Browse content similar to Maureen Lipman. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello and welcome to Cash in Celebrity Attic, | 0:00:01 | 0:00:03 | |
the programme that searches the homes of the famous | 0:00:03 | 0:00:06 | |
for all those antiques and collectibles, | 0:00:06 | 0:00:08 | |
then we take them off to auction to raise money for really, really good causes. | 0:00:08 | 0:00:12 | |
Today we're going to meet a much-loved and highly respected actress. | 0:00:12 | 0:00:15 | |
On television, she is known for many roles, | 0:00:15 | 0:00:18 | |
ranging from an extremely troubled agony aunt to a really feisty Jewish grandmother. | 0:00:18 | 0:00:23 | |
She has been a stage actress for over 30 years, | 0:00:23 | 0:00:26 | |
and indeed, was a member of Laurence Olivier's Royal National Theatre Company at the Old Vic. | 0:00:26 | 0:00:31 | |
She has also starred in many well-known movies and is a well-respected author, | 0:00:31 | 0:00:36 | |
so have you guessed who this very talented person is? | 0:00:36 | 0:00:39 | |
Today I'm on my way to meet the absolutely delightful Maureen Lipman. | 0:01:00 | 0:01:04 | |
Maureen is one of the most respected personalities in the acting profession, | 0:01:04 | 0:01:09 | |
and of course, she is very well known for her comedy roles | 0:01:09 | 0:01:12 | |
like Jane Lucas in Agony. | 0:01:12 | 0:01:14 | |
She was born in Kingston-upon-Hull where her father worked as a tailor. | 0:01:14 | 0:01:20 | |
Her mother used to take her the pantomime and encouraged her onto the stage. | 0:01:20 | 0:01:24 | |
She married BAFTA award-winning playwright Jack Rosenthal in 1973, | 0:01:24 | 0:01:28 | |
and they have two children, Amy and Adam. | 0:01:28 | 0:01:32 | |
Jack wrote for many successful television series such as The Lovers, | 0:01:32 | 0:01:36 | |
Coronation Street and London's Burning, which he also created. | 0:01:36 | 0:01:41 | |
Very sadly, Jack passed away in 2004. | 0:01:41 | 0:01:43 | |
'On today's programme, Maureen's wit surfaces before we even begin.' | 0:01:46 | 0:01:51 | |
Other expert's already rooting through drawers of yours. | 0:01:51 | 0:01:54 | |
He's not going to route through my drawers without asking me first! | 0:01:54 | 0:01:59 | |
'She has a very low opinion about the value of her autograph.' | 0:01:59 | 0:02:02 | |
You would get a bit more if I hadn't signed it. | 0:02:02 | 0:02:04 | |
'At the auction, she does her best to enjoy herself.' | 0:02:04 | 0:02:09 | |
-Being shown very well. -'But will she still be smiling at the end of the sale?' | 0:02:09 | 0:02:14 | |
Joining me today is Jonty Herndon. | 0:02:14 | 0:02:17 | |
With 20 years of collectibles knowhow, he wastes no time getting our antique hunt under way. | 0:02:17 | 0:02:24 | |
Since losing her husband, Maureen has downsized to this very posh flat in West London, | 0:02:24 | 0:02:29 | |
but it looks like she doesn't live here alone. | 0:02:29 | 0:02:32 | |
High-five? Good girl. | 0:02:32 | 0:02:36 | |
Maureen Lipman, I can't believe what I'm seeing. | 0:02:36 | 0:02:39 | |
Who is this? | 0:02:39 | 0:02:41 | |
This is Diva the Basenji, | 0:02:42 | 0:02:45 | |
the barkless dog of the Congo. | 0:02:45 | 0:02:48 | |
-She doesn't bark. -Why did you decide to move? | 0:02:48 | 0:02:52 | |
I just saw this place and I thought, this is fantastic. | 0:02:52 | 0:02:56 | |
It has a courtyard where I keep my rabbit. | 0:02:56 | 0:02:58 | |
That is Warren out there, he's an apricot velvet. | 0:03:00 | 0:03:03 | |
He's the only bloke in the vicinity and he's very blokeish. Look at her, she will wait forever for this. | 0:03:03 | 0:03:09 | |
If you give a rabbit something - | 0:03:09 | 0:03:12 | |
no thanks, nothing, just like a bloke. | 0:03:12 | 0:03:15 | |
This programme is all about raising money for charity, so what have you decided on? | 0:03:15 | 0:03:19 | |
My charity is Campaign Burma UK and it's about raising awareness, | 0:03:19 | 0:03:26 | |
about human rights in Burma and development and education. | 0:03:26 | 0:03:30 | |
In an ideal world, how much money would you like to raise? | 0:03:30 | 0:03:34 | |
If I could get £1,000, I think that would be fantastic for the cause. | 0:03:34 | 0:03:38 | |
Much to your surprise, Jonty Herndon, our expert, is already rooting through drawers of yours. | 0:03:38 | 0:03:44 | |
He's not going to root through my drawers, not without asking me first! | 0:03:44 | 0:03:49 | |
Which area shall we go to first? | 0:03:49 | 0:03:52 | |
Let's walk that way. | 0:03:52 | 0:03:55 | |
'Maureen has lived here for three years and I can see why she fell in love with the flat. | 0:03:55 | 0:04:00 | |
'It's got lovely high ceilings and lots of original features, | 0:04:00 | 0:04:03 | |
'and each airy room has a lovely comfortable feeling, | 0:04:03 | 0:04:06 | |
'filled with items that she has collected over the years. | 0:04:06 | 0:04:09 | |
'It hasn't taken Jonty long to spot something of interest for the auction.' | 0:04:11 | 0:04:15 | |
You're in the house five minutes and already you've cornered two paintings? | 0:04:17 | 0:04:21 | |
I certainly have. They're really... Where are they from, Maureen? | 0:04:21 | 0:04:24 | |
-They're really... -..Different! | 0:04:24 | 0:04:29 | |
These came from a programme that was on television a very short while ago | 0:04:29 | 0:04:33 | |
called Virgin Virtuoso in which the painter John Myatt takes an untrained painter | 0:04:33 | 0:04:39 | |
to a spot where a famous painting was painted, in this case the Hay Wain. | 0:04:39 | 0:04:44 | |
He paints like Constable and you paint like an idiot. | 0:04:44 | 0:04:48 | |
The thing is, mine is so jolly, isn't it? | 0:04:48 | 0:04:52 | |
Is John Myatt the famous forger? | 0:04:52 | 0:04:56 | |
He is, a jolly nice man. | 0:04:56 | 0:05:00 | |
He freely admitted he was in this fraudulent game, | 0:05:00 | 0:05:03 | |
but, give him his due, he did fully corporate with the police. | 0:05:03 | 0:05:07 | |
He was imprisoned, but was released within the year of his term of sentence. | 0:05:07 | 0:05:11 | |
Here's the question - we know that John is going to sell, the thing is, will Maureen sell? | 0:05:11 | 0:05:17 | |
Well, they need to be sold together because you're actually telling a story. | 0:05:17 | 0:05:21 | |
I'm being very polite here as well. | 0:05:21 | 0:05:23 | |
You are. If you said you were a chocolate box manufacturer | 0:05:23 | 0:05:27 | |
and you were looking for a new box for your chocolates, don't you think? | 0:05:27 | 0:05:30 | |
I would stick to the daytime job, Maureen. | 0:05:30 | 0:05:32 | |
You would be signed on by the chocolate box company! | 0:05:32 | 0:05:37 | |
We must sell the two together, | 0:05:37 | 0:05:39 | |
and we're looking at £400 to £600. | 0:05:39 | 0:05:42 | |
That's pretty good. | 0:05:42 | 0:05:44 | |
Obviously £574 of those are for his. | 0:05:44 | 0:05:46 | |
No, I was going to reverse it. | 0:05:46 | 0:05:49 | |
That's a great start, well done, and unusual, something different. | 0:05:49 | 0:05:53 | |
-Let's see what else you have. -Let's head this way, shall we? | 0:05:53 | 0:05:58 | |
'We decided to split up, just to make sure we explore every nook and cranny of Maureen's home. | 0:05:58 | 0:06:05 | |
'Jonty pauses to inspect some more paintings, | 0:06:05 | 0:06:08 | |
'but our host wonders if another of her creations might be worth something. | 0:06:08 | 0:06:12 | |
'She says this abstract piece, inspired by Burma, just painted itself. | 0:06:12 | 0:06:17 | |
'A Maureen Lipman fan could easily part with £40-£60 for it. | 0:06:17 | 0:06:21 | |
'Maureen has made it very clear that we are not to go rooting through her drawers without permission | 0:06:26 | 0:06:30 | |
'but I have been given special leave to investigate this rather lovely table, although Maureen doesn't know | 0:06:30 | 0:06:35 | |
'that Jonty has been sneaking around in her bedroom already. He's naughty!' | 0:06:35 | 0:06:39 | |
My dressing-table? | 0:06:39 | 0:06:41 | |
Yes, it's hidden in the corner. Is it surplus to requirements? | 0:06:41 | 0:06:45 | |
This is my guest room which I haven't yet guested. | 0:06:45 | 0:06:48 | |
I haven't done it. | 0:06:48 | 0:06:50 | |
I've brought it with me but it doesn't fit in here. | 0:06:50 | 0:06:53 | |
But it's interesting because of the... | 0:06:53 | 0:06:56 | |
What do you call it? | 0:06:56 | 0:06:58 | |
The decoration, the painted decoration. | 0:06:58 | 0:07:00 | |
But it's inlaid. | 0:07:00 | 0:07:02 | |
It's not technically inlaid, it's actually carved into the surface. | 0:07:02 | 0:07:06 | |
If you look here, it's carved into the surface so if you run your fingers across, | 0:07:06 | 0:07:11 | |
you can feel there are indentations there, | 0:07:11 | 0:07:13 | |
but all they have done is painted over that, but all of that is hand-painted. | 0:07:13 | 0:07:17 | |
-This piece of furniture is Victorian, it's late Victorian. -You can tell by the legs, can't you? | 0:07:17 | 0:07:23 | |
The legs and also, particularly, the handles. | 0:07:23 | 0:07:27 | |
These are typical handles of the late 19th century but I love them, they're really of the period. | 0:07:27 | 0:07:32 | |
-What wood is it? Oak? -No, it's mahogany. | 0:07:32 | 0:07:35 | |
-It's quite light. -Yes, but it has faded in the right places. | 0:07:35 | 0:07:39 | |
If you look at the legs, you can see how much darker it was, that is the original colour down there. | 0:07:39 | 0:07:44 | |
I'm not selling the bits on the bottom, the children made those at school. | 0:07:44 | 0:07:50 | |
The dressing-table will sell but I notice we've got a bit of damage | 0:07:50 | 0:07:53 | |
at the top here, and I also noticed the top surface. | 0:07:53 | 0:07:55 | |
Mugs of coffee. | 0:07:55 | 0:07:57 | |
It's also the alcohol in the perfume that creates these marks here. | 0:07:57 | 0:08:03 | |
We are looking at £40 to £60 which is just so little money. | 0:08:03 | 0:08:08 | |
It's the only thing that will get me galvanised to actually make this | 0:08:08 | 0:08:12 | |
into a proper nice guest room for proper nice guests. | 0:08:12 | 0:08:16 | |
Let's put that in there and go and find some more stuff. | 0:08:16 | 0:08:20 | |
I noted that - a proper nice guest, I hope she's not casting aspersions about our Jonty. | 0:08:20 | 0:08:26 | |
Sadly, Victorian furniture is not as popular as it used to be, | 0:08:26 | 0:08:29 | |
but let's hope the pretty piece catches somebody's eye and at least achieves Jonty's estimate. | 0:08:29 | 0:08:36 | |
My exploration of the lounge has been fruitful, | 0:08:36 | 0:08:39 | |
and I find Maureen's beautiful pearl necklace, | 0:08:39 | 0:08:43 | |
and Jonty gives it a healthy £100-£150 estimate. | 0:08:43 | 0:08:47 | |
Maureen has written many, many books over the years and our expert is distracted by her autobiography. | 0:08:47 | 0:08:52 | |
I want to hear the stories direct from the lady herself. | 0:08:52 | 0:08:55 | |
Maureen, we all know what a wonderful talent your husband, | 0:08:57 | 0:09:01 | |
Jack Rosenthal, was, and very sadly, he died a number of years back. | 0:09:01 | 0:09:05 | |
How have you been since that because he's a very hard man to replace, isn't he? | 0:09:05 | 0:09:09 | |
Oh, impossible to replace. | 0:09:09 | 0:09:11 | |
What I have learnt is that you do it your own way, you don't let anybody tell you when you will feel better. | 0:09:11 | 0:09:17 | |
You don't let anybody tell you what you should do, who you should see, | 0:09:17 | 0:09:21 | |
when it's time to date again, because we're all different. | 0:09:21 | 0:09:25 | |
That life will go on because there something left for you to do. | 0:09:25 | 0:09:31 | |
It's incredibly fortunate that I'm busy because work is the answer. | 0:09:31 | 0:09:35 | |
Would you say that you are a typical Jewish mother? | 0:09:35 | 0:09:38 | |
I suppose I am, yes. | 0:09:38 | 0:09:41 | |
I expect them to come on Friday nights. | 0:09:41 | 0:09:43 | |
My son has turned into a baker, he can actually bake challah bread. | 0:09:43 | 0:09:48 | |
That is a very surprising thing. | 0:09:48 | 0:09:51 | |
What did the children at the time think of you as Beattie during the BT ad on television, | 0:09:51 | 0:09:56 | |
because they ran for years, didn't they? | 0:09:56 | 0:09:58 | |
It's about, God knows how long ago it is, 20 years or something? | 0:09:58 | 0:10:04 | |
I will die with ring tones on my grave. | 0:10:04 | 0:10:11 | |
I must say, I will never forget the ology one. | 0:10:11 | 0:10:14 | |
Nobody will forget the ology one. I still get it all the time. | 0:10:14 | 0:10:18 | |
People say it as though it's never been said before. | 0:10:18 | 0:10:20 | |
Sorry, I just said it again. | 0:10:20 | 0:10:23 | |
Very predictable. | 0:10:23 | 0:10:24 | |
I was expecting higher things from you. | 0:10:24 | 0:10:27 | |
The charity, we must major on that. | 0:10:27 | 0:10:31 | |
There are many different aspects to the work going on in Burma so which one have you chosen to support? | 0:10:31 | 0:10:36 | |
Campaign Burma UK and this one is more to do with human rights, as well as education. | 0:10:36 | 0:10:42 | |
Nobody realises that the tsunami hit Burma. | 0:10:42 | 0:10:46 | |
They are very, very gentle, quiet, courteous people | 0:10:46 | 0:10:50 | |
and they need somebody out there to go, "no, this won't do". | 0:10:50 | 0:10:55 | |
-I guess your £1,000 would do very well out there in many different areas. -It will go a long way. | 0:10:55 | 0:11:01 | |
It won't go a long way if we don't go a little way and find some more stuff. | 0:11:01 | 0:11:05 | |
I have to say, Maureen, you make a very good cup of tea. | 0:11:05 | 0:11:09 | |
My mother's cups, these! | 0:11:09 | 0:11:12 | |
Look how sweet they are. Cheers, dear, here's to all our mums. | 0:11:12 | 0:11:15 | |
'Going by Jonty's lowest estimates so far, we stand to make £580 when we take the items to auction. | 0:11:17 | 0:11:24 | |
'Diva, the dog, looks rather impressed by that. | 0:11:24 | 0:11:27 | |
'Maureen wants to raise £1,000, so we're over halfway there. | 0:11:27 | 0:11:32 | |
'Despite her warnings, Jonty's carried out a thorough search of Maureen's drawers. | 0:11:32 | 0:11:37 | |
'In the sideboard, he finds this four peace silver-plated tea set which belonged to her mother-in-law. | 0:11:37 | 0:11:42 | |
'He values it at £40-£60. | 0:11:42 | 0:11:45 | |
'Being Irish, I've been having a good old nose around in Maureen's extensive wardrobe | 0:11:45 | 0:11:50 | |
'and want to know more about a really fabulous dress I've spotted there.' | 0:11:50 | 0:11:55 | |
Maureen, I've been dying to get into your wardrobe for years, | 0:11:55 | 0:11:59 | |
and I find this little number which is very much in at the moment, isn't it? | 0:11:59 | 0:12:03 | |
You don't get many taupe evening dresses, do you? | 0:12:03 | 0:12:06 | |
This was made for me by Neil Cunningham for my one-woman show, Live and Kidding. | 0:12:06 | 0:12:13 | |
Then I wore it for Doctor Who. I'm an alien, trapped in a television set. | 0:12:13 | 0:12:18 | |
So, when I'm in that television set saying, "feed me", | 0:12:18 | 0:12:22 | |
and trying to suck people's faces off to take over the energy of the world, I'm wearing this very dress. | 0:12:24 | 0:12:30 | |
I know about Dr Who-ees, and they will have anything, they'll have the spittle from the desk. | 0:12:30 | 0:12:36 | |
They're bound to want this and it is a lovely dress. It's for a size 12. | 0:12:36 | 0:12:42 | |
-Dare I ask - does this tiny waist still fit? -You dare ask - no. | 0:12:42 | 0:12:46 | |
-Jonty? Oh yes, he was in my kitchen all the time. -What have we got? | 0:12:49 | 0:12:55 | |
This dress will sell just because it's a nice, modern cut. | 0:12:55 | 0:12:59 | |
Somebody could easily fit into that but I overheard the conversation | 0:12:59 | 0:13:03 | |
that we have this fabulous Dr Who connection with this. | 0:13:03 | 0:13:07 | |
All of a sudden, it takes it to a completely different level. | 0:13:07 | 0:13:10 | |
Once you put it on the net or wherever you advertise these things, | 0:13:10 | 0:13:14 | |
does it become a worldwide interest because it is Dr Who? | 0:13:14 | 0:13:16 | |
Of course, auction rooms can now reach the whole world. | 0:13:16 | 0:13:20 | |
People can bid live via the internet in every auction room, | 0:13:20 | 0:13:24 | |
so every local auction room can become an international centre for sales as well. | 0:13:24 | 0:13:31 | |
Let's consider value. If this was in a regular auction, £50 for the dress. | 0:13:31 | 0:13:37 | |
But because it's Doctor Who, it's £200 to £400. | 0:13:37 | 0:13:39 | |
That's just the starting estimate. | 0:13:39 | 0:13:41 | |
Maureen probably paid around £2,000 for it! | 0:13:41 | 0:13:44 | |
'I'm not joking. | 0:13:44 | 0:13:46 | |
'Will this outfit attract any fans of the Doctor come auction day? | 0:13:46 | 0:13:51 | |
'Let's hope the dress makes a price that rocks all of space and time. | 0:13:51 | 0:13:56 | |
'All that excitement is still to come but for now, Jonty's surging on with our rummage | 0:14:00 | 0:14:05 | |
and he finds this very attractive grey suit that Maureen wore to collect her CBE at the Palace. | 0:14:05 | 0:14:10 | |
Plus two other designer outfits. | 0:14:10 | 0:14:12 | |
He reckons they could quite easily fetch £150-£250 on sale day. | 0:14:12 | 0:14:18 | |
Now, I wish I could fit into this absolutely gorgeous gown which Maureen wore on the stage. | 0:14:18 | 0:14:24 | |
It was designed Ben Frau, who also used to dress people like Diana Rigg and Stephanie Beacham. | 0:14:24 | 0:14:30 | |
Maureen brings in another of his dresses that she wore in the show. | 0:14:30 | 0:14:34 | |
They will need the right buyers at auction, but if they are there, | 0:14:34 | 0:14:38 | |
these dresses should raise another £100-£200. | 0:14:38 | 0:14:42 | |
Our host is really getting into the rummaging spirit now. | 0:14:42 | 0:14:45 | |
Ah! You might find this interesting. | 0:14:48 | 0:14:53 | |
Because I think her signature is quite rare. | 0:14:53 | 0:14:55 | |
This is the Re:Joyce programme from my show. That's me. | 0:14:55 | 0:15:00 | |
And the signature is Barbra Streisand. | 0:15:00 | 0:15:03 | |
-Did she come and see your show? -No. | 0:15:03 | 0:15:06 | |
-All right. Explain. -I don't know. | 0:15:06 | 0:15:10 | |
I remember her signing it for me. I must have given her it to sign which is a bit cheeky, isn't it, really? | 0:15:10 | 0:15:16 | |
But anyway, autographs are funny things. How do they do these days? | 0:15:16 | 0:15:19 | |
It is a growth market rather than a shrinking market, autographs. | 0:15:19 | 0:15:23 | |
Really, it's all to do with the cult of celebrity. | 0:15:23 | 0:15:26 | |
So sometimes the bigger the name, the higher the price, but not necessarily so. | 0:15:26 | 0:15:30 | |
It also depends on how many signatures have been done. | 0:15:30 | 0:15:35 | |
If you take Muhammad Ali, for instance, he's signed an awful lot. | 0:15:35 | 0:15:39 | |
-Or me. -Is that what you do? | 0:15:39 | 0:15:41 | |
-You would get more if I -haven't signed it, actually. | 0:15:41 | 0:15:45 | |
If she'd been in Dr Who, you would really get some money. | 0:15:45 | 0:15:48 | |
Of course, absolutely. Or if you're Maureen Lipman! | 0:15:48 | 0:15:51 | |
Barbra Streisand, in all seriousness, of course, | 0:15:51 | 0:15:53 | |
what a fantastic, massive name as far as modern entertainment is concerned. | 0:15:53 | 0:15:58 | |
I've also got Joyce Grenfell's christening cup. | 0:15:58 | 0:16:01 | |
Now, that's not for sale, presumably. | 0:16:01 | 0:16:04 | |
I don't think so. | 0:16:04 | 0:16:06 | |
It's got Joyce Irene Phipps, and the date, 1910. | 0:16:06 | 0:16:10 | |
It buffs up lovely. | 0:16:10 | 0:16:12 | |
How lovely. I will put that back quickly. Because we are looking for items for sale. | 0:16:12 | 0:16:16 | |
I would suggest that we can put this into the auction sale and we're looking at, | 0:16:16 | 0:16:21 | |
just because of the signature on the top, £50- £80. | 0:16:21 | 0:16:23 | |
So that's really very good news indeed. Excellent. | 0:16:23 | 0:16:25 | |
Let's go and find some more. | 0:16:25 | 0:16:27 | |
Let's do. Carry on rummaging. | 0:16:27 | 0:16:29 | |
That would make a good movie. | 0:16:29 | 0:16:31 | |
Maureen should know, because after all, she was amongst the stars of Carry On Columbus. | 0:16:31 | 0:16:37 | |
Come to think of it, Jonty could take the Sid James' part, and who would I be? I'll be Babs Windsor. | 0:16:37 | 0:16:43 | |
We do have some similarities, you know. The blonde hair for a start. | 0:16:43 | 0:16:47 | |
So, Maureen, it's lovely to relax in your newly-decorated sitting room on these wonderful purple settees. | 0:16:49 | 0:16:55 | |
I have to say, I knew Jack, the wonderful writer that he was, but I didn't know that he sculpted. | 0:16:55 | 0:17:01 | |
Did he sculpt in...? | 0:17:01 | 0:17:03 | |
In clay and then had it cast in bronze. | 0:17:03 | 0:17:06 | |
It took hours. | 0:17:06 | 0:17:08 | |
I would go out to work on something like Oklahoma, come back six hours later | 0:17:08 | 0:17:12 | |
and he would be in exactly the same position as when I left, | 0:17:12 | 0:17:15 | |
sticking individual hairs on Ryan Giggs' chest. | 0:17:15 | 0:17:19 | |
And one day I would like Ryan Giggs to see that picture of him. | 0:17:19 | 0:17:23 | |
Bobby Charlton's got the one of him and if I could get to Eric Cantona, I would probably never come home. | 0:17:23 | 0:17:28 | |
We've already established that you pretty well do everything. | 0:17:30 | 0:17:33 | |
You have been on stage a lot. You've done movies, television. | 0:17:33 | 0:17:35 | |
I've been around a long time, Gloria, haven't I? | 0:17:35 | 0:17:38 | |
Nonsense! I would imagine that you would think of Agony really hit a nerve on television at that time. | 0:17:38 | 0:17:46 | |
Some things are ahead of their time. | 0:17:46 | 0:17:48 | |
I don't think there had been a Jewish mother or a gay best friend. | 0:17:48 | 0:17:53 | |
It was pushing the boundaries. | 0:17:53 | 0:17:56 | |
And I think it appealed to a lot of people who were marginalised at the time. | 0:17:56 | 0:18:01 | |
I must ask you another question, about working with Polanski | 0:18:01 | 0:18:06 | |
on the Pianist. That must be one of the highlights of your career. | 0:18:06 | 0:18:10 | |
I would say so. Probably Agony and Oklahoma because it was such a lovely production | 0:18:10 | 0:18:17 | |
and I got to see Hugh Jackman every day for a year. I'm all right. | 0:18:17 | 0:18:22 | |
Yes. Recovered! | 0:18:22 | 0:18:26 | |
And the Polanski film, yes, when you are in a hit, there's a different feeling. | 0:18:26 | 0:18:31 | |
How do you view the modern media of television and film and everything, the reality emphasis? | 0:18:31 | 0:18:38 | |
I just threw in the towel when I was offered Celebrity Midwife. | 0:18:38 | 0:18:42 | |
GLORIA LAUGHS | 0:18:42 | 0:18:44 | |
That's all you need, isn't it? As if giving birth isn't bad enough! | 0:18:44 | 0:18:48 | |
But having Maureen Lipman and some actor from the Bill at the end of the bed saying, "Push!" | 0:18:48 | 0:18:53 | |
Mind you, it does conjure up quite a picture. | 0:18:55 | 0:18:58 | |
But at least Maureen was happy and able to work with us. | 0:18:58 | 0:19:00 | |
In the lounge, Jonty is inspecting some paintings on the wall, | 0:19:03 | 0:19:06 | |
but Maureen loves these, so they are definitely not going to auction. | 0:19:06 | 0:19:10 | |
I wonder about this ornate fire screen. | 0:19:10 | 0:19:13 | |
But where's Maureen? She's back in the wardrobe looking for any more outfits that might be worth selling. | 0:19:13 | 0:19:18 | |
Now, I don't know if this is of interest, chaps, | 0:19:20 | 0:19:24 | |
but this is that trompe l'oeil jacket | 0:19:24 | 0:19:27 | |
that I used for the book jacket of whatever that one was called. | 0:19:27 | 0:19:32 | |
"You Can Read Me Like A Book". This was painted by a theatrical painter. | 0:19:32 | 0:19:37 | |
Well, he's not that theatrical, actually, but he paints for the theatre, called Chris Clark, | 0:19:37 | 0:19:42 | |
who does Kandinsky, he does Phantom Of the Opera. | 0:19:42 | 0:19:46 | |
And he painted it to look like a library. | 0:19:46 | 0:19:50 | |
And it is actually fantastic. | 0:19:50 | 0:19:53 | |
Trompe L'oeil I first saw on Regency and Georgian furniture. | 0:19:53 | 0:19:57 | |
It goes back to Roman times, so there are rooms in Pompeii which, if you wanted to extend the room, | 0:19:57 | 0:20:04 | |
they would create a window or a door, so it's actually been used for centuries, literally centuries. | 0:20:04 | 0:20:10 | |
But this is a first for me. I've never seen it on a jacket. | 0:20:10 | 0:20:13 | |
I don't know if you agree, Gloria, but I think it would be a wonderful jacket to take up on to the rostrum, | 0:20:13 | 0:20:19 | |
for Maureen to go up and sell it, on the rostrum on the day because it would make all the difference. | 0:20:19 | 0:20:24 | |
It really works, because no auctioneer will ever absorb all the information you have about it. | 0:20:24 | 0:20:28 | |
Tell the story. Get you up there. | 0:20:28 | 0:20:30 | |
-How good are you at auctioning? -I'm not bad. | 0:20:30 | 0:20:32 | |
I've done quite a few in my life. Haven't we all? | 0:20:32 | 0:20:35 | |
She's good at telling a story - I know that. | 0:20:35 | 0:20:38 | |
I've done a few with Jeffrey Archer. He's sold the walls, the ceiling, the floor. | 0:20:38 | 0:20:43 | |
I'm sure we could be getting in the region of £150-£250. | 0:20:43 | 0:20:49 | |
Including a signed book. | 0:20:49 | 0:20:51 | |
You have a spare book to sign, yeah? | 0:20:51 | 0:20:53 | |
Take the flat! Strip it... | 0:20:53 | 0:20:56 | |
I know you like the flat. That's right. Take it. | 0:20:56 | 0:20:58 | |
Take my car, my dog... oh no, not my dog! | 0:20:58 | 0:21:02 | |
So, Maureen, it's at this point now where I do my sums because we've had a wonderful day at your house. | 0:21:02 | 0:21:07 | |
I love all the stories. I love talking to you at any time. | 0:21:07 | 0:21:10 | |
And if everything goes to plan bearing in mind that Jonty leaves | 0:21:10 | 0:21:14 | |
things in a conservative state in terms of value, | 0:21:14 | 0:21:19 | |
you should get at least £1,270. | 0:21:19 | 0:21:22 | |
-Great. I want more! -That would be wonderful. | 0:21:22 | 0:21:26 | |
Typical woman - I want more! | 0:21:26 | 0:21:28 | |
We've had a fabulous day here with Maureen and have some really unique items to take to auction. | 0:21:31 | 0:21:36 | |
There's a Neil Cunningham gown | 0:21:36 | 0:21:38 | |
that she wore for her Doctor Who appearance. | 0:21:38 | 0:21:40 | |
This is highly collectible and we're hoping for £200-£400. | 0:21:40 | 0:21:45 | |
And there's the Joyce Grenfell programme | 0:21:45 | 0:21:47 | |
signed by the one and only Barbra Streisand. | 0:21:47 | 0:21:50 | |
It's an unusual lot, but a £50-£80 price tag | 0:21:50 | 0:21:53 | |
might make it tempting for bidders. | 0:21:53 | 0:21:56 | |
Not forgetting those two paintings of Flatford Mill. | 0:21:56 | 0:21:59 | |
One by John Myatt And the other by Maureen herself. | 0:21:59 | 0:22:03 | |
Between them, they could raise £400-£600. | 0:22:03 | 0:22:07 | |
'Still to come - what's happened to one of Maureen's precious collectibles' | 0:22:09 | 0:22:12 | |
# The knob on my teapot is missing! # | 0:22:12 | 0:22:16 | |
'Painful enough. And she entertains us with a Joyce Grenfell impression.' | 0:22:16 | 0:22:19 | |
AS JOYCE GRENFELL: Just when you think it's finished, | 0:22:19 | 0:22:22 | |
the entire thing goes starting on all over again. | 0:22:22 | 0:22:25 | |
Be prepared to be entertained when the final hammer falls. | 0:22:25 | 0:22:29 | |
Well, it's not very often you come to an auction and get to | 0:22:35 | 0:22:37 | |
play on the dodgems but these are just some of the items on sale here at Bamfords auction in Derbyshire. | 0:22:37 | 0:22:43 | |
'Maureen is certainly not dodging the £1,000 she needs to raise for the Burma Campaign UK. | 0:22:43 | 0:22:49 | |
'As this auction house specialises in fine art and antiques, | 0:22:49 | 0:22:52 | |
'her Victorian dresser and the pearls should do very well. | 0:22:52 | 0:22:56 | |
'But as for all the other items, the clothing, the signed book and paintings, | 0:22:56 | 0:23:01 | |
'there's always a risk that such personal memorabilia may not be to everybody's taste. | 0:23:01 | 0:23:06 | |
'As Jonty and I assess the offerings here, | 0:23:08 | 0:23:10 | |
'the emphasis is going to be on making sure the bidders know which ones are donated by Maureen. | 0:23:10 | 0:23:15 | |
'So let's hope the room is stuffed full of Lipman fans.' | 0:23:15 | 0:23:20 | |
-Maureen, how are you? -Hello. | 0:23:20 | 0:23:22 | |
-Good to see you. -Anything left at home or have you brought all your clothes here? | 0:23:22 | 0:23:26 | |
I saw you having a lingering look at this jacket. | 0:23:26 | 0:23:30 | |
I do actually have a slight pain in my heart today to get rid of this. | 0:23:30 | 0:23:34 | |
I noticed that you haven't brought the silver plated tea set. | 0:23:34 | 0:23:37 | |
What's happened there? | 0:23:37 | 0:23:39 | |
I decided not to put the silver-plated tea set in, | 0:23:39 | 0:23:42 | |
because it was my mother-in-law's, | 0:23:42 | 0:23:44 | |
and because the knob was intact on the teapot, | 0:23:44 | 0:23:47 | |
whereas the knob on my own teapot is missing. | 0:23:47 | 0:23:50 | |
Sounds like a musical song, doesn't it? | 0:23:50 | 0:23:52 | |
# The knob on my teapot is missing! # | 0:23:52 | 0:23:54 | |
You've brought a map instead? | 0:23:54 | 0:23:56 | |
I replaced it with a map that was donated to me by Richard Price, | 0:23:56 | 0:24:00 | |
a friend of mine, because it was to do with Burma, an antique map of Burma. | 0:24:00 | 0:24:05 | |
The value's remained the same as £40 - £60. | 0:24:05 | 0:24:07 | |
So what you put into the sale is still exactly the same. | 0:24:07 | 0:24:10 | |
Good. The auction is about to start. | 0:24:10 | 0:24:13 | |
Maybe should get in our position where we have a good view of the auction. | 0:24:13 | 0:24:16 | |
And I hope you do well today. | 0:24:16 | 0:24:19 | |
Maureen also decided not to bring along her abstract painting of Burma | 0:24:19 | 0:24:23 | |
because it just proved too sentimental to part with. | 0:24:23 | 0:24:26 | |
That does mean we are down in our rummage estimates by around £40. | 0:24:26 | 0:24:31 | |
Now, Maureen, why am I not surprised that you are different at this auction, | 0:24:32 | 0:24:35 | |
because you brought your own gavel? | 0:24:35 | 0:24:37 | |
Yes, I've got my own gavel. Everyone girl should have their own gavel. | 0:24:37 | 0:24:40 | |
-Where did you get this one? -This was a present to me. | 0:24:40 | 0:24:44 | |
I had a song called The Auctioneer in my one-woman show. | 0:24:44 | 0:24:46 | |
It says on it, To Miss Maureen Lipman, Honorary Auctioneer. | 0:24:46 | 0:24:50 | |
Well, we're going to get you up on the podium during the programme, so it's great. | 0:24:50 | 0:24:54 | |
I can't wait. | 0:24:54 | 0:24:56 | |
Seldom a day goes by without some sort of performance, | 0:24:56 | 0:24:59 | |
so why not going, going, almost gone? | 0:24:59 | 0:25:03 | |
A bit like my good self, really. | 0:25:03 | 0:25:05 | |
I don't think so, somehow or other, | 0:25:05 | 0:25:07 | |
but Maureen's first item to come up is the Victorian dressing table. | 0:25:07 | 0:25:10 | |
Priced at £40 - £60. | 0:25:10 | 0:25:12 | |
Nice, elegant dressing table, this one. | 0:25:12 | 0:25:14 | |
I have a single bid and I will start at the lower end of the estimate, | 0:25:14 | 0:25:17 | |
at £40, and two do I see? | 0:25:17 | 0:25:18 | |
42, 45 bid. | 0:25:18 | 0:25:20 | |
At 45 with me, 48, do you want? | 0:25:20 | 0:25:23 | |
At 45, 48 anyway? | 0:25:23 | 0:25:24 | |
At 45, all sure? 48, and 50. | 0:25:24 | 0:25:28 | |
At £50 with me and five, anyone? It's against you, are you sure? | 0:25:28 | 0:25:32 | |
£50, any advance? £50. | 0:25:32 | 0:25:36 | |
£50 - So smack in the middle of your estimate, Jonty. | 0:25:36 | 0:25:40 | |
Yes. I was hoping for a little bit more but it is damaged, | 0:25:40 | 0:25:43 | |
and yes, I put £40-£60 and yes, we are right in the middle, then. | 0:25:43 | 0:25:47 | |
Maureen, in the middle, are you disappointed? | 0:25:47 | 0:25:50 | |
Not at all(!) | 0:25:50 | 0:25:51 | |
Sarcasm always wins. | 0:25:53 | 0:25:55 | |
Now she has no excuse for not sorting out her spare room. | 0:25:55 | 0:25:58 | |
And who knows? If Jonty plays his cards right, | 0:25:58 | 0:26:00 | |
he might be the first guest to stay there. | 0:26:00 | 0:26:02 | |
The next item is the one she swapped for the tea set. | 0:26:04 | 0:26:07 | |
The Burma map, priced at £40-£60. | 0:26:07 | 0:26:11 | |
Maureen, where was this map from? | 0:26:11 | 0:26:13 | |
It was given to me by Richard Price. | 0:26:13 | 0:26:15 | |
He collects antique maps and he said he knew the cause was Burma, | 0:26:15 | 0:26:19 | |
he said "I will look out a map for you that's got Burma on it". | 0:26:19 | 0:26:22 | |
Of course the borders and everything changed considerably, but it's lovely, very nice. | 0:26:22 | 0:26:27 | |
We will start the bidding on an absentee bid of £28, and 30, do I see? | 0:26:27 | 0:26:31 | |
28 and 30, now. 28 and 30. | 0:26:31 | 0:26:34 | |
Five, 40, £35 with me and 40 now. | 0:26:34 | 0:26:37 | |
35, absentee bid. | 0:26:37 | 0:26:39 | |
At £35, do I see 40? | 0:26:39 | 0:26:40 | |
At 35 and selling. £35. | 0:26:40 | 0:26:45 | |
What do you think? | 0:26:45 | 0:26:48 | |
What do I think? | 0:26:48 | 0:26:49 | |
-Yes? -Rubbish! | 0:26:49 | 0:26:52 | |
Oh, it's just a laugh a minute. | 0:26:52 | 0:26:54 | |
She was obviously hoping for more as we all were. | 0:26:54 | 0:26:57 | |
Still, it's only £5 below Jonty's estimate. | 0:26:57 | 0:27:00 | |
Her next item is the programme of the show she starred in about the great Joyce Grenfell. | 0:27:00 | 0:27:05 | |
It was called Re:Joyce. And it's been signed by Barbra Streisand. | 0:27:05 | 0:27:09 | |
It's a unique lot with an estimate of £50-£80. | 0:27:09 | 0:27:12 | |
Joyce has figured very much in your career, hasn't she? | 0:27:14 | 0:27:17 | |
She has done, on and off for 20 years. | 0:27:17 | 0:27:20 | |
Yes, yes. And in fact I'm looking to do another show about Joyce quite soon, yeah. | 0:27:20 | 0:27:25 | |
What are some of your favourite sayings of Joyce? | 0:27:25 | 0:27:27 | |
AS JOYCE GRENFELL: Well, that's the thing about Beethoven, isn't it? | 0:27:27 | 0:27:31 | |
You know, just when you think it's finished, the entire thing goes starting on all over again! | 0:27:31 | 0:27:37 | |
320 is the theatre programme, | 0:27:37 | 0:27:39 | |
signed by the wonderful Barbra Streisand. | 0:27:39 | 0:27:44 | |
And she doesn't sign a lot, so it's a rare thing and I've got two bids here and I can start at £55. | 0:27:44 | 0:27:50 | |
-That's good. -60 do I see? At 55 and 60, 65, 70? | 0:27:50 | 0:27:53 | |
Against you at 65, 70 do I see? | 0:27:53 | 0:27:56 | |
At 65, 70 here, 75 and 80. | 0:27:56 | 0:27:59 | |
80 in the room and 85 now? | 0:27:59 | 0:28:01 | |
At £80 in the room. Selling at 80, | 0:28:01 | 0:28:06 | |
-it's yours at £80. -That's a good result. | 0:28:06 | 0:28:09 | |
Give us a smile there, Maureen. | 0:28:09 | 0:28:11 | |
You're happy about that one, aren't you? | 0:28:11 | 0:28:13 | |
# Don't tell me what to do! # | 0:28:13 | 0:28:15 | |
I wouldn't dream of it! But I think she must be pleased. | 0:28:15 | 0:28:18 | |
After all, it was at the top of the estimate. | 0:28:18 | 0:28:21 | |
The next lot also relates to her work on stage. | 0:28:21 | 0:28:23 | |
It's the two Ben Frau costume dresses, | 0:28:23 | 0:28:27 | |
and the valuation is £100-£200. | 0:28:27 | 0:28:31 | |
Well, Maureen, since I've been in the auction room today since quite early on, | 0:28:32 | 0:28:36 | |
I've noticed a lot of people looking very lovingly at your gorgeous purple dress. | 0:28:36 | 0:28:41 | |
It will stand up on its own. It's beautiful. | 0:28:41 | 0:28:43 | |
I will no longer ever grace it. | 0:28:43 | 0:28:45 | |
It has a tiny, tiny waist. | 0:28:45 | 0:28:47 | |
It's probably a 12 but it's made for somebody of ample proportions | 0:28:47 | 0:28:51 | |
and with a small waist and I feel I'm the other way around these days. | 0:28:51 | 0:28:55 | |
The quality of this dress is quite superb. | 0:28:55 | 0:28:57 | |
Whether the people on the floor completely understand that, we're about to find out. | 0:28:57 | 0:29:01 | |
Do I see a bid of £100 to start it, please? 100. | 0:29:01 | 0:29:04 | |
It's a great lot at £100, do I see? | 0:29:04 | 0:29:08 | |
80, then. £80, who wants it? | 0:29:08 | 0:29:10 | |
80, I'll start it. | 0:29:10 | 0:29:12 | |
At £80, and 90, do I see? | 0:29:12 | 0:29:14 | |
Are we all done at £80? | 0:29:14 | 0:29:16 | |
That's not sold. | 0:29:16 | 0:29:18 | |
We'll put that into the costume sale at the end of the year. | 0:29:18 | 0:29:21 | |
Ah! | 0:29:21 | 0:29:22 | |
I think that's a good decision, Jonty, isn't it? | 0:29:22 | 0:29:25 | |
Absolutely. James is very correct. You don't want to give things away. | 0:29:25 | 0:29:29 | |
The quality in that dress is quite superb, | 0:29:29 | 0:29:31 | |
and you just don't want to see these things going for next to nothing. | 0:29:31 | 0:29:35 | |
So they're still yours, Maureen, we haven't lost anything, | 0:29:35 | 0:29:38 | |
but we've also got nothing else to put into the pot at the moment so we've got to keep on selling. | 0:29:38 | 0:29:42 | |
What a shame those beautiful dresses didn't reach the estimate. | 0:29:42 | 0:29:46 | |
Hopefully her next lot will. | 0:29:46 | 0:29:48 | |
It's a pearl necklace, and it's up for £100-£150. | 0:29:48 | 0:29:52 | |
Well, pearls for a girl always go down very well | 0:29:52 | 0:29:54 | |
so I'm just wondering why you're getting rid of these rather good ones. | 0:29:54 | 0:29:58 | |
They are good ones and they are donated by the Burma UK Charity themselves. | 0:29:58 | 0:30:04 | |
And they're real, aren't they? | 0:30:04 | 0:30:06 | |
Yes, yes, absolutely. | 0:30:06 | 0:30:08 | |
Most of us have improper pearls! | 0:30:08 | 0:30:10 | |
How do you test a real pearl? | 0:30:10 | 0:30:11 | |
-Put it on your teeth. -And if it's a bit gritty, it's real. | 0:30:11 | 0:30:15 | |
-Yes, that's right. -A good long string of freshwater pearls, and I have three bids on them. | 0:30:15 | 0:30:20 | |
85, 90, and one higher. | 0:30:20 | 0:30:23 | |
£100 starts them, and ten, do I see? | 0:30:23 | 0:30:24 | |
At £100 and 10 anyway? | 0:30:24 | 0:30:26 | |
110 in the cap, 120, 130 nodding. | 0:30:26 | 0:30:29 | |
In the far corner at 130. | 0:30:29 | 0:30:32 | |
140, new place. 150. 150. 160. | 0:30:32 | 0:30:37 | |
At £150, in the cap. | 0:30:37 | 0:30:38 | |
At 150, 160 now. | 0:30:38 | 0:30:40 | |
At 150, right in the corner, at 150, are you sure? | 0:30:40 | 0:30:45 | |
At £150. | 0:30:45 | 0:30:47 | |
-Hey, result! -Happy? | 0:30:49 | 0:30:51 | |
-Yes. -I want to see a big smile from you. -Not yet! | 0:30:51 | 0:30:55 | |
She does play hard to get, doesn't she? That's a great result. | 0:30:55 | 0:30:58 | |
The second one today to reach its upper estimate. | 0:30:58 | 0:31:01 | |
So, how is Maureen doing so far? | 0:31:01 | 0:31:03 | |
At the halfway point, with a lot of really good item still to come, | 0:31:03 | 0:31:09 | |
you have £315. | 0:31:09 | 0:31:11 | |
So you're well on your way to your 1,000. | 0:31:11 | 0:31:13 | |
Yeah, but I'm not smiling. | 0:31:13 | 0:31:14 | |
I don't know what we're going to have to do to get her to smile! | 0:31:14 | 0:31:18 | |
Let's go and have a look round. | 0:31:18 | 0:31:20 | |
'Uh-oh! The failure of those dresses to sell and the low price for the map | 0:31:20 | 0:31:24 | |
'have clearly been disappointing for Maureen. | 0:31:24 | 0:31:26 | |
'But you never know, perhaps a short break, a cup of tea, | 0:31:26 | 0:31:29 | |
'and a look around the sale will cheer her up a bit. | 0:31:29 | 0:31:32 | |
'Not that she's here to buy anything, of course.' | 0:31:32 | 0:31:35 | |
Everything's too big for me to take home, so I've settled on this Hudson's Soap. | 0:31:35 | 0:31:41 | |
I don't know anybody called Hudson. | 0:31:41 | 0:31:43 | |
But it says on it, "drink, puppy, drink". And similar on the other side. | 0:31:43 | 0:31:47 | |
And I'll put that on my courtyard at home, | 0:31:47 | 0:31:50 | |
and fill it with water on a daily basis for my rabbit. | 0:31:50 | 0:31:54 | |
And of course I would pick something that weighed a ton and that's repro. | 0:31:54 | 0:32:00 | |
A woman of taste. | 0:32:00 | 0:32:01 | |
'So, that unusual water bowl didn't have an estimate, | 0:32:01 | 0:32:05 | |
'but it did attract interest from someone other than Maureen, because it sold for £45. | 0:32:05 | 0:32:11 | |
'If Maureen's progress has inspired you to try your hand at the auction game, | 0:32:11 | 0:32:14 | |
'remember that charges such as commission will be added to your bill. | 0:32:14 | 0:32:19 | |
'So it's always worth checking these fees in advance with the sale room. | 0:32:19 | 0:32:22 | |
'We start the second half of the sale with two paintings of the same scene. | 0:32:22 | 0:32:27 | |
'They have the highest estimate today | 0:32:27 | 0:32:29 | |
'of £400-£600.' | 0:32:29 | 0:32:31 | |
Now this is a rather interesting pairing of paintings, | 0:32:36 | 0:32:40 | |
because as you were saying in your flat, John Myatt is the artist, | 0:32:40 | 0:32:43 | |
and you were copying what he was doing so it was an interesting day out for you, really. | 0:32:43 | 0:32:48 | |
It was a gorgeous day in Constable Land, painting my version | 0:32:48 | 0:32:52 | |
of the Hay Wain with John Myatt, who did it the Constable way, | 0:32:52 | 0:32:57 | |
and I did it the chocolate box way. | 0:32:57 | 0:33:00 | |
We're now going to test Maureen's artistic skills on the open market. | 0:33:00 | 0:33:04 | |
-So we shall see. -He actually said to me at home, he said to me, | 0:33:04 | 0:33:08 | |
"Don't give up the day job." | 0:33:08 | 0:33:10 | |
Do I see £400 for them, please? 400? | 0:33:12 | 0:33:14 | |
300 I have to start with. | 0:33:14 | 0:33:17 | |
At £300, and 20, do I see? | 0:33:17 | 0:33:18 | |
At £300 with me, and 20, is it? | 0:33:18 | 0:33:20 | |
At 300, 320 now. No? | 0:33:20 | 0:33:24 | |
Sorry, ladies and gentlemen, those are not sold. | 0:33:24 | 0:33:26 | |
Not sold. How disappointing. But actually, you know what? | 0:33:26 | 0:33:29 | |
I think it's really good that you don't just give stuff away. | 0:33:29 | 0:33:32 | |
Because you would have hated it if they'd gone for 100 quid, wouldn't you? | 0:33:32 | 0:33:36 | |
I've got to take them home now, haven't I? | 0:33:36 | 0:33:39 | |
Misery, misery. | 0:33:40 | 0:33:41 | |
Maureen may have been happy to see the back of them for any price. | 0:33:41 | 0:33:45 | |
The last three lots are all clothes. | 0:33:45 | 0:33:47 | |
The first one to come before the bidders are Maureen's three designer outfits, | 0:33:47 | 0:33:52 | |
which have an estimate of £150-£250. | 0:33:52 | 0:33:55 | |
Been to wardrobe? | 0:33:59 | 0:34:00 | |
Jonty, we are bringing you some absolutely fabulous outfits. | 0:34:00 | 0:34:04 | |
But this one's very special, Maureen, isn't it? | 0:34:04 | 0:34:07 | |
-It's been to the Palace, hasn't it? -It's been to the Palace. Yes. | 0:34:07 | 0:34:11 | |
It's been in front of the Queen. | 0:34:11 | 0:34:13 | |
What's your memory of that day? | 0:34:13 | 0:34:14 | |
I remember meeting the Queen and her saying, "I believe you're coming to the Palace soon." | 0:34:14 | 0:34:20 | |
"If I can find something to wear, ma'am", I said. | 0:34:20 | 0:34:24 | |
Struggling not to call her Pam because someone had told me, "Call her ma'am to rhyme with Pam"! | 0:34:24 | 0:34:30 | |
And about a year or six months later she said, "I see you've found something to wear." | 0:34:30 | 0:34:37 | |
-And this was it. -Now, we've got the 1960s fur lined embroidered | 0:34:37 | 0:34:42 | |
coat, the beaded, sequinned jacket and the jacket there as well, the grey jacket. Lovely quality. | 0:34:42 | 0:34:48 | |
And being shown very well. | 0:34:48 | 0:34:51 | |
Where shall we start this? Do I see £100 to start it? | 0:34:51 | 0:34:54 | |
100, 100 front row. 110 on the phone. | 0:34:54 | 0:34:57 | |
110 on the phone 120, 130, | 0:34:57 | 0:35:02 | |
140, 150. 160, 170. | 0:35:02 | 0:35:09 | |
Go on, one more. | 0:35:09 | 0:35:11 | |
Yes, I know, we want one more, don't we? | 0:35:11 | 0:35:14 | |
-Persuasion - how good are you at persuasion? -Can I have a go? -170? | 0:35:14 | 0:35:18 | |
Well done, 180. | 0:35:18 | 0:35:20 | |
For a good cause. 180, 190. | 0:35:20 | 0:35:24 | |
You are going to get it at 190, I think. 190. | 0:35:24 | 0:35:26 | |
This one alone, today, in that she's still a current designer, would cost you at least £400-£500. | 0:35:26 | 0:35:33 | |
-At least. Beautiful. -One more? | 0:35:33 | 0:35:35 | |
It's at 190. | 0:35:35 | 0:35:37 | |
That's half price of one jacket. | 0:35:37 | 0:35:39 | |
Two? Definitely? | 0:35:39 | 0:35:44 | |
I'm getting evils from the front row. | 0:35:46 | 0:35:49 | |
At £190. Well done. 200, 210 for you. | 0:35:50 | 0:35:54 | |
210, 220, 230, 240, 250, 260, one more, go on, for luck, 255. | 0:35:54 | 0:36:01 | |
You don't often get an auctioneer who begs. 255, 260, 265. Well bid. | 0:36:01 | 0:36:07 | |
270, do I see? All done! | 0:36:07 | 0:36:10 | |
Well done! | 0:36:10 | 0:36:11 | |
Woo-woo-woo! Fantastic! Very well modelled. | 0:36:13 | 0:36:16 | |
'What fun! Maureen really seemed to enjoy herself there, | 0:36:16 | 0:36:19 | |
'and I'm sure the bidders had a jolly good laugh as well. | 0:36:19 | 0:36:22 | |
'It's not often you're treated to your very own private performance by the great Maureen Lipman.' | 0:36:22 | 0:36:27 | |
Now, Maureen, another outfit coming up and this one's very, very special. | 0:36:27 | 0:36:31 | |
And if I remember it correctly, this was your own outfit that you wore in Doctor Who. | 0:36:31 | 0:36:35 | |
My whole part took place inside a television screen | 0:36:35 | 0:36:39 | |
when I was an alien sucking people's faces off. | 0:36:39 | 0:36:44 | |
-Just a normal everyday... -Was it enjoyable? | 0:36:44 | 0:36:46 | |
Of course, it's gone mega. | 0:36:46 | 0:36:48 | |
This should do well, Jonty, shouldn't it? | 0:36:48 | 0:36:50 | |
I'm very excited about this, simply because of the association. | 0:36:50 | 0:36:53 | |
Nothing to do with anything else, but simply because of the association with the show. | 0:36:53 | 0:36:57 | |
It has an estimate of £200-£400. | 0:36:57 | 0:37:00 | |
And with Doctor Who being such an enormous hit these days, | 0:37:00 | 0:37:04 | |
it could receive global interest. | 0:37:04 | 0:37:06 | |
I can start it here at £170, 170, 180 in the room, 190, 200, | 0:37:07 | 0:37:14 | |
220, 240, 260, 280. | 0:37:14 | 0:37:16 | |
280, 300, 320, 340, 360, 380, 400. | 0:37:16 | 0:37:20 | |
At 400 in the room, it's with you, sir. At £400, and 20, do I see? | 0:37:20 | 0:37:25 | |
At 420. | 0:37:25 | 0:37:27 | |
At 420, more coming in on the phone. | 0:37:27 | 0:37:30 | |
At 400, with you. And 10, do I see? | 0:37:30 | 0:37:33 | |
Any more? Great piece of television history at £400, any advance? | 0:37:33 | 0:37:37 | |
And selling at 400. | 0:37:37 | 0:37:41 | |
Yes! Yes, Maureen. How about that? | 0:37:41 | 0:37:46 | |
-That's good. -What do you mean "good"? It's brilliant! | 0:37:46 | 0:37:49 | |
Come on, enthusiasm! | 0:37:49 | 0:37:51 | |
Acting! | 0:37:51 | 0:37:53 | |
So, was the winning bidder a Doctor Who fan? | 0:37:53 | 0:37:58 | |
Well, sadly he was a bit camera-shy, | 0:37:58 | 0:38:00 | |
so we'll never know what he plans to do with it. The mind boggles. | 0:38:00 | 0:38:03 | |
And so we come to the final lot, the Trompe L'oeil jacket | 0:38:03 | 0:38:08 | |
up for £150-£250. | 0:38:08 | 0:38:09 | |
This is a treasure that Maureen will try to sell herself. | 0:38:09 | 0:38:12 | |
Maureen, I know you've got the gavel at the ready and I've got the jacket at the ready. | 0:38:16 | 0:38:20 | |
This is the one. You've got to strip off now. | 0:38:20 | 0:38:22 | |
And get into this jacket and go up on the podium. | 0:38:22 | 0:38:24 | |
To actually do the auctioneering myself, yes? | 0:38:24 | 0:38:27 | |
Here we are. Let's welcome Maureen to the stand. | 0:38:27 | 0:38:30 | |
Everybody, Maureen Lipman. Give a round of applause. | 0:38:30 | 0:38:33 | |
APPLAUSE | 0:38:33 | 0:38:35 | |
Thank you. | 0:38:35 | 0:38:37 | |
-Well done. -Hello, ladies and gentlemen, I'm going to start the bidding with my very own gavel. | 0:38:37 | 0:38:43 | |
I'm going to start the bidding at £30. | 0:38:43 | 0:38:45 | |
Can I see anyone with £30? | 0:38:45 | 0:38:47 | |
30, on the phone, OK, 50 anyone? | 0:38:47 | 0:38:51 | |
£50. Thank you very much, madam. | 0:38:51 | 0:38:52 | |
Remember, it such a good cause. | 0:38:52 | 0:38:54 | |
£50 at the moment, any advance on 50? | 0:38:54 | 0:38:58 | |
60? £60, thank you. This is going well. £70. | 0:38:58 | 0:39:01 | |
£80? I've got 80, it's standing at 90 at the moment. | 0:39:01 | 0:39:05 | |
Thank you, madam. Very exciting. | 0:39:05 | 0:39:08 | |
£90, any advance on 90? Can we have a nice round 100? | 0:39:08 | 0:39:11 | |
Nice round 100? £100! | 0:39:11 | 0:39:15 | |
Yes! Great, thank you. Any advance? | 0:39:15 | 0:39:17 | |
No? Too much? Can I help? | 0:39:17 | 0:39:19 | |
Can I give you some money? | 0:39:19 | 0:39:22 | |
It's going at 100. 110. | 0:39:22 | 0:39:25 | |
Anybody? 110, madam. Bravo. | 0:39:25 | 0:39:28 | |
120. Thank you. | 0:39:28 | 0:39:29 | |
We are stopping at that. | 0:39:29 | 0:39:31 | |
120? It's going at 120. | 0:39:31 | 0:39:33 | |
130, sir, thank you very much. | 0:39:33 | 0:39:37 | |
It's going at 130. 140. | 0:39:37 | 0:39:39 | |
It's standing at 140 at the moment, at 140, it's going. It's going. | 0:39:39 | 0:39:44 | |
You've got it on the phone, sir. | 0:39:44 | 0:39:46 | |
How apt that it should be a phone, and me. Thank you very much. | 0:39:46 | 0:39:51 | |
-Thank you. -She did well, didn't she? | 0:39:51 | 0:39:53 | |
She's quite cool, calm and collected up there. | 0:39:53 | 0:39:56 | |
Even the dog approves. | 0:39:56 | 0:39:59 | |
'She really did do well, | 0:39:59 | 0:40:00 | |
'managing to get just £10 under Jonty's lower estimate.' | 0:40:00 | 0:40:05 | |
Well, I don't know, Maureen. You've been in and out of your clothes so many times today, it's marvellous. | 0:40:05 | 0:40:10 | |
-How did you feel up there? -Oh, I liked doing the auction. | 0:40:10 | 0:40:12 | |
Of course, you can't really, you can't see anybody bidding. | 0:40:12 | 0:40:15 | |
Particularly if you're as myopic as I am. | 0:40:15 | 0:40:18 | |
'Well, I think Maureen is still on a high from all of that | 0:40:18 | 0:40:20 | |
'and hopefully she will stay up there when I break the news | 0:40:20 | 0:40:24 | |
'about the total that she's made today.' | 0:40:24 | 0:40:26 | |
Well, I think the excitement has been fantastic. | 0:40:26 | 0:40:29 | |
The highlight was when you stripped off and went up on the podium. | 0:40:29 | 0:40:32 | |
We have a supermodel on our hands. | 0:40:32 | 0:40:34 | |
And Maureen, the thing is, when we started off in your apartment, | 0:40:34 | 0:40:37 | |
you had the aspiration of £1,000 for your Burma UK charity. | 0:40:37 | 0:40:40 | |
Well I'm very pleased to tell you, Maureen, start smiling, | 0:40:40 | 0:40:43 | |
you've got your £1,000, in actual fact, you have £1,120. | 0:40:43 | 0:40:50 | |
-Have I? -Yeah! -£1,120. | 0:40:50 | 0:40:53 | |
That is definitely better than a slap in the eye with a wet herring. | 0:40:53 | 0:40:57 | |
That's another way of putting it! | 0:40:57 | 0:40:58 | |
The Burma Campaign UK is to be the recipient of Maureen's fine auction total. | 0:41:03 | 0:41:09 | |
Whatever you hear about the Middle East and Zimbabwe and Darfur and the Congo | 0:41:09 | 0:41:14 | |
and all the things you give money to, and you do, this is the unknown one. | 0:41:14 | 0:41:18 | |
Zoya Phan is an international co-ordinator of the charity | 0:41:18 | 0:41:22 | |
and hasn't returned to Burma since she was a child. | 0:41:22 | 0:41:27 | |
I was forced to flee from my homeland and the | 0:41:27 | 0:41:29 | |
first time I was forced to flee was when I was 14 years old. | 0:41:29 | 0:41:33 | |
And we had to hide in the jungle. | 0:41:33 | 0:41:36 | |
After finding her way to a refugee camp in Thailand with her family, | 0:41:36 | 0:41:40 | |
she eventually came to the UK to study. | 0:41:40 | 0:41:43 | |
It is very important to have people like Maureen Lipman to support our campaign. | 0:41:45 | 0:41:50 | |
It means so much to see that people do care and I really hope that, | 0:41:50 | 0:41:56 | |
with the help of these people, one day, I can go home and live in my homeland. | 0:41:56 | 0:42:01 | |
What a lot of fun we've had with Maureen Lipman, | 0:42:05 | 0:42:08 | |
and what a good sport she was getting upon the podium, | 0:42:08 | 0:42:10 | |
so a tremendous result all round for Maureen. | 0:42:10 | 0:42:13 | |
If you'd like to raise money for something really special, | 0:42:13 | 0:42:16 | |
and you'd like to join us here on Cash In The Attic, it's actually very easy. | 0:42:16 | 0:42:20 | |
All you have to do is go to our website... | 0:42:20 | 0:42:22 | |
..and fill in the form, and who knows? | 0:42:22 | 0:42:24 | |
Maybe you will be here in one of these auction rooms with us all, | 0:42:24 | 0:42:28 | |
one day very soon. In the meantime, thanks for your company. Bye-bye. | 0:42:28 | 0:42:31 | |
Subtitles by Red Bee Media Ltd | 0:42:52 | 0:42:54 | |
E-mail [email protected] | 0:42:54 | 0:42:57 |