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Hello, welcome to Cash In The Attic. | 0:00:02 | 0:00:04 | |
Often someone in the family is mad-keen on collecting, but there comes a time when enough is enough. | 0:00:04 | 0:00:09 | |
That's the case with the lady I'm about to meet. | 0:00:09 | 0:00:12 | |
She's hoping that amongst her items, and there are plenty, there'll be some treasure. Let's find out. | 0:00:12 | 0:00:18 | |
Coming up on Cash In The Attic, | 0:00:37 | 0:00:39 | |
a rare collection of 17th-century porcelain that tickles our expert's fancy. | 0:00:39 | 0:00:44 | |
-This is the genuine article. -Oh, it is. | 0:00:44 | 0:00:46 | |
Wonderful. | 0:00:46 | 0:00:48 | |
And a modern copy of the Little Domesday Book, | 0:00:48 | 0:00:51 | |
that divides opinion when valued. | 0:00:51 | 0:00:53 | |
-How about that? -I'd never tell you your business, but I don't think we'll get that. | 0:00:53 | 0:00:58 | |
I love a lady that puts Jonty in his place. | 0:00:58 | 0:01:01 | |
It should happen more often, it really should. | 0:01:01 | 0:01:04 | |
So whose prediction will prove right on auction day? | 0:01:04 | 0:01:07 | |
-Got there. -Well done. -We can all relax. | 0:01:07 | 0:01:09 | |
We got there. | 0:01:09 | 0:01:11 | |
Find out with the final crack of the gavel. | 0:01:11 | 0:01:13 | |
Today I'm in Lowestoft on my way to meet a family | 0:01:13 | 0:01:16 | |
who are hoping their big clearout | 0:01:16 | 0:01:18 | |
will raise enough money for a dream holiday to a musical state. Ah-ha-ha. | 0:01:18 | 0:01:23 | |
Meet music fanatic Eileen White, originally from Ireland. | 0:01:25 | 0:01:29 | |
She moved to England at 18 before marrying Roger, a sergeant-major in the Army. | 0:01:29 | 0:01:34 | |
When he retired, the couple settled here in Lowestoft, | 0:01:34 | 0:01:37 | |
and Eileen set up a cleaning business | 0:01:37 | 0:01:39 | |
which is now run by their grown-up children David and Cathy. | 0:01:39 | 0:01:44 | |
After a lifetime of collecting, | 0:01:44 | 0:01:46 | |
Eileen's decided to part with some of her treasures | 0:01:46 | 0:01:50 | |
to fund a trip she's been longing to make. | 0:01:50 | 0:01:52 | |
With help from her son David, | 0:01:52 | 0:01:53 | |
and our very own all-singing, all-dancing antiques expert Jonty Hearnden, | 0:01:53 | 0:01:57 | |
we're hoping to make Eileen's dream a reality. | 0:01:57 | 0:02:00 | |
-You must be Eileen. -Oh, I am, yes. | 0:02:02 | 0:02:04 | |
-Nice to meet you. -Who's this fellow? | 0:02:04 | 0:02:06 | |
-This is my son, David. -How are you? -Nice to meet you. | 0:02:06 | 0:02:09 | |
So why have you called in the Cash In The Attic team? | 0:02:09 | 0:02:12 | |
Well, I'd like to visit Graceland and see Elvis's grave, | 0:02:12 | 0:02:16 | |
and I'd like to go to Nashville for some good country music. | 0:02:16 | 0:02:19 | |
So I'd like to raise some money to do that. | 0:02:19 | 0:02:21 | |
I've got so much stuff cluttering up the place. What can I do? | 0:02:21 | 0:02:25 | |
-Cash In The Attic. -You're a wise lady. We're always the best bet. | 0:02:25 | 0:02:29 | |
How do you feel about Mum wanting to go to Elvis's home? | 0:02:29 | 0:02:32 | |
Er, I can think of better things to do with the money. | 0:02:32 | 0:02:36 | |
I knew you were going to say that! How much do you need? | 0:02:36 | 0:02:39 | |
Well, £1,000 would be brilliant. | 0:02:39 | 0:02:41 | |
Eileen's been planning her pilgrimage to Graceland for years. | 0:02:41 | 0:02:44 | |
But for now, the King and his palace will have to wait. | 0:02:44 | 0:02:48 | |
There's someone a lot closer to home for us to look up to. | 0:02:48 | 0:02:51 | |
-Eileen, meet the tallest man in the antique world. -Eileen, hi. | 0:02:51 | 0:02:55 | |
-Oh dear, yeah, somebody get me a chair. -You need one with him. | 0:02:55 | 0:02:59 | |
I've found these three baskets, | 0:02:59 | 0:03:00 | |
but I suspect you know exactly where they're from. | 0:03:00 | 0:03:03 | |
Oh, I do, yes, I do. | 0:03:03 | 0:03:05 | |
Go on then, tell us. | 0:03:05 | 0:03:06 | |
They're from County Fermanagh, from the Belleek factory in Ireland. | 0:03:06 | 0:03:10 | |
Am I right in assuming you're a collector of Belleek? | 0:03:10 | 0:03:12 | |
Yes, I am, to a certain extent now. I did collect an awful lot more | 0:03:12 | 0:03:15 | |
and I've got boxes of it, but it's time to move some of them on. | 0:03:15 | 0:03:18 | |
Belleek is very popular. | 0:03:18 | 0:03:21 | |
It was very, very desirable 15 years ago, | 0:03:21 | 0:03:26 | |
but the market has somewhat waned on some Belleek, | 0:03:26 | 0:03:28 | |
and that's simply because it's very, very delicate, very fussy. | 0:03:28 | 0:03:31 | |
Now, a little basket like this really does look like a basket. | 0:03:31 | 0:03:36 | |
It doesn't look like porcelain at all, it's so fine. | 0:03:36 | 0:03:38 | |
And this will have been made, because it's first-mark, | 0:03:38 | 0:03:41 | |
the mark we've got on the underside here, between 1863 and 1890, | 0:03:41 | 0:03:45 | |
Whereas this one here is a lot later, a lot later mark on the back. | 0:03:45 | 0:03:50 | |
These are relatively contemporary. This one's the star of the show. | 0:03:50 | 0:03:54 | |
-The real deal. -For all three, we're looking between £150 and £200. | 0:03:54 | 0:03:59 | |
Are you happy about that? | 0:03:59 | 0:04:01 | |
Oh, yes, I've known for some time | 0:04:01 | 0:04:03 | |
that Belleek will not realise the prices it did, even five or seven years ago. | 0:04:03 | 0:04:07 | |
I don't want it sitting around, hoping the prices are coming back. | 0:04:07 | 0:04:10 | |
I would just rather shift it now. | 0:04:10 | 0:04:13 | |
This is a lady who knows exactly what she wants, and she wants it now. | 0:04:13 | 0:04:18 | |
£150 is a good start, isn't it? | 0:04:18 | 0:04:20 | |
-Yes, if I could have it yesterday, I'd be delighted. -She's trouble. | 0:04:20 | 0:04:24 | |
Come on, let's carry on rummaging. We need to get you to Nashville. | 0:04:24 | 0:04:28 | |
I don't think we're going to have any trouble persuading Eileen to part with her collectibles. | 0:04:28 | 0:04:34 | |
She heads for the bedroom and digs out three ladies' wrist-watches, | 0:04:34 | 0:04:38 | |
all by the Swiss watchmaker Roamer. | 0:04:38 | 0:04:42 | |
She bought them at a charity auction. | 0:04:42 | 0:04:43 | |
and Jonty thinks they could add another £80 to £120 to the kitty. | 0:04:43 | 0:04:49 | |
You might want to take a look at this. | 0:04:53 | 0:04:55 | |
A tantalus. Where was this from? | 0:04:55 | 0:04:58 | |
Um, I think Eileen bought it in an antiques fair in about 1998. | 0:04:58 | 0:05:01 | |
She wanted things that reminded her of growing up, and I think my nan had one. | 0:05:01 | 0:05:05 | |
Do you know how old this is? | 0:05:05 | 0:05:07 | |
By the looks of it, around about the '20s, maybe? | 0:05:07 | 0:05:10 | |
I would suggest this is just pre the First World War. | 0:05:10 | 0:05:13 | |
The quality is there to be Edwardian. | 0:05:13 | 0:05:15 | |
After the 1920s, people really, | 0:05:15 | 0:05:18 | |
I suppose, put their drinks in cocktail cabinets, | 0:05:18 | 0:05:21 | |
so fashions for tantalus like this had waned. | 0:05:21 | 0:05:24 | |
Whereas in the late 19th century and early 20th century, | 0:05:24 | 0:05:29 | |
um, often alcohol was served and displayed | 0:05:29 | 0:05:33 | |
in tantaluses just like this. They're always under lock and key. | 0:05:33 | 0:05:37 | |
I noticed that. I'm assuming it's because, well, | 0:05:37 | 0:05:39 | |
that maybe the servants or something couldn't get to it. | 0:05:39 | 0:05:42 | |
You're absolutely right. | 0:05:42 | 0:05:44 | |
It's a really good thing to put in the sale | 0:05:44 | 0:05:46 | |
because they're always good sellers. | 0:05:46 | 0:05:48 | |
We're looking at £80 to £120 here. | 0:05:48 | 0:05:50 | |
-She'll be pleased with that. -I'll drink to that, too. | 0:05:50 | 0:05:53 | |
Oh, no, I can't, on second thoughts. Excellent, let's find some more. | 0:05:53 | 0:05:58 | |
As the search continues, Eileen's busy making finds, | 0:05:58 | 0:06:01 | |
and I head out to the garage, | 0:06:01 | 0:06:03 | |
where I find a collection of books, including an encyclopaedia, | 0:06:03 | 0:06:07 | |
and a set of bound copies of the Strand Magazine. | 0:06:07 | 0:06:11 | |
Jonty thinks they could fetch £50 to £75. | 0:06:11 | 0:06:16 | |
In the kitchen, David digs out another piece of Belleek. | 0:06:16 | 0:06:18 | |
This time, a 19th-century kettle in the shape of a sea urchin. | 0:06:18 | 0:06:23 | |
Jonty hopes it'll make £100 to £150 when it goes under the hammer. | 0:06:23 | 0:06:27 | |
Oh, there you are, Eileen. | 0:06:30 | 0:06:31 | |
-Here I am. -Looking at your jewellery. | 0:06:31 | 0:06:34 | |
The jewellery I no longer want, | 0:06:34 | 0:06:35 | |
and I've hardly ever worn, and I think it's time for it to go. | 0:06:35 | 0:06:39 | |
We've got these two pieces. One's a brooch, one's a bracelet. | 0:06:39 | 0:06:42 | |
I bought these in Harrods. | 0:06:42 | 0:06:44 | |
Apart from the fact I love teddy bears, | 0:06:44 | 0:06:46 | |
I play accordion occasionally. | 0:06:46 | 0:06:48 | |
But when you put it on there, it bangs against the keys, | 0:06:48 | 0:06:53 | |
and they can damage the keys, so, sadly, the teddy bear's got to go. | 0:06:53 | 0:06:56 | |
This is a lovely piece, as well. It's to be worn up on a shoulder. | 0:06:56 | 0:07:01 | |
-Looks better against black. -Look at that. | 0:07:01 | 0:07:03 | |
-Lovely diamante stones. -Pretty, isn't it? | 0:07:03 | 0:07:06 | |
They are costume jewellery. | 0:07:06 | 0:07:07 | |
-Can we put this into the auction? -Oh, yes. | 0:07:07 | 0:07:09 | |
It's not going to be worn so it's a shame to leave it around. | 0:07:09 | 0:07:13 | |
We'll put Mr Lion back in the box. | 0:07:13 | 0:07:16 | |
This has caught my eye. Tell me about this bracelet. | 0:07:16 | 0:07:19 | |
I bought that at an auction in Acle, oh, about four or five years ago. | 0:07:19 | 0:07:23 | |
Let me just pick this up and have a look. | 0:07:23 | 0:07:25 | |
I think it's nine-carat gold, or 18 carat. I'm not sure. | 0:07:25 | 0:07:28 | |
-But it's white and blue sapphires. -That really is very charming. | 0:07:28 | 0:07:31 | |
If this is all to go to the auction, | 0:07:31 | 0:07:33 | |
I think, conservatively we're looking at £250, £350. | 0:07:33 | 0:07:38 | |
And hopefully, we'll get a lot more than that. | 0:07:38 | 0:07:40 | |
A promising valuation, Jonty, | 0:07:40 | 0:07:41 | |
but will his hopes for the jewellery become a reality? | 0:07:41 | 0:07:45 | |
180. 190. | 0:07:45 | 0:07:47 | |
200. 220. | 0:07:47 | 0:07:50 | |
-I can't believe that. -I have 240. | 0:07:50 | 0:07:52 | |
We'll find out soon if this bidding frenzy continues. | 0:07:52 | 0:07:54 | |
GAVEL BANGS | 0:07:54 | 0:07:56 | |
We're making really good progress today, | 0:07:56 | 0:07:59 | |
and have already discovered collectibles with a potential auction value of £610. | 0:07:59 | 0:08:04 | |
So as we're more than halfway towards our target, | 0:08:04 | 0:08:07 | |
I think it's a good opportunity to learn a bit more about the lady of the house. | 0:08:07 | 0:08:11 | |
-Music means everything to you, doesn't it? -Yes, I couldn't live without it. | 0:08:11 | 0:08:15 | |
I couldn't get through the day without music, | 0:08:15 | 0:08:18 | |
even if it's only listening to music or singing along. | 0:08:18 | 0:08:22 | |
Where does that love come from? | 0:08:22 | 0:08:23 | |
My grandmother played harmonium, | 0:08:23 | 0:08:26 | |
my grandfather played clarinet in the Dorsetshire Regiment. | 0:08:26 | 0:08:29 | |
And their daughter, my mum, was a fabulous classical pianist. | 0:08:29 | 0:08:33 | |
My father was a wonderful, wonderful tenor. | 0:08:33 | 0:08:36 | |
So that was their love of music brought them together. | 0:08:36 | 0:08:39 | |
When I was 18 and I didn't have a boyfriend, | 0:08:39 | 0:08:43 | |
he would take me out with him on a Saturday night | 0:08:43 | 0:08:46 | |
to the various pubs in Dundalk, | 0:08:46 | 0:08:47 | |
and say, "The daughter's going to play and I'll sing." | 0:08:47 | 0:08:50 | |
I used to play sing-along stuff and big-band sound | 0:08:50 | 0:08:53 | |
from the '40s and '30s and '50s. | 0:08:53 | 0:08:54 | |
Then I got into rock and roll, | 0:08:54 | 0:08:57 | |
Johnny B Goode, Frankie And Johnny, Elvis Presley, Jailhouse Rock. | 0:08:57 | 0:09:00 | |
So what would it mean to you to get to Graceland? | 0:09:00 | 0:09:03 | |
Well, Cathy went to Graceland a few years ago | 0:09:03 | 0:09:06 | |
and brought me back the book about it. | 0:09:06 | 0:09:08 | |
She said, "Mum, you've got to go. You loved Elvis." | 0:09:08 | 0:09:11 | |
I was the right age when Elvis came along. He was my pop idol. | 0:09:11 | 0:09:16 | |
There's no doubting Eileen's passion for music, | 0:09:16 | 0:09:19 | |
but it's enthusiasm for rummaging we need today. | 0:09:19 | 0:09:22 | |
We throw ourselves straight back into the search | 0:09:24 | 0:09:27 | |
and dig out an album of photos, | 0:09:27 | 0:09:29 | |
which Eileen picked up from a car-boot sale for just £2! | 0:09:29 | 0:09:32 | |
Jonty thinks it was a canny investment, | 0:09:32 | 0:09:36 | |
and gives them a £20 to £40 price tag. | 0:09:36 | 0:09:38 | |
David continues his search upstairs, | 0:09:38 | 0:09:41 | |
finding a Worcester tea bowl and saucer, | 0:09:41 | 0:09:43 | |
and a transfer-printed saucer from the late 18th century. | 0:09:43 | 0:09:48 | |
Jonty thinks they could make upwards of £180. | 0:09:48 | 0:09:51 | |
Tell you what, the goodies are just pouring in. | 0:09:51 | 0:09:55 | |
Jonty, I'd like you to have a look at these. | 0:09:55 | 0:09:57 | |
Got a bit of washing up? | 0:09:57 | 0:09:58 | |
Yes, but it's not for a dishwasher. It's Lowestoft porcelain. | 0:09:58 | 0:10:03 | |
Wonderful. | 0:10:03 | 0:10:04 | |
How exciting to find Lowestoft porcelain in Lowestoft. | 0:10:04 | 0:10:08 | |
-That is perfect 18th-century stuff. -Yeah. | 0:10:08 | 0:10:12 | |
Where's this from? | 0:10:12 | 0:10:13 | |
I bought the three items at an auction in the town, | 0:10:13 | 0:10:17 | |
about, ooh, eight or nine years ago. | 0:10:17 | 0:10:20 | |
Now, by definition, Lowestoft porcelain is over 200 years old | 0:10:20 | 0:10:24 | |
because the factory closed at the end of the 18th century. | 0:10:24 | 0:10:28 | |
So in the late 18th century or in the 18th century, | 0:10:28 | 0:10:31 | |
British ceramics were really inspired by the Orient. | 0:10:31 | 0:10:34 | |
That's why the decoration on the outside looks like it's Chinese. | 0:10:34 | 0:10:38 | |
Because that's where all ceramics came from. | 0:10:38 | 0:10:40 | |
It was only at the beginning of the 18th century | 0:10:40 | 0:10:43 | |
that we in this part of the world understand how to make porcelain. | 0:10:43 | 0:10:47 | |
These are very, very desirable objects. | 0:10:47 | 0:10:50 | |
Because they're so rare. | 0:10:50 | 0:10:51 | |
Let's assess their value. | 0:10:51 | 0:10:54 | |
I notice we've got a little hairline fracture. | 0:10:54 | 0:10:56 | |
-There is. I bought it like that. -Which will affect its value. | 0:10:56 | 0:11:01 | |
For the smaller bowl, we're looking at £150, £200 at auction. | 0:11:01 | 0:11:05 | |
For our damaged jug, the same sort of price, £150, £200. | 0:11:05 | 0:11:08 | |
But for our larger, six-inch bowl here, | 0:11:08 | 0:11:12 | |
what, £200 to £300. | 0:11:12 | 0:11:14 | |
So if you add all that up, that's a bare minimum, | 0:11:14 | 0:11:17 | |
£500, possibly even on a good day, £700. | 0:11:17 | 0:11:21 | |
Has that put a smile on your face? | 0:11:21 | 0:11:23 | |
Big smile. That gets me a couple of steps nearer to Graceland. | 0:11:23 | 0:11:26 | |
Couldn't have said it better myself, Eileen. | 0:11:26 | 0:11:28 | |
This bodes well, and haven't we entered a real Aladdin's cave today? | 0:11:28 | 0:11:33 | |
Upstairs, David's looking through an impressive collection of rings, | 0:11:33 | 0:11:37 | |
and picks out two to add to our auction haul. | 0:11:37 | 0:11:40 | |
One is an 18-carat gold diamond crossover, | 0:11:40 | 0:11:43 | |
while the other is a nine-carat gold with a claw-set centre. | 0:11:43 | 0:11:47 | |
They'll be heading off to auction with a price tag of £180 to £220. | 0:11:47 | 0:11:52 | |
Jonty's having a final look upstairs | 0:11:53 | 0:11:56 | |
and decides to add this old teddy to our growing list of items for sale. | 0:11:56 | 0:12:01 | |
Manufactured in Germany, it's known as a Growler | 0:12:01 | 0:12:03 | |
because it's supposed to talk when shaken. | 0:12:03 | 0:12:06 | |
Well, er, this one doesn't. It's obviously tongue-tied. | 0:12:06 | 0:12:10 | |
It should still make £40 to £60. | 0:12:10 | 0:12:14 | |
Jonty Hearnden, this is your life. | 0:12:14 | 0:12:18 | |
-Have you ever seen anything so big? Check this out. -My life story's not that big. | 0:12:18 | 0:12:23 | |
Eileen, why have you got the Domesday Book? | 0:12:23 | 0:12:25 | |
That's a good question. | 0:12:25 | 0:12:27 | |
Well, because my mother's people came from Clare in Suffolk, | 0:12:27 | 0:12:30 | |
and I live in Suffolk, I'm researching the family. | 0:12:30 | 0:12:33 | |
I thought I'd get the Domesday Book to see if we went that far back. | 0:12:33 | 0:12:37 | |
So I scouted through it, found nothing, put it away, | 0:12:37 | 0:12:41 | |
and forgot about it. | 0:12:41 | 0:12:42 | |
Well, it's interesting that here, we've got a copy of Little Domesday. | 0:12:42 | 0:12:46 | |
When this was commissioned by William the Conqueror, in 1086, | 0:12:46 | 0:12:50 | |
20 years after that very famous invasion, | 0:12:50 | 0:12:53 | |
there were in fact two books written at the same time. | 0:12:53 | 0:12:56 | |
One was called Little Domesday, | 0:12:56 | 0:12:58 | |
and that's of modern-day East Anglia. | 0:12:58 | 0:13:00 | |
The rest is of England. | 0:13:00 | 0:13:02 | |
So if we look on the inside here, | 0:13:02 | 0:13:05 | |
this is a replica of the actual document itself. | 0:13:05 | 0:13:09 | |
So are you now willing to part with this? | 0:13:09 | 0:13:11 | |
I have to part with it. I've got a computer instead. | 0:13:11 | 0:13:15 | |
Oh, how modern you are, Eileen. | 0:13:15 | 0:13:17 | |
It is in very good condition. | 0:13:17 | 0:13:19 | |
I think if we were to put something like £150, £250 as an estimate, | 0:13:19 | 0:13:24 | |
I wouldn't be surprised if we made more than that. | 0:13:24 | 0:13:27 | |
I would never tell you your business but I don't think we'll get that. | 0:13:27 | 0:13:31 | |
-Really? -I love a lady that puts Jonty in his place. | 0:13:31 | 0:13:34 | |
It should happen more often, it really should. | 0:13:34 | 0:13:37 | |
Our rummage has come to an end. Is it all doom and gloom? | 0:13:37 | 0:13:41 | |
You wanted to raise £1,000 to get you to the States. | 0:13:41 | 0:13:44 | |
I can tell you, if we take Jonty's lowest estimate | 0:13:44 | 0:13:47 | |
on all the items that we found today, | 0:13:47 | 0:13:49 | |
we're hopefully going to raise something in the region of £1,780. | 0:13:49 | 0:13:54 | |
-So almost double. -Very nice. | 0:13:54 | 0:13:56 | |
That'll get me more than one night in the Heartbreak Hotel. | 0:13:56 | 0:13:59 | |
It will, won't it? Oh, yes, it will. | 0:13:59 | 0:14:01 | |
Now, that's what I call one satisfied customer. | 0:14:01 | 0:14:03 | |
We've seen quite a performance, and not just in terms of antiques. | 0:14:03 | 0:14:07 | |
Hoping to rock the crowd at auction, | 0:14:07 | 0:14:10 | |
we have three highly decorative, yet incredibly fragile porcelain baskets. | 0:14:10 | 0:14:15 | |
valued at £150 to £200. | 0:14:15 | 0:14:18 | |
The rich assortment of jewellery | 0:14:18 | 0:14:20 | |
that includes the stunning diamond and blue sapphire bracelet. | 0:14:20 | 0:14:24 | |
So let's hope they'll dazzle the bidders, | 0:14:24 | 0:14:26 | |
and we exceed their £250 to £350 estimate. | 0:14:26 | 0:14:30 | |
And the amazing collection of 18th century Lowestoft porcelain. | 0:14:31 | 0:14:35 | |
With an estimate of £500 to £700, | 0:14:35 | 0:14:39 | |
they could guarantee that Eileen will be singing all the way to Memphis. | 0:14:39 | 0:14:43 | |
Still to come on Cash In The Attic, | 0:14:45 | 0:14:47 | |
we see another side to Jonty Hearnden. | 0:14:47 | 0:14:49 | |
Isn't he masterful when he uses his voice like that? | 0:14:49 | 0:14:52 | |
Yeah, can you move? | 0:14:52 | 0:14:53 | |
But not even our experts can thaw the frosty reception | 0:14:53 | 0:14:57 | |
that some of our items receive. | 0:14:57 | 0:14:58 | |
I think a few people are just here to keep warm. | 0:14:58 | 0:15:01 | |
They're not doing anything. | 0:15:01 | 0:15:03 | |
Will Eileen get through the sale without being all shook up? | 0:15:03 | 0:15:07 | |
Find out when the hammer finally falls. | 0:15:07 | 0:15:09 | |
GAVEL BANGS | 0:15:09 | 0:15:10 | |
That was a fantastic rummage. Let's hope for an equally good auction. | 0:15:14 | 0:15:18 | |
We've brought Eileen's items to TW Gaze in Norfolk. | 0:15:18 | 0:15:21 | |
She's hoping to raise £1,000 for that dream trip to Graceland, Elvis's home. | 0:15:21 | 0:15:27 | |
Let's hope the eager bidders are here. | 0:15:27 | 0:15:29 | |
This popular auction house close to the centre of Diss | 0:15:29 | 0:15:33 | |
has been holding regular sales for over 150 years. | 0:15:33 | 0:15:37 | |
There's a strong turn-out today. Hopefully, that's a good sign. | 0:15:37 | 0:15:40 | |
Eileen and David have arrived, | 0:15:42 | 0:15:44 | |
and they've already found their highest-valued lot in the sale room. | 0:15:44 | 0:15:49 | |
Eileen, don't drop that. It will break Jonty's heart. | 0:15:49 | 0:15:52 | |
All he's gone on about is this bowl. Steady on. | 0:15:52 | 0:15:55 | |
-Are you looking forward to selling it? -Yes. | 0:15:55 | 0:15:58 | |
I've enjoyed it and it's time to let go. I've got other pieces. | 0:15:58 | 0:16:01 | |
We don't have to wait long for our first lot of the day. | 0:16:01 | 0:16:03 | |
It's a collection of photographs, if you remember, | 0:16:03 | 0:16:06 | |
which Eileen bought for £2. | 0:16:06 | 0:16:08 | |
We're hoping for at least £20. | 0:16:08 | 0:16:11 | |
Ten is bid. 12. 15. | 0:16:11 | 0:16:14 | |
18. 20, I have. | 0:16:14 | 0:16:16 | |
Two, 25. Eight, 30. | 0:16:16 | 0:16:18 | |
35, new bidder. | 0:16:18 | 0:16:19 | |
35's downstairs. Eight, anyone else? | 0:16:19 | 0:16:23 | |
Lift the hammer at £35 a bid. Eight, is there now anyone else? | 0:16:23 | 0:16:26 | |
Sell away at £35. | 0:16:26 | 0:16:27 | |
GAVEL BANGS | 0:16:27 | 0:16:29 | |
-That's a steal! -That's good. | 0:16:29 | 0:16:31 | |
But how much did you pay for that? | 0:16:31 | 0:16:33 | |
£2. | 0:16:33 | 0:16:35 | |
"It's a steal", she says. | 0:16:35 | 0:16:36 | |
Eileen may think that's cheap, | 0:16:36 | 0:16:38 | |
but it's still a mighty return on her initial investment. | 0:16:38 | 0:16:42 | |
All in all, a pretty good result. | 0:16:42 | 0:16:45 | |
Now, I wonder what the room will make of her teddy. He's called Growler. | 0:16:45 | 0:16:49 | |
Jonty, I look around and don't see many children, so who's going to buy the teddy bear? | 0:16:49 | 0:16:53 | |
But it's not children, it's adults that buy them to collect. | 0:16:53 | 0:16:57 | |
What did you pay for it? | 0:16:57 | 0:16:59 | |
About 10p in our money. | 0:16:59 | 0:17:00 | |
10p. Well, we should make a profit on this one. Let's find out. | 0:17:00 | 0:17:03 | |
25, eight, 30. | 0:17:03 | 0:17:06 | |
32, 35, eight's away from me at £38 on my left. | 0:17:06 | 0:17:09 | |
40, new bidder. | 0:17:09 | 0:17:11 | |
42, 45, 48. | 0:17:11 | 0:17:13 | |
50. | 0:17:13 | 0:17:14 | |
50. Five, anyone else? | 0:17:14 | 0:17:16 | |
We're doing quite well on that 10p investment. | 0:17:16 | 0:17:19 | |
At £50. | 0:17:19 | 0:17:22 | |
GAVEL BANGS | 0:17:22 | 0:17:23 | |
-£50. -Well done, that's fabulous. | 0:17:23 | 0:17:25 | |
-He's going to a happy home. -You're not growling now, are you? | 0:17:25 | 0:17:28 | |
No, I'm not growling now. | 0:17:28 | 0:17:29 | |
Nor should you be, as he sells bang in the middle of Jonty's estimate. | 0:17:29 | 0:17:34 | |
Next up is the collection of books. We're looking for £50 to £75. | 0:17:34 | 0:17:40 | |
All the volumes, there you see it. Is there 22, anyone? | 0:17:40 | 0:17:43 | |
22, 25, 28, 30. | 0:17:43 | 0:17:47 | |
At £30 it is. Two, anyone else? | 0:17:47 | 0:17:49 | |
At just the £30. 32, 35. | 0:17:49 | 0:17:51 | |
Any advance anywhere? | 0:17:51 | 0:17:53 | |
-GAVEL BANGS -No, can't quite sell those. | 0:17:53 | 0:17:55 | |
Casualty. Unsold. | 0:17:55 | 0:17:57 | |
-Oh dear. -Didn't sell. | 0:17:57 | 0:17:59 | |
Despite some interest in the room, | 0:17:59 | 0:18:01 | |
the auctioneer felt they were worth more than the bidders were offering. | 0:18:01 | 0:18:05 | |
And it's the same story with the tantalus, which also falls short. | 0:18:05 | 0:18:10 | |
At just £40, I'll take two on the tantalus at £40 a bid. | 0:18:10 | 0:18:13 | |
Now two, is there? | 0:18:13 | 0:18:14 | |
45, 48, 50. Five. | 0:18:14 | 0:18:17 | |
60 here. Take five, is there? £60 a bid with me now. | 0:18:17 | 0:18:19 | |
Five, is there anyone else? Tantalus. Surely more. At £60. | 0:18:19 | 0:18:23 | |
GAVEL BANGS | 0:18:23 | 0:18:24 | |
-Can't quite sell that one. -It's unsold. It's unsold. | 0:18:24 | 0:18:28 | |
Two no-sales in a row means we need a good result. | 0:18:28 | 0:18:32 | |
Could the three ladies' watches by Swiss manufacturer Roamer | 0:18:32 | 0:18:35 | |
trigger a change in our fortunes that we so desperately need? | 0:18:35 | 0:18:40 | |
I do have interest on my sheets. | 0:18:40 | 0:18:42 | |
It is low, though, and it starts me at £50. | 0:18:42 | 0:18:45 | |
I'll take five. 50 is bid. Five anywhere? | 0:18:45 | 0:18:48 | |
Five, I've got. 60? 65. 70. | 0:18:48 | 0:18:50 | |
Five is yours. | 0:18:50 | 0:18:51 | |
£75, selling away. Any advance? | 0:18:51 | 0:18:54 | |
GAVEL BANGS | 0:18:54 | 0:18:55 | |
We have a sale. | 0:18:55 | 0:18:56 | |
That's the thing is getting the sale. | 0:18:56 | 0:18:58 | |
Thank goodness for that. | 0:18:58 | 0:19:00 | |
a much-needed addition to the Memphis holiday fund. | 0:19:00 | 0:19:04 | |
The bidders do seem to be acting very cautiously with their cash today | 0:19:04 | 0:19:08 | |
but maybe they're saving it for something really special. | 0:19:08 | 0:19:11 | |
How about this highly decorative kettle from the Emerald Isle? | 0:19:11 | 0:19:15 | |
Five, 60, five, 70. | 0:19:15 | 0:19:17 | |
Five, 80, five, 90. | 0:19:17 | 0:19:20 | |
Five, 100. | 0:19:20 | 0:19:22 | |
-It's gone. -10, 120. | 0:19:22 | 0:19:25 | |
30 is yours. 130 bid, gallery. | 0:19:25 | 0:19:26 | |
-40 anywhere? -That's good. -Yes. | 0:19:26 | 0:19:28 | |
140? 150. 160. | 0:19:28 | 0:19:30 | |
-That's really good news. -170. | 0:19:30 | 0:19:33 | |
Do you want 180 in purple? | 0:19:33 | 0:19:36 | |
180, new bidder downstairs. | 0:19:36 | 0:19:37 | |
It's 180 down here. Take 90, are you sure? | 0:19:37 | 0:19:40 | |
We will sell away at £180. | 0:19:40 | 0:19:42 | |
GAVEL BANGS | 0:19:42 | 0:19:44 | |
I knew if the right people were here, Belleek would fly. | 0:19:44 | 0:19:47 | |
And fly it did, selling for £30 over the higher estimate. | 0:19:47 | 0:19:52 | |
We're halfway through the sale, but with just £340 in the kitty, | 0:19:52 | 0:19:55 | |
we're a long way off our £1,000 target for Eileen's stateside trip | 0:19:55 | 0:19:59 | |
So let's hope our luck improves. | 0:19:59 | 0:20:03 | |
If you're thinking of trying your hand at buying or selling at auction, | 0:20:05 | 0:20:09 | |
bear in mind that commission will be added to your bill. | 0:20:09 | 0:20:12 | |
Your local auction house will be able to advise you on the details hidden in the small print. | 0:20:12 | 0:20:17 | |
Our sale continues with the not-so-Little Domesday Book. | 0:20:17 | 0:20:21 | |
65 bid. 70 anywhere? | 0:20:23 | 0:20:25 | |
70, five, 80, five, | 0:20:25 | 0:20:28 | |
90, five, 100, 110. 20, 130? | 0:20:28 | 0:20:31 | |
One more, surely, at 130? I'll take 40. | 0:20:31 | 0:20:34 | |
-£130 a bid, 40, I'll take. -Come on. | 0:20:34 | 0:20:36 | |
£130 now, is there 40, anyone else? | 0:20:36 | 0:20:38 | |
At £130, can't quite sell that one. | 0:20:38 | 0:20:41 | |
The top bid was £120. Shall we sell? | 0:20:41 | 0:20:44 | |
-Yes. -Mr Auctioneer, can we sell at £120, please? | 0:20:44 | 0:20:48 | |
Certainly, if you're happy to do so. | 0:20:48 | 0:20:50 | |
£120, sir? | 0:20:50 | 0:20:52 | |
-£120. -Thank you for doing that. -Saved the day. | 0:20:52 | 0:20:55 | |
Isn't he masterful when he uses his voice like that? | 0:20:55 | 0:20:58 | |
-Yeah, I'm standing over there. Can you move? -Very powerful. | 0:20:58 | 0:21:01 | |
Well done, Jonty. That saves Eileen from having to carry that enormous book home. | 0:21:01 | 0:21:06 | |
Plus the sale gives our Memphis holiday fund a much-needed boost. | 0:21:06 | 0:21:10 | |
From the bulkiest of our lots to the daintiest. | 0:21:10 | 0:21:13 | |
And we're hoping the Belleek buyers from earlier are still in the room. | 0:21:13 | 0:21:17 | |
We're looking for upwards of £150 for the three baskets. | 0:21:17 | 0:21:22 | |
Next up, the three Balleek baskets. Very delicate, Jonty. | 0:21:22 | 0:21:26 | |
That's Belleek for you. | 0:21:26 | 0:21:28 | |
As you see, we're at 60, I'll take five. | 0:21:28 | 0:21:30 | |
60 is bid. Five anywhere? Belleek at £60 a bid. | 0:21:30 | 0:21:33 | |
Five, I'll take. £60. £65, £70, | 0:21:33 | 0:21:35 | |
five, £80, | 0:21:35 | 0:21:37 | |
five, £90, | 0:21:37 | 0:21:39 | |
five, £100? | 0:21:39 | 0:21:41 | |
-Oh, here we go. -120. | 0:21:41 | 0:21:43 | |
Take five if it helps. 125, it is. At 125. | 0:21:43 | 0:21:45 | |
130? 130 it is. I'll take 40. Away from me, then at 130. | 0:21:45 | 0:21:51 | |
Is there 40 now? | 0:21:51 | 0:21:52 | |
GAVEL BANGS | 0:21:52 | 0:21:53 | |
-Got there in the end. Happy? -Yeah, I'm happy, yeah, I am. | 0:21:53 | 0:21:56 | |
-They're gone. -That's not bad, is it? | 0:21:56 | 0:21:59 | |
You know, I had such high hopes for those baskets. | 0:21:59 | 0:22:01 | |
Still, Eileen is happy with £130, | 0:22:01 | 0:22:05 | |
and that's what counts the most. It's more porcelain up next, | 0:22:05 | 0:22:09 | |
this time by the ever-collectable manufacturer Worcester. | 0:22:09 | 0:22:12 | |
Jonty valued the collection at an impressive £180 to £220, | 0:22:12 | 0:22:18 | |
and Eileen has decided to protect it with a £180 reserve. | 0:22:18 | 0:22:23 | |
The ceramics are there at £90 now. Five, is there? | 0:22:23 | 0:22:26 | |
Surely at five. £100? | 0:22:26 | 0:22:28 | |
That's £100. All quiet at £100? Surely more. £100. | 0:22:28 | 0:22:32 | |
-GAVEL BANGS -That's ridiculous. It hasn't sold. | 0:22:32 | 0:22:35 | |
Ouch. We weren't expecting that. | 0:22:35 | 0:22:37 | |
Today's sale is proving to be anything but predictable, | 0:22:37 | 0:22:41 | |
so it's anyone's guess how the bidders will take to our collection of jewellery. | 0:22:41 | 0:22:45 | |
The auction house has chosen | 0:22:45 | 0:22:48 | |
to sell Eileen's sapphire and diamond bracelet as a stand-alone piece, | 0:22:48 | 0:22:53 | |
so this lot now contains just her costume jewellery, | 0:22:53 | 0:22:55 | |
with a revised estimate of £80 to £120. | 0:22:55 | 0:22:59 | |
It's on my left standing at £95. Any advance anywhere? | 0:22:59 | 0:23:03 | |
-GAVEL BANGS -£95, it is. | 0:23:03 | 0:23:05 | |
That's within estimate, | 0:23:05 | 0:23:06 | |
and a good sign that the jewellery collectors are in attendance. | 0:23:06 | 0:23:10 | |
What will they make of Eileen's gold rings? | 0:23:10 | 0:23:13 | |
We're hoping they'll at least reach their lower estimate of £180. | 0:23:13 | 0:23:16 | |
And it's also the reserve. | 0:23:16 | 0:23:20 | |
At just £90, at five, £100, take ten. | 0:23:20 | 0:23:23 | |
Surely more, at just £100. | 0:23:23 | 0:23:25 | |
-GAVEL BANGS -We can't quite let that go. | 0:23:25 | 0:23:29 | |
There are quite a few people just here to keep warm, to be honest. | 0:23:29 | 0:23:33 | |
For someone with four unsold lots to take home, | 0:23:33 | 0:23:36 | |
Eileen is still smiling, bless her. | 0:23:36 | 0:23:38 | |
She has just two lots left to sell, | 0:23:38 | 0:23:40 | |
and our Graceland travel fund is a long way from being met. | 0:23:40 | 0:23:44 | |
So the pressure is now on | 0:23:44 | 0:23:46 | |
for us to make this crowd sit up and pay attention. | 0:23:46 | 0:23:48 | |
It's time to unveil the name of Lowestoft. | 0:23:48 | 0:23:52 | |
At just £300 on the Lowestoft there. | 0:23:52 | 0:23:55 | |
We start at £300, I'll take £20 anywhere. | 0:23:55 | 0:23:57 | |
£340, £360, £380. | 0:23:57 | 0:24:00 | |
380 is with me. 400, I'll take at 380 bid. | 0:24:00 | 0:24:03 | |
400 now is there? Surely more? | 0:24:03 | 0:24:05 | |
440. 460. | 0:24:05 | 0:24:07 | |
-480. -It's going. -I have 500. | 0:24:07 | 0:24:09 | |
I'll take 20 if it helps. At £500. | 0:24:09 | 0:24:12 | |
-520. -They're on the telephone. | 0:24:12 | 0:24:15 | |
560 is on the phone. My bids are out. At 560, is there 80, anyone else? | 0:24:15 | 0:24:18 | |
At £560 a bid. Any advance anywhere? | 0:24:18 | 0:24:22 | |
At £560 we'll sell away to the phone. Any advance, anyone? | 0:24:22 | 0:24:26 | |
GAVEL BANGS | 0:24:26 | 0:24:27 | |
-Got there. -Well done! -We can all relax. | 0:24:27 | 0:24:30 | |
We got there. | 0:24:30 | 0:24:32 | |
We can relax for him. It's you we were worried about. | 0:24:32 | 0:24:35 | |
-Thank you, darling. -Don't worry about him. He knows what he's doing. | 0:24:35 | 0:24:39 | |
That's debatable. | 0:24:39 | 0:24:41 | |
I'm not sure about Eileen, but I had my heart in my mouth for that sale. | 0:24:41 | 0:24:45 | |
But it's a great result, | 0:24:45 | 0:24:46 | |
and we take a massive step forward towards our target. | 0:24:46 | 0:24:50 | |
There's just one lot left to sell before we can relax. | 0:24:50 | 0:24:53 | |
It's the stunning diamond and sapphire bracelet, | 0:24:53 | 0:24:55 | |
now offered as a stand-alone piece. | 0:24:55 | 0:24:57 | |
Jonty thinks very highly of it, | 0:24:57 | 0:25:00 | |
and we're looking for upwards of £170. | 0:25:00 | 0:25:03 | |
There we are, super piece this, as you see it. | 0:25:05 | 0:25:08 | |
And bids are in. | 0:25:08 | 0:25:09 | |
140, 150, 160. | 0:25:09 | 0:25:13 | |
170, 180 | 0:25:13 | 0:25:15 | |
190, 200, 220. | 0:25:15 | 0:25:17 | |
-I can't believe that. -220 bid, I have 240. | 0:25:17 | 0:25:21 | |
250. 260? 260 is bid. | 0:25:21 | 0:25:23 | |
270, 280. | 0:25:23 | 0:25:25 | |
-I want it back now. -No! -280 is here with me. | 0:25:25 | 0:25:27 | |
At 90, anyone else? 280 I have. | 0:25:27 | 0:25:30 | |
90, I'll take, as you see them. All done? | 0:25:30 | 0:25:33 | |
GAVEL BANGS | 0:25:33 | 0:25:35 | |
-I'm speechless. -Amazing, isn't it? | 0:25:35 | 0:25:37 | |
-Tell me again what that was. -£280. | 0:25:37 | 0:25:39 | |
Talk about finishing off our sale on a high. | 0:25:39 | 0:25:41 | |
What an incredible result. | 0:25:41 | 0:25:45 | |
I never thought I'd see the day, but yes, Eileen is speechless. | 0:25:45 | 0:25:49 | |
But not for much longer, | 0:25:49 | 0:25:51 | |
as it's time to reveal just how well we've done | 0:25:51 | 0:25:53 | |
at the end of a memorable sale. | 0:25:53 | 0:25:56 | |
-It's been a roller-coaster. -Real highs and lows as well. | 0:25:56 | 0:25:59 | |
Absolutely. | 0:25:59 | 0:26:01 | |
You wanted £1,000 to go to Graceland, Memphis, Tennessee. | 0:26:01 | 0:26:04 | |
Um, I can tell you that you can go, and come back, and maybe go again. | 0:26:04 | 0:26:08 | |
You've raised £1,525. | 0:26:08 | 0:26:12 | |
-WAHEY! -Isn't that brilliant? | 0:26:12 | 0:26:13 | |
-Well done. -Thank you so much. | 0:26:13 | 0:26:15 | |
You see, you can go now, whether you want to or not. | 0:26:15 | 0:26:19 | |
Having recovered from the thrills of her day at auction, | 0:26:24 | 0:26:27 | |
Eileen is at home in Lowestoft | 0:26:27 | 0:26:28 | |
putting the finishing touches to her travel plans | 0:26:28 | 0:26:32 | |
and the pilgrimage to Graceland in Memphis USA. | 0:26:32 | 0:26:35 | |
We plan to visit Elvis's grave. That's the big thing for me. | 0:26:35 | 0:26:38 | |
I was a huge Elvis fan, | 0:26:38 | 0:26:39 | |
and never had the opportunity, like so many people, to see him. | 0:26:39 | 0:26:43 | |
And have some great memories. | 0:26:43 | 0:26:45 | |
If you want to raise money and you've got antiques at home, | 0:26:48 | 0:26:52 | |
why not apply to be on our programme? | 0:26:52 | 0:26:54 | |
Just fill out a form on our website. | 0:26:54 | 0:26:56 | |
Good luck. We'll see you next time on Cash In The Attic. | 0:26:56 | 0:26:59 | |
Subtitles by Red Bee Media Ltd | 0:27:23 | 0:27:26 |