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Welcome to Cash In The Attic. | 0:00:02 | 0:00:03 | |
I'm in the northeast of England | 0:00:03 | 0:00:05 | |
and I'm heading for a house that I'm told is absolutely full of things from all over the world, | 0:00:05 | 0:00:10 | |
so who knows what we might find. | 0:00:10 | 0:00:11 | |
I can't wait to get started. | 0:00:11 | 0:00:13 | |
Coming up on today's Cash In The Attic, | 0:00:34 | 0:00:36 | |
a well-travelled family with some exotic collectables. | 0:00:36 | 0:00:39 | |
-So this has travelled with you? -Everywhere we've lived. | 0:00:40 | 0:00:43 | |
-It's nearly as well travelled as we are. -That's a big suitcase. | 0:00:43 | 0:00:48 | |
A silver purse makes Paul feel sorry for himself. | 0:00:48 | 0:00:51 | |
Hopefully someone will enjoy it, | 0:00:51 | 0:00:53 | |
someone who's young enough to go to dances. | 0:00:53 | 0:00:56 | |
-Well, you never know. Some of us never get asked. -Ah! | 0:00:56 | 0:00:59 | |
So will our trip to auction cheer him up? Find out when the hammer falls. | 0:01:00 | 0:01:04 | |
The couple that I'm about to meet have lived just about everywhere | 0:01:06 | 0:01:09 | |
but eight years ago, they decided to settle here in County Durham | 0:01:09 | 0:01:14 | |
and now they want to move into a smaller house | 0:01:14 | 0:01:16 | |
but they have to get rid of an awful lot things | 0:01:16 | 0:01:18 | |
that they've spent a lifetime collecting | 0:01:18 | 0:01:21 | |
and they've called in Cash In The Attic to help. | 0:01:21 | 0:01:24 | |
Ann and John Armstrong met in Wheatley Hill, County Durham, | 0:01:24 | 0:01:28 | |
on Christmas Eve, 1956. | 0:01:28 | 0:01:30 | |
15 months later, they were married. | 0:01:30 | 0:01:32 | |
John had been in the navy but left to begin a career as a mining engineer, | 0:01:32 | 0:01:37 | |
a job that would take both of them all over the world, | 0:01:37 | 0:01:41 | |
from Beirut to South America and most countries in between. | 0:01:41 | 0:01:45 | |
Following decades of travel, | 0:01:46 | 0:01:48 | |
the couple returned to the UK and County Durham. | 0:01:48 | 0:01:51 | |
But after eight years in their current home | 0:01:51 | 0:01:54 | |
and with John now retired, | 0:01:54 | 0:01:55 | |
they've decided that it's time for one final move | 0:01:55 | 0:01:58 | |
and that's where we come in. | 0:01:58 | 0:02:01 | |
Ann, John. Ah, reminiscing on some of your travels. | 0:02:01 | 0:02:05 | |
The pair of you are like a walking atlas. | 0:02:05 | 0:02:08 | |
-You've been everywhere, haven't you? -We've had a lot of travels. -Yes. | 0:02:08 | 0:02:12 | |
We spent 35 years working overseas, travelling overseas. | 0:02:12 | 0:02:16 | |
Have you an idea of how many countries you've lived in? | 0:02:16 | 0:02:19 | |
I would say I've probably been in 80% of the countries in the world. | 0:02:19 | 0:02:23 | |
And your house reflects that, | 0:02:23 | 0:02:25 | |
so I think we're going to find out more about those travels a bit later on | 0:02:25 | 0:02:29 | |
but in the meantime, why have you called in Cash In The Attic? | 0:02:29 | 0:02:33 | |
Well, we love our house but we need to downsize, | 0:02:33 | 0:02:36 | |
so we're going to try and sell some of our items | 0:02:36 | 0:02:40 | |
and move on, move somewhere smaller. | 0:02:40 | 0:02:42 | |
And how much are you hoping to raise? | 0:02:42 | 0:02:45 | |
I think £500-£600 would be lovely. | 0:02:45 | 0:02:47 | |
-And what are you going to spend the money on? -A holiday. | 0:02:47 | 0:02:50 | |
We're going to go to Scotland. | 0:02:50 | 0:02:52 | |
We're meeting our daughter and her husband | 0:02:52 | 0:02:54 | |
to celebrate their wedding anniversary | 0:02:54 | 0:02:57 | |
and then we're going to go to Loch Lomond golf club. | 0:02:57 | 0:03:00 | |
It's a beautiful place. John can play golf and I can take photographs. | 0:03:00 | 0:03:04 | |
Because you are a golf fanatic, John, aren't you? | 0:03:04 | 0:03:07 | |
I like to play golf. I wish I could play a lot better. | 0:03:07 | 0:03:09 | |
I'm looking forward to playing a game with my son-in-law. | 0:03:09 | 0:03:12 | |
Well, I've brought Paul Hayes with me | 0:03:12 | 0:03:14 | |
and he is already having a field day in this house. | 0:03:14 | 0:03:18 | |
He can't believe how many wonderful things there are in it. | 0:03:18 | 0:03:21 | |
Shall we find him and see what he thinks we might be able to take to auction? | 0:03:21 | 0:03:25 | |
It looks John and Ann haven't lost their passion for travel, | 0:03:26 | 0:03:30 | |
though I expect the trip to Scotland will be just a walk in the park | 0:03:30 | 0:03:33 | |
for these globe-trotters. | 0:03:33 | 0:03:35 | |
Someone else who's always on the move | 0:03:35 | 0:03:37 | |
is our expert, Paul Hayes. | 0:03:37 | 0:03:40 | |
He's travelled the length and breadth of the UK | 0:03:40 | 0:03:42 | |
during his 20 years in the antiques business | 0:03:42 | 0:03:44 | |
but it looks like something has stopped him in his tracks today. | 0:03:44 | 0:03:48 | |
-Ah, hello. -There you go. -How are you? -Paul, Ann and John, | 0:03:49 | 0:03:54 | |
who have been telling me about their amazing travels. | 0:03:54 | 0:03:57 | |
-What have you got there? -Well, they didn't travel very far for these. | 0:03:57 | 0:04:01 | |
These are made in Newcastle. | 0:04:01 | 0:04:03 | |
They're a fantastic pair of tea caddies from Ringtons tea. | 0:04:03 | 0:04:07 | |
-Have you heard of Ringtons tea? -They still drive round delivering. | 0:04:07 | 0:04:11 | |
It's not something you picked up on your travels, so how did you come by them? | 0:04:11 | 0:04:15 | |
These came from John's grandmother, so they're quite old. | 0:04:15 | 0:04:18 | |
I'd reckon round about 100 years. | 0:04:18 | 0:04:20 | |
Have you used them as a tea caddy? | 0:04:20 | 0:04:22 | |
No, the children were young and I was worried they'd break them. | 0:04:22 | 0:04:25 | |
We're state of the art, now - we use tea bags. | 0:04:25 | 0:04:28 | |
-So you won't miss your daily cuppa. -LAUGHTER | 0:04:28 | 0:04:30 | |
Well, these are a fantastic item | 0:04:30 | 0:04:33 | |
and you were able to buy these door-to-door. | 0:04:33 | 0:04:36 | |
They had their own blends of tea and coffee | 0:04:36 | 0:04:38 | |
and along with that, they started doing promotional products | 0:04:38 | 0:04:42 | |
and these are two of the most-known products that they made. | 0:04:42 | 0:04:45 | |
It's transfer printed, it's blue and white, which is popular, | 0:04:45 | 0:04:48 | |
and these have cathedrals of the north of England. | 0:04:48 | 0:04:51 | |
We've got Selby Abbey, Newcastle Cathedral, | 0:04:51 | 0:04:54 | |
and on the top we've got Durham Cathedral, which is not a million miles away. | 0:04:54 | 0:04:58 | |
-So they're very collectable, then, Paul? -Extremely collectable. | 0:04:58 | 0:05:01 | |
Maling, the firm that makes this, is very collectable. | 0:05:01 | 0:05:04 | |
They did all sorts of dishes and ranges of pottery and porcelain. | 0:05:04 | 0:05:08 | |
The Ringtons tea connection adds to it. | 0:05:08 | 0:05:11 | |
What you've got to look for, though, is damage | 0:05:11 | 0:05:14 | |
and they both have hairline cracks. Can you see that? | 0:05:14 | 0:05:17 | |
It doesn't detract from the overall appearance | 0:05:17 | 0:05:19 | |
but it is reflected when people want to invest in a piece. | 0:05:19 | 0:05:22 | |
Well, popular, collectable - how much? | 0:05:22 | 0:05:25 | |
If I said a nice pair of Rington tea caddies, | 0:05:25 | 0:05:27 | |
at least £40-£60 - how does that sound? | 0:05:27 | 0:05:31 | |
It's great. They're just in a cupboard. Let someone use them. | 0:05:31 | 0:05:36 | |
-They're somebody's cup of tea. -Yes, I hope so! | 0:05:36 | 0:05:39 | |
Let's go and see what else we can take. | 0:05:39 | 0:05:41 | |
With £40 in the kitty, we're up and running. | 0:05:42 | 0:05:45 | |
Next door, John has been busy searching the living room | 0:05:45 | 0:05:49 | |
and digs out an old solitaire set. | 0:05:49 | 0:05:51 | |
This one-player game of concentration and skill | 0:05:51 | 0:05:55 | |
is believed to have originated in either Germany or Scandinavia. | 0:05:55 | 0:05:58 | |
Its name derives from the Latin word "solus", meaning alone. | 0:05:58 | 0:06:02 | |
Ann and John picked it up during their time in Indonesia. | 0:06:02 | 0:06:06 | |
Sadly, it's more of a tourist piece than a genuine antique | 0:06:06 | 0:06:09 | |
but Paul still thinks it should fetch £20-£30 at auction. | 0:06:09 | 0:06:14 | |
Ah, what do you think about this purse, Paul? | 0:06:14 | 0:06:17 | |
Ah, look at that! That's lovely. | 0:06:17 | 0:06:19 | |
Except it hasn't been cleaned for a long time. | 0:06:19 | 0:06:22 | |
You've done the right thing. | 0:06:22 | 0:06:23 | |
Every time you clean a piece of silver, you take a tiny piece off, | 0:06:23 | 0:06:27 | |
so after a while, round the corners or any embossed work, | 0:06:27 | 0:06:30 | |
it starts to get holes in and it goes very thin. | 0:06:30 | 0:06:32 | |
So there's an initial J. Who did that belong to? | 0:06:32 | 0:06:35 | |
-This is John's grandmother's. -Right. And what was her name? | 0:06:35 | 0:06:39 | |
-Jane. -That's the J on the front, there, you see? -Yes. | 0:06:39 | 0:06:42 | |
OK, well, purses can be very, very popular, actually. | 0:06:42 | 0:06:45 | |
They're good collecting items. | 0:06:45 | 0:06:47 | |
-It would have come on a chain. -Yes, we never had the chain. | 0:06:47 | 0:06:51 | |
I did try to fit a chain but it didn't look right. | 0:06:51 | 0:06:53 | |
The silver looked wrong and I couldn't get it through the loops. | 0:06:53 | 0:06:57 | |
It's easy enough to find something like that, I think. | 0:06:57 | 0:07:00 | |
But these are quite a decorative item. | 0:07:00 | 0:07:02 | |
They were often used by ladies in 1910, 1920s, that sort of time | 0:07:02 | 0:07:05 | |
and it's interesting how the purse actually evolved. | 0:07:05 | 0:07:08 | |
When you go back to the Victorian times, | 0:07:08 | 0:07:10 | |
they had lots of layers, lots of garments, | 0:07:10 | 0:07:13 | |
and the purse itself would be kept underneath your garments. | 0:07:13 | 0:07:16 | |
-Difficult to get at. -They'd be plain little bags for coins. | 0:07:16 | 0:07:20 | |
But when the flapper dresses came out in the jazz era, the 1920s era, | 0:07:20 | 0:07:24 | |
they couldn't do that any more | 0:07:24 | 0:07:27 | |
because the dresses were very thin and very slight, | 0:07:27 | 0:07:30 | |
so they made these decorative purses which went outside the clothing. | 0:07:30 | 0:07:34 | |
It's a luxury item, | 0:07:34 | 0:07:37 | |
-so it would be used at the dances and special occasions. -Yes. | 0:07:37 | 0:07:40 | |
It's not an everyday purse. It is decorative, being solid silver. | 0:07:40 | 0:07:44 | |
And judging by the style, | 0:07:44 | 0:07:46 | |
I'd say maybe 1910, 1920, that sort of period. | 0:07:46 | 0:07:50 | |
I think that's round about the time she got married. | 0:07:50 | 0:07:52 | |
Could have been a wedding present. | 0:07:52 | 0:07:54 | |
Hopefully someone will enjoy it, | 0:07:54 | 0:07:56 | |
someone who's young enough to go to dances. | 0:07:56 | 0:07:59 | |
-Well, you never know. Some of us never get asked. -Ah! | 0:07:59 | 0:08:02 | |
But if I said sort of £50-£80, how does that sound? | 0:08:02 | 0:08:06 | |
-Oh, it sounds absolutely great. -Great. | 0:08:06 | 0:08:09 | |
Well, it won't go to the dance but it will go to the auction. | 0:08:09 | 0:08:12 | |
But will the silver purse bring in the coins on auction day? | 0:08:13 | 0:08:17 | |
30, sir, yes? 30. | 0:08:17 | 0:08:18 | |
-Yes. -Gentleman seated here, at 30. | 0:08:18 | 0:08:21 | |
This could be an exciting sale. | 0:08:21 | 0:08:23 | |
We may be only in the early stages of our rummage | 0:08:24 | 0:08:26 | |
here in County Durham | 0:08:26 | 0:08:28 | |
but we're already past the £100 mark. | 0:08:28 | 0:08:31 | |
As the search continues, John proves there's nothing wrong with his eyesight. | 0:08:31 | 0:08:36 | |
-I've come across these. They're my grandmother's spectacles. -OK. | 0:08:36 | 0:08:39 | |
She says they were gold. They're quite old. | 0:08:39 | 0:08:43 | |
Wow, they will be, yeah. They're Victorian, aren't they? | 0:08:43 | 0:08:46 | |
-And that's the case, is it? -Yeah. | 0:08:46 | 0:08:48 | |
Well, that's beautiful. That's papier mache. | 0:08:48 | 0:08:51 | |
The black papier mache does tend to be from the Victorian period, | 0:08:51 | 0:08:54 | |
so that ties in nicely, actually. | 0:08:54 | 0:08:56 | |
-It's got damaged there. -Yes. -But it's nice to find it together. | 0:08:56 | 0:09:00 | |
-You said they were gold. -Yes. -So was she quite an affluent lady? | 0:09:00 | 0:09:05 | |
No, not really, not really. | 0:09:05 | 0:09:07 | |
She had lots of friends because she worked in the theatre. | 0:09:07 | 0:09:10 | |
-She knew quite a lot of affluent people, if you wish. -Yeah? | 0:09:10 | 0:09:14 | |
Possibly she got them from someone. | 0:09:14 | 0:09:16 | |
Right, well they are definitely gold. | 0:09:16 | 0:09:18 | |
These are nine carat. Can you see the hallmark, there? | 0:09:18 | 0:09:21 | |
That's what we understand to be gold, here in the British Isles. | 0:09:21 | 0:09:25 | |
It's not pure gold or it would be too soft | 0:09:25 | 0:09:27 | |
but it's nine carat - it comes up to the standard. | 0:09:27 | 0:09:30 | |
Well, these really went out of fashion | 0:09:30 | 0:09:32 | |
when Bakelite glasses started to appear. | 0:09:32 | 0:09:34 | |
They could make more elaborate frames | 0:09:34 | 0:09:37 | |
but it was John Lennon who brought the fashion back in. | 0:09:37 | 0:09:40 | |
He used to wear these sort of things, didn't he? | 0:09:40 | 0:09:42 | |
So you've got a pair of solid gold spectacles. | 0:09:42 | 0:09:44 | |
I don't know whether anybody would want to wear these. | 0:09:44 | 0:09:47 | |
-I think they're more of a curiosity. -Yes, yes. | 0:09:47 | 0:09:50 | |
But if I said sort of £30-£50, does that sound all right to you? | 0:09:50 | 0:09:54 | |
Yeah, it's OK. | 0:09:54 | 0:09:55 | |
-I don't think they'll create a spectacle at the auction. -LAUGHTER | 0:09:55 | 0:09:59 | |
But you never know. | 0:09:59 | 0:10:01 | |
-All right, well, let's keep looking. -All right. | 0:10:01 | 0:10:04 | |
I'm not too sure about the jokes, Paul, | 0:10:04 | 0:10:06 | |
but I am happy to hear that we've got another contribution | 0:10:06 | 0:10:09 | |
towards that £600 target. | 0:10:09 | 0:10:11 | |
In the kitchen, Ann has pulled out two tapestries | 0:10:11 | 0:10:15 | |
that she bought in Indonesia. | 0:10:15 | 0:10:17 | |
The oldest known tapestries date to the 3rd century BC | 0:10:17 | 0:10:21 | |
but this pair are a little more recent, | 0:10:21 | 0:10:23 | |
mostly likely 1980AD. | 0:10:23 | 0:10:26 | |
Paul values them at £50-£80. | 0:10:26 | 0:10:28 | |
We're making good progress and if we keep up this pace, | 0:10:29 | 0:10:32 | |
we're going to reach our target in no time. | 0:10:32 | 0:10:35 | |
John and Ann, we've established that the pair of you are inveterate globe-trotters | 0:10:35 | 0:10:39 | |
but, John, how did all of this travelling come about? | 0:10:39 | 0:10:43 | |
-It was to do with your job, wasn't it? -When I finished college, | 0:10:43 | 0:10:46 | |
it was the days of national service | 0:10:46 | 0:10:48 | |
and I got called up and I spent two years in the navy | 0:10:48 | 0:10:51 | |
and then when I came out of the navy I went back to school | 0:10:51 | 0:10:55 | |
and I got an offer of a job | 0:10:55 | 0:10:57 | |
with an American mining equipment manufacturer | 0:10:57 | 0:11:01 | |
and that really was the start of it. | 0:11:01 | 0:11:03 | |
From that, they sent me to Beirut | 0:11:03 | 0:11:06 | |
and then from Beirut, I travelled most of the East | 0:11:06 | 0:11:10 | |
and, of course, the Arab countries. | 0:11:10 | 0:11:12 | |
So how did you feel, travelling around the world, | 0:11:12 | 0:11:14 | |
as a young wife and with two children? | 0:11:14 | 0:11:17 | |
Because you have a son and a daughter. | 0:11:17 | 0:11:19 | |
I think I thought it was an adventure. | 0:11:19 | 0:11:21 | |
I thought it would be wonderful to fly - I'd never flown before - | 0:11:21 | 0:11:24 | |
to see other countries | 0:11:24 | 0:11:25 | |
and we never considered the fact that we had two children - | 0:11:25 | 0:11:28 | |
they just came with me wherever I went. | 0:11:28 | 0:11:30 | |
I'm going to find out a bit more about your travels a bit later on | 0:11:30 | 0:11:34 | |
but we've left Paul to his own devices for quite a while. | 0:11:34 | 0:11:37 | |
He thinks he's in an Aladdin's cave. | 0:11:37 | 0:11:40 | |
Shall we go and join him and see what else he's found? | 0:11:40 | 0:11:43 | |
Paul's been hard at it in the kitchen | 0:11:44 | 0:11:47 | |
and found a four-piece Tibetan tea set. | 0:11:47 | 0:11:49 | |
Tea was first introduced to Tibet from China in the 9th century | 0:11:50 | 0:11:54 | |
and it became so popular that it was actually used as a currency. | 0:11:54 | 0:11:58 | |
Ann bought this set at a fair in Singapore. | 0:11:59 | 0:12:02 | |
It hasn't got any great age but it is rather attractive | 0:12:02 | 0:12:05 | |
and Paul thinks it should fetch as much as £60-£100 at auction. | 0:12:05 | 0:12:09 | |
-Paul? -Uh-huh? -Have you got Ann with you? -I have. | 0:12:10 | 0:12:13 | |
-Come and take a look at this. -Let's have a look. | 0:12:13 | 0:12:16 | |
Ann, this screen is just magnificent. | 0:12:16 | 0:12:20 | |
-What do you make of this, Paul? -These are fantastic items. | 0:12:20 | 0:12:23 | |
What a showpiece. That is beautifully done. | 0:12:23 | 0:12:26 | |
-Where did this come from? -John bought it in Hong Kong. | 0:12:26 | 0:12:29 | |
It was for our 25th wedding anniversary | 0:12:29 | 0:12:31 | |
and he sent it from there to Sydney. We were living in Sydney. | 0:12:31 | 0:12:34 | |
-Did you know he was going to send it? -No, it was a complete surprise. | 0:12:34 | 0:12:38 | |
If you had it when you were in Australia, | 0:12:38 | 0:12:40 | |
you've since been halfway round the world. | 0:12:40 | 0:12:43 | |
-Has this always travelled with you? -We've moved it everywhere. | 0:12:43 | 0:12:46 | |
-It's nearly as well-travelled as we are. -That's a big suitcase. -Yes. | 0:12:46 | 0:12:50 | |
-Is this something that would sell at auction, Paul? -Definitely, yes. | 0:12:50 | 0:12:53 | |
Anybody that wants to have that Chinese or Japanese look, | 0:12:53 | 0:12:56 | |
it's the sort of thing to go for. | 0:12:56 | 0:12:58 | |
It has instant appeal. | 0:12:58 | 0:12:59 | |
But these originally were from Japan and they were a room divider. | 0:12:59 | 0:13:03 | |
If you had a large area and you wanted to make an intimate corner, | 0:13:03 | 0:13:06 | |
whether it be in a restaurant or a workplace, you would have these screens. | 0:13:06 | 0:13:10 | |
Some are taller - I've seen them eight foot high. | 0:13:10 | 0:13:13 | |
It's made from lacquer and lacquer work is very difficult to produce. | 0:13:13 | 0:13:17 | |
It takes the sap from the lacquer tree and they have to layer it | 0:13:17 | 0:13:20 | |
time and time again, | 0:13:20 | 0:13:21 | |
allowing each layer to dry before they build up the colour. | 0:13:21 | 0:13:25 | |
And then it's been decorated with Shibayama, | 0:13:25 | 0:13:28 | |
and Shibayama is a type of inlay and overlay. | 0:13:28 | 0:13:31 | |
-It gives it a three-dimensional effect. -Absolutely stunning. | 0:13:31 | 0:13:34 | |
Are you sure you want to get rid of this? | 0:13:34 | 0:13:37 | |
Well, it's not a matter of getting rid of it. | 0:13:37 | 0:13:39 | |
We're downsizing, aren't we? I love it but we have to be sensible. | 0:13:39 | 0:13:44 | |
We're going to a smaller place and someone else can have the pleasure. | 0:13:44 | 0:13:47 | |
-I've loved it for 27 years. -All right. | 0:13:47 | 0:13:49 | |
That's a wonderful attitude to have, isn't it, Paul? | 0:13:49 | 0:13:52 | |
But if this was to go to auction, who would buy it | 0:13:52 | 0:13:55 | |
-and what sort of price would we get? -That's the thing. | 0:13:55 | 0:13:58 | |
You need a large room and a large area to put it. | 0:13:58 | 0:14:02 | |
It's not going to appeal to everybody | 0:14:02 | 0:14:04 | |
but it's in great condition. | 0:14:04 | 0:14:05 | |
What you have to watch with Shibayama screens | 0:14:05 | 0:14:08 | |
is that parts of the shell become missing | 0:14:08 | 0:14:10 | |
and it's difficult to have them recarved and replaced. | 0:14:10 | 0:14:13 | |
But if I was being very realistic, | 0:14:13 | 0:14:15 | |
I think you're looking at least £200, maybe £300. | 0:14:15 | 0:14:20 | |
If you get two people who take a shine to it, it could do more | 0:14:20 | 0:14:23 | |
but that's being realistic - it's not an antique. | 0:14:23 | 0:14:26 | |
Well, it's about to make one more journey | 0:14:26 | 0:14:29 | |
to the auction house | 0:14:29 | 0:14:30 | |
and let's hope we make that money. | 0:14:30 | 0:14:32 | |
Shall we go and see what else we can take with us? | 0:14:32 | 0:14:35 | |
Everywhere you look in this house there are beautiful items | 0:14:38 | 0:14:42 | |
that the Armstrongs have collected from all over the globe. | 0:14:42 | 0:14:45 | |
This mahogany card table is another of Ann souvenir's from Indonesia. | 0:14:45 | 0:14:50 | |
It is a reproduction, which will affect its value | 0:14:50 | 0:14:53 | |
but as it's in perfect condition, | 0:14:53 | 0:14:55 | |
Paul thinks it could still raise upwards of £100. | 0:14:55 | 0:14:58 | |
Ah, now, then, Ann, I've been dying to ask you - | 0:15:00 | 0:15:02 | |
where is this trunk from? It's fantastic. | 0:15:02 | 0:15:05 | |
This one came from the Philippines. | 0:15:05 | 0:15:07 | |
My husband worked in a copper mine there | 0:15:07 | 0:15:09 | |
and one weekend we went shopping and we saw this in the shop window. | 0:15:09 | 0:15:13 | |
Funny little shops, they were, very dark. | 0:15:13 | 0:15:15 | |
You'd step down and it was like a cave inside. | 0:15:15 | 0:15:18 | |
The gentleman who owned the shop was explaining it had just come back from Manila. | 0:15:18 | 0:15:22 | |
He had designed it | 0:15:22 | 0:15:24 | |
but he said because they didn't have lots of money, | 0:15:24 | 0:15:27 | |
-the wood is only ordinary - I don't know what kind. -Right. | 0:15:27 | 0:15:30 | |
He spent all his money on the mother-of-pearl. | 0:15:30 | 0:15:33 | |
-It won the exhibition in Manila that year. -Fantastic. | 0:15:33 | 0:15:36 | |
The quality of the workmanship is super. Is a type of marquetry inlay. | 0:15:36 | 0:15:40 | |
The artist would carve out these individual shapes, all precisely, | 0:15:40 | 0:15:44 | |
and put in mother-of-pearl. | 0:15:44 | 0:15:46 | |
It's a very difficult job and very time-consuming. | 0:15:46 | 0:15:49 | |
-But this represents the garden of paradise. -Really? | 0:15:49 | 0:15:52 | |
Flowers and gardens are very important in most cultures. | 0:15:52 | 0:15:56 | |
But these were very useful items. | 0:15:56 | 0:15:58 | |
You've got to imagine the humidity in these exotic countries | 0:15:58 | 0:16:01 | |
and of course it would be kept, your linens and any material, | 0:16:01 | 0:16:06 | |
it would remain nice and cool, away from creepy crawlies, | 0:16:06 | 0:16:10 | |
so very necessary items. | 0:16:10 | 0:16:11 | |
But sometimes they were used as dowry boxes. | 0:16:11 | 0:16:14 | |
They would be full of items for a wedding or a special occasion. | 0:16:14 | 0:16:18 | |
-Well, it's not antique, it's 1980s... -Yes. | 0:16:18 | 0:16:21 | |
-..but I can respect the workmanship in this. -Oh, yes. | 0:16:21 | 0:16:24 | |
-It is a shame they didn't use a better wood to start with. -Yes. | 0:16:24 | 0:16:28 | |
But if that was going to auction, | 0:16:28 | 0:16:30 | |
I'd love to see it with an estimate of £100, maybe £150. | 0:16:30 | 0:16:33 | |
-How does that sound? -Oh, I think that's probably reasonable. | 0:16:33 | 0:16:37 | |
-Not for the gentleman's hard work... -No. -..but for a value, yes. | 0:16:37 | 0:16:41 | |
Great. Well, that's part of our dowry sorted out. | 0:16:41 | 0:16:44 | |
Let's keep looking. | 0:16:44 | 0:16:45 | |
The weather outside may be typically British | 0:16:45 | 0:16:49 | |
but the finds inside continue to be anything but. | 0:16:49 | 0:16:52 | |
Paul is taking a closer look at a pair of stained-glass windows | 0:16:52 | 0:16:55 | |
that Ann brought back from Indonesia. | 0:16:55 | 0:16:57 | |
Amazingly, they survived in one piece | 0:16:57 | 0:16:59 | |
and he thinks they'll fetch £50-£80. | 0:16:59 | 0:17:02 | |
Having seen such a wealth of treasures brought back from foreign countries, | 0:17:02 | 0:17:07 | |
I'm keen to hear more about John and Ann's extensive travels. | 0:17:07 | 0:17:11 | |
So of all of these countries that you've been in, | 0:17:11 | 0:17:13 | |
which would you say is your favourite? | 0:17:13 | 0:17:15 | |
Beirut. I think definitely Beirut. | 0:17:15 | 0:17:17 | |
It was a wonderful spot to live and the people were fabulous. | 0:17:17 | 0:17:21 | |
You'd take the children out and they were made so welcome, which after England is a big thing. | 0:17:21 | 0:17:25 | |
We just had a great time. As John always says, we were young. | 0:17:25 | 0:17:28 | |
It was a fantastic place. The hotels were terrific. | 0:17:28 | 0:17:31 | |
The restaurants, the food, the wine, | 0:17:31 | 0:17:33 | |
and it was just a fantastic place to live. | 0:17:33 | 0:17:36 | |
-Well, your passion, John, is golf. -I love a game of golf, I do. | 0:17:36 | 0:17:39 | |
Hence this trip that you're going to be making up to Scotland. | 0:17:39 | 0:17:42 | |
We love Scotland. | 0:17:42 | 0:17:44 | |
And you're going up there for this very special family party, | 0:17:44 | 0:17:48 | |
the wedding anniversary of your daughter. | 0:17:48 | 0:17:50 | |
-14th wedding anniversary? -Yes, it is. | 0:17:50 | 0:17:53 | |
So that is going to be very special. | 0:17:53 | 0:17:55 | |
It's lovely just to be able to get together | 0:17:55 | 0:17:57 | |
because they both work so hard and Honor travels a lot | 0:17:57 | 0:18:00 | |
and so they're making time to have their anniversary | 0:18:00 | 0:18:03 | |
and they've invited us to share it. | 0:18:03 | 0:18:05 | |
Obviously, this trip is really important to you, | 0:18:05 | 0:18:08 | |
so let's hope we can make as much money as possible at auction. | 0:18:08 | 0:18:11 | |
Shall see what else Paul has found that we might be able to take? | 0:18:11 | 0:18:15 | |
I can see just how much this trip to Scotland means to John and Ann, | 0:18:16 | 0:18:20 | |
so we make one last push. | 0:18:20 | 0:18:22 | |
In the back recesses of the bedroom cupboard, | 0:18:22 | 0:18:25 | |
I find this decorative ceramic platter. | 0:18:25 | 0:18:27 | |
It was made by the company SylvaC, | 0:18:27 | 0:18:30 | |
who specialised in producing 20th century earthenware | 0:18:30 | 0:18:33 | |
in the Victorian style. | 0:18:33 | 0:18:35 | |
It was another of Ann's purchases from Indonesia | 0:18:35 | 0:18:38 | |
and it's in mint condition but it's not a rare piece, | 0:18:38 | 0:18:41 | |
so Paul values it at a very affordable £10-£20. | 0:18:41 | 0:18:45 | |
Ah, there you are. | 0:18:46 | 0:18:48 | |
Now, I wanted to ask you about this fella here. | 0:18:48 | 0:18:51 | |
So he's not from Japan or China. Where's he from? | 0:18:51 | 0:18:54 | |
He's from India, from Delhi. | 0:18:54 | 0:18:56 | |
We bought him in a shop called the British Embassy Shop. | 0:18:56 | 0:18:59 | |
-Right! And what's he called? -Ganesh. -Ganesh. | 0:18:59 | 0:19:02 | |
Yes, a Hindu god. | 0:19:02 | 0:19:04 | |
I was really mad to have one and when we went to India, we spent quite a bit of time looking for one. | 0:19:04 | 0:19:08 | |
-When I saw him, I knew he was the one I wanted. -Right. | 0:19:08 | 0:19:11 | |
Well, let's get the other two in. John? Angela? | 0:19:11 | 0:19:15 | |
This way a second. | 0:19:15 | 0:19:16 | |
We've found something that isn't Chinese or Japanese - something Indian. | 0:19:16 | 0:19:21 | |
He's a very impressive god, isn't he? | 0:19:21 | 0:19:24 | |
-He's the first thing you see when you come in. -He's fantastic. | 0:19:24 | 0:19:28 | |
He's the god of new beginnings | 0:19:28 | 0:19:30 | |
and for Indian people, I think you're supposed to rub the heel | 0:19:30 | 0:19:35 | |
but you can't get at his heel, so as you can see, I rub his tummy. | 0:19:35 | 0:19:38 | |
LAUGHTER | 0:19:38 | 0:19:39 | |
Right, well, he's always depicted with an elephant's head | 0:19:39 | 0:19:43 | |
and the elephant was highly prized in Indian culture. | 0:19:43 | 0:19:47 | |
But he is a very positive symbol - a new beginning, I suppose, | 0:19:47 | 0:19:50 | |
or education, wealth - he's a wonderful thing to have | 0:19:50 | 0:19:53 | |
and every house would have one. | 0:19:53 | 0:19:54 | |
-So he's a multi-talented god, then? -That's why he has four arms, | 0:19:54 | 0:19:59 | |
so he could handle anything, more than one thing at once. | 0:19:59 | 0:20:02 | |
So how much might he make at auction, Paul? | 0:20:02 | 0:20:04 | |
I think he's fantastic, actually. | 0:20:04 | 0:20:06 | |
It's brass that's been made to look like bronze. | 0:20:06 | 0:20:09 | |
But it is very heavy, very decorative. | 0:20:09 | 0:20:11 | |
If I said at least £100-£150. | 0:20:11 | 0:20:14 | |
Well, he is going to have to have one more move at least, | 0:20:14 | 0:20:18 | |
along with the screen, the tea caddies and all of the other things that we've looked at. | 0:20:18 | 0:20:22 | |
And if we take the lowest price that Paul has put on all of those | 0:20:22 | 0:20:25 | |
and add that £100 for our multi-tasking god, here, | 0:20:25 | 0:20:30 | |
we should be able to make your £600 for the trip quite easily, I think. | 0:20:30 | 0:20:35 | |
In fact, with a bit of luck, we could make as much at £810. | 0:20:35 | 0:20:41 | |
-Ooh. -Wow! Fabulous. That would be wonderful. | 0:20:41 | 0:20:44 | |
And the next time I see you guys, will be at the auction. | 0:20:44 | 0:20:47 | |
We've had a tremendous time in County Durham | 0:20:48 | 0:20:51 | |
with the globe-trotters Ann and John Armstrong. | 0:20:51 | 0:20:54 | |
And what an exotic collection we've got for auction. | 0:20:54 | 0:20:57 | |
From the Philippines, there's the highly decorative trunk, | 0:20:58 | 0:21:01 | |
with its intricate marquetry. | 0:21:01 | 0:21:03 | |
A lot of work for your money at just £100. | 0:21:03 | 0:21:06 | |
From India, our Hindu god of new beginnings. | 0:21:06 | 0:21:10 | |
It's brought John and Ann lots of good fortune | 0:21:10 | 0:21:13 | |
and we're not even asking a small fortune for it - | 0:21:13 | 0:21:16 | |
£100, to be precise. | 0:21:16 | 0:21:18 | |
And from Hong Kong, the magnificent screen. | 0:21:20 | 0:21:23 | |
It's travelled the globe with our couple | 0:21:23 | 0:21:25 | |
but now it's time for its last journey to a new owner | 0:21:25 | 0:21:28 | |
and hopefully one who will pay a lot more than its £200 estimate. | 0:21:28 | 0:21:32 | |
Still to come on Cash In The Attic, | 0:21:34 | 0:21:36 | |
our expert demonstrates his firm grasp of geography. | 0:21:36 | 0:21:39 | |
-Now, where's this from? -Jakarta. -Jakarta. There we go. | 0:21:39 | 0:21:43 | |
-Is that near Bolton? -No, a bit further away. | 0:21:43 | 0:21:45 | |
And we learn a little more about the bidders at auction. | 0:21:46 | 0:21:49 | |
That's gone to a family that clearly has a big joint every Sunday. | 0:21:49 | 0:21:54 | |
Selling now at £45. | 0:21:54 | 0:21:57 | |
GAVEL BANGS | 0:21:57 | 0:21:58 | |
Well, it's been a week now since we joined John and Ann at their home, | 0:22:01 | 0:22:05 | |
looking through some of the things they've collected | 0:22:05 | 0:22:08 | |
on their international travels. | 0:22:08 | 0:22:10 | |
And we've brought some of them here today to sell | 0:22:10 | 0:22:12 | |
at Thompson's auction room in Harrogate. | 0:22:12 | 0:22:15 | |
Their target is £600 for a holiday | 0:22:15 | 0:22:18 | |
in the rather less exotic but still just as beautiful Scotland. | 0:22:18 | 0:22:22 | |
So let's hope that we get some really active bidding | 0:22:22 | 0:22:25 | |
when their items go under the hammer. | 0:22:25 | 0:22:27 | |
Auctions at this popular North Yorkshire sale room | 0:22:27 | 0:22:30 | |
take place every Friday | 0:22:30 | 0:22:31 | |
and today there are over 800 lots on offer, | 0:22:31 | 0:22:35 | |
so a good crowd is expected. | 0:22:35 | 0:22:36 | |
I'm really looking forward to seeing what they make of | 0:22:37 | 0:22:40 | |
our fascinating mix of items. | 0:22:40 | 0:22:42 | |
-Ah! -I wonder what tea tastes like | 0:22:43 | 0:22:46 | |
made from the rather extraordinary Tibetan tea service? | 0:22:46 | 0:22:49 | |
Very strange, isn't it? | 0:22:49 | 0:22:51 | |
I think it's more decorative, I don't think you'd use it | 0:22:51 | 0:22:53 | |
but you'd have fun trying. | 0:22:53 | 0:22:55 | |
One of the beautiful things that they bought is that Japanese screen. | 0:22:55 | 0:22:59 | |
Isn't it nice to see that in the auction room, | 0:22:59 | 0:23:01 | |
they've put the screen with a lot of other items of very similar design? | 0:23:01 | 0:23:05 | |
That's done them a real favour. | 0:23:05 | 0:23:07 | |
The more of any one particular type of item creates the interest | 0:23:07 | 0:23:10 | |
and the more interest you get, the more dealers you get, | 0:23:10 | 0:23:13 | |
the more money you get - that's the idea. | 0:23:13 | 0:23:16 | |
I see John and Ann have arrived | 0:23:16 | 0:23:17 | |
and they've put reserves on some of the items, | 0:23:17 | 0:23:20 | |
-so we ought to go and check that out. -Of course. | 0:23:20 | 0:23:23 | |
Well, one item that I know doesn't carry a reserve | 0:23:23 | 0:23:26 | |
is Ann and John's treasured statue. | 0:23:26 | 0:23:28 | |
It doesn't take long for them to find it in pride of place. | 0:23:28 | 0:23:32 | |
So you're going to rub that for the last time, are you? | 0:23:32 | 0:23:35 | |
I think it's good luck and good luck to the next family. | 0:23:35 | 0:23:38 | |
Just remind me of what he stands for again. | 0:23:38 | 0:23:40 | |
For new beginnings and education, I think. | 0:23:40 | 0:23:44 | |
Paul knows more about it than I do. | 0:23:44 | 0:23:46 | |
He's about good fortune, peace and harmony, | 0:23:46 | 0:23:48 | |
he's a multi-tasker, he's a good all-rounder. | 0:23:48 | 0:23:51 | |
You've brought some beautiful things today | 0:23:51 | 0:23:54 | |
but you've put reserves on some of them - remind me of those. | 0:23:54 | 0:23:57 | |
The screen has a reserve on because it's gorgeous | 0:23:57 | 0:23:59 | |
and John bought it for me, so it is special. | 0:23:59 | 0:24:02 | |
Also the pearl-inlaid chest. | 0:24:02 | 0:24:04 | |
I have to tell you, John, that a lot of people | 0:24:04 | 0:24:06 | |
have been looking at that chest with the mother-of-pearl inlay. | 0:24:06 | 0:24:10 | |
Yes, I bought it in the Philippines. | 0:24:10 | 0:24:12 | |
It comes from an island called Mindanao. | 0:24:12 | 0:24:14 | |
I bought it for Ann, so, yeah, we like it. | 0:24:14 | 0:24:18 | |
-We think that's going to do well. -That chest is fantastic. | 0:24:18 | 0:24:21 | |
It'll be no problem selling that. | 0:24:21 | 0:24:23 | |
My only concern is that the reserve on the solitaire set | 0:24:23 | 0:24:26 | |
-is more than my estimate. -It was, Paul. | 0:24:26 | 0:24:28 | |
-It's £50, your reserve on that. -It is, Paul. | 0:24:28 | 0:24:30 | |
-As long as you expect that if it doesn't sell for that, you'll take it back home. -I will. | 0:24:30 | 0:24:35 | |
-You're quite happy about that? -I am. -Well, that's fine. | 0:24:35 | 0:24:39 | |
Well, you never know, you might be taking it home with you. | 0:24:39 | 0:24:42 | |
You may not because as you can see the room is filling up | 0:24:42 | 0:24:45 | |
with a lot of very eager bidders, | 0:24:45 | 0:24:47 | |
-so why don't we go and take our place and see what happens? -Indeed. | 0:24:47 | 0:24:51 | |
I quite understand John and Ann's decision to put reserves on their items | 0:24:52 | 0:24:57 | |
but with such a busy sale room, | 0:24:57 | 0:24:59 | |
hopefully all the reserves will be reached and may even be exceeded. | 0:24:59 | 0:25:03 | |
We don't have to wait long to find out | 0:25:05 | 0:25:07 | |
because it's time for our first lot to go under the hammer. | 0:25:07 | 0:25:10 | |
OK, now, one of my favourite items, those unusual gold spectacles. | 0:25:10 | 0:25:15 | |
-Who did these belong to again? -My grandmother. -Right. | 0:25:15 | 0:25:18 | |
So very much a lady of the day. | 0:25:18 | 0:25:21 | |
-And the case was a little bit damaged, wasn't it? -It was, yes. | 0:25:21 | 0:25:24 | |
-I think I need some spectacles to see the auctioneer. -Yes! | 0:25:24 | 0:25:27 | |
I can start the bidding at 25. Do I see 28? | 0:25:27 | 0:25:30 | |
With me here at 25. 28, 30? | 0:25:30 | 0:25:33 | |
32. 32 at the back. | 0:25:33 | 0:25:36 | |
-35 anywhere else? -They're doing well. | 0:25:36 | 0:25:38 | |
At the back of the room at 32. Gentleman's bid at 32... | 0:25:38 | 0:25:41 | |
-There you go. -Well done. That's over Paul's lowest estimate. | 0:25:41 | 0:25:45 | |
-That's great. -Would Granny be pleased with that, do you think? -Absolutely. | 0:25:45 | 0:25:49 | |
And that's just how we like to start an auction, over estimate | 0:25:49 | 0:25:53 | |
and our first contribution to Ann and John's trip to Scotland. | 0:25:53 | 0:25:57 | |
Our next item is one of Ann's many purchases from Indonesia. | 0:25:57 | 0:26:01 | |
It's the ceramic platter that I found in the bedroom cupboard. | 0:26:01 | 0:26:05 | |
Did you ever use this one in the house at all, Ann? | 0:26:05 | 0:26:08 | |
Oh, yes, I did. At Christmas, I'd put the turkey on it. | 0:26:08 | 0:26:11 | |
It really worked well. | 0:26:11 | 0:26:12 | |
-With all the vegetables around it as well? -Yes, it made a picture. | 0:26:12 | 0:26:17 | |
22 bid. 25 now. | 0:26:17 | 0:26:19 | |
With me here at 22. Do I see 25? | 0:26:19 | 0:26:22 | |
With me now on commission at 22. | 0:26:22 | 0:26:24 | |
-I love this one. -Selling now at £22. -GAVEL BANGS | 0:26:24 | 0:26:27 | |
-There you go. -Oh, well. -That's amazing, isn't it? | 0:26:27 | 0:26:30 | |
That's gone to a family that clearly has a big joint every Sunday. | 0:26:30 | 0:26:34 | |
And they will enjoy those beautiful colours. | 0:26:34 | 0:26:37 | |
Well, it's looking like Ann really does have an eye for collectables | 0:26:37 | 0:26:41 | |
and I for one am delighted | 0:26:41 | 0:26:43 | |
that there's still a demand for traditional meat platters. | 0:26:43 | 0:26:46 | |
Just how a roast should be served! | 0:26:46 | 0:26:48 | |
And it's more items from a bygone era up next, | 0:26:48 | 0:26:52 | |
this time in the form of the Ringtons tea caddies. | 0:26:52 | 0:26:55 | |
People don't keep their tea in tea caddies any more, do they? | 0:26:55 | 0:26:58 | |
No but these are decorative items. Blue and white is popular | 0:26:58 | 0:27:02 | |
and having those cathedrals on there, they're very nice. | 0:27:02 | 0:27:05 | |
-They are a collector's item. -Definitely. | 0:27:05 | 0:27:07 | |
30 bid. 32 now? | 0:27:07 | 0:27:09 | |
With me here at 30. 32, 35. Still with me on commission at 35. | 0:27:09 | 0:27:14 | |
-38, 40. -Oh, good. -40. | 0:27:14 | 0:27:17 | |
In the room now at 42. Do I see 45? | 0:27:17 | 0:27:20 | |
-In the room now at 42 and selling now at 42. -GAVEL BANGS | 0:27:20 | 0:27:24 | |
-There you go. -Terrific. -How's that? -Very good. -That was good. | 0:27:24 | 0:27:28 | |
-There we go. -Gone to a new home. -Yes. | 0:27:28 | 0:27:31 | |
Aren't Ann and John doing well? | 0:27:31 | 0:27:33 | |
That's their third sale in a row to see over estimate | 0:27:33 | 0:27:37 | |
but how long is their luck going to hold out? | 0:27:37 | 0:27:39 | |
The next lot is the first of their items to carry a reserve | 0:27:39 | 0:27:42 | |
and what's more, it's somewhat higher than Paul's estimate. | 0:27:42 | 0:27:46 | |
Now, you've put a reserve on this next item, | 0:27:46 | 0:27:50 | |
which is the jasper solitaire set. | 0:27:50 | 0:27:52 | |
So do you have mixed feelings as we go into the bidding now? | 0:27:52 | 0:27:55 | |
I have a little. It is special and I love the jasper balls | 0:27:55 | 0:27:59 | |
and the colour of them and the feel of them. They're gorgeous. | 0:27:59 | 0:28:03 | |
Let's start the bidding here at 30. Do I see 35? | 0:28:03 | 0:28:06 | |
-With me here at £30. 35, 40. -That's close to the estimate of 35. | 0:28:06 | 0:28:11 | |
45, 50. One more, sir? | 0:28:11 | 0:28:13 | |
With me here at £50. Do I see 55? | 0:28:13 | 0:28:16 | |
With me here at £50. Are we finished now? Selling at £50. | 0:28:16 | 0:28:20 | |
Hey-hey! Well done, you. There we go - £50. | 0:28:20 | 0:28:23 | |
-You made your reserve. -Oh, that's... I'm so thrilled. | 0:28:23 | 0:28:27 | |
-That's really good. -Congratulations, that's great. | 0:28:27 | 0:28:31 | |
-Thank you. -Wonderful. Well done. -I'm delighted. | 0:28:31 | 0:28:33 | |
How about that? Selling for bang on Ann's £50 reserve, | 0:28:34 | 0:28:38 | |
which was £20 above Paul's original top estimate. | 0:28:38 | 0:28:42 | |
No wonder it's smiles all round. | 0:28:42 | 0:28:45 | |
Now it's that lovely silver purse up next, | 0:28:45 | 0:28:48 | |
which Paul thinks dates about 1912 | 0:28:48 | 0:28:50 | |
and with a bit of luck, it'll bring in £50-£80. | 0:28:50 | 0:28:53 | |
Well, I think this is perfect for somebody with the initial J | 0:28:54 | 0:28:57 | |
and the purse is all intact. | 0:28:57 | 0:28:59 | |
-You didn't find any gold coins in there? -I took them out. | 0:28:59 | 0:29:02 | |
Start me at £30. 30 we have. | 0:29:03 | 0:29:06 | |
35 anywhere? On my right here at 30. | 0:29:06 | 0:29:09 | |
-35? No, seated bid here at 35. -Oh, yes. -At 40. 40 standing. | 0:29:09 | 0:29:14 | |
45 anywhere? 45. | 0:29:14 | 0:29:16 | |
No, the lady's bid here at 45. Do I see 50? | 0:29:16 | 0:29:20 | |
In the room now at 45. Are we finished? Selling now at £45. | 0:29:20 | 0:29:25 | |
-GAVEL BANGS -There we go. -It was only ever in a cabinet. We never used it. | 0:29:25 | 0:29:29 | |
That's our first item which has failed to reach its estimate | 0:29:29 | 0:29:33 | |
but it was only by £5 | 0:29:33 | 0:29:35 | |
and Ann and John don't seem to be disappointed at all. | 0:29:35 | 0:29:38 | |
It's a rather unusual lot next, | 0:29:39 | 0:29:41 | |
the two stained glass windows that Ann brought back from Indonesia, | 0:29:41 | 0:29:45 | |
I'm guessing not in her hand luggage, though. | 0:29:45 | 0:29:47 | |
So, Paul, who's going to buy something like this? | 0:29:47 | 0:29:51 | |
Will they be used as a decorative panel or actually as windows? | 0:29:51 | 0:29:54 | |
Well, it could be both. | 0:29:54 | 0:29:56 | |
They could use them for architectural use in a wall | 0:29:56 | 0:29:59 | |
or they could actually put them as a screen in a restaurant or that sort of thing. | 0:29:59 | 0:30:03 | |
Start me at £30. £20. 20 we have. | 0:30:03 | 0:30:06 | |
Do I see 25? | 0:30:06 | 0:30:08 | |
Gentleman's bid here at 20. Five. 30, sir? | 0:30:08 | 0:30:12 | |
-Yes? 30. -Yes. -Gentleman seated here at 30. | 0:30:12 | 0:30:15 | |
35. 40 anywhere else? | 0:30:15 | 0:30:17 | |
-40, new bidder. 45. No? Still with you, sir, at 45. -Come on. | 0:30:17 | 0:30:23 | |
50 now. In the room at 45. Selling now at £45... | 0:30:23 | 0:30:27 | |
-There you go. -It's a bit less than we thought. | 0:30:27 | 0:30:29 | |
Yes but they're fragile and it'll be nice to see them go home safely | 0:30:29 | 0:30:34 | |
to somewhere nice. | 0:30:34 | 0:30:35 | |
-What a nice attitude to have. -Yes. It is. Very nice. | 0:30:35 | 0:30:38 | |
You know, I'm getting the feeling | 0:30:38 | 0:30:40 | |
that Ann is more concerned that her items find good new homes | 0:30:40 | 0:30:43 | |
rather than actually making money | 0:30:43 | 0:30:45 | |
but hopefully, we'll be able to achieve both. | 0:30:45 | 0:30:48 | |
After a great start to the auction, our progress has slowed a little, | 0:30:49 | 0:30:52 | |
so time to find out how we're doing at the half-time stage. | 0:30:52 | 0:30:56 | |
Now, £600 is your total | 0:30:56 | 0:30:58 | |
and we've still got some lovely things to come, actually, | 0:30:58 | 0:31:02 | |
but at the halfway stage, we're not quite halfway to our total. | 0:31:02 | 0:31:06 | |
We've made £236. | 0:31:06 | 0:31:09 | |
-Very good. At least, I think so. -LAUGHTER | 0:31:09 | 0:31:13 | |
He's getting ready to tee off on the first tee. | 0:31:13 | 0:31:15 | |
-But we've got the screen to come still. -Of course. | 0:31:15 | 0:31:18 | |
You've got quite a high reserve. | 0:31:18 | 0:31:19 | |
That lovely mother-of-pearl box, the blanket box. | 0:31:19 | 0:31:23 | |
-And Ganesh. -Ganesh, of course. | 0:31:23 | 0:31:26 | |
So why don't we go and just have a bit of a break? | 0:31:26 | 0:31:29 | |
Paul, you wanted to have a look around. | 0:31:29 | 0:31:31 | |
-There's something that's a first for me. I'll show you. -OK, let's go. | 0:31:31 | 0:31:34 | |
So, lots to look forward to in the second part of the sale | 0:31:37 | 0:31:40 | |
but where's Paul darted off to? | 0:31:40 | 0:31:42 | |
I really do need to keep that boy on a tight leash. | 0:31:42 | 0:31:45 | |
-What's taken your fancy there? -I've never seen one of these up close. | 0:31:45 | 0:31:49 | |
It's a dog collar from the late Victorian period | 0:31:49 | 0:31:53 | |
but it's a very regal one. | 0:31:53 | 0:31:54 | |
Some of these were made in Georgian times in solid silver. | 0:31:54 | 0:31:57 | |
It's got an interesting inscription. | 0:31:57 | 0:31:59 | |
"Prince, Eastern Command, NCOs School of Instruction, Hertford." | 0:31:59 | 0:32:04 | |
That was probably the collar, then, for the mascot of the regiment. | 0:32:04 | 0:32:09 | |
Exactly. It could have been a gun dog or a sporting dog | 0:32:09 | 0:32:11 | |
or maybe they were dog handlers and trainers. | 0:32:11 | 0:32:14 | |
The NCO is non-commissioned officer, so that's of military interest. | 0:32:14 | 0:32:18 | |
In the late 19th century, this would have been on a dog | 0:32:18 | 0:32:20 | |
in the officers' mess and it would have been a fantastic thing to have. | 0:32:20 | 0:32:24 | |
-So who'd buy something like that? -Well, we're a nation of dog lovers, | 0:32:24 | 0:32:28 | |
so that's the first connection, | 0:32:28 | 0:32:30 | |
but also the military connection, as well, | 0:32:30 | 0:32:32 | |
and it's just a rare item. | 0:32:32 | 0:32:34 | |
And what sort of price will it get? | 0:32:34 | 0:32:36 | |
It's in the auction at £80-£120. That is a bargain. | 0:32:36 | 0:32:39 | |
If somebody had that resilvered or if you traced who Prince was, | 0:32:39 | 0:32:44 | |
then what a fantastic thing. | 0:32:44 | 0:32:45 | |
Well, let the dogs loose and let's see what they do in the bidding. | 0:32:45 | 0:32:49 | |
-There's a song about that. -Who Let The Dogs Out? -Exactly. | 0:32:49 | 0:32:52 | |
And we don't have to wait long before the collar has its turn | 0:32:53 | 0:32:57 | |
in front of the room and sells... | 0:32:57 | 0:32:59 | |
Selling at 210. | 0:32:59 | 0:33:01 | |
..for £90 over its top estimate, | 0:33:01 | 0:33:04 | |
a great price for a truly unique piece. | 0:33:04 | 0:33:06 | |
Now, if like John and Ann you are planning on raising some money | 0:33:06 | 0:33:10 | |
and you're considering an auction, | 0:33:10 | 0:33:12 | |
do remember that fees like commission and VAT | 0:33:12 | 0:33:15 | |
may be added to your bill, | 0:33:15 | 0:33:17 | |
so do check the details with your local auction house first | 0:33:17 | 0:33:20 | |
to avoid any unwelcome surprises. | 0:33:20 | 0:33:22 | |
As the auction here in Harrogate continues, | 0:33:22 | 0:33:25 | |
we retake our positions in time for our next lot. | 0:33:25 | 0:33:28 | |
It's the beautiful mother-of-pearl blanket box | 0:33:28 | 0:33:31 | |
that Ann and John bought in the Philippines. | 0:33:31 | 0:33:34 | |
When I came in here this morning to the auction room, | 0:33:34 | 0:33:37 | |
one of the first things I noticed was a crowd around your box, | 0:33:37 | 0:33:40 | |
all looking at it | 0:33:40 | 0:33:42 | |
and smelling that camphor smell when they opened up the lid. | 0:33:42 | 0:33:46 | |
Oh, it's a beautiful chest and I love it | 0:33:46 | 0:33:48 | |
and I loved it at home | 0:33:48 | 0:33:49 | |
and when it used to stand there with the sunshine on the pearl. | 0:33:49 | 0:33:54 | |
Yes, beautiful piece. | 0:33:54 | 0:33:55 | |
I can start the bidding here at £90. Do I see 100? | 0:33:55 | 0:33:58 | |
100, 110, 120, 130, 140. | 0:33:58 | 0:34:03 | |
Lady's bid here at 140. Do I see 150? | 0:34:03 | 0:34:05 | |
-150, new bidder. -160, 170. -It's still going up! -Yes. -180. | 0:34:05 | 0:34:10 | |
190, 200, 210. | 0:34:10 | 0:34:12 | |
220, 230. | 0:34:12 | 0:34:14 | |
-Oh, that's great. -250. | 0:34:14 | 0:34:16 | |
-260, 270. -Fantastic. -Isn't it great? That's super. -Very good. | 0:34:18 | 0:34:23 | |
It's better than a hole in one, isn't it? | 0:34:23 | 0:34:25 | |
Do I see 270? On my left now at 260. | 0:34:26 | 0:34:29 | |
Selling at £260. | 0:34:29 | 0:34:31 | |
-GAVEL BANGS -Wow! There we go. -That's lovely. -260. | 0:34:31 | 0:34:35 | |
That was really good. | 0:34:35 | 0:34:37 | |
Like the man said - better than a hole in one. | 0:34:37 | 0:34:39 | |
-£260. You didn't expect that, did you? -No, not at all. -No. | 0:34:39 | 0:34:43 | |
Well, I'm thrilled for John and Ann | 0:34:43 | 0:34:46 | |
that their stunning chest went for such a great price. | 0:34:46 | 0:34:49 | |
What a way to kick off the second half of our sale. | 0:34:49 | 0:34:52 | |
And it's another well-travelled item up next, | 0:34:52 | 0:34:55 | |
the unusual Tibetan tea set that's come all the way from Singapore. | 0:34:55 | 0:34:59 | |
Hopefully, somebody here today will think that it's very decorative | 0:34:59 | 0:35:02 | |
and that it's worth the £60-£100 price tag you put on it. | 0:35:02 | 0:35:05 | |
It's a wonderful thing. | 0:35:05 | 0:35:07 | |
The actual circle shape symbolises heaven | 0:35:07 | 0:35:10 | |
in Chinese mythology | 0:35:10 | 0:35:11 | |
and the decoration is the dragon chasing the pearl, | 0:35:11 | 0:35:14 | |
-the flaming pearl, which is Chinese mythology. -Fantastic. | 0:35:14 | 0:35:18 | |
But I think it's for pouring doughnuts, actually. | 0:35:18 | 0:35:21 | |
Start me at £20. | 0:35:22 | 0:35:24 | |
-£10. -Ooh! -10 we have. | 0:35:24 | 0:35:26 | |
12, now? On the back wall here at 10. Do I see 12? | 0:35:26 | 0:35:30 | |
On the back wall now at £10. Are we finished? | 0:35:30 | 0:35:32 | |
Selling now at £10... 12, 15, 18... | 0:35:32 | 0:35:36 | |
-At the last moment. -That's better. -Anywhere else? | 0:35:36 | 0:35:39 | |
At the front now at £18. Selling now at £18... | 0:35:39 | 0:35:43 | |
-GAVEL BANGS -Oh! Disappointment? | 0:35:43 | 0:35:46 | |
It's a shame because it's beautiful | 0:35:46 | 0:35:48 | |
-but somebody's will love it. -Somebody will enjoy it. | 0:35:48 | 0:35:51 | |
Well, that wasn't the result we were expecting, | 0:35:52 | 0:35:55 | |
selling way under estimate. | 0:35:55 | 0:35:57 | |
But Ann is being philosophical, | 0:35:57 | 0:35:59 | |
so let's hope it's just a glitch in the proceedings. | 0:35:59 | 0:36:01 | |
We'll soon find out though, | 0:36:02 | 0:36:04 | |
as it's time for more of Ann's purchases from Indonesia. | 0:36:04 | 0:36:07 | |
Two very unusual wall hangings, here. | 0:36:07 | 0:36:11 | |
These look Far Eastern. Do you know where they came from originally? | 0:36:11 | 0:36:15 | |
They both came from Jakarta, from Indonesia, | 0:36:15 | 0:36:17 | |
-but from one of the islands, not the island we lived on. -Right. | 0:36:17 | 0:36:22 | |
-Are they symbolic? -No, they're just wall hangings. | 0:36:22 | 0:36:24 | |
I just bought them because I liked them. | 0:36:24 | 0:36:27 | |
Well, they're such an unusual item. | 0:36:27 | 0:36:29 | |
I don't if they're designed to block an entrance or just to hang up | 0:36:29 | 0:36:32 | |
but we're looking for £50 for these two, all right? | 0:36:32 | 0:36:36 | |
Start me at £20. £10? | 0:36:36 | 0:36:39 | |
10 we have. 12, now? On the back here at 10. | 0:36:39 | 0:36:42 | |
12, 15, 18, 20. | 0:36:42 | 0:36:45 | |
Still on the back at 20. Do I see 22? | 0:36:45 | 0:36:48 | |
At the back here at £20. Are we finished now? | 0:36:48 | 0:36:51 | |
Selling at £20... | 0:36:51 | 0:36:52 | |
-Oh, never mind. -No? -They were always in a drawer. | 0:36:52 | 0:36:55 | |
-I think they're such unusual things. What do you do with them? -No, no. | 0:36:57 | 0:37:01 | |
Once again, Ann is looking on the bright side | 0:37:02 | 0:37:05 | |
but with two sales in a row failing to reach their estimates | 0:37:05 | 0:37:08 | |
by quite some margin, | 0:37:08 | 0:37:10 | |
I'm beginning to worry that the items might be too specialised for today's crowd. | 0:37:10 | 0:37:14 | |
It's going to be fascinating to see what they make of our next lot, | 0:37:14 | 0:37:18 | |
the Hindu god, Ganesh. | 0:37:18 | 0:37:19 | |
-£100-£150, Paul. -Exactly. -That's about what it's worth? | 0:37:20 | 0:37:24 | |
It's one of those lovely decorative items. It's in great condition. | 0:37:24 | 0:37:28 | |
It's very symbolic. It means a lot to yourself. | 0:37:28 | 0:37:30 | |
Let's hope there are two bidders that really take a shine to him. | 0:37:30 | 0:37:34 | |
-And 40 bid. 45, now. -40 we're in. Here we go. | 0:37:34 | 0:37:37 | |
45, 50, 55 in the room. | 0:37:37 | 0:37:40 | |
60 anywhere else? 60, five. | 0:37:40 | 0:37:42 | |
-70, five. -Oh, somebody likes it. | 0:37:42 | 0:37:45 | |
..five, 90, five. | 0:37:45 | 0:37:47 | |
-100. -Oh, yes. -Great. -Yes! | 0:37:47 | 0:37:51 | |
-130. Seated bid here at 130. 140, now. -Yes. -Brilliant. | 0:37:51 | 0:37:55 | |
It is. I'm so pleased about it. | 0:37:55 | 0:37:58 | |
-Gentleman's bid at £130. -GAVEL BANGS | 0:37:58 | 0:38:01 | |
That's lovely. Yes, really happy about it. | 0:38:01 | 0:38:03 | |
Did you notice the man with muscles who was buying it? | 0:38:03 | 0:38:06 | |
-Yes, because he's got to carry it home. -He's got a trolley. -I bet he has. | 0:38:06 | 0:38:10 | |
And so after travelling the globe with John and Ann, | 0:38:12 | 0:38:15 | |
our god of new beginnings looks set for... a new beginning | 0:38:15 | 0:38:18 | |
and for a terrific price, bang in the middle of Paul's estimate. | 0:38:18 | 0:38:22 | |
Now, this is an item that will be much more familiar to today's bidders, | 0:38:23 | 0:38:27 | |
the mahogany card table that Paul valued at £100 to £150. | 0:38:27 | 0:38:32 | |
-Now where was this from? -Jakarta. -Jakarta. There we go. | 0:38:32 | 0:38:36 | |
-Is that near Bolton? -No, a little bit further away. | 0:38:36 | 0:38:39 | |
Well, wherever it's from, it's a wonderful example. | 0:38:39 | 0:38:42 | |
We're looking for around £100 for this. | 0:38:42 | 0:38:44 | |
-Start me at £50. -£50, come on. | 0:38:44 | 0:38:46 | |
£50. 50 we have. | 0:38:46 | 0:38:48 | |
55 now. 55. | 0:38:48 | 0:38:51 | |
-60, five. -Oh! That's lovely. | 0:38:51 | 0:38:55 | |
70. Five. | 0:38:55 | 0:38:57 | |
-80. -That's better than I expected. | 0:38:57 | 0:39:00 | |
Five. Still here at 85. Do I see 90? | 0:39:00 | 0:39:03 | |
On my right here at 85. | 0:39:03 | 0:39:05 | |
Gentleman's bid. Are we finished? Selling now at £85. | 0:39:05 | 0:39:09 | |
-GAVEL BANGS -It didn't quite make the 100. | 0:39:09 | 0:39:12 | |
That was a good price. I vaguely think I paid 65, so that was good. | 0:39:12 | 0:39:15 | |
-You've made a profit. -Yes. -Yes. | 0:39:15 | 0:39:18 | |
And that certainly makes up for it narrowly missing its estimate. | 0:39:18 | 0:39:22 | |
It's time now for our last item of the day and what an item it is. | 0:39:22 | 0:39:27 | |
John bought this magnificent Oriental screen for Ann | 0:39:27 | 0:39:31 | |
in Hong Kong | 0:39:31 | 0:39:32 | |
and its travelled with them ever since. | 0:39:32 | 0:39:35 | |
The quality is nothing less than superb. | 0:39:35 | 0:39:38 | |
It does look really good in the room because as you said, Paul, | 0:39:38 | 0:39:41 | |
it's among friends, isn't it? | 0:39:41 | 0:39:43 | |
Yeah, I think this is superb quality | 0:39:43 | 0:39:46 | |
and it's the best example of this type of thing here today. | 0:39:46 | 0:39:48 | |
There are others similar but this is the best. | 0:39:48 | 0:39:51 | |
There's none of the Shibayama is missing. | 0:39:51 | 0:39:53 | |
-The 200 reserve at least we need, OK? -So here we go. -Here we go. | 0:39:53 | 0:39:57 | |
Start the bidding here at 100. Do I see 110? | 0:39:57 | 0:40:00 | |
110, 120, 130, 140. | 0:40:00 | 0:40:03 | |
Still with me here at 140. Do I see 150? 150. | 0:40:03 | 0:40:07 | |
-160... -It's going. | 0:40:07 | 0:40:09 | |
-180! -Yes. 190. -In the room here at 190. Do I see 200? | 0:40:09 | 0:40:14 | |
In the room now at 190. Gentleman's bid. | 0:40:14 | 0:40:17 | |
Selling now at £190. | 0:40:17 | 0:40:19 | |
-GAVEL BANGS -Yes! -Ah! | 0:40:19 | 0:40:21 | |
-£10 under your reserve... -Yes. -..but certainly, at £190, | 0:40:21 | 0:40:28 | |
are you happy with that? | 0:40:28 | 0:40:29 | |
I am. I'll always be sorry to let it go but yes. | 0:40:29 | 0:40:32 | |
I don't think it mattered what price the screen fetched, | 0:40:34 | 0:40:37 | |
it would always be a tug for Ann to let it go | 0:40:37 | 0:40:39 | |
after cherishing it for so long. | 0:40:39 | 0:40:42 | |
But at least Ann and John can put the proceeds towards | 0:40:42 | 0:40:45 | |
a trip that I know they're both looking forward to. | 0:40:45 | 0:40:48 | |
You came here hoping to raise £600. | 0:40:48 | 0:40:51 | |
What you are actually going to take home with you | 0:40:51 | 0:40:53 | |
is £939. | 0:40:53 | 0:40:56 | |
-Oh, that's fantastic. -That's a lot of golf and a lot whisky. | 0:40:57 | 0:41:00 | |
I think Ann had in mind it might be a bit of champagne, as well. | 0:41:02 | 0:41:05 | |
-Without a doubt. -She can have a couple of bottles. | 0:41:05 | 0:41:08 | |
It's a few weeks since their triumphant day at auction | 0:41:15 | 0:41:18 | |
and John and Ann have headed to their local golf club | 0:41:18 | 0:41:22 | |
to brush up on their game before that trip to Scotland. | 0:41:22 | 0:41:25 | |
We just came down to sharpen our short game | 0:41:25 | 0:41:28 | |
and talk to the pro about what I'm doing wrong - everything! | 0:41:28 | 0:41:31 | |
-Hi, Alex. -Hello. | 0:41:31 | 0:41:33 | |
John looks like he's having fun but what's happened to Ann? | 0:41:33 | 0:41:36 | |
Has she forgotten her gloves? | 0:41:36 | 0:41:38 | |
I'm not playing today. It's wet and rainy. | 0:41:38 | 0:41:40 | |
But I'll watch John. I'll be his caddy. | 0:41:40 | 0:41:43 | |
And I don't blame you, Ann. It looks pretty miserable out there. | 0:41:44 | 0:41:47 | |
But after a day on the course, | 0:41:47 | 0:41:49 | |
who does she think is going to be the victor in Scotland, | 0:41:49 | 0:41:52 | |
John or their son-in-law Keith? | 0:41:52 | 0:41:55 | |
Oh, well, I have to say probably Keith | 0:41:55 | 0:41:57 | |
but I'm going to be rooting for John. | 0:41:57 | 0:41:59 | |
Thank you very much. | 0:41:59 | 0:42:00 | |
My son-in-law has been practising but he's going to get a big shock. | 0:42:02 | 0:42:06 | |
It's going to be competitive. | 0:42:06 | 0:42:08 | |
I'm going to burn Loch Lomond up, let's put it that way. | 0:42:08 | 0:42:11 | |
We're looking forward to a fun day. | 0:42:11 | 0:42:13 | |
As John said, that result was better than a hole in one | 0:42:21 | 0:42:24 | |
and certainly Ann is looking forward to celebrating with a glass of champagne. | 0:42:24 | 0:42:28 | |
If there's something you'd like to raise money for | 0:42:28 | 0:42:31 | |
and you have things you could take to auction, | 0:42:31 | 0:42:34 | |
why not get in touch with us? | 0:42:34 | 0:42:36 | |
You can find all of our details on our website: | 0:42:36 | 0:42:40 | |
And we look forward to seeing you here on Cash In The Attic. | 0:42:40 | 0:42:44 | |
Subtitles by Red Bee Media Ltd | 0:43:06 | 0:43:07 | |
E-mail [email protected] | 0:43:07 | 0:43:10 |