thrilled that my mum's stuff | 0:26:27 | 0:26:31 | |
made some money and that we can give it to the school. That's what she would have wanted. | 0:26:31 | 0:26:37 | |
Now, if you'd like to raise money for something special | 0:26:40 | 0:26:43 | |
and you think you might have some bits and pieces, then why not come on the show? | 0:26:43 | 0:26:47 | |
You can find the form on our website. | 0:26:47 | 0:26:51 | |
Good luck, and maybe see you next time on Cash In The Attic. | 0:26:51 | 0:26:55 | |
Subtitles by Red Bee Media Ltd | 0:27:15 | 0:27:18 |