Browse content similar to Hawes. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello, and welcome to the show that knows what to look for and where to sell it, | 0:00:02 | 0:00:05 | |
to help you realise that long-cherished ambition. | 0:00:05 | 0:00:07 | |
Today I'm with a mother and daughter | 0:00:07 | 0:00:09 | |
who are hoping to sell their antiques and collectables | 0:00:09 | 0:00:11 | |
to create a little bit more room. | 0:00:11 | 0:00:13 | |
Coming up, we're hopeful of marital bliss, | 0:00:34 | 0:00:36 | |
in spite of the evidence on show. | 0:00:36 | 0:00:39 | |
Two items together always symbolise a long and happy marriage. | 0:00:39 | 0:00:44 | |
-There's three on this. -He's the bloke next door. -Steady on! | 0:00:44 | 0:00:48 | |
Will we have to rely on help from another dimension? | 0:00:48 | 0:00:52 | |
And let's hope the Force is with you. See what I did there? | 0:00:52 | 0:00:56 | |
On auction day, we discover that everyone has a quality that's worthy of admiration. | 0:00:58 | 0:01:02 | |
-Good moving parts on the charms, you know. -Bit like Paul, then. | 0:01:02 | 0:01:05 | |
-He's got quite a few moving parts. -Charming and moving parts? -Yeah! | 0:01:05 | 0:01:09 | |
Discover why, when the hammer falls. | 0:01:09 | 0:01:12 | |
Today I'm in Hampshire, with a family who are hoping | 0:01:13 | 0:01:16 | |
to give the youngest member something special. | 0:01:16 | 0:01:19 | |
Meet retired post office manager Brenda Hawes, her daughter, Kirsty, | 0:01:20 | 0:01:25 | |
and three-year-old granddaughter, Sophie. | 0:01:25 | 0:01:28 | |
Brenda's from Darlington originally, | 0:01:28 | 0:01:30 | |
and used to share her three-bedroom home in Hampshire with her husband, John, | 0:01:30 | 0:01:33 | |
who sadly died in 2005. | 0:01:33 | 0:01:35 | |
Since then, she's made a few alterations to the house, | 0:01:35 | 0:01:38 | |
and has plenty more in mind, partly to benefit little Sophie, | 0:01:38 | 0:01:41 | |
who comes to see her three days a week. | 0:01:41 | 0:01:43 | |
Our expert today is Lancashire's finest export, Mr Paul Hayes. | 0:01:43 | 0:01:47 | |
-Ah, good morning, Aled. How are you, mate? -I'm good. You've dressed up for it, haven't you? | 0:01:47 | 0:01:51 | |
-Thank you very much. Due back at four o'clock, you know what it's like. -Shall we get in? -Go on, then. | 0:01:51 | 0:01:55 | |
It's gag a-plenty. He has almost 30 years' experience in antiques. | 0:01:55 | 0:01:59 | |
-Ah, Brenda, Kirsty, how are you? -Hi, good, yes. -Hi! | 0:01:59 | 0:02:02 | |
Mother and daughter? You're more like sisters. | 0:02:02 | 0:02:04 | |
So why have you called us in? | 0:02:04 | 0:02:05 | |
Well, I would like to build into the back of the garage | 0:02:05 | 0:02:09 | |
to make a room that Sophie would be able to use as a playroom. | 0:02:09 | 0:02:14 | |
-She has plans, doesn't she? -She does. -Is that your daughter? -My little girl, yes. | 0:02:14 | 0:02:18 | |
-Has she got a lot of toys, then? -Too many! | 0:02:18 | 0:02:20 | |
You need a massive room. | 0:02:20 | 0:02:22 | |
-That's going to cost quite a bit of money, isn't it? -Yes, it is. | 0:02:22 | 0:02:25 | |
-So how much are we hoping to raise? -At least 400 towards the cost of it, but I'd like to raise more. | 0:02:25 | 0:02:29 | |
I tell you what, if it was down to us, I think we'd be in trouble, | 0:02:29 | 0:02:31 | |
but we've got an expert on hand, and what an expert! | 0:02:31 | 0:02:34 | |
Paul Hayes. He's already having a look in the living room, I think. | 0:02:34 | 0:02:37 | |
-The plan is, you go upstairs. -Yep. -And you follow me. -Right, OK. | 0:02:37 | 0:02:40 | |
Come on, let's go. | 0:02:40 | 0:02:42 | |
Looking around, Brenda seems to be quite a collector, | 0:02:42 | 0:02:45 | |
so I doubt we'll have too much trouble finding enough treasures to make £400. | 0:02:45 | 0:02:49 | |
Let's see what Paul has for us so far. | 0:02:49 | 0:02:52 | |
-You see? I told you he'd be rummaging. -Ah, hello! -Hello. | 0:02:52 | 0:02:56 | |
-How are you? -Nice to meet you. -Lovely to meet you. -What have you found? | 0:02:56 | 0:02:59 | |
I've made a start already. | 0:02:59 | 0:03:00 | |
I've found a vase, here, that was designed, really, to be sold in Australia. | 0:03:00 | 0:03:04 | |
So do you have any Australian connections? Any family out that way? | 0:03:04 | 0:03:07 | |
Not that I'm aware of, but I know where it came from. | 0:03:07 | 0:03:11 | |
It was given to my parents-in-law as a wedding present in 1940. | 0:03:11 | 0:03:14 | |
Mother-in-law had her paintbrushes in it at one stage. | 0:03:14 | 0:03:18 | |
LAUGHTER | 0:03:18 | 0:03:19 | |
Well, actually, you'll love this. The pattern is called The Old Wife. | 0:03:19 | 0:03:22 | |
LAUGHTER | 0:03:22 | 0:03:24 | |
Don't know what the relevance is for fish, on there. We won't go there, I don't think. | 0:03:24 | 0:03:28 | |
But that could've been, symbolized the wedding, you know. | 0:03:28 | 0:03:31 | |
Somebody might've bought it with that idea, with it called The Old Wife. | 0:03:31 | 0:03:34 | |
Could be, yeah, I've never thought of that. | 0:03:34 | 0:03:36 | |
There were two patterns. | 0:03:36 | 0:03:38 | |
The first one is called Coral Strand, and it's all very much a coral reef | 0:03:38 | 0:03:41 | |
which you find around Australia, and this one was called The Old Wife. | 0:03:41 | 0:03:44 | |
But very similar colouring, it looks very tropical. | 0:03:44 | 0:03:47 | |
A lot more than we get here, more like the coral island, I suppose. | 0:03:47 | 0:03:50 | |
-Absolutely. -These are very collectable. | 0:03:50 | 0:03:52 | |
Royal Doulton is probably one of the most collected items of this type, collected factories. | 0:03:52 | 0:03:56 | |
This is called series ware. | 0:03:56 | 0:03:58 | |
What would happen, in the 1920s, 1930s they would do series on different topics, | 0:03:58 | 0:04:02 | |
so they'd have Charles Dickens, then they would have, like, Shakespeare scenes. | 0:04:02 | 0:04:06 | |
Country cottages, which you've got a piece here. | 0:04:06 | 0:04:08 | |
-Sometimes you get coaching days. -Right, yeah. -I do like the symbolism, here. | 0:04:08 | 0:04:11 | |
You get two fishes, two items together, always symbolise a long and happy marriage. | 0:04:11 | 0:04:16 | |
-Ah! -Ah, OK! -So if you see two doves, two animals of some sort, that's the symbolism behind that. | 0:04:16 | 0:04:20 | |
-That must be what it was about, then. -Exactly. | 0:04:20 | 0:04:23 | |
-There's three on this. -I know. He's the bloke next door. -Steady on! | 0:04:23 | 0:04:26 | |
I should say he's the postman. | 0:04:26 | 0:04:29 | |
But, joking apart, you've got this wonderful three-dimensional design, | 0:04:29 | 0:04:32 | |
it's all hand painted, and it is by one of the top factories. | 0:04:32 | 0:04:35 | |
-The only snag is, it's slightly damaged. -Ah. -Oh, no. | 0:04:35 | 0:04:37 | |
Yeah, it's a bit distressed, Aled, I'm afraid. | 0:04:37 | 0:04:39 | |
You've got a little bit of a chip round the bottom here, | 0:04:39 | 0:04:42 | |
-and a little crack around the top. Possibly where the paintbrushes went in. -Yes, yes. | 0:04:42 | 0:04:46 | |
So what do you reckon it's worth at auction? | 0:04:46 | 0:04:48 | |
Well, these two are highly collected, actually. | 0:04:48 | 0:04:51 | |
People are missing certain plates, certain designs, things you haven't seen before. | 0:04:51 | 0:04:55 | |
Allowing for the damage, | 0:04:55 | 0:04:57 | |
if I said £40 to £60, how does that sound? | 0:04:57 | 0:05:01 | |
-Yeah, it's a little bit disappointing. -OK. | 0:05:01 | 0:05:03 | |
-But I realise it's damaged. -That's it. | 0:05:03 | 0:05:05 | |
People tend to invest in ceramics, they want perfect examples. | 0:05:05 | 0:05:08 | |
-And even if you had this restored, it's always a damaged item. -Yeah. -So it's gone down. | 0:05:08 | 0:05:12 | |
Ah, what a shame it wasn't in better condition. | 0:05:12 | 0:05:15 | |
Upstairs, Kirsty has been busy too, | 0:05:15 | 0:05:18 | |
finding an assortment of commemorative crowns and other coins which belonged to her father, John. | 0:05:18 | 0:05:22 | |
He was given some of them by his aunt when he was a boy. | 0:05:22 | 0:05:26 | |
He added to the collection over the years, and now there are 60 pieces, | 0:05:26 | 0:05:29 | |
including shillings and royal wedding crowns. | 0:05:29 | 0:05:31 | |
Paul offers a value of £40 to £80. | 0:05:31 | 0:05:35 | |
-Now, then, I found some real retro antiques here. -Yes, absolutely. | 0:05:35 | 0:05:38 | |
Look at these, a couple of decanters, some glasses. | 0:05:38 | 0:05:41 | |
Where have these come from? | 0:05:41 | 0:05:42 | |
They were bought as a Christmas present, I think, for us from my in-laws. | 0:05:42 | 0:05:47 | |
There were originally six glasses, but we're down to two, I'm afraid. | 0:05:47 | 0:05:51 | |
-You're not on your own. I think the combination with alcohol and glass doesn't... -It's fatal. | 0:05:51 | 0:05:55 | |
Yeah, but it is very important to find these in good condition. | 0:05:55 | 0:05:59 | |
Do you know who the factory is? | 0:05:59 | 0:06:01 | |
I thought they were Whitefriars. Am I correct? | 0:06:01 | 0:06:03 | |
-Yeah, I'm 100% certain that they're Whitefriars. -Yeah. | 0:06:03 | 0:06:06 | |
They're one of the biggest manufacturers of glass in the UK, | 0:06:06 | 0:06:08 | |
and they made lots of stained glass, actually, in the 19th century, | 0:06:08 | 0:06:12 | |
but really they're known for the 1960s, this art glass. | 0:06:12 | 0:06:16 | |
And, for me, it looks like something from the set of Austin Powers. | 0:06:16 | 0:06:19 | |
-Oh, yeah. -You know, that wonderful, retro, very modern... | 0:06:19 | 0:06:22 | |
-They were really out on a limb, out on their own, really. -Mmm. | 0:06:22 | 0:06:25 | |
One of the most popular patterns was this bark effect they used to produce. | 0:06:25 | 0:06:28 | |
It's very difficult to produce. | 0:06:28 | 0:06:30 | |
The glass blower would hand make this, and then he would | 0:06:30 | 0:06:33 | |
polish the pontil at the bottom, give a bit of quality. | 0:06:33 | 0:06:35 | |
-Oh, yeah. -Some nice polished pontil mark, and that's your end result. | 0:06:35 | 0:06:39 | |
What I'm checking for as I'm going around is making sure there's no cracks and no chips. | 0:06:39 | 0:06:43 | |
What can happen is that if somebody has been too rough with the stopper, | 0:06:43 | 0:06:47 | |
and rammed it into the bay, | 0:06:47 | 0:06:49 | |
sometimes you get a crack or a bit of a chip, | 0:06:49 | 0:06:51 | |
and likewise, the stopper's chipped, as well. But these look like they haven't been used. | 0:06:51 | 0:06:55 | |
There was a time in the '80s where you couldn't give it away at all. | 0:06:55 | 0:06:58 | |
-Right. -But it's come back in fashion. | 0:06:58 | 0:07:00 | |
The more colourful they are, the better. | 0:07:00 | 0:07:02 | |
I've seen them in orange and blues, | 0:07:02 | 0:07:04 | |
there's one called the drunken bricklayer, which is like three blocks, lopsided. | 0:07:04 | 0:07:07 | |
-Oh, yes! I think I've seen one. -And there's one shaped like a TV set and a banjo, | 0:07:07 | 0:07:11 | |
so there's all different collectors' markets. | 0:07:11 | 0:07:13 | |
These are quite nice cos they're in good condition. | 0:07:13 | 0:07:16 | |
-Are they sentimental at all to you? -No, not really. | 0:07:16 | 0:07:18 | |
No, I've had them a long time. I'd like somebody else to have the pleasure of them, | 0:07:18 | 0:07:22 | |
rather than them just being stuck in a cupboard. | 0:07:22 | 0:07:25 | |
OK, well if I said around the £50 mark, | 0:07:25 | 0:07:27 | |
-sort of 40-80 as an estimate? I think you could do quite well, actually. -Mmm! | 0:07:27 | 0:07:31 | |
-Does that sound all right to you? -Sounds brilliant. Yeah. | 0:07:31 | 0:07:33 | |
-All right. They'd be nicer with six glasses. -Yes, yes, I know. | 0:07:33 | 0:07:36 | |
But, yeah. At least I've managed to save two. | 0:07:36 | 0:07:39 | |
-Exactly, well, let's get them looked after and get them sold. -Yes. | 0:07:39 | 0:07:42 | |
-Lovely, thank you very much. -All right, I'll pop them there for now. -Yeah. | 0:07:42 | 0:07:46 | |
-They're very delicate. Let's keep looking. -OK. | 0:07:46 | 0:07:48 | |
Fashions change, even in glassware. | 0:07:48 | 0:07:50 | |
At auction, we hope these decanters find a buyer | 0:07:50 | 0:07:52 | |
who considers their retro look just the ticket. | 0:07:52 | 0:07:56 | |
-You've got a lot of stuff in this house. -I know. | 0:07:57 | 0:07:59 | |
And I've cleared a lot of it out already. | 0:07:59 | 0:08:01 | |
-So is your mum a bit of a hoarder? -Yes, yes, she is. | 0:08:01 | 0:08:04 | |
She doesn't like to throw much away. | 0:08:04 | 0:08:07 | |
I think it was my dad, more than anything. | 0:08:07 | 0:08:09 | |
Always kept hold of anything. | 0:08:09 | 0:08:11 | |
It must be quite bittersweet for you, this whole process. | 0:08:11 | 0:08:13 | |
It is, yes. | 0:08:13 | 0:08:15 | |
It's taken me, it's nearly five years since he died, | 0:08:15 | 0:08:18 | |
and it's taken me all this time to start clearing things out. | 0:08:18 | 0:08:21 | |
And a lot of the reason for doing it | 0:08:21 | 0:08:24 | |
is to make space for my granddaughter. | 0:08:24 | 0:08:26 | |
I've kept the really important things, that I consider to be important. | 0:08:26 | 0:08:29 | |
You say five years. How have you coped? How difficult has it been? | 0:08:29 | 0:08:33 | |
Initially I had to go back to work, to get the structure back to my life. | 0:08:33 | 0:08:37 | |
After all the upheaval. | 0:08:38 | 0:08:39 | |
But after that, when I knew my granddaughter was on her way, | 0:08:39 | 0:08:43 | |
I got the chance to retire, and I took it because I knew | 0:08:43 | 0:08:47 | |
that I wanted to be involved with her and my daughter, | 0:08:47 | 0:08:50 | |
and helping bring her up. | 0:08:50 | 0:08:52 | |
And that has been... Well, she's a major influence in my life, now. | 0:08:52 | 0:08:56 | |
She's my best friend. | 0:08:56 | 0:08:58 | |
Tell me a bit what the plan is for this extension. | 0:08:58 | 0:09:01 | |
-Is it just a pipe dream or is it a definite plan? -Oh, no, no. | 0:09:01 | 0:09:03 | |
I've been mulling over this for the last two years, planning, | 0:09:03 | 0:09:07 | |
getting quotations and things like that. | 0:09:07 | 0:09:09 | |
It's going to be what I'm going to christen a very useful room. | 0:09:09 | 0:09:13 | |
It's going to be a utility room, | 0:09:13 | 0:09:15 | |
it's going to be food prep area, it's going to be | 0:09:15 | 0:09:18 | |
a place where all the junk can be in cupboards, | 0:09:18 | 0:09:21 | |
and it's also somewhere Sophie can play and paint | 0:09:21 | 0:09:24 | |
and not have to worry about all the things going on the carpet or whatever, | 0:09:24 | 0:09:28 | |
she can just use it. | 0:09:28 | 0:09:30 | |
And then double doors straight out into the garden, | 0:09:30 | 0:09:32 | |
which is her favourite thing to do, is just to be outside. | 0:09:32 | 0:09:34 | |
Especially when it's raining. | 0:09:34 | 0:09:36 | |
How long have you lived in this particular house, then? | 0:09:36 | 0:09:39 | |
-About 26 years? -Erm, 25 years coming up, yeah. | 0:09:39 | 0:09:43 | |
-And you've moved away, of course. -Yes, yeah, I moved out about ten years ago. -Right. | 0:09:43 | 0:09:47 | |
Stayed close, not too far away. | 0:09:47 | 0:09:49 | |
-What is it about this area that you love so much? -It's the woods. | 0:09:49 | 0:09:52 | |
Every time I walk through those woods, | 0:09:52 | 0:09:54 | |
especially when I'm on the way to the playground, | 0:09:54 | 0:09:57 | |
just the birds and the natural things, | 0:09:57 | 0:09:59 | |
I just feel so privileged and lucky to live in such a beautiful place. | 0:09:59 | 0:10:04 | |
And we've grown up here. | 0:10:04 | 0:10:06 | |
It's friends and family, it's comfortable. | 0:10:06 | 0:10:10 | |
Yeah, my nest moved from Darlington to here, | 0:10:10 | 0:10:13 | |
and this is now my nest, | 0:10:13 | 0:10:15 | |
and it's going to be a pine box job before I leave here. | 0:10:15 | 0:10:20 | |
Well, I hope that day's a long way off yet, Brenda, | 0:10:20 | 0:10:23 | |
as you'll want to enjoy little Sophie's visits for many years to come. | 0:10:23 | 0:10:27 | |
Now, to make our £400 target, we'd better find some more goodies to sell. | 0:10:27 | 0:10:32 | |
Paul's spied this set of Midwinter China. | 0:10:32 | 0:10:33 | |
All the rage, once, but a little dated now. | 0:10:33 | 0:10:36 | |
Designed by the Marquis of Queensberry, no less, | 0:10:36 | 0:10:39 | |
it was a wedding present for Brenda and John back in 1967. | 0:10:39 | 0:10:42 | |
There's a little damage, | 0:10:42 | 0:10:44 | |
which is why the estimate is around £30 to £60. | 0:10:44 | 0:10:47 | |
Upstairs, Kirsty had dug out her mum's stamp collection. | 0:10:48 | 0:10:52 | |
I can't help wondering if her fascination with stamps and first day covers | 0:10:52 | 0:10:55 | |
led to Brenda's careers as a post mistress. | 0:10:55 | 0:10:58 | |
We'll find out, maybe. | 0:10:58 | 0:10:59 | |
Paul values this collection of modern stamps at £40 to £80. | 0:10:59 | 0:11:04 | |
-Ah, now then, Brenda. -I see you've found watches. -Yes. Now then, | 0:11:04 | 0:11:08 | |
-Were these something that you earmarked to sell? -Yes, they're all to go. | 0:11:08 | 0:11:11 | |
Right. So who did these belong to, then? | 0:11:11 | 0:11:13 | |
-Right. That was bought by my husband, actually. -OK. | 0:11:13 | 0:11:17 | |
-It's never been used. -Right. | 0:11:17 | 0:11:18 | |
That was my husband's watch that he wore all the time, | 0:11:18 | 0:11:21 | |
and nobody wants it. | 0:11:21 | 0:11:22 | |
-I take it this was your watch, here? -No, it was my daughter's. | 0:11:22 | 0:11:25 | |
I don't think I've ever had such a tiny wrist as that. She's always had such a tiny little wrist. | 0:11:25 | 0:11:29 | |
But it's not the type, the style she wears any longer. | 0:11:29 | 0:11:33 | |
Well, do you know what? She's not on her own, there, actually. | 0:11:33 | 0:11:36 | |
The fashion for these very delicate, very feminine, | 0:11:36 | 0:11:39 | |
very small watches, does tend to be on the wane. | 0:11:39 | 0:11:41 | |
-People now tend to go for these very over-sized man's watches, really. -Yes. Yeah. | 0:11:41 | 0:11:46 | |
But that one is solid gold, as is this one. | 0:11:46 | 0:11:48 | |
This is probably your main one amongst this. | 0:11:48 | 0:11:51 | |
Ah, that came from granddad Hawes, from their paternal grandfather, | 0:11:51 | 0:11:54 | |
and it went to my son, because he was the only grandson. | 0:11:54 | 0:11:58 | |
OK, this is a beautiful, solid gold, 1950s, 1960s dress watch. | 0:11:58 | 0:12:02 | |
It's an automatic, which is lovely. | 0:12:02 | 0:12:05 | |
The value does tend to be in the movements, | 0:12:05 | 0:12:08 | |
-and people go for Rolex, Patek Philippe and these very, very expensive brands. -Yeah, yeah. | 0:12:08 | 0:12:13 | |
Atlantic's not one I've heard of, but it is a good one, | 0:12:13 | 0:12:16 | |
it's got 21 jewels, which is a high number of jewels, | 0:12:16 | 0:12:18 | |
most watches have 17, so 21 is good. | 0:12:18 | 0:12:21 | |
Let's have a look. | 0:12:21 | 0:12:22 | |
And that's running away, I can hear a very faint tick, | 0:12:22 | 0:12:25 | |
which is great. And I think what has happened here, | 0:12:25 | 0:12:27 | |
this has maybe had a leather strap at some point. | 0:12:27 | 0:12:30 | |
-OK. -Or the strap's been replaced. | 0:12:30 | 0:12:31 | |
If you have a look, the actual case itself, the watch itself | 0:12:31 | 0:12:34 | |
-is very much a rose gold. -Right. -Has a high copper content, | 0:12:34 | 0:12:37 | |
-like a reddish tinge to it. -Yes. -But doesn't quite match the strap. | 0:12:37 | 0:12:40 | |
-Right, OK. -The strap's been added at a later date. | 0:12:40 | 0:12:42 | |
The brand-new one, that looks really good. It's in its original box. | 0:12:42 | 0:12:45 | |
-This one's 18 carat gold plated. -Right, OK. | 0:12:45 | 0:12:48 | |
So what it's been, is that it's made of metal, | 0:12:48 | 0:12:50 | |
and then there's a flash of gold put on top of it. | 0:12:50 | 0:12:54 | |
So the value, really, has to be in these two gold ones, here. | 0:12:54 | 0:12:59 | |
Do you know what? I think you're around two to three hundred, | 0:12:59 | 0:13:01 | |
-to give them a chance at auction. How does that sound? -Brilliant! | 0:13:01 | 0:13:04 | |
What we might find is that the auctioneer splits one or two | 0:13:04 | 0:13:07 | |
and puts them into separate lots. | 0:13:07 | 0:13:09 | |
But, I say at least 200 for the sale. How does that sound? | 0:13:09 | 0:13:11 | |
-That sounds brilliant, yeah. -All right. | 0:13:11 | 0:13:13 | |
-300 sounds better... -It does! -..but 200's fine. | 0:13:13 | 0:13:15 | |
It won't be long before we sell these gold watches. | 0:13:16 | 0:13:19 | |
I wonder how high the bidders are prepared to go? | 0:13:19 | 0:13:22 | |
-150. -It's going. | 0:13:22 | 0:13:24 | |
160. 170. | 0:13:24 | 0:13:26 | |
-180. 190. -It's going the right way. | 0:13:26 | 0:13:29 | |
Keep going, fellas - this could be very exciting! | 0:13:29 | 0:13:32 | |
-200. -200. -Oh, good! -We've got it! | 0:13:32 | 0:13:35 | |
We forge ahead with our treasure hunt in Hampshire, | 0:13:37 | 0:13:40 | |
searching high and low to find just the right thing to tempt those bidders. | 0:13:40 | 0:13:44 | |
It's great to see everyone pulling their weight. | 0:13:47 | 0:13:49 | |
Oh, I was just phoning for a pizza. | 0:13:49 | 0:13:51 | |
But I seem to have dialled 1914. | 0:13:51 | 0:13:53 | |
Hello? | 0:13:53 | 0:13:54 | |
Ah, look at this. | 0:13:56 | 0:13:57 | |
Bit of First World War memorabilia, here. I can tell straightaway. | 0:13:57 | 0:14:00 | |
So who was in the Notts And Derby regiment? | 0:14:00 | 0:14:02 | |
Not sure about the Notts And Derby. | 0:14:02 | 0:14:04 | |
The Leicester, my maternal grandfather was in there, | 0:14:04 | 0:14:06 | |
and these are his things that he collected. | 0:14:06 | 0:14:09 | |
It's really interesting, isn't it? Bits and bobs. | 0:14:09 | 0:14:11 | |
These are real pieces of memorabilia. You've got some cap badges, got some buttons, uniforms. | 0:14:11 | 0:14:16 | |
-These things are quite hard to find nowadays. -Really? | 0:14:16 | 0:14:19 | |
If you think about it, they're almost 100 years old, | 0:14:19 | 0:14:21 | |
they date from the First World War, so they haven't survived in large numbers. | 0:14:21 | 0:14:25 | |
What you do tend to find are the three medals that everyone was issued with, | 0:14:25 | 0:14:28 | |
Pip, Squeak and Wilfred, they were issued to anybody that was involved in the First World War. | 0:14:28 | 0:14:32 | |
And you have one example here, which is the British war medal, 1914-18, | 0:14:32 | 0:14:37 | |
and this one was presented to a Private V Hudson, | 0:14:37 | 0:14:41 | |
and he was in the East Yorks regiment. | 0:14:41 | 0:14:43 | |
-Do you know who that was? -Haven't a clue. | 0:14:43 | 0:14:46 | |
-Haven't a clue. -Not a clue. -Right, OK. | 0:14:46 | 0:14:48 | |
Well, there's a fascination with these now, | 0:14:48 | 0:14:50 | |
because each one of them was individually presented, | 0:14:50 | 0:14:52 | |
-they all have the army number on. -Yes. | 0:14:52 | 0:14:55 | |
So there are websites now where you can go and find out | 0:14:55 | 0:14:57 | |
-exactly what happened to him, what campaigns he was involved in. -Wow. -Oh, right. | 0:14:57 | 0:15:01 | |
So what's happened, it's made war medals, | 0:15:01 | 0:15:04 | |
particularly First World War medals, very collectable, | 0:15:04 | 0:15:06 | |
-cos you can find out lots of history about the person. -Yeah. -I bet. | 0:15:06 | 0:15:09 | |
But this is a common medal, there was over six million of these issued. | 0:15:09 | 0:15:14 | |
Anything else to do with the First World War? | 0:15:14 | 0:15:17 | |
Yeah, I've got some postcards here that were also his. | 0:15:17 | 0:15:20 | |
These are great, First World War postcards. | 0:15:20 | 0:15:23 | |
Now are often in sets, you'd have a set of six and they'd tell a story. | 0:15:23 | 0:15:28 | |
But these were designed for the troops in the trenches to send back to their loved ones, | 0:15:28 | 0:15:33 | |
because they were separated from people at home. | 0:15:33 | 0:15:36 | |
You'd write your thoughts on the back and post them through the army post. | 0:15:36 | 0:15:39 | |
-Great poses as well, aren't they? -They're always romantic. -And emotional some of them. | 0:15:39 | 0:15:43 | |
-Exactly. Are there any inscriptions on the back? -No. | 0:15:43 | 0:15:47 | |
Sometimes the most highly-prized one where you'd get a loved one that would say, | 0:15:47 | 0:15:51 | |
"I'm in the trenches," and what's happening. | 0:15:51 | 0:15:54 | |
Sometimes you'd get them where they'd hide messages underneath the stamp. | 0:15:54 | 0:15:59 | |
So when the stamp's peeled off it would say, "I love you, but I can't tell me mates!" | 0:15:59 | 0:16:03 | |
-Ooh! -Lovely. I always knew you cared! | 0:16:03 | 0:16:07 | |
That was the idea. Of course you wouldn't want your mates to know you were being soppy. | 0:16:07 | 0:16:11 | |
The postcards you're looking at at least two or three pounds each. | 0:16:11 | 0:16:15 | |
You have got quite a collection. You've got some good medals and badges there. | 0:16:15 | 0:16:20 | |
I think you're approaching 50 to 80. How does that sound? Give them a chance at the auction. | 0:16:20 | 0:16:24 | |
Oh great. that would be good, very good. | 0:16:24 | 0:16:26 | |
Well you know what I'm going to say next, don't you? Let's carry on! | 0:16:26 | 0:16:30 | |
-A cup of tea's in order. -No time for tea. | 0:16:30 | 0:16:33 | |
There's a wealth of history in those medals and buttons and very sentimental postcards. | 0:16:33 | 0:16:38 | |
Pressing on and I think I've got another item to add to our list. | 0:16:38 | 0:16:42 | |
This charm bracelet has a fish, a steam engine, a camera, a whistle, a locket. | 0:16:42 | 0:16:47 | |
And believe it or not, a frog! Plus other oddities. | 0:16:47 | 0:16:50 | |
Silver is popular place at the moment, so it could go for £20 to £30 or maybe more. | 0:16:50 | 0:16:57 | |
I think that find has earned me a little break, don't you think? | 0:16:57 | 0:17:00 | |
This is where you hang out? It's lovely. | 0:17:00 | 0:17:02 | |
Thank you. I get a great deal of enjoyment from the garden and I do a lot of work in it as well. | 0:17:02 | 0:17:07 | |
-You can tell! -Thank you. | 0:17:07 | 0:17:09 | |
I think I spend as much in me local garden centre as I do in town | 0:17:09 | 0:17:12 | |
for the clothes and that's saying something. | 0:17:12 | 0:17:14 | |
-It's lovely, it's a real oasis. -Yes, totally calm and beautiful. | 0:17:14 | 0:17:19 | |
What I like about your house is everywhere you look there's old photographs, lots of memorabilia, | 0:17:19 | 0:17:24 | |
also lots of memorabilia about your father. Tell us a bit about him. | 0:17:24 | 0:17:28 | |
Yeah, he was a very athletic, | 0:17:28 | 0:17:31 | |
very active young man. | 0:17:31 | 0:17:33 | |
His father was a boxing coach. | 0:17:33 | 0:17:36 | |
My father was Northern County Juniors Champion three years in a row. | 0:17:36 | 0:17:40 | |
-He was called Boy Burton! -Great name. -Yes. | 0:17:40 | 0:17:44 | |
When he was 20, he volunteered and he was wounded a couple of times. | 0:17:44 | 0:17:50 | |
When he was 24 he was wounded at Arnhem and captured | 0:17:50 | 0:17:55 | |
and for about three years, spent in the POW camp in Germany, Stalag 7A, most of the time in hospital. | 0:17:55 | 0:18:04 | |
But they did save his life. | 0:18:04 | 0:18:06 | |
And the Germans used to send rocket mail, or V-Bombs as they were called, to this country | 0:18:06 | 0:18:13 | |
and there were filled with propaganda, to try and tell the people the Germans were winning | 0:18:13 | 0:18:18 | |
and to try and demoralise the British people. | 0:18:18 | 0:18:21 | |
The only reason people picked them up, | 0:18:22 | 0:18:25 | |
was there were letters from prisoners of war to their families. | 0:18:25 | 0:18:30 | |
People may not have known whether they were alive or dead, | 0:18:30 | 0:18:34 | |
and my father's letter was in one of these V-bombs, | 0:18:34 | 0:18:38 | |
they used to call them rocket mail, | 0:18:38 | 0:18:41 | |
and there is a note on the bottom from the Camp Commandant | 0:18:41 | 0:18:45 | |
to say he is as well as could expected and is making good progress. | 0:18:45 | 0:18:50 | |
-Gosh, an interesting life your father had. -Very. | 0:18:50 | 0:18:53 | |
What about the work that you did, heart of the community? | 0:18:53 | 0:18:56 | |
Yes, it was good fun. I loved it. I've been in the Post Office since I was 18, | 0:18:56 | 0:19:01 | |
apart from a break of seven years when I had my children. | 0:19:01 | 0:19:04 | |
And then I went back to it and I loved it, yes. I used to love the work. I used to love being busy. | 0:19:04 | 0:19:10 | |
I loved working with the public and trying to help them out if I could. | 0:19:10 | 0:19:15 | |
It was great if I could help people out. | 0:19:15 | 0:19:17 | |
What's the best thing about your life now? | 0:19:17 | 0:19:20 | |
My granddaughter certainly is one of the best bits and having such a wonderful place to live in | 0:19:20 | 0:19:25 | |
and I thank God every day I don't forget to appreciate it. | 0:19:25 | 0:19:32 | |
While we've been enjoying a cuppa, poor old Paul's had to make do | 0:19:32 | 0:19:36 | |
with an empty silver teapot in the garage. | 0:19:36 | 0:19:38 | |
In fact there's quite a bit of silver-plated tableware. | 0:19:38 | 0:19:43 | |
Some pieces were inherited from an aunt and others bought in a charity shop. | 0:19:43 | 0:19:46 | |
It's a good idea to group similar lots for auction. | 0:19:46 | 0:19:50 | |
So this cruet set, candle sticks, sugar bowl and a tea tray could fetch a further £40 to £80. | 0:19:50 | 0:19:56 | |
But Kirsty can now take us from silver to gold. | 0:19:56 | 0:20:00 | |
Oh, look at that. I never knew you cared! Thank you very much. Whose is this? | 0:20:00 | 0:20:04 | |
That's my mum's, my dad gave it to her a number of years ago now. | 0:20:04 | 0:20:07 | |
-Look at that. Now then, these are amethysts and little diamonds, can you see that? -Yes. | 0:20:07 | 0:20:11 | |
You can see this is 1970s really, | 0:20:11 | 0:20:15 | |
'60s, '70s, you can tell by this bark effect on the gold, | 0:20:15 | 0:20:20 | |
that was very popular and the whole thing will be a nine carat. | 0:20:20 | 0:20:24 | |
Yeah, 9375, so it's nine carat rose gold, that one. | 0:20:24 | 0:20:27 | |
It's a type of dress ring, so you'd wear it just on a special occasion. | 0:20:27 | 0:20:31 | |
But the colour purple is really popular and amethysts are popular. | 0:20:31 | 0:20:35 | |
They go back to ancient Rome and Greece and if you translate the word, | 0:20:35 | 0:20:39 | |
amethyst is actually two words in Ancient Greek. | 0:20:39 | 0:20:42 | |
-"A" means "not". "Methusos" means "intoxicated". -Right, OK. | 0:20:42 | 0:20:47 | |
So we believe in ancient Rome and Greece the amethyst could protect you from becoming intoxicated. | 0:20:47 | 0:20:54 | |
They went to extremes of making drinking vessels from amethyst to try and stop them getting drunk. | 0:20:54 | 0:20:59 | |
But very popular. Lovely stones. | 0:20:59 | 0:21:02 | |
The four precious stones are diamonds emeralds, rubies, sapphires. | 0:21:02 | 0:21:07 | |
They're the ones that hold at the most value. | 0:21:07 | 0:21:10 | |
Everything else is classed as a semi-precious stone, so there's not a great deal of value in them. | 0:21:10 | 0:21:16 | |
So is this your style, then? Is that something you'd wear? | 0:21:16 | 0:21:19 | |
It's not really something I would wear. I'm a bit more modern than that older style. | 0:21:19 | 0:21:22 | |
That is exactly what happens, things can go in and out of fashion. | 0:21:22 | 0:21:25 | |
Do you think it's sentimental to your mum? | 0:21:25 | 0:21:29 | |
It's got nice memories to it, but I don't think it's something she wears. I think she'd be OK. | 0:21:29 | 0:21:33 | |
The fashion has gone for this, but it is gold at the end of the day, it's a bit of '60s retro, | 0:21:33 | 0:21:38 | |
it's nice amethyst, diamonds there, | 0:21:38 | 0:21:43 | |
if I said 40 to 60 to give it a chance, | 0:21:43 | 0:21:46 | |
and I think on the day somebody might take a shine to that. | 0:21:46 | 0:21:49 | |
Brilliant. I think she'll be pleased with that. | 0:21:49 | 0:21:51 | |
-OK, we'll keep it in its nice box and give it back to you. -I will put it on the safe bit. | 0:21:51 | 0:21:55 | |
Great, let's keep looking, let's see what else we can find. | 0:21:55 | 0:21:58 | |
Our total must be looking very healthy. | 0:21:58 | 0:22:02 | |
So let's see if there are any last gems to add to the list. | 0:22:02 | 0:22:05 | |
Brenda has found these 19th century oil paintings hidden in the closet. | 0:22:05 | 0:22:10 | |
The signature on this landscape is hard to read, but the other is signed MacCartney. | 0:22:10 | 0:22:14 | |
The third seems to be a view of the Durdle Door, near Lulworth Cove in Dorset. | 0:22:14 | 0:22:18 | |
It's signed CM and dated 1881. | 0:22:19 | 0:22:23 | |
Finally a view of a cottage. The whole lot could make £30 to £60. | 0:22:23 | 0:22:28 | |
-Oh, Paul, you found Alex's toys! -You know, you can hardly miss this. | 0:22:31 | 0:22:34 | |
-Who is the science fiction fan? -Oh, it's my son. My son was absolutely potty about it all. | 0:22:34 | 0:22:40 | |
-He was only about three when it all started. -He really loved it. | 0:22:40 | 0:22:44 | |
He couldn't wait to get to the toy shop to buy a new toy each week with his pocket money. | 0:22:44 | 0:22:48 | |
-So he has bought these individually himself over the years? -Yes. -Wow! | 0:22:48 | 0:22:51 | |
It was 1977 when the first Star Wars movie came out. | 0:22:51 | 0:22:56 | |
The very clever trick, George Lucas was the writer and the director, | 0:22:56 | 0:23:00 | |
but he also had the idea of producing the merchandise | 0:23:00 | 0:23:03 | |
and he was on quite a big percentage from the merchandising. | 0:23:03 | 0:23:07 | |
So we've all these figurines of all these characters and they've sold in their millions. | 0:23:07 | 0:23:12 | |
Something like 250 million. | 0:23:12 | 0:23:15 | |
But there are collectors that tend to go for rare issues - | 0:23:15 | 0:23:19 | |
things with different paint schemes, different characters, the accessories. | 0:23:19 | 0:23:23 | |
You've got the Millennium Falcon, which was shaped on a hamburger! | 0:23:23 | 0:23:27 | |
Then you've got the AT-AT, the Ewok village, there literally is something here for everybody. | 0:23:27 | 0:23:34 | |
So how does he feel about letting them go now? | 0:23:34 | 0:23:37 | |
He hasn't looked a them for about the last 20 years, I don't think, but the time has come. | 0:23:37 | 0:23:43 | |
Were there any he bought really as a collector's item? | 0:23:43 | 0:23:46 | |
There was one that was a very special thing. | 0:23:46 | 0:23:48 | |
We had to send away for this one. It wasn't readily available on the shelves. | 0:23:50 | 0:23:53 | |
And it's still in its box. | 0:23:53 | 0:23:57 | |
Well, you weren't on your own, when the first movie came out, that Christmas, | 0:23:57 | 0:24:02 | |
the demand for the toys was enormous and very cleverly what they decided to do was to sell you the box | 0:24:02 | 0:24:08 | |
and when the toy was manufactured later, you were able to go in with your empty box and buy the toy. | 0:24:08 | 0:24:14 | |
So a lot of people just bought the box and waited for the actual thing to arrive. | 0:24:14 | 0:24:18 | |
-Which is amazing. -It is. -Clever marketing, but what a successful thing it's been. | 0:24:18 | 0:24:22 | |
I have seen these being sold before, they can range from a couple of pounds upwards. | 0:24:22 | 0:24:27 | |
And people can pay quite large amounts for the rarer examples. | 0:24:27 | 0:24:31 | |
Realistically, what I'd like to do is put a price on them just for the sake of our target. | 0:24:31 | 0:24:36 | |
If it turns out that there are some rarer examples, the auctioneer will pick up on them on the day | 0:24:36 | 0:24:40 | |
and what will happen is we'll split these into a couple of lots. | 0:24:40 | 0:24:43 | |
So rather than sell everything in one, we'll try and put them into two or three lots. | 0:24:43 | 0:24:47 | |
But if I said at least £100, up to a couple of hundred pounds. How does that sound to you? | 0:24:47 | 0:24:54 | |
-Fabulous. -Well you know it could be intergalactic! | 0:24:54 | 0:24:57 | |
But I bet you Aled's a Star Wars fan. | 0:24:57 | 0:24:59 | |
Aled, are you a Star Wars fan? | 0:25:01 | 0:25:03 | |
-I am, why? -Look at this lot here. -That's amazing. -There you are. | 0:25:03 | 0:25:07 | |
-So we have got a good lot here I've said at least 100, just for our target. -Wow! | 0:25:07 | 0:25:13 | |
You were after £400. How well do you think you've done? | 0:25:13 | 0:25:16 | |
Hmm...maybe just shy, just shy of it. | 0:25:16 | 0:25:19 | |
-What about you? What do you think? -We'll be fine. | 0:25:19 | 0:25:23 | |
You'll be more than fine. | 0:25:23 | 0:25:25 | |
Taking Paul's valuation of everything we've found today you're looking to make around £670! | 0:25:25 | 0:25:31 | |
-Bring on the double extension. -Fantastic! | 0:25:34 | 0:25:37 | |
-Next time we'll see you will be in the auction and let's hope the Force is with you! -Aw! | 0:25:37 | 0:25:43 | |
It weren't that bad! | 0:25:44 | 0:25:46 | |
You don't need to be Yoda to know success or failure at auction | 0:25:46 | 0:25:49 | |
depends on having the right bidders in the room. | 0:25:49 | 0:25:52 | |
Let's hope it's full with militaria collectors for these medals, badges and postcards of the Great War. | 0:25:52 | 0:25:57 | |
Valued at £50 to £80. | 0:25:57 | 0:26:02 | |
The Whitefriars decanters and glassware also deserve a mention. | 0:26:02 | 0:26:05 | |
A present from Brenda's in-laws, they could deliver £40 to £80. | 0:26:05 | 0:26:10 | |
Now, what about the assortment of gold watches? | 0:26:10 | 0:26:13 | |
I expect they'll be a much safer bet | 0:26:13 | 0:26:15 | |
with names like Atlantic and Seiko on offer. | 0:26:15 | 0:26:17 | |
We're looking at £200 to £300. | 0:26:17 | 0:26:19 | |
Still to come on Cash in the Attic, Paul shows us why he is famous all over the world for his groovy moves! | 0:26:23 | 0:26:29 | |
Show us that footwork again! | 0:26:29 | 0:26:32 | |
Is what you do when your excited, you go? | 0:26:32 | 0:26:34 | |
But who's wearing the trousers around here? | 0:26:34 | 0:26:37 | |
Many people that watch this programme think we're like a married couple | 0:26:37 | 0:26:41 | |
-and up next is the old wife, I'm not sure if that's you or me! -It's all a rumour. | 0:26:41 | 0:26:45 | |
Find out when the final hammer falls. | 0:26:45 | 0:26:48 | |
Well it's been a few weeks since we met up with Brenda and her daughter, Kirsty, in Basingstoke. | 0:26:54 | 0:26:59 | |
We've brought all their items here to Sworders Auction Room in Stansted | 0:26:59 | 0:27:02 | |
and they're hoping to raise £400 at least so Brenda can build an extension | 0:27:02 | 0:27:07 | |
so her granddaughter, Sophie, can play in it. | 0:27:07 | 0:27:10 | |
All together now, "Aw!" | 0:27:10 | 0:27:11 | |
At this auction house in Essex, Brenda and Kirsty check their belongings, dotted about the room. | 0:27:12 | 0:27:17 | |
The Star Wars collection seems to have been given a prime spot. | 0:27:17 | 0:27:22 | |
-Ah the intrepid twosome. How are you? -Very well thank you. Nice to see you. | 0:27:22 | 0:27:26 | |
Are you going to be sad to see anything go? | 0:27:26 | 0:27:29 | |
Not really, no. I haven't sent anything that would make me sad to sell. | 0:27:29 | 0:27:34 | |
I've only sold the things that are superfluous to my needs. | 0:27:34 | 0:27:39 | |
The charm bracelet for me. I remember playing with the charms on it when I was a little girl. | 0:27:39 | 0:27:43 | |
So I will be quite sad to see that go. | 0:27:43 | 0:27:45 | |
We'll block your ears then when that comes up. We don't want you to be in pain. | 0:27:45 | 0:27:48 | |
Have you put a reserve on anything? | 0:27:48 | 0:27:51 | |
Yes, I have, I've put a reserve on the gold watch my father-in-law left Alex in his will, | 0:27:51 | 0:27:55 | |
So that's got sentimental value, so, I've put £200 reserve on that. | 0:27:55 | 0:28:00 | |
-That's a good idea isn't it? -Yes, especially before the auction starts. | 0:28:00 | 0:28:03 | |
So everyone's aware of that reserve on there. | 0:28:03 | 0:28:05 | |
The auctioneer soon gets under way and we hope Brenda's first lot of the day, | 0:28:05 | 0:28:10 | |
which came from an old aunt, will add up to more than the sum of its many silver parts. | 0:28:10 | 0:28:16 | |
Okey-doke, charm bracelet first, hoping for big things for this? | 0:28:16 | 0:28:20 | |
I just hope it goes, I don't really want it. | 0:28:20 | 0:28:22 | |
It's very attractive and very unusual, it's got some quite good moving parts on the charms. | 0:28:22 | 0:28:29 | |
-Bit like Paul then, he's got quite a few good moving parts. -Charming and moving parts! | 0:28:29 | 0:28:34 | |
-You just summed him up. -Absolutely. -20 to 30 quid, we should get that, shouldn't we? | 0:28:34 | 0:28:37 | |
I'd love to think so. Funnily enough silver's all the rage at the moment. | 0:28:37 | 0:28:41 | |
People are going off gold and going into silver. | 0:28:41 | 0:28:44 | |
There's quite a lot on here and if you took them off individually, they could be pendants. | 0:28:44 | 0:28:48 | |
10 I'm bid. at 10. 15. 18. 20. | 0:28:48 | 0:28:53 | |
-Hey! -Five. On my left at 25. 28. 30. | 0:28:53 | 0:28:57 | |
-Come on! -35. 38. -Get on with it! | 0:28:57 | 0:29:03 | |
£38 in the hat. 40 now. Selling. Gentleman's bid at 38. | 0:29:03 | 0:29:07 | |
40. 42. 45. 48. 50. Five. | 0:29:07 | 0:29:13 | |
60. Five. 70. Five. 80. Five. | 0:29:13 | 0:29:18 | |
-That's really great! -Still in the hat at 85. -I'm really excited! | 0:29:18 | 0:29:22 | |
You sure this time? At 85. | 0:29:23 | 0:29:26 | |
-Well done. -I tell you what, you can forget the extension, you can buy a new house! | 0:29:27 | 0:29:32 | |
-That is brilliant. -That is fantastic. -Well chuffed with that. | 0:29:32 | 0:29:36 | |
-Try not to collapse with excitement. -I'm quite worried about her! | 0:29:36 | 0:29:40 | |
Brenda was clearly pumped up about that one. So we're off to a promising start. | 0:29:40 | 0:29:45 | |
More jewellery now, that rather chunky nine carat gold ring with amethyst stones. | 0:29:45 | 0:29:50 | |
It's valued at £40 to £60. | 0:29:50 | 0:29:53 | |
10 I'm bid. At £10. 12 anywhere? | 0:29:53 | 0:29:56 | |
12. 15. At 15 I'm bid. | 0:29:56 | 0:30:00 | |
18 anywhere? I shall sell it then at £15 only. £15. | 0:30:00 | 0:30:06 | |
-£25 under our lowest estimate. -A big difference. | 0:30:06 | 0:30:08 | |
That's disappointing, isn't it? | 0:30:08 | 0:30:10 | |
Don't look at me like that, it's not my fault! | 0:30:10 | 0:30:12 | |
We'll get you up there doing it, shall we? | 0:30:12 | 0:30:14 | |
No, I could sing it for you. | 0:30:14 | 0:30:15 | |
you probably wouldn't get a fiver for it, then! | 0:30:15 | 0:30:17 | |
Ah, well, you can't win 'em all. | 0:30:17 | 0:30:19 | |
Let's hope the next lot can do better. | 0:30:19 | 0:30:21 | |
It's the collection of gold watches, one ladies and three gents. | 0:30:21 | 0:30:25 | |
The right-hand one was given to Brenda's son Alex | 0:30:25 | 0:30:28 | |
by her father-in-law, hence the £200 reserve. | 0:30:28 | 0:30:31 | |
I start the bidding for all those items at £100. | 0:30:33 | 0:30:37 | |
-100. We're in. -I'll take 10 anywhere. | 0:30:37 | 0:30:39 | |
110, 120, 130, | 0:30:39 | 0:30:43 | |
140, 150. | 0:30:43 | 0:30:44 | |
It's going - 160, | 0:30:44 | 0:30:47 | |
170, 180. | 0:30:47 | 0:30:48 | |
-It's going the right way. -190. | 0:30:48 | 0:30:50 | |
The bid's near the counter and I'm selling. 200. | 0:30:50 | 0:30:54 | |
Good. We've got it. | 0:30:54 | 0:30:56 | |
230, 240. | 0:30:56 | 0:30:57 | |
I'm biting my nails. | 0:30:58 | 0:31:00 | |
£250. | 0:31:00 | 0:31:02 | |
Right in front of me at 250, 260 anywhere? Your last chance, | 0:31:02 | 0:31:08 | |
selling at 250. | 0:31:08 | 0:31:09 | |
So what sort of skylights does Sophie want | 0:31:11 | 0:31:14 | |
in her extensive penthouse? You're doing great. | 0:31:14 | 0:31:19 | |
Well, I'm sure that'll make a big difference to the grand total. | 0:31:19 | 0:31:23 | |
So, what about this assortment of electroplated silverware? | 0:31:23 | 0:31:27 | |
We're looking for somewhere between £40-£80. | 0:31:27 | 0:31:29 | |
I don't know about you, Aled, | 0:31:29 | 0:31:32 | |
but I don't sit down with a silver tea set in the morning. | 0:31:32 | 0:31:34 | |
-You do! -These are some plated items, | 0:31:34 | 0:31:37 | |
you've got a coffee pot, tea pot and a tray...Have you ever used these? | 0:31:37 | 0:31:41 | |
I used to use them when I first had them, yes. I have used them, but no. | 0:31:41 | 0:31:45 | |
Not any more. I just get fed up with polishing them, really. | 0:31:45 | 0:31:47 | |
-Let's hope we sell it. -Let's hope so. | 0:31:47 | 0:31:49 | |
-They're coming up next. -30, 20, 10, | 0:31:49 | 0:31:51 | |
5. £5? Anybody? Any bids? 5. | 0:31:51 | 0:31:55 | |
8, 10, 12, | 0:31:55 | 0:31:57 | |
15, 18... | 0:31:58 | 0:32:00 | |
At £18, I shall sell. | 0:32:00 | 0:32:02 | |
20 anywhere? | 0:32:02 | 0:32:03 | |
-20. -£20 - come on! | 0:32:03 | 0:32:05 | |
22, at £22 I'm bid. | 0:32:05 | 0:32:09 | |
-There you go, 22 quid, all right. -That's fine. | 0:32:10 | 0:32:13 | |
-It started terribly. -Yes, it did didn't it? | 0:32:13 | 0:32:15 | |
-I thought it was going to take a billion(!) -At one point he said, "Half a crown?" | 0:32:15 | 0:32:19 | |
Well, it wasn't a sterling result, | 0:32:19 | 0:32:21 | |
but we must be pretty close to our original target by now, | 0:32:21 | 0:32:24 | |
so let's not fret too much. | 0:32:24 | 0:32:26 | |
From the silver pots and tray, | 0:32:26 | 0:32:27 | |
to a Midwinter tea set. This was a wedding present | 0:32:27 | 0:32:30 | |
to Brenda and John back in 1967. | 0:32:30 | 0:32:33 | |
I wonder what it cost back then and whether it'll make £30-£60 today? | 0:32:33 | 0:32:37 | |
At £30 I'm bid, 32 anywhere? All that Midwinter. | 0:32:38 | 0:32:41 | |
At 30. | 0:32:41 | 0:32:43 | |
It's a fair price and we're happy enough with that. | 0:32:44 | 0:32:48 | |
Now then, it is Brenda's son's collection of Star Wars memorabilia, | 0:32:48 | 0:32:51 | |
which has already drawn some attention via the internet. | 0:32:51 | 0:32:54 | |
This could go one of two ways. | 0:32:54 | 0:32:56 | |
If the toy collectors aren't here, then... | 0:32:56 | 0:32:58 | |
Yeah, but we have done our homework, | 0:32:58 | 0:32:59 | |
We've contacted as many Star Wars collectors as we can... | 0:32:59 | 0:33:02 | |
It's a very specialised market, very niche market. | 0:33:02 | 0:33:05 | |
We're going to hope for £100 here today. See how it does. | 0:33:05 | 0:33:08 | |
-50, I'm bid. -We're nearly there. | 0:33:08 | 0:33:09 | |
60 anywhere? | 0:33:09 | 0:33:11 | |
60, 70, | 0:33:11 | 0:33:12 | |
-80, 90. -Here we go. -100. | 0:33:12 | 0:33:14 | |
-110, 120, 130. -Good. | 0:33:14 | 0:33:18 | |
140, 150. | 0:33:18 | 0:33:19 | |
Commission bid at £150. | 0:33:21 | 0:33:25 | |
-150. -That's brilliant! -Really pleased with that! | 0:33:25 | 0:33:29 | |
Did you notice in the middle of it, some footwork? Show us that again. | 0:33:29 | 0:33:32 | |
Is that what you do when you're excited? You go. | 0:33:32 | 0:33:35 | |
Well, the excitement those toys provided all those years ago, | 0:33:35 | 0:33:39 | |
is matched by ours here today | 0:33:39 | 0:33:40 | |
as we tot up the figures at the midpoint of our sale. | 0:33:40 | 0:33:44 | |
-Well, that's been fun. Half-time, OK? -Yes. | 0:33:44 | 0:33:46 | |
-You were after 400 quid minimum. -Yes. | 0:33:46 | 0:33:48 | |
For little Sophie. | 0:33:48 | 0:33:50 | |
-I can tell you that so far it's £552. -Really? | 0:33:50 | 0:33:54 | |
-That's amazing. -The pressure's off. | 0:33:54 | 0:33:57 | |
-Oh, wonderful! -Everything now is a bonus. -I'm really pleased. -Like it. | 0:33:57 | 0:34:00 | |
I hope I haven't jinxed the whole thing and you won't sell anything in the second half! | 0:34:00 | 0:34:04 | |
During our break, Paul takes this chance | 0:34:04 | 0:34:06 | |
to scout out worthy investments | 0:34:06 | 0:34:08 | |
and bargains on offer in the saleroom. | 0:34:08 | 0:34:10 | |
I wonder what he's found over in the furniture section? | 0:34:10 | 0:34:13 | |
What are you studying there now? | 0:34:14 | 0:34:17 | |
Look at the size of that table, isn't that fantastic? | 0:34:17 | 0:34:19 | |
-A serious Christmas party table, isn't it? -You're right. | 0:34:19 | 0:34:21 | |
What a wonderful thing for a special occasion, if you've got the dining room to put it in. | 0:34:21 | 0:34:25 | |
-What's that, about an eight-seater? -I think eight or possibly even 12. | 0:34:25 | 0:34:29 | |
The whole thing's solid mahogany, | 0:34:29 | 0:34:31 | |
dates to about 1900, 1920. | 0:34:31 | 0:34:34 | |
It has a gadrooned border, which is very much a military symbol | 0:34:34 | 0:34:38 | |
and then these wonderful cabriole Queen Anne legs | 0:34:38 | 0:34:40 | |
with the ball and claw feet, which is very much a power table. | 0:34:40 | 0:34:43 | |
Just look at the size of this mahogany in the middle. | 0:34:43 | 0:34:46 | |
Isn't that wonderful? All one piece of mahogany. I love that. | 0:34:46 | 0:34:49 | |
You mentioned power, do you have to be a high flyer to afford it? | 0:34:49 | 0:34:52 | |
Funnily enough, if you had a large enough house to put this in | 0:34:52 | 0:34:55 | |
and you went to buy this retail, then you would pay quite a lot of money for it. | 0:34:55 | 0:34:59 | |
When they come to auction, A, you have to get it home. | 0:34:59 | 0:35:01 | |
B, not many people can accommodate a table like this. | 0:35:01 | 0:35:04 | |
-These can be surprisingly inexpensive. -Ooh! | 0:35:04 | 0:35:07 | |
I think I would be very surprised if it fetched over the £500 mark. | 0:35:07 | 0:35:11 | |
Which is still a lot of money, | 0:35:11 | 0:35:13 | |
but it's nothing for a table of this size. | 0:35:13 | 0:35:15 | |
Brilliant. What a good tip. | 0:35:15 | 0:35:17 | |
-You having a starter? -I'm more of a pudding man. Can't you tell? | 0:35:17 | 0:35:20 | |
The table sold later for £90 and that sounds like the bargain of the year to me. | 0:35:21 | 0:35:25 | |
If you'd like to try buying or selling in this way, | 0:35:25 | 0:35:28 | |
keep in mind that auction rooms charge fees, such as commission. | 0:35:28 | 0:35:31 | |
Your local saleroom will advise you on these extra costs. | 0:35:31 | 0:35:35 | |
Back to Brenda's lots and her stamp collection. | 0:35:35 | 0:35:37 | |
There are some railway-themed first-day covers | 0:35:37 | 0:35:39 | |
as well as some football issues. | 0:35:39 | 0:35:41 | |
What's more, she's had a brainwave. | 0:35:41 | 0:35:44 | |
I realised I had a signed photograph of Geoff Hurst | 0:35:46 | 0:35:49 | |
actually kicking the winning ball in of the World Cup, | 0:35:49 | 0:35:52 | |
as well as the World Cup stamps, | 0:35:52 | 0:35:54 | |
so I put them in a frame and I've got them in amongst it as well. | 0:35:54 | 0:35:58 | |
-Geoff Hurst. -Brilliant! | 0:35:58 | 0:36:00 | |
Lot 170. 20 I'm bid. | 0:36:01 | 0:36:03 | |
At £20, 22 anywhere? | 0:36:03 | 0:36:06 | |
22, 25, 28, 30, 32. | 0:36:06 | 0:36:11 | |
At 32, 35. | 0:36:11 | 0:36:13 | |
-You did right to put the reserve on, I think. -Yeah. | 0:36:13 | 0:36:16 | |
At £40, commission bid, you're out in the room. | 0:36:16 | 0:36:19 | |
42, 45, 48. It's in the room now. | 0:36:19 | 0:36:24 | |
Selling at £48. | 0:36:24 | 0:36:28 | |
Excellent! Get in there! | 0:36:28 | 0:36:30 | |
£48 places us neatly within the estimate. | 0:36:30 | 0:36:33 | |
Next up, the decanters, who found these? | 0:36:33 | 0:36:35 | |
-Oh, they were a wedding present. -Do you know what's really strange? | 0:36:35 | 0:36:39 | |
I haven't seen one of your decanters for years, | 0:36:39 | 0:36:41 | |
and then another one arrived... | 0:36:41 | 0:36:43 | |
The first thing I saw when I walked in | 0:36:43 | 0:36:44 | |
was another decanter on the table! | 0:36:44 | 0:36:46 | |
-Somebody clever here today could buy your lot and buy the other lot and they've got a pair. -Yes. | 0:36:46 | 0:36:50 | |
20, I'm bid. Whitefriars. | 0:36:50 | 0:36:53 | |
At £20 only, I'll take two if you like. | 0:36:53 | 0:36:55 | |
22, 5, 8, 30, 32. | 0:36:55 | 0:37:00 | |
At £32, I'm bid. I'll take five anywhere. | 0:37:00 | 0:37:04 | |
The whole lot, at £32 only, | 0:37:04 | 0:37:08 | |
35, 38, | 0:37:08 | 0:37:10 | |
40, 42, | 0:37:10 | 0:37:13 | |
45, sir? Sold at £42. | 0:37:13 | 0:37:18 | |
Again, just inside our estimate, so that's quite acceptable. | 0:37:18 | 0:37:22 | |
I wonder if the next lot could prove more exciting? | 0:37:22 | 0:37:25 | |
Only if the militaria collectors are in the room. | 0:37:25 | 0:37:28 | |
Anything to do with the First World War, | 0:37:28 | 0:37:30 | |
I think is quite poignant and it's obviously affected a lot of people, | 0:37:30 | 0:37:33 | |
affected all our families at some point. | 0:37:33 | 0:37:35 | |
I think for collectors, it's nice to have these postcards | 0:37:35 | 0:37:39 | |
in sets, in their albums. | 0:37:39 | 0:37:40 | |
I quite like this. We're looking for £50 just for this lot. | 0:37:40 | 0:37:44 | |
£50. 20 I'm bid. | 0:37:44 | 0:37:47 | |
At £20, take 2 anywhere. | 0:37:47 | 0:37:49 | |
22, 5, 8, 30. | 0:37:49 | 0:37:52 | |
A cheap lot. | 0:37:52 | 0:37:54 | |
At £30, 2 anywhere? | 0:37:54 | 0:37:57 | |
£30 only... not sold. | 0:37:57 | 0:38:01 | |
-So that didn't sell? -I'm quite pleased with that. | 0:38:01 | 0:38:03 | |
The First World War collectors weren't here today. | 0:38:03 | 0:38:06 | |
It didn't warrant letting them go for £30. I don't blame him, really. | 0:38:06 | 0:38:09 | |
The war memorabilia lives on to fight another day. | 0:38:09 | 0:38:12 | |
Now, for some rural artwork. Brenda decided not to bring the painting of the cottage, | 0:38:12 | 0:38:17 | |
but the remaining three original canvases | 0:38:17 | 0:38:19 | |
are valued together at £30-£60. | 0:38:19 | 0:38:23 | |
So, up next are the 19th-century English school oil paintings. | 0:38:23 | 0:38:28 | |
Right, OK. Yes. | 0:38:28 | 0:38:29 | |
-You'd forgotten you had them. -I was going to say, is that mine? | 0:38:29 | 0:38:32 | |
-The three paintings. -The three original oils, yes. | 0:38:32 | 0:38:35 | |
-I didn't know they were... -19th-century school... -No. | 0:38:35 | 0:38:38 | |
Aren't you glad you turned up? You've learned something! It's on now. | 0:38:38 | 0:38:43 | |
Lot 210, 50, 20 I'm bid. | 0:38:43 | 0:38:46 | |
At £20, take two anywhere? | 0:38:46 | 0:38:48 | |
At £20, two anywhere? | 0:38:48 | 0:38:50 | |
Any bids for £20? | 0:38:50 | 0:38:52 | |
Not there. | 0:38:52 | 0:38:54 | |
-No bid. -Unsold. | 0:38:54 | 0:38:56 | |
He hasn't sold those. You'll get those back. | 0:38:56 | 0:38:58 | |
Probably a good idea, you can see what they are now! | 0:38:58 | 0:39:02 | |
Uh-oh! Two no sales in a row | 0:39:02 | 0:39:05 | |
and we've not done too well since the break. | 0:39:05 | 0:39:07 | |
Perhaps these Royal Doulton china pieces will reverse the trend. | 0:39:07 | 0:39:11 | |
They were wedding presents to John's parents in 1940 | 0:39:11 | 0:39:14 | |
and this fishy vase is known as the Old Wife. | 0:39:14 | 0:39:16 | |
Many people that watch this programme think we're like a married couple | 0:39:19 | 0:39:23 | |
and up next is the Old Wife. | 0:39:23 | 0:39:24 | |
-I'm not sure if that's you or me. -It's all a rumour! | 0:39:24 | 0:39:28 | |
-We put this in at £40-£60, let's see how we get on. -Lot 187. | 0:39:28 | 0:39:32 | |
50, 20 I'm bid. At £20, | 0:39:32 | 0:39:36 | |
take two anywhere? At 22, | 0:39:36 | 0:39:38 | |
5, 8, 30. | 0:39:38 | 0:39:41 | |
-That's good. -£30, I'm bid. | 0:39:41 | 0:39:43 | |
-I will sell. -Please. | 0:39:43 | 0:39:45 | |
At 30, 32, fresh bid. | 0:39:45 | 0:39:48 | |
35 now, 38. | 0:39:48 | 0:39:50 | |
No, sold at £38. 606. | 0:39:50 | 0:39:54 | |
-Your pleas really helped. -Yeah! | 0:39:54 | 0:39:56 | |
Maybe that's what we should have been doing from the top. | 0:39:56 | 0:40:00 | |
Touch and go, but finally we got close to the lower estimate. | 0:40:00 | 0:40:05 | |
Time for the final lot in our sale. | 0:40:05 | 0:40:07 | |
A set of 60 commemorative crowns, pennies and shillings, some Victorian. | 0:40:07 | 0:40:10 | |
As to whether they'll bring us £40-£80... Let's toss! | 0:40:10 | 0:40:14 | |
Heads or tails? What do you reckon? | 0:40:14 | 0:40:16 | |
20 I'm bid, 25, 30, 5, | 0:40:18 | 0:40:21 | |
40, 5, | 0:40:21 | 0:40:23 | |
50, 5. It's in the room. | 0:40:23 | 0:40:25 | |
At 55, 60 anywhere? | 0:40:25 | 0:40:28 | |
Selling then at £55. 115. | 0:40:28 | 0:40:33 | |
-I'm a little bit disappointed with that if I'm honest. -You couldn't tell from your face. | 0:40:33 | 0:40:37 | |
You hid it really well. | 0:40:37 | 0:40:39 | |
It was really good. | 0:40:39 | 0:40:40 | |
It was like that... | 0:40:40 | 0:40:42 | |
That's it for today, done and dusted. | 0:40:42 | 0:40:46 | |
Just time to work out how close we've come to the original target. | 0:40:46 | 0:40:50 | |
Okie-doke. I don't think I could take any more. | 0:40:50 | 0:40:52 | |
I'm so pleased you got nothing else to sell. Oh, my word. | 0:40:52 | 0:40:55 | |
Our work here is done. | 0:40:55 | 0:40:56 | |
You wanted 400 quid. You know you've raised more than that. But how much? | 0:40:56 | 0:41:00 | |
I don't know. I've completely lost track. | 0:41:00 | 0:41:04 | |
I'll put you out of your misery, £735. | 0:41:04 | 0:41:07 | |
-Wow. That's pretty good. -More than we wanted, isn't it? | 0:41:07 | 0:41:11 | |
It's almost double, isn't it? | 0:41:11 | 0:41:14 | |
What we actually do, when I tell you that sort of news, you go. | 0:41:14 | 0:41:17 | |
-That's trademarked. -It is now, definitely. | 0:41:17 | 0:41:19 | |
The proceeds from the auction have been put straight to work | 0:41:23 | 0:41:27 | |
as the garden room for Sophie takes shape. Brenda planned this with her husband John, | 0:41:27 | 0:41:31 | |
-so it's part of his legacy for Sophie to enjoy. -Hello! | 0:41:31 | 0:41:36 | |
Mum is actually project managing the whole thing herself. | 0:41:36 | 0:41:39 | |
So, she's got a few more grey hairs! | 0:41:39 | 0:41:42 | |
Absolutely! It's coming to the end now and I'm really pleased with it. | 0:41:42 | 0:41:47 | |
Look at this! Sophie! | 0:41:47 | 0:41:50 | |
Do you like it? | 0:41:50 | 0:41:52 | |
'The room now is fantastic.' | 0:41:52 | 0:41:54 | |
It wasn't anything like it was before. It was a small utility room. | 0:41:54 | 0:41:59 | |
'Having the space for Sophie to be able to play around | 0:41:59 | 0:42:02 | |
'and run around in now is fantastic. Really good, Really pleased.' | 0:42:02 | 0:42:05 | |
I think Sophie's having a whale of a time, already without it even being finished. | 0:42:05 | 0:42:09 | |
Climbing in the cupboards and running out of the door, | 0:42:09 | 0:42:12 | |
she thinks it's great. | 0:42:12 | 0:42:14 | |
Subtitles by Red Bee Media Ltd | 0:42:38 | 0:42:41 |