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Hello and welcome to Cash In The Celebrity Attic. | 0:00:02 | 0:00:05 | |
The programme searches the homes of the famous | 0:00:05 | 0:00:07 | |
for all those antiques and collectables | 0:00:07 | 0:00:09 | |
and then we them to auction and sell them to make money for truly wonderful causes. | 0:00:09 | 0:00:14 | |
Today, we're going to meet a man who definitely has a great talent for a tune. | 0:00:14 | 0:00:19 | |
He also enjoys worldwide success penning theme tunes for the telly. | 0:00:19 | 0:00:25 | |
And here's another clue, at one time he really was Mr Nasty on television. | 0:00:25 | 0:00:29 | |
You might say, the Simon Cowell of the '70s. | 0:00:29 | 0:00:32 | |
Have you guessed who it is yet? | 0:00:32 | 0:00:34 | |
Today, I'm in a most beautiful part of Kent, | 0:00:52 | 0:00:54 | |
with all the atmosphere of the sheep in the background. | 0:00:54 | 0:00:57 | |
We are about to meet the highly acclaimed composer, Tony Hatch. | 0:00:57 | 0:01:02 | |
I certainly hope he can warm us up with a tune or two. | 0:01:02 | 0:01:04 | |
# I couldn't live without your love. # There you go. | 0:01:07 | 0:01:10 | |
Just one of many unforgettable songs written by Tony Hatch and Jackie Trent. | 0:01:10 | 0:01:15 | |
It was made famous by Petula Clark, of course, who had top-ten hits with | 0:01:15 | 0:01:19 | |
Tony's other songs, like, Downtown and Don't Sleep On The Subway. | 0:01:19 | 0:01:23 | |
Tony is one of the world's leading composers of pop music and television themes. | 0:01:23 | 0:01:28 | |
His songs have been performed by the biggest names including | 0:01:28 | 0:01:31 | |
Shirley Bassey, Frank Sinatra and Paul McCartney. | 0:01:31 | 0:01:35 | |
Then his music is heard every day all over the world | 0:01:35 | 0:01:38 | |
because he wrote the theme music to Neighbours and Emmerdale. | 0:01:38 | 0:01:42 | |
Tony and his wife Maggie live in Menorca | 0:01:42 | 0:01:45 | |
but on visits to Britain they stay regularly with his agent at their absolutely gorgeous home in Kent. | 0:01:45 | 0:01:50 | |
She has kindly given us permission to go rooting through her cupboards | 0:01:50 | 0:01:54 | |
and it looks like Tony and Maggie have brought along plenty of goodies from their home in sunny Spain. | 0:01:54 | 0:02:00 | |
How about this one? | 0:02:00 | 0:02:02 | |
Coming up, I play Name That Tune with our musical host. Neighbours? | 0:02:02 | 0:02:07 | |
HE PLAYS EMMERDALE THEME GLORIA LAUGHS | 0:02:07 | 0:02:10 | |
That is Emmerdale. | 0:02:10 | 0:02:11 | |
Our expert is walking on very thin ice with his valuations. | 0:02:12 | 0:02:15 | |
I would suggest an estimate of about £30 to £50 which sounds terrible. | 0:02:15 | 0:02:20 | |
Wash your mouth out, that's terrible. | 0:02:20 | 0:02:22 | |
Come auction day, it's kisses, kisses, kisses all round. | 0:02:22 | 0:02:26 | |
Find out who wins the biggest smacker when the final hammer falls. | 0:02:26 | 0:02:32 | |
Now all this snow hasn't prevented our expert, John Cameron, from joining us | 0:02:33 | 0:02:38 | |
and what better way to warm up than with some serious rummaging. | 0:02:38 | 0:02:41 | |
Tony and Maggie, I can track you down anywhere even in the depths of Kent. | 0:02:41 | 0:02:46 | |
-How are you? -Lovely to see you. | 0:02:46 | 0:02:47 | |
Lovely to see you. Did I see you making your lovely wife, Maggie a cup of coffee there? | 0:02:47 | 0:02:52 | |
-No, I was teaching her how to use the machine. -Macho Tony to the end. | 0:02:52 | 0:02:56 | |
You're not used to weather like this, are you? | 0:02:56 | 0:02:59 | |
-You're used to being in the sunshine. -That's right. | 0:02:59 | 0:03:00 | |
But we do travel over to the UK a lot. | 0:03:00 | 0:03:04 | |
Living in Menorca does spoil you a bit, but we've seen plenty of snow here in the last few days. | 0:03:04 | 0:03:09 | |
You're very familiar with this house because you stay | 0:03:09 | 0:03:11 | |
-here quite a lot throughout the year. -Yes, this belongs to very good friends, John and Jackie. | 0:03:11 | 0:03:15 | |
We stay here quite often. We love it, it's so beautiful. | 0:03:15 | 0:03:18 | |
Why did you think this would be a very good idea for you? | 0:03:18 | 0:03:21 | |
Mainly, it was the appeal of doing something for the charity. | 0:03:21 | 0:03:24 | |
Your charity being? | 0:03:24 | 0:03:27 | |
-The charity is the Variety Club. -Variety is a children's charity. | 0:03:27 | 0:03:30 | |
We thought it would be fun, fun, fun to do it. | 0:03:30 | 0:03:33 | |
How much money ideally would you like to raise? | 0:03:33 | 0:03:36 | |
-About £1,500. -That'd be lovely. | 0:03:36 | 0:03:38 | |
You're familiar with the kitchen. You've got the hang of the coffee machine. | 0:03:38 | 0:03:41 | |
Now, Tony, I'm going to put you to work because our expert, | 0:03:41 | 0:03:44 | |
John Cameron, is lurking around this gorgeous cottage. | 0:03:44 | 0:03:47 | |
-Will we go and find him? -I think we'd better. | 0:03:47 | 0:03:49 | |
See what he's discovered. | 0:03:49 | 0:03:51 | |
So we have our target. | 0:03:51 | 0:03:53 | |
But as Tony and Maggie are only in the UK for a short spell, | 0:03:53 | 0:03:57 | |
time is of the essence and we need to get to work. | 0:03:57 | 0:04:00 | |
John has already made a start on their boxes from Menorca and I wonder what treasures lurk within. | 0:04:00 | 0:04:06 | |
-Well, now, John, knowing you are a bit of a singer, this is your best chance to realise that. -No, no, no. | 0:04:06 | 0:04:11 | |
Best composer, best producer... | 0:04:11 | 0:04:14 | |
I'd love to know what these are doing in your possession. | 0:04:14 | 0:04:18 | |
They are fascinating, aren't they? These two bowlers are very interesting because | 0:04:18 | 0:04:23 | |
one of them is most definitely autographed by Ronnie Barker. | 0:04:23 | 0:04:28 | |
I thought that's what it said. | 0:04:28 | 0:04:30 | |
THE Ronnie Barker of the Two Ronnies. | 0:04:30 | 0:04:32 | |
Yes, we think the other one might have been worn by the other Ronnie as well. | 0:04:32 | 0:04:35 | |
They were given to us by a couple of lovely ladies | 0:04:35 | 0:04:38 | |
who run a hotel in Menorca on the island where we live. | 0:04:38 | 0:04:41 | |
Do we know how they got the bowler hats? | 0:04:41 | 0:04:44 | |
-They were given them. -Were they given to them by somebody in the entertainment business? | 0:04:44 | 0:04:48 | |
Somebody who had obviously supplied them to the BBC or where the Two Ronnies were at the time. | 0:04:48 | 0:04:55 | |
Do you know what I love about items of clothing, | 0:04:55 | 0:04:58 | |
is how they evolved and how they often acquired their names. | 0:04:58 | 0:05:01 | |
The bowler is a classic example of that. | 0:05:01 | 0:05:04 | |
They came around by Special Commission from a member of the landed gentry, | 0:05:04 | 0:05:09 | |
believed to have been a cousin or a nephew | 0:05:09 | 0:05:12 | |
of the Earl of Leicester, a chap by the name of William Cook. | 0:05:12 | 0:05:15 | |
He ordered a hat from Lock & Co in London that had to be close-fitting | 0:05:15 | 0:05:20 | |
because gamekeepers were getting then knocked off by low hanging branches. | 0:05:20 | 0:05:24 | |
They also said they have to be hard in case they are attacked by poachers. | 0:05:24 | 0:05:28 | |
Interesting, so aerodynamics setting in. | 0:05:28 | 0:05:30 | |
Fantastic! This would be something that would appeal to both | 0:05:30 | 0:05:33 | |
autograph-hunters and to people who like film and theatre props. | 0:05:33 | 0:05:37 | |
It's an interesting thing. | 0:05:37 | 0:05:39 | |
It's a difficult thing to value. For sure, I've never seen one before. | 0:05:39 | 0:05:43 | |
Valuation is about comparison. | 0:05:43 | 0:05:45 | |
I don't have a comparison on which to draw. | 0:05:45 | 0:05:47 | |
We'd really have to snatch a figure from thin air. | 0:05:47 | 0:05:50 | |
I think we are sensibly looking at £80 to £120. | 0:05:50 | 0:05:53 | |
-That will get the bidding started. -Are you happy with that? -I'm very happy. | 0:05:53 | 0:05:57 | |
Yeah, it's good. Well let's hope that John is right and there | 0:05:57 | 0:06:01 | |
is sufficient demand on sale day for those eccentric collectables. | 0:06:01 | 0:06:05 | |
I was talking to Ronnie Corbett only a couple of days ago and he seems | 0:06:05 | 0:06:11 | |
to think that he remembers often wearing bowler hats with Ronnie Barker. | 0:06:11 | 0:06:15 | |
With a little bit of luck, that showbiz connection will pay dividends. | 0:06:15 | 0:06:19 | |
How about we start the lot at £40 to get things going? | 0:06:19 | 0:06:22 | |
Signed by Ronnie Barker. Worn by Ronnie Barker on the telly. | 0:06:22 | 0:06:24 | |
I did try. Stay tuned for that final hammer. | 0:06:24 | 0:06:28 | |
Our day in Kent is going very well so far. | 0:06:30 | 0:06:33 | |
Outside there may be a white out, but inside things are much more colourful. | 0:06:33 | 0:06:37 | |
Tony's music is loved all over the world, bringing him more than his fair share of fan mail. | 0:06:37 | 0:06:42 | |
That may explain why he was given this very unusual letter opener. | 0:06:42 | 0:06:46 | |
Rather like a medallion, it shows Napoleon Bonaparte | 0:06:46 | 0:06:50 | |
and was manufactured in France by Christofle. | 0:06:50 | 0:06:52 | |
They had been producing silver flatware since the mid-19th century. | 0:06:52 | 0:06:56 | |
It's silver plate rather than solid silver. | 0:06:56 | 0:07:00 | |
For novelty value, John thinks it should fetch £40 to £60. | 0:07:00 | 0:07:04 | |
Now I can just about hear rustling coming from upstairs. | 0:07:04 | 0:07:07 | |
Which means Maggie is busy unwrapping more of their collectables. | 0:07:07 | 0:07:11 | |
Maggie, what have you got for me? | 0:07:11 | 0:07:13 | |
It's a Worthington E jug. It's not a jug, it's a statue that we found in our bar at home in Menorca. | 0:07:13 | 0:07:20 | |
Something Tony collected many years ago. | 0:07:20 | 0:07:23 | |
Was Tony a fan of Worthington? Was it his drink of choice? | 0:07:23 | 0:07:27 | |
Not his drink of choice, but he's a fan of having a bar in his house. | 0:07:27 | 0:07:30 | |
-For social reasons. -There is nothing wrong with that! | 0:07:30 | 0:07:33 | |
Our bar is a place of collectables. | 0:07:33 | 0:07:35 | |
We collect a lot of things wherever we go. | 0:07:35 | 0:07:37 | |
That's very nice, I've got a few pieces of brewinalia, but I haven't got a bar. | 0:07:37 | 0:07:41 | |
You can have that, then. | 0:07:41 | 0:07:43 | |
-Worthington are quite an old brewery going back right to the middle of the 18th Century. -Really? | 0:07:43 | 0:07:48 | |
With William Worthington, but the Worthington E, | 0:07:48 | 0:07:51 | |
"the beer that satisfied," that was the marketing slogan, and like many brewers and distillers who recognised | 0:07:51 | 0:07:57 | |
pretty quickly that by producing things like this you could boost sales and build customer loyalty. | 0:07:57 | 0:08:03 | |
-And then people have collected them? -Absolutely and they are avidly collected today. It's quite nice. | 0:08:03 | 0:08:08 | |
What is he, the squire and the farmer or something? | 0:08:08 | 0:08:10 | |
If we turn it upside down, | 0:08:10 | 0:08:12 | |
we can see the potter's mark and it's Beswick, very famous pottery factory. | 0:08:12 | 0:08:18 | |
A nice collectable. | 0:08:18 | 0:08:20 | |
-Like most things, it's all about supply and demand. -Yes. | 0:08:20 | 0:08:23 | |
Some brewers over-produced their products and what we are looking for now, or collectors are looking for, | 0:08:23 | 0:08:28 | |
are unusual brands or beer types, or whisky types. | 0:08:28 | 0:08:31 | |
Nevertheless, it's in nice condition. | 0:08:31 | 0:08:34 | |
-He's quite a charming model. I can see this making £50 to £70. -Great! | 0:08:34 | 0:08:37 | |
Well, it's certainly a very eccentric piece | 0:08:37 | 0:08:40 | |
and all being well we'll be toasting his success at the auction. | 0:08:40 | 0:08:44 | |
I hope the same can be said of this glass bonbon basket. | 0:08:44 | 0:08:48 | |
It was manufactured in Venice during the 19th Century on the island of Murano. | 0:08:48 | 0:08:52 | |
Tony and Maggie were given it by friends and John values it, | 0:08:52 | 0:08:56 | |
I think, at a giveaway price of £10 to £20. | 0:08:56 | 0:08:58 | |
At least, it's good value. | 0:08:58 | 0:09:00 | |
HE PLAYS TUNE | 0:09:04 | 0:09:06 | |
GLORIA SINGS | 0:09:06 | 0:09:09 | |
I have to tell you, Mr Hatch. Not every day a girl gets serenaded by one of the best. | 0:09:16 | 0:09:21 | |
I know that one - Don't Sleep In The Subway. | 0:09:21 | 0:09:24 | |
You're absolutely right. | 0:09:24 | 0:09:26 | |
-What year was that, was it mid-sixties or something? -1966, '67, something like that. | 0:09:26 | 0:09:30 | |
-And another of Petula's which we'll talk about in a minute. -They were all for Petula. They were, yes. | 0:09:30 | 0:09:36 | |
What I'm interested in, because I've known you | 0:09:36 | 0:09:38 | |
for a great number of years is where you're rooted musically. | 0:09:38 | 0:09:41 | |
How did you start off? | 0:09:41 | 0:09:43 | |
Classical music is really where I belong. | 0:09:43 | 0:09:46 | |
-Church music because I started out as a chorister. -How did you get into commercial music, then? | 0:09:46 | 0:09:52 | |
I was playing the organ one day at the church | 0:09:52 | 0:09:55 | |
and I suddenly discovered a stop on the organ | 0:09:55 | 0:09:57 | |
which made it sound more like a Wurlitzer organ in a cinema. | 0:09:57 | 0:10:03 | |
The assistant choirmaster happened to be in and he said, "I don't think your career is really... | 0:10:03 | 0:10:08 | |
"I don't think you're really determined to be a classical composer | 0:10:08 | 0:10:13 | |
"or an organist or a church musician". I said, "No". | 0:10:13 | 0:10:16 | |
We made many references to Petula Clark right at the beginning of the programme and I mentioned it today. | 0:10:16 | 0:10:21 | |
Where did that relationship and how did that relationship build up? | 0:10:21 | 0:10:24 | |
She was already at Pye Records when I got there. | 0:10:24 | 0:10:27 | |
I remember going to see her and I played her lots of songs that I hadn't written. | 0:10:27 | 0:10:32 | |
She said, "Haven't you got anything new"? | 0:10:32 | 0:10:36 | |
I played her just the bones of Downtown. | 0:10:36 | 0:10:39 | |
Reluctantly, and she said, "I love the sound of that. | 0:10:39 | 0:10:42 | |
"Let's make that the number one title on the session". | 0:10:42 | 0:10:45 | |
Thank you, Pet, it was a marvellous thing you did. A great encouragement. | 0:10:45 | 0:10:49 | |
A lot of people would know your name but would not necessarily know that | 0:10:49 | 0:10:53 | |
you've written some of the most popular theme tunes to the soaps. | 0:10:53 | 0:10:56 | |
Most of my television themes have always been...for soaps. | 0:10:56 | 0:11:04 | |
The very first television theme I did was... I bet you can't remember that. | 0:11:04 | 0:11:10 | |
GLORIA HUMS ALONG | 0:11:10 | 0:11:14 | |
I remember the tune, but not the series. | 0:11:14 | 0:11:17 | |
-What was it? -How about Crossroads? | 0:11:17 | 0:11:19 | |
-Oh, Crossroads, of course. -You're probably too young to remember. | 0:11:19 | 0:11:23 | |
-Definitely, too young! -How about this one? | 0:11:23 | 0:11:25 | |
HE PLAYS EMMERDALE THEME | 0:11:25 | 0:11:28 | |
Neighbours. Is it? | 0:11:30 | 0:11:32 | |
-That is Emmerdale. -GLORIA LAUGHS | 0:11:34 | 0:11:36 | |
-Shows how often I watch Emmerdale! -In Neighbours, it's neighbours... | 0:11:36 | 0:11:40 | |
-# Everybody needs good neighbours. # -Of course it is. I was only teasing. | 0:11:40 | 0:11:44 | |
-Very good. A nice sense of humour. -We've got to go and find some more items and assess those. | 0:11:44 | 0:11:49 | |
Just play me something else, it's such a luxury. | 0:11:49 | 0:11:51 | |
I think I'd better play out on the song that we all love. | 0:11:51 | 0:11:55 | |
Yes, OK. | 0:11:55 | 0:11:57 | |
MUSIC: "Downtown" | 0:11:57 | 0:12:00 | |
Funny he didn't ask me to sing again! | 0:12:03 | 0:12:05 | |
Tony has led a fascinating life and produced a great legacy of music and it must have been | 0:12:05 | 0:12:09 | |
wonderful for Maggie to share in the globe-trotting that it's brought them both. | 0:12:09 | 0:12:14 | |
John is still searching and he 's found a framed engraving. | 0:12:14 | 0:12:17 | |
It came originally from an 18th Century bound copy of a play, The Constant Couple, by George Farquhar. | 0:12:17 | 0:12:24 | |
This was given to Tony as a gift by a theatre producer | 0:12:24 | 0:12:28 | |
and John gives it a value of £20 to £30. | 0:12:28 | 0:12:31 | |
John has found yet another box, could the meticulous packing be a clue to something really special? | 0:12:35 | 0:12:42 | |
-Tony... -Coming. | 0:12:42 | 0:12:45 | |
There you are. | 0:12:45 | 0:12:47 | |
I've found a rather elegant gold watch which looks like a gents watch to me. | 0:12:47 | 0:12:52 | |
-I'm assuming it's yours. -It is. Yes. | 0:12:52 | 0:12:54 | |
It is very old, actually. | 0:12:54 | 0:12:55 | |
Even when I acquired it about 1965, | 0:12:55 | 0:13:00 | |
-it was given to me by the Searchers. I'm sure you have heard of the Searchers. -Yes. | 0:13:00 | 0:13:04 | |
We had loads of hits and they went over to America because they had a hit there as well. | 0:13:04 | 0:13:07 | |
They came back with this wonderful piece for me as a present. | 0:13:07 | 0:13:11 | |
I've loved it ever since, but, of course, it is a very small watch for a gent. | 0:13:11 | 0:13:15 | |
I think you're right about the size because it is a gents watch. | 0:13:15 | 0:13:20 | |
It is a pretty valuable piece. What do you think? | 0:13:20 | 0:13:22 | |
There are some marks on here | 0:13:22 | 0:13:25 | |
which I'm thinking you are going to confirm, that it's a Van Cleef & Arpels? | 0:13:25 | 0:13:29 | |
It's definitely a Van Cleef. | 0:13:29 | 0:13:31 | |
It is a nice piece. It's marked 18-carat gold. | 0:13:31 | 0:13:35 | |
I do like the square dial, the champagne finish to the dial with the Arabic numerals. | 0:13:35 | 0:13:41 | |
It's in perfect working order. | 0:13:41 | 0:13:42 | |
-To a watch collector this is a connoisseur's watch. -Oh, good. | 0:13:42 | 0:13:46 | |
Value-wise, it should make about £1,000. | 0:13:46 | 0:13:48 | |
I would be tempted to suggest an estimate of about £800 to £1,200. | 0:13:48 | 0:13:52 | |
-How would that sound? Are you happy with that? -Oh, yes. I think it is a lovely piece. | 0:13:52 | 0:13:56 | |
Excellent! This is a fantastic find and I think you might have one or two | 0:13:56 | 0:14:00 | |
-other special things for me to see, come on, tell me what else you've got packed away. -I'll show you. | 0:14:00 | 0:14:04 | |
I was pleasantly surprised when his valuation of the Van Cleef watch matched roughly | 0:14:04 | 0:14:11 | |
what we'd been told. | 0:14:11 | 0:14:13 | |
The only thing I've done is to have it restored and repaired because I | 0:14:13 | 0:14:16 | |
think it's much nicer to have it in working order. A good estimate. | 0:14:16 | 0:14:19 | |
Fantastic! The watch has put our rummage back on track. | 0:14:19 | 0:14:24 | |
The finds just keep coming. | 0:14:24 | 0:14:26 | |
Looking through Tony and Maggie's items, I find a set of opal doublets. | 0:14:26 | 0:14:30 | |
They were given to her by some friends in Australia. | 0:14:30 | 0:14:32 | |
Now doublets are low-price alternative to solid opals. | 0:14:32 | 0:14:36 | |
They consist of a thin layer of opal covering a second layer of glass. | 0:14:36 | 0:14:40 | |
They are no longer to Maggie's taste, | 0:14:40 | 0:14:42 | |
so she's happy to send them off to auction with a £30 to £50 estimate. | 0:14:42 | 0:14:46 | |
-So, these are your friends Jackie and John? -Yes. | 0:14:49 | 0:14:52 | |
-That's a nice Valentine's plate. -It's beautiful. | 0:14:52 | 0:14:54 | |
Now, look what I've found. I'm not sure | 0:14:54 | 0:14:57 | |
whether this is stuff you're wearing at the minute? | 0:14:57 | 0:14:59 | |
No, no, no. | 0:14:59 | 0:15:01 | |
They, um... It's a set of a... | 0:15:01 | 0:15:03 | |
The brooch is a brooch pendant in sapphire and opal. | 0:15:03 | 0:15:09 | |
-Sapphire is my birth stone, September. -Ah. | 0:15:09 | 0:15:11 | |
It was bought for me by my first husband, the father of my children. | 0:15:11 | 0:15:14 | |
John, I'm going to give you the earrings because I'm afraid of losing them. | 0:15:14 | 0:15:18 | |
-So, you want me to lose them instead? -Yes! | 0:15:18 | 0:15:20 | |
Thank you for the vote of confidence, Gloria. | 0:15:20 | 0:15:22 | |
We have got a nice suite of jewellery. | 0:15:22 | 0:15:24 | |
You've already told us that the earrings were slightly later. | 0:15:24 | 0:15:27 | |
But the brooch is in that late Victorian or Edwardian style with a quite light sprays of things. | 0:15:27 | 0:15:33 | |
This is a brooch pendant so it can be worn on the lapel | 0:15:33 | 0:15:38 | |
or suspended from a chain. | 0:15:38 | 0:15:40 | |
And we've got a pair of matched earrings. They are in an Edwardian or late Victorian style. | 0:15:40 | 0:15:45 | |
Quite light and delicate. | 0:15:45 | 0:15:46 | |
They're in a nine-carat gold. | 0:15:46 | 0:15:48 | |
We've got rather dark sapphires there which are your birth stone. | 0:15:48 | 0:15:52 | |
Interestingly, the opal is October. | 0:15:52 | 0:15:55 | |
So, if anybody knows that they have a birthday in October, that's your birth stone. | 0:15:55 | 0:15:59 | |
Not huge sums of money for them, but we're looking at around £100. | 0:15:59 | 0:16:02 | |
-Good. -I'd suggest an estimate of £80 to £120. | 0:16:02 | 0:16:06 | |
OK, well, you look after it because I'm afraid of dropping the earrings. | 0:16:06 | 0:16:09 | |
-Thanks. Put them in my pocket. -Let's see what else we can find. | 0:16:09 | 0:16:13 | |
No flies on me. | 0:16:13 | 0:16:14 | |
But we're still a very long way off that £1,500 target. | 0:16:14 | 0:16:19 | |
So, our search goes on. | 0:16:19 | 0:16:21 | |
John digs out this twin lens Rolleiflex camera. | 0:16:21 | 0:16:24 | |
It was produced by the German manufacturer Franke and Heidecke. | 0:16:24 | 0:16:27 | |
It's considered one of the most prestigious names in photography. | 0:16:27 | 0:16:30 | |
It heads off to to the auction with a very healthy £200 to £400 estimate. Good work, John. | 0:16:30 | 0:16:36 | |
Taking into account their previous relationships, between them, Tony and Maggie have six children | 0:16:36 | 0:16:42 | |
and 10 grandchildren in Britain and in New Zealand. | 0:16:42 | 0:16:46 | |
But I'm keen to know how they got together in the first place. | 0:16:46 | 0:16:49 | |
We met in Menorca in 1979. | 0:16:49 | 0:16:56 | |
-When Maggie was three? -I wish. -Yes! | 0:16:56 | 0:16:59 | |
And we were both with other people at the time. | 0:16:59 | 0:17:02 | |
But something obviously clicked. | 0:17:02 | 0:17:04 | |
-But it took a long time. -You've got some children in New Zealand, don't you? | 0:17:04 | 0:17:08 | |
Two daughters in New Zealand and another daughter in Leicestershire and Darren in south London. | 0:17:08 | 0:17:14 | |
So, we are spread, yes. | 0:17:14 | 0:17:16 | |
Having children placed all over the world, | 0:17:16 | 0:17:20 | |
in that sense, because of the Variety Club, you travel quite a bit anyway? | 0:17:20 | 0:17:24 | |
An enormous amount. | 0:17:24 | 0:17:26 | |
Not forgetting of course that I lived in Australia for nearly 15 years. | 0:17:26 | 0:17:30 | |
What's the big appeal of the Variety Club, as far as you're concerned? | 0:17:30 | 0:17:33 | |
I think that the fact that the money raised in the UK stays in the UK | 0:17:33 | 0:17:40 | |
and also, it's such a range of effort that Variety does for the children. | 0:17:40 | 0:17:45 | |
The Sunshine coaches, the wheelchairs, hospital equipment, | 0:17:45 | 0:17:49 | |
buildings, individual appeals are granted as well. It's really across the board. | 0:17:49 | 0:17:55 | |
We've established that the money stays in this country. | 0:17:55 | 0:17:57 | |
It means we have to raise your £1,500 at least. | 0:17:57 | 0:18:01 | |
-Would you like to get up off your very comfortable bottom and go and do a bit of work? -Yes. After you. | 0:18:01 | 0:18:06 | |
After my comfortable bottom gets up as well! | 0:18:06 | 0:18:08 | |
Tony and Maggie undoubtedly lead very busy lives but are clearly | 0:18:10 | 0:18:14 | |
never too busy to help a charity that they feel so passionate about. | 0:18:14 | 0:18:17 | |
We've unearthed some fabulous items for auction. | 0:18:17 | 0:18:21 | |
Maggie generously decides to add to the haul by donating a pair of special gold sovereigns. | 0:18:21 | 0:18:26 | |
They were given to her by her parents on her 21st birthday. | 0:18:26 | 0:18:30 | |
They're mounted and come in the form of a bracelet and a pendant. | 0:18:30 | 0:18:33 | |
Gold sovereigns are always popular at auctions and John and gives them a terrific value of £350 to £450. | 0:18:33 | 0:18:40 | |
Gloria. | 0:18:42 | 0:18:44 | |
Tony, what goodies do you bring now? | 0:18:44 | 0:18:46 | |
Put that down. I might have something even more important. | 0:18:46 | 0:18:49 | |
A big item, obviously? | 0:18:49 | 0:18:52 | |
It's not that big, but it's somewhere in the... | 0:18:52 | 0:18:56 | |
bottom here. This is something really special. | 0:18:56 | 0:19:00 | |
You remember that I wrote this song and produced it with Petula? | 0:19:00 | 0:19:04 | |
-I do. -That's the original record. | 0:19:04 | 0:19:07 | |
-Downtown? -1964, signed by Petula. | 0:19:07 | 0:19:12 | |
-Isn't that fantastic? -And we have a couple of lovely pictures here, also signed by Petula. | 0:19:12 | 0:19:18 | |
Also, together with this goes a copy of the original sheet music, priced three shillings. | 0:19:18 | 0:19:23 | |
Beautiful. And you're not too emotional about getting rid of such an important item in your career? | 0:19:23 | 0:19:28 | |
No, I'm very happy for this to go to a good home. | 0:19:28 | 0:19:30 | |
I think John... | 0:19:30 | 0:19:32 | |
John, are you there? | 0:19:32 | 0:19:34 | |
-Have you got Maggie with you as well? -I have. | 0:19:34 | 0:19:36 | |
Maggie has probably seen this in recent times. Have a look at this, it's marvellous. | 0:19:36 | 0:19:40 | |
It's the original Downtown single | 0:19:40 | 0:19:43 | |
which has been signed by Petula. | 0:19:43 | 0:19:45 | |
I love this photograph. | 0:19:45 | 0:19:47 | |
What year are we talking about here? | 0:19:47 | 0:19:50 | |
-60-something? -'65, '66. Not forgetting, we've got the original music as well, to go with it. | 0:19:50 | 0:19:54 | |
-The sheet music. -The sheet music. | 0:19:54 | 0:19:56 | |
-You're much too young, the pair of you, to remember. -I remember this song, my mum played it all the time. | 0:19:56 | 0:20:02 | |
-Oh, yes. -A nice piece of music memorabilia. | 0:20:02 | 0:20:04 | |
The provenance here, nobody could dispute it. | 0:20:04 | 0:20:07 | |
In terms of value, we're really looking at the people that have died. | 0:20:07 | 0:20:11 | |
Sadly. The top slot is still occupied by Elvis, | 0:20:11 | 0:20:15 | |
followed by John Lennon and the Beatles. | 0:20:15 | 0:20:18 | |
Then, people like Hendrix, Jim Morrison, and in more recent times, Kurt Kobain. | 0:20:18 | 0:20:22 | |
It seems you have to die to be immortalised and become in great demand. | 0:20:22 | 0:20:26 | |
-We don't want Petula Clark to go anywhere. -No. | 0:20:26 | 0:20:28 | |
-But a future investment. -Certainly. | 0:20:28 | 0:20:30 | |
And as I say, I love the provenance and what a great thing. | 0:20:30 | 0:20:33 | |
Picture, record and the music score. | 0:20:33 | 0:20:36 | |
I think it's always better to put a conservative estimate on this. | 0:20:36 | 0:20:40 | |
Something to get everyone in the room thinking, I'm going to buy that, that sounds cheap. | 0:20:40 | 0:20:43 | |
I'm going to give it to my auntie or my mum or buy it for themselves. | 0:20:43 | 0:20:47 | |
-How much? -Well, I would suggest an estimate of about 30 to £50 which sounds terrible. -Wash your mouth out. | 0:20:47 | 0:20:51 | |
-That's terrible. -I agree with you. -Well, I'm Miss Optimist, here. -I think it'll do better than that. | 0:20:51 | 0:20:58 | |
And I do. | 0:20:58 | 0:20:59 | |
But I agree with John, we shouldn't be too over-enthusiastic about it. | 0:20:59 | 0:21:05 | |
All right. Well now, we've come to the real crunch time. | 0:21:05 | 0:21:08 | |
We've had a most wonderful day in your friends' house in Kent and we | 0:21:08 | 0:21:13 | |
thank them and you very much indeed for your hospitality. | 0:21:13 | 0:21:16 | |
But you were looking for £1,500 for this marvellous organisation, the Variety Club of Great Britain. | 0:21:16 | 0:21:20 | |
Well, you've got it. | 0:21:20 | 0:21:23 | |
You actually have £1,690. | 0:21:23 | 0:21:27 | |
All things being equal. | 0:21:27 | 0:21:29 | |
I now want to know what your assessment is of John's expertise. | 0:21:29 | 0:21:35 | |
After all, as Mr Hatchet-man, literally, on New Faces... | 0:21:35 | 0:21:37 | |
You're going back to New Faces? | 0:21:37 | 0:21:39 | |
I'm going back to New Faces. | 0:21:39 | 0:21:41 | |
Yes. You were pretty tough. What do we take first of all? Presentation? | 0:21:41 | 0:21:45 | |
I gave Simon Cowell all his best ideas! | 0:21:45 | 0:21:47 | |
Yes, there were three categories. | 0:21:47 | 0:21:49 | |
Presentation, very good, seven out of ten. | 0:21:49 | 0:21:52 | |
That's good for you, Tony. | 0:21:52 | 0:21:54 | |
It's very good for me. And content, eight out of ten. | 0:21:54 | 0:21:58 | |
Because your content was very good.. | 0:21:58 | 0:22:01 | |
Definitely star quality, ten out of ten. | 0:22:01 | 0:22:03 | |
Oh, he's oily as well! | 0:22:03 | 0:22:06 | |
-You never gave anybody ten out of ten, did you? -No, rarely. | 0:22:06 | 0:22:10 | |
Anyway, John, it's a ten out of ten and a number one for you. So, well done. | 0:22:10 | 0:22:14 | |
Well, let's hope we hit that target. | 0:22:14 | 0:22:16 | |
What a thoroughly entertaining day with the legendary Tony Hatch and his delightful wife Maggie. | 0:22:16 | 0:22:20 | |
They've turned out a cracking haul of goodies for the auction. | 0:22:20 | 0:22:25 | |
Could those bowler hats | 0:22:25 | 0:22:26 | |
be genuine props from the classic Two Ronnies series? | 0:22:26 | 0:22:29 | |
We might never know for certain but Ronnie Barker | 0:22:29 | 0:22:32 | |
definitely signed one of them. | 0:22:32 | 0:22:33 | |
The pair should fetch upwards of £80. | 0:22:33 | 0:22:36 | |
Then, there are the two gold sovereigns, | 0:22:36 | 0:22:40 | |
given to Maggie by her parents as a 21st birthday present. | 0:22:40 | 0:22:42 | |
Sovereigns are always popular | 0:22:42 | 0:22:44 | |
and we're looking for at least £350 for the pair. | 0:22:44 | 0:22:48 | |
And how about Tony's stunning Van Cleef gold watch? | 0:22:48 | 0:22:52 | |
It has the right name and the right look but at £800, | 0:22:52 | 0:22:55 | |
does it have the right price tag? | 0:22:55 | 0:22:56 | |
Only time will tell. | 0:22:56 | 0:23:00 | |
Still to come on Cash In The Celebrity Attic - Maggie's family heirlooms go for gold. We love it. | 0:23:03 | 0:23:11 | |
-Great. -And Tony swaps bassoonist so for bidders when he conducts his own little sale. | 0:23:11 | 0:23:16 | |
100, 110 in the centre of the room. | 0:23:16 | 0:23:20 | |
Be there for the maestro when the final hammer falls. | 0:23:20 | 0:23:24 | |
So, it's been just about a week since we caught up with | 0:23:30 | 0:23:33 | |
Tony and Maggie at their friends' cottage in Kent on a very snowy day. | 0:23:33 | 0:23:37 | |
They had brought over some really interesting items from the island of Menorca, from their home. | 0:23:37 | 0:23:42 | |
They were hoping to raise around £1,500 for the Variety Club of Great Britain. | 0:23:42 | 0:23:46 | |
So, we've brought those collectables to the Chiswick Auction Rooms in London. | 0:23:46 | 0:23:51 | |
The aim is to raise even more when their items go under the hammer. | 0:23:51 | 0:23:55 | |
Today's general sale is just shy of 700 lots. | 0:23:58 | 0:24:01 | |
Fingers crossed that Tony's mixture of antiques and showbiz will fit in perfectly. | 0:24:01 | 0:24:06 | |
For instance, the gold watch, given to Tony by the pop group The Searchers. | 0:24:06 | 0:24:09 | |
Now, our expert has "needles and pins-a" just thinking about it. | 0:24:09 | 0:24:13 | |
Hi, John. Trying to work out if you're on time? | 0:24:13 | 0:24:15 | |
I'm always on time! | 0:24:15 | 0:24:18 | |
It is a high street luxury brand, Van Cleef & Arpels. | 0:24:18 | 0:24:21 | |
It's 18 carat gold as well. | 0:24:21 | 0:24:23 | |
Will it sell because of the story behind it? | 0:24:23 | 0:24:25 | |
Will it sell because of the make? | 0:24:25 | 0:24:27 | |
Or will it just get melted down, which I find horrific, | 0:24:27 | 0:24:31 | |
-for the gold value? -I think it'll be a combination of all three. | 0:24:31 | 0:24:32 | |
It is 18 carat gold so we know it does have some breakdown value. | 0:24:32 | 0:24:36 | |
It's a luxury brand but it has great provenance. | 0:24:36 | 0:24:40 | |
I'd be pained if I thought this was going to be melted down. | 0:24:40 | 0:24:43 | |
I think somebody will buy it and cherish it. | 0:24:43 | 0:24:45 | |
Well, I think it's time to meet Tony and Maggie because they're here. OK. | 0:24:45 | 0:24:50 | |
As you know, every penny counts in these tough times but it would | 0:24:50 | 0:24:53 | |
be terrible for such a individual timepiece to be scrapped like that. | 0:24:53 | 0:24:56 | |
With luck, the room will be packed with collectors | 0:24:56 | 0:25:00 | |
who have their eyes on '60s pop culture and romantic provenance. | 0:25:00 | 0:25:04 | |
Our generous tunesmith could teach them all a thing or two. | 0:25:04 | 0:25:07 | |
-Maggie and Tony. -Hi. | 0:25:07 | 0:25:09 | |
-You managed to dig yourselves out of Kent, did you? -Eventually. | 0:25:09 | 0:25:11 | |
Tony, I didn't see this camera at the cottage. Where has this emerged from? | 0:25:11 | 0:25:15 | |
I acquired this in the mid-'60s, probably in 65 or 66. | 0:25:15 | 0:25:21 | |
And the idea was because it was a 2x2 negative roll film, I was going | 0:25:21 | 0:25:25 | |
-to try and make my own sleeves for vinyl albums. -And did you? | 0:25:25 | 0:25:31 | |
Well, I took lots of pictures and I gave them to the sleeved apartment, | 0:25:31 | 0:25:34 | |
the art department and they said they were horrible! | 0:25:34 | 0:25:37 | |
-You were rubbish, in other words? -Yes. | 0:25:37 | 0:25:40 | |
-They told me to get back to making the records. -Yeah, just write the music, Tony! | 0:25:40 | 0:25:44 | |
-Let's get into position, the auction is about to start. -Good. | 0:25:44 | 0:25:48 | |
I'm excited about our prospects today. | 0:25:48 | 0:25:51 | |
First up, the jewellery lot comprising | 0:25:51 | 0:25:55 | |
an opal and sapphire brooch pendant and matching earrings. | 0:25:55 | 0:25:58 | |
They're set in nine carat gold in a very delicate Edwardian style. | 0:25:58 | 0:26:02 | |
And they really are a personal lot for Maggie. Her birth stone | 0:26:02 | 0:26:05 | |
is sapphire and they were a present from her first husband. | 0:26:05 | 0:26:09 | |
-Do you like this piece, John? -I do. They're quite decorative pieces. | 0:26:09 | 0:26:12 | |
They've got £80 to £120. | 0:26:12 | 0:26:14 | |
But the auctioneers have called them yellow metal. | 0:26:14 | 0:26:16 | |
They obviously haven't seen the hallmark tucked away in the trace decoration on the back. | 0:26:16 | 0:26:21 | |
I have let them know that they're hallmarked. | 0:26:21 | 0:26:23 | |
We have to wait and see. | 0:26:23 | 0:26:26 | |
50, £50. 40, then, to go. 40, I'm bid there. Thank you, 40. | 0:26:26 | 0:26:29 | |
45, 50, 55, 60, 65. £65. | 0:26:29 | 0:26:35 | |
£70 here. £70 in front of me. | 0:26:35 | 0:26:38 | |
Here at £70. Anybody else? | 0:26:38 | 0:26:41 | |
At £70, at £70. 75? No? £75 in the corner, then. | 0:26:41 | 0:26:45 | |
£75 and going. | 0:26:45 | 0:26:47 | |
For £75. At 75. | 0:26:47 | 0:26:50 | |
Just under our estimate. | 0:26:50 | 0:26:52 | |
A bit disappointing. | 0:26:52 | 0:26:53 | |
But on the other hand, you're never quite sure with jewellery like that | 0:26:53 | 0:26:57 | |
what it's going to get so at least you got the lower end of the estimate. | 0:26:57 | 0:27:00 | |
-It's gone, Maggie. -It's gone. | 0:27:00 | 0:27:02 | |
It sure is, Maggie. And £75 is a reasonable start to the proceedings. | 0:27:02 | 0:27:08 | |
I think our next lot should raise a few eyebrows if not a little cash. | 0:27:08 | 0:27:12 | |
It's a 19th century bonbon basket in the style of those Venetian glass makers on the Isle of Murano. | 0:27:12 | 0:27:18 | |
It was a present to Tony and Maggie from their friends in Australia. | 0:27:18 | 0:27:20 | |
I can't imagine | 0:27:20 | 0:27:22 | |
how our couple can bear to part with such a pretty item(!) | 0:27:22 | 0:27:27 | |
I'm bid £10. At a maiden bid of £10 for the glass basket. | 0:27:27 | 0:27:32 | |
-It's going to sell... -Another bid here. | 0:27:32 | 0:27:34 | |
£12 down here. £12. | 0:27:34 | 0:27:36 | |
Some might say this gaudy little piece has brought us | 0:27:36 | 0:27:39 | |
£12 nearer to our target. | 0:27:39 | 0:27:41 | |
The next lot has been in Tony's possession for years. | 0:27:44 | 0:27:48 | |
A Beswick porcelain statue of two men enjoying a pint of beer. | 0:27:48 | 0:27:51 | |
Created for the pub trade, Tony used to keep it on his bar at home. | 0:27:51 | 0:27:55 | |
But the time has come to put it towards a very good cause. | 0:27:55 | 0:27:59 | |
Start me, £20 for it. | 0:28:01 | 0:28:03 | |
20. For £20, I'm bid. 20, 22, 24, 26. At £26 it's going. | 0:28:03 | 0:28:08 | |
I'm afraid, sorry. | 0:28:08 | 0:28:11 | |
-That's a shame. -It is. I've seen those make £120 at auctions. So, that is a disappointing price. | 0:28:11 | 0:28:16 | |
Well, I was disappointed in the way the Beswick item sold, especially | 0:28:16 | 0:28:23 | |
when I met somebody later in the auction who said, "I've got one of those, they're worth much more." | 0:28:23 | 0:28:28 | |
-That was really encouraging, wasn't it? -Never mind, Tony. | 0:28:28 | 0:28:32 | |
We may not be toasting with as much enthusiasm as those Beswick gentlemen | 0:28:32 | 0:28:34 | |
but we are making good progress towards the charity target of £1,500. | 0:28:34 | 0:28:40 | |
With a bit of luck, our next lot will tip us a good deal closer. | 0:28:40 | 0:28:44 | |
One of these bowler hats is signed by | 0:28:44 | 0:28:46 | |
the legendary comic actor Ronnie Barker. | 0:28:46 | 0:28:49 | |
The other comes complete with its original box | 0:28:49 | 0:28:52 | |
from the gentlemen's outfitters Austin Reed. | 0:28:52 | 0:28:54 | |
So, will a little prestige name dropping | 0:28:54 | 0:28:56 | |
give us the result we're looking for? | 0:28:56 | 0:28:58 | |
I was talking Ronnie Corbett only a couple of days ago and he seems | 0:28:58 | 0:29:03 | |
to think that he remembers often wearing bowler hats with Ronnie Barker. | 0:29:03 | 0:29:08 | |
-So, John, your hopes for the hats? -Such an iconic pair of comedians. | 0:29:08 | 0:29:10 | |
The hats, well, I think the provenance is good. | 0:29:10 | 0:29:13 | |
I think they should be worth more but who knows on such a cold day. | 0:29:13 | 0:29:17 | |
How about we start with £40 to get things going? £40 for the hats. | 0:29:17 | 0:29:21 | |
For the bowler hats, £40. | 0:29:21 | 0:29:22 | |
Signed bowler hat, £40. | 0:29:22 | 0:29:24 | |
Signed by Ronnie Barker! Worn by Ronnie Barker on the telly! | 0:29:24 | 0:29:27 | |
For £40, I'm afraid I need... | 0:29:29 | 0:29:31 | |
-In beautiful condition! -Yes. | 0:29:31 | 0:29:33 | |
I'll have to pass the lot if I don't get 40. | 0:29:33 | 0:29:35 | |
Oh, dear. What a shame. | 0:29:35 | 0:29:38 | |
No? £40 is the... | 0:29:38 | 0:29:41 | |
Sorry. | 0:29:41 | 0:29:42 | |
Not a single bid from the room. | 0:29:42 | 0:29:44 | |
Very disappointing. Obviously no fans of classic comedy here today. | 0:29:44 | 0:29:49 | |
But let's look on the bright side of life. | 0:29:49 | 0:29:51 | |
Maybe Tony can give the hats to Ronnie Corbett as a present on his next birthday. | 0:29:51 | 0:29:55 | |
When we sold the opal jewellery earlier, it made a really good impression on the bidders, | 0:29:55 | 0:29:59 | |
so let's hope these unmounted tiger opals will also meet with their approval. | 0:29:59 | 0:30:05 | |
Maggie simply wants rid of them because they're not her style any more. | 0:30:05 | 0:30:09 | |
£10, £12 in the doorway, | 0:30:09 | 0:30:11 | |
14, 16, 18, 20, 22, 24, 26. | 0:30:11 | 0:30:18 | |
Still in the corner at £26. | 0:30:18 | 0:30:19 | |
For £26 and going, 470. | 0:30:19 | 0:30:22 | |
The room haven't warmed to our opals on such a cold day, have they? | 0:30:22 | 0:30:26 | |
-No. -Oh, I do think it is a shame when people turn their noses up | 0:30:26 | 0:30:28 | |
at one's opals on a cold day. | 0:30:28 | 0:30:31 | |
But still, we're banking like mad and the charity target is drawing ever closer. | 0:30:31 | 0:30:35 | |
One of my favourite items is up next. | 0:30:35 | 0:30:37 | |
It is a hallmark silver letter opener showing Napoleon Bonaparte. | 0:30:37 | 0:30:42 | |
The French maker Christofle has a pedigree for this sort | 0:30:42 | 0:30:45 | |
of silver flatware, which dates back nearly 200 years. | 0:30:45 | 0:30:48 | |
This item is a few decades old. It's complete with its original box. | 0:30:48 | 0:30:54 | |
Tony recalls being sent it by a fan. | 0:30:54 | 0:30:56 | |
Clearly, people have showered him with gifts wherever he goes. | 0:30:56 | 0:30:59 | |
OK, next up is a rather interesting letter opener. | 0:30:59 | 0:31:02 | |
I've only valued it at £40 - £60, which I think would be a steal. | 0:31:02 | 0:31:06 | |
And I'm glad to say we've got a bit of interest in it to start things off. | 0:31:06 | 0:31:09 | |
I'm already bid £40 for the lot. | 0:31:09 | 0:31:12 | |
-Yes! -40, 45 in front of me, 50 here, 55, 60, 65, 70, | 0:31:12 | 0:31:20 | |
75, 80. | 0:31:20 | 0:31:22 | |
Still with me at £80, at £80, 85, 90. Still with me at £90. | 0:31:22 | 0:31:27 | |
Come on, come on, | 0:31:27 | 0:31:30 | |
-come on. -At £90 with me, then. | 0:31:30 | 0:31:33 | |
95, I've still got 100. | 0:31:33 | 0:31:36 | |
At £100 with me. But I could offer you 110 and then you might buy it. | 0:31:36 | 0:31:39 | |
Would you like 110? It's all in aid of charity. | 0:31:39 | 0:31:42 | |
Lovely, £110. Wonderful. | 0:31:42 | 0:31:45 | |
And against commissions, then, at £110. Thank you very much. 110. 167. | 0:31:45 | 0:31:50 | |
-We love it. Well done everybody. -Thank you. | 0:31:50 | 0:31:53 | |
Not only that, but it seems that the buyer | 0:31:53 | 0:31:55 | |
has a commendable romantic streak. | 0:31:55 | 0:31:58 | |
Well, I bought the Napoleon letter opener | 0:31:58 | 0:32:01 | |
because I have a French wife and I thought it would be a nice present. | 0:32:01 | 0:32:04 | |
So that's why I bought it for her. | 0:32:04 | 0:32:06 | |
-I obviously paid far too much for it but, anyway, it's a nice piece. -What a man! | 0:32:06 | 0:32:10 | |
This act of love is a very welcome gesture and it brings us nicely to the halfway point in today's sale. | 0:32:10 | 0:32:15 | |
I'm looking forward to giving Tony and Maggie an update on their takings so far. | 0:32:15 | 0:32:21 | |
It is a bit of a slow auction. You still have your bigger | 0:32:21 | 0:32:24 | |
items to come in the second have of the auction. | 0:32:24 | 0:32:26 | |
So far, bearing in mind that you want to raise £1,500 ideally, you still have a way to go. | 0:32:26 | 0:32:32 | |
At the moment you are at £249, | 0:32:32 | 0:32:36 | |
so we need to sharpen up, hopefully, in the next part. | 0:32:36 | 0:32:40 | |
-We're running a little slow. -But do you know what? | 0:32:40 | 0:32:43 | |
Anything is valuable and anything is worth it. And it helps the children. | 0:32:43 | 0:32:47 | |
-It will be better, yes. -So, with that thought, off for a cup of tea. | 0:32:47 | 0:32:50 | |
Does that mean the teas and buns are on me? | 0:32:50 | 0:32:52 | |
Yes, I'm afraid so. You've got to buy again. | 0:32:52 | 0:32:55 | |
You can say whatever you like about John Cameron, but he's no slouch when it comes to refreshments. | 0:32:55 | 0:32:59 | |
Now, if you've been inspired by Tony and Maggie to try | 0:32:59 | 0:33:01 | |
selling your items at auction, always bear in mind that commission and other charges will apply. | 0:33:01 | 0:33:07 | |
And these vary from one sale room to another. | 0:33:07 | 0:33:10 | |
So the advice is - be sure to check in advance. | 0:33:10 | 0:33:12 | |
Tony and Maggie are enjoying the chance to look at some of the other lots on offer. | 0:33:12 | 0:33:16 | |
Some dinnerware, perhaps? Or, who knows, a long-case clock? | 0:33:16 | 0:33:18 | |
However, be might have just a little trouble getting that back to Menorca. | 0:33:18 | 0:33:23 | |
But here's something that's much more to Tony's taste. | 0:33:23 | 0:33:26 | |
-I liked the banjo as well. -Oh, did you? -I found the banjo. | 0:33:26 | 0:33:31 | |
Would you have played it if we'd bought it for you? | 0:33:31 | 0:33:34 | |
It didn't seem to have the strings on it the right way round. | 0:33:34 | 0:33:39 | |
-A bit of a disadvantage, wouldn't you say? -Yes. -But we digress. | 0:33:39 | 0:33:43 | |
Our auction resumes with Tony's Rolleiflex camera, which he's kept in | 0:33:43 | 0:33:46 | |
absolute pristine condition since he bought it in the '60s. | 0:33:46 | 0:33:49 | |
The photographs he took at the time may not have made it onto any record sleeves but, with luck, this sale | 0:33:49 | 0:33:55 | |
might make it into the record books. Do you think we are going to get a fair bit of money for the camera? | 0:33:55 | 0:34:00 | |
I don't have my crystal ball, but we've got all the right ingredients - it's a good maker, | 0:34:00 | 0:34:04 | |
we've got good provenance and it's in super condition, so the market tells us it should be worth that. | 0:34:04 | 0:34:08 | |
-Let's see. -It is a jolly good lot, a very good example of its type. | 0:34:08 | 0:34:11 | |
And I'm glad to say there's a bit of interest in it already to start us off. I'm bid £110, with me at 110. | 0:34:11 | 0:34:18 | |
£110, 120, 130, 140, 150. | 0:34:18 | 0:34:22 | |
£150, I'm bid. | 0:34:22 | 0:34:26 | |
At £150, 160 on the telephone. | 0:34:26 | 0:34:27 | |
At £160 on the phone. | 0:34:27 | 0:34:31 | |
170 in the room, 180, | 0:34:31 | 0:34:36 | |
190, 200. Still on the telephone at £200. | 0:34:36 | 0:34:40 | |
I'm happy. | 0:34:40 | 0:34:43 | |
£200. And gone. 200. | 0:34:43 | 0:34:46 | |
£200. How do you feel, Tony? | 0:34:46 | 0:34:48 | |
Somebody's got a bargain. | 0:34:48 | 0:34:51 | |
Too true. But what Tony didn't know at the time of | 0:34:51 | 0:34:53 | |
the hammer coming down was that his charity takings | 0:34:53 | 0:34:56 | |
were destined to receive an extra boost. | 0:34:56 | 0:34:59 | |
The most pleasant surprise to me in the end was when the guy | 0:34:59 | 0:35:03 | |
who bought this item, a camera dealer himself, | 0:35:03 | 0:35:07 | |
said, "I got that at a steal." | 0:35:07 | 0:35:09 | |
He said, "I'd like to make a donation of the same amount to your charity." So I have | 0:35:09 | 0:35:15 | |
in my pocket a cheque for the Variety Club for £200, which is the same as he paid for the item. | 0:35:15 | 0:35:21 | |
That is wonderful news and I'm glad to hear of a dealer with a heart. | 0:35:21 | 0:35:25 | |
We'll record the sale at £200 but I'll bear in mind | 0:35:25 | 0:35:28 | |
the extra £200 donation when I tot up the totals later on. | 0:35:28 | 0:35:33 | |
The next item is a hand coloured engraving in the | 0:35:33 | 0:35:34 | |
style of the artist, Dodd, known as The Constant Couple. | 0:35:34 | 0:35:38 | |
It was given to Tony by a theatre producer | 0:35:38 | 0:35:40 | |
as an anniversary present many years ago. | 0:35:40 | 0:35:43 | |
Let's hope Tony's friend has got a good eye for art. | 0:35:43 | 0:35:47 | |
At £10, then, I'm going to sell it. £10 and going. For £10 and gone. | 0:35:47 | 0:35:51 | |
£10. | 0:35:51 | 0:35:53 | |
This room are frozen solid today. | 0:35:53 | 0:35:55 | |
And I don't think they can raise their arms. | 0:35:55 | 0:35:57 | |
And I just wish they'd thaw out a little bit and try harder. | 0:35:57 | 0:35:59 | |
But we're lingering below the £500-mark with the takings so far. | 0:35:59 | 0:36:04 | |
So the next three lots will need to bring in over £1,000 if we're to make Tony and Maggie's target. | 0:36:04 | 0:36:10 | |
Switching tactics, we move from antiques to showbiz memorabilia and a collection of sheet music, | 0:36:10 | 0:36:15 | |
vinyl and photographs with an impeccable provenance. | 0:36:15 | 0:36:20 | |
-Now, all through our chat down at the cottage we were talking about Petula Clark -Yes. | 0:36:20 | 0:36:23 | |
She's so central, really, to your career in many ways. | 0:36:23 | 0:36:27 | |
Yes, we did lots of lovely things together. | 0:36:27 | 0:36:29 | |
Yes, and I think you're happy to go up and auction this off. | 0:36:29 | 0:36:31 | |
-I am. I'll do that, yes. -Yes. | 0:36:31 | 0:36:32 | |
You've just got to go on that stand and do it. | 0:36:32 | 0:36:35 | |
-Off you go. -Go on, love. | 0:36:35 | 0:36:37 | |
APPLAUSE | 0:36:37 | 0:36:40 | |
I'll start the bidding at £50, then. | 0:36:40 | 0:36:41 | |
What am I bid? | 0:36:41 | 0:36:43 | |
-£50. £60. -I'm bidding £50. | 0:36:43 | 0:36:46 | |
You're bidding £50. 60 over there, | 0:36:46 | 0:36:49 | |
70 there. 80? | 0:36:49 | 0:36:53 | |
And I'll also add my signature. | 0:36:54 | 0:36:55 | |
90 here. Are there any further bids? | 0:36:55 | 0:36:58 | |
100? 100 over there. | 0:36:58 | 0:37:01 | |
110 in the centre of the room, 120. | 0:37:01 | 0:37:05 | |
Brilliant. 120 over there in the corner, 130? | 0:37:05 | 0:37:09 | |
He's getting the hang of it now. | 0:37:09 | 0:37:11 | |
To the gentleman in the corner, then, for £120. | 0:37:11 | 0:37:14 | |
APPLAUSE | 0:37:14 | 0:37:17 | |
-Thank you. -Very good, thank you. | 0:37:17 | 0:37:20 | |
# When you're alone and life is making you lonely | 0:37:20 | 0:37:23 | |
# You can always go downtown. # | 0:37:23 | 0:37:25 | |
Well, my mum's a Petula Clark fan and it's her birthday coming up | 0:37:27 | 0:37:30 | |
and I'm going back to Australia | 0:37:30 | 0:37:32 | |
-to see her, so I thought I'd take something back with me. -Ah, he is a real sweetie. | 0:37:32 | 0:37:36 | |
Now there do seem to be some generous people around the saleroom today, thank goodness. | 0:37:36 | 0:37:40 | |
The penultimate lot comes from Maggie. | 0:37:40 | 0:37:43 | |
A pair of gold sovereigns that were given to her by her parents. | 0:37:43 | 0:37:46 | |
One is from the reign of King George V, set in a bracelet. | 0:37:46 | 0:37:50 | |
The other is mounted in a pendant and dates from | 0:37:50 | 0:37:52 | |
the reign of Queen Victoria. | 0:37:52 | 0:37:54 | |
Our John is very excited by these. | 0:37:54 | 0:37:57 | |
And I can't wait to see the crowd's reaction to these very personal pieces. | 0:37:57 | 0:38:00 | |
I'm bid straight off with me at £300. | 0:38:00 | 0:38:02 | |
-£300? -320, 340, 360, 380. | 0:38:02 | 0:38:07 | |
380 with me. 400, 420, 440, 460. | 0:38:07 | 0:38:14 | |
460. With me at £460. 480, 500. | 0:38:14 | 0:38:19 | |
With me at £500. A left bid of £500. 500. | 0:38:19 | 0:38:23 | |
That's a brilliant amount of money. | 0:38:23 | 0:38:25 | |
Well done. | 0:38:25 | 0:38:27 | |
It makes it worth it. The way the auction was going I thought, "Oh, my goodness, I've given these away now. | 0:38:27 | 0:38:31 | |
"Mum and dad bought them for me and they're not here any more and they may go for nothing." | 0:38:31 | 0:38:36 | |
But, in fact, when they went for that, then that was great. I was really, really happy. | 0:38:36 | 0:38:39 | |
I must say, it is very generous of Maggie to choose items with such | 0:38:39 | 0:38:44 | |
sentimental value as a means of supporting this could cause. | 0:38:44 | 0:38:47 | |
And that £500 has made a real difference. | 0:38:47 | 0:38:51 | |
It means that, if we are to reach Tony and Maggie's target, the final lot must also make £500. | 0:38:51 | 0:38:55 | |
It's the Van Cleef dress watch in 18 carat gold | 0:38:55 | 0:38:59 | |
and Tony was given it by The Searchers in the mid-'60s. | 0:38:59 | 0:39:02 | |
He's very keen to protect its rarity with a reserve price of £700. | 0:39:02 | 0:39:06 | |
And you rather like the Swatch, John, I can tell. | 0:39:06 | 0:39:09 | |
It is a fine thing | 0:39:09 | 0:39:10 | |
but I have had a chat with the auctioneer who did take the back off. | 0:39:10 | 0:39:14 | |
I didn't do that at the house. And he informs me that it has had a replacement movement. | 0:39:14 | 0:39:18 | |
So it doesn't have an original Van Cleef & Arpels movement. | 0:39:18 | 0:39:21 | |
-It should still sell, it does have the provenance and is still a nice quality piece. -That's good. | 0:39:21 | 0:39:26 | |
Start me at £500 for it. £500 for the watch. | 0:39:26 | 0:39:27 | |
500, 550, £600, 650 there, | 0:39:27 | 0:39:35 | |
680, 700. | 0:39:35 | 0:39:37 | |
At £700 there. At 700. | 0:39:37 | 0:39:40 | |
Anybody else? For £700 there, then. | 0:39:40 | 0:39:43 | |
All done at £700. Going, then, 700. | 0:39:43 | 0:39:47 | |
£700. | 0:39:47 | 0:39:49 | |
-156. -156... -Give me a kiss. | 0:39:49 | 0:39:53 | |
Fantastic. Well done! Very, very good! | 0:39:53 | 0:39:55 | |
Sorry, couldn't resist it. | 0:39:55 | 0:39:57 | |
That is so brilliant, | 0:39:59 | 0:40:01 | |
isn't it? It reached your estimate. | 0:40:01 | 0:40:03 | |
I'm sure The Searchers, who gave me the watch, will be very happy that it's found a good home. | 0:40:03 | 0:40:07 | |
Well said, Tony, and what an extraordinary result. | 0:40:07 | 0:40:10 | |
The best result of the sale was saved for last, | 0:40:10 | 0:40:13 | |
and I'm certain it'll have a major impact on the charity total. | 0:40:13 | 0:40:17 | |
Well, it's been what I would call a most interesting auction, to say the least. | 0:40:17 | 0:40:22 | |
Now, you wanted, ideally, £1,500. | 0:40:22 | 0:40:25 | |
Well, I am thrilled to say that you have got your 1,500. | 0:40:25 | 0:40:30 | |
In fact, £1,779! | 0:40:30 | 0:40:34 | |
-My goodness! -I wasn't even counting! | 0:40:34 | 0:40:38 | |
That's thrilling. And I know that we've done the right | 0:40:38 | 0:40:40 | |
thing by putting all those items in and done it for the children. | 0:40:40 | 0:40:44 | |
I'm absolutely thrilled. | 0:40:44 | 0:40:46 | |
And will you just give me one big smile at the end? | 0:40:46 | 0:40:48 | |
Just show me you're happy. And I get a kiss, as well. | 0:40:48 | 0:40:52 | |
-Thank you very much. -Thank you so much, both of you. -A pleasure. | 0:40:52 | 0:40:55 | |
Of course, the news just gets better and better, because there's still | 0:40:55 | 0:40:57 | |
the £200 donation from the dealer who bought Tony's camera. | 0:40:57 | 0:41:03 | |
And it brings the grand total for the sale to £1,979. Fantastic. | 0:41:03 | 0:41:09 | |
The Variety Club will put Tony's great auction result towards its general fund. | 0:41:14 | 0:41:18 | |
This helps schools right across the UK, offering care to pupils with | 0:41:18 | 0:41:23 | |
a wide variety of physical and learning difficulties. | 0:41:23 | 0:41:26 | |
The Bridge School in north London now has a soft-play area and state-of-the-art | 0:41:26 | 0:41:29 | |
multi-sensory room, as head teacher Penny Barratt explains. | 0:41:29 | 0:41:34 | |
They've supported us in having a minibus, and having a minibus | 0:41:34 | 0:41:36 | |
means that we can take the students out and engage with the public more and go to different places. | 0:41:36 | 0:41:42 | |
The charity's also supported us in providing us with wheelchair tracking, | 0:41:42 | 0:41:45 | |
which is tracking that goes under the floor and enables the child to independently move around the school. | 0:41:45 | 0:41:51 | |
I feel really proud of what we've achieved at the auction, because the Variety's Club's very special to me. | 0:41:53 | 0:41:59 | |
We do help a tremendous amount of disadvantaged children in the UK. | 0:41:59 | 0:42:03 | |
It really does a wonderful job. | 0:42:03 | 0:42:05 | |
What an absolutely fantastic result for Tony Hatch | 0:42:09 | 0:42:11 | |
and his wife Maggie and, indeed, the charity that's going to benefit from all that money. | 0:42:11 | 0:42:16 | |
But if you'd like to raise money for something special and you think you have some antiques | 0:42:16 | 0:42:19 | |
or collectables and would like to bring them to auction, then it's very easy to get in touch. | 0:42:19 | 0:42:24 | |
It's bbc.co.uk. That's our website. | 0:42:24 | 0:42:27 | |
And who knows, maybe I'll meet you right here on Cash In The Attic. | 0:42:27 | 0:42:30 | |
In the meantime, from all of us, bye-bye and thanks for your company. | 0:42:30 | 0:42:34 | |
Subtitles by Red Bee Media Ltd | 0:42:35 | 0:42:38 | |
E-mail [email protected] | 0:42:38 | 0:42:42 |