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Welcome to the show that finds all those antiques | 0:00:00 | 0:00:03 | |
and collectables tucked away in people's homes. | 0:00:03 | 0:00:06 | |
We then sell them at auction to raise money for a family project. | 0:00:06 | 0:00:09 | |
You know what it's like when a family has | 0:00:09 | 0:00:11 | |
moved around from one country to another. | 0:00:11 | 0:00:13 | |
I'm always interested to know what sort of foreign artefacts | 0:00:13 | 0:00:16 | |
they've picked up. | 0:00:16 | 0:00:18 | |
Well, we'll find out more, later on, in Cash In The Attic. | 0:00:18 | 0:00:21 | |
Coming up on Cash In The Attic... we learn about a Hungarian tradition | 0:00:42 | 0:00:46 | |
for predicting a newborn's career... | 0:00:46 | 0:00:49 | |
Whichever one the baby reaches out to, | 0:00:49 | 0:00:51 | |
you're either going to be a businessman or a musician. | 0:00:51 | 0:00:54 | |
Could expert, Jonty, have found a necklace | 0:00:54 | 0:00:56 | |
with more to it than meets the eye? | 0:00:56 | 0:00:58 | |
On the inside here is the minutest compact you'll ever see. | 0:00:58 | 0:01:02 | |
At auction, could these early 20th century hat pins, | 0:01:02 | 0:01:06 | |
be a cause for concern? | 0:01:06 | 0:01:07 | |
I always think they look a bit like offensive weapons. | 0:01:07 | 0:01:10 | |
In the wrong hands! | 0:01:10 | 0:01:12 | |
Will they secure a good price when the hammer falls? | 0:01:12 | 0:01:15 | |
Today I'm in Warwickshire to meet Rucky and Mark, | 0:01:16 | 0:01:20 | |
who are hoping their antiques and collectables will fund | 0:01:20 | 0:01:23 | |
a trip for their son, Griff, to the other side of the world. | 0:01:23 | 0:01:26 | |
Rucky and Mark Griffith | 0:01:26 | 0:01:28 | |
love to travel and will be going on that trip too. | 0:01:28 | 0:01:31 | |
Rucky used to be an air hostess | 0:01:31 | 0:01:34 | |
and Mark would often join her on some of the long-haul stopovers. | 0:01:34 | 0:01:37 | |
But, since they had Griff, who's now 13, | 0:01:37 | 0:01:39 | |
they've haven't been able to do as much travelling. | 0:01:39 | 0:01:42 | |
They own a pub not far from their home near Rugby | 0:01:42 | 0:01:44 | |
which Rucky helps to manage. | 0:01:44 | 0:01:46 | |
Mark does all the maintenance | 0:01:46 | 0:01:48 | |
when he's not tinkering around with his old car, that is. | 0:01:48 | 0:01:51 | |
Rucky's from Holland and had a Hungarian father | 0:01:51 | 0:01:54 | |
and a mother who was half German and half Dutch. | 0:01:54 | 0:01:57 | |
She's inherited lots of their possessions and feels | 0:01:57 | 0:02:00 | |
it's time to let them go. To help me look through them is Jonty Hearnden. | 0:02:00 | 0:02:04 | |
His 30 years' experience in the antiques trade is going to be invaluable here. | 0:02:04 | 0:02:08 | |
-Good morning. -BOTH: Good morning. | 0:02:09 | 0:02:12 | |
So, you're looking at your menus here. | 0:02:12 | 0:02:15 | |
I really appreciate you taking time off running the pub. | 0:02:15 | 0:02:17 | |
We thought we'd enjoy yourselves, | 0:02:17 | 0:02:19 | |
have a day off and enjoy it with you. | 0:02:19 | 0:02:21 | |
Right, OK. So what's the plan today? How much do you want to raise? | 0:02:21 | 0:02:24 | |
-About £500. -500 quid. | 0:02:24 | 0:02:26 | |
-Is it all right if I get started? -Absolutely. -Good. | 0:02:26 | 0:02:30 | |
I'm having that one. | 0:02:30 | 0:02:31 | |
All right, then. | 0:02:31 | 0:02:33 | |
So what made you decide, to call us in then, to raise money this way? | 0:02:33 | 0:02:37 | |
-We want to go to Australia. -Right. | 0:02:37 | 0:02:41 | |
We'd like some help with getting the fare together, | 0:02:41 | 0:02:44 | |
because it's not cheap for the three of us. | 0:02:44 | 0:02:46 | |
It's the wedding of the daughter of some very good friends of ours | 0:02:46 | 0:02:49 | |
and we've been honoured with an invitation, | 0:02:49 | 0:02:53 | |
and nice hot weather, black tie! | 0:02:53 | 0:02:56 | |
-Gosh, you'll need to take a fan with you or something, won't you? -Yes. | 0:02:56 | 0:03:01 | |
So the stuff we're going to be looking at then, | 0:03:01 | 0:03:03 | |
where is that from, because I know you're both well travelled. | 0:03:03 | 0:03:05 | |
Does it come from your trips round the world or is it inherited? | 0:03:05 | 0:03:08 | |
Quite a bit of it is inherited. Rucky's parents were from Europe | 0:03:08 | 0:03:11 | |
and they brought a lot of stuff in with them. | 0:03:11 | 0:03:15 | |
Yeah, like you say, we've picked up a bit in our travels, as well. | 0:03:15 | 0:03:20 | |
We need to raise £500 so the three of you, cos Griff, your son, wants to go as well? | 0:03:20 | 0:03:24 | |
-Yeah. -..can get on this trip to the wedding. | 0:03:24 | 0:03:27 | |
-Shall we get started? -Great! | 0:03:27 | 0:03:30 | |
Both Rucky's parents were professional musicians | 0:03:31 | 0:03:34 | |
and travelled around the world to play in concerts. | 0:03:34 | 0:03:37 | |
They collected pieces from everywhere they went and apparently never threw anything away. | 0:03:37 | 0:03:42 | |
Good news for us then! | 0:03:42 | 0:03:44 | |
-Ah, Jonty... -Ah-ha! -Are you about to do a solo? | 0:03:44 | 0:03:46 | |
Yes, just about to. Where's the bow? | 0:03:46 | 0:03:49 | |
I have got the bow, I'm afraid. | 0:03:49 | 0:03:51 | |
-Oh, you haven't? -That went a long time ago. | 0:03:51 | 0:03:53 | |
Right, it's a violin that really does seem to have seen better days. | 0:03:53 | 0:03:56 | |
-Yes, it was my father's first violin. -OK. | 0:03:56 | 0:04:00 | |
Being that he was Hungarian, | 0:04:00 | 0:04:02 | |
when babies were born in those days, when he was born, | 0:04:02 | 0:04:05 | |
over the crib they get given a hand which has a coin in it | 0:04:05 | 0:04:09 | |
and a hand that has a musical instrument in it. | 0:04:09 | 0:04:11 | |
Whichever one the baby reaches out to, is you are either going to be a businessman or a musician. | 0:04:11 | 0:04:16 | |
That's interesting. | 0:04:16 | 0:04:18 | |
He reached out to the violin so that was his first violin | 0:04:18 | 0:04:21 | |
when he started playing at the age of four or five. | 0:04:21 | 0:04:23 | |
So did he follow that through, did he become a musician? | 0:04:23 | 0:04:26 | |
-He did, he became a professor of music and he played the violin. -Wow! | 0:04:26 | 0:04:30 | |
It was rather nice but we did have another violin when he was alive. | 0:04:30 | 0:04:34 | |
-It was a Guadagnini. -That's a good name, isn't it? | 0:04:34 | 0:04:36 | |
It is a very good name | 0:04:36 | 0:04:38 | |
and I believe the same one was sold a couple of years ago | 0:04:38 | 0:04:40 | |
-for about two million. -What? | 0:04:40 | 0:04:42 | |
-It's a shame I haven't got it any more. -You haven't got it here? | 0:04:42 | 0:04:45 | |
No, I'm sorry. | 0:04:45 | 0:04:46 | |
It wasn't mine to sell, unfortunately. | 0:04:46 | 0:04:49 | |
-So we were just left with this one. -OK. | 0:04:49 | 0:04:51 | |
-I'm afraid we're not looking at £2 million here. -No. | 0:04:51 | 0:04:54 | |
Not even one million. There's no makers label on here at all. | 0:04:54 | 0:04:59 | |
I could imagine this has been passed down from a few generations. | 0:04:59 | 0:05:03 | |
I would suspect this violin is well over 100 years old. | 0:05:03 | 0:05:07 | |
Second-hand violins, in this sort of condition, | 0:05:07 | 0:05:10 | |
the prices now seem to have fallen somewhat over recent years. | 0:05:10 | 0:05:13 | |
It's not hundreds of thousands, not thousands, not hundreds... You know. | 0:05:13 | 0:05:18 | |
-30 to 50. -Oh, that's more than I would have thought. No, fab. | 0:05:18 | 0:05:23 | |
-So you're quite happy for that to go? -Absolutely. -OK, that's great. | 0:05:23 | 0:05:28 | |
But we need to raise £500, shall we see what else we can find? | 0:05:28 | 0:05:32 | |
Wow, what a fascinating story about that violin. | 0:05:35 | 0:05:38 | |
Rucky's father's music was to end up possibly saving his life | 0:05:38 | 0:05:42 | |
as he ended up in a German prisoner of war camp. We'll hear more about that later. | 0:05:42 | 0:05:46 | |
In their chalet room, Jonty's noticed a large collection of cutlery | 0:05:46 | 0:05:49 | |
which belonged to Rucky's parents. | 0:05:49 | 0:05:51 | |
In the 1960s and '70s they performed at concerts in the former East Germany, Poland and Russia. | 0:05:51 | 0:05:57 | |
At the time they weren't allowed to take any money out of the country so they bought cutlery instead. | 0:05:57 | 0:06:02 | |
All these are made of stainless steel and the estimate for auction | 0:06:03 | 0:06:07 | |
is £70-£100. | 0:06:07 | 0:06:10 | |
It looks like Rucky has struck gold. | 0:06:10 | 0:06:12 | |
-Wow! What, three rings? -Three rings. | 0:06:12 | 0:06:14 | |
I forgot I had those. | 0:06:14 | 0:06:15 | |
-Really? -Yeah. -Do they have stories, history? | 0:06:15 | 0:06:18 | |
That one Mark bought for me when we were in Chichester. | 0:06:18 | 0:06:21 | |
-I think it was just before I had Griff. -What a romantic? | 0:06:21 | 0:06:25 | |
Very romantic, don't tell him that, though! | 0:06:25 | 0:06:28 | |
-Very modern in style as well, isn't it? -It is, it reminded me of a belt. | 0:06:28 | 0:06:32 | |
Yes, I see where you're coming from. | 0:06:32 | 0:06:35 | |
So these sapphires are cut in lozenge form and then, | 0:06:35 | 0:06:39 | |
of course, around the edge of I suppose the buckle, | 0:06:39 | 0:06:43 | |
-you have these tiny little diamonds and they are quite dinky. -Yes. | 0:06:43 | 0:06:46 | |
Having a closer look, this is 18 carat gold band | 0:06:47 | 0:06:50 | |
so that's very good news. What else have we got? | 0:06:50 | 0:06:53 | |
-We've got this one which was bought in South Africa. -OK. | 0:06:53 | 0:06:56 | |
That was on one of my trips. | 0:06:56 | 0:06:59 | |
-Again, this has a modern feel to it, doesn't it? -Mmm. | 0:06:59 | 0:07:01 | |
A solid gold band and then inset, right at the top, | 0:07:01 | 0:07:05 | |
we've got a platinum or white gold | 0:07:05 | 0:07:07 | |
and then you've got a pair of baguettes of diamonds | 0:07:07 | 0:07:10 | |
and then we have a single diamond at the top there. | 0:07:10 | 0:07:14 | |
We have an 18 carat gold band as well. | 0:07:14 | 0:07:16 | |
I'd suspect we've just under a carat's worth of diamonds there. | 0:07:16 | 0:07:20 | |
-Right. -Which is good news. -Yes. -What else have they got? | 0:07:20 | 0:07:23 | |
This last one, it was my father's. | 0:07:23 | 0:07:27 | |
His name was Nicholas. | 0:07:27 | 0:07:28 | |
-He used to wear it on his little finger. -A little signet ring. -Yes. | 0:07:28 | 0:07:32 | |
Whenever I used to go home, I used to pretend I'd forgotten my ring so I could wear it. | 0:07:32 | 0:07:35 | |
I preferred it to mine at the time. I haven't worn that for a long time now. | 0:07:35 | 0:07:39 | |
Again, this is an 18 carat gold band and then, of course, | 0:07:39 | 0:07:42 | |
the ends are studded with two rows of tiny, little diamonds. | 0:07:42 | 0:07:47 | |
Definitely worth putting it into the auction sale. | 0:07:47 | 0:07:50 | |
I mean, you're easily looking at £300-£500 here. Very easily. | 0:07:50 | 0:07:53 | |
-Fantastic. -That's good news. -Yes. | 0:07:53 | 0:07:55 | |
-Shall we put that back. -Lovely. | 0:07:55 | 0:07:58 | |
When the strings get to the saleroom, | 0:07:58 | 0:08:00 | |
will they excite the bidders? | 0:08:00 | 0:08:02 | |
I can start this in at 200. | 0:08:02 | 0:08:04 | |
Yes! Excellent. | 0:08:04 | 0:08:06 | |
At 250, at 260... | 0:08:06 | 0:08:09 | |
We'll have to wait a little longer to find out how much they like what they see. | 0:08:09 | 0:08:14 | |
As the search here in Warwickshire continues, | 0:08:14 | 0:08:16 | |
going by Jonty's lowest estimate so far, | 0:08:16 | 0:08:19 | |
we stand to make £400 when we take the things we found to the saleroom. | 0:08:19 | 0:08:23 | |
We've almost reached their target already | 0:08:23 | 0:08:25 | |
but I'll keep that to myself for now. | 0:08:25 | 0:08:28 | |
In the dining room, Mark finds a small, wooden frame | 0:08:29 | 0:08:31 | |
which doesn't seem to have a very clear picture inside. | 0:08:31 | 0:08:34 | |
There's a set of five. | 0:08:34 | 0:08:36 | |
They belonged to Rucky's Dutch grandfather | 0:08:36 | 0:08:38 | |
and it turns out the images inside are negatives of her grandparents. | 0:08:38 | 0:08:42 | |
They're not in very good condition so she's happy for these to go to auction. | 0:08:42 | 0:08:46 | |
There's an estimate of £20-£40. | 0:08:46 | 0:08:48 | |
Rucky gives no trace of her European background | 0:08:50 | 0:08:53 | |
with her perfect English accent, but I'm intrigued to know more about her background. | 0:08:53 | 0:08:58 | |
So tell me how long you've been in this country | 0:09:01 | 0:09:03 | |
and what made you come here in the first place? | 0:09:03 | 0:09:06 | |
I came here when I was 16 on a holiday and, erm, | 0:09:06 | 0:09:09 | |
decided I liked the country and decided to stay. | 0:09:09 | 0:09:13 | |
Did your parents come with you though? | 0:09:13 | 0:09:15 | |
They came over here after a couple of years | 0:09:15 | 0:09:17 | |
because they've already worked here at Trinity College | 0:09:17 | 0:09:20 | |
and they also travelled the world with their concerts. | 0:09:20 | 0:09:23 | |
It didn't matter where they lived so they followed me. | 0:09:23 | 0:09:25 | |
Tell me a little bit about your parents, | 0:09:25 | 0:09:28 | |
as musicians abroad because they were really at the top of their tree, weren't? | 0:09:28 | 0:09:33 | |
They were, yes. My father was born in Hungary | 0:09:33 | 0:09:36 | |
but he trained in England as a violinist. | 0:09:36 | 0:09:39 | |
He was a professor of music and worked at Trinity College | 0:09:39 | 0:09:42 | |
and did a lot of concerts. | 0:09:42 | 0:09:43 | |
He had the London Soloists Ensemble and the Budapest Trio. | 0:09:43 | 0:09:48 | |
He also did some conducting with the Bournemouth Sinfonietta. | 0:09:48 | 0:09:52 | |
Whereas, my mother was from Holland and she was a musician, | 0:09:52 | 0:09:55 | |
a pianist, also a professor of music | 0:09:55 | 0:09:59 | |
and worked at Trinity College, as well. | 0:09:59 | 0:10:01 | |
It all sounds very glamorous but your father had quite a hard time, especially during the war? | 0:10:01 | 0:10:06 | |
He did. He was living in Holland, so he spoke good Dutch | 0:10:06 | 0:10:09 | |
but he had lived in England and so he had been recruited by the British intelligence. | 0:10:09 | 0:10:13 | |
Unfortunately, he got caught and spent four years | 0:10:13 | 0:10:17 | |
in a Polish camp of war, | 0:10:17 | 0:10:18 | |
which was quite horrific with some of the stories I'd heard. | 0:10:18 | 0:10:21 | |
He didn't talk too much but when he did, it was really interesting. | 0:10:21 | 0:10:25 | |
One of the stories he did tell us, the commandant of the camp felt | 0:10:25 | 0:10:29 | |
that he would like a bit of class in his camp and wanted an orchestra. | 0:10:29 | 0:10:34 | |
My father said he needed 140 people for his orchestra | 0:10:34 | 0:10:38 | |
and those people would get extra rations | 0:10:38 | 0:10:41 | |
and, in fact, there was only 40 people who could play | 0:10:41 | 0:10:44 | |
but he made it look as if all 140 were playing in the orchestra | 0:10:44 | 0:10:50 | |
so that he could get the extra food for the extra people. | 0:10:50 | 0:10:52 | |
-So really he was responsible for saving a lot of people's lives, wasn't he? -I believe he did, yes. | 0:10:52 | 0:10:58 | |
He told me some stories about it and he was quite pleased | 0:10:58 | 0:11:01 | |
and proud that he managed to do that. | 0:11:01 | 0:11:03 | |
Now Rucky is quite an unusual name. | 0:11:05 | 0:11:06 | |
Apparently her mother had the same name | 0:11:06 | 0:11:09 | |
and it was completely invented by her mother. | 0:11:09 | 0:11:12 | |
Rucky's found something that belonged to her grandmother. | 0:11:12 | 0:11:14 | |
It's a cushion filled with a collection of hat pins from the early 20th century. | 0:11:14 | 0:11:19 | |
Rucky remembers this always being close to the front door, | 0:11:19 | 0:11:22 | |
ready for securing the hat before heading outside. | 0:11:22 | 0:11:25 | |
Hat pins can be collectable and their estimate for auction is £20-£40. | 0:11:25 | 0:11:29 | |
Meanwhile, Mark's invited Jonty out to the workshop | 0:11:31 | 0:11:33 | |
to look at something from his side of the family. | 0:11:33 | 0:11:36 | |
These are pub signs manufactured by my family | 0:11:37 | 0:11:40 | |
in the middle '80s, '85, '86 on the Isle of Wight. | 0:11:40 | 0:11:45 | |
Are they hand made? | 0:11:45 | 0:11:47 | |
Yes, all hand made by a chap called Jim West | 0:11:47 | 0:11:49 | |
who was based in Whitstable. | 0:11:49 | 0:11:52 | |
These would be used as the originals, | 0:11:52 | 0:11:54 | |
copies would be made of these | 0:11:54 | 0:11:55 | |
and then sold to the pub business. | 0:11:55 | 0:11:57 | |
They were in our pub for a while but are no longer in vogue. | 0:11:57 | 0:12:00 | |
Yet, it's interesting, pub signs have been around for centuries. | 0:12:00 | 0:12:04 | |
It was in the 12th century that the king at the time | 0:12:04 | 0:12:07 | |
decreed that all alehouses, | 0:12:07 | 0:12:10 | |
all alehouses that produced beer had some form of sign on the outside. | 0:12:10 | 0:12:14 | |
I suppose it was a form of quality control because in the 12th century | 0:12:14 | 0:12:18 | |
the best job in the world has to have been an ale taster. | 0:12:18 | 0:12:21 | |
In fact, Shakespeare's father was an ale taster. | 0:12:21 | 0:12:25 | |
Which signs do you want to sell now? | 0:12:25 | 0:12:27 | |
Probably sell the ones that went on to be mass produced. | 0:12:27 | 0:12:30 | |
These three, these four really. | 0:12:30 | 0:12:33 | |
So three here and the Whitbread one down the bottom? OK. | 0:12:33 | 0:12:37 | |
We'll send those into auction. | 0:12:37 | 0:12:39 | |
In the 1980s, all pubs were decorated in this way. | 0:12:39 | 0:12:42 | |
There was a big market for it then. | 0:12:42 | 0:12:44 | |
That's really interesting because the market has obviously changed. | 0:12:44 | 0:12:48 | |
I think, individually, you're looking at between 40 and £80... | 0:12:48 | 0:12:51 | |
-That's fair enough. -All right? | 0:12:51 | 0:12:53 | |
As a group, I would put £150-£250 on them. | 0:12:53 | 0:12:56 | |
OK, that's fine. | 0:12:56 | 0:12:58 | |
-Are you happy about that? -Yes, let's get them gone. | 0:12:58 | 0:13:01 | |
Rucky's giving the bedroom a good going over | 0:13:03 | 0:13:05 | |
and I'm doing the same downstairs where I've spotted some tankards. | 0:13:05 | 0:13:08 | |
One of them is actually a Toby jug made by Royal Doulton | 0:13:08 | 0:13:11 | |
in the form of Winston Churchill. | 0:13:11 | 0:13:13 | |
I come across another three tankards | 0:13:13 | 0:13:15 | |
that have all been passed down from Mark's grandfather. | 0:13:15 | 0:13:18 | |
The estimate for this little lot is £40-£60. | 0:13:18 | 0:13:22 | |
-Oh, you've found the apple. -Yes, isn't it beautiful? | 0:13:22 | 0:13:26 | |
A little necklace here and down below, of course as you say, | 0:13:26 | 0:13:29 | |
-a little apple. -Yes. -Which is wonderful. Where is this from? | 0:13:29 | 0:13:33 | |
It's from Germany, it was my grandmother's. | 0:13:33 | 0:13:35 | |
From what I was told, she used to wear it around her neck when she went out | 0:13:35 | 0:13:38 | |
and, of course, when it's opened it was a little powder-puff. | 0:13:38 | 0:13:41 | |
Yes, because it's not just an apple as well you know. | 0:13:41 | 0:13:44 | |
On the inside here is the minutest compact you'll ever see. | 0:13:44 | 0:13:48 | |
-I know, it's fascinating, isn't it? -Look at that. | 0:13:48 | 0:13:50 | |
With a little handle here on the puff itself. Isn't that so dinky? | 0:13:50 | 0:13:54 | |
It absolutely super with a little mirror so you can just do your nose. | 0:13:54 | 0:13:57 | |
Yes, oh yes, and it's a shaped mirror insofar | 0:13:57 | 0:14:02 | |
you can see your whole face and not just the end of your nose. | 0:14:02 | 0:14:05 | |
-Yes, I know it's been in the family for years. -Right. | 0:14:05 | 0:14:08 | |
So it must be very precious to you. What about selling? | 0:14:08 | 0:14:10 | |
I don't wear it, it's a shame. | 0:14:10 | 0:14:12 | |
It'd be nice if somebody else could possibly wear it | 0:14:12 | 0:14:15 | |
but I'm quite happy to sell that one. | 0:14:15 | 0:14:17 | |
Right, I think this is great fun. The market loves unusual things just like this. | 0:14:17 | 0:14:21 | |
I've been looking for a hallmark on there. | 0:14:21 | 0:14:23 | |
Well a mark to say it's silver because this is not British. | 0:14:23 | 0:14:27 | |
I do believe this to be silver, | 0:14:27 | 0:14:29 | |
even though it doesn't have any markings on there at all. | 0:14:29 | 0:14:32 | |
The other giveaway that it's not British is the actual design, the linkage of the chain. | 0:14:32 | 0:14:36 | |
This is not necessarily what we produced. | 0:14:36 | 0:14:39 | |
I suppose this would be dated, the early part of the 20th century. | 0:14:39 | 0:14:44 | |
I think it's well worth putting it into the auction sale. | 0:14:44 | 0:14:48 | |
I would imagine we're looking at £40-£60, that sort of ballpark. | 0:14:48 | 0:14:51 | |
-OK. -That sort of region. | 0:14:51 | 0:14:53 | |
Who knows, somebody might love it as much as I do | 0:14:53 | 0:14:55 | |
and want to pay more for it. I think this is absolutely fabulous. | 0:14:55 | 0:14:57 | |
I've noticed some old pistols which I need to look at in more detail. | 0:14:57 | 0:15:02 | |
Mark's come across a set of three late Victorian encyclopaedias. | 0:15:02 | 0:15:06 | |
The subject matter is Amateur Gardening For The Town And City. | 0:15:06 | 0:15:10 | |
They belonged to a tenant of theirs who left in a hurry. | 0:15:10 | 0:15:12 | |
He never came back so they've had the books ever since | 0:15:12 | 0:15:14 | |
and they're happy for them to go and hopefully to raise £30-£50. | 0:15:14 | 0:15:18 | |
Now I found these. There's yours, Jonty. There you are, Mark. | 0:15:20 | 0:15:26 | |
-Where were they from? -They are from my grandfather. | 0:15:26 | 0:15:30 | |
-Please don't point it at me. -I'm sorry. -Yes. | 0:15:30 | 0:15:32 | |
He's had done, well, he bought them as pure decoration | 0:15:32 | 0:15:36 | |
with a friend in the mid-50s. | 0:15:36 | 0:15:40 | |
As a child, my brother and I would always play with them, | 0:15:40 | 0:15:43 | |
when we were allowed, and then when my grandmother passed away, | 0:15:43 | 0:15:48 | |
I inherited them. | 0:15:48 | 0:15:50 | |
Are you fond of them? | 0:15:50 | 0:15:52 | |
Yes, they are. A lot of memories, good memories. | 0:15:52 | 0:15:54 | |
The pistols are roughly the same sort of age. | 0:15:54 | 0:15:58 | |
They are percussion, hand pistols. | 0:15:58 | 0:16:00 | |
Percussion pistols were invented really in the 1830s. | 0:16:00 | 0:16:04 | |
Percussion is how the gun is fired | 0:16:04 | 0:16:07 | |
because before that it would be flintlock. | 0:16:07 | 0:16:10 | |
The flintlock had a spark that went into a pan which was external | 0:16:10 | 0:16:15 | |
and the spark had to jump into the base of the barrel. | 0:16:15 | 0:16:19 | |
You can imagine that would not be very efficient in damp conditions. | 0:16:19 | 0:16:22 | |
That's the reason why a percussion pistol was invented | 0:16:22 | 0:16:26 | |
so it allowed a weapon like this to be fired in damp conditions. | 0:16:26 | 0:16:30 | |
Have you been able to spot any signs of a manufacturer at all? | 0:16:30 | 0:16:34 | |
I've got a maker's name here, Murray Stonehaven. | 0:16:34 | 0:16:37 | |
What have you got there? | 0:16:37 | 0:16:38 | |
Wold is the last five letters but whatever that is at the beginning. | 0:16:38 | 0:16:42 | |
It's a bit difficult... I've not recognise these names | 0:16:42 | 0:16:45 | |
but there were a lot of gunsmiths up and down the country. | 0:16:45 | 0:16:47 | |
What about value? | 0:16:47 | 0:16:49 | |
I think these are worth between £400 and £600 each. | 0:16:49 | 0:16:52 | |
An estimate for auction, £800-£1,200. | 0:16:53 | 0:16:57 | |
-What do you think, boss? -It's very good. | 0:16:57 | 0:16:59 | |
I had no idea they would be worth that sort of money. | 0:16:59 | 0:17:02 | |
They've got a lot of memories, | 0:17:02 | 0:17:05 | |
we would have to give it considerable thought. | 0:17:05 | 0:17:07 | |
There are strict laws governing ownership of such weapons | 0:17:07 | 0:17:10 | |
and Mark would need to make sure he has a deactivation licence | 0:17:10 | 0:17:13 | |
before they can be sold. | 0:17:13 | 0:17:15 | |
It goes without saying that such items should always be kept out of the reach of children. | 0:17:15 | 0:17:19 | |
How long have you two been together? | 0:17:19 | 0:17:23 | |
Erm, 28 years, isn't it? | 0:17:23 | 0:17:26 | |
-Yes, dear. -Yes. | 0:17:26 | 0:17:28 | |
That's a long time. How did you meet? | 0:17:28 | 0:17:30 | |
We met at work with the airport. | 0:17:30 | 0:17:34 | |
It was just at a party and we started talking. | 0:17:34 | 0:17:36 | |
-You went looking for the best looking bloke there. -Oh, well never mind. | 0:17:36 | 0:17:39 | |
He was a very... | 0:17:39 | 0:17:41 | |
-You set yourself up for that one, didn't you? -It was my line. | 0:17:43 | 0:17:46 | |
I was going to come back with that. | 0:17:46 | 0:17:48 | |
No, we met through friends and started talking | 0:17:48 | 0:17:52 | |
and it just went on from there. We found out that we liked the same things | 0:17:52 | 0:17:57 | |
and we kept bumping into each other and the relationship went on from there. | 0:17:57 | 0:18:00 | |
For many years, it wasn't a daily thing | 0:18:00 | 0:18:03 | |
because I think we worked it out once | 0:18:03 | 0:18:06 | |
for the first six years that we were married we saw each other for about two. | 0:18:06 | 0:18:10 | |
-That could explain the longevity of the relationship! -Absolutely! | 0:18:10 | 0:18:14 | |
Rucky would be away on three-week trips and then when she came home, I'd be away. | 0:18:14 | 0:18:18 | |
We understood that each other, with shift work and with me | 0:18:18 | 0:18:21 | |
flying away, that you weren't always there. | 0:18:21 | 0:18:24 | |
What made you decide to settle down back here? | 0:18:24 | 0:18:28 | |
We thought we'd just retire. We'd done a lot. | 0:18:28 | 0:18:31 | |
We hadn't spent a huge amount of time together, | 0:18:31 | 0:18:34 | |
although a lot of time had gone past. | 0:18:34 | 0:18:36 | |
We quite naively retired and bought a pub. | 0:18:36 | 0:18:40 | |
Right, which bit was naive, the retirement bit or buying a pub? | 0:18:40 | 0:18:44 | |
-The fact that we thought we'd retired. -Both, yes. | 0:18:44 | 0:18:48 | |
You want to raise the money to go to this wedding in Australia | 0:18:48 | 0:18:50 | |
and you've already been to Australia once. | 0:18:50 | 0:18:52 | |
Is this the start of a bigger, travelling bug for you again | 0:18:52 | 0:18:57 | |
or have you really put those days behind you? | 0:18:57 | 0:18:59 | |
No, I think, we still like to travel. | 0:18:59 | 0:19:02 | |
We still want to see lots of new places | 0:19:02 | 0:19:04 | |
and especially with Griff having got to the age where he can appreciate it. | 0:19:04 | 0:19:07 | |
Now that you're thinking of taking Griff along, | 0:19:07 | 0:19:10 | |
is that a bit of a change? | 0:19:10 | 0:19:11 | |
-You weren't really expecting Griff at all, at one point? -No. | 0:19:11 | 0:19:15 | |
We'd been told that it was really unlikely that we would ever have children. | 0:19:15 | 0:19:18 | |
Especially with her being in the Seychelles and me being... | 0:19:18 | 0:19:22 | |
I was thinking, I could have told you that! | 0:19:22 | 0:19:24 | |
Yes, that was the difficult part. | 0:19:26 | 0:19:29 | |
Never mind, we did try. | 0:19:29 | 0:19:32 | |
So we forged out a life for ourselves without, which we were quite happy about. | 0:19:32 | 0:19:35 | |
When Griff did come along, it was the icing on the cake. | 0:19:35 | 0:19:38 | |
It was a real surprise but it was a fantastic surprise. | 0:19:38 | 0:19:42 | |
Well if we're to help this family satisfy their travel bug and get to Australia, | 0:19:42 | 0:19:46 | |
we need to find a few more things before we finish here. | 0:19:46 | 0:19:49 | |
Jonty's come across an intriguing little envelope which contains | 0:19:49 | 0:19:53 | |
a large set of Japanese, silk prints. | 0:19:53 | 0:19:55 | |
It was given to Rucky's father from a Japanese student | 0:19:55 | 0:19:58 | |
when he taught a masterclass at Trinity College of Music. | 0:19:58 | 0:20:02 | |
They're very delicately painted masks | 0:20:02 | 0:20:04 | |
but our expert recognises they were made for the export market | 0:20:04 | 0:20:07 | |
and gives them a valuation of £30-£50. | 0:20:07 | 0:20:10 | |
These are some pictures my father had and they were done | 0:20:12 | 0:20:16 | |
by a friend of my father's in the actual concentration camp. | 0:20:16 | 0:20:20 | |
Which, you can see by the subject, they are very macabre, very eerie. | 0:20:20 | 0:20:28 | |
To be honest, I don't really look at them. | 0:20:28 | 0:20:31 | |
OK, I think the best thing to do is see what Jonty thinks. | 0:20:31 | 0:20:33 | |
Jonty, Mark, are you there? We've got some pictures to show you. | 0:20:33 | 0:20:38 | |
These are from the time that Rucky's father | 0:20:38 | 0:20:42 | |
spent in the concentration camps. | 0:20:42 | 0:20:45 | |
So, they're clearly quite disturbing images. | 0:20:45 | 0:20:48 | |
But, by someone very talented. | 0:20:48 | 0:20:50 | |
Oh, yes, I see what you mean. | 0:20:50 | 0:20:52 | |
Look at that. | 0:20:52 | 0:20:54 | |
Real sort of the grim reaper-esque. | 0:20:55 | 0:20:58 | |
Initially, this would have been done by probably a heavy leaded pencil. | 0:20:58 | 0:21:03 | |
I don't think it's charcoal. | 0:21:03 | 0:21:05 | |
We are looking at prints, rather than original art forms. | 0:21:05 | 0:21:09 | |
This one here, for instance, | 0:21:09 | 0:21:11 | |
the artist has originally signed it in the charcoal/dark lead | 0:21:11 | 0:21:16 | |
and then signed it again underneath in pencil. | 0:21:16 | 0:21:19 | |
Another indication to say they're prints rather than originals. | 0:21:19 | 0:21:23 | |
Which is a pity, really, because everyone wants to get | 0:21:23 | 0:21:26 | |
their hands on original art form rather than prints. | 0:21:26 | 0:21:29 | |
When it comes to valuing objects like this, | 0:21:29 | 0:21:31 | |
you want to put a very high figure on them somehow. | 0:21:31 | 0:21:34 | |
There's an awful lot of emotion that runs through all of these pictures. | 0:21:34 | 0:21:37 | |
My hunch is that we're looking at £30-£50. | 0:21:37 | 0:21:40 | |
It will be very interesting to see | 0:21:40 | 0:21:43 | |
what happens in the auction room | 0:21:43 | 0:21:44 | |
because I don't believe they are to everyone's taste. | 0:21:44 | 0:21:47 | |
I can see clearly that you would want to get rid of them. | 0:21:47 | 0:21:50 | |
Maybe getting rid of them this way into turning them | 0:21:50 | 0:21:54 | |
into something so positive is a positive thing to do itself. | 0:21:54 | 0:21:58 | |
-OK. -Are you happy to put them in the auction sale? -Oh, definitely. | 0:21:58 | 0:22:02 | |
Yes, that's fine. I just want them sold, to be honest. | 0:22:02 | 0:22:06 | |
Well the value of everything going to auction, excluding the guns, | 0:22:06 | 0:22:09 | |
-comes to £760. -Wow! | 0:22:09 | 0:22:12 | |
That's amazing! | 0:22:12 | 0:22:14 | |
But, of course, if you did put the guns into the auction | 0:22:14 | 0:22:18 | |
that would take it to £1,560. | 0:22:18 | 0:22:21 | |
-Wow! -Which would be a big dent in your fund, wouldn't it? | 0:22:21 | 0:22:24 | |
It would. Definitely. | 0:22:24 | 0:22:25 | |
What a fascinating day we've had here and I'm really keen | 0:22:25 | 0:22:29 | |
to see how well all Rucky and Mark's possessions do, | 0:22:29 | 0:22:32 | |
including that early 20th century silver necklace | 0:22:32 | 0:22:35 | |
with the apple shaped pendant, which is a very discreet compact, | 0:22:35 | 0:22:38 | |
complete with powder-puff. We hope it exceeds Jonty's £40 estimate. | 0:22:38 | 0:22:43 | |
There's the three gold rings, two are Rucky's and one, her father's. | 0:22:44 | 0:22:48 | |
They're all 18 carat gold and their estimate is £300-£500. | 0:22:48 | 0:22:54 | |
And, will they be taking those two early 19th century | 0:22:54 | 0:22:56 | |
percussion pistols, which were given to Mark's grandfather in the 1950s? | 0:22:56 | 0:23:00 | |
If they do, they could easily break through their target, | 0:23:00 | 0:23:03 | |
even if they only achieve their lower estimate of £800. | 0:23:03 | 0:23:07 | |
Still to come on Cash In The Attic, | 0:23:09 | 0:23:11 | |
what on earth is Jonty talking about here? | 0:23:11 | 0:23:14 | |
I really like it, I wanted to do the end of my nose. | 0:23:14 | 0:23:16 | |
That's just about the right size. | 0:23:16 | 0:23:18 | |
I don't know either! And Mark's keen to keep us all in good spirits. | 0:23:20 | 0:23:24 | |
It's got the ashes of mother-in-law's favourite budgie in there. | 0:23:24 | 0:23:26 | |
Has it, I don't care! I still think it's lovely. | 0:23:26 | 0:23:30 | |
Let's hope we can keep these spirits up. | 0:23:30 | 0:23:33 | |
Well, we had a lovely time with Mark and Rucky at their gorgeous house | 0:23:39 | 0:23:42 | |
and we found plenty of antiques and collectables | 0:23:42 | 0:23:45 | |
which we've brought here to Cuttlestones auction rooms. | 0:23:45 | 0:23:48 | |
Now remember they're looking to raise £500 towards a trip to Australia to a friend's wedding. | 0:23:48 | 0:23:52 | |
Let's just hope their antiques and collectables that | 0:23:52 | 0:23:56 | |
go under the hammer here today get them to the church on time. | 0:23:56 | 0:23:59 | |
Based in the historic Staffordshire market town of Penkridge, | 0:23:59 | 0:24:04 | |
Cuttlestones attracts individuals and dealers from right across the county and beyond, | 0:24:04 | 0:24:08 | |
all looking for a bargain. Let's hope the market's buoyant today | 0:24:08 | 0:24:11 | |
for Rucky and Mark's vintage signs. | 0:24:11 | 0:24:13 | |
-Good morning. -Morning. -Good morning. | 0:24:14 | 0:24:17 | |
Your pub memorabilia, how is the pub? | 0:24:17 | 0:24:19 | |
It's busy, good. Yes, very good. | 0:24:19 | 0:24:22 | |
You've got someone looking after it today, have you? | 0:24:22 | 0:24:24 | |
-Yes. -Absolutely. -What does it feel like now seeing your stuff here? | 0:24:24 | 0:24:27 | |
Completely different. It's nice, it's different than at home. | 0:24:27 | 0:24:31 | |
-Is this a positive experience, letting everything go? -Very positive. | 0:24:31 | 0:24:35 | |
And you're quite pleased about everything that's in, | 0:24:35 | 0:24:38 | |
there's nothing you've had second thoughts about at all? | 0:24:38 | 0:24:40 | |
I've let everything go, other than the pistols. | 0:24:40 | 0:24:43 | |
The pistols hold too many memories, they'll stay at home with us. | 0:24:43 | 0:24:46 | |
-I think you're quite pleased with the valuation? -Very pleased. | 0:24:46 | 0:24:49 | |
Very, very pleased. | 0:24:49 | 0:24:51 | |
-So are they just go to be handed down in years to come? -Yes. | 0:24:51 | 0:24:54 | |
-Just kept for a little longer. -They'll be handed down, I think. -All right then. | 0:24:54 | 0:24:58 | |
Now, you want to make this money for Australia and you are staying with friends out there. | 0:24:58 | 0:25:02 | |
We are, yes, most of the time. | 0:25:02 | 0:25:04 | |
I knew they were handy for something! | 0:25:04 | 0:25:06 | |
-OK, shall we go and sell some stuff then? -Yes. | 0:25:06 | 0:25:09 | |
-Come on, let's get you to Australia. -OK. | 0:25:09 | 0:25:11 | |
The first of their lots to come up is the set of early 20th-century framed negatives | 0:25:11 | 0:25:16 | |
with images of Rucky's grandparents. | 0:25:16 | 0:25:20 | |
-Where were they from? -They were from a house in Holland that my grandparents used to live in | 0:25:20 | 0:25:24 | |
and somebody moved in and found the door behind some wallpaper | 0:25:24 | 0:25:27 | |
and inside there were all the bits from belonging to my grandparents. | 0:25:27 | 0:25:30 | |
-I love stories like that, it's great, isn't it? -Yes. | 0:25:30 | 0:25:33 | |
I think they're great fun and really quite old, too. | 0:25:33 | 0:25:37 | |
Are they going to get a bid, I'm not sure. I put £20-£40 as a speculative bid | 0:25:37 | 0:25:41 | |
-but I'm not quite sure where they're going to go with this. -Let's find out. | 0:25:41 | 0:25:45 | |
At 12, 14, 16, | 0:25:45 | 0:25:46 | |
-£18 with me. -Come on. | 0:25:46 | 0:25:49 | |
20, sir. 22? Says, "no". | 0:25:49 | 0:25:52 | |
22 with me. | 0:25:52 | 0:25:53 | |
At 22, any advance on £22. | 0:25:53 | 0:25:55 | |
-I'm more positive than negative. -Yes. | 0:25:55 | 0:25:57 | |
34. The bidding's out off the book, £24 right-hand side. At 24. | 0:25:57 | 0:26:01 | |
Selling then for £24. | 0:26:01 | 0:26:05 | |
£24, that's basically a fiver each. Are you pleased with that? | 0:26:05 | 0:26:09 | |
-Yeah, I am actually. -Are you happy? -Yes, very happy. | 0:26:09 | 0:26:11 | |
Not bad for something found behind a bit of wallpaper, behind a door. | 0:26:11 | 0:26:14 | |
No, I think that's very good. | 0:26:14 | 0:26:16 | |
It's a great start for us | 0:26:16 | 0:26:17 | |
and maybe a sign that the bidders here are interested | 0:26:17 | 0:26:20 | |
in Rucky's European family heirlooms. | 0:26:20 | 0:26:22 | |
Right now our next lot is the continental violin, | 0:26:22 | 0:26:26 | |
not a Stradivarius, unfortunately. | 0:26:26 | 0:26:28 | |
-No. -Which I guess is why it's only £30-£50. | 0:26:28 | 0:26:31 | |
-It's also in such poor condition, really. -It is. -Jonty! | 0:26:31 | 0:26:34 | |
-Overloved and overplayed, really, isn't it? -And very old, yes. | 0:26:34 | 0:26:38 | |
There's always a market for violin, | 0:26:38 | 0:26:39 | |
that's a reason why put £30-£50 on it. | 0:26:39 | 0:26:42 | |
£10 in on the violin, at 10. | 0:26:42 | 0:26:43 | |
At £10. 10, 12, 14, 16, | 0:26:43 | 0:26:48 | |
18, 20, 22, 24, 26. | 0:26:48 | 0:26:51 | |
Keep going, keep going. | 0:26:51 | 0:26:52 | |
£26. 28, 30, 32, | 0:26:52 | 0:26:56 | |
34, 36, 38, 40. | 0:26:56 | 0:27:00 | |
Keep going. | 0:27:00 | 0:27:02 | |
46, 48, 50, | 0:27:02 | 0:27:05 | |
-Yes! -That's good. | 0:27:05 | 0:27:06 | |
55, 60. At five, says "no". | 0:27:06 | 0:27:08 | |
65, on my right-hand side. | 0:27:08 | 0:27:10 | |
-That's really good. -It's brilliant. | 0:27:10 | 0:27:12 | |
At £65, then. | 0:27:12 | 0:27:15 | |
-Oh, yes! -65, I'm sure it wasn't a Stradivarius. | 0:27:15 | 0:27:18 | |
-Add a few noughts behind it. -Absolutely! | 0:27:18 | 0:27:20 | |
-That's good. -It is really good. Someone's got to do quite a lot of work on that. | 0:27:20 | 0:27:23 | |
-Yes, I know. -Fantastic. -I'm pleased with that, very pleased. | 0:27:23 | 0:27:27 | |
And who knows, maybe it will be going to another young, | 0:27:27 | 0:27:30 | |
Vanessa Mae or Nigel Kennedy in the making. | 0:27:30 | 0:27:34 | |
Next up it's the early 20th century hat pins and cushion | 0:27:34 | 0:27:37 | |
which belonged to Rucky's grandmother. | 0:27:37 | 0:27:38 | |
How much do we want for this, Jonty? | 0:27:38 | 0:27:40 | |
I put £20-£40 on it | 0:27:40 | 0:27:42 | |
because there's always collectors for these really stylish hat pins. | 0:27:42 | 0:27:45 | |
-I mean, they're all so different, really? -Yes, they are lovely. | 0:27:45 | 0:27:49 | |
I was think they look like offensive weapons! In the wrong hands! | 0:27:49 | 0:27:53 | |
Pin cushion, and a small collection of hat pins, always popular. | 0:27:53 | 0:27:58 | |
£10 in on that. | 0:27:58 | 0:28:00 | |
At 10, 12, 14, 16, 18. | 0:28:00 | 0:28:02 | |
With me? Says "no". £18. At 18. | 0:28:02 | 0:28:05 | |
Any advance on £18? | 0:28:05 | 0:28:08 | |
I shall sell then for £18. | 0:28:08 | 0:28:11 | |
-JONTY: 18... -That's a shame. | 0:28:12 | 0:28:14 | |
-Yeah, disappointing, really. -It is. | 0:28:14 | 0:28:18 | |
That's all it boils down to, there's not enough interest in the room. | 0:28:18 | 0:28:21 | |
If there had been two people bidding for them, | 0:28:21 | 0:28:23 | |
I'm sure the price would have gone up. I think there was only one bidder in the room. | 0:28:23 | 0:28:28 | |
What a shame, still we've got lots of lots to go. | 0:28:28 | 0:28:31 | |
Our next lot is that amazing artwork which you had to admire | 0:28:34 | 0:28:38 | |
in artistic terms but, of course, the subject matter was quite dark | 0:28:38 | 0:28:43 | |
because of the artist's experience in the concentration camp. | 0:28:43 | 0:28:46 | |
Yes, I think, that they are interesting documents. | 0:28:46 | 0:28:50 | |
I believe them to be historical documents | 0:28:50 | 0:28:52 | |
-but I still fear they're going to struggle at auction. -Mmm. | 0:28:52 | 0:28:56 | |
-This is... It's the awful... -Limited market, I think. -It's a dreadfully limited market. | 0:28:56 | 0:29:01 | |
-So your estimate on these was? -I put £30-£50 on them. -Right. | 0:29:01 | 0:29:06 | |
Where they go, I don't know. | 0:29:06 | 0:29:09 | |
AUCTIONEER: I can start this in at a tenner, at £10. | 0:29:09 | 0:29:11 | |
Oh, come on. | 0:29:11 | 0:29:13 | |
At ten, at 12, 14, 16, 18. | 0:29:13 | 0:29:16 | |
Says, "no". £18 with me. | 0:29:16 | 0:29:20 | |
At £18, any advance on £18? | 0:29:20 | 0:29:22 | |
And selling for £18. | 0:29:22 | 0:29:25 | |
Oh, well, crikey that is really low, isn't it? | 0:29:26 | 0:29:30 | |
It's hardly any money. | 0:29:30 | 0:29:31 | |
I think, unfortunately, it's just indicative of the sort of things people are looking for. | 0:29:31 | 0:29:37 | |
Well it's disappointing but we all knew the artwork | 0:29:37 | 0:29:40 | |
might be difficult to sell given the subject matter. | 0:29:40 | 0:29:43 | |
Our next lot, the three late Victorian Britannica books, | 0:29:43 | 0:29:45 | |
Gardens, volumes 9 to 11 from 1893. | 0:29:45 | 0:29:49 | |
There's a bit of a story to this, isn't there, Mark? | 0:29:49 | 0:29:51 | |
Yes, inasmuch as | 0:29:51 | 0:29:52 | |
we rent out a house | 0:29:52 | 0:29:53 | |
and the tenant disappeared. | 0:29:53 | 0:29:55 | |
After being missing for 12 months, we were lawfully allowed | 0:29:55 | 0:30:00 | |
to empty the house and everything was in the house. | 0:30:00 | 0:30:03 | |
He had literally just walked away. | 0:30:03 | 0:30:05 | |
He's never been seen again. | 0:30:05 | 0:30:08 | |
Volumes 9 to 11, Lot 101C and I can start this straight in at £22. | 0:30:08 | 0:30:12 | |
At £22 on the books, at 22. At 22, any advance on 22? | 0:30:12 | 0:30:16 | |
At £22 then on commission bid. 24, sir, takes the bidding out. | 0:30:16 | 0:30:21 | |
£24, right-hand side. At £24. Any advance then on £24? | 0:30:21 | 0:30:26 | |
I shall sell for 24. | 0:30:26 | 0:30:29 | |
-JONTY: Just one bidder again. -£24. Mind you, they didn't cost you anything. -No. | 0:30:29 | 0:30:34 | |
-Happy? -Yes, they're gone. -Good. | 0:30:34 | 0:30:38 | |
Quite a lot of commission bids seem to have been left | 0:30:38 | 0:30:40 | |
but with little competition from the room, | 0:30:40 | 0:30:42 | |
it means Rucky and Mark's items are still struggling here. | 0:30:42 | 0:30:46 | |
Will their luck change with the silver? | 0:30:46 | 0:30:48 | |
I have to say the next lot is my favourite out of all your items | 0:30:48 | 0:30:53 | |
-because that lovely, little, silver apple. -It's beautiful. | 0:30:53 | 0:30:57 | |
Which, of course, opens up to reveal that lovely little mirror and puff. | 0:30:57 | 0:31:01 | |
-They just don't make things like that any more. -No. No, they don't. | 0:31:01 | 0:31:05 | |
-It's so miniature. It's still got the powder on it. -I know! | 0:31:05 | 0:31:08 | |
Maybe it's a bit of a girly thing. Do you like it? | 0:31:08 | 0:31:11 | |
I do, really, because I wanted to do the end of my nose. | 0:31:11 | 0:31:14 | |
It's just about the right size. | 0:31:14 | 0:31:17 | |
I put £40-£60 on it. | 0:31:17 | 0:31:19 | |
-I hope it does very well for you. -OK. | 0:31:19 | 0:31:22 | |
I can start this in at £20. At £20... | 0:31:22 | 0:31:26 | |
We want more than that. | 0:31:26 | 0:31:27 | |
At 22, 24, 26, 28, 30, | 0:31:27 | 0:31:32 | |
£32 with me. At £32, at 32. | 0:31:32 | 0:31:36 | |
I shall sell for £32 on the commission. £32. | 0:31:36 | 0:31:42 | |
-That is... -A real shame. -Sorry about that. -No, it's not your fault. | 0:31:42 | 0:31:47 | |
Do you know what, what annoys me about it, apart from anything else, | 0:31:47 | 0:31:51 | |
is if you went to a high street jeweller you wouldn't be able to buy | 0:31:51 | 0:31:53 | |
that amount of silver for £32 because the price of silver is so high! | 0:31:53 | 0:31:57 | |
-Yes. -Let alone the fact that it's a lovely piece. | 0:31:57 | 0:32:00 | |
That is a shame. | 0:32:00 | 0:32:01 | |
It's got the ashes of mother-in-law's favourite budgie in there. | 0:32:01 | 0:32:04 | |
I don't care! I still think it's lovely. | 0:32:04 | 0:32:07 | |
I'm really disappointed with that result | 0:32:07 | 0:32:09 | |
but Rucky and Mark seem to be taking it on the chin. | 0:32:09 | 0:32:12 | |
Let's see how much we've made for them so far. | 0:32:12 | 0:32:15 | |
OK, now it's been a bit of a rollercoaster ride that. | 0:32:15 | 0:32:18 | |
We've got a bit of a break until your next lots come up, | 0:32:18 | 0:32:20 | |
which includes the pub signs amongst other things. | 0:32:20 | 0:32:23 | |
-Now, so far, we've made £181. -Right, OK. | 0:32:23 | 0:32:28 | |
Are there any items that you're really pleased to see go, | 0:32:28 | 0:32:31 | |
any disappointments? | 0:32:31 | 0:32:33 | |
-The paintings, drawings, I'm pleased they've gone. -Right. | 0:32:33 | 0:32:36 | |
I was very happy with how much the violin got. | 0:32:36 | 0:32:40 | |
-I'm a bit disappointed about the necklace. -I think we all are! | 0:32:40 | 0:32:43 | |
That's the way auctions go, sometimes you win, | 0:32:43 | 0:32:45 | |
sometimes you lose. | 0:32:45 | 0:32:47 | |
-Let's make sure we win by the end of the day. Come on! -Absolutely! | 0:32:47 | 0:32:50 | |
If you'd like to have a go selling at auction yourself, do bear in mind | 0:32:52 | 0:32:55 | |
that fees, such as commission, will be added to your bill. | 0:32:55 | 0:32:57 | |
This charge varies from one saleroom to another so it's always worth enquiring in advance. | 0:32:57 | 0:33:03 | |
Auction houses are ideal places to find a variety of remarkable antiques at very reasonable prices. | 0:33:03 | 0:33:10 | |
Our expert likes to keep his eye on the selling trends | 0:33:10 | 0:33:13 | |
and he's spotted one or two pieces that are well worth a punt. | 0:33:13 | 0:33:16 | |
Not that he's buying, of course! | 0:33:16 | 0:33:18 | |
-Hi, Jonty. -Hello. -They're a bit modern for you, aren't they? | 0:33:18 | 0:33:22 | |
It just reminded me of Mark and all his fabulous pub signs | 0:33:22 | 0:33:26 | |
that were made by his family. | 0:33:26 | 0:33:28 | |
Here we've got something else that's related to pubs, Breweriana, they call it. Very collectable. | 0:33:28 | 0:33:33 | |
People trade with these, they put them on their walls. | 0:33:33 | 0:33:35 | |
It's all part of that pub scene, really. | 0:33:35 | 0:33:38 | |
-Presumably in pubs rather than in their houses? -Yes. | 0:33:38 | 0:33:41 | |
-We've got a collection of water jugs. -Right. | 0:33:41 | 0:33:43 | |
A lot of them are whiskey-based, which all makes sense. | 0:33:43 | 0:33:47 | |
What happened was that the breweries, the distilleries, | 0:33:47 | 0:33:49 | |
they produced their own jugs to actually place these on the bar | 0:33:49 | 0:33:54 | |
so that people could see the advertising. | 0:33:54 | 0:33:57 | |
Are any of them made by Wade, because that can help, can't it? | 0:33:57 | 0:34:00 | |
No, these aren't made by Wade. | 0:34:00 | 0:34:01 | |
There is no makers stamps on most of these, actually. | 0:34:01 | 0:34:04 | |
-Does that make a difference? -Sometimes it does, yes. | 0:34:04 | 0:34:07 | |
It's quite interesting really. | 0:34:07 | 0:34:09 | |
These will always sell within the parameters of £5-£10 a pop. | 0:34:09 | 0:34:13 | |
If you've got a water jug that is of a local distillery | 0:34:13 | 0:34:17 | |
to sometimes an auction house like this, | 0:34:17 | 0:34:19 | |
all of a sudden, boom, that won't sell for five or 10 quid, | 0:34:19 | 0:34:22 | |
that might be £40-£60, just like that. | 0:34:22 | 0:34:24 | |
-I suppose it's great if you fancy a tipple. -Absolutely. | 0:34:24 | 0:34:28 | |
Which we haven't got time for! Come on. | 0:34:28 | 0:34:30 | |
That little lot went for the absolute bargain price of just £5, | 0:34:31 | 0:34:35 | |
so it's not only Rucky and Mark's collectables that are struggling to raise top prices here today. | 0:34:35 | 0:34:40 | |
We all gather together in time to see the next of their lots come up. | 0:34:40 | 0:34:44 | |
Our next lot is the set of Japanese hand coloured | 0:34:44 | 0:34:47 | |
and cut paper images of Japanese characters, a bit of a mouthful! | 0:34:47 | 0:34:51 | |
-I was going to say, a bit difficult, isn't it? -It is, isn't it? | 0:34:51 | 0:34:54 | |
The history of these? | 0:34:54 | 0:34:55 | |
They were given to my father by one of his Japanese students as a thank you. | 0:34:55 | 0:34:59 | |
That's sweet, isn't it? What do we want for these, Jonty? | 0:34:59 | 0:35:02 | |
I think they're really decorative, unusual. The big question mark is what do you do with them? | 0:35:02 | 0:35:06 | |
I think there's enough art in there to put £30-£50 on them. | 0:35:06 | 0:35:10 | |
AUCTIONEER: Start these in at £10, 126C. At £10. | 0:35:10 | 0:35:14 | |
At £10, any interest at £10? | 0:35:14 | 0:35:18 | |
No? No interest there. | 0:35:18 | 0:35:21 | |
-No, move on, then. -Oh dear. -Unsold. | 0:35:21 | 0:35:24 | |
At least he didn't sell them for £10. | 0:35:24 | 0:35:26 | |
No, he didn't, we'll just take them home. | 0:35:26 | 0:35:29 | |
Not a good start to the second half | 0:35:29 | 0:35:30 | |
and with just four lots left, we really need these to do well | 0:35:30 | 0:35:34 | |
if they are going to reach their target. | 0:35:34 | 0:35:37 | |
Obviously, you run the pub, it's good to see pub memorabilia in here. | 0:35:37 | 0:35:41 | |
The next lot is five tankards, including a Royal Doulton, | 0:35:41 | 0:35:43 | |
in the form of Winston Churchill. | 0:35:43 | 0:35:45 | |
They'll came from my grandfather, he had them in his bar. | 0:35:45 | 0:35:48 | |
-And you're not tempted to put them in your bar? -No. | 0:35:48 | 0:35:52 | |
I put £40-£60 on these. The big star is Winston Churchill. | 0:35:52 | 0:35:57 | |
He alone is worth that sort of money | 0:35:57 | 0:35:59 | |
so I hope we should be there or thereabouts. | 0:35:59 | 0:36:01 | |
AUCTIONEER: I can start this in at 20. | 0:36:01 | 0:36:03 | |
Oh, come on. | 0:36:03 | 0:36:05 | |
22, 24, 26, 28, 30, 32, | 0:36:05 | 0:36:09 | |
34, 36, 38, 40, | 0:36:09 | 0:36:13 | |
42, 44? | 0:36:13 | 0:36:14 | |
Says, "no". £44 with me then. | 0:36:14 | 0:36:17 | |
At 44, any advance on £44? | 0:36:17 | 0:36:21 | |
I shall sell for £44. | 0:36:21 | 0:36:23 | |
Sold. | 0:36:23 | 0:36:25 | |
-44. -It's what you got. | 0:36:25 | 0:36:26 | |
-I said 40 to 60, the low-end of the estimate. -OK. | 0:36:26 | 0:36:30 | |
That's more like it, could this be the turning point for us today? | 0:36:31 | 0:36:35 | |
Now the four reproduction painted pub signs. | 0:36:35 | 0:36:37 | |
Have you literally lifted these off the wall of the pub? | 0:36:37 | 0:36:40 | |
Yes, we had them in our pub in the Isle of Wight. | 0:36:40 | 0:36:43 | |
They were actually produced by family members. That used to be their business. | 0:36:43 | 0:36:47 | |
Oh! Nothing like keeping it all in the family! | 0:36:47 | 0:36:50 | |
-I hope you got a good discount when you bought them. -No. | 0:36:50 | 0:36:54 | |
Oh dear, right, OK. | 0:36:54 | 0:36:56 | |
I think, really given that trend is dying out a bit | 0:36:56 | 0:36:59 | |
for these reproduction signs, we've got quite a good estimate on there of £150. | 0:36:59 | 0:37:03 | |
It's because they're all hand made. | 0:37:03 | 0:37:05 | |
There's a lot of work gone into these I hope the auctioneer sells that fact. | 0:37:05 | 0:37:08 | |
AUCTIONEER: Lot 146, we've got the four pub signs. | 0:37:08 | 0:37:12 | |
I'll start these in at £50 on 146. | 0:37:12 | 0:37:14 | |
At £50, at 50, 50. | 0:37:14 | 0:37:17 | |
Any interest at £50? | 0:37:17 | 0:37:19 | |
-Oh, my God. -Come on. -Oh, no, no, no. | 0:37:19 | 0:37:21 | |
50 with you, 55? | 0:37:21 | 0:37:22 | |
Says, "no". £55 then at 55. | 0:37:22 | 0:37:28 | |
No interest at 55. | 0:37:28 | 0:37:31 | |
No, not sold then. | 0:37:31 | 0:37:32 | |
-Right, I think that answers that question, doesn't it, really? -Just a bit. | 0:37:32 | 0:37:35 | |
-They're coming home with you. -They are, absolutely. | 0:37:35 | 0:37:38 | |
-No place in the pub for them? -No. -Back to the garage. | 0:37:38 | 0:37:41 | |
-Back to the garage. -Yes. | 0:37:41 | 0:37:43 | |
Well at least the auctioneer didn't let them go for a silly price | 0:37:43 | 0:37:46 | |
and Mark and Rucky can always try and sell them another day. | 0:37:46 | 0:37:50 | |
Hiding in a cabinet I discovered a bag full of flatware cutlery. | 0:37:50 | 0:37:56 | |
Where is it from? | 0:37:56 | 0:37:58 | |
When my parents used to play a concert in Eastern Europe, | 0:37:58 | 0:38:01 | |
you weren't allowed to bring the money out with you | 0:38:01 | 0:38:04 | |
so they used to buy bits of silver can bring that out. | 0:38:04 | 0:38:07 | |
-So it's all Continental silver? -It's all Continental, yes. -Yes, interesting. | 0:38:07 | 0:38:10 | |
In the catalogue it says stainless steel. | 0:38:10 | 0:38:12 | |
So is there any silver in amongst this flatware? | 0:38:12 | 0:38:15 | |
-No, I couldn't see any silver in there at all. -OK. | 0:38:15 | 0:38:18 | |
What do we want for it? | 0:38:18 | 0:38:19 | |
I put £70-£100 but at this rate, I'm not quite sure. | 0:38:19 | 0:38:23 | |
AUCTIONEER: I can start this at £25. | 0:38:23 | 0:38:27 | |
-Whey! £25! -Gosh. | 0:38:27 | 0:38:29 | |
30, 32, 35, | 0:38:29 | 0:38:31 | |
38, 40... | 0:38:31 | 0:38:33 | |
Keep going. | 0:38:33 | 0:38:35 | |
45, 48, 50 and five. | 0:38:35 | 0:38:37 | |
60, and five. | 0:38:37 | 0:38:39 | |
At £65 then. | 0:38:39 | 0:38:40 | |
Go on... | 0:38:40 | 0:38:42 | |
70, new money. | 0:38:42 | 0:38:44 | |
At 70. 75, 80. | 0:38:44 | 0:38:47 | |
-Yes. -That's good. -Yes. | 0:38:47 | 0:38:49 | |
85, 90. | 0:38:49 | 0:38:53 | |
At 90, at £90, says "no". | 0:38:53 | 0:38:55 | |
£90 and I shall sell for 90. 90. | 0:38:55 | 0:38:59 | |
-That was a lot for stainless steel, wasn't it? -That's really good. | 0:38:59 | 0:39:03 | |
-It's funny how something you weren't expecting to make that money has gone for it. -Yeah. | 0:39:03 | 0:39:08 | |
How fascinating that there should be such interest | 0:39:08 | 0:39:10 | |
in a mixed collection of cutlery from Eastern European countries. | 0:39:10 | 0:39:15 | |
Now next lot is a fantastic combination. | 0:39:15 | 0:39:18 | |
We got the 18 carat gold sapphire and diamond dress ring, | 0:39:18 | 0:39:21 | |
a South African 18 carat ring, with two baguette-shaped diamonds, | 0:39:21 | 0:39:24 | |
a continental dress ring... | 0:39:24 | 0:39:27 | |
It's just an amazing collection and 18 carat as well, | 0:39:27 | 0:39:30 | |
which is selling very well just in terms of scrap value. | 0:39:30 | 0:39:35 | |
-Jonty, what sort of valuation have we on this? -This lot I am confident with. | 0:39:35 | 0:39:38 | |
£300-£500, should be a lot of interest. | 0:39:38 | 0:39:42 | |
-Have we protected it with reserves at all? -The auctioneer will use his discretion. | 0:39:42 | 0:39:46 | |
-Yes, he's done that before. -I think we should be OK. -OK. | 0:39:46 | 0:39:49 | |
-I can start this in at £250. -Yes, excellent. | 0:39:49 | 0:39:54 | |
At 250, 260, 270, | 0:39:54 | 0:39:55 | |
280, 290, | 0:39:55 | 0:39:57 | |
300, 310. | 0:39:57 | 0:39:59 | |
Much better. | 0:39:59 | 0:40:01 | |
320, 330, with me. Says, "no", 330. | 0:40:01 | 0:40:03 | |
Any advance on £330, then? | 0:40:03 | 0:40:07 | |
At 330. | 0:40:07 | 0:40:09 | |
With me, and selling for £330. | 0:40:09 | 0:40:12 | |
330, are you OK with that? | 0:40:14 | 0:40:17 | |
Yes, that was the bottom end but at least it did hit there. | 0:40:17 | 0:40:20 | |
We got there. | 0:40:20 | 0:40:21 | |
Absolutely. Well, that's all our lots now. | 0:40:21 | 0:40:25 | |
We've sold everything that we can sell today. | 0:40:25 | 0:40:27 | |
-So what's been the highlights for you? -Erm... | 0:40:27 | 0:40:30 | |
Presumably not taking the pub signs back! | 0:40:30 | 0:40:33 | |
THEY LAUGH | 0:40:33 | 0:40:35 | |
I think, to be honest, the violin and also the pin cushion. | 0:40:35 | 0:40:37 | |
-I wasn't expecting that to sell. -Right. | 0:40:37 | 0:40:40 | |
-To me, they've done really well. -What about you, Mark? | 0:40:40 | 0:40:43 | |
A bit disappointed I'm taking the pub signs home. | 0:40:43 | 0:40:46 | |
Right, obviously, you wanted £500 towards your trip to Australia, didn't you? | 0:40:46 | 0:40:50 | |
How do you think you've done today? Do think we've made that amount? | 0:40:50 | 0:40:53 | |
With the rings, I think we might just have hit the 500. | 0:40:53 | 0:40:56 | |
Right, Mark? | 0:40:56 | 0:40:58 | |
With the sale of the rings, the last lot, I should think. | 0:40:58 | 0:41:01 | |
Who does your adding up at the pub? | 0:41:01 | 0:41:03 | |
THEY LAUGH | 0:41:03 | 0:41:04 | |
-Oh, dearie me. -I haven't been adding up today! | 0:41:04 | 0:41:07 | |
OK, well that's probably a good thing because I have good news. | 0:41:07 | 0:41:10 | |
You've made £645. | 0:41:10 | 0:41:13 | |
-Oh, fantastic. -Well done, guys. -Oh, wow, that's really good. Thank you ever so much. -Not at all. | 0:41:13 | 0:41:17 | |
-That's super. -Have you enjoyed the journey? -Very much. | 0:41:17 | 0:41:20 | |
Not as much as we're going to enjoy the journey home, all down the pub, I think! | 0:41:20 | 0:41:24 | |
Good idea! | 0:41:24 | 0:41:25 | |
Well Mark and Rucky will be putting the money they raised | 0:41:29 | 0:41:31 | |
towards that family holiday, down under later in the year | 0:41:31 | 0:41:34 | |
but, in the meantime, they've brought their son, Griff, | 0:41:34 | 0:41:37 | |
to an Australian restaurant to get themselves in the mood. | 0:41:37 | 0:41:40 | |
-We loved the food in Australia, didn't we? -Yeah. | 0:41:40 | 0:41:44 | |
We really like nice, fresh food and out there it's nothing but fresh. | 0:41:44 | 0:41:49 | |
-It's beautiful. -And a tremendous amount of choice, not just for us but also for Griff. | 0:41:49 | 0:41:54 | |
It looks fantastic. | 0:41:54 | 0:41:55 | |
You would love it, if you tried it. You would. | 0:41:58 | 0:42:00 | |
It's the outside life, the weather means you can spend a lot | 0:42:00 | 0:42:05 | |
more time outside, eating outside and family time as well. | 0:42:05 | 0:42:11 | |
Do you think you prefer to do knee-boarding or jet ski-ing? | 0:42:11 | 0:42:15 | |
Knee-boarding. | 0:42:15 | 0:42:18 | |
We've had an absolutely fabulous time. We've thoroughly enjoyed it. | 0:42:18 | 0:42:21 | |
Erm, the money has been extremely helpful | 0:42:21 | 0:42:25 | |
but it was just the whole experience was fantastic. | 0:42:25 | 0:42:29 | |
It was good fun, good fun. | 0:42:29 | 0:42:30 | |
Well Rucky and Mark certainly made enough money | 0:42:35 | 0:42:38 | |
to make a contribution to that fantastic trip to Australia. | 0:42:38 | 0:42:41 | |
Now, if you've got a project in mind that you'd like to raise the money for | 0:42:41 | 0:42:45 | |
by selling antiques and collectables at auction, then why not get in touch with Cash In The Attic. | 0:42:45 | 0:42:49 | |
You'll find more details at our website. | 0:42:49 | 0:42:51 | |
I'll see you again next time! | 0:42:53 | 0:42:55 | |
Subtitles by Red Bee Media Ltd | 0:43:17 | 0:43:20 |