Browse content similar to Halfpenny. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello, and welcome to Cash In The Attic, | 0:00:02 | 0:00:04 | |
the programme that really loves to join you in a hunt through | 0:00:04 | 0:00:07 | |
your home for antiques, collectibles, hidden valuables | 0:00:07 | 0:00:10 | |
so that you can sell them at auction to raise money | 0:00:10 | 0:00:13 | |
for something really rather special. | 0:00:13 | 0:00:15 | |
Today's story starts with a family loss | 0:00:15 | 0:00:17 | |
but ends, hopefully, with a gift for a new generation. | 0:00:17 | 0:00:21 | |
Coming up on Cash In the Attic, expert John is caught red-handed handling Mum's favourite pottery. | 0:00:41 | 0:00:46 | |
She was always afraid that if anybody came to the house they would take her Wedgwood. | 0:00:46 | 0:00:52 | |
So should I not be looking at this? | 0:00:52 | 0:00:55 | |
-No, absolutely, it's fine. -You bad girl! | 0:00:55 | 0:00:57 | |
There's nothing like a bit of sparkle. | 0:00:57 | 0:01:00 | |
I have found the most amazing bit of bling. | 0:01:00 | 0:01:03 | |
Look how it glints in the sun, take a look at that. | 0:01:03 | 0:01:05 | |
While at auction... | 0:01:05 | 0:01:06 | |
£50. Thank you. | 0:01:06 | 0:01:08 | |
You wouldn't have got that for one of the plastic ones from down the chemist! | 0:01:08 | 0:01:13 | |
To find out what I'm talking about keep watching till the hammer falls. | 0:01:13 | 0:01:17 | |
Today I'm in an ancient village to the South of London | 0:01:17 | 0:01:21 | |
and about to meet Louise and Lindsay | 0:01:21 | 0:01:24 | |
who are raising money for a very special person indeed. | 0:01:24 | 0:01:28 | |
Louise Halfpenny called us in to help raise money for | 0:01:28 | 0:01:32 | |
sister Lindsay's soon expected baby, | 0:01:32 | 0:01:35 | |
but she'd originally wanted to raise money to buy a mobility vehicle for her disabled mum, Jean. | 0:01:35 | 0:01:41 | |
Sadly, she died before she could appear on the show. | 0:01:41 | 0:01:44 | |
Roses round the door. | 0:01:47 | 0:01:49 | |
Louise has bravely decided to go ahead with the programme, seeing the money as a gift | 0:01:49 | 0:01:53 | |
from her dead mother to the grandchild she would never see, and sister Lindsay is helping out. | 0:01:53 | 0:01:58 | |
-Louise and Lindsay, hello. -Hello. -This is John Cameron, who is going to be your expert for the day, | 0:01:58 | 0:02:03 | |
so go on, whet his appetite, tell him the sort of things he's going to be able to look at. | 0:02:03 | 0:02:08 | |
Lots of things from my mum's collection, but unfortunately | 0:02:08 | 0:02:11 | |
we can't keep them anymore because we're trying to sell the house. | 0:02:11 | 0:02:14 | |
So it's time for them to go. | 0:02:14 | 0:02:16 | |
-Better get on, then. -We'll see you later, John. -OK. | 0:02:16 | 0:02:20 | |
Selling the house, moving on, | 0:02:20 | 0:02:23 | |
John is going to see what he can take to auction | 0:02:23 | 0:02:25 | |
but what sort of things did your mum like to collect? | 0:02:25 | 0:02:29 | |
Her favourite collection was her green Wedgwood | 0:02:29 | 0:02:32 | |
and she also like furniture and jewellery | 0:02:32 | 0:02:35 | |
and all sorts of things that have been hidden away since 1961, really. | 0:02:35 | 0:02:41 | |
Lindsay, how do you feel about them now going out of the family? | 0:02:41 | 0:02:44 | |
Sad, but neither of us have got anywhere big enough to put it all | 0:02:44 | 0:02:48 | |
and, in collecting the Wedgwood, | 0:02:48 | 0:02:52 | |
the pleasure was always in finding it for my mum, seeing her open it. | 0:02:52 | 0:02:57 | |
It doesn't really mean anything to us without her here. | 0:02:57 | 0:03:01 | |
So it's got to go. | 0:03:01 | 0:03:04 | |
Why do you need the money? What are you going to do with it? | 0:03:04 | 0:03:07 | |
Initially we wanted to spend it on a disabled taxi to be able to take my mum out on day trips | 0:03:07 | 0:03:13 | |
but unfortunately she is no longer with us, | 0:03:13 | 0:03:15 | |
so what better than on the new arrival | 0:03:15 | 0:03:18 | |
that's coming in a month's time? | 0:03:18 | 0:03:21 | |
What a wonderful gift to give to your baby. Presumably you think this is a great idea? | 0:03:21 | 0:03:25 | |
I think it's what my mum would have wanted because she knew she was | 0:03:25 | 0:03:29 | |
going to be a grandmother but she's not going to be here to see it | 0:03:29 | 0:03:32 | |
so this is her way of being able to spoil it when it arrives. | 0:03:32 | 0:03:35 | |
Do you know whether it's a girl or boy yet? | 0:03:35 | 0:03:38 | |
No, it's going to be a surprise. | 0:03:38 | 0:03:40 | |
How much do you think you'd like to put in the piggy bank for the baby? | 0:03:40 | 0:03:43 | |
We're hoping for about £300, but we really don't mind how much we raise. | 0:03:43 | 0:03:48 | |
I know John is going to do his very best to make sure that we do | 0:03:48 | 0:03:51 | |
make that figure, so shall we go find him and see how he's doing? | 0:03:51 | 0:03:55 | |
Following their mum's death, Louise and Lindsay have decided to sell the family home. | 0:03:55 | 0:04:00 | |
We caught them just before they were due to exchange contracts with the new owner. | 0:04:00 | 0:04:04 | |
Some items have already been placed within the family, | 0:04:04 | 0:04:07 | |
but there's still plenty for us to look at in this much loved home. | 0:04:07 | 0:04:11 | |
While Lindsay gets stuck into rummaging, it seems John | 0:04:11 | 0:04:14 | |
has already laid his hands on something precious. | 0:04:14 | 0:04:17 | |
Angela, some interesting medals here. | 0:04:17 | 0:04:21 | |
Did you have a hero in the family, then? | 0:04:21 | 0:04:23 | |
I don't think so. | 0:04:23 | 0:04:25 | |
These were my grandad's medals, he didn't win them himself. | 0:04:25 | 0:04:28 | |
I think they were in the bottom of his shed, | 0:04:28 | 0:04:32 | |
they were either given to him or he just found them. | 0:04:32 | 0:04:35 | |
He was a great collector and they've been handed down to us. | 0:04:35 | 0:04:40 | |
OK. They're First World War medals, they're actually two of three that were issued, | 0:04:40 | 0:04:44 | |
the three collectively are known as Pip, Squeak and Wilfred. | 0:04:44 | 0:04:47 | |
What we've got left here, this brass one, is the victory medal, | 0:04:47 | 0:04:51 | |
the other one is the war medal, The one that's missing is a star. | 0:04:51 | 0:04:55 | |
When they do turn up with one missing it's sometimes this one because it was solid silver | 0:04:55 | 0:05:00 | |
and in the '70s there was a hike in the price of silver and a lot of them got scrapped | 0:05:00 | 0:05:03 | |
-because they weren't collectible then. -So those medals are made of solid silver? | 0:05:03 | 0:05:09 | |
I guess they were worth seven or eight pounds in the '70s, | 0:05:09 | 0:05:12 | |
which was probably a week's wages for some people. | 0:05:12 | 0:05:15 | |
The great thing about First World War medals is it's the last time | 0:05:15 | 0:05:19 | |
that we, as a country, issued our medals with the recipients' | 0:05:19 | 0:05:22 | |
name on the edge, and some people don't know it's there. | 0:05:22 | 0:05:24 | |
So, this one here has its number, | 0:05:24 | 0:05:27 | |
58676 Private A Ward of the North Devonshire Fusiliers. | 0:05:27 | 0:05:35 | |
-Did your grandfather know somebody called Ward? -I don't know. I don't know anybody of that name, no. | 0:05:35 | 0:05:39 | |
OK, the second set, we've got two here, | 0:05:39 | 0:05:42 | |
-both with the stars missing, interestingly. -Strange, isn't it? | 0:05:42 | 0:05:46 | |
This one is number 38068, J Hayes. | 0:05:46 | 0:05:50 | |
One. First class stoker of the Royal Navy. | 0:05:50 | 0:05:53 | |
So, somebody that was right down in the lower decks, | 0:05:53 | 0:05:56 | |
with probably just a vest on in the soaring heat, stoking the ships. | 0:05:56 | 0:05:59 | |
-Again, Hayes? -No, nothing at all. | 0:05:59 | 0:06:03 | |
Is it possible they were friends of his and perhaps that's how he got hold of them? | 0:06:03 | 0:06:07 | |
I think more likely he would be given things | 0:06:07 | 0:06:09 | |
rather than buy things, because they had no money in those days. | 0:06:09 | 0:06:12 | |
Well, I'd certainly think even though this one is just a stoker... | 0:06:12 | 0:06:17 | |
That one is interesting, | 0:06:17 | 0:06:18 | |
it's a regiment that's no longer in existence. | 0:06:18 | 0:06:20 | |
So that makes it slightly more interesting, in my opinion. | 0:06:20 | 0:06:23 | |
-But I certainly think between £50 and £100 for them. -That much? | 0:06:23 | 0:06:26 | |
Well, a nice tidy sum to go towards our total sum of £300. | 0:06:26 | 0:06:31 | |
Thanks very much, John, let's see what else we can find. | 0:06:31 | 0:06:35 | |
While we've been busy looking at evidence of past heroic deeds, | 0:06:35 | 0:06:40 | |
Lindsay has been taking her own trip down memory lane. | 0:06:40 | 0:06:43 | |
This stuffed bear and monkey were Louise and Lindsay's playthings | 0:06:43 | 0:06:47 | |
when they were children. They think that, | 0:06:47 | 0:06:49 | |
like the metals we just saw, these too came from their grandad. | 0:06:49 | 0:06:54 | |
Ancient teddies like this are very popular at auction. | 0:06:54 | 0:06:58 | |
And when paired with the much rarer, but ever so cute, monkey, | 0:06:58 | 0:07:02 | |
our expert, John, is confident they could raise between £30 and £50. | 0:07:02 | 0:07:06 | |
And that's not peanuts. | 0:07:06 | 0:07:09 | |
And speaking of inquisitive anthropoids... | 0:07:09 | 0:07:13 | |
Girls, Angela. I think I found a couple of potentials for our auction. | 0:07:13 | 0:07:18 | |
Good heavens! Those are so distinctive, aren't they, John? | 0:07:18 | 0:07:22 | |
You almost don't have to turn them over to know that these are Troika. | 0:07:22 | 0:07:26 | |
-Absolutely. -Who bought these then? -It was both my mum and dad. | 0:07:26 | 0:07:31 | |
They bought them from an Ideal Home exhibition in the 1970s. | 0:07:31 | 0:07:35 | |
-I think they paid £5 for them. -£5 each? | 0:07:35 | 0:07:39 | |
-No, £5 for the two. -Not bad, not bad. | 0:07:39 | 0:07:41 | |
And your mum, obviously, particularly liked them, | 0:07:41 | 0:07:45 | |
-which is why they stayed in the house so long. -I think, for my mum, it was the colour, | 0:07:45 | 0:07:49 | |
which replicates the Wedgwood. | 0:07:49 | 0:07:51 | |
-What about the shape? -Well, this particular one was perfect for the carnations, | 0:07:51 | 0:07:55 | |
because when you put them in, they fan out perfectly. | 0:07:55 | 0:07:59 | |
So this was the carnation vase. | 0:07:59 | 0:08:00 | |
The Troika factory doesn't exist any more. | 0:08:00 | 0:08:02 | |
-They're very collectible still, aren't they? -They are indeed. | 0:08:02 | 0:08:06 | |
Talking of carnations, they had two incarnations, if you like. | 0:08:06 | 0:08:09 | |
They started in about 1963, in St Ives, | 0:08:09 | 0:08:12 | |
in a place called Wheal Dream. | 0:08:12 | 0:08:14 | |
They then relocated to Newlyn. | 0:08:14 | 0:08:16 | |
So, in terms of looking at their history and their marks, | 0:08:16 | 0:08:20 | |
the pre-Newlyn stuff, the stuff from St Ives, | 0:08:20 | 0:08:23 | |
is always marked St Ives. | 0:08:23 | 0:08:24 | |
After there, when they moved to Newlyn, it just says Cornwall. | 0:08:24 | 0:08:27 | |
So, looking at these marks, | 0:08:27 | 0:08:29 | |
it would suggest they're from the latter period, the second incarnation. | 0:08:29 | 0:08:33 | |
If we look on the bottom of that one, we've got an AB there. | 0:08:33 | 0:08:35 | |
But that, I would suggest, is probably Alison Brigden, | 0:08:35 | 0:08:39 | |
who was a painter at the factory from the mid-'70s | 0:08:39 | 0:08:42 | |
up until its closure in 1983. So that would tie in perfectly. | 0:08:42 | 0:08:45 | |
And very collectible still. | 0:08:45 | 0:08:47 | |
If anything, even more so because the factory doesn't exist anymore. | 0:08:47 | 0:08:51 | |
So, if we were going to take these to auction, | 0:08:51 | 0:08:53 | |
-what you think we might get on them? -I think collectively, whether the auction house sells them separately | 0:08:53 | 0:08:58 | |
or together, we'll be looking at £200 to £300. | 0:08:58 | 0:09:01 | |
Gosh! | 0:09:01 | 0:09:03 | |
Well, you've got there, in these two pieces, | 0:09:03 | 0:09:06 | |
almost the exact amount of money that you want to | 0:09:06 | 0:09:08 | |
put in the piggy bank for junior. Isn't that lovely? | 0:09:08 | 0:09:11 | |
OK, should we put them back nice and safe? | 0:09:11 | 0:09:14 | |
And we're perfectly positioned here to go and search | 0:09:14 | 0:09:16 | |
in the rest of the house for more goodies to take to auction. | 0:09:16 | 0:09:19 | |
See you later. | 0:09:19 | 0:09:20 | |
Our expert, John, | 0:09:24 | 0:09:25 | |
wastes no time tracking down some interesting glassware, | 0:09:25 | 0:09:29 | |
a present to Louise and Lindsay's mum from their dad. | 0:09:29 | 0:09:32 | |
The blue lollipop vase was bought on a family trip to the Isle of Wight | 0:09:32 | 0:09:37 | |
and the yellow Murano moulded spill vase, on a trip to Italy. | 0:09:37 | 0:09:41 | |
Murano glass is made on the island of Murano in the Venetian Lagoon, in Italy. | 0:09:41 | 0:09:47 | |
Its origins can be traced back to the Roman Empire. | 0:09:47 | 0:09:50 | |
With the items we've found so far, we stand to make at least £300, so job done. | 0:09:50 | 0:09:54 | |
But we've still got a whole day of rummaging ahead of us, | 0:09:54 | 0:09:57 | |
so John can keep up the good work while we have a chat. | 0:09:57 | 0:10:00 | |
Louise, you originally intended to do this programme with your mum. | 0:10:00 | 0:10:04 | |
Lindsay wasn't going to be in it. | 0:10:04 | 0:10:06 | |
-Because she was a great fan of this programme. -Absolutely. | 0:10:06 | 0:10:09 | |
We were hoping to raise money to take her out in a disabled taxi | 0:10:09 | 0:10:14 | |
and take her to the theatre, but, unfortunately, she died in May. | 0:10:14 | 0:10:17 | |
So, we're going to use the money for my sister's baby. | 0:10:17 | 0:10:21 | |
You're selling this house now. That must be, actually, a very sad thing for you to do. | 0:10:21 | 0:10:25 | |
-Because, Lindsay, this has been your home for as long as you can remember. -That's right. | 0:10:25 | 0:10:30 | |
It's the only house we've ever known. It's our family house. | 0:10:30 | 0:10:33 | |
There are a lot of memories in it, | 0:10:33 | 0:10:35 | |
so it will be sad that it's going, yes. | 0:10:35 | 0:10:37 | |
But it was a very important thing in your parents' life, too, | 0:10:37 | 0:10:40 | |
because they had this house built, and it's sort of, really, meant a lot, particularly to your mum. | 0:10:40 | 0:10:45 | |
Well, my mum always called this house her pride and joy | 0:10:45 | 0:10:48 | |
and it took a lot of effort for both her and my dad to raise | 0:10:48 | 0:10:52 | |
the money to buy the land and then have the house built. | 0:10:52 | 0:10:55 | |
But you will be keeping a particular memory of the house. | 0:10:55 | 0:10:58 | |
Your mum made all the curtains, didn't she? | 0:10:58 | 0:11:00 | |
Yes, she made all the curtains and cushion covers. | 0:11:00 | 0:11:03 | |
She was a very good seamstress. | 0:11:03 | 0:11:05 | |
She made all our clothes. She was an absolutely fabulous seamstress. | 0:11:05 | 0:11:08 | |
And you're going to hold onto the curtains? | 0:11:08 | 0:11:11 | |
I'm taking the living room curtains, yes. | 0:11:11 | 0:11:13 | |
They're coming up to Bedfordshire with me. | 0:11:13 | 0:11:16 | |
Everywhere you look in the house there's something of my mum and dad, | 0:11:16 | 0:11:19 | |
because they basically made everything that was in there. | 0:11:19 | 0:11:23 | |
They always saved up for a long time. | 0:11:23 | 0:11:25 | |
It sounds as if your mum had a real adventurous streak in her. | 0:11:25 | 0:11:28 | |
She took off all over the world, didn't she? | 0:11:28 | 0:11:31 | |
My mum and dad had hoped to travel quite a lot in their retirement. | 0:11:31 | 0:11:34 | |
They travelled a bit before my sister and I came along. | 0:11:34 | 0:11:37 | |
But then my dad, sadly, died when he was 59, | 0:11:37 | 0:11:40 | |
so he never got to go. | 0:11:40 | 0:11:42 | |
So, she took off on her own and travelled | 0:11:42 | 0:11:44 | |
and saw quite a lot of the world. She went and walked the Great Wall of China. She went to Las Vegas. | 0:11:44 | 0:11:50 | |
All over. We've got photo albums of her from all over the world. | 0:11:50 | 0:11:53 | |
So, yep, she certainly made up for lost time. | 0:11:53 | 0:11:56 | |
You're obviously going to have some wonderful memories to pass on | 0:11:56 | 0:11:59 | |
to him or her when he or she is born, | 0:11:59 | 0:12:02 | |
but we hope you're also going to be able to hand on a little bit of money in the piggy bank, as well. | 0:12:02 | 0:12:06 | |
So, shall we go in and find John and see how he's doing? | 0:12:06 | 0:12:09 | |
It's clear that Louise and Lindsay's parents put their heart and soul into this house. | 0:12:09 | 0:12:13 | |
And while we've been chatting, John has turned his attention to | 0:12:13 | 0:12:17 | |
one of the first pieces of furniture they bought for their then new home. | 0:12:17 | 0:12:21 | |
-Lindsay, can I ask you about this dressing table? -Yeah. | 0:12:25 | 0:12:29 | |
Pop yourself down. | 0:12:29 | 0:12:31 | |
-Now, what's the history behind it? -It's been in the family as long as we can remember. | 0:12:31 | 0:12:35 | |
It was here before my sister and I. It's been here all our lives. | 0:12:35 | 0:12:40 | |
-It's a fantastic shade, isn't it? -Uh-huh. We don't know actually know anything about it, | 0:12:40 | 0:12:45 | |
apart from the fact that we always liked it as a child | 0:12:45 | 0:12:48 | |
because it had what looks like Batman on the drawers. | 0:12:48 | 0:12:51 | |
And it was always interesting to open the drawers | 0:12:51 | 0:12:54 | |
and have a rummage and see what was in there. | 0:12:54 | 0:12:56 | |
My mum always kept her jewellery and bits and bobs in there. | 0:12:56 | 0:12:59 | |
-I mean, the shape is Art Deco. -Right. | 0:12:59 | 0:13:02 | |
It's probably later than that. | 0:13:02 | 0:13:04 | |
The war, if you like, interrupted a huge cocktail party. | 0:13:04 | 0:13:08 | |
So after the war, a lot of the styles | 0:13:08 | 0:13:10 | |
that were popular before were continued for a little while. | 0:13:10 | 0:13:13 | |
So, I think this is probably late '40s, maybe early '50s. | 0:13:13 | 0:13:16 | |
Those pierced handles suggest that to me. Do you know what? | 0:13:16 | 0:13:19 | |
The sad thing about it, they're not hugely in demand. | 0:13:19 | 0:13:23 | |
I noticed you've got wardrobes over there, which are from the same suite. | 0:13:23 | 0:13:27 | |
Those, if you ask me, | 0:13:27 | 0:13:28 | |
are a bit plain and probably would have no buyers at auction. | 0:13:28 | 0:13:32 | |
I think we could get this piece into auction. Not huge sums of money. | 0:13:32 | 0:13:36 | |
I reckon, you're looking at no more than £50 to £70, something like that. | 0:13:36 | 0:13:40 | |
It's not a huge amount of money for such a lovely piece. | 0:13:40 | 0:13:44 | |
And it seems a shame to split it up from the wardrobes, | 0:13:44 | 0:13:48 | |
particularly when everyone who comes in, admires it, as the whole bedroom suite. | 0:13:48 | 0:13:52 | |
I'll have to have a word with Louise and see what we think, whether we want to part with it or not. | 0:13:52 | 0:13:58 | |
Then we better find something else if we're going to hit this target today. | 0:13:58 | 0:14:01 | |
-So, take your time, but let's carry on rummaging. -OK. | 0:14:01 | 0:14:05 | |
Louise and Lindsay must make a tough decision over whether they can bring | 0:14:05 | 0:14:09 | |
themselves to part with this much-loved family heirloom. | 0:14:09 | 0:14:12 | |
There's a good chance it could be worth much more to them | 0:14:12 | 0:14:15 | |
than it might be to the auction-going public. | 0:14:15 | 0:14:18 | |
Louise, however, has ferreted out some more wartime memorabilia that | 0:14:18 | 0:14:22 | |
can probably be traced back to her grandfather's infamous garden shed. | 0:14:22 | 0:14:25 | |
On our expert John's advice, Louise decides to offer these anti-aircraft shells, | 0:14:25 | 0:14:31 | |
together with this military fob watch, as one lot. | 0:14:31 | 0:14:35 | |
Our expert's estimate, another £30 to £50. | 0:14:35 | 0:14:38 | |
But we're not stopping there. | 0:14:38 | 0:14:39 | |
-Hi, Louise. -Hi. | 0:14:39 | 0:14:42 | |
I want to ask you about this collection of Wedgwood here. | 0:14:42 | 0:14:45 | |
-What's the story with it? -These were my mum's favourite things. | 0:14:45 | 0:14:49 | |
She collected the Wedgwood throughout her life. | 0:14:49 | 0:14:52 | |
The collection is actually older than my sister and I, over 40 years old. | 0:14:52 | 0:14:56 | |
And everywhere she went, she would go to antique fairs or markets | 0:14:56 | 0:15:02 | |
and buy a piece and my sister and I would buy her a piece for her birthday. | 0:15:02 | 0:15:06 | |
She always said, if you ever needed to sell anything, | 0:15:06 | 0:15:09 | |
then you can sell anything you like in the house, | 0:15:09 | 0:15:12 | |
but not my green Wedgwood. | 0:15:12 | 0:15:14 | |
And she was always afraid that if anybody came to the house | 0:15:14 | 0:15:17 | |
-they would take her Wedgwood. -She became quite obsessed with her collection. | 0:15:17 | 0:15:21 | |
She was very obsessive about it, yes. | 0:15:21 | 0:15:23 | |
-So, should I not be looking at this? -Oh, no, absolutely, it's fine. | 0:15:23 | 0:15:26 | |
It's absolutely fine. | 0:15:26 | 0:15:28 | |
So, do you like Wedgwood Jasper Ware? | 0:15:28 | 0:15:31 | |
It's not my favourite, but I can understand why she collected it. | 0:15:31 | 0:15:34 | |
Green was her favourite colour and she was very, very fond of it. | 0:15:34 | 0:15:39 | |
When I look at it, I look at it academically. | 0:15:39 | 0:15:42 | |
These pieces are all 20th century. | 0:15:42 | 0:15:45 | |
But this reflects the actual style, current taste of the 1770s. | 0:15:45 | 0:15:49 | |
Yes. | 0:15:49 | 0:15:50 | |
We're right in the middle of the neoclassical revival, Robert Adam, | 0:15:50 | 0:15:54 | |
and the style of this pottery is very much taken from classical antiquity. | 0:15:54 | 0:15:58 | |
With these lovely cameos, which are applied. | 0:15:58 | 0:16:01 | |
These are plain white Jasper Ware | 0:16:01 | 0:16:04 | |
that have been pressed into a mould | 0:16:04 | 0:16:06 | |
and then delicately taken out by the potters | 0:16:06 | 0:16:08 | |
and applied with slip to the top. | 0:16:08 | 0:16:10 | |
-You have that wonderful contrast that almost looks like it's been carved, isn't it? -Amazing, isn't it? | 0:16:10 | 0:16:16 | |
-So, how many pieces do you have in the collection here? -Over 30. | 0:16:16 | 0:16:20 | |
-You're probably looking at somewhere between £100 and £200, something like that. -That much? -Yeah. -All right. | 0:16:20 | 0:16:25 | |
-You'll be happy to get rid of it? -Oh, yes, yes. | 0:16:25 | 0:16:29 | |
-A nice collection to go to auction, but somebody's going to have to pack all this up. -It's going to be me! | 0:16:29 | 0:16:34 | |
Lindsay, meanwhile, has uncovered this silver charm bracelet, | 0:16:34 | 0:16:39 | |
a present from their grandad to their mother. | 0:16:39 | 0:16:42 | |
At auction, it could garner £10 to £20. | 0:16:42 | 0:16:45 | |
We're just over halfway through our rummage day | 0:16:45 | 0:16:49 | |
and already we've turned up some wonderful pieces. | 0:16:49 | 0:16:52 | |
But as we know from long experience, nothing is certain in the auction room. | 0:16:52 | 0:16:57 | |
£100 bid. 110. 120... | 0:17:00 | 0:17:04 | |
How will the bidders react to the two hand-painted Troika vases? | 0:17:04 | 0:17:07 | |
-170... -Look, two people bidding against each other there. | 0:17:07 | 0:17:12 | |
180. 190, I'm bid for it. 200. New bidder. 210. | 0:17:12 | 0:17:16 | |
220 and 30. And 40. And 50. | 0:17:16 | 0:17:20 | |
And 60. And 70. And 80. And 90. 300. | 0:17:20 | 0:17:24 | |
Will teddy and monkey capture their hearts? | 0:17:24 | 0:17:27 | |
Find out when the gavel finally falls. | 0:17:27 | 0:17:29 | |
Louise, your mum clearly loved to travel the world, | 0:17:29 | 0:17:33 | |
is that how you got your interest in and love of foreign languages? | 0:17:33 | 0:17:37 | |
I always enjoyed languages at school and I decided to carry on learning them when I went to university, | 0:17:37 | 0:17:43 | |
so I studied French and German. | 0:17:43 | 0:17:45 | |
And that enabled me to travel Europe. | 0:17:45 | 0:17:48 | |
I got a teaching qualification, | 0:17:48 | 0:17:50 | |
so I was able to use that in France and Spain. | 0:17:50 | 0:17:52 | |
You worked in Nancy, in France, for a while. What were you doing there? | 0:17:52 | 0:17:57 | |
I had a year in Nancy teaching English in a language school. | 0:17:57 | 0:18:01 | |
And then I repeated the same thing in Madrid. | 0:18:01 | 0:18:03 | |
-Six months there teaching English to businessmen. -Wonderful city! | 0:18:03 | 0:18:07 | |
A city that's so vibrant! That must've been terrific! | 0:18:07 | 0:18:10 | |
Oh, absolutely fabulous. | 0:18:10 | 0:18:12 | |
Yes, I shared a flat with a couple of Irish people. | 0:18:12 | 0:18:15 | |
And we had an absolutely fabulous time. | 0:18:15 | 0:18:18 | |
So, did your mum ever visit you? | 0:18:18 | 0:18:19 | |
Yes, everywhere I went, she came to visit. | 0:18:19 | 0:18:22 | |
She encouraged me to travel so she could have a free holiday. | 0:18:22 | 0:18:25 | |
Wise woman! | 0:18:27 | 0:18:29 | |
But you've also got a real love of European literature, | 0:18:29 | 0:18:33 | |
particularly the books of Georges Simenon, who wrote the Maigret novels. | 0:18:33 | 0:18:37 | |
Well, I stumbled across him rather unusually. | 0:18:37 | 0:18:41 | |
I was in the library one day, I picked up a book and I thought, "Oh, that sounds quite interesting." | 0:18:41 | 0:18:46 | |
And I got completely hooked. | 0:18:46 | 0:18:48 | |
And I've been collecting them ever since. | 0:18:48 | 0:18:51 | |
You have, it seems, a love of crime fiction, particularly Conan Doyle. | 0:18:51 | 0:18:56 | |
Well, I'm a very big Sherlock Holmes fan. I collect his books. | 0:18:56 | 0:19:00 | |
And, particularly, biographies about Conan Doyle. | 0:19:00 | 0:19:03 | |
I've read about his life. Because I like Sherlock Holmes so much. | 0:19:03 | 0:19:07 | |
My mum avidly collected a local newspaper, | 0:19:07 | 0:19:10 | |
cut out the coupons, so I could have all of the DVDs about Conan Doyle and Sherlock Holmes. | 0:19:10 | 0:19:16 | |
Well, you may be downsizing in the house, | 0:19:16 | 0:19:19 | |
but clearly wherever you go to live after this, | 0:19:19 | 0:19:21 | |
you're going to need a pretty big bookshelf to keep them all on. | 0:19:21 | 0:19:24 | |
Oh, yes, exactly. They are my pride and joy. | 0:19:24 | 0:19:28 | |
They're more important than anything, my books. | 0:19:28 | 0:19:31 | |
Clearly, they're not going to be going to auction, | 0:19:31 | 0:19:33 | |
but a lot of other things in this house are. | 0:19:33 | 0:19:35 | |
Let's go find John, shall we? | 0:19:35 | 0:19:37 | |
So, this is why the programme is called Cash In The Attic. | 0:19:37 | 0:19:41 | |
John has found a classically-styled Silver Cross doll's pram hidden in the rafters. | 0:19:41 | 0:19:46 | |
The sisters aren't sure how old it is, but they remember playing with his children. | 0:19:46 | 0:19:51 | |
John's estimate, £20 to £40. | 0:19:51 | 0:19:53 | |
-John. Would you have a look at this? -What have you got there, Louise? | 0:19:56 | 0:20:00 | |
-It's a gold bracelet. -What's the story behind it? | 0:20:00 | 0:20:03 | |
It belonged to my mother. | 0:20:03 | 0:20:06 | |
And she wore it because she had a stroke about 20 years ago, when she was 55, | 0:20:06 | 0:20:11 | |
and she had to take her medicine called Warfarin to keep her blood thin. | 0:20:11 | 0:20:16 | |
It was to let people know that she couldn't take certain medication and certain foods | 0:20:16 | 0:20:21 | |
because they react with the blood thinning tablet. | 0:20:21 | 0:20:24 | |
Warfarin, isn't that rat poison? | 0:20:24 | 0:20:27 | |
It was a rat poison, yes. But in small amounts, | 0:20:27 | 0:20:29 | |
humans can take it and it keeps the blood thin. It prevents strokes. | 0:20:29 | 0:20:33 | |
Doesn't a nice one-a-day glass of red wine do the same for you? | 0:20:33 | 0:20:36 | |
-No, unfortunately not. No. -That's the remedy I'm going to take, anyway. | 0:20:36 | 0:20:41 | |
As you said, it is an ID or medic alert bracelet. It says... | 0:20:41 | 0:20:46 | |
-On the back, it's engraved. It has the hospital number and... -Anticoagulant. | 0:20:46 | 0:20:50 | |
Anticoagulant, there we are. Warfarin. | 0:20:50 | 0:20:53 | |
It says on the back, ID and a number. So, she had to wear that. | 0:20:53 | 0:20:57 | |
Obviously, if she had a fall or something like that happened... | 0:20:57 | 0:21:00 | |
It's certainly something we can sell. | 0:21:00 | 0:21:02 | |
I don't think anyone's going to buy it is a piece of jewellery as such. | 0:21:02 | 0:21:06 | |
But it does have a value because it's nine carat gold. | 0:21:06 | 0:21:09 | |
And I would guess, without weighing that, | 0:21:09 | 0:21:12 | |
that were looking at about £100 to £150. | 0:21:12 | 0:21:14 | |
-So, you'd be happy to sell that to auction? -Yes. | 0:21:14 | 0:21:16 | |
Right. Jolly good, well done. | 0:21:16 | 0:21:18 | |
-Shall we see what else we can turn up? -Yes. -OK, after you. | 0:21:18 | 0:21:21 | |
In the sitting room, I found a piece of Louise and Lindsay's family history. | 0:21:21 | 0:21:25 | |
This miner's lamp used to belong to their grandad, who was a Nottinghamshire miner. | 0:21:25 | 0:21:30 | |
The two copper kettles were also his. They were all given to him | 0:21:30 | 0:21:33 | |
as presents in gratitude for the work he did in helping the elderly. | 0:21:33 | 0:21:37 | |
Our expert reckons that together these could fetch £30 to £40. | 0:21:37 | 0:21:41 | |
I see you're getting the grand tour of the garden, John. | 0:21:42 | 0:21:46 | |
And while you've been out here enjoying this lovely weather, | 0:21:46 | 0:21:49 | |
I have found the most amazing bit of bling. Gosh, look how it glints in the sun! | 0:21:49 | 0:21:53 | |
-Take a look at that. Whose was the ring? -That was my mother's. | 0:21:53 | 0:21:57 | |
Why did your mother feel she had to buy a ring quite like that? | 0:21:57 | 0:22:00 | |
Well, she lost her original engagement ring not long after my dad died. | 0:22:00 | 0:22:05 | |
So, she decided that next time around she'd have something bigger and better. | 0:22:05 | 0:22:10 | |
-So, did she use to flash it around, Louise? -No, no, she didn't. | 0:22:10 | 0:22:14 | |
She was rather embarrassed about having it. | 0:22:14 | 0:22:16 | |
Coming from humble backgrounds, no-one had the money to buy such a diamond. | 0:22:16 | 0:22:20 | |
So, she would tell everyone it was a cubic zirconia. | 0:22:20 | 0:22:23 | |
So, if any burglars were on the lookout, | 0:22:23 | 0:22:26 | |
they would think there was nothing to steal. | 0:22:26 | 0:22:28 | |
-She hasn't fooled you, though, John, has she? -No, not at all. | 0:22:28 | 0:22:31 | |
It's quite a nice ring. In the sunshine, | 0:22:31 | 0:22:33 | |
it's got a nice brilliance. See how it sparkles? | 0:22:33 | 0:22:36 | |
The actual ring itself... 18 carat gold shank. | 0:22:36 | 0:22:39 | |
It's claw set in platinum. | 0:22:39 | 0:22:42 | |
The diamond is round brilliant cut and spreads about half a carat in weight. Medium clarity, | 0:22:42 | 0:22:47 | |
not too bright. No big pieces of carbon, | 0:22:47 | 0:22:49 | |
or what we call inclusions, in there. | 0:22:49 | 0:22:51 | |
The colour is off-white, but it's still quite nice. | 0:22:51 | 0:22:54 | |
I imagine quite a few women would like to wear that. | 0:22:54 | 0:22:57 | |
-Are you prepared to let this go to auction? -Yes. -OK. | 0:22:57 | 0:23:00 | |
-So, John, put a price on it. -Well, I certainly expect, with everything I've said, | 0:23:00 | 0:23:05 | |
for it to make no less than 150 and possibly as much as 250. | 0:23:05 | 0:23:09 | |
-What do you reckon? -That's fine. | 0:23:09 | 0:23:10 | |
-OK. Well, 150 is going to be your lowest price? -Definitely. | 0:23:10 | 0:23:14 | |
-It'll make over that. -150. Let me add that then, John, | 0:23:14 | 0:23:18 | |
to the lowest price you've given on the other things you've looked at. | 0:23:18 | 0:23:21 | |
I have to say you were very modest in asking for £300 for your niece- | 0:23:21 | 0:23:26 | |
or nephew-to-be. Because, if we really have a good day at auction, | 0:23:26 | 0:23:31 | |
I hope that we should be able to make at least £790. | 0:23:31 | 0:23:37 | |
-BOTH: Oh! -Gosh! | 0:23:37 | 0:23:40 | |
That's a surprise. | 0:23:40 | 0:23:42 | |
All we need is a beautiful day like this | 0:23:42 | 0:23:44 | |
and lots of sunshine in the room. | 0:23:44 | 0:23:47 | |
-Let's hope so. -Are you looking forward to it? -Yes! -You better have one, too. | 0:23:47 | 0:23:51 | |
It looks like Lindsay's baby is set for a very warm welcome | 0:23:53 | 0:23:57 | |
into this world, but nothing is certain until the hammer falls. | 0:23:57 | 0:24:00 | |
Will the WWI medals honour the estimate that John has given them? | 0:24:00 | 0:24:06 | |
The two Troika vases that were bought for a fiver, | 0:24:06 | 0:24:09 | |
will they smash all expectations? | 0:24:09 | 0:24:12 | |
And the stunning ring, | 0:24:12 | 0:24:14 | |
a solitaire diamond set in platinum with an 18 carat gold shank. | 0:24:14 | 0:24:19 | |
Will the bidders get as excited as we were? | 0:24:19 | 0:24:21 | |
Look at how that sparkles in the sunlight! | 0:24:21 | 0:24:24 | |
Still to come on Cash In The Attic... | 0:24:24 | 0:24:26 | |
Will the scale model Silver Cross pram that the sisters shared | 0:24:26 | 0:24:30 | |
as children stroll home to a comfortable finish? | 0:24:30 | 0:24:33 | |
There it is down there, the Silver Cross pram. | 0:24:33 | 0:24:36 | |
My goodness, what a specimen that one is. £50, £30. | 0:24:36 | 0:24:40 | |
And one of our lots exceeds all expectations. | 0:24:40 | 0:24:44 | |
-Terrific! -Fantastic! £300. | 0:24:44 | 0:24:47 | |
That's amazing! Mother would have been proud. | 0:24:47 | 0:24:50 | |
Find out which when the hammer falls. | 0:24:50 | 0:24:53 | |
Well, it's been a couple of weeks now since we were with Louise | 0:24:56 | 0:25:00 | |
and Lindsay, but we brought all of their things here to | 0:25:00 | 0:25:02 | |
the Tring Market Auctions, in Hertfordshire. If you remember, | 0:25:02 | 0:25:06 | |
Louise wants to raise £300 so that she can spoil | 0:25:06 | 0:25:10 | |
her soon-to-be-born niece or nephew something rotten. | 0:25:10 | 0:25:14 | |
So, let's hope she's successful, when the hammer comes down. | 0:25:14 | 0:25:17 | |
Tring Market Auctions is popular with private and trade buyers alike. | 0:25:19 | 0:25:23 | |
There's a sizeable crowd here, already leafing through the sales list or inspecting individual items. | 0:25:23 | 0:25:28 | |
Louise and Lindsay have found their mother's Troika vases. | 0:25:28 | 0:25:33 | |
-I hope they're not having second thoughts. -£180... | 0:25:33 | 0:25:36 | |
Hi, Louise and Lindsay and, as yet, unnamed niece or nephew. | 0:25:36 | 0:25:41 | |
-How many weeks? -Two-and-a-half. -So, we've got our work cut out today, John. | 0:25:41 | 0:25:45 | |
We have. We've got to get this done and you home with your feet up again. | 0:25:45 | 0:25:49 | |
Absolutely. I see you're both looking at the Troika vases. | 0:25:49 | 0:25:53 | |
-You've put a reserve on these, haven't you? -Yes, £180. | 0:25:53 | 0:25:56 | |
-Why did you do that? -Because they were quite valuable. | 0:25:56 | 0:25:59 | |
They're very sentimental to my mother. | 0:25:59 | 0:26:01 | |
-We don't just want to give them away. -Under £200 is absolutely fine. | 0:26:01 | 0:26:05 | |
They should sell past that. | 0:26:05 | 0:26:06 | |
Well, I hope that Junior enjoys today. | 0:26:06 | 0:26:09 | |
-Are you both looking forward to it? -Yes! | 0:26:09 | 0:26:11 | |
I've never been to an auction before. | 0:26:11 | 0:26:13 | |
-Neither have I. -It's exciting. -A first experience for you. -Yes. | 0:26:13 | 0:26:17 | |
Should we go and take our position? Let's get started. | 0:26:17 | 0:26:20 | |
In the end, the sisters decided not to bring their mum's Art Deco | 0:26:20 | 0:26:24 | |
dresser, but that is understandable as they were very fond of it. | 0:26:24 | 0:26:27 | |
But that does bring our likely takings down to about £740. | 0:26:27 | 0:26:30 | |
But that is still nearly twice as much as their original target. | 0:26:30 | 0:26:34 | |
Are you in the cupboard? I do believe you're in the cupboard. | 0:26:34 | 0:26:37 | |
With the crowd settling down, it's time for the first of our lots. | 0:26:37 | 0:26:42 | |
It's the two brass and copper kettles and the miner's lamp, | 0:26:42 | 0:26:45 | |
which have links back to the girls' grandfather, | 0:26:45 | 0:26:47 | |
who was a miner in Nottingham. | 0:26:47 | 0:26:51 | |
One of the nice things about selling the copper kettle and the miner's | 0:26:51 | 0:26:54 | |
lantern now is that nobody is going | 0:26:54 | 0:26:56 | |
to get the brass polish out any more. | 0:26:56 | 0:26:58 | |
No. That saves us a job, definitely. | 0:26:58 | 0:27:01 | |
But we are in the country and, presumably, John, | 0:27:01 | 0:27:03 | |
there will be people who want them for their country homes, | 0:27:03 | 0:27:07 | |
because it's sort of in keeping. | 0:27:07 | 0:27:09 | |
I still can't work out who buys them these days, | 0:27:09 | 0:27:12 | |
but whenever I do a clearance, I take the brass and copper | 0:27:12 | 0:27:15 | |
and it always sells. It doesn't make fortunes, but it always sells. | 0:27:15 | 0:27:19 | |
What do we say? £30 for those? £20? | 0:27:19 | 0:27:21 | |
Surely there's £20 for those. Yes, £20 I'm bid, then. | 0:27:21 | 0:27:24 | |
Are you coming? Five? Two of you, 30. | 0:27:24 | 0:27:26 | |
-Two, five, eight... -That's nice when two people want to bid against each other. | 0:27:26 | 0:27:31 | |
40, I sell. It's going down, then, for £40. | 0:27:31 | 0:27:35 | |
£40! | 0:27:35 | 0:27:37 | |
-A bit more than we expected. -Yeah! | 0:27:37 | 0:27:40 | |
Our first lot and we're already ahead. | 0:27:40 | 0:27:43 | |
Hopefully, this is a sign of things to come. | 0:27:43 | 0:27:45 | |
The charming made-to-scale Silver Cross doll's pram comes | 0:27:45 | 0:27:49 | |
under the hammer now, an old toy replete with childhood memories | 0:27:49 | 0:27:54 | |
for both Louise and Lindsay. | 0:27:54 | 0:27:56 | |
-Now, this belonged to both of you? -It did, yeah. | 0:27:56 | 0:27:58 | |
We both had it and wheeled our dolls around in it. | 0:27:58 | 0:28:02 | |
Was this supposed to be a pram for babies? | 0:28:02 | 0:28:04 | |
Or was it a doll's pram? | 0:28:04 | 0:28:07 | |
It's a scale miniature of a genuine pram. Very well made. | 0:28:07 | 0:28:10 | |
I put 20 to 40 on it, which I think is modest. | 0:28:10 | 0:28:12 | |
I think they're fantastic. | 0:28:12 | 0:28:14 | |
There it is down there, the Silver Cross pram. | 0:28:14 | 0:28:17 | |
My goodness, what a specimen that one is. £50, £30. | 0:28:17 | 0:28:20 | |
40. Five for you. At £40. £50, and five? | 0:28:22 | 0:28:26 | |
-Yes or no? -£50! | 0:28:26 | 0:28:29 | |
At £50 it's going... You're out? | 0:28:29 | 0:28:32 | |
-Yes you are. £50. -Well done! | 0:28:32 | 0:28:35 | |
I know, Lindsay. He's not always as on-the-button as this. | 0:28:36 | 0:28:40 | |
Well, let's hope this trend continues with the anti-aircraft rounds and the military watch | 0:28:40 | 0:28:45 | |
that Lindsay found in her grandfather's shed. | 0:28:45 | 0:28:48 | |
Just remind me where the military issued pocket watch came from. | 0:28:48 | 0:28:52 | |
That was my grandad's. I don't know if it belonged to him, | 0:28:52 | 0:28:55 | |
but he must have acquired it from somebody. | 0:28:55 | 0:28:57 | |
or it was a present for helping out old people. | 0:28:57 | 0:29:01 | |
But we don't really know where it came from. | 0:29:01 | 0:29:04 | |
It's going in with the anti-aircraft shells. | 0:29:04 | 0:29:06 | |
-Do you think he went out and picked them up as well? Lindsay? -Who knows! | 0:29:06 | 0:29:12 | |
He acquired an awful lot of things. | 0:29:12 | 0:29:14 | |
They were in the shed. I don't know where most of them came from. | 0:29:14 | 0:29:16 | |
The famous shed! | 0:29:16 | 0:29:18 | |
-I think you would have loved to have a rummage around there, John. -I certainly would. It's interesting. | 0:29:18 | 0:29:24 | |
What's nice about the watch... Pocket watches aren't that popular. | 0:29:24 | 0:29:27 | |
Is that it has a military pattern, as you said. It has that military mark on it. | 0:29:27 | 0:29:31 | |
That will make it interesting to military collectors rather than a watch dealer. | 0:29:31 | 0:29:35 | |
£70, £50, 40 I'm bid then. Five, 50. Five, 60. | 0:29:35 | 0:29:40 | |
Are you coming five? 70? | 0:29:40 | 0:29:42 | |
No? £75 then. £70. It's at 65. It's going... | 0:29:42 | 0:29:46 | |
Out of the room then at £65. | 0:29:46 | 0:29:50 | |
-Terrific! -That was good. -Good. -Great! | 0:29:50 | 0:29:52 | |
Well, that was a bit more than we expected, John. | 0:29:52 | 0:29:55 | |
-Yeah, I'm happy with that. I hope you don't mind if it goes over. -No. | 0:29:55 | 0:29:58 | |
Another fine result! | 0:29:58 | 0:30:00 | |
Or are John's estimates erring on the side of caution? | 0:30:00 | 0:30:04 | |
Let's see what happens when these next pieces | 0:30:04 | 0:30:06 | |
from their childhood are offered up to the room? | 0:30:06 | 0:30:10 | |
I have to admit, nothing would make me part with my first childhood teddy bear. | 0:30:10 | 0:30:15 | |
So, which of you two has made the great sacrifice | 0:30:15 | 0:30:19 | |
with the teddy bear and the monkey going in the auction? | 0:30:19 | 0:30:22 | |
-Whose was the monkey? -I think it was yours. | 0:30:22 | 0:30:24 | |
I think it was mine. I've certainly got a picture of it with me as a child, holding it. | 0:30:24 | 0:30:28 | |
-£30 to £50 for second-hand toys, John? -That might be optimistic, but I love the monkey. | 0:30:28 | 0:30:33 | |
He had a real charming face. The bear is much loved, you can see that. | 0:30:33 | 0:30:38 | |
That shows in the condition. But the monkey just charmed me. | 0:30:38 | 0:30:41 | |
Teddy and monkey, £50 for them? | 0:30:41 | 0:30:44 | |
£40 bid. £40 bid, five now. | 0:30:44 | 0:30:46 | |
£40 and five. £50 and five. | 0:30:46 | 0:30:48 | |
60? No more. 55 out in the room. You're out in the corner. | 0:30:48 | 0:30:52 | |
55. Teddy and monkey at £55. | 0:30:52 | 0:30:57 | |
-55! -55, that's a surprise. -That's a little more than... -Goodness! | 0:30:57 | 0:31:01 | |
Not wildly over John's maximum, but still over. | 0:31:01 | 0:31:05 | |
Our bidders seem to be in a sentimental mood today. | 0:31:05 | 0:31:09 | |
These medals belonged to Louise and Lindsay's grandad, | 0:31:09 | 0:31:13 | |
though they were not awarded to him. | 0:31:13 | 0:31:16 | |
Another find in the now infamous shed! | 0:31:16 | 0:31:18 | |
Let's see how they perform. | 0:31:18 | 0:31:20 | |
Next up are our two World War I partial medal groups. | 0:31:20 | 0:31:23 | |
We've got the brass victory medal and a silver war medal for two recipients. | 0:31:23 | 0:31:27 | |
But together with one of the ribbons from one of the others. | 0:31:27 | 0:31:30 | |
I've got on them £50 to £100. They ought to do that. | 0:31:30 | 0:31:33 | |
There we are. Shall we say £50 with these? £30? £20? | 0:31:33 | 0:31:36 | |
-I'm bid £20. -Bidder at the back. | 0:31:36 | 0:31:40 | |
£25 bid. 30 at the very back. 35 in the front. | 0:31:40 | 0:31:43 | |
35, 40 I'm bid. 45. | 0:31:43 | 0:31:46 | |
50. At £50, on the right at £50. 55 up the row. | 0:31:46 | 0:31:52 | |
Yours at £55. | 0:31:52 | 0:31:54 | |
I shall sell those, they're going for £55. | 0:31:54 | 0:31:58 | |
-55. Good. -Yeah, I was hoping for a little more, but we got there. | 0:31:58 | 0:32:02 | |
I knew it would go for about that sort of money. | 0:32:02 | 0:32:05 | |
Well, that's John's cautious streak over. | 0:32:05 | 0:32:08 | |
But the final bid did exceed the minimum estimate. | 0:32:08 | 0:32:11 | |
Do the bidders prefer teddies and prams to medals and jewellery, I wonder? | 0:32:11 | 0:32:15 | |
Next up is a little charm bracelet made of silver coins | 0:32:15 | 0:32:19 | |
and a little silver chain, which is very typical. | 0:32:19 | 0:32:21 | |
Men in the First World War were making these as gifts to send home. | 0:32:21 | 0:32:25 | |
-So, what are the coins that are on the bracelet? -Sixpences. | 0:32:25 | 0:32:28 | |
But it's worth a lot more than sixpence because... | 0:32:28 | 0:32:31 | |
-Actually, you only put £10 to £20 on it, John. -I have. | 0:32:31 | 0:32:34 | |
Let's wait and see, but that's what I think it's worth. If it makes more, I won't complain. | 0:32:34 | 0:32:39 | |
£30 for it. £20. 15. | 0:32:39 | 0:32:41 | |
18, £20 now. At £20 for the coin bracelet. | 0:32:41 | 0:32:45 | |
-Then at £22. -£22. -£22. -A bit over your estimate, John. | 0:32:45 | 0:32:49 | |
Two pounds, I'm happy with that. | 0:32:49 | 0:32:51 | |
It seems John was right to err on the side of caution. | 0:32:51 | 0:32:55 | |
But when you add it all together, how are we doing? | 0:32:55 | 0:32:58 | |
The jewellery there is going to get £300, do you hope, yes? | 0:32:59 | 0:33:03 | |
-Yes, we hope. -£300 is quite modest. We're already halfway through and, | 0:33:03 | 0:33:06 | |
so far on all the things that we've got, | 0:33:06 | 0:33:08 | |
-we made £287. -Oh, fantastic! -So, we're well on our way. | 0:33:08 | 0:33:14 | |
High time for a short break. I'm sure Lindsay will appreciate that. | 0:33:14 | 0:33:17 | |
Bear in mind, auction houses charge commission on the items they sell, | 0:33:17 | 0:33:21 | |
so if you are thinking of selling, | 0:33:21 | 0:33:23 | |
please remember, the total bill will not necessarily be the amount that you take home. | 0:33:23 | 0:33:29 | |
But, what if you're looking to buy? How do you know when you've spotted a good one? | 0:33:29 | 0:33:33 | |
-Thinking of going on safari, John? -I wish I had the time. -Yeah. | 0:33:34 | 0:33:37 | |
So, what's taking your attention here? | 0:33:37 | 0:33:39 | |
I'm looking at this on behalf of a friend that collects elephants. | 0:33:39 | 0:33:42 | |
-But what I'm doing is I'm checking the extremities for any damage. -Find any? | 0:33:42 | 0:33:47 | |
I can see that this tusk has been off, quite clearly. | 0:33:47 | 0:33:50 | |
Yes, you can see it's been stuck on with a bit of glue there. | 0:33:50 | 0:33:53 | |
It's quite obvious there hasn't been any attempt to cover that up. | 0:33:53 | 0:33:57 | |
But restoration can be extremely hard to spot. | 0:33:57 | 0:33:59 | |
There are some very, very clever restorers out there. | 0:33:59 | 0:34:02 | |
And if you're not sure, there are a couple of good ways that you can check things over. | 0:34:02 | 0:34:06 | |
One is to buy a little, cheap UV light, a little ultraviolet light. | 0:34:06 | 0:34:10 | |
Take a piece of pottery into the dark, or porcelain, and you just | 0:34:10 | 0:34:13 | |
shine it over and any restoration will stand out like a sore thumb. | 0:34:13 | 0:34:16 | |
If you don't have a UV light and you suspect something | 0:34:16 | 0:34:19 | |
might be restored, another way is to just take a pin | 0:34:19 | 0:34:22 | |
and drag it lightly over, just the tip of any sort of household pin, | 0:34:22 | 0:34:26 | |
and it will glide over the glaze, but where it's been restored, it will start to drag. | 0:34:26 | 0:34:30 | |
That is because you cannot fire the porcelain to the same temperature the original piece was fired to | 0:34:30 | 0:34:35 | |
because you would risk damaging the whole piece. | 0:34:35 | 0:34:38 | |
Yes, I suppose as the restorers become more and more expert, | 0:34:38 | 0:34:41 | |
that means that collectors have to up their game, as well. | 0:34:41 | 0:34:44 | |
We're hoping that this Troika ware will give us game, set and match | 0:34:44 | 0:34:49 | |
at auction. And this solitaire diamond ring their mum, Jean, bought | 0:34:49 | 0:34:53 | |
to replace the original that she lost could catch someone's eye. | 0:34:53 | 0:34:56 | |
Now, gold, solitaire diamond-set ring, £150 to £250. | 0:34:56 | 0:35:01 | |
It's a nice ring, isn't it? | 0:35:01 | 0:35:02 | |
Remember how beautifully it sparkled in the garden? Isn't it dazzling? | 0:35:02 | 0:35:06 | |
All ladies like a diamond and they especially like solitaires. So, we should get somewhere in our estimate. | 0:35:06 | 0:35:12 | |
-Let's see if we get a sparkle at £150 to £200. -150 for it. | 0:35:12 | 0:35:16 | |
£100 for it. 80. Bid. | 0:35:16 | 0:35:19 | |
90, £100 bid. | 0:35:19 | 0:35:21 | |
110. 120 bid, 130. | 0:35:21 | 0:35:23 | |
140 at the back. | 0:35:23 | 0:35:25 | |
150. Bid, 160. 170. | 0:35:25 | 0:35:29 | |
-Two people are bidding against each other there. -190 I'm bid for it. 200. | 0:35:29 | 0:35:34 | |
New bidder. 210. 220 and 30. | 0:35:34 | 0:35:37 | |
And 40. And 50. And 60. | 0:35:37 | 0:35:39 | |
And 70 and 80... 300. | 0:35:39 | 0:35:42 | |
£300, the bid. You're out. At £300, the bid, | 0:35:42 | 0:35:46 | |
I sell to sir in the front row. | 0:35:46 | 0:35:47 | |
In the front row, at £300, I sell it at £300. Gone. | 0:35:47 | 0:35:53 | |
-Terrific! -Fantastic! £300. | 0:35:53 | 0:35:55 | |
Mother would have been proud of that for her bling, wouldn't she? | 0:35:55 | 0:35:59 | |
-For her rock. -Yeah. | 0:35:59 | 0:36:02 | |
Well, it rocked for you guys. | 0:36:05 | 0:36:07 | |
Now, that is a result, the target amount in one bid alone. | 0:36:07 | 0:36:12 | |
Lindsay's baby will be very lucky indeed. | 0:36:12 | 0:36:15 | |
But how's the room going to react to Jean's medical bracelet? | 0:36:15 | 0:36:18 | |
We've got a gold bracelet coming up now, | 0:36:18 | 0:36:22 | |
but I have to say, I'm not quite sure this is a gold bracelet | 0:36:22 | 0:36:25 | |
anybody else would necessarily want to buy because it's a medical | 0:36:25 | 0:36:29 | |
gold bracelet. Just remind us, Lindsay, why your mum had this. | 0:36:29 | 0:36:32 | |
It was, like you said, a medical alert. | 0:36:32 | 0:36:34 | |
It was to alert people if my mum had an accident or anything that she | 0:36:34 | 0:36:38 | |
took Warfarin, so not to administer any drugs that react with Warfarin. | 0:36:38 | 0:36:42 | |
So we've got what, John? | 0:36:42 | 0:36:43 | |
-£100 to £150? That's its gold value? -Pretty much, yes. | 0:36:43 | 0:36:47 | |
That's what I based it on. | 0:36:47 | 0:36:48 | |
I can't think of anybody buying it to wear it, but it takes all sorts. | 0:36:48 | 0:36:51 | |
There we are. We ought to be over £100 for it. | 0:36:51 | 0:36:54 | |
£80 for it. Yes, let's get going. 90, bid then. 100. And 10. And 20. | 0:36:54 | 0:36:59 | |
130? 120 I'm bid for it then. 120 it's going. 120 then. | 0:36:59 | 0:37:03 | |
I sell for £120. | 0:37:03 | 0:37:07 | |
-Pretty good, John. -Yes. | 0:37:07 | 0:37:09 | |
I tell you, you wouldn't have got that for one of the plastic ones from down the chemist, would you? | 0:37:09 | 0:37:14 | |
That's fantastic! | 0:37:15 | 0:37:18 | |
Nothing so far has fallen below our expert's minimum estimate. | 0:37:18 | 0:37:22 | |
Next under the hammer is Jean's treasured collection of Wedgwood pottery. | 0:37:22 | 0:37:26 | |
Will the bidders of Tring share her enthusiasm? | 0:37:26 | 0:37:29 | |
Your mum really, really liked green, Jasper Ware Wedgwood, didn't she? | 0:37:29 | 0:37:36 | |
-Yes. -She certainly did. -So, the green is less popular than the blue. | 0:37:36 | 0:37:41 | |
-How are we going to do today, John? -I put 100 to 200 on it. | 0:37:41 | 0:37:44 | |
I think we'll certainly be around the £100 mark. | 0:37:44 | 0:37:47 | |
Some people find green a superstitious colour, they think it's unlucky. | 0:37:47 | 0:37:50 | |
-I don't, I love green. -I don't. -Me neither, I like green. | 0:37:50 | 0:37:53 | |
I think we ought to be looking around £50 for it. | 0:37:53 | 0:37:56 | |
£30 for it then. OK. | 0:37:56 | 0:37:58 | |
£30, 35, 40. | 0:37:58 | 0:38:00 | |
There's rather a lot there. 45, 50, 55. | 0:38:00 | 0:38:03 | |
No? Sir's got them at £55. | 0:38:03 | 0:38:05 | |
Then I sell for £55. | 0:38:05 | 0:38:08 | |
-Not as much as we hoped. -No. -A real bargain at £55. | 0:38:08 | 0:38:14 | |
That's about a pound a piece, that's quite low, I think. | 0:38:14 | 0:38:17 | |
-Disappointing? -Very. But never mind. | 0:38:17 | 0:38:19 | |
We can always rely on John to say something positive. | 0:38:19 | 0:38:22 | |
Now, let's see if we can put this setback behind us. | 0:38:22 | 0:38:25 | |
Next up are two pieces of coloured glass. I found these. | 0:38:25 | 0:38:28 | |
One was Isle of Wight. The other, a moulded piece. But the Isle of Wight glass, who got this? | 0:38:28 | 0:38:33 | |
My dad bought it when we were on holiday in the 1970s. | 0:38:33 | 0:38:35 | |
We used to go on holiday to the Isle of Wight every year. | 0:38:35 | 0:38:38 | |
-He bought it while we were there. -You put £20 to £30 on it, John. | 0:38:38 | 0:38:42 | |
That one Isle of Wight piece is worth that. It is nice. | 0:38:42 | 0:38:45 | |
Displayed right, with the light passing through it, they look quite striking. | 0:38:45 | 0:38:49 | |
£40 bid. £40, £30. £20. 25. £30 bid. | 0:38:49 | 0:38:53 | |
£30, at £30. 35. £40? No? I have 35. | 0:38:53 | 0:38:57 | |
It is yours, sir, at £35. | 0:38:57 | 0:39:00 | |
-That's over John's estimate, terrific. -I'm happy with that. | 0:39:00 | 0:39:04 | |
This crowd is proving hard to fathom. | 0:39:04 | 0:39:07 | |
They won't stretch to Wedgwood, but for garish glass, no problem. | 0:39:07 | 0:39:11 | |
With a form like this, there's just no telling how they're going to react to the Troika vases. | 0:39:11 | 0:39:16 | |
-There have been quite a lot of people looking at the Troika vases, haven't there, John? -Yes. | 0:39:16 | 0:39:21 | |
So, I think there's a lot of interest in them, because they are still very collectible. | 0:39:21 | 0:39:26 | |
Interesting that your mum and dad paid so little for them | 0:39:26 | 0:39:29 | |
when they bought them. But just because they liked them. | 0:39:29 | 0:39:33 | |
My mum like the colours. | 0:39:33 | 0:39:34 | |
That's usually the best way to buy something. | 0:39:34 | 0:39:36 | |
Buy it because you like it, then you can always live with it. | 0:39:36 | 0:39:39 | |
But these are two really nice, midsize pieces, very contemporary | 0:39:39 | 0:39:43 | |
and similar in style and by the same painter, | 0:39:43 | 0:39:45 | |
so I think they are going to do OK, despite the chip on one of them. | 0:39:45 | 0:39:49 | |
Couple of hundred pounds for them. 200 for them. 150 for them. | 0:39:49 | 0:39:52 | |
Yes, 150. | 0:39:52 | 0:39:53 | |
I'm bid 160. 170. 180. | 0:39:53 | 0:39:56 | |
-190. -You made your reserve. | 0:39:56 | 0:39:58 | |
210. We have 220. | 0:40:00 | 0:40:03 | |
We've got it. 230. Sir, 230. And 40. | 0:40:03 | 0:40:05 | |
You're out, then I sell to sir in the front for £230. | 0:40:05 | 0:40:10 | |
-£230? Pleased with that? -Yes. | 0:40:12 | 0:40:16 | |
-How much did they pay for them originally? -£5. | 0:40:16 | 0:40:19 | |
What a finish! | 0:40:19 | 0:40:21 | |
Mother Jean was obviously a woman of intuition and foresight. | 0:40:21 | 0:40:24 | |
After a result like that, there can't be any doubt that | 0:40:24 | 0:40:27 | |
Lindsay's baby has been endowed with a very tidy little sum. | 0:40:27 | 0:40:30 | |
But exactly how much? | 0:40:30 | 0:40:33 | |
-Your first experience of an auction, what do you reckon? -Fantastic, yes. | 0:40:33 | 0:40:37 | |
It's exhausting as well. | 0:40:37 | 0:40:39 | |
You know, I have to say, John and I both thought | 0:40:39 | 0:40:41 | |
when we came to the house, that you were being very modest, | 0:40:41 | 0:40:44 | |
wanting to raise just £300 for your niece or nephew. | 0:40:44 | 0:40:49 | |
Because you have some lovely things to auction. | 0:40:49 | 0:40:52 | |
You said you wanted a little nursing chair, didn't you? | 0:40:52 | 0:40:55 | |
-But also some money to put in the piggy bank for little one? -Yes. | 0:40:55 | 0:40:58 | |
You've made... | 0:40:58 | 0:41:00 | |
£1,027. | 0:41:00 | 0:41:05 | |
-Oh, goodness me! -You only wanted £300. | 0:41:05 | 0:41:09 | |
That's amazing! Well, thank you very much. | 0:41:10 | 0:41:13 | |
Louise and Lindsay soon put the windfall to good use. | 0:41:19 | 0:41:23 | |
But surely at this stage, she's got everything she needs. | 0:41:23 | 0:41:27 | |
I'm still a bit disorganized on the baby's arrival front. | 0:41:27 | 0:41:31 | |
So, today getting the chair was a step in the right direction, | 0:41:32 | 0:41:36 | |
but we still have quite a lot to do in the next couple of weeks. | 0:41:36 | 0:41:39 | |
While most of the cash is being put aside for baby, | 0:41:39 | 0:41:42 | |
Lindsay couldn't resist investing in this nursing chair. | 0:41:42 | 0:41:46 | |
Well, it's important that Mum is comfy, too. | 0:41:46 | 0:41:48 | |
It's lovely. I'm thrilled with getting the new chair. | 0:41:48 | 0:41:52 | |
I've been looking at it for ages. | 0:41:52 | 0:41:54 | |
I've been in the shop a few times trying it out. | 0:41:54 | 0:41:57 | |
So, I shall look forward to it being delivered in a week's time. | 0:41:57 | 0:42:00 | |
And, hopefully, the chair will arrive before the baby. | 0:42:00 | 0:42:03 | |
-Thank you very much. -Bye-bye. -Bye. | 0:42:03 | 0:42:06 |