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Hello and welcome to Cash In The Attic, the programme | 0:00:02 | 0:00:04 | |
in which we really do enjoy helping you sort through all those antiques | 0:00:04 | 0:00:07 | |
and collectables you may have lying around, taking them to auction | 0:00:07 | 0:00:10 | |
and raising money for something that is really very important to you. | 0:00:10 | 0:00:14 | |
Today, we will be helping a couple sort through a whole house-full | 0:00:14 | 0:00:17 | |
of antiques so that they can enjoy a much-delayed move south. | 0:00:17 | 0:00:22 | |
Coming up on today's Cash In The Attic, | 0:00:42 | 0:00:44 | |
we try not to let on if we think | 0:00:44 | 0:00:46 | |
someone has forked out over the odds. | 0:00:46 | 0:00:48 | |
-Do you remember how much you paid for them? -£500. -For the two? -OK. | 0:00:48 | 0:00:53 | |
And what price a family heirloom? | 0:00:53 | 0:00:58 | |
-How do you feel about that? -Um... | 0:00:58 | 0:01:00 | |
-It cost me more than that to get it cleaned! -There you go! | 0:01:00 | 0:01:04 | |
By the time we get to auction, can we find just one satisfied customer? | 0:01:04 | 0:01:09 | |
Well done. That's right at the top of the estimate. | 0:01:09 | 0:01:11 | |
-So what do you think of it so far? -I'm pleased! | 0:01:11 | 0:01:14 | |
Let's hope for more when the hammer falls. | 0:01:14 | 0:01:17 | |
Today, I'm in a rather rainy Merseyside on my way to meet | 0:01:19 | 0:01:23 | |
Jackie and her partner, Alan. | 0:01:23 | 0:01:25 | |
They'd like us to sort through some of the things | 0:01:25 | 0:01:28 | |
that they have collected over many years in the past | 0:01:28 | 0:01:30 | |
so that their holidays in the future will be a little bit easier. | 0:01:30 | 0:01:35 | |
There's nothing that Jackie and Alan like more than holidaying | 0:01:35 | 0:01:38 | |
in their caravan in England and abroad | 0:01:38 | 0:01:40 | |
and browsing the antique shops wherever they go. | 0:01:40 | 0:01:44 | |
Jackie works for the St Helen's Chamber of Commerce | 0:01:44 | 0:01:46 | |
and Alan is due to retire from the Merseyside police force. | 0:01:46 | 0:01:49 | |
They each have two children, all now flown the coop, | 0:01:49 | 0:01:53 | |
so a long-cherished retirement plan is stepping up a gear. | 0:01:53 | 0:01:56 | |
Alan and Jackie's current home is a tidy top-floor flat. | 0:01:56 | 0:01:59 | |
Before they move, all the antique furniture and collectables | 0:01:59 | 0:02:02 | |
need thinning out a bit, so we are here to help with decluttering, | 0:02:02 | 0:02:05 | |
and to raise funds for something else. | 0:02:05 | 0:02:08 | |
We'll all be depending today on the knowledge of our valuer, Paul Hayes. | 0:02:08 | 0:02:13 | |
-Paul! Hi! -How are you, all right? -We're going up here, are we? | 0:02:14 | 0:02:18 | |
-Yes, come on in. -Right. | 0:02:18 | 0:02:19 | |
Time to make a few house-to-house enquiries of our own. | 0:02:19 | 0:02:23 | |
Hi, Jackie, Alan. | 0:02:23 | 0:02:25 | |
I see you've got a cup of tea. | 0:02:25 | 0:02:27 | |
-Yeah. -I've brought the champion tea drinker, Paul Hayes. -Yes, fantastic. | 0:02:27 | 0:02:31 | |
Paul will be looking after your things today. | 0:02:31 | 0:02:33 | |
Do you mind if I make a start already, is that all right? | 0:02:33 | 0:02:35 | |
Can I put the kettle on first? Excellent. Thank you. | 0:02:35 | 0:02:37 | |
That gets him started. He will look after all your stuff today | 0:02:37 | 0:02:40 | |
and find some really great things to take to auction | 0:02:40 | 0:02:42 | |
while you tell me why you called in Cash In The Attic. | 0:02:42 | 0:02:46 | |
Well, we are eventually going to move down to Cornwall. | 0:02:46 | 0:02:49 | |
We bought a house down there a couple of years. | 0:02:49 | 0:02:51 | |
But that has slightly changed now, | 0:02:51 | 0:02:53 | |
because Alan is not retiring from the police at this moment in time. | 0:02:53 | 0:02:58 | |
-You're not leaving, then? -Not yet. -You're going to stay for...? | 0:02:58 | 0:03:02 | |
12 months. I've been given a 12-month contract. | 0:03:02 | 0:03:05 | |
Right. So, tell me, how much would you like to raise today? | 0:03:05 | 0:03:08 | |
-We were considering about 500, didn't we? -Yes, initially. | 0:03:08 | 0:03:12 | |
And what are you going to spend it on? | 0:03:12 | 0:03:14 | |
It was actually Alan's birthday in June, | 0:03:14 | 0:03:18 | |
and I promised I would buy him a motor mover, | 0:03:18 | 0:03:20 | |
so whatever money we make, we'll put toward buying that, | 0:03:20 | 0:03:23 | |
cos they are quite expensive. | 0:03:23 | 0:03:25 | |
What does a motor mover do? | 0:03:25 | 0:03:27 | |
It's a device that goes on the caravan. | 0:03:27 | 0:03:30 | |
It's remote-controlled and it moves your caravan automatically for you. | 0:03:30 | 0:03:33 | |
-Saves you pushing and pulling it around. -Makes life easier? | 0:03:33 | 0:03:36 | |
-Yeah, very good. -You'll like that, when you're retired, won't you? | 0:03:36 | 0:03:39 | |
When I'm old! | 0:03:39 | 0:03:41 | |
Well, I certainly look forward to finding out more | 0:03:41 | 0:03:45 | |
about Alan's motor mover device eventually. | 0:03:45 | 0:03:47 | |
But we'd better get shifting on our treasure hunt. | 0:03:47 | 0:03:50 | |
And hopefully, Paul is already motoring through the heirlooms | 0:03:50 | 0:03:53 | |
and has found something to get started. | 0:03:53 | 0:03:55 | |
There we are. Not a cup of tea in sight but a man hard at work. | 0:03:55 | 0:03:58 | |
-Exactly, yes. Isn't that beautiful? -Look at the colours in that! | 0:03:58 | 0:04:01 | |
It looks as if it was done yesterday. | 0:04:01 | 0:04:03 | |
It was actually done in 1877. Who is Mary Pendleton? | 0:04:03 | 0:04:07 | |
-That's my great-great-grandmother. -How wonderful. | 0:04:07 | 0:04:12 | |
-Where did you find this? -Actually, | 0:04:12 | 0:04:14 | |
we had to clear my dad's house out when he died | 0:04:14 | 0:04:17 | |
and there was a little tiny box. | 0:04:17 | 0:04:19 | |
-We opened up the box, and this was just all folded up. -Right. | 0:04:19 | 0:04:23 | |
That explains why the colours have stayed so bright. If it had been framed up from the original, | 0:04:23 | 0:04:27 | |
when it was done, the colours would have faded. | 0:04:27 | 0:04:30 | |
They often were folded away and just forgotten about, really. | 0:04:30 | 0:04:33 | |
The term is a sampler. | 0:04:33 | 0:04:35 | |
It was supposed to be an example of what your child could do, | 0:04:35 | 0:04:38 | |
so it proved that they were being educated. | 0:04:38 | 0:04:40 | |
So you had all your letters, your numbers. | 0:04:40 | 0:04:43 | |
A lot of religious verse, | 0:04:43 | 0:04:44 | |
to prove that you were being taught religion. | 0:04:44 | 0:04:46 | |
But also, it was for future suitors, if they came to visit your house. | 0:04:46 | 0:04:50 | |
You could have your child's work on display | 0:04:50 | 0:04:53 | |
meaning that your child was up-to-date with her education. | 0:04:53 | 0:04:56 | |
The thing about this one is that you know the person. | 0:04:56 | 0:04:58 | |
And not only do you know the person, | 0:04:58 | 0:05:00 | |
you have her birth certificate on the back. | 0:05:00 | 0:05:01 | |
I've never seen that being done before. That is a really good idea. | 0:05:01 | 0:05:05 | |
She was born on 18th June 1865. Mary Elizabeth. | 0:05:05 | 0:05:09 | |
Her father was James Pendleton. And he was a plumber and painter. | 0:05:09 | 0:05:15 | |
The more elaborate they are, the better. | 0:05:15 | 0:05:17 | |
And the more fine the needlepoint. | 0:05:17 | 0:05:20 | |
But the most important thing is the age. What you are looking for | 0:05:20 | 0:05:23 | |
actually is about 100 years earlier than this one. | 0:05:23 | 0:05:27 | |
Anything that you can date to the 1700s, the 18th century, | 0:05:27 | 0:05:29 | |
then you get members of the aristocracy doing them at the time. | 0:05:29 | 0:05:32 | |
They were very elaborate, usually on silks, and very expensive. | 0:05:32 | 0:05:35 | |
But as a commercial sampler with its birth certificate, | 0:05:35 | 0:05:39 | |
I would say around the 100 mark. | 0:05:39 | 0:05:42 | |
If I said 60-100 as an estimate, how would you feel about that? | 0:05:42 | 0:05:45 | |
Would that be enough for you? | 0:05:45 | 0:05:46 | |
-It cost me more than that to get it cleaned! -There you go! | 0:05:46 | 0:05:50 | |
Well, there you are, maybe you should have a think. | 0:05:50 | 0:05:52 | |
I've got to be realistic, that's the going rate for an item like this. | 0:05:52 | 0:05:55 | |
That's fair enough, and we are off to a good start, | 0:05:55 | 0:05:59 | |
although I am surprised that Jackie might sell | 0:05:59 | 0:06:01 | |
such a personal family memento. | 0:06:01 | 0:06:03 | |
I wonder if she's going to change her mind before auction? | 0:06:03 | 0:06:06 | |
Elsewhere, Alan has been busy inspecting | 0:06:06 | 0:06:09 | |
this early 20th-century mahogany highchair | 0:06:09 | 0:06:12 | |
which they found some years ago in Chester. | 0:06:12 | 0:06:14 | |
Originally bought as somewhere to sit Jackie's teddy bear collection, | 0:06:14 | 0:06:18 | |
her grandchildren have been allowed to use it, too. | 0:06:18 | 0:06:21 | |
At the auction, it might raise £40-£60 towards our fund. | 0:06:21 | 0:06:24 | |
-Jackie? -Yes, Paul? -How many of these have you got? These are great. | 0:06:28 | 0:06:32 | |
-It's Moorcroft. -I've got three. -Three? | 0:06:32 | 0:06:34 | |
So are you a big collector of Moorcroft? | 0:06:34 | 0:06:37 | |
No, me mum had left them to me and me two brothers. | 0:06:37 | 0:06:40 | |
She used to buy it, and because there is three of us, | 0:06:40 | 0:06:43 | |
she used to buy everything in threes. | 0:06:43 | 0:06:45 | |
My two brothers didn't want them, so I ended up with the three of them. | 0:06:45 | 0:06:49 | |
Right, OK. | 0:06:49 | 0:06:51 | |
This is probably a classic example of a piece of Moorcroft. | 0:06:51 | 0:06:54 | |
William Moorcroft is probably one of Britain's best-known potters | 0:06:54 | 0:06:58 | |
and was involved in the Arts and Crafts movement. You're looking at | 0:06:58 | 0:07:01 | |
1900, 1930 was the really golden period for this. | 0:07:01 | 0:07:04 | |
He was sponsored by Liberty's in London. | 0:07:04 | 0:07:07 | |
Lots of his work was sold there. | 0:07:07 | 0:07:08 | |
But this one is very similar to the original Moorcroft | 0:07:08 | 0:07:10 | |
that you will find. These wonderful dark colours. | 0:07:10 | 0:07:13 | |
This is a very late example, so late 20th-century, early 21st. | 0:07:13 | 0:07:19 | |
And he really was the guy | 0:07:19 | 0:07:21 | |
who developed the process called tube lining. Have you heard of that? | 0:07:21 | 0:07:25 | |
I have, yes, but I don't know anything about it. | 0:07:25 | 0:07:27 | |
It's a type of decoration and it's almost like icing a cake. | 0:07:27 | 0:07:31 | |
It gives a three-dimensional effect to the actual item. | 0:07:31 | 0:07:34 | |
So what he would do, or what his employees would do, | 0:07:34 | 0:07:38 | |
would be to draw the outline of each individual petal in this flower | 0:07:38 | 0:07:42 | |
and that would leave a raised surface. | 0:07:42 | 0:07:45 | |
And they would paint in the middle. | 0:07:45 | 0:07:46 | |
So you almost have a three-dimensional effect. | 0:07:46 | 0:07:49 | |
-You can actually feel the surface there. -Oh, yeah. | 0:07:49 | 0:07:51 | |
But this is a pin tray. It's 1990s, that sort of time. | 0:07:52 | 0:07:58 | |
-The other ones, are they similar looking? -There's another pin tray, | 0:07:58 | 0:08:01 | |
-but the smaller one is around. -Get that for me, let's have a look. | 0:08:01 | 0:08:04 | |
And this one is a pin tray or a sweetmeat dish. | 0:08:04 | 0:08:07 | |
So you've got three items in general. | 0:08:07 | 0:08:10 | |
This one is not quite as popular, | 0:08:10 | 0:08:12 | |
this is more '70s, '80s colours, the greens. | 0:08:12 | 0:08:15 | |
-Yeah. -It's the dark colours which people to go for. I like them. | 0:08:15 | 0:08:18 | |
I think there's a massive collecting market for these. | 0:08:18 | 0:08:22 | |
-I think you are looking 30, 40 each! -Oh, nice one! | 0:08:22 | 0:08:26 | |
-So if I say 80-120 the lot? -Yeah, that's brilliant. | 0:08:26 | 0:08:29 | |
-Do you like them now? -Yeah! | 0:08:29 | 0:08:32 | |
THEY LAUGH | 0:08:32 | 0:08:33 | |
Funny how a good estimate can change one's outlook! | 0:08:35 | 0:08:38 | |
Moorcroft pottery has well over a century of history | 0:08:38 | 0:08:41 | |
with annual sales at top auction houses | 0:08:41 | 0:08:43 | |
and selected pieces on display in the Victoria and Albert Museum. | 0:08:43 | 0:08:47 | |
Let's hope these relatively recent pieces do well at our sale. | 0:08:47 | 0:08:50 | |
Alan and Jackie, I gather that you were both born | 0:08:53 | 0:08:56 | |
in a part of the country that was just five minutes apart? | 0:08:56 | 0:09:00 | |
How come you never met when you were little? | 0:09:00 | 0:09:03 | |
I think it's that I'm five years older than Jackie, so it was | 0:09:03 | 0:09:06 | |
the age difference, that we never circulated in the same friend group. | 0:09:06 | 0:09:10 | |
As it is, you did meet some years later in very unusual circumstances. | 0:09:10 | 0:09:14 | |
Jackie, tell me about it. | 0:09:14 | 0:09:16 | |
Well, I was working in a shop in a place called Huyton. | 0:09:16 | 0:09:20 | |
And Alan was a policeman and something had gone on in the shop, | 0:09:20 | 0:09:26 | |
-hadn't it, and you had come to investigate it. -Yeah. | 0:09:26 | 0:09:30 | |
And it just evolved from there. | 0:09:30 | 0:09:32 | |
So you met in the rather intimate circumstances | 0:09:32 | 0:09:34 | |
of a police interview, basically? | 0:09:34 | 0:09:37 | |
-It was. Literally, yeah. -Literally. | 0:09:37 | 0:09:41 | |
-Are you allowed to fraternise with witnesses, Alan? -No! | 0:09:41 | 0:09:44 | |
So what was it that attracted you to each other? | 0:09:46 | 0:09:50 | |
We just clicked straight away, didn't we? | 0:09:50 | 0:09:53 | |
We've been, like, soulmates ever since. | 0:09:53 | 0:09:55 | |
-We're so comfortable together, aren't we? -Yeah, | 0:09:55 | 0:09:59 | |
-we do an awful lot together. -We've DONE an awful lot together! | 0:09:59 | 0:10:03 | |
And of course, caravanning. You both love to be in the caravan. | 0:10:03 | 0:10:08 | |
Tell me why. | 0:10:08 | 0:10:09 | |
I think it's just the freedom, just getting out and chilling. | 0:10:09 | 0:10:14 | |
You're so chilled when you go out in the caravan. | 0:10:14 | 0:10:16 | |
You can do what you want, when you want. | 0:10:16 | 0:10:18 | |
And it's not just like here, we went abroad last year. We did France. | 0:10:18 | 0:10:24 | |
It's just wonderful, isn't it? | 0:10:24 | 0:10:26 | |
And now you're thinking of - | 0:10:26 | 0:10:28 | |
well, not thinking, you're going to move | 0:10:28 | 0:10:30 | |
300 miles south in Cornwall. What's the attraction, Alan? | 0:10:30 | 0:10:34 | |
When I was young, we used to go to Cornwall | 0:10:34 | 0:10:37 | |
as our main holiday every summer. | 0:10:37 | 0:10:39 | |
My parents moved to Cornwall in 1971. My brother lives down there. | 0:10:41 | 0:10:46 | |
And it's a wonderful place to live. It's so different, so slow, | 0:10:46 | 0:10:52 | |
the pace of life. So quiet. So comfortable. | 0:10:52 | 0:10:54 | |
And what is it for you, Jackie? | 0:10:54 | 0:10:56 | |
Well, the very first time Alan took me down, | 0:10:56 | 0:10:59 | |
his mum's house was right in front of the sand dunes. | 0:10:59 | 0:11:04 | |
That was the second I fell in love with it. | 0:11:04 | 0:11:06 | |
I've been in love with it ever since. | 0:11:06 | 0:11:09 | |
-Always assuming that this time you don't decide to stay in the police force a bit longer. -No, not again! | 0:11:09 | 0:11:14 | |
Clearly, the pull of Cornwall is strong, | 0:11:16 | 0:11:18 | |
but will the love of the job be even stronger? | 0:11:18 | 0:11:21 | |
I hope not, for Jackie's sake. | 0:11:21 | 0:11:23 | |
While we have been talking, our expert and tea fiend has zeroed in on this Atlas bone china tea set. | 0:11:23 | 0:11:28 | |
It was bought whilst our hosts were visiting Alan's mum in Cornwall. | 0:11:28 | 0:11:33 | |
The Atlas name was used until about 1910, originally by David Chapman and Sons from Stoke-on-Trent. | 0:11:33 | 0:11:39 | |
The design is called Violet. | 0:11:39 | 0:11:40 | |
Paul reckons these sets are not as popular as they once were, | 0:11:40 | 0:11:43 | |
but it could still bring us another £50-£80. | 0:11:43 | 0:11:47 | |
-Paul? -Uh-huh? -Could you have a look at this, please? -Oh, look at that! | 0:11:48 | 0:11:53 | |
There we are. That is a bit of First World War memorabilia. | 0:11:53 | 0:11:56 | |
So where has this come from? | 0:11:56 | 0:11:59 | |
Me nan used to take me to jumble sales when we were little. | 0:11:59 | 0:12:03 | |
-Apparently, I bought it for six pence. -Six pence, really? -Yeah. | 0:12:03 | 0:12:07 | |
Right. Well, this is a bit of First World War memorabilia. But what it actually is, | 0:12:07 | 0:12:11 | |
is a form of crested ware. | 0:12:11 | 0:12:13 | |
What happened in the late 19th century, | 0:12:13 | 0:12:16 | |
in the golden age of train travel, | 0:12:16 | 0:12:17 | |
ordinary people could visit seaside resorts, big cities on the train. | 0:12:17 | 0:12:23 | |
And what would happen, the family or the town's crest would be placed on a piece of china | 0:12:23 | 0:12:28 | |
and people would buy that as a souvenir. | 0:12:28 | 0:12:30 | |
This one's the crest of Liverpool, which is quite collectable. | 0:12:30 | 0:12:33 | |
But in the First World War, they started to produce things like tanks, | 0:12:33 | 0:12:37 | |
I've seen U-boats, things like this - in the trenches. | 0:12:37 | 0:12:41 | |
This is Tommy and this is our army in the trenches here. | 0:12:41 | 0:12:44 | |
Jerry was the enemy. | 0:12:44 | 0:12:45 | |
And they were made as a commemorative of the Great War, as they called it at the time, | 0:12:45 | 0:12:49 | |
-so 1914, 1918. -Oh, right. -But this one in particular, just reading here, | 0:12:49 | 0:12:53 | |
it's "The victory of justice. Armistice of the Great War, signed November 11th, 1918." | 0:12:53 | 0:12:58 | |
The Armistice was the peace treaty that was done | 0:12:58 | 0:13:01 | |
between the warring parties and finally there was peace in Europe. | 0:13:01 | 0:13:04 | |
-Oh, right, yeah. -So that is what it symbolises. | 0:13:04 | 0:13:06 | |
That is where it comes from. But I take it you just bought it because it had a little guy in the trenches? | 0:13:06 | 0:13:11 | |
-Yeah! -The best firm was a firm called WH Goss. | 0:13:11 | 0:13:16 | |
-This one is Carlton china. There we are. -Oh, yes. | 0:13:16 | 0:13:18 | |
-Have you heard of Carlton ware? -Yes, I have. | 0:13:18 | 0:13:21 | |
But for six old pence, I think in today's market, | 0:13:21 | 0:13:25 | |
you could look at about £60. | 0:13:25 | 0:13:27 | |
-So if I said £40-£60, how does that sound? -Oh, wow! | 0:13:27 | 0:13:31 | |
No, that's great. Good investment. | 0:13:31 | 0:13:35 | |
And we'll soon see whether or not that six old pence pocket money will pay off at auction. | 0:13:35 | 0:13:41 | |
-Again, commissions on this one, starting at £25. -25, we're in the money. | 0:13:41 | 0:13:46 | |
At 25, 25 we have. Eight? | 0:13:46 | 0:13:49 | |
How much closer to our target can little Tommy in the trench bring us? | 0:13:49 | 0:13:53 | |
Our search around this home in Merseyside continues | 0:13:53 | 0:13:55 | |
as Alan investigates the potential of this silver-topped crystal perfume bottle, | 0:13:55 | 0:13:59 | |
which Jackie bought at an auction. | 0:13:59 | 0:14:03 | |
The hallmark suggests it was made in Birmingham in 1930. | 0:14:03 | 0:14:06 | |
It has a glass stopper inside the silver cap | 0:14:06 | 0:14:09 | |
and could fetch around £30-£60. | 0:14:09 | 0:14:11 | |
But I reckon I have found something | 0:14:11 | 0:14:13 | |
that just might top that. | 0:14:13 | 0:14:15 | |
Ooh, Alan. What is this? An original Penny Red? | 0:14:15 | 0:14:20 | |
-Yeah. -And an original One Penny Black. | 0:14:20 | 0:14:23 | |
There is a sort of mystique and magic about the Penny Black, isn't there, in stamp collecting circles? | 0:14:23 | 0:14:28 | |
Do you know, I've never actually seen the real thing before. | 0:14:28 | 0:14:32 | |
-They're very good. -Are you a stamp collector? -No, no. | 0:14:32 | 0:14:36 | |
I bought these at auction, just a charity auction through work in 2005. | 0:14:36 | 0:14:41 | |
Fantastic. Is this something you would like to take to auction? | 0:14:41 | 0:14:44 | |
-Yes, yes. -Well, we better get Paul to take a look at these. Paul, come and join us. | 0:14:44 | 0:14:49 | |
-I have got a Penny Black! -Oh wow, look at that! Fantastic. | 0:14:49 | 0:14:53 | |
And...a Penny Red! | 0:14:53 | 0:14:56 | |
These are probably amongst the most popular stamps. | 0:14:56 | 0:14:58 | |
They are the ones that everyone has heard of. | 0:14:58 | 0:15:00 | |
But these, 1840, that was the very first prepaid stamp. | 0:15:00 | 0:15:05 | |
That is the Penny Black. | 0:15:05 | 0:15:06 | |
Before 1840, you used to have to weigh your own letters | 0:15:06 | 0:15:09 | |
and pay your own postage. | 0:15:09 | 0:15:10 | |
What this enabled you to do was just to stick a prepaid stamp | 0:15:10 | 0:15:14 | |
on the top so off it would go to the post office. | 0:15:14 | 0:15:17 | |
But what happened was, the Penny Black, when it was issued, | 0:15:17 | 0:15:19 | |
when the stamp went through the process of being franked and being | 0:15:19 | 0:15:23 | |
cancelled, they used a red ink and that red ink was easily washed off. | 0:15:23 | 0:15:28 | |
So people were posting these and then reusing them, | 0:15:28 | 0:15:32 | |
taking the ink off and putting them on other envelopes. | 0:15:32 | 0:15:35 | |
-Crafty so-and-sos! -Exactly. It was a real fiddle at the time. -Yeah. | 0:15:35 | 0:15:39 | |
So what they did, they changed it, the next year, 1841, | 0:15:39 | 0:15:42 | |
to a Penny Red and they started to use black ink. | 0:15:42 | 0:15:45 | |
But you can see on both of these, they both have been used. | 0:15:45 | 0:15:48 | |
They've been franked. | 0:15:48 | 0:15:50 | |
This ink would probably come off with a bit of a wash. | 0:15:50 | 0:15:53 | |
So yeah, you've got two of the very first stamps ever produced here in the UK or worldwide. | 0:15:53 | 0:15:58 | |
So how many Penny Blacks were there in circulation? | 0:15:58 | 0:16:00 | |
There are something like 70 million. There are over 60 million of the Penny Blacks. | 0:16:00 | 0:16:04 | |
So there's lots of them, but some of them can fetch a fortune. | 0:16:04 | 0:16:07 | |
Normally, when they've been franked like this one, and used, | 0:16:07 | 0:16:10 | |
they are not that desirable. | 0:16:10 | 0:16:12 | |
The ones you want are ones that are unused and if they are in the original pack, | 0:16:12 | 0:16:15 | |
say, there is three or four of them together, you can get large amounts of money. | 0:16:15 | 0:16:18 | |
You said you bought these at auction, do you remember how much you paid for them? | 0:16:18 | 0:16:23 | |
-£500. -For the two?! -OK. | 0:16:23 | 0:16:26 | |
But it was a charity auction! | 0:16:26 | 0:16:29 | |
-And you got carried away. -Yes, I did. Yes. -OK. | 0:16:29 | 0:16:32 | |
-Right. -It was for a good cause. -Can you put a price on them, Paul, if we take them to auction? | 0:16:32 | 0:16:37 | |
They are the sort of thing | 0:16:37 | 0:16:38 | |
that actually don't tend to turn up in the general market. | 0:16:38 | 0:16:41 | |
They are beautifully framed. | 0:16:41 | 0:16:43 | |
They are well presented, they have got a great story with them. | 0:16:43 | 0:16:46 | |
-I'd like to see £150 for those. How does that sound? -I would be amazed! | 0:16:46 | 0:16:49 | |
THEY LAUGH | 0:16:49 | 0:16:51 | |
What's more, it's been known | 0:16:51 | 0:16:52 | |
for a single rare stamp to sell for over £1 million. | 0:16:52 | 0:16:56 | |
For its size and weight, the most expensive thing known to man. | 0:16:56 | 0:17:00 | |
Paul moves on to select this 19th-century mahogany | 0:17:01 | 0:17:05 | |
octagonal plant table, which Jackie says came from an antiques shop. | 0:17:05 | 0:17:09 | |
Paul values it at £50-£100. A useful addition to our total. | 0:17:09 | 0:17:14 | |
You know, I think we are doing pretty well, so far. | 0:17:14 | 0:17:18 | |
Alan, you're clearly passionate about your work in the police force here on Merseyside. | 0:17:18 | 0:17:23 | |
How did you get into the force in the first place? | 0:17:23 | 0:17:26 | |
We went to Cornwall on holiday with my mum and dad. | 0:17:26 | 0:17:29 | |
My brother had tried to join Devon and Cornwall Constabulary. | 0:17:29 | 0:17:33 | |
I read the paperwork and I brought it home | 0:17:33 | 0:17:36 | |
-and I applied to join Merseyside. -And you took to it like a duck to water? | 0:17:36 | 0:17:40 | |
-Yeah. -And what sort of divisions have you worked in here on Merseyside? | 0:17:40 | 0:17:45 | |
Most of them! | 0:17:45 | 0:17:47 | |
I've been in the Serious Crime Squad, | 0:17:47 | 0:17:49 | |
I was in the Special Branch Port Unit, | 0:17:49 | 0:17:52 | |
and I've done plain clothes, prior to going into the CID department. | 0:17:52 | 0:17:58 | |
I've been in the CID now for almost 30 years. | 0:17:58 | 0:18:02 | |
And for 14 years of that work in CID, you were in child protection. There must have been times | 0:18:02 | 0:18:08 | |
-when that was really harrowing. -Yes. | 0:18:08 | 0:18:12 | |
There are things that can get to you. | 0:18:12 | 0:18:15 | |
But we had a system whereby... There were five of us in the department. | 0:18:15 | 0:18:20 | |
If you dealt with something that was quite nasty, | 0:18:20 | 0:18:23 | |
then you would say so and you would have a debrief. | 0:18:23 | 0:18:26 | |
And you would share the experience, and that way, | 0:18:26 | 0:18:28 | |
it helped to get rid of the tension you had and the stress. | 0:18:28 | 0:18:34 | |
-And none of this has made you want to give it up? -No. -You wanted to keep doing it? -Yes. | 0:18:34 | 0:18:39 | |
Yeah. | 0:18:39 | 0:18:41 | |
I still do! | 0:18:41 | 0:18:42 | |
Now, how many times have you said you were going to retire? | 0:18:42 | 0:18:46 | |
Three. | 0:18:46 | 0:18:47 | |
SHE LAUGHS | 0:18:47 | 0:18:49 | |
And this time you're staying because...? | 0:18:49 | 0:18:51 | |
-They've offered me a 12-month contract. -To do what? | 0:18:51 | 0:18:54 | |
I work in a unit called the prisoner production team. | 0:18:54 | 0:18:58 | |
We visit people who are in prison and we discuss the history and offences they have committed | 0:18:58 | 0:19:06 | |
with a view to them basically being able to come out of prison, | 0:19:06 | 0:19:11 | |
er, and not face being arrested for further offences. | 0:19:11 | 0:19:14 | |
And we deal with that while they are inside. | 0:19:14 | 0:19:17 | |
-It really must give you a terrific sense of achievement. -It is pleasant, | 0:19:17 | 0:19:21 | |
it is. Because some of the people you can deal with when they are in prison are quite venomous towards you | 0:19:21 | 0:19:27 | |
because of the nature of your job. | 0:19:27 | 0:19:30 | |
Others treat you quite well and you can have a good time with them. | 0:19:30 | 0:19:37 | |
And when this contract comes up, is that it? | 0:19:37 | 0:19:40 | |
-Are you going to retire this time? -Er...is Jackie listening? | 0:19:40 | 0:19:45 | |
No, yes, I will. | 0:19:45 | 0:19:46 | |
Jackie couldn't have overheard that as she was busy looking out more antiques. | 0:19:46 | 0:19:52 | |
I take quite a shine to this well-made late 19th-century chest of drawers. | 0:19:52 | 0:19:57 | |
And I admire the detail of the brass handles, | 0:19:57 | 0:20:00 | |
the beautiful rich finish and warm colour | 0:20:00 | 0:20:02 | |
of the polished mahogany and the satinwood inlay. | 0:20:02 | 0:20:07 | |
Valued at £250-£300, | 0:20:07 | 0:20:09 | |
despite its fine quality, it could be a hard sell, | 0:20:09 | 0:20:12 | |
as brown furniture is a little out of fashion. | 0:20:12 | 0:20:15 | |
In the lounge, Alan has dug up some family mementos | 0:20:15 | 0:20:17 | |
which could prove very attractive to collectors of militaria. | 0:20:17 | 0:20:22 | |
-Alan, now we are going through the family album? -Yes. | 0:20:23 | 0:20:26 | |
-You've got some medals here. -Yes, Dad's war memorabilia. -OK. | 0:20:26 | 0:20:30 | |
Medals and documentation and the likes. | 0:20:30 | 0:20:32 | |
So he was involved in the Second World War. What was his role? | 0:20:32 | 0:20:36 | |
-He was in the Merchant Navy. -Right. -Atlantic convoy, as I understand. -Right, OK. | 0:20:36 | 0:20:42 | |
Let's look at what we have got here. We've got some medals, definitely. Some... What's this? A payslip! | 0:20:42 | 0:20:48 | |
How much did he get paid? | 0:20:48 | 0:20:50 | |
He ended up with one pound eight shillings and fourpence for his hard earned. | 0:20:50 | 0:20:54 | |
-And what was the name of the boat he was on? -It was the Duke of Athens. | 0:20:54 | 0:20:59 | |
This is some of the documentation. | 0:20:59 | 0:21:01 | |
That's immigration documentation - photographs and fingerprints. | 0:21:01 | 0:21:05 | |
-You know all about them! -Yeah. | 0:21:05 | 0:21:09 | |
-These look interesting. -That appears to be a photograph of a funeral, but... | 0:21:09 | 0:21:12 | |
That's definitely a military funeral, so that's somebody | 0:21:12 | 0:21:15 | |
that he has been out with. | 0:21:15 | 0:21:17 | |
And these will have been actual battles that he has witnessed. | 0:21:17 | 0:21:20 | |
-Probably. -Amazing, isn't it? -Yeah. | 0:21:20 | 0:21:23 | |
Well, I can tell by his medals he was out in the Pacific. | 0:21:23 | 0:21:27 | |
The way these medals work, you've got three medals here. | 0:21:27 | 0:21:30 | |
You've got the War Medal, that was issued to everybody | 0:21:30 | 0:21:32 | |
that was in service in anything to do with the Second World War, you were entitled to this one. | 0:21:32 | 0:21:36 | |
Then you've got the Defence Medal, and that usually refers | 0:21:36 | 0:21:41 | |
to things like the Home Guard, the Fire Brigade, you know, | 0:21:41 | 0:21:44 | |
people who were involved here in the UK, really, or in non-operational duties abroad. | 0:21:44 | 0:21:48 | |
So that's that one there. | 0:21:48 | 0:21:49 | |
But the one I am really interested in, here, is the Pacific Star. | 0:21:49 | 0:21:53 | |
Now, what that tells me... These were issued to people | 0:21:53 | 0:21:56 | |
like the Merchant Navy and the Royal Navy that were out in the Pacific. | 0:21:56 | 0:21:59 | |
So you are looking at Japan, Burma, that sort of region. | 0:21:59 | 0:22:03 | |
But how do you feel about getting rid of these? | 0:22:03 | 0:22:06 | |
-I mean, are they sentimental to you? -No, not really. | 0:22:06 | 0:22:09 | |
Because I've never sat and looked at them or considered them. | 0:22:09 | 0:22:12 | |
I would like to keep the personal documentation. | 0:22:12 | 0:22:16 | |
-The other items can be sold. -I mean, these are quite common medals. | 0:22:16 | 0:22:19 | |
The best one, the Pacific Star, is obviously the rarest. | 0:22:19 | 0:22:23 | |
-But what I think would make this, would be if we could take some of these original photographs. -Yes. | 0:22:23 | 0:22:28 | |
Because I think that adds to the story | 0:22:28 | 0:22:31 | |
-of the whole campaign and what your father was involved in. -Yeah, sure. | 0:22:31 | 0:22:35 | |
I think you could be approaching the £100 mark here. | 0:22:35 | 0:22:38 | |
-If I said, sort of, £60-£100, does that sound right to you? -Yeah. | 0:22:38 | 0:22:42 | |
-You are quite happy to let them go? -Yeah. | 0:22:42 | 0:22:44 | |
-That's fine. -Great. | 0:22:44 | 0:22:47 | |
So if you look after these ones, put those back in your file. | 0:22:47 | 0:22:50 | |
We'll take the medals and these pictures to auction. | 0:22:50 | 0:22:52 | |
-Let's put those somewhere safe. -OK, thank you. -OK, no problem. | 0:22:52 | 0:22:55 | |
On reflection, Alan realises that the Defence Medal may well have been his grandfather's, | 0:22:57 | 0:23:02 | |
who was in the Home Guard. | 0:23:02 | 0:23:03 | |
But the Pacific Star is the most exciting find, | 0:23:03 | 0:23:06 | |
and at auction, could probably deliver much of that £60-£100 all on its own. | 0:23:06 | 0:23:10 | |
Which is good news for the motor mover fund. | 0:23:10 | 0:23:14 | |
In the kitchen, Jackie has remembered that she has two pairs | 0:23:14 | 0:23:17 | |
of 19th-century Chinese porcelain cups and saucers | 0:23:17 | 0:23:20 | |
in the style known as Imari, copied from the Japanese. | 0:23:20 | 0:23:24 | |
These could bring us a refreshing £50-£75. | 0:23:24 | 0:23:28 | |
In the master bedroom, Paul has discovered some more of that mahogany furniture. | 0:23:28 | 0:23:33 | |
-Do you know what, Alan? These wardrobes, aren't they fantastically made? -Beautiful. | 0:23:35 | 0:23:40 | |
How did you get it in here? | 0:23:40 | 0:23:42 | |
-Two men brought it in in seven pieces and assembled it for me. -Right. | 0:23:42 | 0:23:46 | |
Yeah, that's the nice thing. They do come apart. You can move them around in several pieces. | 0:23:46 | 0:23:51 | |
But they weigh a ton, don't they? Don't forget this is solid mahogany. | 0:23:51 | 0:23:55 | |
You wouldn't get that today. What you tend to find is that the fronts, the front doors will be solid, | 0:23:55 | 0:23:59 | |
but the rest of it will be a plywood or a cheaper wood. | 0:23:59 | 0:24:02 | |
So was this a style that you went for at the time, | 0:24:02 | 0:24:04 | |
or was it something that Jackie chose? | 0:24:04 | 0:24:06 | |
We were looking for bedroom furniture | 0:24:06 | 0:24:08 | |
and we went into an antique shop in Chester and we saw this. | 0:24:08 | 0:24:13 | |
We fell in love with it because of the style and the colour. | 0:24:13 | 0:24:16 | |
Some styles, I don't think, ever go out of fashion. This is one. | 0:24:16 | 0:24:20 | |
It's called the Sheraton Revival. | 0:24:20 | 0:24:21 | |
-Have you heard of Thomas Sheraton? -Yes. | 0:24:21 | 0:24:24 | |
Thomas Sheraton was one of Britain's best-known cabinetmakers from the 18th-century. | 0:24:24 | 0:24:28 | |
But in about the year 1900 - 1890-1900, | 0:24:28 | 0:24:31 | |
there was a Sheraton revival and they started to remake his designs. | 0:24:31 | 0:24:35 | |
You have got this wonderful marquetry inlay | 0:24:35 | 0:24:38 | |
which he was world-famous for. | 0:24:38 | 0:24:39 | |
And what they would do would be to carve out this particular design | 0:24:39 | 0:24:43 | |
and then, using a satinwood, or a different style of wood, | 0:24:43 | 0:24:47 | |
replace the sections. | 0:24:47 | 0:24:48 | |
So you end up with this wonderful inlay. | 0:24:48 | 0:24:50 | |
So it's very difficult to produce, especially to this quality. | 0:24:50 | 0:24:53 | |
These were real craftsmen who were making this. And around the edges, | 0:24:53 | 0:24:56 | |
just to emphasise the elegant style, we have the stringing. | 0:24:56 | 0:25:01 | |
It runs around the side and along the top there. | 0:25:01 | 0:25:03 | |
It's just absolutely fantastic. But what was with it, then? | 0:25:03 | 0:25:07 | |
Because there should be a wardrobe, a dressing table, a bed, the bedside cabinets... | 0:25:07 | 0:25:13 | |
What was there, when you saw it? | 0:25:13 | 0:25:15 | |
-Just the wardrobe. -OK. -And the dressing table. | 0:25:15 | 0:25:18 | |
And the dressing table. These two definitely do match. | 0:25:18 | 0:25:21 | |
-They are a pair. -Excellent. They are fantastic. | 0:25:21 | 0:25:23 | |
-This one has little brass finials on the top, doesn't it? -Yeah. | 0:25:23 | 0:25:26 | |
-In the shape of urns. So are these going to go with you down to Cornwall? -No, too big. Too big. | 0:25:26 | 0:25:33 | |
-Won't fit in the house. So, it's going to have to go. -OK, fair enough. | 0:25:33 | 0:25:37 | |
-Do you need to ask Jackie? I think you better had. -Better get permission. | 0:25:37 | 0:25:40 | |
All right. Jackie, Angela? Just pop in a second. | 0:25:40 | 0:25:43 | |
I know you've seen this bedroom furniture before, but isn't this fantastic? | 0:25:43 | 0:25:47 | |
-Is this what you are saying a fond farewell to, Alan? -Yes. | 0:25:47 | 0:25:51 | |
Have you made the big decision - is it going to go to auction? | 0:25:51 | 0:25:54 | |
-It has been made for me. -Jackie? -Yes. -It's got to go? -Definitely. | 0:25:54 | 0:25:58 | |
OK. Well, you have got... The first thing is, these two pieces here, | 0:25:58 | 0:26:03 | |
you've got a wonderful double wardrobe, a matching dressing table, both in fabulous condition. | 0:26:03 | 0:26:07 | |
I'd love to see these between 300 and 500, that sort of price. | 0:26:07 | 0:26:11 | |
How does that sound? | 0:26:11 | 0:26:12 | |
-Well, they've got to go, haven't they? -Yeah, they have. -So, yeah, that's fine. -OK. | 0:26:12 | 0:26:16 | |
-Now, how much does this kind of whirligig thing cost? -About £1,200. | 0:26:16 | 0:26:21 | |
About £1,200? | 0:26:21 | 0:26:23 | |
A bit expensive! | 0:26:23 | 0:26:25 | |
Well, I don't want to get your hopes up, but I think you might be able to afford it. | 0:26:26 | 0:26:30 | |
Because if we take the lowest estimate on everything | 0:26:30 | 0:26:34 | |
that Paul has looked at today, you could make as much as £1,160 at auction. | 0:26:34 | 0:26:41 | |
-Oh, wow! -How's that? -That's good. I didn't think it would be that much. | 0:26:41 | 0:26:46 | |
-Brilliant. -Lovely. | 0:26:46 | 0:26:48 | |
Indeed, it's been a top-notch day here on Merseyside, | 0:26:48 | 0:26:52 | |
where we've amassed quite a haul to take to auction | 0:26:52 | 0:26:54 | |
to raise funds for that caravan motor mover device. | 0:26:54 | 0:26:57 | |
These Moorcroft pin trays | 0:26:57 | 0:26:59 | |
are in rich colours typical of early | 0:26:59 | 0:27:01 | |
20th-century pieces, but actually date from around the 1990s. | 0:27:01 | 0:27:04 | |
Will all three together sell for £80-£120? | 0:27:04 | 0:27:08 | |
With a total print run of nearly 69 million individual stamps, | 0:27:08 | 0:27:12 | |
the Penny Black is not exactly rare. | 0:27:12 | 0:27:14 | |
But together with a Penny Red, | 0:27:14 | 0:27:16 | |
they could stick another £150 on the tally. | 0:27:16 | 0:27:19 | |
Alan's father's war medals make an attractive collection | 0:27:19 | 0:27:22 | |
with the added bonus of some photographs. | 0:27:22 | 0:27:25 | |
They include the Defence Medal, and the Pacific Star | 0:27:25 | 0:27:28 | |
and could garner a further £60-£100 in the sale. | 0:27:28 | 0:27:31 | |
Still to come on Cash In The Attic, | 0:27:33 | 0:27:35 | |
classic mahogany furniture surely fits in wherever it may go? | 0:27:35 | 0:27:39 | |
-Don't make stuff like that nowadays, do they? -No. | 0:27:39 | 0:27:43 | |
-It doesn't go with your plasma screen. -No! | 0:27:43 | 0:27:45 | |
An old-fashioned fellow like our expert Paul knows what he likes. | 0:27:45 | 0:27:50 | |
What a nice set. You have a lovely tray, you've got the teapot, | 0:27:50 | 0:27:53 | |
ooh, it's making me mouth water now! | 0:27:53 | 0:27:56 | |
It's all brewing up nicely for the final crack of the gavel. | 0:27:56 | 0:27:59 | |
So after uncovering a host of treasures at Jackie and Alan's flat, | 0:28:04 | 0:28:08 | |
we have brought them here to Cuttlestones Auction House in Staffordshire. | 0:28:08 | 0:28:12 | |
So now it's time to see how well their antiques will do when they go under the hammer. | 0:28:12 | 0:28:17 | |
If you remember, Jackie and Alan want to buy a motor mover gizmo for their caravan, | 0:28:17 | 0:28:21 | |
to take the hard work out of holidays. | 0:28:21 | 0:28:24 | |
So let's hope that when the bidders arrive, | 0:28:24 | 0:28:27 | |
they'll be prepared to help them on their way. | 0:28:27 | 0:28:29 | |
It's not long before Jackie and Alan join the crowds pouring into the town of Penkridge. | 0:28:29 | 0:28:33 | |
And as Paul and I catch up with them, | 0:28:33 | 0:28:36 | |
I can't help noticing there are a few things missing. | 0:28:36 | 0:28:39 | |
Bedroom furniture? | 0:28:39 | 0:28:41 | |
-Yes, you didn't bring that, Alan? -No, unfortunately not. -Why? | 0:28:41 | 0:28:46 | |
A few reasons, one being that my contract has been extended. | 0:28:46 | 0:28:49 | |
-You said you were going to retire. -I am going to retire. -He's never going to retire. -Eventually. -Never! | 0:28:49 | 0:28:55 | |
Right, so you need the furniture? | 0:28:55 | 0:28:57 | |
If we had sold it now, we would have to buy replacements. | 0:28:57 | 0:29:02 | |
So it seems pretty pointless. | 0:29:02 | 0:29:04 | |
But there's something else missing as well. I haven't seen that beautiful sampler we talked about. | 0:29:04 | 0:29:09 | |
Well, I had doubts when we were talking about it so I rang my daughter, | 0:29:09 | 0:29:14 | |
spoke to her, and she said she'd love it for my granddaughter. | 0:29:14 | 0:29:18 | |
So I'm just going to get a new picture frame. | 0:29:18 | 0:29:21 | |
Well, I think that's the right decision, because people don't hand things down any more, do they? | 0:29:21 | 0:29:25 | |
That's right. What you've got is an instant family tree. | 0:29:25 | 0:29:29 | |
It's worth far more to your family than it is to the general public. | 0:29:29 | 0:29:32 | |
So I'm delighted that you kept that one. | 0:29:32 | 0:29:34 | |
Out of all your items, that's what you should have kept. So well done. | 0:29:34 | 0:29:37 | |
The loss of the bedroom furniture and the sampler means we're down by a whopping £610, | 0:29:37 | 0:29:43 | |
over half our potential lowest estimate. | 0:29:43 | 0:29:46 | |
Our original target was £500, so let's see if we can still make it. | 0:29:46 | 0:29:50 | |
The auctioneer is already at work, and as we take our places, | 0:29:50 | 0:29:53 | |
our first lot under the hammer | 0:29:53 | 0:29:55 | |
is that neat little silver-topped perfume bottle from the 1930s, | 0:29:55 | 0:29:58 | |
priced around £30-£60. | 0:29:58 | 0:30:01 | |
Was that a present or you bought it at an auction? | 0:30:01 | 0:30:05 | |
-We bought it at... -Antique shop? -Yeah. | 0:30:05 | 0:30:09 | |
One of those things you buy when you're out! | 0:30:09 | 0:30:11 | |
-Cos it looks nice in the shop! -Yeah! | 0:30:12 | 0:30:14 | |
Nice thing. Commissions all over it. | 0:30:14 | 0:30:16 | |
£30 to start, lot 308. £30. | 0:30:16 | 0:30:20 | |
Starting at 30! | 0:30:20 | 0:30:21 | |
At 32. 35, 38, 40. | 0:30:21 | 0:30:24 | |
42, 45, 48, | 0:30:24 | 0:30:27 | |
50. Five. 60. | 0:30:27 | 0:30:31 | |
With me at 60. You're out, on my right? Are we all...? | 0:30:31 | 0:30:34 | |
Five. I'm out, as well. At 65, in the room. £70, quickly? | 0:30:34 | 0:30:37 | |
Yourself? All done at £65. | 0:30:37 | 0:30:41 | |
-Well done! Right at the top. -So what do you think of it so far? | 0:30:41 | 0:30:45 | |
I'm pleased! | 0:30:45 | 0:30:46 | |
Our first item has done very well - £5 beyond our upper estimate. | 0:30:46 | 0:30:52 | |
We're straight into our second lot, which has someone quite excited. | 0:30:52 | 0:30:56 | |
Out of all your items, I think this is probably my favourite. | 0:30:56 | 0:30:59 | |
It's the little crested china | 0:30:59 | 0:31:01 | |
Tommy in the dug-out in the First World War. | 0:31:01 | 0:31:04 | |
What a wonderful thing. This has been with you a long time? | 0:31:04 | 0:31:07 | |
Oh, a long, long time. Wouldn't like to say how long, actually! | 0:31:07 | 0:31:10 | |
-How much did you pay for it? -Six old pence. | 0:31:10 | 0:31:13 | |
Sixpence! How much is that in...? | 0:31:13 | 0:31:15 | |
-Oh, don't ask. -Two and a half pence, isn't it? -Something like that. -Two and a half pence! | 0:31:15 | 0:31:19 | |
Cor, blimey. And we've got, what, £40-£60 on it? | 0:31:19 | 0:31:22 | |
The First World War is so collectable | 0:31:22 | 0:31:25 | |
at the moment. I think this is quite an unusual design. | 0:31:25 | 0:31:28 | |
-I've never seen this example before, so that will create the interest. -We've got commissions on this one. | 0:31:28 | 0:31:32 | |
-Oh, great! -Start me at £25. -£25. We're in. 25. | 0:31:32 | 0:31:36 | |
At 25, we have. At 25. Eight. 30. 32, 35. | 0:31:36 | 0:31:40 | |
-35, we have. At £35. -35. New gentleman there. | 0:31:40 | 0:31:45 | |
38, in the room, we have. | 0:31:45 | 0:31:46 | |
At £38. 40, quickly, we're selling. All there and done at £38. | 0:31:46 | 0:31:51 | |
-165. -Oh! -Just under, but 38, that's not bad. | 0:31:51 | 0:31:55 | |
-No, it's not bad. Better than sixpence. -Better than two and a half pence! | 0:31:55 | 0:31:58 | |
It is better than sixpence. | 0:31:58 | 0:32:00 | |
Not quite our lower estimate, but back in 1918, | 0:32:00 | 0:32:03 | |
when that little example of Carlton ware was first made, | 0:32:03 | 0:32:07 | |
the idea that it would be worth £38 would have seemed preposterous! | 0:32:07 | 0:32:12 | |
Onwards now to World War Two and the military medals belonging to Alan's father, | 0:32:12 | 0:32:16 | |
with those photos of sea battles | 0:32:16 | 0:32:18 | |
to help tempt the bidders. Let's hope the military collectors | 0:32:18 | 0:32:21 | |
are out in force. | 0:32:21 | 0:32:22 | |
There's a great market for collecting medals now, | 0:32:22 | 0:32:26 | |
-isn't there? -There is. It's a strange market at the moment. | 0:32:26 | 0:32:29 | |
The First World War seems to be where, for years, all the major concentration was, but the | 0:32:29 | 0:32:33 | |
Second World War now is becoming collectable, but because they are not all named individually, | 0:32:33 | 0:32:37 | |
you can't research them as much. But I do know that the Pacific Star is a good one. | 0:32:37 | 0:32:42 | |
-He was in the Merchant Navy, wasn't he? -That's right. | 0:32:42 | 0:32:45 | |
He was protecting the fleet as they were going out to the Far East, so it's a very important medal. | 0:32:45 | 0:32:50 | |
We will start at £45. | 0:32:50 | 0:32:52 | |
At 50. Five. 55, in the centre. 60. Five. 70. | 0:32:54 | 0:33:00 | |
-That's excellent. -There you go. | 0:33:00 | 0:33:02 | |
No, he says. I've 70, on my left. Five, now? At £70. | 0:33:02 | 0:33:04 | |
Bid is on my left. we're selling. Are we all done? Sold at £70. | 0:33:04 | 0:33:09 | |
-Are you quite happy with that? -Oh, delighted. -Excellent! | 0:33:09 | 0:33:11 | |
£10 above our lower estimate. Those historic medals | 0:33:12 | 0:33:16 | |
have a new home and the fund for the motor mover is £70 better off. | 0:33:16 | 0:33:21 | |
Next, Imari-style porcelain dates back to the 19th century. | 0:33:21 | 0:33:25 | |
Could these examples make the £50-£75 estimate? | 0:33:25 | 0:33:28 | |
Ceramics have taken a bit of a dip. People aren't usually as much... | 0:33:31 | 0:33:34 | |
Everyone's gone more modern - into mugs, that sort of thing. But Imari seems to have that longevity. | 0:33:34 | 0:33:39 | |
The red and the blue colours are very pleasing, very pleasant to look at. | 0:33:39 | 0:33:43 | |
-Let's hope it's somebody's cup of tea, eh? -Yeah! | 0:33:43 | 0:33:46 | |
We'll start in at £30. | 0:33:46 | 0:33:48 | |
Really? Good, we're in at 30. | 0:33:48 | 0:33:50 | |
At £30, 32, 35, | 0:33:50 | 0:33:52 | |
38, 40, 42. At 42, we have. At 42, at 42. | 0:33:52 | 0:33:58 | |
Four, anywhere? At 42, I'm selling, no mistake. | 0:33:58 | 0:34:01 | |
44. 44, a bid on my left, at 44. And we're selling. All done? | 0:34:01 | 0:34:06 | |
Little under guide, but it goes, at £44. | 0:34:06 | 0:34:08 | |
That's good, that's brilliant. Happy with that. | 0:34:08 | 0:34:13 | |
£44 is a little beneath our lower estimate, so we could do with a more | 0:34:13 | 0:34:18 | |
substantial result a bit later on. | 0:34:18 | 0:34:20 | |
Moorcroft pottery dates back to 1897 and their output's very collectable. | 0:34:20 | 0:34:26 | |
The estimate is £80-£120 for this late 20th century boxed threesome | 0:34:26 | 0:34:31 | |
of two pin trays and a dish. | 0:34:31 | 0:34:33 | |
-Starting me at £45. -45. We're in, come on. | 0:34:34 | 0:34:37 | |
At 45 on the Moorcroft, 45 bid. 50. Five. 60. Five. | 0:34:37 | 0:34:41 | |
-Going up quickly. -70. Five. 80. £80, I have. At £80. | 0:34:41 | 0:34:45 | |
Five now? At £80, I'm selling in front. All done? | 0:34:45 | 0:34:48 | |
Commission's out. At £80... | 0:34:48 | 0:34:51 | |
-There we are. Dead right. -That was fast and furious. -Yeah, very quick. | 0:34:51 | 0:34:55 | |
-£80 and a good result. -I might not have to push the caravan around any more! | 0:34:55 | 0:35:00 | |
With the Moorcroft bringing us another £80 towards that fund, we're at the halfway stage. | 0:35:00 | 0:35:06 | |
So how are we doing? | 0:35:06 | 0:35:07 | |
We wanted to raise £500. We were hoping to raise considerably more, | 0:35:07 | 0:35:11 | |
-but we've actually got, so far, £297. -Very good. | 0:35:11 | 0:35:16 | |
-So you're on your way. -Yeah, that's good. | 0:35:16 | 0:35:19 | |
Kind of, just over half way to the gizmo. | 0:35:19 | 0:35:21 | |
ALL LAUGH | 0:35:21 | 0:35:24 | |
If you'd like to try selling some of your items in this way, | 0:35:24 | 0:35:27 | |
it is worth bearing in mind that auction houses charge various fees, such as commission. | 0:35:27 | 0:35:32 | |
Your local saleroom will advise you on those extra costs. | 0:35:32 | 0:35:35 | |
Paul is always on the look-out for good deals to be had at auctions. What's caught his eye today? | 0:35:35 | 0:35:41 | |
-You looking for musical inspiration from the Fab Four? -I was. | 0:35:43 | 0:35:47 | |
I was also looking for something that's made locally. These are made here, in Staffordshire, | 0:35:47 | 0:35:51 | |
by designer Peggy Davies, but I thought they tied in | 0:35:51 | 0:35:53 | |
with Alan and Jackie as it's The Beatles. | 0:35:53 | 0:35:55 | |
-Of course. -They're from Merseyside. -John, Paul, George and Ringo. | 0:35:55 | 0:36:00 | |
Peggy Davies tends to make things like Beatles memorabilia. She does Clarice Cliff-inspired items, | 0:36:00 | 0:36:05 | |
Charlotte Rhead patterns, that sort of thing, so she's very retro in her thinking, | 0:36:05 | 0:36:09 | |
but a wonderful factory. | 0:36:09 | 0:36:10 | |
So, "Pop Legend Character Jug. Limited edition of 200 worldwide." That's quite good, because often, | 0:36:10 | 0:36:17 | |
-these things are made in like, 2,000 worldwide. -That's right. A limited run. | 0:36:17 | 0:36:21 | |
This one is number four of 200, so that's an early one in the run. | 0:36:21 | 0:36:26 | |
What have we got of John? John's number 23. | 0:36:26 | 0:36:28 | |
-George is 162. Obviously, some fan has gone to a lot of trouble to collect all four. -Right. | 0:36:30 | 0:36:37 | |
-The sort of value on these? -Today, you are looking at maybe £100-150. | 0:36:37 | 0:36:41 | |
An absolute bargain. For the future, they'll be fabulous. | 0:36:41 | 0:36:43 | |
THEY LAUGH | 0:36:43 | 0:36:47 | |
'Oh, dear, trust our Paul. He clearly sees these Beatle souvenirs as a future investment | 0:36:47 | 0:36:52 | |
'and they're reserved, collectively, at £140. But in the cold, hard | 0:36:52 | 0:36:56 | |
'reality of today's auction, they fail to find a bidder. | 0:36:56 | 0:36:59 | |
'An investment for the fans only, perhaps.' | 0:36:59 | 0:37:03 | |
Our sale continues with this early 20th-century high chair, which has an estimated value of £40-£60. | 0:37:03 | 0:37:09 | |
Is this something you had for your children? | 0:37:11 | 0:37:13 | |
No, actually, I bought it to put my teddy bears on. | 0:37:13 | 0:37:17 | |
But since I've got two grandchildren - well, I've got four, but two have been using it - | 0:37:17 | 0:37:23 | |
to eat at the dining table. It's been absolutely brilliant. | 0:37:23 | 0:37:26 | |
-What are they going to sit in now? -We'll have to buy a high chair. | 0:37:26 | 0:37:30 | |
With commissions, 25, I'm bid. Lot 468. 25. At 25. | 0:37:30 | 0:37:34 | |
We have to start at 25. Eight. 30. £30, at £30. Two, if you wish. | 0:37:34 | 0:37:40 | |
At £30. Two, quickly, 30 bid. With me, it is. 30 only. | 0:37:40 | 0:37:43 | |
-We thought it would get a bit more than that. -Definitely. | 0:37:43 | 0:37:46 | |
No, not sold, unfortunately. | 0:37:46 | 0:37:48 | |
The auctioneer didn't want to sell it for less than it deserved. | 0:37:48 | 0:37:52 | |
A bit disappointing, but since Jackie has a new grandchild, | 0:37:52 | 0:37:57 | |
at least she'll get to use it once more. More mahogany now, | 0:37:57 | 0:37:59 | |
with this smart little piece of 19th-century furniture. | 0:37:59 | 0:38:02 | |
OK, a bit of Victoriana now. | 0:38:02 | 0:38:05 | |
It will be interesting to see how this one goes, cos it's a similar period to your bedroom furniture, | 0:38:05 | 0:38:09 | |
which you never brought. But this one is a plant table - octagonal plant table - | 0:38:09 | 0:38:13 | |
that would have gone in a Victorian conservatory. | 0:38:13 | 0:38:15 | |
There was a time when these were £100-£120. | 0:38:15 | 0:38:20 | |
I put this in at between 50-100 today, so let's see how it goes. | 0:38:20 | 0:38:24 | |
-It'll tell us how the other furniture might have done. -Commissions, are we? £20, to start. | 0:38:24 | 0:38:29 | |
46a, at £20. Tempting you all day long. At 22, thank you. | 0:38:29 | 0:38:32 | |
At 22, 25, 28, 30. | 0:38:32 | 0:38:35 | |
32, 35, 38. | 0:38:35 | 0:38:39 | |
PAUL SIGHS | 0:38:40 | 0:38:43 | |
At £38, do we sell? | 0:38:43 | 0:38:45 | |
-At £38. Bid's in the centre. -Are you going to sell it? -Yeah. £38. | 0:38:45 | 0:38:49 | |
It's gone. There we are. Just goes to show. Less than we expected. | 0:38:49 | 0:38:52 | |
-Yeah. -It's just the market, I'm afraid. -It's stunning, they don't make stuff like that nowadays. | 0:38:52 | 0:38:58 | |
-No. No. -It doesn't go with your plasma screen! | 0:38:58 | 0:39:01 | |
A fair bit under our lower estimate. £38 is a poor showing | 0:39:02 | 0:39:06 | |
for such a nice piece of mahogany furniture. | 0:39:06 | 0:39:11 | |
Now, the late 19th-century Atlas china tea service. | 0:39:11 | 0:39:14 | |
We hope it's going to be worth £50-£80. | 0:39:14 | 0:39:17 | |
It's a very decorative set. This really wouldn't be used. | 0:39:17 | 0:39:20 | |
It's for display purposes. But what a nice set. You've got a lovely tray with it, | 0:39:20 | 0:39:24 | |
you've got the teapot. Oh, it's making my mouth water! | 0:39:24 | 0:39:27 | |
But it's a nice example. It's very Victorian in style. Looking for about £50. | 0:39:29 | 0:39:33 | |
-And here it goes. -Commissions starting at £30. Lot 3428. £30. | 0:39:33 | 0:39:38 | |
32, 35, 38, 40. | 0:39:38 | 0:39:41 | |
-42, and I'm out at 42. In the room at 42. 45, 48. -Ooh! | 0:39:41 | 0:39:46 | |
No? 48, I have standing. At 48. Are we £50? | 0:39:46 | 0:39:49 | |
I'm selling. 48 is on my right. It goes, and no mistake, at £48. | 0:39:49 | 0:39:54 | |
-There you go. -Great! | 0:39:54 | 0:39:55 | |
The tea set could have brought us a sweeter result, but the £48 | 0:39:55 | 0:40:00 | |
is still most welcome. | 0:40:00 | 0:40:02 | |
Finally, we have the framed stamps, first issued in the 1840s, | 0:40:02 | 0:40:07 | |
which were in the dining room. | 0:40:07 | 0:40:09 | |
-You put a reserve on these, Alan? -Yes, £100. -Right. | 0:40:11 | 0:40:14 | |
How much did you pay for them originally? | 0:40:14 | 0:40:16 | |
-£500. -But it was for charity? -It was a charity auction. -But it was a great night?! | 0:40:16 | 0:40:20 | |
It was. It must have been! | 0:40:20 | 0:40:23 | |
And we have interest at £65, to start. At 65. | 0:40:25 | 0:40:28 | |
Start at 65. Are we 70, quickly? | 0:40:28 | 0:40:30 | |
70. Five. 75, bid's with me, right at the back. At 75. | 0:40:30 | 0:40:34 | |
Are we 80 now? 80. Five. 90. Five. 100, I'm out, 100 bid. | 0:40:34 | 0:40:40 | |
-You've made your reserve. -Are we all done? I'm selling. | 0:40:40 | 0:40:43 | |
Ten, if you wish? At £100... | 0:40:43 | 0:40:46 | |
There you go. They're gone. All right. | 0:40:46 | 0:40:48 | |
The stamps were in less than perfect condition, yet they matched | 0:40:48 | 0:40:52 | |
the reserve exactly, bring our sale to a close. | 0:40:52 | 0:40:55 | |
It's been an interesting day, but how close have we come to our target? | 0:40:55 | 0:41:01 | |
That was the last of your items. I know we wanted to raise £500, | 0:41:01 | 0:41:05 | |
but we started at a disadvantage and we were still hoping we would make £500. | 0:41:05 | 0:41:11 | |
We're just short of the £500, I'm afraid. Not by much. | 0:41:11 | 0:41:17 | |
-We've made a total of £483. -Oh, that's good. That's good. -If you'd brought your furniture, | 0:41:17 | 0:41:22 | |
though, Alan, we might have. | 0:41:22 | 0:41:24 | |
-Oh, Alan. -That's cruel! -I'll see you outside! -Please don't! | 0:41:25 | 0:41:29 | |
A few weeks later and Jackie and Alan are looking for | 0:41:35 | 0:41:39 | |
that motor mover device. But, of course, they are tempted | 0:41:39 | 0:41:42 | |
to examine all the new products on offer. | 0:41:42 | 0:41:44 | |
'We go out caravanning' | 0:41:44 | 0:41:46 | |
-quite a lot, don't we? -Yeah. We'd like to get away every weekend. | 0:41:46 | 0:41:49 | |
'But you have other commitments as well.' | 0:41:49 | 0:41:52 | |
Unfortunately, Jackie's seen another caravan that she likes. Erm, so we may be changing the caravan! | 0:41:52 | 0:41:57 | |
'But we want the motor mover, because it makes my life easier. | 0:41:57 | 0:42:01 | |
'The caravan, when it's fully loaded, can weigh | 0:42:01 | 0:42:04 | |
'a considerable amount of weight.' | 0:42:04 | 0:42:06 | |
The motor mover, literally, you pick up a remote control, push a button | 0:42:06 | 0:42:10 | |
-and it goes where you want it to go. -So, we can go to the right, | 0:42:10 | 0:42:15 | |
-to the left... -Ah, so that's what a motor mover does! | 0:42:15 | 0:42:21 | |
Sounds like it could also save a lot of fuss and bother. | 0:42:21 | 0:42:25 | |
-You don't damage the caravan while you're doing it. -Ahem. | 0:42:25 | 0:42:29 |