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Hello and welcome to the show that finds the antiques and collectibles | 0:00:02 | 0:00:05 | |
gathering dust in your attic and turns them into cash. | 0:00:05 | 0:00:08 | |
Today, we're helping one mum to do her daughter a good turn. | 0:00:08 | 0:00:11 | |
Coming up on Cash In The Attic, | 0:00:30 | 0:00:33 | |
expert John lets slip his sheltered upbringing. | 0:00:33 | 0:00:36 | |
Was he a bookbinder? | 0:00:36 | 0:00:37 | |
-No, he was a bookmaker. Horse racing. -Oh, dear! | 0:00:37 | 0:00:42 | |
And the valuation of some silverware is just too hot to handle. | 0:00:42 | 0:00:46 | |
-Really? -Are you surprised? -For a kettle? | 0:00:46 | 0:00:49 | |
At auction, what on earth is John talking about? | 0:00:51 | 0:00:54 | |
I've got to start you at three dimmer switches. | 0:00:54 | 0:00:57 | |
All will be revealed when the hammer falls. | 0:00:57 | 0:01:01 | |
Today we're in North London to help one family clear out their home | 0:01:01 | 0:01:05 | |
so that they can repair another. | 0:01:05 | 0:01:07 | |
Diane Cox has two children. | 0:01:07 | 0:01:09 | |
Son Matt, who will be helping with the rummage today, | 0:01:09 | 0:01:12 | |
and daughter Alex. | 0:01:12 | 0:01:14 | |
Diane was married to Richard for almost 30 years, | 0:01:14 | 0:01:17 | |
but sadly he passed away in 1996. | 0:01:17 | 0:01:20 | |
The family home is a flat in North London | 0:01:20 | 0:01:24 | |
and Diane now lives there on her own. | 0:01:24 | 0:01:26 | |
Two years ago she took up a new hobby - building a doll's house. | 0:01:26 | 0:01:30 | |
We'll hear more about that a bit later. | 0:01:30 | 0:01:33 | |
Joining me is our expert John Cameron, | 0:01:33 | 0:01:36 | |
who is not only a graduate in fine art valuation, | 0:01:36 | 0:01:39 | |
he's also a chartered surveyor. | 0:01:39 | 0:01:42 | |
Maybe he could take a look at Diane's doll's house. | 0:01:42 | 0:01:45 | |
While he starts the hunt for collectibles, | 0:01:45 | 0:01:47 | |
I go and meet our hosts. | 0:01:47 | 0:01:50 | |
Ah, hello. | 0:01:50 | 0:01:51 | |
-Hello, there. -Hi. | 0:01:51 | 0:01:54 | |
I've left John already having a good look round, | 0:01:54 | 0:01:57 | |
so obviously it's important to find out why we're here. | 0:01:57 | 0:02:00 | |
I want to try and raise some money to help my daughter | 0:02:00 | 0:02:05 | |
-with rewiring her house. -Does she live locally? | 0:02:05 | 0:02:08 | |
-She lives in Birmingham. -Why isn't she here? | 0:02:08 | 0:02:10 | |
Because she's a nurse and she's working today, I'm afraid. | 0:02:10 | 0:02:14 | |
What are we going to be looking at then to help towards this? | 0:02:14 | 0:02:18 | |
Anything at all, because she did get a couple of estimates. | 0:02:18 | 0:02:21 | |
How much do you think it might cost? | 0:02:21 | 0:02:23 | |
Going to be in excess of 2,000. | 0:02:23 | 0:02:25 | |
Crikey. Are you looking to make all that here today? | 0:02:25 | 0:02:28 | |
If I could raise half, that would be a good way towards it. | 0:02:28 | 0:02:33 | |
If we say £1,000 is the target then. | 0:02:33 | 0:02:35 | |
-So, Matt, do you live nearby? -No, I live in Bedfordshire. | 0:02:35 | 0:02:38 | |
-You've come down to help? -I have indeed. -What a lovely son, isn't he? | 0:02:38 | 0:02:43 | |
He is, yes. He's very good. | 0:02:43 | 0:02:44 | |
-Are you getting anything out of this? -I very much doubt it. | 0:02:44 | 0:02:47 | |
-Still negotiating. -I'm very impressed. | 0:02:47 | 0:02:50 | |
-I get a day off work. -I thought there'd be something somewhere! | 0:02:50 | 0:02:55 | |
So we need to make £1,000. Shall we go and find John? | 0:02:55 | 0:02:58 | |
Might I suggest if you have a look for some of these things, | 0:02:58 | 0:03:01 | |
that would be great. Come on then, this way. | 0:03:01 | 0:03:03 | |
Diane has lived in her flat for 30 years and it's full of stuff | 0:03:03 | 0:03:08 | |
she's inherited from various members of her family. | 0:03:08 | 0:03:12 | |
-Ah, John, have you found something already? -I have. | 0:03:12 | 0:03:14 | |
An interesting little Victorian oil on panel by, I think, | 0:03:14 | 0:03:18 | |
Alexander Rosell. | 0:03:18 | 0:03:20 | |
What's the story with this? | 0:03:20 | 0:03:22 | |
It belonged to my mother. | 0:03:22 | 0:03:24 | |
The story goes that my grandfather was a bookmaker | 0:03:24 | 0:03:29 | |
and somebody owed him some money and couldn't pay, | 0:03:29 | 0:03:31 | |
and he accepted that as pay-off for the bad debt. | 0:03:31 | 0:03:37 | |
-It's a lovely topic. Do you like it? -I do like it. | 0:03:37 | 0:03:40 | |
I'm very fond of it but it does need cleaning | 0:03:40 | 0:03:44 | |
and I can't afford to have it cleaned. | 0:03:44 | 0:03:47 | |
Sadly these days, often the cleaning is more expensive than | 0:03:47 | 0:03:50 | |
the picture is worth, and that's probably a case in point here. | 0:03:50 | 0:03:53 | |
Not a huge amount is known about the artist other than | 0:03:53 | 0:03:56 | |
he was working in this country around about the 1880s to the 1920s. | 0:03:56 | 0:04:01 | |
He seems to specialise in these cosy, sentimental Victorian interiors. | 0:04:01 | 0:04:05 | |
Very typical of this work, and again this figure here, | 0:04:05 | 0:04:09 | |
this mother looking down lovingly at that baby in the rocking cradle | 0:04:09 | 0:04:12 | |
is quite typical. That's reflected in the title, A Ray of Sunshine. | 0:04:12 | 0:04:16 | |
So what sort of value are we talking about, John? | 0:04:16 | 0:04:18 | |
In this condition, I'd be looking at around £200-300 at auction. | 0:04:18 | 0:04:22 | |
It'd be interesting to know whether the £200 now, | 0:04:26 | 0:04:28 | |
if you looked at it, would be equal to what he was owed for the books. | 0:04:28 | 0:04:32 | |
Was he a bookbinder? | 0:04:32 | 0:04:33 | |
No, he was a bookmaker, which is a turf accountant to do with horses. | 0:04:33 | 0:04:38 | |
-Oh, I thought you meant a book as in... -Horse racing. | 0:04:38 | 0:04:43 | |
I've led a sheltered life, haven't I? | 0:04:43 | 0:04:47 | |
Diane's grandfather sounds like a fascinating man. | 0:04:47 | 0:04:51 | |
I wonder if we'll come across any more of his possessions here. | 0:04:51 | 0:04:54 | |
In the spare room, John has found an attractive vase. | 0:04:54 | 0:04:58 | |
It's late 19th century and is Chinese cloisonne ware. | 0:04:58 | 0:05:01 | |
A fusion of bronze, glass and metal. | 0:05:01 | 0:05:03 | |
It's one of a pair that were given to Diane | 0:05:03 | 0:05:06 | |
for looking after an elderly aunt. | 0:05:06 | 0:05:09 | |
They generally do well at auction and get an estimate of £50-100. | 0:05:09 | 0:05:13 | |
Matt, what about the actual dresser we're looking at here? | 0:05:14 | 0:05:17 | |
What's the story with this? Something Mum would get rid of? | 0:05:17 | 0:05:20 | |
-I think so, yeah. -Where did it come from? | 0:05:20 | 0:05:24 | |
As far as I know, it belonged to one of my father's sisters. | 0:05:24 | 0:05:27 | |
It was too big for her needs | 0:05:27 | 0:05:28 | |
at the time so they swapped it for a sideboard. | 0:05:28 | 0:05:31 | |
-Any idea how old you think this is? -No clue at all. -Have a guess. | 0:05:31 | 0:05:34 | |
I really wouldn't know where to start. | 0:05:34 | 0:05:36 | |
Obviously older than me, but other than that, no idea at all. | 0:05:36 | 0:05:39 | |
It's made to look a lot older than it is. | 0:05:39 | 0:05:42 | |
If you look at the actual style of decoration, it's a dresser, | 0:05:42 | 0:05:46 | |
which we see in any great quantity in the 1600s and 1700s - | 0:05:46 | 0:05:50 | |
in oak, they tend to be. | 0:05:50 | 0:05:51 | |
The actual type of decoration on it, | 0:05:51 | 0:05:54 | |
in particular, the carving on the drawer here on the frieze, | 0:05:54 | 0:05:57 | |
that's known as arcading or stock fluting. | 0:05:57 | 0:06:00 | |
Then you've got lunette carving down on that front piece there. | 0:06:00 | 0:06:04 | |
Then this reeding. It's something that would have all | 0:06:04 | 0:06:06 | |
been done by hand a couple of centuries ago, | 0:06:06 | 0:06:09 | |
but this piece here is probably only about 50-60 years old. | 0:06:09 | 0:06:12 | |
It's something we often refer to as Old Charm or Priory style. | 0:06:12 | 0:06:16 | |
If it's something Mum would be happy to get rid of, | 0:06:16 | 0:06:19 | |
we can certainly send it to auction. | 0:06:19 | 0:06:21 | |
-No great sums of money, though. £30-50. -OK. | 0:06:21 | 0:06:25 | |
Judging by your face, I don't think you'd give it houseroom? | 0:06:27 | 0:06:31 | |
-Not personally, no. -What don't you like about it? | 0:06:31 | 0:06:33 | |
I think it's just a little too old | 0:06:33 | 0:06:36 | |
and a little too dark and cumbersome for my tastes. | 0:06:36 | 0:06:39 | |
All right, £30-50, let's carry on. | 0:06:39 | 0:06:42 | |
Matt might not like it, but let's hope when we get to auction, | 0:06:42 | 0:06:47 | |
someone else does. | 0:06:47 | 0:06:49 | |
Matt turns his attention to some ornaments in the lounge, | 0:06:49 | 0:06:53 | |
but it's another piece of furniture that really catches his eye. | 0:06:53 | 0:06:56 | |
It's a square occasional table on castors. Made of mahogany, | 0:06:56 | 0:07:00 | |
it's Edwardian in age, and its simple, almost rustic look, | 0:07:00 | 0:07:04 | |
means it's Arts and Crafts in design. | 0:07:04 | 0:07:06 | |
It used to belong to an aunt of Diane's, | 0:07:06 | 0:07:08 | |
who gave it to Max when he moved out. | 0:07:08 | 0:07:11 | |
He's since moved in again and has ended up at his mum's. | 0:07:11 | 0:07:14 | |
John gives an estimate of £30-50, but when it gets to the saleroom, | 0:07:14 | 0:07:19 | |
will the bidders love the Arts and Crafts design? | 0:07:19 | 0:07:23 | |
5, 60, 5, 70, | 0:07:23 | 0:07:25 | |
5, 80, 5, 90. | 0:07:25 | 0:07:28 | |
I wonder how much they'll like it. | 0:07:28 | 0:07:31 | |
As the search continues, going by John's lowest estimate so far, | 0:07:33 | 0:07:38 | |
we stand to make £310 | 0:07:38 | 0:07:39 | |
when we take the things we've found to the saleroom. | 0:07:39 | 0:07:43 | |
Not quite at the halfway mark just yet. | 0:07:43 | 0:07:46 | |
My search in the living room unearths a 1920s silver compact | 0:07:48 | 0:07:53 | |
which belonged to Diane's aunt. | 0:07:53 | 0:07:55 | |
It has a good name on it - Garrard's of Regent Street in London. | 0:07:55 | 0:07:59 | |
There's also a very novel silver pincushion | 0:07:59 | 0:08:02 | |
in the shape of a roller skate, | 0:08:02 | 0:08:04 | |
which is unfortunately a bit battered, | 0:08:04 | 0:08:06 | |
plus a silver and pearl folding fruit knife, | 0:08:06 | 0:08:08 | |
which belonged to her late husband. | 0:08:08 | 0:08:10 | |
John thinks the three together could bring in £50-£60. | 0:08:10 | 0:08:14 | |
Diane? Can I talk to you about the family silver? | 0:08:16 | 0:08:20 | |
I zoomed on it straightaway, but I thought it was plated. | 0:08:20 | 0:08:23 | |
On closer inspection, we can see it's hallmarked. | 0:08:23 | 0:08:26 | |
Where did it come from? | 0:08:26 | 0:08:28 | |
It belonged to my mother. | 0:08:28 | 0:08:30 | |
I think they were given to her as a wedding present from her father, | 0:08:30 | 0:08:35 | |
who obviously had quite a bit of family silver. | 0:08:35 | 0:08:38 | |
I've got to ask you, were these the only two pieces you remember, | 0:08:38 | 0:08:41 | |
or was there more to the set? | 0:08:41 | 0:08:43 | |
I think originally, it must have been a set, | 0:08:43 | 0:08:46 | |
because one of my mum's sisters | 0:08:46 | 0:08:48 | |
actually had a teapot and sugar bowl and jug, | 0:08:48 | 0:08:52 | |
which were the same designs. | 0:08:52 | 0:08:54 | |
So I think originally, it was a set. | 0:08:54 | 0:08:56 | |
But my mum never had the other pieces. | 0:08:56 | 0:08:58 | |
-What a shame you don't have all of them. -I wish I did. | 0:08:58 | 0:09:00 | |
You've still got two very nice pieces. | 0:09:00 | 0:09:03 | |
This is the kettle, as it were. | 0:09:03 | 0:09:06 | |
We've got the water jug for putting the water in | 0:09:06 | 0:09:09 | |
and then transferring it back to the teapot. | 0:09:09 | 0:09:11 | |
This, for me, is the nicest bit. It's the kettle and stand. | 0:09:11 | 0:09:14 | |
We've got three pieces here - the kettle on the top, the vessel, | 0:09:14 | 0:09:17 | |
the stand, and underneath, a little silver spirit burner. | 0:09:17 | 0:09:20 | |
I have looked, and all the hallmarks correspond, which is great. | 0:09:20 | 0:09:24 | |
Things can get lost, especially the burners, | 0:09:24 | 0:09:26 | |
and you end up with a replacement. | 0:09:26 | 0:09:28 | |
To have the corresponding marks is quite nice. | 0:09:28 | 0:09:31 | |
And so a nice piece. Two bits there. Nice and weighty. | 0:09:31 | 0:09:35 | |
If we were to put those into auction, | 0:09:35 | 0:09:37 | |
I reckon we'd be looking at about £500-£600. | 0:09:37 | 0:09:40 | |
-Really? -Are you surprised? -For a kettle? | 0:09:40 | 0:09:43 | |
THEY LAUGH | 0:09:43 | 0:09:45 | |
That's fantastic! I am surprised. | 0:09:45 | 0:09:46 | |
-And the jug. -Yeah. I'm very surprised. | 0:09:46 | 0:09:49 | |
A pleasant surprise, I can see by your face. | 0:09:49 | 0:09:52 | |
It is a pleasant surprise. Oh, that'll help. | 0:09:52 | 0:09:55 | |
-So, can we sell them? -Yes. | 0:09:55 | 0:09:56 | |
-Yeah? -Yes, I think so. Yeah. Yeah. Definitely. | 0:09:56 | 0:09:59 | |
Diane's grandfather was obviously not short of a bob or two, | 0:09:59 | 0:10:04 | |
being able to buy his daughter such an expensive wedding gift. | 0:10:04 | 0:10:07 | |
And when you consider he had nine daughters and four sons, | 0:10:07 | 0:10:10 | |
that's an awful lot of weddings to fork out for. | 0:10:10 | 0:10:13 | |
Family is, of course, very important to Diane. | 0:10:13 | 0:10:16 | |
So it's understandable | 0:10:16 | 0:10:17 | |
she wants to help her daughter Alex with some repairs. | 0:10:17 | 0:10:20 | |
-And do you see much of each other? -Oh, yes. | 0:10:20 | 0:10:23 | |
She comes down here on a regular basis and I go up there, as well. | 0:10:23 | 0:10:28 | |
But because she's a nurse, | 0:10:28 | 0:10:30 | |
her shifts are not always compatible with sort of a weekend off. | 0:10:30 | 0:10:35 | |
What did you think about the idea | 0:10:35 | 0:10:37 | |
of helping your sister out with this repair work? | 0:10:37 | 0:10:39 | |
Well, I think it's a great idea. | 0:10:39 | 0:10:41 | |
She's obviously nursing. It's not a huge wage. | 0:10:41 | 0:10:43 | |
She lives alone, so she couldn't afford to do it herself. | 0:10:43 | 0:10:46 | |
So it's nice. | 0:10:46 | 0:10:47 | |
Do you think you'll miss some of these things? | 0:10:47 | 0:10:49 | |
If this has been home for 30 years, you're used to seeing them around. | 0:10:49 | 0:10:53 | |
It is going to be a wrench. | 0:10:53 | 0:10:55 | |
But I have given it a lot of thought | 0:10:55 | 0:10:58 | |
and to me, the timing is right. | 0:10:58 | 0:11:01 | |
But you have got some lovely pieces. | 0:11:01 | 0:11:03 | |
That's obviously going to help us reach this £1,000 target. | 0:11:03 | 0:11:06 | |
Shall we go and see if John's found anything else? | 0:11:06 | 0:11:09 | |
Yes. I'm ready for it. Yes. | 0:11:09 | 0:11:11 | |
I think it's very generous of Matt | 0:11:12 | 0:11:14 | |
to let his sister benefit from the sale of all the family heirlooms. | 0:11:14 | 0:11:18 | |
They're obviously all very close. So there's no need for pistols at dawn. | 0:11:18 | 0:11:22 | |
You look armed to the teeth there, Diane. | 0:11:22 | 0:11:25 | |
-Let me relieve you of this. -You might be interested. | 0:11:25 | 0:11:28 | |
-Where did these come from? -They belonged to my late husband. | 0:11:28 | 0:11:31 | |
He had them before I met him. | 0:11:31 | 0:11:35 | |
I don't really know where he got them. | 0:11:35 | 0:11:36 | |
I can see from this, this is a percussion lock. | 0:11:36 | 0:11:39 | |
And this is an antique weapon | 0:11:39 | 0:11:41 | |
which doesn't have a current calibre. | 0:11:41 | 0:11:44 | |
You couldn't go out and get the bores for this to fire it, | 0:11:44 | 0:11:46 | |
so it's perfectly legal to sell at auction. | 0:11:46 | 0:11:49 | |
Looking at the rest of the gun, | 0:11:49 | 0:11:52 | |
condition of the barrel is quite poor. | 0:11:52 | 0:11:55 | |
It's very pitted. It's purely just a decorative piece. | 0:11:55 | 0:11:58 | |
In this condition, it's still something we could send to auction. | 0:11:58 | 0:12:01 | |
It's a decorative piece. No great value. | 0:12:01 | 0:12:03 | |
£50-£100, something like that. | 0:12:03 | 0:12:06 | |
That looks equally interesting. | 0:12:06 | 0:12:08 | |
Let's have a look at that. | 0:12:08 | 0:12:10 | |
I can see it's a bayonet, but let's take this out carefully. | 0:12:10 | 0:12:15 | |
Brass-ribbed handle there. | 0:12:15 | 0:12:16 | |
Along the top edge here, we can see it's been engraved. | 0:12:16 | 0:12:19 | |
-There's some French writing. -Oh, yes. | 0:12:19 | 0:12:21 | |
I can just make out it's an Etienne. And it's 1874. | 0:12:21 | 0:12:25 | |
It's a grass 1874 patterned, French bayonet, | 0:12:25 | 0:12:28 | |
which was when this pattern was designed. | 0:12:28 | 0:12:31 | |
Not necessarily when the bayonet was made. | 0:12:31 | 0:12:34 | |
OK. Having seen that, I thought that was the age of the bayonet. | 0:12:34 | 0:12:39 | |
It was possibly not long after that, | 0:12:39 | 0:12:41 | |
but the bayonet stayed in general issue in France | 0:12:41 | 0:12:43 | |
for a number of years after that. | 0:12:43 | 0:12:45 | |
It could've been the turn of the last century. | 0:12:45 | 0:12:47 | |
At auction, similar money to the rifle, really. I'd say £50-£100. | 0:12:47 | 0:12:51 | |
I might be tempted to put them together, create competition | 0:12:51 | 0:12:54 | |
between somebody who wants that and somebody who wants that. | 0:12:54 | 0:12:57 | |
-So about £100-£150 for the two. -That sounds good. | 0:12:57 | 0:13:00 | |
-You'll be glad to get rid of them, I'm sure. -Yeah. | 0:13:00 | 0:13:02 | |
-It's a worry. -We're getting there, but we're not quite there yet. | 0:13:02 | 0:13:06 | |
-So, come on, let's carry on. -Lovely. Thank you. | 0:13:06 | 0:13:08 | |
The bayonet in particular should be handled with caution | 0:13:08 | 0:13:12 | |
and obviously kept out of reach of children. | 0:13:12 | 0:13:15 | |
In an oak-cased ammunition box, | 0:13:15 | 0:13:17 | |
John is surprised to find lots of old glass bottles. | 0:13:17 | 0:13:20 | |
They're from the 19th century | 0:13:20 | 0:13:22 | |
and were collected by Diane's late husband Richard. | 0:13:22 | 0:13:25 | |
Bottle collecting is a fast-growing hobby | 0:13:25 | 0:13:27 | |
and there are bottle clubs all over the country. | 0:13:27 | 0:13:30 | |
Amongst these is a stoneware ginger beer bottle, | 0:13:30 | 0:13:33 | |
which is very sought after. | 0:13:33 | 0:13:35 | |
John gives them all an estimate of £10-£20. | 0:13:35 | 0:13:38 | |
In the spare room, Diane finds an unusual little collection. | 0:13:39 | 0:13:43 | |
They're ceramic half dolls which were given to | 0:13:43 | 0:13:45 | |
her husband's sisters when they were children. | 0:13:45 | 0:13:48 | |
They were made in their thousands, mostly in Germany, | 0:13:48 | 0:13:50 | |
and were designed to disguise or decorate | 0:13:50 | 0:13:53 | |
a variety of household objects, such as pincushions and tea cosies. | 0:13:53 | 0:13:58 | |
Or just to stand around for decoration. | 0:13:58 | 0:14:01 | |
This little set should fetch £30-£50 at auction. | 0:14:01 | 0:14:04 | |
John? Lorne? What do you think of this? | 0:14:04 | 0:14:07 | |
-It's rather flash. -Very impressive. | 0:14:07 | 0:14:10 | |
And it's another piece of silver. | 0:14:10 | 0:14:12 | |
You've got silver everywhere in this flat! | 0:14:12 | 0:14:14 | |
-Where did this come from? -This was my mother's. | 0:14:14 | 0:14:17 | |
-I think, again, it was a wedding present. -Right. | 0:14:17 | 0:14:20 | |
It's an impressive wedding present. Have you used it? | 0:14:20 | 0:14:22 | |
Only just to put sweets in or nuts | 0:14:22 | 0:14:25 | |
at Christmas and party times and things like that. | 0:14:25 | 0:14:29 | |
It's obviously a table centrepiece, | 0:14:29 | 0:14:31 | |
but beyond that, what is its function, John? | 0:14:31 | 0:14:33 | |
You're right, it's a centrepiece. In France, they call them epergnes. | 0:14:33 | 0:14:36 | |
It would've had probably cut flowers in here, in the tall trumpet bars. | 0:14:36 | 0:14:40 | |
And sweets or something like that around in these hanging baskets. | 0:14:40 | 0:14:43 | |
I've seen them in glass, typically in the Victorian period. | 0:14:43 | 0:14:46 | |
Often, you see them in silver plate, | 0:14:46 | 0:14:48 | |
but you don't tend to see them in hallmarked silver. | 0:14:48 | 0:14:51 | |
And we can see this one here is all silver. | 0:14:51 | 0:14:54 | |
Can you tell me where it's from, from the hallmark? | 0:14:54 | 0:14:56 | |
This piece has hallmarks which tells us it was assayed, | 0:14:56 | 0:14:59 | |
so it was tested for its purity, in the London assay office. | 0:14:59 | 0:15:03 | |
We've got the leopard's-head mark. | 0:15:03 | 0:15:05 | |
And the date letter tells us it's 1929. | 0:15:05 | 0:15:08 | |
That changes every 20 years. | 0:15:08 | 0:15:10 | |
They change the font of the letter and the shape of the stamp. | 0:15:10 | 0:15:13 | |
All these baskets, are they all individually hallmarked? | 0:15:13 | 0:15:18 | |
Yes, they do all correspond, and each piece would all be hallmarked. | 0:15:18 | 0:15:21 | |
Anything you have in silver, if they have detachable parts, | 0:15:21 | 0:15:25 | |
they should all be hallmarked. That's a good thing to check. | 0:15:25 | 0:15:28 | |
What sort of value would that have now, as an object? | 0:15:28 | 0:15:31 | |
Well, it's nice and weighty. | 0:15:31 | 0:15:33 | |
I reckon we're looking at £300, maybe £350-£400. | 0:15:33 | 0:15:36 | |
Certainly £300 at the lower end. | 0:15:36 | 0:15:39 | |
Ooh! What do you think of that? | 0:15:39 | 0:15:40 | |
Well, I had no idea, really, of what its value was at all. | 0:15:40 | 0:15:46 | |
So it's a nice surprise, yes. | 0:15:46 | 0:15:49 | |
I can't believe the amount of quality pieces | 0:15:49 | 0:15:52 | |
Diane has tucked away in her flat. | 0:15:52 | 0:15:55 | |
I'm half expecting to find solid silverware in her doll's house. | 0:15:55 | 0:15:58 | |
-Ah! There you are! -Hello. | 0:15:58 | 0:16:01 | |
-So this is the doll's house I've heard about. -Yes. | 0:16:01 | 0:16:04 | |
So tell me how long you've been working on this. | 0:16:04 | 0:16:07 | |
Oh...at least two years. | 0:16:07 | 0:16:09 | |
Really? Well, can I have a look? | 0:16:09 | 0:16:12 | |
Wow! Look at that! | 0:16:12 | 0:16:14 | |
Right. Oh, look! | 0:16:14 | 0:16:17 | |
You've got your dinner service all ready to go. | 0:16:17 | 0:16:19 | |
I've got my dinner service ready to go on my dresser. | 0:16:19 | 0:16:22 | |
Oh, yes! So, does this all come in kit form and you put it together? | 0:16:22 | 0:16:26 | |
This was...the house was the kit | 0:16:26 | 0:16:28 | |
and then I was bought all these other pieces. | 0:16:28 | 0:16:32 | |
The pieces of furniture were as kit form. | 0:16:32 | 0:16:36 | |
I've got to ask, what's in your attic? | 0:16:36 | 0:16:40 | |
-Oh, look! -Cash in the attic! | 0:16:40 | 0:16:41 | |
Yeah, you've got lights in there. | 0:16:41 | 0:16:43 | |
Yes, I've got the lights all ready to go here, | 0:16:43 | 0:16:47 | |
ready for when my house is finished. | 0:16:47 | 0:16:49 | |
It can be lit up like Blackpool illuminations. | 0:16:49 | 0:16:52 | |
I mean, that looks more complicated for the doll's house than it does | 0:16:52 | 0:16:55 | |
if you wanted to actually rewire a house. | 0:16:55 | 0:16:58 | |
-Who are you going to get to do that? -Matt! | 0:16:58 | 0:17:00 | |
Maybe he can do Alex's house when he's learned how to do this. | 0:17:00 | 0:17:04 | |
So how long do you think it might take you to finish? | 0:17:04 | 0:17:07 | |
Probably another two years, but then there's no hurry! | 0:17:07 | 0:17:11 | |
-It gives me something to do and I enjoy doing it. -It's fantastic. | 0:17:11 | 0:17:16 | |
If we're going to get your daughter's house rewired, then we | 0:17:16 | 0:17:19 | |
need to find some more stuff unless you're thinking of selling this. | 0:17:19 | 0:17:22 | |
When it's finished. | 0:17:22 | 0:17:24 | |
It isn't yet, so if we're going to get your daughter's house rewired, | 0:17:24 | 0:17:27 | |
-we need to find some more stuff we can sell. -Good idea. | 0:17:27 | 0:17:30 | |
What a talent Diane has. I know it's from a kit, but I'm very impressed. | 0:17:30 | 0:17:35 | |
Matt knows just where his mum still keeps some of his old toys. | 0:17:35 | 0:17:39 | |
The box set of three vintage model cars | 0:17:39 | 0:17:42 | |
were a gift to his father from him and Alex. | 0:17:42 | 0:17:44 | |
But the box die-cast Corgi rescue truck | 0:17:45 | 0:17:48 | |
is something Matt has had since he was a baby. | 0:17:48 | 0:17:51 | |
In fact it was given to him when he was born! | 0:17:51 | 0:17:54 | |
He's happy for it to go with the others | 0:17:54 | 0:17:56 | |
to try and achieve between £20 and £40. | 0:17:56 | 0:17:59 | |
Diane. I've just been admiring your silverware. | 0:18:03 | 0:18:07 | |
Now I can't help but notice they're all engraved trophies | 0:18:07 | 0:18:10 | |
for greyhound racing, so who was the dog trainer? | 0:18:10 | 0:18:13 | |
Well, again, it was my grandfather who was the bookmaker. | 0:18:13 | 0:18:17 | |
He owned greyhounds and he used to race at various greyhound tracks. | 0:18:17 | 0:18:21 | |
These were trophies from his winning dogs. | 0:18:21 | 0:18:23 | |
-The same chap that I thought was a bookbinder... -That's right. | 0:18:23 | 0:18:28 | |
Did he race them? | 0:18:28 | 0:18:29 | |
He actually had greyhounds, yes, and used to race them. | 0:18:29 | 0:18:32 | |
-Did you ever go to any of the races with him? -No, I didn't. | 0:18:32 | 0:18:35 | |
-He died actually before I was born. -He was obviously quite successful. | 0:18:35 | 0:18:40 | |
I think he must have been to have won a few trophies. | 0:18:40 | 0:18:43 | |
There are some nice pieces here. | 0:18:43 | 0:18:45 | |
If I have a look at them... These three are silver. | 0:18:45 | 0:18:48 | |
This one is silver-plated and cut glass. | 0:18:48 | 0:18:51 | |
Interestingly, that's my favourite piece. It's a wine bucket. | 0:18:51 | 0:18:54 | |
You could get a nice bottle of wine in there. I'd give that houseroom. | 0:18:54 | 0:18:57 | |
Love this, got some great work in there. | 0:18:57 | 0:18:59 | |
A real tour de force and an academic piece | 0:18:59 | 0:19:02 | |
when you're talking about quality of silversmithing. | 0:19:02 | 0:19:05 | |
Lovely cast and applied handles. | 0:19:05 | 0:19:07 | |
Nice and scrolling arabesque border there, panelled sides, | 0:19:07 | 0:19:10 | |
and the raised body and spreading foot. | 0:19:10 | 0:19:12 | |
Lovely heavy tray there, with a border. This, another nice trophy. | 0:19:12 | 0:19:17 | |
Plain-ish decoration and these are dated to around the late '20s - | 0:19:17 | 0:19:21 | |
'29, '30, '31. That era. | 0:19:21 | 0:19:24 | |
Do you think these are something we could sell at auction? | 0:19:24 | 0:19:27 | |
Yeah, I'm happy for them to go. | 0:19:27 | 0:19:29 | |
Look, why don't we get the others in here, before I tell you what | 0:19:29 | 0:19:32 | |
I think they're worth individually and collectively. Shall we? | 0:19:32 | 0:19:35 | |
-Yeah. -Lorna, Matt. -Yeah? | 0:19:35 | 0:19:39 | |
We've just been chatting about Diane's family trophies, | 0:19:39 | 0:19:42 | |
the greyhound trophies, | 0:19:42 | 0:19:43 | |
and she thinks this is something we can send to auction. | 0:19:43 | 0:19:46 | |
-OK, good. What are they worth? -Well, we've had a good look at them. | 0:19:46 | 0:19:50 | |
If I take them singularly and give you the total. | 0:19:50 | 0:19:53 | |
The plated ice bucket, £50-£80. | 0:19:53 | 0:19:57 | |
£250-£300. £250-£300. | 0:19:57 | 0:20:00 | |
And this little one in my hands, £100-£150. | 0:20:00 | 0:20:02 | |
Collectively, we're looking at about £650-£700 plus. | 0:20:02 | 0:20:07 | |
-Oh, wow. -Are you happy with that? -Yeah. Yes, I am. | 0:20:07 | 0:20:12 | |
-No second thoughts. -No, I don't think so. | 0:20:12 | 0:20:16 | |
-It was obviously more than you were thinking, Matt. -Certainly, yeah. | 0:20:16 | 0:20:19 | |
-That's nice, isn't it? -I would be happy with half that, to be honest. | 0:20:19 | 0:20:23 | |
Would you? Oh, right, bear that in mind! | 0:20:23 | 0:20:27 | |
Obviously, this morning we were looking at trying to make £1,000 | 0:20:27 | 0:20:31 | |
towards the £2,000 needed for Alex's rewiring | 0:20:31 | 0:20:33 | |
in the house in Birmingham. | 0:20:33 | 0:20:34 | |
You might be pleased to know then that the value of everything | 0:20:34 | 0:20:38 | |
going to auction comes to... | 0:20:38 | 0:20:39 | |
£1,970. | 0:20:39 | 0:20:44 | |
-Oh! -So, we're nearly there. | 0:20:44 | 0:20:47 | |
-Oh, my God! -You're genuinely shocked, aren't you? -Yeah. | 0:20:50 | 0:20:54 | |
Well, we really do have some impressive things to take to auction | 0:20:54 | 0:20:58 | |
and I can't wait to see how they all do, including - | 0:20:58 | 0:21:00 | |
the two wedding gifts that were given to Diane's mum, | 0:21:00 | 0:21:03 | |
that striking George V solid silver | 0:21:03 | 0:21:06 | |
centrepiece which should reach £300-£400, | 0:21:06 | 0:21:10 | |
and she was also given that George V solid silver spirit kettle, | 0:21:10 | 0:21:14 | |
burner and hot-water jug. | 0:21:14 | 0:21:16 | |
I hope they'll sell for at least £500. | 0:21:16 | 0:21:19 | |
What about Diane's grandfather's greyhound racing trophies? | 0:21:19 | 0:21:22 | |
They're solid silver again | 0:21:22 | 0:21:24 | |
and should run away with £650 minimum on sale day. | 0:21:24 | 0:21:28 | |
Still to come on Cash In The Attic, | 0:21:29 | 0:21:31 | |
a childhood song springs to mind with one of Diane's lots. | 0:21:31 | 0:21:36 | |
Maybe it was cos there weren't ten green bottles | 0:21:36 | 0:21:38 | |
and they weren't sitting on a wall! | 0:21:38 | 0:21:39 | |
And Matt tells us why his boxed Corgi is in such good condition. | 0:21:39 | 0:21:44 | |
-I wasn't allowed to play with it! -You weren't allowed to play with it? | 0:21:44 | 0:21:47 | |
What condition will we be in when the final hammer falls? | 0:21:47 | 0:21:51 | |
Now, it's just over one month since we visited Diane Cox | 0:21:56 | 0:21:59 | |
at her house in North London and together with her son Matt | 0:21:59 | 0:22:02 | |
we found some very nice silver items which are among the pieces | 0:22:02 | 0:22:05 | |
we've brought here to Chiswick Auction Rooms in West London. | 0:22:05 | 0:22:08 | |
Remember, she wants to raise enough money | 0:22:08 | 0:22:10 | |
so her daughter can get her home rewired. | 0:22:10 | 0:22:13 | |
Let's hope today there are plenty of silver dealers in the room. | 0:22:13 | 0:22:17 | |
And the good news is that | 0:22:17 | 0:22:18 | |
since we last saw Diane, silver has gone up again in price. | 0:22:18 | 0:22:22 | |
We could be in for a very exciting time here. | 0:22:22 | 0:22:25 | |
-Good morning. -Hello. -How are you all? I haven't met you before. | 0:22:25 | 0:22:29 | |
-I'm Alex. -Oh, so it's your house that needs rewiring. How badly? | 0:22:29 | 0:22:33 | |
-Very badly! -Are you looking forward to today? | 0:22:33 | 0:22:37 | |
I am, yes, bit nervous, but... | 0:22:37 | 0:22:39 | |
So you've come along today | 0:22:39 | 0:22:41 | |
-to see what budget you've got for the job, have you? -Yes. | 0:22:41 | 0:22:44 | |
Don't know at the moment. We'll have to see. | 0:22:44 | 0:22:46 | |
-How have you been since we saw you? All right? -Fine. Yes. | 0:22:46 | 0:22:49 | |
And no second thoughts about any of the items? | 0:22:49 | 0:22:52 | |
I didn't bring the wooden dresser. I changed my mind on that | 0:22:52 | 0:22:55 | |
because for the valuation of it, I felt I would rather keep it. | 0:22:55 | 0:22:59 | |
Right, shall we go and see how much money we can make you? | 0:22:59 | 0:23:02 | |
-Let's see if we can get your house rewired. -Yes. -Come on, then. | 0:23:02 | 0:23:05 | |
The dresser not being here means we're £30 down before we start, | 0:23:05 | 0:23:08 | |
but I don't think we need to worry with all of that silver they have. | 0:23:08 | 0:23:12 | |
The first of Diane's lots to come up | 0:23:12 | 0:23:14 | |
is the collection of old bottles in an oak ammunitions box. | 0:23:14 | 0:23:17 | |
-What's the story behind that one? -They belonged to my late husband. | 0:23:17 | 0:23:21 | |
I think he had them for many, many years. | 0:23:21 | 0:23:23 | |
Probably dug up when he was working on different cinema sites | 0:23:23 | 0:23:27 | |
and stuff like that. | 0:23:27 | 0:23:28 | |
Bottles dug up from dumps can fetch thousands of pounds, | 0:23:28 | 0:23:31 | |
can't they, if they're the right ones, John? | 0:23:31 | 0:23:33 | |
There's a big collecting area for bottles, ginger bottles, | 0:23:33 | 0:23:37 | |
medicine bottles and old advertising ware, much of which is dug up. | 0:23:37 | 0:23:41 | |
They're looking for scarce labels, nice designs and rare pieces. | 0:23:41 | 0:23:45 | |
But you can guarantee, if ever there are roadworks where | 0:23:45 | 0:23:48 | |
there used to be a canal, and a lot of roads went into the old canals, | 0:23:48 | 0:23:51 | |
you always find these bottle diggers hanging around. | 0:23:51 | 0:23:55 | |
I don't know what quite to say to that! We want £10-£20 for it. | 0:23:55 | 0:23:59 | |
I couldn't go much lower than that. | 0:23:59 | 0:24:01 | |
It's a cheap lot but I gathered that when I unpacked them, | 0:24:01 | 0:24:04 | |
you didn't want them around the house. | 0:24:04 | 0:24:06 | |
No, they've been in the shed for years and so it's time they went. | 0:24:06 | 0:24:10 | |
£10 to £20, we've done you a favour. | 0:24:10 | 0:24:13 | |
£10 the lot, please, for bottles. Anyone want them for £10? | 0:24:13 | 0:24:17 | |
For the green bottles in the oak box, somebody surely. Nobody? | 0:24:17 | 0:24:21 | |
At £10, I'm bid. Thank you. | 0:24:21 | 0:24:23 | |
All done, £10. 166. | 0:24:23 | 0:24:26 | |
You literally got £10 for those. | 0:24:26 | 0:24:29 | |
Yes, they have gone. | 0:24:29 | 0:24:31 | |
-They didn't like my bottles. -No, they didn't like the bottles, did they? | 0:24:31 | 0:24:34 | |
Maybe it was cos there weren't ten green bottles | 0:24:34 | 0:24:37 | |
and they weren't sitting on a wall! | 0:24:37 | 0:24:39 | |
But at least they're sold | 0:24:39 | 0:24:41 | |
and it's put something in the kitty towards Alex's rewiring. | 0:24:41 | 0:24:45 | |
The boxed toy cars are up next for £20-£40. | 0:24:45 | 0:24:48 | |
This includes the Corgi major aerial rescue truck. | 0:24:48 | 0:24:51 | |
-These have got to be yours, Matt. -I think they may have been. | 0:24:51 | 0:24:55 | |
Yes! | 0:24:55 | 0:24:57 | |
I'm guessing it's not yours, Alex? No. | 0:24:57 | 0:24:59 | |
Well, it seemed to be in pretty good condition. | 0:24:59 | 0:25:01 | |
-I wasn't allowed to play with it! -You weren't allowed to play with it? | 0:25:01 | 0:25:05 | |
-Don't you just hate those toys? -Is that true? -Yes! | 0:25:05 | 0:25:07 | |
Ooh, it is true?! Why wouldn't you let him play with them? | 0:25:07 | 0:25:10 | |
It was given to him when he was still a baby | 0:25:10 | 0:25:13 | |
and there's small parts on it, so Dad wouldn't let him have it. | 0:25:13 | 0:25:18 | |
He obviously never got to play with it. | 0:25:18 | 0:25:20 | |
-He used to put things in his mouth, you see. -Even now? | 0:25:20 | 0:25:23 | |
THEY LAUGH | 0:25:23 | 0:25:25 | |
Low estimate, start me £10 for the lot. | 0:25:25 | 0:25:27 | |
I'm bid £10. | 0:25:27 | 0:25:29 | |
12 now. | 0:25:29 | 0:25:30 | |
14, 16, 18. | 0:25:30 | 0:25:34 | |
£18 here. | 0:25:34 | 0:25:35 | |
£18 in the leather chair. At £18, anybody else? | 0:25:35 | 0:25:38 | |
For the two items, for £18. Are you all done? | 0:25:38 | 0:25:40 | |
I'm going to sell it then, £18 and going... 199. | 0:25:40 | 0:25:44 | |
-OK, so £18. -A bit disappointing, isn't it, really? | 0:25:44 | 0:25:47 | |
-You should have let him play with them now. -I should have done. | 0:25:47 | 0:25:50 | |
If he had, it wouldn't have even made £18. | 0:25:50 | 0:25:53 | |
I wonder if the winning bidder will play with it. | 0:25:53 | 0:25:56 | |
Coming up next is the Arts and Crafts mahogany square table, | 0:25:56 | 0:26:00 | |
given to Max by his great-aunt. | 0:26:00 | 0:26:02 | |
How will it do here for £30 to £50? | 0:26:02 | 0:26:05 | |
Seems cheap, really. | 0:26:05 | 0:26:06 | |
It doesn't seem a lot of money. I hope it will get the bidding going. | 0:26:06 | 0:26:09 | |
There's lots of Edwardian tables around | 0:26:09 | 0:26:11 | |
but that is a nice example in good condition. | 0:26:11 | 0:26:14 | |
I'd be hoping to make top estimate at least. | 0:26:14 | 0:26:16 | |
With me at £50. 55 now, 60. | 0:26:16 | 0:26:17 | |
65, 70, | 0:26:17 | 0:26:19 | |
75, 80, | 0:26:19 | 0:26:21 | |
85, 90, | 0:26:21 | 0:26:22 | |
95, 100. | 0:26:22 | 0:26:24 | |
£100, still with me at £100. | 0:26:24 | 0:26:26 | |
And 10 if you like, at £100 for the table. | 0:26:26 | 0:26:28 | |
All done? | 0:26:28 | 0:26:30 | |
£100, it goes then for £100. | 0:26:30 | 0:26:32 | |
-Doubled our estimate there. -Brilliant. | 0:26:32 | 0:26:35 | |
-Happy with that? -Absolutely, yes. | 0:26:35 | 0:26:38 | |
I don't think Diane expected that old table | 0:26:40 | 0:26:44 | |
to attract so much interest. | 0:26:44 | 0:26:45 | |
Now, it's time for the late 18th century flintlock gun | 0:26:45 | 0:26:49 | |
and the late 19th century French bayonet, | 0:26:49 | 0:26:51 | |
which all belonged to Diane's husband. | 0:26:51 | 0:26:54 | |
I don't suppose you'll miss these, Alex? | 0:26:54 | 0:26:56 | |
-It is one of my favourites out of everything. -Oh, really, why? | 0:26:56 | 0:26:59 | |
What appeals to you about it? | 0:26:59 | 0:27:01 | |
I just liked it. | 0:27:01 | 0:27:02 | |
I like old military guns and stuff. | 0:27:02 | 0:27:07 | |
-Presumably the rewiring's a bit more important? -Yeah. | 0:27:07 | 0:27:10 | |
All right, John, you've got 100-150 on this. | 0:27:10 | 0:27:13 | |
That should be OK. | 0:27:13 | 0:27:15 | |
The gun's been converted from a flintlock to a percussion lock | 0:27:15 | 0:27:18 | |
but it is 18th century. | 0:27:18 | 0:27:20 | |
I put it together with the bayonet | 0:27:20 | 0:27:21 | |
because these will appeal to the same sort of buyer. | 0:27:21 | 0:27:24 | |
So 100-150, I think that's good for those items. | 0:27:24 | 0:27:27 | |
£80 straight off, with me at £80, and 5 I'll take. | 0:27:27 | 0:27:30 | |
85. 90 with me, do you want 95? | 0:27:30 | 0:27:34 | |
95, come on, come on. | 0:27:34 | 0:27:36 | |
100 there. 110, 120. | 0:27:36 | 0:27:38 | |
-130, 140. -(Oh, God!) | 0:27:38 | 0:27:40 | |
£140. | 0:27:40 | 0:27:42 | |
There at 140, anybody else? | 0:27:42 | 0:27:43 | |
It's back in, it's back in. | 0:27:43 | 0:27:45 | |
No, it's got to be 150. | 0:27:47 | 0:27:48 | |
150. | 0:27:48 | 0:27:50 | |
150 here then, at 150. | 0:27:50 | 0:27:52 | |
At £150, anybody else, 150? | 0:27:52 | 0:27:55 | |
£150. Bang on your top estimate there, John. Well done. | 0:27:55 | 0:27:59 | |
Well done! | 0:27:59 | 0:28:01 | |
Are you all right about it, Alex? | 0:28:01 | 0:28:03 | |
Would you rather have held on to it, do you think? | 0:28:03 | 0:28:05 | |
No, I'm pleased with what it got. | 0:28:05 | 0:28:07 | |
We all are. | 0:28:07 | 0:28:08 | |
It was a good idea of John's to put them both together | 0:28:08 | 0:28:11 | |
to attract at least two bidders. | 0:28:11 | 0:28:13 | |
Now it's the sale of the first of Diane's family silver - | 0:28:13 | 0:28:17 | |
the 1929 George V centrepiece, which was a wedding present to her mother. | 0:28:17 | 0:28:22 | |
Is this one of the pieces you felt quite sad about letting go? | 0:28:23 | 0:28:26 | |
It is cherished and it's one that Alex particularly likes as well, | 0:28:26 | 0:28:32 | |
remembering it from... well, growing up with it, really. | 0:28:32 | 0:28:35 | |
Well, I know you like it, but... | 0:28:35 | 0:28:38 | |
it's expected to make £300-400 | 0:28:38 | 0:28:41 | |
and that's a lot of money, isn't it? | 0:28:41 | 0:28:43 | |
Yeah, that's why we decided... | 0:28:43 | 0:28:45 | |
It had to go. OK. | 0:28:45 | 0:28:47 | |
Do you think we'll make that, John? | 0:28:47 | 0:28:49 | |
It's a nice piece and I overheard two dealers | 0:28:49 | 0:28:51 | |
talking about it before the sale and one commented to the other | 0:28:51 | 0:28:54 | |
that he thought that was the nicest piece of silver in the sale. | 0:28:54 | 0:28:57 | |
We can hear the auctioneer now opening the bidding. | 0:28:57 | 0:29:00 | |
I'm going to start you at three dimmer switches. | 0:29:00 | 0:29:02 | |
THEY LAUGH | 0:29:02 | 0:29:04 | |
Start me this, a couple of hundred pounds, surely? | 0:29:04 | 0:29:07 | |
I'm bid straight in at £200. | 0:29:07 | 0:29:09 | |
210, 220, 230, 240, | 0:29:09 | 0:29:12 | |
-250... -Come on. | 0:29:12 | 0:29:14 | |
..280, 290, 300 and 20. | 0:29:14 | 0:29:17 | |
340. | 0:29:17 | 0:29:19 | |
-360... -It's going at £340. | 0:29:19 | 0:29:22 | |
380 there. | 0:29:22 | 0:29:24 | |
One more, please. | 0:29:24 | 0:29:26 | |
400 and 20. | 0:29:26 | 0:29:28 | |
440, 460, 480, | 0:29:28 | 0:29:31 | |
500. £500 here. | 0:29:31 | 0:29:34 | |
£500 then, at £500. | 0:29:36 | 0:29:39 | |
£500! Are you pleased with that? Yes? Are you all right? | 0:29:41 | 0:29:46 | |
-Did you realise that you had £500 sitting there? -No. | 0:29:46 | 0:29:49 | |
That's just the start. | 0:29:49 | 0:29:51 | |
I didn't. | 0:29:51 | 0:29:53 | |
-Are you OK? -Yeah. | 0:29:53 | 0:29:54 | |
Breathe deeply through your nose, we've got a lot more to sell. | 0:29:54 | 0:29:57 | |
-I'm just wondering what my mum would say. -I think she'd be delighted. | 0:29:57 | 0:30:01 | |
She would, actually. | 0:30:01 | 0:30:02 | |
I'm sure she'd be happy to know that her granddaughter Alex | 0:30:04 | 0:30:07 | |
will be benefiting from something the family no longer needs. | 0:30:07 | 0:30:10 | |
The two Chinese cloisonne vases quickly follow. | 0:30:10 | 0:30:13 | |
-What do you want for these, John? -I've got 50-100 on them. Not bad. | 0:30:15 | 0:30:19 | |
They are early-20th century. There's not a huge amount of age to them | 0:30:19 | 0:30:22 | |
but they're in good condition and with cloisonne, | 0:30:22 | 0:30:25 | |
once damaged, it's almost impossible to repair, | 0:30:25 | 0:30:27 | |
so I think that estimate reflects their condition. | 0:30:27 | 0:30:30 | |
And were these another family piece? | 0:30:30 | 0:30:32 | |
They belonged to an aunt of mine and she gave them to me | 0:30:32 | 0:30:36 | |
when she no longer needed them because she went into a care home. | 0:30:36 | 0:30:39 | |
I've had them for a while, but they don't suit... | 0:30:39 | 0:30:45 | |
my taste any more. | 0:30:45 | 0:30:46 | |
They've been looked after cos they are a matching pair, | 0:30:46 | 0:30:49 | |
and you haven't lost one through damage over the years. | 0:30:49 | 0:30:52 | |
Let's see what we get for them. | 0:30:52 | 0:30:54 | |
Start me, 30 to go. | 0:30:54 | 0:30:55 | |
£30 for the vases, I'm bid at £30. | 0:30:55 | 0:30:58 | |
32, 35, | 0:30:58 | 0:31:01 | |
38, 40. | 0:31:01 | 0:31:02 | |
Come on, chaps. | 0:31:02 | 0:31:03 | |
£40. | 0:31:03 | 0:31:04 | |
Anybody else, at £40? 42. | 0:31:04 | 0:31:07 | |
45. | 0:31:07 | 0:31:08 | |
£45 here, at 45. | 0:31:08 | 0:31:11 | |
A new bidder. | 0:31:11 | 0:31:12 | |
48, 50, | 0:31:12 | 0:31:14 | |
55, 60. | 0:31:14 | 0:31:16 | |
We're getting there, it's just slow. | 0:31:16 | 0:31:18 | |
70, 75. | 0:31:18 | 0:31:20 | |
£75 further away then, anybody else? | 0:31:20 | 0:31:23 | |
£75 for the pair of vases. 75. | 0:31:23 | 0:31:25 | |
£75. That's pretty good, bang in the middle of your estimate, John. | 0:31:25 | 0:31:30 | |
-Happy with that? -Yeah, that's OK. | 0:31:30 | 0:31:32 | |
-Good, good. -That's fine. | 0:31:32 | 0:31:34 | |
That was another very good result there | 0:31:34 | 0:31:37 | |
but we did start off with a few low sales. | 0:31:37 | 0:31:39 | |
So how are we doing for reaching our goal? | 0:31:39 | 0:31:42 | |
We've got a bit of a break before our afternoon session, | 0:31:42 | 0:31:45 | |
in which you've got some very large pieces of silver coming up. | 0:31:45 | 0:31:48 | |
You wanted £1,000 for this rewire job. | 0:31:48 | 0:31:50 | |
How do you think it's gone so far? | 0:31:50 | 0:31:52 | |
-I don't know. Tell us. -I want you to have a little guess. | 0:31:52 | 0:31:55 | |
Do you think we've done well or not? | 0:31:55 | 0:31:58 | |
-I'm quietly confident. -Quietly confident. | 0:31:58 | 0:32:00 | |
You have every reason to be quietly confident, | 0:32:00 | 0:32:03 | |
because so far we've made £853. | 0:32:03 | 0:32:06 | |
Wow, that's good. | 0:32:07 | 0:32:09 | |
Which takes the pressure off the afternoon. | 0:32:09 | 0:32:11 | |
So, shall we have a bit of a break before we have to come back in? | 0:32:11 | 0:32:14 | |
Come on, then, follow John. | 0:32:14 | 0:32:17 | |
Now, if you've been inspired by Diane's progress here, | 0:32:17 | 0:32:20 | |
and would like to have a go at selling at auction yourself, | 0:32:20 | 0:32:23 | |
do bear in mind that commission plus VAT will be added to your bill. | 0:32:23 | 0:32:27 | |
This charge varies from one saleroom to another, | 0:32:27 | 0:32:30 | |
so it's always worth enquiring in advance. | 0:32:30 | 0:32:33 | |
A general auction like this one is a great place to sell | 0:32:33 | 0:32:37 | |
a wide variety of things, like Diane is doing. | 0:32:37 | 0:32:39 | |
It attracts dealers who have a trained eye | 0:32:39 | 0:32:42 | |
and are ready to spot anything out of the ordinary. | 0:32:42 | 0:32:46 | |
-John! -Lorne! How lovely to see you. | 0:32:46 | 0:32:49 | |
-Love of my life! Where've you been? -Looking at this jug. | 0:32:49 | 0:32:53 | |
-Oh, very nice. I like the colours on that. -It is nice. | 0:32:53 | 0:32:55 | |
It's a Royal Patriotic jug made by Samuel Alcock. | 0:32:55 | 0:32:59 | |
We've got everything we need to know here. | 0:32:59 | 0:33:01 | |
-There we are, it's the Royal Patriotic jug. -Which was for what? | 0:33:01 | 0:33:05 | |
It was for the Crimean War. | 0:33:05 | 0:33:07 | |
We have a scene on this side, | 0:33:07 | 0:33:11 | |
wounded soldiers in battle in the Crimea. | 0:33:11 | 0:33:14 | |
If we turn it round, we have a weeping mother | 0:33:14 | 0:33:16 | |
and some children here. | 0:33:16 | 0:33:18 | |
But the jug was issued in about 1855, | 0:33:18 | 0:33:21 | |
right in the middle of the Crimean War. | 0:33:21 | 0:33:23 | |
You can see just down here, January 1st 1855. | 0:33:23 | 0:33:27 | |
-Was the point of it to raise funds to help families? -Exactly. | 0:33:27 | 0:33:30 | |
The jug was sold to generate funds | 0:33:30 | 0:33:34 | |
for children who had lost somebody or somebody who had lost a husband. | 0:33:34 | 0:33:37 | |
It is in extraordinary condition, isn't it? | 0:33:37 | 0:33:40 | |
It does look remarkably good, and I have to say, | 0:33:40 | 0:33:42 | |
when I picked it up, I thought, brilliant, I haven't seen one of | 0:33:42 | 0:33:45 | |
these in a long time, they are quite scarce these days. | 0:33:45 | 0:33:47 | |
However, I've just noticed | 0:33:47 | 0:33:49 | |
a little hairline crack right down there from the rim. | 0:33:49 | 0:33:52 | |
So, the auctioneers have got this in at 150-250. | 0:33:52 | 0:33:55 | |
It's great. They don't turn up often. | 0:33:55 | 0:33:57 | |
It'll be interesting to see how well it performs here today. | 0:33:57 | 0:34:00 | |
We'd better put it back somewhere safe, hadn't we? Come on. | 0:34:00 | 0:34:04 | |
Honestly, it was like that when I found it. | 0:34:04 | 0:34:06 | |
Well, it didn't do too badly here, | 0:34:06 | 0:34:08 | |
reaching just £10 under its lower estimate. | 0:34:08 | 0:34:12 | |
As the sale of Diane's items resumes, | 0:34:12 | 0:34:15 | |
her Victorian oil painting is the next to go before the bidders. | 0:34:15 | 0:34:18 | |
It was given to her grandfather | 0:34:18 | 0:34:20 | |
in payment for a debt when he was a bookmaker. | 0:34:20 | 0:34:23 | |
Nice picture. Not the best time in the marketplace for these, | 0:34:23 | 0:34:27 | |
but I brought my estimate down. | 0:34:27 | 0:34:28 | |
I think ten, 15 years ago, this would have made £400-600. | 0:34:28 | 0:34:32 | |
It's not terribly commercial. | 0:34:32 | 0:34:33 | |
I'm hoping it's going to make £200, because it's lovely. | 0:34:33 | 0:34:36 | |
I'd love to know how much money he was owed. | 0:34:36 | 0:34:39 | |
I would love to know. | 0:34:39 | 0:34:41 | |
Yes, because whatever he was owed, | 0:34:43 | 0:34:44 | |
you're going to get the benefit of it, aren't you? | 0:34:44 | 0:34:46 | |
And I am sure you'll be pleased to hear I have one, two, | 0:34:46 | 0:34:49 | |
three, four bids on the lot. | 0:34:49 | 0:34:50 | |
-I can start at £200. -Straight in at 200. -So we've sold it, definitely. | 0:34:50 | 0:34:56 | |
230, 240, 250, 260. | 0:34:56 | 0:34:59 | |
£260 it is. | 0:34:59 | 0:35:01 | |
At £260, anybody else? | 0:35:01 | 0:35:04 | |
At 260. | 0:35:04 | 0:35:05 | |
260 it is, then. For 260 I'm going to sell it. 260. | 0:35:05 | 0:35:10 | |
£260. | 0:35:10 | 0:35:12 | |
I wondered if we'd get a bid. | 0:35:12 | 0:35:13 | |
It is one of those things, it'll either sell or it won't. | 0:35:13 | 0:35:16 | |
Well, this result definitely brings a ray of sunshine | 0:35:16 | 0:35:20 | |
into the Cox family, and their ambitions to make £1,000. | 0:35:20 | 0:35:25 | |
The second collection of silverware is up next, | 0:35:25 | 0:35:28 | |
including a compact which belonged to an aunt of Diane's, | 0:35:28 | 0:35:31 | |
a fruit knife which was her late husband's, and a novelty pincushion. | 0:35:31 | 0:35:35 | |
Right, we know the silver dealers are here today, | 0:35:35 | 0:35:38 | |
which is good news for us. But forget them for the moment. | 0:35:38 | 0:35:41 | |
What I think is going to be interesting | 0:35:41 | 0:35:43 | |
is to see who else is interested in your little roller skate, | 0:35:43 | 0:35:46 | |
because that has got to have been | 0:35:46 | 0:35:48 | |
one of the most viewed items here today. | 0:35:48 | 0:35:50 | |
Whenever it went into the cabinet, someone else wanted to view it. | 0:35:50 | 0:35:53 | |
Let's hope that translates into sales. | 0:35:53 | 0:35:55 | |
Overall, we've put 50-60 on that, John? | 0:35:55 | 0:35:58 | |
-I've put 50-60. It should eclipse that, shouldn't it? -I hope so, yes. | 0:35:58 | 0:36:02 | |
Who'll start at £50 for the lot? | 0:36:02 | 0:36:03 | |
I thought I might be bid in front of me. Anybody else? | 0:36:03 | 0:36:06 | |
At £50 for the roller skate. I can't believe it, it is so cheap. | 0:36:06 | 0:36:11 | |
55 now, 60, 65, 70. | 0:36:11 | 0:36:14 | |
75, 80. | 0:36:14 | 0:36:17 | |
£80 in front of me for the roller skate. £80. Anybody else? | 0:36:17 | 0:36:21 | |
It doesn't seem a lot. At £80, I'm going to sell it, then. | 0:36:21 | 0:36:24 | |
Selling it for 80. £80. | 0:36:24 | 0:36:27 | |
£80, so it didn't translate. | 0:36:27 | 0:36:29 | |
All those people looking at it, | 0:36:29 | 0:36:30 | |
I thought it would have gone for more, John. | 0:36:30 | 0:36:33 | |
I thought it might, because as you say, very unusual, | 0:36:33 | 0:36:36 | |
but I guess at the end of the day | 0:36:36 | 0:36:37 | |
there's only so many collectors for it out there. | 0:36:37 | 0:36:40 | |
And it was over the top of the estimate, | 0:36:40 | 0:36:43 | |
so we shouldn't be at all disappointed at that result. | 0:36:43 | 0:36:46 | |
Some more silver follows. | 0:36:46 | 0:36:48 | |
The George V spirit kettle with burner and water jug. | 0:36:48 | 0:36:52 | |
Everything you could possibly want for afternoon tea, I would suggest. | 0:36:52 | 0:36:56 | |
-This is another family piece, isn't it? -Yes, it is. | 0:36:56 | 0:36:59 | |
How do you feel about this lot going? | 0:36:59 | 0:37:01 | |
About the same as I felt about the other. | 0:37:01 | 0:37:04 | |
Yes, this was my mum's, and again, | 0:37:04 | 0:37:06 | |
she had them as wedding presents, and...yeah. | 0:37:06 | 0:37:09 | |
Well, I know you've put £500-600 on it when we did the rummage, John. | 0:37:09 | 0:37:14 | |
But the auctioneer in the catalogue has put 650-1,000. | 0:37:14 | 0:37:18 | |
-And you've put £650 reserve on it, haven't you? -Yes, discretionary. | 0:37:18 | 0:37:23 | |
All right, well, let's see what happens. | 0:37:23 | 0:37:25 | |
And I'm glad to say there was a bit of interest in this straight off. | 0:37:25 | 0:37:29 | |
I'm straight in at £500, and 50 I'll take. £500. And 50. | 0:37:29 | 0:37:33 | |
550 is bid now. | 0:37:33 | 0:37:36 | |
600 I'll take from somebody else. At £550. | 0:37:36 | 0:37:39 | |
With me at 550. | 0:37:39 | 0:37:41 | |
At £550, is that all? | 0:37:41 | 0:37:44 | |
At 550, I am not selling it, I'm afraid. | 0:37:44 | 0:37:46 | |
The auction house put 650-1,000. | 0:37:46 | 0:37:50 | |
You put the reserve of 650 in, discretionary. | 0:37:50 | 0:37:53 | |
But the bidding only got to 550. | 0:37:53 | 0:37:56 | |
So it was just below the discretionary reserve, | 0:37:56 | 0:38:00 | |
which is why it hasn't sold. | 0:38:00 | 0:38:02 | |
-But how do you feel about it not selling? -That's OK. | 0:38:02 | 0:38:06 | |
It was a wedding present to my mother, | 0:38:06 | 0:38:09 | |
and it's just something that's always been around. | 0:38:09 | 0:38:12 | |
And, again, like the other piece, constantly cleaning it and so on. | 0:38:12 | 0:38:17 | |
So, yes, it's sentimental to me. | 0:38:17 | 0:38:20 | |
I think we've done well enough so far. | 0:38:20 | 0:38:22 | |
We can sustain that for the moment, can't we? | 0:38:22 | 0:38:25 | |
A shame, though. I said 500-600, so it got up as far as my mid-estimate. | 0:38:25 | 0:38:29 | |
-So there we are. -I'm sorry, John. -You big show-off! | 0:38:29 | 0:38:33 | |
Well, that £550 would certainly have been welcome. | 0:38:33 | 0:38:36 | |
But while it is disappointing, | 0:38:36 | 0:38:37 | |
it's a much-loved family piece that they can still enjoy. | 0:38:37 | 0:38:41 | |
And they can always sell it at another time, should they choose. | 0:38:41 | 0:38:44 | |
Next, it's the small collection of half dolls | 0:38:44 | 0:38:47 | |
which belonged to Diane's sisters-in-law. | 0:38:47 | 0:38:50 | |
They were used to cover pincushions and powder boxes. | 0:38:50 | 0:38:53 | |
The estimate is £30-50. | 0:38:53 | 0:38:56 | |
There are two bids on the book. I'm straight in at £35. | 0:38:56 | 0:38:59 | |
35, and 40 I'll take for the pincushion dolls. | 0:38:59 | 0:39:02 | |
At £35, all done? | 0:39:02 | 0:39:04 | |
On the book, then, at £35... | 0:39:04 | 0:39:05 | |
40! 45 with me. | 0:39:05 | 0:39:08 | |
£45, on the book with me at 45. Are you all done? £45. | 0:39:08 | 0:39:11 | |
Ooh, they almost reached John's top estimate, | 0:39:11 | 0:39:14 | |
so another good sale there. | 0:39:14 | 0:39:16 | |
The final lot is another precious family heirloom - | 0:39:16 | 0:39:19 | |
her grandfather's greyhound racing trophies | 0:39:19 | 0:39:22 | |
made of highest-quality silver. | 0:39:22 | 0:39:24 | |
We're all hoping they bring in a price | 0:39:24 | 0:39:27 | |
that smashes all our expectations. | 0:39:27 | 0:39:30 | |
Well, John, you put 650-1,000 on that. | 0:39:30 | 0:39:32 | |
That was based on them collectively. | 0:39:32 | 0:39:34 | |
I wasn't sure whether they would | 0:39:34 | 0:39:36 | |
split them up and sell them as individual lots or not. | 0:39:36 | 0:39:39 | |
But they've kept them together, | 0:39:39 | 0:39:41 | |
and kept my estimate together, so they should sell. | 0:39:41 | 0:39:43 | |
Let's hope so. | 0:39:43 | 0:39:44 | |
Start me £500 for the lot, please. £500, and 50 I will take. | 0:39:44 | 0:39:48 | |
At £500. All done? 550. | 0:39:48 | 0:39:50 | |
600. And 50. | 0:39:50 | 0:39:52 | |
700. And 50. | 0:39:52 | 0:39:54 | |
800. And 50. | 0:39:54 | 0:39:57 | |
900. And 50. | 0:39:57 | 0:39:59 | |
£1,000. 1,100. | 0:39:59 | 0:40:01 | |
1,150. 1,200. | 0:40:01 | 0:40:04 | |
£1,200 now. £1,200, anybody else? | 0:40:04 | 0:40:07 | |
At £1,200, I am going to sell it, then. 1,200. | 0:40:07 | 0:40:11 | |
GAVEL BANGS | 0:40:11 | 0:40:13 | |
Oh, my goodness. What do you think of that? | 0:40:13 | 0:40:17 | |
-Fantastic! -I really... | 0:40:17 | 0:40:19 | |
Well, I am quite gobsmacked at that amount, aren't you? | 0:40:19 | 0:40:22 | |
-Are you happy with that? -Absolutely delighted! | 0:40:22 | 0:40:27 | |
Diane's shaking so much, she could hardly speak. | 0:40:27 | 0:40:30 | |
That sale surpassed the target she was hoping to reach in one go. | 0:40:30 | 0:40:33 | |
I can't wait to tot up the total | 0:40:33 | 0:40:36 | |
and tell her how much she's actually made. | 0:40:36 | 0:40:38 | |
-Can you remember how much you wanted to raise? -£1,000. -That's right. | 0:40:38 | 0:40:42 | |
I thought that was a bit probably underestimating | 0:40:42 | 0:40:45 | |
the cost of having the house rewired, | 0:40:45 | 0:40:47 | |
but any contribution helps, doesn't it? | 0:40:47 | 0:40:49 | |
So, you might be quite pleased to know | 0:40:49 | 0:40:51 | |
that the value of everything we've sold today comes to... | 0:40:51 | 0:40:55 | |
£2,438. | 0:40:55 | 0:40:58 | |
So, do you think you'll be able to get all the work done now? | 0:41:02 | 0:41:06 | |
I hope so. | 0:41:06 | 0:41:07 | |
Pretty sure that should cover it, I reckon. | 0:41:07 | 0:41:10 | |
And don't forget, you're still taking | 0:41:10 | 0:41:13 | |
that family silver kettle home. | 0:41:13 | 0:41:15 | |
We didn't even sell that. | 0:41:15 | 0:41:17 | |
So you've got all that money, | 0:41:17 | 0:41:19 | |
and you've kept one of the heirlooms, | 0:41:19 | 0:41:21 | |
which is quite nice, isn't it? | 0:41:21 | 0:41:23 | |
-That's lovely. -Did you ever think you'd make that much? | 0:41:23 | 0:41:25 | |
No. It's been... | 0:41:25 | 0:41:28 | |
It's been an eye-opener, hasn't it? | 0:41:29 | 0:41:31 | |
Well, it took a while to find a date | 0:41:35 | 0:41:37 | |
that suited both Alex and the electricians, | 0:41:37 | 0:41:40 | |
but finally the work has started, | 0:41:40 | 0:41:42 | |
and just in time, by the look of things. | 0:41:42 | 0:41:44 | |
I didn't, I suppose, anticipate such cold weather | 0:41:44 | 0:41:49 | |
when we instigated this rewiring. | 0:41:49 | 0:41:54 | |
But I am going to be happy, because I know she's going to be safe. | 0:41:54 | 0:41:58 | |
I have waited a long time for the rewiring. | 0:41:58 | 0:42:00 | |
It was financial, mainly, so Cash In The Attic has really helped. | 0:42:00 | 0:42:04 | |
The work will take three days in total, so is Alex pleased, | 0:42:04 | 0:42:08 | |
and how is it all turning out? | 0:42:08 | 0:42:10 | |
It's a bit of a shock seeing my house like this, | 0:42:10 | 0:42:14 | |
but in a couple of days it'll be back to normal. | 0:42:14 | 0:42:16 | |
Yes, I have taken a week off work to come and help her sort out | 0:42:16 | 0:42:21 | |
and make good afterwards, | 0:42:21 | 0:42:23 | |
because there's going to be a lot of decorating to do, as well. | 0:42:23 | 0:42:26 | |
So that's something to look forward to. | 0:42:26 | 0:42:28 |