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Welcome to Cash In The Attic, the show where we sort through the antiques and collectables | 0:00:02 | 0:00:06 | |
tucked away in your home, and take them to auction. | 0:00:06 | 0:00:09 | |
Today we're in rather a snowy, chilly Wales, | 0:00:09 | 0:00:11 | |
and we're on a mission to raise money | 0:00:11 | 0:00:14 | |
for a touch of home improvement! | 0:00:14 | 0:00:16 | |
Coming up on Cash In The Attic... | 0:00:35 | 0:00:38 | |
'Beauty's clearly in the eye of the beholder.' | 0:00:38 | 0:00:40 | |
That is very handsome. Almost as handsome as you! | 0:00:40 | 0:00:43 | |
Oh, no. That's impossible, surely. | 0:00:43 | 0:00:45 | |
'Is our expert David getting over-zealous?' | 0:00:45 | 0:00:48 | |
Oh, give that to me. Don't you be handling that! | 0:00:48 | 0:00:51 | |
I don't even get a look at it! Hang on! | 0:00:51 | 0:00:53 | |
-Or will his enthusiasm be rewarded? -40. At 40. | 0:00:53 | 0:00:56 | |
-Yes! -Oh, it's going up! | 0:00:56 | 0:00:58 | |
Find out when the hammer falls. | 0:01:00 | 0:01:03 | |
Today I'm in Neath, and I'm on my way to meet Hilary Pugh. | 0:01:04 | 0:01:07 | |
Now, I have heard she's got a house crammed full of family heirlooms, | 0:01:07 | 0:01:12 | |
so it should be fun! | 0:01:12 | 0:01:13 | |
Hilary Pugh was born and raised in Neath, just outside Swansea, | 0:01:13 | 0:01:17 | |
and worked for many years in the local sewing factory | 0:01:17 | 0:01:20 | |
before retiring. She's joined on our rummage today | 0:01:20 | 0:01:23 | |
by her long-time friend and holiday companion, Betty Green. | 0:01:23 | 0:01:27 | |
-Good morning! -It's cold, isn't it? -It's freezing! | 0:01:27 | 0:01:30 | |
'Also helping with the hunt is antiques expert David Harper, | 0:01:30 | 0:01:33 | |
'and I've no doubt his practised eye | 0:01:33 | 0:01:36 | |
'will scoop up a treasure or two for us today.' | 0:01:36 | 0:01:39 | |
-Hello, ladies. -Hello. -Hello. | 0:01:40 | 0:01:43 | |
-This is David. -Hello, David. | 0:01:43 | 0:01:45 | |
-And who's who here? -I'm Hilary. -My notes said "Hilarity". | 0:01:45 | 0:01:48 | |
I thought it couldn't possibly be that. And you're Betty, then? | 0:01:48 | 0:01:52 | |
-Yes. -Ah, very nice to meet you. | 0:01:52 | 0:01:53 | |
-I told you this place was crammed with heirlooms. Look! -I know! | 0:01:53 | 0:01:56 | |
Shall I go and do what I'm supposed to do best? | 0:01:56 | 0:01:59 | |
-Good idea! -All right. Drink coffee. -No! Go and get started. | 0:01:59 | 0:02:02 | |
He likes to get started, you know. It's a good idea. | 0:02:02 | 0:02:05 | |
-So, lots of family heirlooms? -Oh, yes. -Where are they from? | 0:02:05 | 0:02:08 | |
From the family home down in Llansteffan, near Camarthen. | 0:02:08 | 0:02:12 | |
Do you mind parting with these? They've got sentimental value. | 0:02:12 | 0:02:16 | |
I've been keeping them up the attic, so they may as well go. | 0:02:16 | 0:02:19 | |
-They really have been in the attic? -Yes. -Ooh, I love it! Excellent! | 0:02:19 | 0:02:23 | |
So, how much money do you think we might raise? | 0:02:23 | 0:02:26 | |
Er, well, I'm hoping 300. | 0:02:26 | 0:02:28 | |
£300. I'm told it was for a spot of home improvement. | 0:02:28 | 0:02:32 | |
-What are we up to? -A new bathroom suite. | 0:02:32 | 0:02:34 | |
I want a shower unit put in instead of a bath. | 0:02:34 | 0:02:36 | |
-Do you not like baths? -Love 'em, but I can't get in and out now | 0:02:36 | 0:02:40 | |
-with my arthritis. I find it hard. -Oh, that's tough. | 0:02:40 | 0:02:42 | |
-So it's easier to have a shower unit. -All right, then. | 0:02:42 | 0:02:45 | |
Let's see if we can do it. | 0:02:45 | 0:02:47 | |
Hilary's little bungalow is awash with eye-catching pieces | 0:02:47 | 0:02:50 | |
she's bought or inherited over the years. | 0:02:50 | 0:02:53 | |
So David gets straight into the thick of it. | 0:02:53 | 0:02:56 | |
-Oh, hello, you two. -Whoa! I told you he'd find something. | 0:02:56 | 0:03:00 | |
And that is very handsome. Almost as handsome as you! | 0:03:00 | 0:03:03 | |
-Oh, no. That's impossible, surely. -Ooh! It's lovely. Where's it from? | 0:03:03 | 0:03:07 | |
I really rate that. Where did you get it from? | 0:03:07 | 0:03:10 | |
-From my mother. -Did she ever use it? | 0:03:10 | 0:03:12 | |
No. It has never been used. She just kept it as an ornament. | 0:03:12 | 0:03:16 | |
Oh, that's dreadful, because wouldn't that be wonderful to use? | 0:03:16 | 0:03:19 | |
-It's a spirit kettle. -Oh, I see. Yes. It's lovely. | 0:03:19 | 0:03:22 | |
You put the oil in there, and you have the wick. You light it, | 0:03:22 | 0:03:26 | |
bung your water in here, bung it on the top, | 0:03:26 | 0:03:28 | |
and it is a fantastic kettle. How old do you think it is? | 0:03:28 | 0:03:32 | |
I don't know. I haven't got a clue. | 0:03:32 | 0:03:35 | |
Well, it's absolutely 19th century, isn't it? It's 1850, 1870. | 0:03:35 | 0:03:39 | |
Very Victorian. Ebony... Well, it's not ebony. It's an ebonised handle, | 0:03:39 | 0:03:43 | |
-an ebonised top to it. -Did you say it was your mother's? | 0:03:43 | 0:03:46 | |
-My mother's. -Did she go around antique shops? | 0:03:46 | 0:03:49 | |
-Was she a collector? -No. So I don't know where it came from. | 0:03:49 | 0:03:53 | |
But as I was growing up, it was always... | 0:03:53 | 0:03:56 | |
-So it could have come further through the family? -Oh, yes. Yeah. | 0:03:56 | 0:04:00 | |
Well, brass isn't as collectable as it used to be | 0:04:00 | 0:04:03 | |
say ten or 15 years ago, but, you know, things come in cycles. | 0:04:03 | 0:04:07 | |
But that is not just a brass collector's item. | 0:04:07 | 0:04:09 | |
It's a lovely quirky piece that would sit by your fire. | 0:04:09 | 0:04:12 | |
You may not use it, but you could use it. | 0:04:12 | 0:04:14 | |
I think that's £40, £50, £60-worth. | 0:04:14 | 0:04:17 | |
-So 40 to 60 we'll put on it? -40 to 60. -That's all right. | 0:04:17 | 0:04:21 | |
-That's lovely. -OK. -I'd have it for picnics. | 0:04:21 | 0:04:24 | |
Betty's got stuck into the rummage with relish, | 0:04:25 | 0:04:28 | |
and finds this assortment of cutlery, | 0:04:28 | 0:04:30 | |
which she hopes will make an impact at auction. | 0:04:30 | 0:04:33 | |
There's a mixture here of solid silver and silver plate, | 0:04:33 | 0:04:36 | |
all inherited from Hilary's aunt Lil, | 0:04:36 | 0:04:38 | |
a beloved family figure who, like Hilary, | 0:04:38 | 0:04:41 | |
also used to work locally as a seamstress. | 0:04:41 | 0:04:43 | |
Silver buyers love sorting through collections like this at auction, | 0:04:43 | 0:04:47 | |
and David suggests an estimate of £20 to £40 to whet their appetite. | 0:04:47 | 0:04:51 | |
Meanwhile, Hilary and David have set to work in the bedroom, | 0:04:51 | 0:04:54 | |
and it's a pretty piece of porcelain that's caught our expert's eye. | 0:04:54 | 0:04:58 | |
Now, this looks like a piece of quality. Where did this come from? | 0:04:58 | 0:05:02 | |
Oh, that's come from my father's home down in Llansteffan. | 0:05:02 | 0:05:05 | |
That is absolutely lovely, and it really is good quality. | 0:05:05 | 0:05:08 | |
-Do you know who made it? -No. | 0:05:08 | 0:05:11 | |
OK. If you look on the underside, you can see Royal Worcester, | 0:05:11 | 0:05:14 | |
England. Very good quality maker. | 0:05:14 | 0:05:18 | |
Been around since about 1751. | 0:05:18 | 0:05:20 | |
Always top-end quality. Now we've got to date it. | 0:05:20 | 0:05:24 | |
The great thing with Worcester is, they use a fantastic dating system. | 0:05:24 | 0:05:28 | |
They use dots, they use letters and they use symbols. | 0:05:28 | 0:05:31 | |
This is the dot period, if you like. | 0:05:31 | 0:05:34 | |
To the left and right-hand side of the crown, | 0:05:34 | 0:05:36 | |
we've got dots - six to the left, six to the right. | 0:05:36 | 0:05:40 | |
That's 12. And look - under Worcester, | 0:05:40 | 0:05:42 | |
we've got another eight dots. | 0:05:42 | 0:05:44 | |
-Add 20 onto 1891, which is when the dot system was... -Yes. | 0:05:44 | 0:05:49 | |
-..begun, and we get to 1911. -1911. | 0:05:49 | 0:05:54 | |
So that's when that Royal Worcester pot was made, | 0:05:54 | 0:05:57 | |
and painted by hand - in 1911. | 0:05:57 | 0:06:00 | |
And it's as good today as it was a hundred years ago. | 0:06:00 | 0:06:04 | |
Good gosh! | 0:06:04 | 0:06:05 | |
Now, then - value. | 0:06:05 | 0:06:07 | |
-Yes? -I think 60 to 80. -All right. | 0:06:07 | 0:06:10 | |
-Was that a bit of a disappointment? -A little bit, yeah. | 0:06:10 | 0:06:13 | |
-HE LAUGHS -Sorry about that! | 0:06:13 | 0:06:15 | |
Well, I hope our little vase doesn't prove a disappointment at auction. | 0:06:15 | 0:06:20 | |
35. 40, madam, is it? 40. | 0:06:20 | 0:06:22 | |
45. At 45. | 0:06:22 | 0:06:25 | |
Only time will tell. | 0:06:25 | 0:06:26 | |
We're doing well at our rummage in Neath today, | 0:06:28 | 0:06:31 | |
and Hilary's gathered together this sparkling selection of brooches, | 0:06:31 | 0:06:35 | |
some from her mother and some from her beloved auntie Lil. | 0:06:35 | 0:06:38 | |
Most of this costume jewellery's quite modern, | 0:06:38 | 0:06:41 | |
but David thinks it might make for an appealing lot at £30 to £40. | 0:06:41 | 0:06:46 | |
I think we'll leave David to it for a while, | 0:06:48 | 0:06:50 | |
have a little natter, because I'd like to get to know you a bit more. | 0:06:50 | 0:06:54 | |
20 years, you've been friends. How did you meet? | 0:06:54 | 0:06:57 | |
SHE LAUGHS In a local pub, weren't it? | 0:06:57 | 0:07:00 | |
SHE LAUGHS Typical, yeah. | 0:07:00 | 0:07:03 | |
No, we went... I met friends there, | 0:07:03 | 0:07:05 | |
and when we got there, Betty was there with friends, | 0:07:05 | 0:07:08 | |
and a crowd of us got together, and we were going out for years | 0:07:08 | 0:07:11 | |
-and meeting every Monday evening. -Now, someone told me | 0:07:11 | 0:07:15 | |
that you two are pretty hot on line-dancing. Is that right? | 0:07:15 | 0:07:20 | |
SHE LAUGHS Well, we line-dance, | 0:07:20 | 0:07:22 | |
-but we're not good at it. -I wouldn't say that. | 0:07:22 | 0:07:25 | |
-But it's good exercise. -Oh, it's good fun. | 0:07:25 | 0:07:27 | |
-Very good exercise. -When did that start, Betty? | 0:07:27 | 0:07:30 | |
Um, I took my grandson line-dancing | 0:07:30 | 0:07:34 | |
when he was about eight or nine, | 0:07:34 | 0:07:37 | |
and, er, | 0:07:37 | 0:07:39 | |
well, we've been going ever since. | 0:07:39 | 0:07:42 | |
Is that every week? | 0:07:42 | 0:07:43 | |
There's a gang of us that just go and keep it going every week. | 0:07:43 | 0:07:47 | |
-And how much do you laugh? -A lot! | 0:07:47 | 0:07:49 | |
All the way through. | 0:07:49 | 0:07:51 | |
Especially when you're facing the wrong way, looking at the class. | 0:07:51 | 0:07:55 | |
Turn round that way, and everybody's coming towards you. | 0:07:55 | 0:07:58 | |
But it's such good exercise, isn't it? | 0:07:58 | 0:08:00 | |
I tell you what - shall we, girls? Come on. Give me that coffee cup. | 0:08:00 | 0:08:04 | |
We'll have a little go. | 0:08:04 | 0:08:06 | |
Up we get! | 0:08:06 | 0:08:08 | |
All right. So, this is the trio of line dancers. Come on! | 0:08:08 | 0:08:12 | |
SHE SINGS LIVELY TUNE | 0:08:12 | 0:08:14 | |
Whoo! Hey! | 0:08:15 | 0:08:17 | |
Of we go! We're going to go rummaging. Yay! | 0:08:17 | 0:08:21 | |
All right, I might not be the best line-dancer ever to hit South Wales, | 0:08:21 | 0:08:25 | |
but you can't knock me for trying. | 0:08:25 | 0:08:27 | |
No such shenanigans for David, who's stuck to the task in hand | 0:08:27 | 0:08:30 | |
and turned up two Royal Doulton figures from their Brambly Hedge collection. | 0:08:30 | 0:08:35 | |
These fun characters used to belong to Hilary's daughter, | 0:08:35 | 0:08:38 | |
and were discontinued in the 1990s, so they're increasingly collectable. | 0:08:38 | 0:08:42 | |
Let's hope these little mice don't run off for less than £15. | 0:08:42 | 0:08:46 | |
'We're about halfway through our rummage today, | 0:08:46 | 0:08:48 | |
'and so far we're looking at a potential total of £165, | 0:08:48 | 0:08:53 | |
'so we're still a long way off raising £300 | 0:08:53 | 0:08:56 | |
'towards that new bathroom suite. But have no fear - | 0:08:56 | 0:08:59 | |
'Betty's back on the case.' | 0:08:59 | 0:09:01 | |
David? | 0:09:01 | 0:09:03 | |
-I've found these. -Oh, what have we got here, then? | 0:09:04 | 0:09:07 | |
Well, I know they came from her aunt's in Llansteffan. | 0:09:07 | 0:09:11 | |
So, how old do you think they are, then? | 0:09:11 | 0:09:13 | |
-About a hundred years old. -Oh, you're getting there. | 0:09:13 | 0:09:17 | |
-Where do you think they were made? -Oh, I have no idea. | 0:09:17 | 0:09:21 | |
All right. Well, turn them over and have a look. | 0:09:21 | 0:09:24 | |
-Mason's. -Oh, yes. -Good Staffordshire quality maker. | 0:09:24 | 0:09:27 | |
Patented the name "Ironstone". See? Mason's Ironstone, | 0:09:27 | 0:09:31 | |
in the early 1800s, and so that's where they're from. | 0:09:31 | 0:09:34 | |
Very, very English. But if you look at the design, | 0:09:34 | 0:09:38 | |
the decoration, do you think that looks English? | 0:09:38 | 0:09:41 | |
No, it doesn't. | 0:09:42 | 0:09:44 | |
-It looks more like Japanese. -Absol... Oh, you're too good! | 0:09:44 | 0:09:48 | |
Because the pattern is Imari. Imari is a Japanese palette, | 0:09:48 | 0:09:51 | |
colour and decoration in pottery, porcelain, | 0:09:51 | 0:09:55 | |
that was sent over from Japan. Look at the handle. | 0:09:55 | 0:09:58 | |
That's the big giveaway. That represents some kind of animal, | 0:09:58 | 0:10:01 | |
but I have never seen any animal that remotely looks like that | 0:10:01 | 0:10:05 | |
-wandering around Staffordshire. Have you? -No. | 0:10:05 | 0:10:07 | |
Exactly. So, date-wise, looking at the stamp, there's no England mark. | 0:10:07 | 0:10:11 | |
These are 1860, 1880, somewhere round there. | 0:10:11 | 0:10:14 | |
Really lovely things, both individually potted. | 0:10:14 | 0:10:17 | |
Look at the top - not perfect in shape at all, | 0:10:17 | 0:10:21 | |
which actually makes it perfect, because they're individually potted. | 0:10:21 | 0:10:25 | |
Not a great value, I'm afraid, but great things. | 0:10:25 | 0:10:29 | |
Um, £20, £40. | 0:10:29 | 0:10:32 | |
-You think we could put them in? -I think so. | 0:10:33 | 0:10:36 | |
Looking at the weather outside, it's just as well we're all indoors rummaging today. | 0:10:37 | 0:10:41 | |
'I find these brass candlesticks, another heirloom from Auntie Lil. | 0:10:41 | 0:10:46 | |
'Hilary doesn't use them any more, so she's happy to add them | 0:10:46 | 0:10:49 | |
'with a rather conservative estimate of £10 to £20.' | 0:10:49 | 0:10:53 | |
'Spurred on by my success, I'm eager to uncover more items | 0:10:54 | 0:10:58 | |
'to add to our fund. But David almost beats me to it.' | 0:10:58 | 0:11:01 | |
I say, what's this? These are sometimes really good. | 0:11:01 | 0:11:05 | |
-Ooh, give that to me. -Ooh! -Don't you be handling that! | 0:11:05 | 0:11:08 | |
I don't even get a look at it! Hang on. Where's it from? | 0:11:08 | 0:11:11 | |
My great-grandmother. That is astonishing. | 0:11:11 | 0:11:14 | |
-I can't see any fading at all. -They're as bright today | 0:11:14 | 0:11:16 | |
as they were all those years ago. So, 1857. | 0:11:16 | 0:11:20 | |
Although it's early for us, looking at it, | 0:11:20 | 0:11:22 | |
it's not particularly early for a sampler, | 0:11:22 | 0:11:25 | |
and, of course, it's not that uncommon, | 0:11:25 | 0:11:28 | |
because every girl, as part of her education, | 0:11:28 | 0:11:31 | |
would be taught how to sew, | 0:11:31 | 0:11:33 | |
and this is simply a sample of her work. | 0:11:33 | 0:11:36 | |
Now, you know a thing or two about sewing, Hilary. | 0:11:36 | 0:11:39 | |
-How do you rate this work? -I think the work is excellent, | 0:11:39 | 0:11:42 | |
the sewing part of it. It's really good. | 0:11:42 | 0:11:46 | |
Look at the animals. You've got a little bird, | 0:11:46 | 0:11:48 | |
a couple of dogs. But yeah, good condition. | 0:11:48 | 0:11:52 | |
-Could you sell this? -Yes. | 0:11:52 | 0:11:54 | |
-Ooh, you're ruthless! -THEY LAUGH | 0:11:54 | 0:11:57 | |
-Um, 30 to 50, I would have thought. -30 to 50. | 0:11:57 | 0:12:01 | |
I'm sure it's worth more, sentimental value, | 0:12:01 | 0:12:04 | |
-but are you happy with that? -Yes, that's fine. Yes, fine. | 0:12:04 | 0:12:08 | |
Betty, meanwhile, has taken a shine to this pair of pocket watches. | 0:12:08 | 0:12:11 | |
One of these is a fairly modern model, | 0:12:11 | 0:12:14 | |
but the other is a gorgeous silver-cased example | 0:12:14 | 0:12:17 | |
that belonged to Hilary's father. We suspect this may be much older, | 0:12:17 | 0:12:21 | |
possibly Georgian, and needs some further investigation. | 0:12:21 | 0:12:24 | |
But for now, David decides on a tentative estimate | 0:12:24 | 0:12:27 | |
of £20 to £40 for the pair. The day is drawing on, | 0:12:27 | 0:12:31 | |
but our expert's not finished yet. | 0:12:31 | 0:12:33 | |
-Hilary? -Yes? | 0:12:33 | 0:12:35 | |
Talk to me about these chargers. You've got four here. | 0:12:35 | 0:12:38 | |
-Are they all exactly the same? -Yes, they are. | 0:12:38 | 0:12:40 | |
They've came from my great-aunt down in Pembrokeshire. | 0:12:40 | 0:12:44 | |
OK. So, if we turn this over, | 0:12:44 | 0:12:47 | |
we've got a maker's mark here. It says "RC & A". | 0:12:47 | 0:12:50 | |
Now, RC & A... I can't say I recognise the maker, | 0:12:50 | 0:12:54 | |
but in Staffordshire and around that area in the 19th century, | 0:12:54 | 0:12:58 | |
there were probably hundreds of manufacturers. | 0:12:58 | 0:13:00 | |
Now, are they hand-painted, Hilary, or are they transfer-printed? | 0:13:00 | 0:13:05 | |
-Hand-painted? -No, they're not. | 0:13:05 | 0:13:07 | |
HE LAUGHS | 0:13:07 | 0:13:09 | |
Dead easy. Look, can you see the joins? | 0:13:09 | 0:13:11 | |
Look at the decoration around the outside edge. | 0:13:11 | 0:13:14 | |
If that was all hand-painted, it would flow. | 0:13:14 | 0:13:17 | |
-The pattern would... -Oh, yes. -Can you see the join? | 0:13:17 | 0:13:20 | |
There's a line, there's a line. So it's been put in in four sections. | 0:13:20 | 0:13:24 | |
-Right. Yeah. -But still lovely. Beautiful things, | 0:13:24 | 0:13:27 | |
and as far as I can see, in really good order. | 0:13:27 | 0:13:30 | |
So I think four big, grand plates like that | 0:13:30 | 0:13:33 | |
should be worth £100, £200, | 0:13:33 | 0:13:35 | |
but I think if we put | 0:13:35 | 0:13:37 | |
an auction estimate of 100 to 150, bit of a "come and get me" thing, | 0:13:37 | 0:13:40 | |
-how would that sound? -Fine. | 0:13:40 | 0:13:42 | |
-Come and get me? -Oh, I say! -THEY LAUGH | 0:13:42 | 0:13:44 | |
Hey, we overheard a rather large figure there. | 0:13:44 | 0:13:47 | |
-I know. Thank you very much. -What was it? | 0:13:47 | 0:13:50 | |
-100 to 150. -Sounds good! What, for these plates? | 0:13:50 | 0:13:53 | |
-Four of them. -Wow! They are handsome. | 0:13:53 | 0:13:55 | |
-They are. -They are very nice. | 0:13:55 | 0:13:57 | |
Oh, well, that's excellent. I think we could end the day. | 0:13:57 | 0:14:01 | |
-Don't you? -I do! -I think you've done so well! | 0:14:01 | 0:14:03 | |
-Thank you very much. -Well, it's been great fun, | 0:14:03 | 0:14:06 | |
and I guess I ought to tell you how much money we think we might make | 0:14:06 | 0:14:10 | |
at the auction. We said 300 at the start of the day | 0:14:10 | 0:14:12 | |
for your bathroom suite. I don't think it'll buy a bathroom suite, | 0:14:12 | 0:14:16 | |
-but go towards it. Do you think you've made 300? -I hope so. | 0:14:16 | 0:14:20 | |
-THEY LAUGH -Don't look at me in that way! | 0:14:20 | 0:14:22 | |
We base it all on David's lowest estimates through the day, | 0:14:22 | 0:14:26 | |
and it's mounted up quite nicely | 0:14:26 | 0:14:28 | |
to £345. | 0:14:28 | 0:14:32 | |
-Brilliant. -Lovely! | 0:14:32 | 0:14:34 | |
'There are plenty of reasons why Hilary and Betty should be excited | 0:14:34 | 0:14:37 | |
'about getting to auction. That Victorian brass spirit kettle | 0:14:37 | 0:14:41 | |
'should spark lots of interest at a very appealing £40 to £60.' | 0:14:41 | 0:14:45 | |
I can't wait to see how that little Royal Worcester vase will fare | 0:14:45 | 0:14:49 | |
when it goes in front of the bidders, | 0:14:49 | 0:14:51 | |
and it's quite unusual to find a set of four chargers of that quality | 0:14:51 | 0:14:55 | |
in such good condition, so I really hope they do us proud on the day. | 0:14:55 | 0:14:59 | |
Still to come... | 0:14:59 | 0:15:01 | |
'One of our items wows the crowd.' | 0:15:01 | 0:15:04 | |
-It's going to make 150. Yes! -150. -Brilliant! | 0:15:04 | 0:15:08 | |
'But another leaves us almost lost for words.' | 0:15:08 | 0:15:11 | |
£45... | 0:15:11 | 0:15:12 | |
THEY GROAN | 0:15:12 | 0:15:14 | |
'Stay with us until the final hammer falls.' | 0:15:14 | 0:15:17 | |
Do you know, it's not very often I get to line-dance on a rummage, | 0:15:22 | 0:15:26 | |
so that was a really special day I spent with Hilary and Betty | 0:15:26 | 0:15:29 | |
in Neath. A couple of weeks have whizzed by now, | 0:15:29 | 0:15:32 | |
and we brought everything we found here to Peter Francis auctions | 0:15:32 | 0:15:35 | |
in Carmarthen. If you remember now, Hilary wants to raise £300 | 0:15:35 | 0:15:39 | |
towards a new bathroom suite, | 0:15:39 | 0:15:41 | |
so I do hope that the bidders here are going to dig deep | 0:15:41 | 0:15:45 | |
when her items go under the hammer. | 0:15:45 | 0:15:47 | |
There's plenty of variety on offer at the fortnightly general sale | 0:15:47 | 0:15:51 | |
here at Carmarthen, so fingers crossed, | 0:15:51 | 0:15:54 | |
Hilary's rich mix of heirlooms will prove a hit with the bidders. | 0:15:54 | 0:15:57 | |
-Well, good morning! -Good morning! -Good morning, ladies. | 0:15:57 | 0:16:00 | |
-How are you? -So pretty! It really is. -That's our star lot, that, Jenny. | 0:16:00 | 0:16:05 | |
It is, isn't it? Are you sad about parting with it? | 0:16:05 | 0:16:07 | |
-In a way, yes. -I hope you do, or we won't... | 0:16:07 | 0:16:10 | |
-I hope so. -Got to be! | 0:16:10 | 0:16:12 | |
-Have you been line-dancing recently? -Yes. We went yesterday morning, | 0:16:12 | 0:16:15 | |
and we went Monday night. | 0:16:15 | 0:16:17 | |
-Oh! -You're not stiff, are you? | 0:16:17 | 0:16:19 | |
-No. -No. -Oh, you're fit, then. | 0:16:19 | 0:16:21 | |
How are you feeling about saying farewell to your goods? | 0:16:21 | 0:16:24 | |
Er, not too bad about it now. Yes. | 0:16:24 | 0:16:29 | |
I think it's about to start, so let's go and get a good spot. | 0:16:29 | 0:16:32 | |
I'm particularly looking forward to seeing how Hilary's dad's pocket watches do today, | 0:16:32 | 0:16:37 | |
because further investigation has now revealed | 0:16:37 | 0:16:40 | |
that the silver watch is indeed Georgian, and dates from 1802. | 0:16:40 | 0:16:44 | |
In light of this news, our original estimate of £20 to £40 has been revised, | 0:16:44 | 0:16:48 | |
and Hilary's settled on an £80 discretionary reserve for the pair. | 0:16:48 | 0:16:53 | |
She's also decided on a top-end reserve of £150 | 0:16:53 | 0:16:56 | |
for those four Victorian chargers, inherited from her great-aunt. | 0:16:56 | 0:17:00 | |
But for now, it's time to see how our first lot of the day fares. | 0:17:01 | 0:17:05 | |
It's that lovely memento of a bygone age, | 0:17:05 | 0:17:08 | |
Hilary's Victorian brass spirit kettle, | 0:17:08 | 0:17:10 | |
that used to live on her mother's hearth. | 0:17:10 | 0:17:13 | |
-It's in very good condition. -It is. -And it's a good quality one too, | 0:17:13 | 0:17:17 | |
-so it should do quite well, I think. -We want £40 to £60, yeah? | 0:17:17 | 0:17:21 | |
-Yeah. -We going to make it? -Hope so. | 0:17:21 | 0:17:23 | |
Here we go. | 0:17:23 | 0:17:25 | |
What do you say? £50 away for that? Pretty little item there. | 0:17:25 | 0:17:28 | |
50. There is it. 30 to get on, then. Surely at 20 only. | 0:17:28 | 0:17:31 | |
At 20. Five, may I say? At 20. | 0:17:31 | 0:17:33 | |
Only bid at 20. 25, may I say? No more? 25 on the back row. | 0:17:33 | 0:17:36 | |
At £25, is what I'm bid. May I say 30 now? | 0:17:36 | 0:17:39 | |
Selling it on the back row at £25... | 0:17:39 | 0:17:42 | |
-Somebody's got a bargain. Does that make you feel better? -Yes. | 0:17:43 | 0:17:47 | |
-It shouldn't. -I know! | 0:17:47 | 0:17:49 | |
THEY LAUGH | 0:17:49 | 0:17:50 | |
She's doing well to put a brave face on that disappointing result, | 0:17:50 | 0:17:54 | |
especially when our next lot is yet more brass, | 0:17:54 | 0:17:57 | |
in the shape of this pair of candlesticks. | 0:17:57 | 0:17:59 | |
-Where are they from? -When I worked in the sewing factory, | 0:17:59 | 0:18:03 | |
there was an elderly lady working there, | 0:18:03 | 0:18:05 | |
and she asked me if I'd like them, so she gave them to me as a gift. | 0:18:05 | 0:18:09 | |
-Very nice! And have you used them? -No. | 0:18:09 | 0:18:12 | |
-THEY LAUGH -£10 is all we want. | 0:18:12 | 0:18:15 | |
-We'd like more. -Yeah, OK. Here we go. -Here we go. | 0:18:15 | 0:18:18 | |
£50 away for those? 50 for those? | 0:18:18 | 0:18:21 | |
Surely 20 only. 25 I've got with me. | 0:18:21 | 0:18:24 | |
Going down. | 0:18:24 | 0:18:26 | |
At 25 only. 30. 35 I've got on the book. | 0:18:26 | 0:18:28 | |
-THEY WHISPER AND LAUGH -At 35 on the book. | 0:18:28 | 0:18:31 | |
Against you all in the room. Bidding with me at 35. | 0:18:31 | 0:18:34 | |
All happy, then? Selling at £35... | 0:18:34 | 0:18:37 | |
-That's better, isn't it? -Yes. | 0:18:37 | 0:18:39 | |
You see, the "come and get me" estimates work. | 0:18:39 | 0:18:43 | |
And he might be right. £15 over our top estimate | 0:18:43 | 0:18:46 | |
is a solid result, so let's hope that we're just as successful | 0:18:46 | 0:18:50 | |
with the two Victorian Imari-pattern jugs | 0:18:50 | 0:18:52 | |
made by Mason's in Staffordshire. They're an heirloom | 0:18:52 | 0:18:56 | |
from her auntie in Llansteffan. | 0:18:56 | 0:18:58 | |
We're hoping for a good price now for your lovely jugs | 0:18:58 | 0:19:01 | |
with the Imari pattern. They're lovely, aren't they? | 0:19:01 | 0:19:04 | |
Really lovely, and they're Staffordshire ware, | 0:19:04 | 0:19:06 | |
-but they look very Oriental. -Yeah. -But they're very English. | 0:19:06 | 0:19:10 | |
What are they worth? £30 away for the two. | 0:19:10 | 0:19:12 | |
30 for the two. There they are, at ten only. | 0:19:12 | 0:19:15 | |
15, may I say? 15. 20 on the back row, madam. | 0:19:15 | 0:19:18 | |
Gentleman standing. 20, the lady's bid. | 0:19:18 | 0:19:20 | |
-25. -Come on. -25 on the front here. | 0:19:20 | 0:19:23 | |
£25. May I say 30 now? 30, fresh blood at the back. | 0:19:23 | 0:19:26 | |
At £30. Away at the back at £30. 35, may I say? | 0:19:26 | 0:19:30 | |
-They go at 30. Any more? £30... -HE TAPS HAMMER | 0:19:30 | 0:19:34 | |
-And in the middle. -That's fine. -That's all right. | 0:19:34 | 0:19:36 | |
-Yeah. That's OK. -Come on! | 0:19:36 | 0:19:39 | |
THEY LAUGH | 0:19:39 | 0:19:41 | |
-She wanted more. -I wanted more! | 0:19:41 | 0:19:44 | |
Oh, it looks as if Hilary will take some pleasing today. | 0:19:45 | 0:19:49 | |
So will our beautifully hand-painted Royal Worcester vase do the trick? | 0:19:49 | 0:19:54 | |
Well, here comes the star lot, | 0:19:54 | 0:19:55 | |
that gorgeous Worcester hand-painted little pot. | 0:19:55 | 0:19:59 | |
Now, high hopes. Worcester will always do well in any auction room, | 0:19:59 | 0:20:03 | |
-so 60 to 80... You never know. -No. | 0:20:03 | 0:20:06 | |
50 on the little Worcester vase. At 20. 25 may I say? | 0:20:06 | 0:20:09 | |
-Don't worry. Come on. -At 25, seated. 30, do you want? | 0:20:09 | 0:20:14 | |
30, the lady on my right. 35. | 0:20:14 | 0:20:16 | |
40, madam, is it? 40. 45. | 0:20:16 | 0:20:19 | |
At 45, sits on my left. Against you in the back, at 45. | 0:20:19 | 0:20:22 | |
Seated bid at 45. May I say 50? It goes at 45. Any more? | 0:20:22 | 0:20:27 | |
£45... | 0:20:27 | 0:20:29 | |
THEY GROAN | 0:20:29 | 0:20:31 | |
Oh, dear! Why do you think it didn't sell for more? | 0:20:31 | 0:20:35 | |
It's just the day, isn't it? If you had two good Worcester buyers here, | 0:20:35 | 0:20:39 | |
it might have made £80, £100. | 0:20:39 | 0:20:40 | |
If you could predict exactly what's going to happen in auction, | 0:20:40 | 0:20:44 | |
you'd make a million pounds in a week, but you can't. | 0:20:44 | 0:20:47 | |
Today's crowd really is proving impossible to second-guess. | 0:20:48 | 0:20:51 | |
I hope we have more luck with our little Brambly Hedge figurines, | 0:20:51 | 0:20:55 | |
very appealing, surely, at £15 to £25. | 0:20:55 | 0:20:59 | |
-They were your daughter's, weren't they? -Yes. | 0:21:00 | 0:21:03 | |
-Does she know you're selling them? -Yes, she does. | 0:21:03 | 0:21:06 | |
-Does she mind? -No, not at all. | 0:21:06 | 0:21:08 | |
-She said to do what I like with them. -Oh, that's all right, then. | 0:21:08 | 0:21:12 | |
There they are. 20 to go. Surely ten only? | 0:21:12 | 0:21:15 | |
15 I've got with me on the book. Do any of you want? At 15. | 0:21:15 | 0:21:19 | |
Come on. Yes! | 0:21:19 | 0:21:21 | |
At 20 in the room now, clears the book. | 0:21:21 | 0:21:24 | |
In the room and selling. All done? £20... | 0:21:24 | 0:21:26 | |
145. | 0:21:26 | 0:21:28 | |
And that encouraging little result | 0:21:28 | 0:21:31 | |
brings us to the mid-point in our sale today. | 0:21:31 | 0:21:33 | |
We've made £155. | 0:21:33 | 0:21:35 | |
That's just over halfway to our target. | 0:21:35 | 0:21:38 | |
But how the rest of our items will fare in front of this changeable crowd is anybody's guess. | 0:21:38 | 0:21:43 | |
If you're thinking of taking your treasures to auction, | 0:21:43 | 0:21:46 | |
do remember that certain charges such as commission will apply. | 0:21:46 | 0:21:50 | |
Your local auction house will advise you on any costs involved. | 0:21:50 | 0:21:53 | |
First up after our short break are these two pocket watches | 0:21:54 | 0:21:57 | |
that belonged to Hilary's dad. | 0:21:57 | 0:21:59 | |
Fingers crossed they make their new discretionary reserve of £80. | 0:21:59 | 0:22:03 | |
50 to get on, then. Put me in. There we are. 30 only. | 0:22:03 | 0:22:06 | |
-30. -40 here. | 0:22:06 | 0:22:08 | |
-50 on the back row. -Come on! -60. At 70. | 0:22:08 | 0:22:11 | |
At £70. On the back row, and I'm selling at 70. | 0:22:11 | 0:22:14 | |
Is there any more? At £70... | 0:22:14 | 0:22:17 | |
-What do you think? -Brilliant. | 0:22:17 | 0:22:20 | |
-That's more like it, isn't it? -Yeah. | 0:22:20 | 0:22:23 | |
That's fantastic. Where has it been all these years? | 0:22:23 | 0:22:26 | |
My father had it. When he died, I had it then, | 0:22:26 | 0:22:30 | |
-down my house. Put it in the drawer. -I see! | 0:22:30 | 0:22:33 | |
Well, that's fabulous news for Hilary, | 0:22:33 | 0:22:36 | |
and for the bathroom fund. | 0:22:36 | 0:22:38 | |
We're going to sell your costume jewellery now. | 0:22:38 | 0:22:40 | |
Some lovely brooches in here. Where are they from? | 0:22:40 | 0:22:43 | |
Some belonged to my aunt from Llansteffan, | 0:22:43 | 0:22:46 | |
-and the rest were my mother's. -Do you remember her wearing them? | 0:22:46 | 0:22:49 | |
Yes. When I was very young, she wore them, | 0:22:49 | 0:22:52 | |
but my auntie Lil always wore hers. | 0:22:52 | 0:22:54 | |
-Auntie Lil? -Auntie Lil. | 0:22:54 | 0:22:56 | |
Let's see. | 0:22:56 | 0:22:58 | |
£30 away on the costume jewellery. | 0:22:58 | 0:23:00 | |
Surely 20 to get on, then? There we are, at ten only. | 0:23:00 | 0:23:03 | |
-At ten only. May I say £15? -Come on! | 0:23:03 | 0:23:07 | |
-Going up. -Come on! | 0:23:07 | 0:23:09 | |
-Come on, get 20. -15 here to sell. | 0:23:09 | 0:23:11 | |
No more. Going at £15... | 0:23:11 | 0:23:15 | |
-THEY GROAN -Just under. | 0:23:15 | 0:23:17 | |
I think Auntie Lil might have had something to say about that. | 0:23:17 | 0:23:21 | |
But surely our next lot deserves to do better. | 0:23:21 | 0:23:23 | |
This sampler may be 150 years old, but the colours are as bright today | 0:23:23 | 0:23:27 | |
as when Hilary's great-grandmother stitched it. | 0:23:27 | 0:23:30 | |
-Unframed, two bidders on the book. -Oh, two bidders on the book. | 0:23:30 | 0:23:33 | |
Good. | 0:23:33 | 0:23:35 | |
On the book at 35. May I say 40 now? On the sampler at 35. | 0:23:35 | 0:23:39 | |
-38. -Yes! -40. | 0:23:39 | 0:23:41 | |
-At 40. -Oh, it's going up! | 0:23:41 | 0:23:42 | |
-40. -At £40... | 0:23:42 | 0:23:45 | |
-Oh, dear. -Bang in the middle. | 0:23:45 | 0:23:48 | |
But it's really encouraging that you've got bids on the books. | 0:23:48 | 0:23:52 | |
Bids on the books are all very well, but we need bidders in the room. | 0:23:52 | 0:23:55 | |
Maybe Hilary's cutlery collection, another inheritance from Auntie Lil, | 0:23:55 | 0:24:00 | |
will tip the scales in our favour. | 0:24:00 | 0:24:02 | |
There's a bit of silver there, but silver-plated stuff | 0:24:02 | 0:24:05 | |
-isn't the best news in the world. -All right. | 0:24:05 | 0:24:07 | |
-But anything over 20, I'll be happy. -Let's see how we go. | 0:24:07 | 0:24:12 | |
At ten. At 12. | 0:24:12 | 0:24:14 | |
15 on the back row. | 0:24:14 | 0:24:16 | |
18, do you want? On the back row at £15. | 0:24:16 | 0:24:18 | |
Anyone 18 now? Here to sell. At £15... | 0:24:18 | 0:24:22 | |
252. | 0:24:22 | 0:24:24 | |
-15 quid. -It all adds up, girls. | 0:24:24 | 0:24:27 | |
Oh, it does add up. | 0:24:27 | 0:24:28 | |
Well, I'm glad she's looking on the bright side. | 0:24:28 | 0:24:31 | |
We've only one lot left to go, those 19th century Staffordshire chargers, | 0:24:31 | 0:24:37 | |
all in excellent condition, | 0:24:37 | 0:24:39 | |
and with a reserve of £150 recommended by the auctioneer. | 0:24:39 | 0:24:43 | |
-Might he have some interest in them? -He might do. | 0:24:43 | 0:24:46 | |
If there's bids on the books, then, we're potentially in. | 0:24:46 | 0:24:51 | |
-So, exciting stuff! -Let's see if we can do it. | 0:24:51 | 0:24:55 | |
100 to start me, then, to put me in. 100 only. | 0:24:55 | 0:24:58 | |
At 100. 110, may I say? 110 on the front. | 0:24:58 | 0:25:00 | |
120. 120. | 0:25:00 | 0:25:02 | |
-Come on, come on! -Yes! | 0:25:02 | 0:25:04 | |
-140. -Going to make 150. Yes! | 0:25:04 | 0:25:07 | |
-150. -Brilliant! | 0:25:07 | 0:25:09 | |
£150. 160, do you want? At 150. | 0:25:09 | 0:25:12 | |
Any more? 160 at the very, very back. | 0:25:12 | 0:25:14 | |
-170. -Come on! -180. | 0:25:14 | 0:25:17 | |
Ooh, brilliant! | 0:25:17 | 0:25:19 | |
200. 210 again. | 0:25:19 | 0:25:21 | |
£210, sitting here on the front row. At 210. Is there any more? | 0:25:21 | 0:25:25 | |
At 210... | 0:25:25 | 0:25:28 | |
THEY CHATTER AND LAUGH | 0:25:28 | 0:25:30 | |
What an exhausting sale it's been! | 0:25:30 | 0:25:33 | |
'But those chargers came through for us in the end, | 0:25:33 | 0:25:36 | |
'and it's time to reveal the grand total.' | 0:25:36 | 0:25:38 | |
We weren't going for a big target here, just £300 | 0:25:38 | 0:25:41 | |
to help you with your bathroom suite. | 0:25:41 | 0:25:43 | |
Well, you've made... | 0:25:43 | 0:25:45 | |
-£505! -Ooh! Brilliant! | 0:25:45 | 0:25:48 | |
-Brilliant! That's great. -That's marvellous. | 0:25:48 | 0:25:51 | |
Lovely! Lovely! THEY LAUGH | 0:25:51 | 0:25:54 | |
Hilary wanted to update her existing bathroom | 0:25:58 | 0:26:01 | |
to something more suitable for her needs. | 0:26:01 | 0:26:04 | |
A few weeks after her success at auction, | 0:26:05 | 0:26:07 | |
she visits the local bathroom centre to pick out a new suite. | 0:26:07 | 0:26:11 | |
I like to have a quick shower now, | 0:26:11 | 0:26:14 | |
because I used to love laying in the bath | 0:26:14 | 0:26:16 | |
for an hour, to soak in the bath, | 0:26:16 | 0:26:19 | |
but now I've got to use a shower. | 0:26:19 | 0:26:21 | |
I'm definitely glad I went to Cash In The Attic, | 0:26:21 | 0:26:25 | |
and the experience was wonderful, | 0:26:25 | 0:26:27 | |
marvellous - the auction, everything. | 0:26:27 | 0:26:29 | |
Subtitles by Red Bee Media Ltd | 0:26:48 | 0:26:52 |