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We help you to sell something dear to your heart for something special. | 0:00:02 | 0:00:06 | |
We're about to meet a lady who's willing to part with family history | 0:00:06 | 0:00:10 | |
to see some other countries. | 0:00:10 | 0:00:12 | |
'Today our expert, Paul, struggles to contain his excitement | 0:00:33 | 0:00:37 | |
'over a delightful relic.' | 0:00:37 | 0:00:39 | |
You're salivating, Paul. You're very excited. We're getting excited, now. | 0:00:39 | 0:00:44 | |
'Our ears prick up at the sound of our favourite word.' | 0:00:44 | 0:00:48 | |
-Did we hear... -Money? -There's some money involved. | 0:00:48 | 0:00:51 | |
'Come auction day, our expert's love of puns reaches new heights.' | 0:00:51 | 0:00:56 | |
That's the spirit. | 0:00:56 | 0:00:59 | |
You don't know about him yet, do you? | 0:01:00 | 0:01:02 | |
-Not yet, no. We'll find out. -Sorry about that. | 0:01:02 | 0:01:06 | |
'We'll be wincing and cheering when the final hammer falls.' | 0:01:06 | 0:01:10 | |
Today we are in West London to meet a mother and son | 0:01:11 | 0:01:14 | |
who are clearing out their cupboards to have a bit of a busman's holiday. | 0:01:14 | 0:01:19 | |
'Home may now be a riverside apartment in West London, | 0:01:19 | 0:01:22 | |
'but Shirley Guest has been quite a globetrotter. | 0:01:22 | 0:01:25 | |
'She's lived in places like Trinidad, | 0:01:25 | 0:01:27 | |
'Mauritius and Hong Kong. | 0:01:27 | 0:01:30 | |
'Twice married, she has three sons. | 0:01:30 | 0:01:32 | |
'Her youngest, Phillip, is a photographer. | 0:01:32 | 0:01:35 | |
'Shirley's inspiration was her father, Percy, | 0:01:35 | 0:01:37 | |
'a doctor with a love of art and history. | 0:01:37 | 0:01:40 | |
'Our search, through many family heirlooms and souvenirs, | 0:01:40 | 0:01:43 | |
'will enable Shirley to indulge her passion for history further. | 0:01:43 | 0:01:47 | |
'Paul Hayes is our expert today, with more than 20 years experience.' | 0:01:47 | 0:01:53 | |
-I'm going this way. You go that way. -OK, mate. | 0:01:53 | 0:01:56 | |
There they are! You must be Shirley and this is Phillip. | 0:02:00 | 0:02:03 | |
-Nice to see you. -Wonderful to see you, too. | 0:02:03 | 0:02:05 | |
-What a lovely part of the world. -It's very pleasant here, I must say. | 0:02:05 | 0:02:08 | |
Who called the Cash in the Attic team? | 0:02:08 | 0:02:10 | |
-I did. -You called us in. Why did you call us in? | 0:02:10 | 0:02:13 | |
I was hoping to raise a little money | 0:02:13 | 0:02:15 | |
cos I love visiting stately homes. | 0:02:15 | 0:02:17 | |
Stately homes. We'll hear a bit more about that later on. | 0:02:17 | 0:02:21 | |
Own up, what sort of things are we going to find here, Phillip? | 0:02:21 | 0:02:24 | |
I think we're going to find loads of things. Antiques from way back. | 0:02:24 | 0:02:30 | |
Some interesting things. How much money would you like to raise? | 0:02:30 | 0:02:33 | |
I was hoping to raise about £400. | 0:02:33 | 0:02:36 | |
About £400. I'm feeling outnumbered by you two. Let's find Paul. | 0:02:36 | 0:02:41 | |
He's the man who knows what he's talking about. Let's find him. | 0:02:41 | 0:02:45 | |
'True to form, Paul has already made a fine discovery.' | 0:02:45 | 0:02:50 | |
-Hello Shirley, how are you? -Are you beavering away? | 0:02:50 | 0:02:54 | |
Yeah. I've made a start already. | 0:02:54 | 0:02:56 | |
Do you know what? I think I've found one of the nicest things | 0:02:56 | 0:02:59 | |
I've seen for a long time. | 0:02:59 | 0:03:01 | |
This is Chinese mythology. Do you know where this came from? | 0:03:01 | 0:03:04 | |
I think it was Great Uncle Alfred got it from Tibet. | 0:03:04 | 0:03:08 | |
It wouldn't surprise me. It's top quality. | 0:03:08 | 0:03:10 | |
It goes back to Buddhist culture. | 0:03:10 | 0:03:12 | |
All of the Buddhist temples are protected | 0:03:12 | 0:03:15 | |
by these four characters, here. | 0:03:15 | 0:03:18 | |
They represented the four points of the compass. | 0:03:18 | 0:03:21 | |
They are hand-painted characters. The quality of paint is fantastic. | 0:03:21 | 0:03:25 | |
You're looking at sometime in the 19th Century. | 0:03:25 | 0:03:27 | |
The box itself is lacquer. | 0:03:27 | 0:03:29 | |
It's made with like a papier mache, | 0:03:29 | 0:03:31 | |
and then the sap from the lacquer tree is placed in layer after layer, | 0:03:31 | 0:03:35 | |
to give this wonderful finish. | 0:03:35 | 0:03:37 | |
And then using powdered gold, they get this wonderful effect. | 0:03:37 | 0:03:40 | |
This is top quality, it really is. | 0:03:40 | 0:03:42 | |
What I love about this, why I know this is a quality item, | 0:03:42 | 0:03:45 | |
is that this isn't glass, this is crystal. | 0:03:45 | 0:03:48 | |
-Is it? -It's carved crystal. -Goodness. | 0:03:48 | 0:03:50 | |
And the way I can tell is that there's no air bubbles or anything. | 0:03:50 | 0:03:54 | |
And the actual bottle here has been used for perfume or ointment. | 0:03:54 | 0:04:00 | |
You're salivating, Paul. You're very excited. | 0:04:00 | 0:04:03 | |
We're getting excited, now. | 0:04:03 | 0:04:05 | |
-How much? -The big question. | 0:04:05 | 0:04:07 | |
I think I'd like to have a closer look at this, | 0:04:07 | 0:04:09 | |
before we get to the auction, | 0:04:09 | 0:04:11 | |
to try and find out some more, exactly, about it. | 0:04:11 | 0:04:14 | |
But I think for now, if we put this in, maybe £70-£100. | 0:04:14 | 0:04:18 | |
But I expect it to go for a lot more. | 0:04:18 | 0:04:21 | |
Wonderful! | 0:04:21 | 0:04:23 | |
'Yes, wonderful. A superb start. | 0:04:23 | 0:04:25 | |
'Phillip has also been busy, turning out his grandfather's hipflask. | 0:04:25 | 0:04:30 | |
'This was a souvenir of Percy's appointment to India in the 1920s. | 0:04:30 | 0:04:34 | |
'It's silver-plated and clad in crocodile leather. | 0:04:34 | 0:04:37 | |
'It could be worth £20-£30.' | 0:04:37 | 0:04:40 | |
Paul, look what I've found here. | 0:04:42 | 0:04:44 | |
Do you think that might be interesting? | 0:04:44 | 0:04:46 | |
That's a beauty, isn't it? Where has this come from? | 0:04:46 | 0:04:49 | |
I'm sure my father brought it back from Persia, | 0:04:49 | 0:04:52 | |
but it could be India, as was there in the First World War. | 0:04:52 | 0:04:55 | |
-Right. How long was your father... -Right through the First World War, | 0:04:55 | 0:05:00 | |
and then he went on to India and he worked as a Civil Doctor | 0:05:00 | 0:05:03 | |
out there for the Indians for a while. | 0:05:03 | 0:05:05 | |
I suspect this is actually where it's come from. | 0:05:05 | 0:05:08 | |
-It's more Indian? -Maybe 1920s, 1930s. | 0:05:08 | 0:05:12 | |
If you are lucky enough to be out in the days of the Raj, out in India, | 0:05:12 | 0:05:16 | |
these are the sorts of things they used to sell in bazaars. | 0:05:16 | 0:05:19 | |
The whole thing is made from a local wood. | 0:05:19 | 0:05:22 | |
In this case it looks like rosewood on the interior. | 0:05:22 | 0:05:25 | |
Can you see that? And it's veneered with tortoiseshell and ivory. | 0:05:25 | 0:05:30 | |
What I love about this type of work is the pierced decoration. | 0:05:30 | 0:05:34 | |
That takes hours and hours to do. It's very, very elaborate. | 0:05:34 | 0:05:39 | |
It's decorated here in black decoration. Can you see that? | 0:05:39 | 0:05:43 | |
Does it have any sentimental value to you? | 0:05:43 | 0:05:46 | |
Not really. I've got lots of other memories. | 0:05:46 | 0:05:49 | |
We do have to be careful with ivory and tortoiseshell. | 0:05:49 | 0:05:52 | |
They both come under CITES, | 0:05:52 | 0:05:55 | |
the Convention for the International Trade of Endangered Species. | 0:05:55 | 0:05:59 | |
An item from ivory has to be pre-1947. | 0:06:00 | 0:06:02 | |
We know that this came from India. | 0:06:02 | 0:06:05 | |
We know it's pre-war. We're looking 1920s, 1930s, so we're safe. | 0:06:05 | 0:06:09 | |
What I like about this one, it's not damaged. | 0:06:09 | 0:06:11 | |
The little feet are still on there. It's got the original key. | 0:06:11 | 0:06:15 | |
-If we said, sort of, £80-£120. -Wonderful, Paul. | 0:06:15 | 0:06:18 | |
Very happy with that. | 0:06:18 | 0:06:20 | |
'Isn't that lovely? I wonder what trinkets this box contained. | 0:06:20 | 0:06:24 | |
'Doctor's orders, perhaps. | 0:06:24 | 0:06:26 | |
'Phillip is intrigued by this pair of framed prints in Turner's style. | 0:06:26 | 0:06:30 | |
'They're the work of an artist who lived until the 1920s. | 0:06:30 | 0:06:33 | |
'William Tatton Winter was well-liked by royalty, | 0:06:33 | 0:06:36 | |
'and is believed to have settled in Ryegate, which may be shown here. | 0:06:36 | 0:06:40 | |
'The other picture is a shipwreck by John Cother Webb, | 0:06:40 | 0:06:45 | |
'a student of Landseer, famous for creating mezzotints, | 0:06:45 | 0:06:50 | |
'an early printing process. Paul values this pair at £40-£60.' | 0:06:50 | 0:06:55 | |
There's a sense of travel in this family. | 0:06:58 | 0:07:00 | |
Tell me about your side of the family. | 0:07:00 | 0:07:03 | |
Your uncle and father. | 0:07:03 | 0:07:05 | |
It sounds as if your family has travelled everywhere. | 0:07:05 | 0:07:08 | |
Well, I mean, Great Uncle Alfred, obviously. | 0:07:08 | 0:07:11 | |
Then my grandfather on my mother's side fought in the Boer War. | 0:07:11 | 0:07:16 | |
My father was in Persia during the First World War. | 0:07:16 | 0:07:19 | |
And then he was also in India. | 0:07:19 | 0:07:22 | |
He joined the Indian Civil Service as a doctor. | 0:07:22 | 0:07:25 | |
And then when I was 15 we went out to Trinidad. | 0:07:25 | 0:07:28 | |
And then in 1954, I married somebody from Mauritius. Went to live there. | 0:07:28 | 0:07:32 | |
We went to the Seychelles, where you were born. | 0:07:32 | 0:07:36 | |
From there we went to Hong Kong. | 0:07:36 | 0:07:38 | |
We went to what was the Gilbert Islands, now it's Kiribati. | 0:07:38 | 0:07:41 | |
It's been quite a lot of travelling. | 0:07:41 | 0:07:44 | |
I moan when I have to go around London! | 0:07:44 | 0:07:46 | |
Is that sense of travel in your blood, as well? | 0:07:46 | 0:07:49 | |
It is. I love travelling, always have. | 0:07:49 | 0:07:51 | |
We were blessed to travel at such an early age, | 0:07:51 | 0:07:54 | |
and live in these countries at such an early age. | 0:07:54 | 0:07:57 | |
In those days, travel was more of an expedition. | 0:07:57 | 0:08:00 | |
When you first went to the Seychelles, you went by boat. | 0:08:00 | 0:08:03 | |
You love to travel around the world and now you want to travel the UK. | 0:08:03 | 0:08:08 | |
What do you want to do? | 0:08:08 | 0:08:10 | |
What I'd like to do is visit lots of stately homes. | 0:08:10 | 0:08:12 | |
There's Petworth, which belonged to the Northumberland family, | 0:08:12 | 0:08:16 | |
and lots of National Trust places. | 0:08:16 | 0:08:18 | |
All the wonderful history and art, beautiful things to see. | 0:08:18 | 0:08:22 | |
Shirley, I could talk to you all day. Brilliant stories about travel. | 0:08:22 | 0:08:26 | |
But do you know who would get really upset? Paul. | 0:08:26 | 0:08:29 | |
He's out on his own, working. Let's go an help him. | 0:08:29 | 0:08:32 | |
Off we go. | 0:08:32 | 0:08:34 | |
'We needn't have been too worried about him. | 0:08:34 | 0:08:36 | |
'He's happily checking out a glazed porcelain cigarette box, | 0:08:36 | 0:08:39 | |
'once owned by Shirley's Great Uncle Alfred. | 0:08:39 | 0:08:43 | |
'It was made between the Wars by Carlton Ware, | 0:08:43 | 0:08:45 | |
'and it could fetch up to £25-£40. | 0:08:45 | 0:08:47 | |
'But another of Great Uncle Alfred's mementos | 0:08:47 | 0:08:50 | |
'may do even better.' | 0:08:50 | 0:08:53 | |
Have you any idea what this teapot - is it a teapot or a coffee pot? | 0:08:54 | 0:08:57 | |
I can't make my mind up. Do you know where it came from? | 0:08:57 | 0:09:01 | |
The Orient, I believe. | 0:09:01 | 0:09:02 | |
Great Uncle Alfred had this on his travels as Sea Captain. | 0:09:02 | 0:09:05 | |
That's as far as I know, I'm afraid. | 0:09:05 | 0:09:07 | |
You're looking late 19th Century. The golden age of tea drinking. | 0:09:07 | 0:09:11 | |
We had lots and lots of products coming in from Japan, | 0:09:11 | 0:09:14 | |
which is where this teapot comes from. | 0:09:14 | 0:09:17 | |
This is a very nice example of Japanese silverwork. | 0:09:17 | 0:09:20 | |
I can tell you it's silver because there's no sign of wear. | 0:09:20 | 0:09:24 | |
If this was silver plated, if I breathed on the surface, | 0:09:24 | 0:09:27 | |
you'd get a yellow tinge coming through. This is perfect. | 0:09:27 | 0:09:31 | |
It's not British silver, because it's too hard. | 0:09:31 | 0:09:33 | |
They call this a low-grade silver, | 0:09:33 | 0:09:35 | |
it tends to be what's made, at least into Europe if not into Asia. | 0:09:35 | 0:09:39 | |
It doesn't dint with your fingers. The workmanship is fantastic. | 0:09:39 | 0:09:44 | |
The enamel top is lovely as well. | 0:09:44 | 0:09:47 | |
You've got the green and yellow in the shape of the chrysanthemum. | 0:09:47 | 0:09:51 | |
The chrysanthemum is Japan's national flower. | 0:09:51 | 0:09:53 | |
It symbolises peace and harmony, so it's quite an elegant teapot. | 0:09:53 | 0:09:58 | |
If you wanted to auction, I'd say a minimum of £40-£70. | 0:09:58 | 0:10:03 | |
-I think if someone takes a shine to it, it could go for more. -Great. | 0:10:03 | 0:10:06 | |
'I love your enthusiasm, Paul, but I wonder if bidders will share it.' | 0:10:06 | 0:10:11 | |
Hundred pounds for it. There we go. Hundred pound. 110. | 0:10:11 | 0:10:14 | |
120. 130? | 0:10:14 | 0:10:16 | |
140? 150? 160. 170? | 0:10:16 | 0:10:19 | |
-180? 190. -180. | 0:10:19 | 0:10:21 | |
'Oh! This could prove a very exciting sale. | 0:10:21 | 0:10:25 | |
'Our search appears to be going well. | 0:10:25 | 0:10:28 | |
'I've found a perfume bottle which belonged to Shirley's grandmother. | 0:10:28 | 0:10:32 | |
'The silver cap is a little tarnished, | 0:10:32 | 0:10:34 | |
'but the hallmarks suggest it was made in Chester in 1914. | 0:10:34 | 0:10:38 | |
'Paul's estimate is £20-£30. | 0:10:38 | 0:10:41 | |
Shirley, these are beautiful. | 0:10:42 | 0:10:44 | |
Look at these. Almost see-through. | 0:10:44 | 0:10:47 | |
-They're Japanese porcelain. -Are they really? I like these. | 0:10:47 | 0:10:51 | |
-Paul. -Uhuh. | 0:10:51 | 0:10:53 | |
I've got something very nice and something close to your heart. | 0:10:53 | 0:10:56 | |
You like a cup of tea. Look at these. | 0:10:56 | 0:10:58 | |
Those are lovely. It's known as Japanese export porcelain, | 0:10:58 | 0:11:02 | |
or eggshell china. | 0:11:02 | 0:11:04 | |
If I hold it up to the light, you can see through it. | 0:11:04 | 0:11:07 | |
That's part of its mystery. They called it white gold. | 0:11:07 | 0:11:11 | |
-Would you drink tea from it? -I wouldn't. | 0:11:11 | 0:11:13 | |
These usually are made for decoration. | 0:11:13 | 0:11:15 | |
If you poured boiling water into that, chances are it will crack. | 0:11:15 | 0:11:19 | |
These are purely ornamental. That's the idea. They go in a cabinet. | 0:11:19 | 0:11:24 | |
-What are these flowers? -Cherry blossom. | 0:11:24 | 0:11:26 | |
Oh, lovely. | 0:11:26 | 0:11:27 | |
What I love about Japanese items is they always put things to one side. | 0:11:27 | 0:11:31 | |
Can you see that? This is on the left-hand side of the plate. | 0:11:31 | 0:11:35 | |
You can see that all the decoration is to one side, | 0:11:35 | 0:11:37 | |
whereas in Europe, we tend to do things down the middle. | 0:11:37 | 0:11:40 | |
it's asymmetrical, to one side. | 0:11:40 | 0:11:43 | |
-Who brought these back? -Great Uncle Alfred again! | 0:11:43 | 0:11:46 | |
He's done very well, Uncle Alfred, for us. | 0:11:46 | 0:11:49 | |
Originally this would've been 12 cups and saucers, | 0:11:49 | 0:11:52 | |
teapot, a sugar basin, cream jug, side plates. | 0:11:52 | 0:11:55 | |
More often than not, they were brought back in the 1920s. | 0:11:55 | 0:11:58 | |
You're looking at a 20th century item. | 0:11:58 | 0:12:00 | |
I think what's happened here is that over the years they've been damaged. | 0:12:00 | 0:12:05 | |
This one has been damaged and glued. | 0:12:05 | 0:12:07 | |
I think, for decorative value, | 0:12:07 | 0:12:09 | |
£30-£50. How does that sound? | 0:12:09 | 0:12:11 | |
That's more than I expected. Very pleased. | 0:12:11 | 0:12:15 | |
-Is that your cup of tea? -Please. | 0:12:15 | 0:12:18 | |
'Oh dear. The Japanese tea set brings another country | 0:12:18 | 0:12:22 | |
'into our worldwide souvenirs. | 0:12:22 | 0:12:24 | |
'Shirley's next find comes from somewhere a little closer to home. | 0:12:24 | 0:12:28 | |
'These decorated seashells are from Cornwall, | 0:12:28 | 0:12:31 | |
'one shows a carved terracotta woman with a basket. | 0:12:31 | 0:12:35 | |
'Highly unusual. They may fetch £30-£50 in the auction. | 0:12:35 | 0:12:40 | |
'Paul seems to have found something much more impressive.' | 0:12:40 | 0:12:43 | |
Look at this. Do you know what, these are fantastic. | 0:12:43 | 0:12:46 | |
Look at the size of the one you've got. | 0:12:46 | 0:12:49 | |
-Who's collected these shells? -That was my uncle in Cairo. | 0:12:49 | 0:12:53 | |
-That would've been in the '20s. -Right. OK. | 0:12:53 | 0:12:56 | |
That's from the Gilbert Islands, Kiribati. | 0:12:56 | 0:12:59 | |
I used to go snorkel diving and found that. | 0:12:59 | 0:13:02 | |
That is amazing, isn't it? Look at that. | 0:13:02 | 0:13:05 | |
This is typically what you'll find. This is an oyster shell. | 0:13:05 | 0:13:09 | |
This is a form of mother of pearl. | 0:13:09 | 0:13:11 | |
The way the oyster shell works is that | 0:13:11 | 0:13:14 | |
when a bit of mineral or piece of dirt gets inside the oyster, | 0:13:14 | 0:13:17 | |
to protect itself, it secretes a substance called nacre. | 0:13:17 | 0:13:21 | |
That nacre covers the bit of muck and that becomes the pearl. | 0:13:21 | 0:13:24 | |
What happens is this interior becomes a milky petrol finish, | 0:13:24 | 0:13:28 | |
this mother of pearl. | 0:13:28 | 0:13:29 | |
What they've done is polished and carved it in a fantastic way. | 0:13:29 | 0:13:33 | |
Look at the detail, there. | 0:13:33 | 0:13:36 | |
Look at all this floral decoration. | 0:13:36 | 0:13:38 | |
That looks like one of the mosques in Cairo. | 0:13:38 | 0:13:42 | |
-What's that one there? -Bit crude, that one, isn't it? | 0:13:42 | 0:13:46 | |
It is the quality of the carving but you can see the difference. | 0:13:46 | 0:13:49 | |
-That's more a religious scene. -You can see vestiges of paint there. | 0:13:49 | 0:13:55 | |
I think these are beautiful quality. | 0:13:55 | 0:13:57 | |
I think they are prized for the quality of the carving, | 0:13:57 | 0:14:00 | |
not so much the actual shell. | 0:14:00 | 0:14:03 | |
The shapes on those two are particularly nice. | 0:14:03 | 0:14:05 | |
-What do you think, then? -Around £50 each. -Wow! | 0:14:05 | 0:14:09 | |
You're looking £150-£200 as an auction estimate. | 0:14:09 | 0:14:11 | |
-I never expected as much as that. -Let's ask Phillip and Chris. | 0:14:11 | 0:14:15 | |
Guys. Phillip, Chris. Some good news. | 0:14:15 | 0:14:18 | |
-We're sprinting over. -Did we hear... | 0:14:18 | 0:14:20 | |
-Money? -There's money involved. | 0:14:20 | 0:14:23 | |
-If I said at least £150 for these? -Actually, Chris was offering more. | 0:14:23 | 0:14:29 | |
I don't think you've got the right idea about this programme. | 0:14:29 | 0:14:32 | |
They are beautiful, aren't they? A great way of finishing our day. | 0:14:32 | 0:14:37 | |
-You know you wanted to raise around £400 today, didn't you? -Yes. | 0:14:37 | 0:14:41 | |
The grand total is £505. | 0:14:41 | 0:14:44 | |
-Wonderful. -How do you feel about that? -Wonderful. | 0:14:44 | 0:14:48 | |
You see, he's not easily pleased! | 0:14:48 | 0:14:51 | |
-LAUGHTER -That's great. | 0:14:51 | 0:14:53 | |
He's a tough customer. | 0:14:53 | 0:14:55 | |
'I think Phillip may not be jumping for joy just yet, | 0:14:55 | 0:14:58 | |
'but deep down he's as pleased as the rest of us | 0:14:58 | 0:15:01 | |
'that we found so many treasures to sell. | 0:15:01 | 0:15:03 | |
'Shirley's father brought this tortoiseshell box from India. | 0:15:03 | 0:15:07 | |
'We think it dates from the 1920s, but it could be older. | 0:15:07 | 0:15:11 | |
'We hope it'll fetch £80-£120. | 0:15:11 | 0:15:14 | |
'The lacquer cabinet with bottle is guarded by mystical Chinese figures. | 0:15:14 | 0:15:20 | |
'Worth at least £70-£100, we think. | 0:15:20 | 0:15:23 | |
'And the Japanese white metal teapot should make £40-£70, | 0:15:23 | 0:15:27 | |
'but if it turns out to be solid silver, as we suspect, | 0:15:27 | 0:15:31 | |
'it could bring us more. Cor! | 0:15:31 | 0:15:33 | |
'Still to come, our expert can't tell his ammonite from his elbow.' | 0:15:35 | 0:15:39 | |
-Ammonite or nautilus. -Nautilus. Ammonites are fossils. | 0:15:40 | 0:15:45 | |
Oh right. Nautilus. There we go. Sorry. | 0:15:45 | 0:15:48 | |
-'There are surprises in store, too.' -Lovely! | 0:15:48 | 0:15:52 | |
I thought your hat was going to blow off, then! | 0:15:52 | 0:15:54 | |
Vanished! | 0:15:54 | 0:15:56 | |
'Hold on to yours until the final crack of the gavel.' | 0:15:56 | 0:16:00 | |
We had a fascinating day with Shirley and Phillip | 0:16:04 | 0:16:07 | |
at Shirley's London flat. I can't wait to find out what happens today. | 0:16:07 | 0:16:11 | |
Why? Because we found weird and wonderful things | 0:16:11 | 0:16:14 | |
from her family's travels around the world. | 0:16:14 | 0:16:16 | |
Will we make a fortune? We'll find out when the final hammer falls. | 0:16:16 | 0:16:20 | |
'Shirley has sent her collectibles to Cheswick auction rooms | 0:16:22 | 0:16:25 | |
'in plenty of time for dealers to view them. | 0:16:25 | 0:16:29 | |
'I can't wait to catch up with Shirley and Phillip, | 0:16:29 | 0:16:31 | |
'but someone seems to be missing.' | 0:16:31 | 0:16:33 | |
Hello, Shirley. Nice to see you. | 0:16:34 | 0:16:37 | |
This isn't your strapping son. | 0:16:37 | 0:16:39 | |
He has a photoshoot in Regent's Park. | 0:16:39 | 0:16:41 | |
-And so you are? -Sheila. A great friend of Shirley's. | 0:16:41 | 0:16:44 | |
We've known each other for donkey's years. | 0:16:44 | 0:16:46 | |
Literally years. | 0:16:46 | 0:16:48 | |
Not quite dinosaur years, more donkey years. | 0:16:48 | 0:16:50 | |
-Donkey, I should say. -Are we in for some trouble? | 0:16:50 | 0:16:54 | |
-I hope we're in for trouble. -I sensed that! | 0:16:54 | 0:16:58 | |
You've got interesting items. The white metal coffee pot. | 0:16:58 | 0:17:02 | |
They're keen on that here, so you've put a reserve of £50 on that. | 0:17:02 | 0:17:05 | |
My ultimate favourite has to be the lovely Chinese casket. | 0:17:05 | 0:17:10 | |
The guys here think it's late 19th Century, early 20th. | 0:17:10 | 0:17:13 | |
We've put a reserve of £70 on that one. | 0:17:13 | 0:17:17 | |
-Alright with you? -Wonderful. | 0:17:17 | 0:17:19 | |
'It's not too long before the auction gets underway. | 0:17:19 | 0:17:22 | |
'Shirley's first lot is the hipflask, | 0:17:22 | 0:17:24 | |
'silver-plated and wrapped in crocodile leather. | 0:17:24 | 0:17:27 | |
'It could be worth £20-£30.' | 0:17:27 | 0:17:29 | |
£20 for it. £20 for it. £10 for it. | 0:17:31 | 0:17:34 | |
15? 15. 18? | 0:17:36 | 0:17:38 | |
18. 20. 22. | 0:17:38 | 0:17:41 | |
25. 28. 30. | 0:17:41 | 0:17:43 | |
-32. 35. 38. 40. 45. -Keep going. Oh! | 0:17:43 | 0:17:47 | |
At £42. Bid at £42. £45? £42 I'm bid. | 0:17:47 | 0:17:51 | |
At £42, are we done? I think we are, at £42. | 0:17:51 | 0:17:54 | |
That's the spirit! | 0:17:55 | 0:17:57 | |
-You don't know about him, do you? -Not yet. I shall find out. | 0:17:58 | 0:18:02 | |
LAUGHTER | 0:18:02 | 0:18:04 | |
'Hm. Puns aside, that is a good start. | 0:18:04 | 0:18:07 | |
'Next this tortoiseshell and silver trinket box. | 0:18:07 | 0:18:10 | |
'It has been paired with the glass scent bottle. | 0:18:10 | 0:18:13 | |
'We're hoping for £20-£30, despite the slight tarnish on the lid.' | 0:18:13 | 0:18:17 | |
-I should've polished that silver. -That's outrageous. | 0:18:18 | 0:18:22 | |
To be honest, it's better to leave the silver unpolished, | 0:18:22 | 0:18:25 | |
and not to polish it often. | 0:18:25 | 0:18:27 | |
Every time you polish it, you take a layer of silver off. | 0:18:27 | 0:18:30 | |
-It eventually gets thin. -How much are we hoping for? | 0:18:30 | 0:18:33 | |
£20-£30 for this one. | 0:18:33 | 0:18:35 | |
£20 the lot. A bid at £20. | 0:18:35 | 0:18:37 | |
22. 25. 28. | 0:18:37 | 0:18:39 | |
30. 32. 35. 38. 40. | 0:18:39 | 0:18:42 | |
42. 45. | 0:18:42 | 0:18:44 | |
-48. 50. -Oh come on! | 0:18:44 | 0:18:46 | |
Nobody else wants it at £48? Take £50. At £48. | 0:18:46 | 0:18:49 | |
At £48. Are we done? £48. You've got it. £48. | 0:18:49 | 0:18:53 | |
'Good. That's two lots punching well above their weight. | 0:18:53 | 0:18:56 | |
'Shirley's Great Uncle Alfred brought back many souvenirs | 0:18:56 | 0:18:58 | |
'from the far east, including this Japanese Satsuma tea set. | 0:18:58 | 0:19:03 | |
'Paul's estimate was £30-£50.' | 0:19:03 | 0:19:05 | |
£30 for it. | 0:19:05 | 0:19:08 | |
-Thank you, a bid at £30. -£30. That's alright. | 0:19:08 | 0:19:11 | |
32. 35. | 0:19:11 | 0:19:13 | |
38. 40. | 0:19:13 | 0:19:15 | |
42. A bidder at £40. At £42. | 0:19:15 | 0:19:18 | |
-Come on. -At £40, at £40. Sold at £40 and gone. | 0:19:18 | 0:19:21 | |
-There we go. That's alright. -In the middle. | 0:19:21 | 0:19:24 | |
'Not bad. A reasonable result, considering the set was incomplete. | 0:19:24 | 0:19:28 | |
'Our fourth lot consists of two shells from Cornwall. | 0:19:28 | 0:19:32 | |
'One shows a carving of a fisherwoman. | 0:19:32 | 0:19:34 | |
'There are two more that Shirley found in Mauritius. | 0:19:34 | 0:19:38 | |
I think that's really nice. Such a delicate shape. Nice condition. | 0:19:38 | 0:19:42 | |
-Are they an ammonite or a nautilus? -Nautilus. Ammonites are fossils. | 0:19:42 | 0:19:47 | |
-OK. Nautilus. There we go. Sorry. -Got it wrong. | 0:19:47 | 0:19:51 | |
-You do have to work at it. -Exactly. | 0:19:51 | 0:19:53 | |
Do I hear £20? | 0:19:53 | 0:19:56 | |
About four hands going up. I'm bid £20. 22. 25. | 0:19:56 | 0:19:59 | |
-25. 28. 30. -That's more like it. | 0:19:59 | 0:20:01 | |
35? 35. 38. 40. | 0:20:01 | 0:20:04 | |
I'm bid. 42. | 0:20:04 | 0:20:05 | |
42, there. 45. 45. 48. | 0:20:06 | 0:20:09 | |
48. 50? At £48. Bid at £48. | 0:20:09 | 0:20:12 | |
At 50, there. 55. | 0:20:12 | 0:20:14 | |
65. | 0:20:15 | 0:20:17 | |
At £60 right there. £60. | 0:20:17 | 0:20:20 | |
Sure we'll have a bit more. | 0:20:20 | 0:20:22 | |
-Are we done? We are. -You got £60. That's great. | 0:20:22 | 0:20:25 | |
-Ooh! -Wonderful. | 0:20:25 | 0:20:27 | |
'And that's Paul's natural history lesson over. | 0:20:28 | 0:20:32 | |
'We can move on to the curious box Great Uncle Alfred found in Tibet. | 0:20:32 | 0:20:35 | |
'Will the four characters guarding the bottle bring us good luck?' | 0:20:35 | 0:20:39 | |
Out of all your items, this is probably the most unusual. | 0:20:39 | 0:20:43 | |
It's one I really like. The auctioneers like this one as well. | 0:20:43 | 0:20:46 | |
I know we have a reserve of £70 on this. | 0:20:46 | 0:20:49 | |
Let's hope somebody likes it. | 0:20:49 | 0:20:51 | |
Call me £100 for it. Thank you. | 0:20:51 | 0:20:54 | |
Straight in. | 0:20:54 | 0:20:56 | |
£100. 110, I'm bid. | 0:20:56 | 0:20:57 | |
At 110. 120. 130. | 0:20:57 | 0:20:59 | |
140. 150. | 0:20:59 | 0:21:00 | |
170. 180. 190. | 0:21:02 | 0:21:05 | |
190. 200. 210. | 0:21:05 | 0:21:07 | |
£210. | 0:21:07 | 0:21:09 | |
I see £210. Do you want 220? 230. | 0:21:09 | 0:21:12 | |
240. 250. | 0:21:12 | 0:21:14 | |
240 we're bid. 250? We're at 240. | 0:21:14 | 0:21:17 | |
240. 240. Are we all done at 240? Going. Last chance. | 0:21:17 | 0:21:22 | |
-Ooh! -Genuinely excited. | 0:21:22 | 0:21:24 | |
-That's good, isn't it? -I thought your hat would blow off. | 0:21:24 | 0:21:28 | |
-It vanished! -LAUGHTER | 0:21:28 | 0:21:31 | |
'Wow! Over three times the lower estimate. | 0:21:31 | 0:21:34 | |
'That's brilliant! It must have made a huge difference to the target. | 0:21:34 | 0:21:38 | |
'Speaking of which...' | 0:21:38 | 0:21:40 | |
You wanted to raise £400 today. | 0:21:40 | 0:21:42 | |
At the halfway stage, you've raised £430. | 0:21:43 | 0:21:47 | |
-What? Wow! -That's fantastic, Shirley! | 0:21:47 | 0:21:51 | |
-That's only half way! -That's really good. | 0:21:51 | 0:21:54 | |
'Yes it is, Sheila. Very good indeed. | 0:21:54 | 0:21:56 | |
'If you'd like to sell your items in this way, | 0:21:56 | 0:21:59 | |
'bear in mind that auction houses charge fees, such as commission. | 0:21:59 | 0:22:03 | |
'Your local sale room will advise you on these extra costs. | 0:22:03 | 0:22:06 | |
'Shirley has delightful items still to come. | 0:22:06 | 0:22:08 | |
'Where better to start than with this Indian trinket box, | 0:22:08 | 0:22:12 | |
'made of rosewood and decorated with a veneer of tortoiseshell and ivory. | 0:22:12 | 0:22:17 | |
'It's late 19th Century and we're looking for between £80-£100.' | 0:22:17 | 0:22:21 | |
Bid at £50. At £50. 55. | 0:22:21 | 0:22:24 | |
Up five there, 60. 70. | 0:22:24 | 0:22:26 | |
85. 95. | 0:22:27 | 0:22:30 | |
100. 110. 120. | 0:22:30 | 0:22:32 | |
-Super. Keep going. -120. £110. | 0:22:33 | 0:22:35 | |
Here at 120. 110. At 110. | 0:22:35 | 0:22:38 | |
At 110, we're at 110. Last chance, going at 110. | 0:22:39 | 0:22:42 | |
-Ooh! -How's that? | 0:22:42 | 0:22:43 | |
-Wow! -That's great, isn't it? | 0:22:43 | 0:22:46 | |
Fantastic. I'm a happy bunny. | 0:22:46 | 0:22:48 | |
'Good. That's another chunk of cash towards Shirley's grand tour. | 0:22:50 | 0:22:54 | |
'But how high can we go?' | 0:22:54 | 0:22:58 | |
Up next we've got this Japanese white metal teapot | 0:22:58 | 0:23:01 | |
with a floral decoration. | 0:23:01 | 0:23:02 | |
The catalogues have described it as white metal. | 0:23:02 | 0:23:06 | |
I'm 99% certain this is solid silver. | 0:23:06 | 0:23:09 | |
Because it doesn't have the same hallmark system we have in the UK, | 0:23:09 | 0:23:13 | |
it can only really be classed as white metal. | 0:23:13 | 0:23:16 | |
We have a £50 reserve on this. Let's hope it goes for at least that. | 0:23:16 | 0:23:20 | |
Quite a nice thing. Number 238. £50 for it. | 0:23:20 | 0:23:22 | |
About 15 hands going up here. Start again. | 0:23:22 | 0:23:25 | |
£80 for it. CHUCKLING | 0:23:25 | 0:23:28 | |
£100 for it. There we go. Telephone at £100. 110. | 0:23:29 | 0:23:32 | |
110. 120. 130? | 0:23:32 | 0:23:34 | |
140. 150. 160. 170. | 0:23:34 | 0:23:37 | |
-180. 190. 200. -180, there. | 0:23:37 | 0:23:39 | |
210, 220. | 0:23:39 | 0:23:41 | |
230. | 0:23:41 | 0:23:43 | |
240. 250. | 0:23:43 | 0:23:44 | |
260. | 0:23:44 | 0:23:45 | |
At 250 bid. At 250. Want 260. | 0:23:46 | 0:23:48 | |
At 250 wanting. | 0:23:48 | 0:23:50 | |
At 250. We're going once at 250. Are we done? Twice at 250. | 0:23:50 | 0:23:53 | |
And gone. Your last chance. | 0:23:53 | 0:23:55 | |
-Oh! -Wonderful! | 0:23:55 | 0:23:58 | |
-That's brilliant, isn't it? -Isn't it! That's superb! | 0:23:58 | 0:24:01 | |
I've never seen that before. | 0:24:01 | 0:24:03 | |
The auctioneer says, "Who wants to come in?" and eight people bid! | 0:24:03 | 0:24:07 | |
-Fantastic! -Yes! Wonderful! | 0:24:07 | 0:24:09 | |
'Wasn't that exciting! | 0:24:09 | 0:24:11 | |
'Our total has gone through the roof. | 0:24:11 | 0:24:14 | |
'Now the pair of the early 20th Century engravings, | 0:24:14 | 0:24:16 | |
'valued at £40-£60. | 0:24:16 | 0:24:18 | |
'Shirley's changed her mind and brought along a second seascape | 0:24:18 | 0:24:23 | |
'instead of the Victorian street.' | 0:24:23 | 0:24:25 | |
I'm going to start at £25. Done at 25 and going. | 0:24:27 | 0:24:29 | |
-That's a bit less. -Never mind. | 0:24:29 | 0:24:32 | |
'Never mind. You're doing well. It's a shame they sold under estimate. | 0:24:32 | 0:24:37 | |
'How about some Carlton Ware? | 0:24:39 | 0:24:41 | |
'Let's see if this mid-20th century porcelain cigarette box | 0:24:41 | 0:24:44 | |
'performs a little better.' | 0:24:44 | 0:24:46 | |
-£20, going to sell. £20, it's gone. -Only £20. -It doesn't matter. -There you go. | 0:24:46 | 0:24:52 | |
'Next up, more sea shells from the sea shore. | 0:24:52 | 0:24:56 | |
'These two mother of pearl examples have delicate carvings | 0:24:56 | 0:24:59 | |
'and are valued at £150-£200.' | 0:24:59 | 0:25:02 | |
For the two, start me at £100, please. £100. | 0:25:02 | 0:25:07 | |
Thank you. 110? 110. 120. 130? | 0:25:07 | 0:25:09 | |
140. 150. | 0:25:09 | 0:25:11 | |
-160. -160! Yes, yes, yes! | 0:25:12 | 0:25:15 | |
At 150. 160. | 0:25:15 | 0:25:16 | |
170. 180? | 0:25:16 | 0:25:18 | |
190? 200? | 0:25:18 | 0:25:20 | |
-210. 220. -Oh! | 0:25:20 | 0:25:23 | |
230. Back with the 220 value. Give me 230. | 0:25:23 | 0:25:27 | |
Yes! | 0:25:27 | 0:25:29 | |
Who else wants it? We come in at 220. Going at 220. | 0:25:29 | 0:25:33 | |
-Amazing. Absolutely amazing. -So pretty. | 0:25:33 | 0:25:35 | |
I'm knocked out! | 0:25:35 | 0:25:38 | |
'Well, £220 is a fantastic final sale. | 0:25:38 | 0:25:43 | |
'It's now time to reveal the grand total.' | 0:25:43 | 0:25:45 | |
For someone that was chasing £400, you have raised... | 0:25:45 | 0:25:49 | |
£1,055! | 0:25:51 | 0:25:55 | |
£1,055! | 0:25:56 | 0:25:59 | |
-Unbelievable. -That's incredible. | 0:25:59 | 0:26:01 | |
I should give some to charity. I'd have to after that. | 0:26:01 | 0:26:04 | |
That's typically you. You have to make that decision. | 0:26:04 | 0:26:08 | |
Listen, Chris and Paul, thank you so much. And everybody. | 0:26:08 | 0:26:11 | |
It's been a wonderful day. | 0:26:11 | 0:26:12 | |
'Ham House in Richmond-upon-Thames | 0:26:16 | 0:26:18 | |
'is first on Shirley's long list of stately homes to visit. | 0:26:18 | 0:26:22 | |
'All thanks to her auction success.' | 0:26:22 | 0:26:24 | |
I couldn't be more pleased. I never thought I'd raise as much. | 0:26:25 | 0:26:28 | |
To visit wonderful places is a great joy. I love visiting stately homes. | 0:26:28 | 0:26:32 | |
I've always loved history. That's really why. | 0:26:32 | 0:26:36 | |
I love anything that's historical, really. | 0:26:36 | 0:26:38 | |
Beautiful paintings. Lovely possessions, all round. | 0:26:38 | 0:26:42 | |
It's been a wonderful visit. I've had a wonderful time. | 0:26:42 | 0:26:45 | |
'Let's hope this is the first of many successful visits for Shirley.' | 0:26:45 | 0:26:50 | |
Subtitles by Red Bee Media Ltd | 0:27:02 | 0:27:06 |