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Welcome to Cash In The Celebrity Attic | 0:00:02 | 0:00:04 | |
where we find treasures in the homes of the well-known | 0:00:04 | 0:00:08 | |
and help them sell them at auction for a good cause of their choice. | 0:00:08 | 0:00:12 | |
Today, I hope we're in for a bit of fun because we're meeting a comedian and all-round entertainer. | 0:00:12 | 0:00:18 | |
He's one of Britain's top touring comics | 0:00:18 | 0:00:21 | |
and he's even made the Queen laugh at his Royal Variety performances. | 0:00:21 | 0:00:25 | |
You may know him as a game show host or you've seen him in pantomime. | 0:00:25 | 0:00:29 | |
But you'll almost certainly remember him as the King of the Jungle with the rather squeaky voice. | 0:00:29 | 0:00:35 | |
Have you worked out who it is yet? | 0:00:35 | 0:00:37 | |
Today, I'm in Kent and I'm on my way to meet the very funny and talented Joe Pasquale. | 0:00:57 | 0:01:03 | |
'He's been performing on the stage and screen since the late 1980s. | 0:01:04 | 0:01:08 | |
'When Joe's not pulling faces in a variety show or appearing in West End productions, | 0:01:08 | 0:01:13 | |
'this funny man is hobnobbing with the rich and famous. And Joe's not only a king of comedy. | 0:01:13 | 0:01:20 | |
'He was crowned King of the Jungle on the hit reality series I'm A Celebrity, Get Me Out Of Here. | 0:01:20 | 0:01:26 | |
'He's hosted The Price Is Right, | 0:01:26 | 0:01:28 | |
'so when it comes to knowing about retail value, I think we've found our man. | 0:01:28 | 0:01:33 | |
'With a career as diverse as one of his variety shows, | 0:01:33 | 0:01:37 | |
'I'm sure we'll find interesting items today and have a good laugh. | 0:01:37 | 0:01:41 | |
'Coming up on Cash In The Celebrity Attic, Joe's comedic charm has me tongue-tied over Elton John.' | 0:01:41 | 0:01:48 | |
-"All my love...Allan"? -No, that says "Elton". | 0:01:48 | 0:01:51 | |
-Elton! -Yes. Do you wear glasses normally? -I should, shouldn't I? | 0:01:51 | 0:01:55 | |
'And forget a personal trainer. Joe has a better solution for keeping his figure fit.' | 0:01:55 | 0:02:01 | |
This is my muscle suit. In case I was ever lazy and didn't want to go down the gym, I just put this on. | 0:02:01 | 0:02:07 | |
'At auction, he plays the role of salesman.' | 0:02:07 | 0:02:10 | |
-Take it. Take it while it's hot... -305. -Yeah, well done. -Well done. | 0:02:10 | 0:02:14 | |
'But will his sales technique win them over? Find out what happens when the hammer falls.' | 0:02:14 | 0:02:20 | |
'We've come to the peace and quiet of the Kent countryside for our rummage today. | 0:02:27 | 0:02:32 | |
'And I'm joined by our expert Jonty Hearnden who will spot the most valuable items for auction.' | 0:02:32 | 0:02:39 | |
-Hello! -Jennie, how are you, darling? -Good morning. | 0:02:39 | 0:02:42 | |
-Jonty, how are you, sir? -Good to see you. -This is my sister Julie. -Hi. | 0:02:42 | 0:02:47 | |
OK, how much money are we going to raise? | 0:02:47 | 0:02:50 | |
We want to raise £500. The stuff I'm putting in for the auction is a bit obscure. | 0:02:50 | 0:02:55 | |
I don't think you'll have a good idea on how to value a lot of this stuff cos I collect pants. | 0:02:55 | 0:03:01 | |
-I don't mean underwear. I mean strange stuff. -Pants. -It should be called Pants In The Attic this week. | 0:03:01 | 0:03:07 | |
-I have sold a pair of Queen Victoria's underpants. -I've got my dad's stuff, but you don't want them. | 0:03:07 | 0:03:13 | |
-You've got a challenge, young man. -I'll go off and see what I can find. -Get going. | 0:03:13 | 0:03:18 | |
-You have set our man a challenge... -Jonty, don't nick nothing! Sorry. | 0:03:18 | 0:03:23 | |
He's very well behaved. So this is your house? | 0:03:23 | 0:03:26 | |
This is a house I bought a few years ago as an investment. My tour manager lives here now. | 0:03:26 | 0:03:32 | |
I don't live far away, so we use this as a bit of a depot for all the props of the act. | 0:03:32 | 0:03:37 | |
Some of the stuff I'm putting into the auction today, so I use this as a bit of a warehouse. | 0:03:37 | 0:03:43 | |
-My tour manager is like the caretaker. -Julie, you might find some quite nostalgic bits and pieces. | 0:03:43 | 0:03:49 | |
I think we're going to find more pants, rather than nostalgia, but yeah. | 0:03:49 | 0:03:54 | |
We want to raise £500. What charity is it for? | 0:03:54 | 0:03:57 | |
It's for the CPC, which is the Cerebral Palsy Centre here in Kent near Rochester. | 0:03:57 | 0:04:02 | |
It's a great little charity. It's a lovely centre not far from here | 0:04:02 | 0:04:07 | |
and it facilitates anybody in the area who suffers from cerebral palsy. | 0:04:07 | 0:04:11 | |
-OK, shall we look around the house? -I think we should, yeah. | 0:04:11 | 0:04:15 | |
-Jonty's through there. -Let's see if he's found anything. | 0:04:15 | 0:04:18 | |
'If this house stores as many props as Joe says it does, I can't wait to see what we're going to find.' | 0:04:18 | 0:04:25 | |
-Here he is! -He's found something. -What have you found? | 0:04:27 | 0:04:30 | |
-Have a look at this. -He's found my good thing. -Whoo! -Tell me more about this signed... -Yes. | 0:04:30 | 0:04:36 | |
"Dear Bill, good luck with Sticky Fingers and have a successful evening. All my love...Allan"? | 0:04:36 | 0:04:42 | |
-No, that says "Elton", love. -Elton? -Yes. Do you wear glasses normally? | 0:04:42 | 0:04:47 | |
-I should, shouldn't I? -That could have been his real name. | 0:04:47 | 0:04:51 | |
He probably changed his name to Elton after everybody called him Allan! | 0:04:51 | 0:04:55 | |
-When Bill Wyman opened Sticky Fingers... Remember he had that restaurant? -Yeah, I do. | 0:04:55 | 0:05:00 | |
He invited me to the opening. I met him a couple of times. He was just a lovely bloke. | 0:05:00 | 0:05:06 | |
There were loads of people there. I met Spike Milligan. I've been a fan of Spike's since I was a kid. | 0:05:06 | 0:05:12 | |
And loads of his rock'n'roll mates had sent a load of gear to him to auction off. | 0:05:12 | 0:05:17 | |
I think it was a cancer research charity he was doing it for. | 0:05:17 | 0:05:21 | |
I'm a big fan of Allan, but he's more commonly known as Elton. | 0:05:21 | 0:05:25 | |
-Stop it! -So I bought this. I was just a huge fan of Elton John's. | 0:05:25 | 0:05:29 | |
-You've got two legends there. -Yeah, it just says, "To Bill, good luck with Sticky Fingers." | 0:05:29 | 0:05:35 | |
I've had it on the wall for ages, | 0:05:35 | 0:05:38 | |
then my tour manager said, "I like Elton," so I let him have it up here. | 0:05:38 | 0:05:42 | |
It's a great thing to put into the auction sale. Elton John is such a big name. | 0:05:42 | 0:05:47 | |
Selling rock and pop memorabilia is a great thing to invest in, | 0:05:47 | 0:05:52 | |
simply because there are many areas in the market that are going up, rather than going down. | 0:05:52 | 0:05:58 | |
The estimate at a general sale | 0:05:58 | 0:06:00 | |
would be between £100 and £200, but if you've got big collectors there, | 0:06:00 | 0:06:04 | |
-then the price goes up even more. -So that's a good thing? -Brilliant. | 0:06:04 | 0:06:09 | |
It will be useful money for your charity. | 0:06:09 | 0:06:12 | |
It's a bit of a personal loss for me because I love Allan. | 0:06:12 | 0:06:16 | |
-I think you're so horrible! -LAUGHTER | 0:06:17 | 0:06:20 | |
-Let's go and find something else. I'll get this one right. -You can't mistake some of the stuff out here. | 0:06:20 | 0:06:27 | |
-PHONE RINGS -'We all make the odd mistake! | 0:06:27 | 0:06:30 | |
'Everyone knows Elton isn't his real name. I hope that's not him on the phone! | 0:06:30 | 0:06:35 | |
'Joe's getting down to business, but what's Julie found for us?' | 0:06:35 | 0:06:40 | |
Jonty, these were given by the charity - a painting and a book. Can you tell me about the painting? | 0:06:40 | 0:06:46 | |
Hold the book. Who have we got here? | 0:06:46 | 0:06:49 | |
-Alwyn Crawshaw. That's good. Have you heard of him? -I'm afraid not. | 0:06:49 | 0:06:53 | |
-What we're looking at here is a print of his work, rather than an original watercolour. -OK. | 0:06:53 | 0:07:00 | |
Have a look across the surface here. | 0:07:00 | 0:07:02 | |
When it comes to watercolours, there are slightly different layers and slightly different tones. | 0:07:02 | 0:07:08 | |
If that was an original watercolour, you would see the tone changing colour when you moved it around. | 0:07:08 | 0:07:15 | |
But that is quite flat. And he's signed it just in the corner there. | 0:07:15 | 0:07:19 | |
-There are two signatures there. -Yes. | 0:07:19 | 0:07:23 | |
One on the print, but he's signed the frame, the mount, rather than the actual picture itself. | 0:07:23 | 0:07:30 | |
He's actually a Fellow of the Royal Society of Arts, so he's a very big player. | 0:07:30 | 0:07:35 | |
He's a living artist, rather than an artist that has been and gone. | 0:07:35 | 0:07:39 | |
But he's highly regarded in the business and his art does sell at auction. | 0:07:39 | 0:07:44 | |
-Can I have a look at the book? -Yes. | 0:07:44 | 0:07:46 | |
He was actually born in Yorkshire, but he studied at the Hastings School of Art, | 0:07:46 | 0:07:52 | |
which is from one end of the country to the other. | 0:07:52 | 0:07:56 | |
We can put these two items in the auction sale together | 0:07:56 | 0:07:59 | |
because we have the book and the signed, mounted print here. | 0:07:59 | 0:08:04 | |
There's a big price difference between original art and something that's a print like this, | 0:08:04 | 0:08:10 | |
but worth putting into the auction sale nonetheless. We're looking at £30 to £50. | 0:08:10 | 0:08:15 | |
-Thank you, charity. -Yes, well done. | 0:08:15 | 0:08:18 | |
'There's no time to waste as we've hardly started yet. | 0:08:18 | 0:08:22 | |
'On top of the cupboard, I come across three board games from the hit show The Price Is Right. | 0:08:22 | 0:08:29 | |
'There's Joe's famous face on the box | 0:08:29 | 0:08:32 | |
'and his predecessors on the show, Leslie Crowther and Bruce Forsyth. | 0:08:32 | 0:08:37 | |
'Jonty estimates these retro games will go for £10 to £20, | 0:08:39 | 0:08:43 | |
'but if we've got any fans of The Price Is Right at the auction, | 0:08:43 | 0:08:47 | |
'I'm sure they'll pay a bit more. | 0:08:47 | 0:08:49 | |
'In the garage, I find exactly what Joe was talking about earlier - his theatrical props. | 0:08:49 | 0:08:55 | |
'I wonder where Polly fits into his life? | 0:08:55 | 0:08:58 | |
'And Julie's hot on the trail as well, but it's Joe who spots the next find - | 0:08:58 | 0:09:03 | |
'a picture that reality TV fans are sure to recognise.' | 0:09:03 | 0:09:08 | |
I have something here which you may be interested in, | 0:09:08 | 0:09:12 | |
particularly you, Jennie, because you've done it as well. | 0:09:12 | 0:09:15 | |
This is from when I done the jungle which was six years ago. That's when you done it as well? | 0:09:15 | 0:09:21 | |
-I did it in January. You did it in November? -Yeah. | 0:09:21 | 0:09:24 | |
This was a cartoon commissioned by my uncle. He got an artist to do it for me when I came out. | 0:09:24 | 0:09:30 | |
He's got all the people I did it with - Paul Burrell... You must have had some dinners with Paul Burrell. | 0:09:30 | 0:09:36 | |
-Just one or two. -Cos at the time, his popularity was down. He brought his profile right up with that show. | 0:09:36 | 0:09:43 | |
It's got everybody in it - the emus that I made friends with. | 0:09:43 | 0:09:47 | |
Janet Street-Porter. That's Sheila Ferguson who I ended up having a bath with in the jungle. | 0:09:47 | 0:09:53 | |
-You've put Janet in a cauldron. -Yeah. No, I didn't do it. | 0:09:53 | 0:09:57 | |
-Everybody picked on her a bit, but I loved her. I was petrified of her at first... -Strong lady. | 0:09:57 | 0:10:03 | |
Strong lady. Really nice though. First three days, I was petrified of her. | 0:10:03 | 0:10:09 | |
I said to her, "Janet, you scare me. Can you pull it back a little bit?" | 0:10:09 | 0:10:13 | |
She went, "I'll never lose my temper with you. I'll lose my temper with Paul Burrell. I can't stand him." | 0:10:13 | 0:10:19 | |
She gave me a kiss and after that, we got on really well. Is that worth anything to anybody? | 0:10:19 | 0:10:24 | |
-Of course. -I could sign it. There are a lot of people that are into the show. | 0:10:24 | 0:10:29 | |
-It would probably make sense to sign it on the back. -Not on the glass? | 0:10:29 | 0:10:33 | |
It would rub off on the glass, but if you got it permanently on the back, that would be really good. | 0:10:33 | 0:10:39 | |
Whoever bought it, you could personally sign it. That would add to the value. Who was the artist? | 0:10:39 | 0:10:45 | |
I have no idea. My uncle got it commissioned on the south coast. | 0:10:45 | 0:10:50 | |
It's been very cleverly done. You've got all the characters, even Ant and Dec. | 0:10:50 | 0:10:55 | |
-Looking incredibly bald! They won't like that. -A lot of high foreheads there. | 0:10:55 | 0:11:00 | |
It's still a very successful show. I think around 100 celebrities have now gone into the jungle. | 0:11:00 | 0:11:06 | |
So let's talk values. Let's think about a cold, stark auction room. | 0:11:06 | 0:11:12 | |
Without you there, we're looking at £50 to £80, | 0:11:12 | 0:11:15 | |
but with you there, it should be worth a lot more. | 0:11:15 | 0:11:19 | |
-It's terribly generous of you to give it away. It's quite special. -Yeah, but it's a good cause. | 0:11:19 | 0:11:25 | |
-And I don't really look like that any more. -No, you don't. | 0:11:25 | 0:11:29 | |
-Thank you. -You look gorgeous. -You're just saying that. But yeah, I think it's cool. It's good. | 0:11:29 | 0:11:35 | |
'It's a generous gift, but will it attract some good bids?' | 0:11:35 | 0:11:39 | |
10 I'm bid. Looking for 12? 12. | 0:11:39 | 0:11:42 | |
14. 16. 18. 20. | 0:11:42 | 0:11:44 | |
22. 24... | 0:11:44 | 0:11:46 | |
-'Find out how much our jungle picture makes when the hammer falls.' -If you're all done...? | 0:11:46 | 0:11:52 | |
'As we continue our rummage with comedian Joe Pasquale, Jonty finds a plush armchair. | 0:11:54 | 0:12:00 | |
'It's a modern reproduction modelled on a 19th century design and it belonged to Joe's late mother. | 0:12:00 | 0:12:07 | |
'Jonty gives it a price tag of £30 to £40. | 0:12:07 | 0:12:11 | |
'While he keeps up the good work, I steal Joe away to find out if he's a natural-born talent.' | 0:12:11 | 0:12:18 | |
-It's nice to have a little sit down. -It is, yeah, rather than looking at all my pants. | 0:12:18 | 0:12:23 | |
-I think we've found some very nice things so far. -Do you think so? -Yes. | 0:12:23 | 0:12:28 | |
I want to know about how it all started for you, this life as a comedian. | 0:12:28 | 0:12:33 | |
-Were you funny at school? -No, I was one of these insipid little kids up the back. | 0:12:33 | 0:12:38 | |
They called me Second-Hand Joe because my mum was into antiques. | 0:12:38 | 0:12:41 | |
Sadly, I lost my mum ten years ago. She went for a wander and never came back(!) She's been gone ten years. | 0:12:41 | 0:12:48 | |
She loved antiques. She loved rubbish. She loved second-hand stuff. | 0:12:48 | 0:12:52 | |
There was four of us - me, I've got two sisters and a younger brother. | 0:12:52 | 0:12:56 | |
And she used to drag us round all these jumble sales and it was full of old women everywhere. | 0:12:56 | 0:13:03 | |
And she'd hold a jumper up to me like this in front of all... And that'd be my school clothes. | 0:13:03 | 0:13:09 | |
At school, I was called Second-Hand Joe. | 0:13:09 | 0:13:12 | |
Because everything, you know... I got new shoes, but they weren't shoes. There was no heel on 'em. | 0:13:12 | 0:13:18 | |
No, I was a complete div at school. I didn't do a lot. | 0:13:18 | 0:13:21 | |
I wanted to be a geologist when I was younger, but I got run over when I was 13 and missed a year's schooling. | 0:13:21 | 0:13:28 | |
There's only one place you can go if you haven't got no exams and that was to work for the government. | 0:13:28 | 0:13:34 | |
I was a civil servant for a year - Department of Transport and Environment, Dangerous Goods Branch. | 0:13:34 | 0:13:40 | |
Then I got a job at Smithfield Meat Market, Ford's at Dagenham, spot-welding on Mark IV Cortinas, | 0:13:40 | 0:13:46 | |
a margarine factory, then I got a job at a holiday camp calling bingo and refereeing wrestling, | 0:13:46 | 0:13:52 | |
then I never looked back. | 0:13:52 | 0:13:54 | |
So that was the first inkling of you wanting to be an entertainer? | 0:13:54 | 0:13:59 | |
Yeah. I wanted to be a geologist. When that went out the window, I thought I'd be an actor. | 0:13:59 | 0:14:04 | |
I didn't want to work! I thought, "I can't do these jobs till I'm 65." | 0:14:04 | 0:14:09 | |
So you're a veteran of Royal Variety shows and really a household name, | 0:14:09 | 0:14:14 | |
but I think you moved into a different stratosphere with I'm A Celebrity. | 0:14:14 | 0:14:20 | |
Yeah. Out there, you don't think anyone's watching it or they must think you're a complete spanner. | 0:14:20 | 0:14:26 | |
When I came out, the diverse work I got offered... | 0:14:26 | 0:14:29 | |
I did The Price Is Right. We did 176 episodes of The Price Is Right in about three weeks. | 0:14:29 | 0:14:36 | |
We did four shows a day. I'm not very good at maths! Then I did a couple of movies, a lot of voiceover work. | 0:14:36 | 0:14:42 | |
-You've done some serious acting. -I did Rosencrantz And Guildenstern Are Dead. | 0:14:42 | 0:14:47 | |
I did The Producers last year, a Ray Cooney farce, | 0:14:47 | 0:14:51 | |
all sorts of bits and pieces you wouldn't expect to be offered. | 0:14:51 | 0:14:55 | |
-And pantomime which you've done for very many years. -Yeah, I've done it for 25 years now. | 0:14:55 | 0:15:00 | |
-You do a very wide spectrum of work. -Yeah, that's what it's all about. | 0:15:00 | 0:15:04 | |
As you get older, you just want to try new things. | 0:15:04 | 0:15:08 | |
The last thing I want to do is get stuck in a rut. | 0:15:08 | 0:15:11 | |
-You really are a fascinating guy and there's a lot more to you than meets the eye. -There's a lot more, yes. | 0:15:11 | 0:15:17 | |
-But we've got to get on with our rummage. -Yes, find some more pants. Let's go. | 0:15:17 | 0:15:22 | |
'We're going to need to find more than just pants if we've any hope of raising his £500. | 0:15:22 | 0:15:29 | |
'Julie's been busy unwrapping a few more donated items from the charity. | 0:15:29 | 0:15:34 | |
'We'll happily take along this 20th century porcelain jug. | 0:15:34 | 0:15:38 | |
'Although it doesn't have a potter's mark, Jonty is sure | 0:15:38 | 0:15:42 | |
'his estimate of £30 to £50 will drum up some interest. | 0:15:42 | 0:15:45 | |
'Back in the garage, I have a close encounter with an alien, | 0:15:45 | 0:15:49 | |
'but the tables have turned as I'm abducting him for auction. | 0:15:49 | 0:15:53 | |
'And with good reason because this guy appeared in the blockbuster film The X-Files. | 0:15:53 | 0:15:59 | |
'He may be a prop, but we think he deserves a better home than Joe's garage. | 0:15:59 | 0:16:04 | |
'Someone might make a new friend of him if we ask for £40 to £60. | 0:16:04 | 0:16:08 | |
'And we might need some extra-terrestrial help as we're still a way off our target. | 0:16:08 | 0:16:13 | |
'Joe's found another item in need of closer inspection.' | 0:16:13 | 0:16:17 | |
Jonty, I have a lovely "vayse" or a vase. Depends how posh you want to be! It's donated from the charity. | 0:16:17 | 0:16:23 | |
-I don't know nothing about it. There's a lion on the front. -OK. -Tell us about that. | 0:16:23 | 0:16:28 | |
Do you like it? What's your honest opinion? | 0:16:28 | 0:16:31 | |
It's the sort of thing my mum bought from a jumble sale when I was a kid. | 0:16:31 | 0:16:35 | |
I'm not saying that's good or bad or indifferent, but she'd get it and my dad would put his fags out in it. | 0:16:35 | 0:16:42 | |
-So it's a glorified ashtray as far as you're concerned? -My dad would look at it that way, yeah. | 0:16:43 | 0:16:49 | |
We've got two lions - one on this side and one on the reverse as well. | 0:16:49 | 0:16:54 | |
-Above, we've got a knight's helmet. -So it's English if there's a lion and a knight's helmet? | 0:16:54 | 0:16:59 | |
It has that English feel to it. | 0:16:59 | 0:17:02 | |
If we turn it upside down, we've got "Shelley, made in England". | 0:17:02 | 0:17:06 | |
It says "made in England". I was right. I didn't even look at that. | 0:17:06 | 0:17:10 | |
-I knew it. I'm a genius. -You are. | 0:17:10 | 0:17:13 | |
Underneath here, it says "Walter Slater". | 0:17:13 | 0:17:16 | |
Walter Slater was one of the chief designers from Shelley in the Edwardian period. | 0:17:16 | 0:17:21 | |
If you look at that, it has that sense of being about 100 years old, it has that Edwardian feel to it. | 0:17:21 | 0:17:27 | |
There's a great thing and a bad thing about this vase. | 0:17:27 | 0:17:31 | |
-I know what the bad thing is. -Yes, I'll come to that, but let's talk about positives. | 0:17:31 | 0:17:36 | |
If you've got signed pots by Walter Slater, in good condition, they're worth a lot of money. | 0:17:36 | 0:17:41 | |
-So tell me the bad. -The bad thing is it's been repaired on the bottom. | 0:17:41 | 0:17:46 | |
-I thought there was a big crack there. -Yeah, spot-on. | 0:17:46 | 0:17:49 | |
But the problem with vases, particularly ceramic vases, | 0:17:49 | 0:17:53 | |
if they are damaged in this way, the price has really tumbled and fallen, as far as we're concerned. | 0:17:53 | 0:18:00 | |
But this has been damaged and damaged rather badly, | 0:18:00 | 0:18:05 | |
so it completely wipes any real, big value out of it, but it's still worth putting into the auction sale. | 0:18:05 | 0:18:11 | |
-Right. -I think maybe £50 to £100. | 0:18:11 | 0:18:14 | |
Anything we can get for it is great because they've donated it to us for the charity. | 0:18:14 | 0:18:19 | |
-Yeah. -It's a shame that it has been damaged, but life goes on. | 0:18:19 | 0:18:24 | |
'Damaged or not, £50 to £100 | 0:18:24 | 0:18:27 | |
'is still a great addition to our haul. | 0:18:27 | 0:18:30 | |
'There's no question that Joe's a great entertainer, but what is he like as a brother? | 0:18:30 | 0:18:36 | |
'Julie joins us both.' | 0:18:36 | 0:18:38 | |
So, Joe, do you play this old Joanna? | 0:18:38 | 0:18:41 | |
I don't. The piano was already here in the place. | 0:18:41 | 0:18:44 | |
My tour manager plinks at it when he's feeling a little bit sad. | 0:18:44 | 0:18:48 | |
-I thought you'd be musical. -No, not at all. | 0:18:48 | 0:18:51 | |
-These are some of your comics? -My comics, yeah, Dracula Lives. Look how much it was - 8 pence! | 0:18:51 | 0:18:57 | |
I think that's from about 1973, something like that. | 0:18:57 | 0:19:01 | |
-Does that take you back to your childhood together? -Yes, it does. I'm a bit older than Joseph. | 0:19:01 | 0:19:07 | |
-"Joseph", do you hear that? -Joseph? -Joseph. -Where's this from - Joseph? | 0:19:07 | 0:19:11 | |
My mum always called him Joseph. We had a lot of Joes in the family, | 0:19:11 | 0:19:15 | |
-so to differentiate between old Joe, young Joe and baby Joe, Joseph was Joseph. -My dad's Joe. | 0:19:15 | 0:19:21 | |
I had an Uncle Joe, my son's Joe and there's me, so there was four of us. | 0:19:21 | 0:19:25 | |
-In the family, you're always Joseph? -Yeah. -Yeah. -Aw! That puts a whole new perspective on it. | 0:19:25 | 0:19:31 | |
-If I was naughty... -It's like his proper name. -Was he naughty? -No. | 0:19:31 | 0:19:35 | |
-He wasn't really. He was quite good and quiet. -You was. -I know I was. -She was a nasty piece of work. | 0:19:35 | 0:19:41 | |
I had to drag him everywhere with me. "Julie, take Joseph with you." | 0:19:41 | 0:19:46 | |
Did you ever think he would be a very famous and successful entertainer and comedian? | 0:19:46 | 0:19:51 | |
-No. -What do you mean, "no"? It's written in the stars, love. | 0:19:51 | 0:19:55 | |
It might have been in the stars, but it was in the bottom of the bucket when he was a kid. | 0:19:55 | 0:20:01 | |
-Had anyone in the family done anything like that? -Dad was a bit of a singer. -Mainly in the bath! | 0:20:01 | 0:20:07 | |
In the bath, but years ago, I think Dad had an audition for The Carroll Levis Discovery Show. | 0:20:07 | 0:20:14 | |
He actually did the show. He did the show on the radio. | 0:20:14 | 0:20:17 | |
It was like the predecessor to Hughie Green's Opportunity Knocks. | 0:20:17 | 0:20:21 | |
He went on it. He didn't win. Some dog playing the spoons won! | 0:20:21 | 0:20:26 | |
But the story goes that they wanted him to sing in a monastery garden. | 0:20:26 | 0:20:30 | |
My great-gran said he couldn't sing on a Sunday, so he never did any more than that. | 0:20:30 | 0:20:36 | |
-Great-Gran knows best! -Yeah. | 0:20:36 | 0:20:39 | |
Within the family, has it been a bit of a revelation that Joseph is so very talented? | 0:20:39 | 0:20:46 | |
LAUGHTER | 0:20:46 | 0:20:48 | |
-No-one is going to agree to me being very talented. -No, we're all proud of him. He's done very well. | 0:20:48 | 0:20:54 | |
-"He's done very well." -The boy's done good! | 0:20:54 | 0:20:57 | |
Tell me a bit more about the charity. Are you very involved with the cerebral palsy charity? | 0:20:57 | 0:21:03 | |
-Yeah, it goes back to the jungle a little bit. I did the jungle for them. -OK. | 0:21:03 | 0:21:09 | |
To keep that place open a year costs a quarter of a million quid. | 0:21:09 | 0:21:13 | |
And all the money that is raised at that place is done in-house from all these people that work for nothing. | 0:21:13 | 0:21:20 | |
-Do you go down there sometimes? -I go down whenever I can. It's a nice place to go and visit. -Fantastic. | 0:21:20 | 0:21:26 | |
So we're going to get that £500, I hope. We're doing well so far. | 0:21:26 | 0:21:31 | |
-Yeah, my pants are going to be... My specialist pants. -Yes. | 0:21:31 | 0:21:35 | |
Let's go and find some more, eh? | 0:21:35 | 0:21:38 | |
-This way? -Yeah. | 0:21:38 | 0:21:39 | |
'Seeing Joe and Julie together is like seeing two peas in a pod. | 0:21:39 | 0:21:44 | |
'Speaking of double acts, Jonty wonders if Sooty might sweep up! | 0:21:44 | 0:21:49 | |
'Joe's definitely on a mission. I love his enthusiasm, but can't he see what's right in front of him? | 0:21:49 | 0:21:56 | |
'Another piece belonging to Mum, | 0:21:56 | 0:21:59 | |
'this modern chaise longue might fetch £40-£60. | 0:21:59 | 0:22:02 | |
'We've definitely found a wonderful variety of items, which should help on sale day, | 0:22:02 | 0:22:08 | |
'but trust Joe to leave the best to last.' | 0:22:08 | 0:22:12 | |
OK, now Jonty... | 0:22:12 | 0:22:14 | |
I would like to know your opinion, right? | 0:22:14 | 0:22:18 | |
-Please don't snort! -I'm sorry! | 0:22:18 | 0:22:21 | |
That's a very basic animal sound I don't want to hear with this on. | 0:22:22 | 0:22:26 | |
Jonty... She's going "Snort!" in my ear! | 0:22:26 | 0:22:30 | |
-How much will we get for this? -Fortunes! -This could be the peak of your career to value this. | 0:22:30 | 0:22:38 | |
This is my muscle suit. In case I was ever lazy and didn't want to go down the gym. | 0:22:38 | 0:22:44 | |
But my little belly comes out the bottom. Stroke it gently. | 0:22:44 | 0:22:49 | |
Don't slap it, stroke it. | 0:22:49 | 0:22:51 | |
I want to feel your muscles. | 0:22:51 | 0:22:54 | |
-I don't want to touch you. I might get an electric shock. -I had this made for panto. | 0:22:54 | 0:23:00 | |
I haven't worn it for a few years. When I stopped smoking, I put on a few stone, | 0:23:00 | 0:23:06 | |
but it fits me again now. I used it in Peter Pan. | 0:23:06 | 0:23:10 | |
I was Mr Smee. This is what I came out in to fight the Captain. | 0:23:10 | 0:23:15 | |
-Did it get a good laugh? -It did. Especially with my belly hanging out. -Put it away! | 0:23:15 | 0:23:22 | |
I'm a lot of bloke. What do you think, then? | 0:23:22 | 0:23:25 | |
I have to say after 30 years in antiques | 0:23:25 | 0:23:29 | |
-that I'm now at the pinnacle. -I agree. | 0:23:29 | 0:23:32 | |
I totally agree. | 0:23:32 | 0:23:34 | |
-There's nowhere else to go but down. -Let's put it in the auction sale | 0:23:34 | 0:23:39 | |
and the way to get the maximum effect is for you to wear it. | 0:23:39 | 0:23:44 | |
-Would you? -Oh, yeah. I would just go in my pants | 0:23:44 | 0:23:48 | |
-with a g-string on. -No... -Imagine me, a g-string and this. | 0:23:48 | 0:23:52 | |
I bet you'd be the first one to put your hand up, Jonty. | 0:23:52 | 0:23:57 | |
Right. Yeah? | 0:23:57 | 0:23:59 | |
-So you're going to go up there, sell it for us... -In a g-string. | 0:23:59 | 0:24:03 | |
-Yeah. In a g-string. -A thong. -In a thong. | 0:24:03 | 0:24:06 | |
-Let's put £20-£30 on it. -Is that all? | 0:24:06 | 0:24:10 | |
You'll get more for it. | 0:24:10 | 0:24:13 | |
-He's deflated now. -You'll get more. -30 quid? | 0:24:13 | 0:24:17 | |
-Aww. -What do you think, Joe? -I want a oner for this, if I'm onstage in a thong. | 0:24:17 | 0:24:24 | |
-That's your challenge. -Right. You help push them. -We'll all help. -All right. | 0:24:24 | 0:24:30 | |
-But £20-£30. -For the moment. -That's the end of the day. You don't have to rummage. | 0:24:30 | 0:24:35 | |
-We're going to call it quits now. -Right. -I reckon if we add that | 0:24:35 | 0:24:40 | |
to what we've got... You wanted £500, didn't you, for cerebral palsy? | 0:24:40 | 0:24:46 | |
I'm not sure we're going to get it. Jonty's not quite sure we're going to get to £500, | 0:24:46 | 0:24:52 | |
-but... -We're not there yet. -He's undervalued this for a start. | 0:24:52 | 0:24:57 | |
He has totally undervalued it. He might know about vases, but not about muscular suits. | 0:24:57 | 0:25:03 | |
I can tell you that you wanted £500 and based on the lowest estimates we reckon you'll make £400, | 0:25:03 | 0:25:10 | |
-which is still very respectable. -That's very good. Plus we've got the extra for this. | 0:25:10 | 0:25:16 | |
-Prove us wrong. -Oh, don't worry. | 0:25:16 | 0:25:19 | |
'Joe's well suited for auction now | 0:25:19 | 0:25:22 | |
'and with some terrific items to boot. | 0:25:22 | 0:25:25 | |
'The Walter Slater vase, which could earn a tidy £50-£100. | 0:25:25 | 0:25:31 | |
'And the King of the Jungle caricature. At £50-£80, | 0:25:31 | 0:25:35 | |
'this reality TV memorabilia should lure the bidders. | 0:25:35 | 0:25:39 | |
'And, finally, the signed Elton John album. It's priced at £100-£200, | 0:25:39 | 0:25:44 | |
'but let's hope the Rocket Man can go even higher. | 0:25:44 | 0:25:48 | |
'Find out how much these and Joe's other items raise on auction day. | 0:25:48 | 0:25:53 | |
'Still to come: | 0:25:53 | 0:25:55 | |
'Joe can't help but try out a few laughs on the crowd.' | 0:25:55 | 0:25:59 | |
He was a very good painter. He done my kitchen. | 0:25:59 | 0:26:04 | |
'But then he has to show off his six-pack to get the ladies going.' | 0:26:05 | 0:26:10 | |
Do we have £32? £32? | 0:26:10 | 0:26:12 | |
Yeah, you know you want it, love. Yeah, £32. | 0:26:12 | 0:26:15 | |
'Will Joe's gags bring in the cash? Find out when the hammer falls.' | 0:26:15 | 0:26:20 | |
We had a brilliant time with Joe Pasquale. He had us in stitches. | 0:26:26 | 0:26:30 | |
But we did do a bit of work and today we've brought everything to Boningtons in Essex. | 0:26:30 | 0:26:36 | |
Remember, Joe wants to make £500 for his chosen charity, | 0:26:36 | 0:26:40 | |
so let's hope the bidders are in good humour and ready to buy when his items go under the hammer. | 0:26:40 | 0:26:47 | |
'Today's auction house specialises in fine art, antiques and all sorts of other collectables, | 0:26:48 | 0:26:54 | |
'so how will Joe's alien fit in with this discerning crowd?' | 0:26:54 | 0:26:58 | |
-Hello, you two. -Hello! -"Mirror, mirror, on the wall..." | 0:26:58 | 0:27:02 | |
Yeah, it reminds me of me in a rough state after a heavy night. | 0:27:02 | 0:27:06 | |
He is on the cover of the catalogue. That's really good news, actually. | 0:27:06 | 0:27:12 | |
Ordinarily, I would put no value on this at all, but as a prop from The X Files, £50-£60. | 0:27:12 | 0:27:19 | |
I have heard there's interest in it. | 0:27:19 | 0:27:22 | |
-That's very good news. -I hope there's interest in the others! -The muscle suit... -I know! | 0:27:22 | 0:27:28 | |
-We've got some weird and wacky items from Joe. -Only to be expected. | 0:27:28 | 0:27:33 | |
-You've got to do really well for Joe and his charity. -"Yes, Jennie." -Excellent. Let's go and see them. | 0:27:33 | 0:27:39 | |
'While we wish good luck to our cosmic friend, | 0:27:40 | 0:27:44 | |
'Joe's among the crowd and seems to have chest envy.' | 0:27:44 | 0:27:49 | |
Gotcha! | 0:27:49 | 0:27:51 | |
-So hello. -Jonty, how are you, son? -Very good. | 0:27:51 | 0:27:54 | |
-Saying farewell to your muscles? -I am. I feel like Lovejoy. | 0:27:54 | 0:27:59 | |
I feel like Ian McShane in Lovejoy. | 0:27:59 | 0:28:02 | |
-There is some interest in your alien. -He always attracts interest. | 0:28:02 | 0:28:07 | |
-Which item will you miss the most? -The Price Is Right games. We used to sit down every Saturday night | 0:28:07 | 0:28:13 | |
and play The Price Is Right when we was on medication. | 0:28:13 | 0:28:18 | |
-Are you going to make him behave? -No! -Good! | 0:28:18 | 0:28:21 | |
The auction's about to start so if you lead us out, Julie, we'll go and get a spot. | 0:28:21 | 0:28:27 | |
'As the auction gets underway, we start with the Price Is Right board games for £10-£20.' | 0:28:27 | 0:28:34 | |
Are you feeling strong? | 0:28:34 | 0:28:37 | |
-It's your games. Are you going to be sad? -What will we do now? We'll have to play Kerplunk. | 0:28:37 | 0:28:44 | |
-That was a good game, actually. -Buckaroo is my favourite. | 0:28:44 | 0:28:48 | |
Remember that? You put things on his back and he'd buck. | 0:28:48 | 0:28:52 | |
-We'd better get on with the auction. -This is going to go. -10 quid we want. -It'll fly. | 0:28:52 | 0:28:58 | |
Start me at £10 for the three. 10 I'm bid. Looking for 12. | 0:28:58 | 0:29:02 | |
12. 14. 16. 18. 20. | 0:29:02 | 0:29:06 | |
22. 24. | 0:29:06 | 0:29:08 | |
26. 28. 30. | 0:29:08 | 0:29:10 | |
32? 30 is the bid here. Is there any advance on 30? | 0:29:10 | 0:29:15 | |
I'll sell at £30, then. | 0:29:15 | 0:29:18 | |
Well done! | 0:29:18 | 0:29:20 | |
'Well, we had no trouble selling above Jonty's top estimate | 0:29:20 | 0:29:25 | |
'which might mean good news for the next item.' | 0:29:25 | 0:29:30 | |
-I'm intrigued as to how this will do. Your alien. There has been interest. -Do we know who from? -No. | 0:29:30 | 0:29:36 | |
-Just generally... -Somebody from outer space. -Ho ho ho. | 0:29:36 | 0:29:40 | |
It was in the X Files film and there's a certificate saying that. | 0:29:40 | 0:29:45 | |
-It's a little bit of history. Worth 40 quid of anybody's money. -Absolutely. -Here we go. | 0:29:45 | 0:29:52 | |
And bids on commission start with me. I've got to come in on commission at 45. | 0:29:52 | 0:29:58 | |
With me at £50 on the book. I'm looking for 60 in the room. 60 I've got. | 0:29:58 | 0:30:04 | |
Is there 70 anywhere? 60 at the back. | 0:30:04 | 0:30:07 | |
It's good already. | 0:30:07 | 0:30:09 | |
I'll sell it at £60 if you're all done. | 0:30:09 | 0:30:13 | |
That's all right. | 0:30:13 | 0:30:14 | |
Perhaps our little friend pulled the Jedi mind trick on that bidder. We just earned another top sale. | 0:30:14 | 0:30:21 | |
Joe, it's your casting couch next. | 0:30:21 | 0:30:24 | |
It belonged to my mum, this did. | 0:30:24 | 0:30:27 | |
-She used to keep the dolls on it. -Chaise longue, innit? -Yes. | 0:30:27 | 0:30:31 | |
-What's that mean? -A long lounger. | 0:30:31 | 0:30:34 | |
Oh, is that what it is? | 0:30:34 | 0:30:37 | |
-We want £40-£60. -She'd be happy with that. | 0:30:37 | 0:30:40 | |
£40 for the chaise longue? | 0:30:40 | 0:30:43 | |
I'm bid. Looking for 5. | 0:30:43 | 0:30:45 | |
40 I'm bid. Looking for 5. 5. 50. | 0:30:45 | 0:30:49 | |
5. 60. 5. | 0:30:49 | 0:30:51 | |
70. 5. 80? | 0:30:51 | 0:30:54 | |
75's the bid. Is there £80 anywhere for the chaise longue? | 0:30:54 | 0:30:59 | |
I shall sell at £75, then. All done? | 0:30:59 | 0:31:03 | |
-I can't believe that. -That was a good sale. | 0:31:03 | 0:31:07 | |
£15 over the top estimate. Will we fare as well | 0:31:07 | 0:31:11 | |
with the next piece of furniture? | 0:31:11 | 0:31:15 | |
-Tell me about this chair. -It was my mum's. My dad gave it to me as he's downsized now. | 0:31:15 | 0:31:22 | |
He asked if I wanted it. So I've had it in my garage for the last few years. | 0:31:22 | 0:31:28 | |
I didn't want to give it away, but it'll go to a good cause now. | 0:31:28 | 0:31:33 | |
Bids on the book start with me at 35, 45, 50. £50 with me on commission. | 0:31:33 | 0:31:39 | |
I'm looking for 5 in the room. 5. I've got 60. 5 in the room. | 0:31:39 | 0:31:44 | |
Is there 70 anywhere? 70. 5. | 0:31:44 | 0:31:47 | |
80. 5. Yes, I've got 85. | 0:31:48 | 0:31:51 | |
90? 85 is the bid, to my left. | 0:31:51 | 0:31:55 | |
I'm selling it now at 85. | 0:31:55 | 0:31:58 | |
-Thank you! -Yeah, well done. | 0:31:58 | 0:32:02 | |
'That was a sentimental piece for Joe to part with. | 0:32:02 | 0:32:07 | |
'Up next is the watercolour print and book valued at £30-£50.' | 0:32:07 | 0:32:12 | |
This is the Alwyn Crawshaw print and the book. | 0:32:15 | 0:32:18 | |
-This came from the charity? -Yes. -Because it's a print, we won't get a vast amount for it, | 0:32:18 | 0:32:24 | |
-but I put £30-£50 on it so let's hope we get lots. -Fingers crossed. | 0:32:24 | 0:32:29 | |
Let's get it up! Give them a chance! Eh, Joe? | 0:32:29 | 0:32:34 | |
Yeah, get it up. It's signed by Mr Cranshaw. He was a very good painter. | 0:32:34 | 0:32:39 | |
He done my kitchen. LAUGHTER | 0:32:39 | 0:32:43 | |
It is signed by Mr Cranshaw, Joe. You're right. Start me at £30. | 0:32:43 | 0:32:48 | |
At 30. Who wants it? | 0:32:48 | 0:32:51 | |
30 I'm bid. Looking for 5. | 0:32:51 | 0:32:54 | |
30 I'm bid. Looking for 5. All done at 30. | 0:32:54 | 0:32:58 | |
Yeah! Well done. Thank you very much. | 0:32:58 | 0:33:01 | |
'It looks as if Joe's sweet talking did the trick. | 0:33:01 | 0:33:05 | |
'All the money we raise today will help people with cerebral palsy. | 0:33:05 | 0:33:09 | |
'I wonder if Joe has any idea how much we've made so far.' | 0:33:09 | 0:33:13 | |
OK, that's the halfway point. | 0:33:13 | 0:33:17 | |
-I think we've done better than I anticipated. Have you added it up? -I have. -How much is it? | 0:33:17 | 0:33:23 | |
£500 you wanted. At this halfway stage, you have got £280! | 0:33:23 | 0:33:28 | |
-Brilliant, innit? -Very good. Everything's sold. | 0:33:28 | 0:33:32 | |
-I think we'll get a break now. -There's a few pieces I liked. Can I go now? -You may indeed. | 0:33:32 | 0:33:39 | |
If you'd like to raise money for a special cause, note that most sale rooms charge additional fees | 0:33:43 | 0:33:50 | |
such as VAT and commission. Rates vary from house to house, so do enquire in advance. | 0:33:50 | 0:33:56 | |
Look what I found. | 0:33:58 | 0:34:00 | |
I have no idea what this is or anything about it on the professional level, | 0:34:00 | 0:34:06 | |
other than a couple of things. It reminds me of when I was a kid. | 0:34:06 | 0:34:11 | |
I was 5 or 6 and went to see Peter Pan with my nan, starring Wendy Craig. | 0:34:11 | 0:34:17 | |
That drew me to it at first, but I do a bit of painting myself | 0:34:17 | 0:34:22 | |
so I'm always interested in composition. | 0:34:22 | 0:34:25 | |
Here there's a couple of double basses. When you look at it, it looks like | 0:34:25 | 0:34:31 | |
part of the decor there, but it's a double bass. So nothing was happening on the stage | 0:34:31 | 0:34:38 | |
when this was being drawn, but the most intriguing part | 0:34:38 | 0:34:42 | |
is this lady here. There's somebody else and they've got their elbow there. | 0:34:42 | 0:34:48 | |
They've got their back to the viewer. I find her the most intriguing part of this picture. | 0:34:48 | 0:34:55 | |
'Someone in the crowd likes it just as much as Joe and it's sold for £60. | 0:34:55 | 0:35:01 | |
'Time to get back to business. | 0:35:01 | 0:35:03 | |
'Joe's determined to flex those muscles.' | 0:35:03 | 0:35:07 | |
Thank you. This is the special piece from the Joe Pasquale collection. | 0:35:07 | 0:35:12 | |
I'll give you a little background. | 0:35:12 | 0:35:14 | |
First of all, I'll let you know the price range I was looking for. | 0:35:14 | 0:35:19 | |
This is very special to me. | 0:35:19 | 0:35:21 | |
I don't need it any more as I have bulked up anyway. | 0:35:21 | 0:35:26 | |
I was looking for about four grand, but Jonty has said that I should start at about 20 quid. | 0:35:26 | 0:35:33 | |
So we'll start the bidding at £20. Who'll give me £20 for this lovely Maximus Aurelius body suit? | 0:35:33 | 0:35:39 | |
£20. We're looking for £20. Yes, that lady over there! | 0:35:39 | 0:35:43 | |
Well done. 20 quid. You'll look good in this. I bet you're begging for me now. | 0:35:43 | 0:35:50 | |
Do we go in fives? £25 for the body suit? | 0:35:50 | 0:35:54 | |
£25? £25? | 0:35:54 | 0:35:56 | |
25 there, Joe. | 0:35:56 | 0:35:59 | |
Oh, there's a foxy bloke! Well done, sir. | 0:35:59 | 0:36:02 | |
He's a lot of bloke. OK. Do we have £27? | 0:36:02 | 0:36:07 | |
That lady, would you like £27? Oh, you foxy mama! She's begging for me now. | 0:36:07 | 0:36:13 | |
Do we have £30? £30! | 0:36:13 | 0:36:16 | |
Do we have £32? £32? I don't want to force you. You know you want it, love. | 0:36:16 | 0:36:23 | |
Do we have 35 in the corner? Don't let me force you. Yes! | 0:36:23 | 0:36:27 | |
Are you...? Yeah! £36! | 0:36:27 | 0:36:30 | |
Will you go up 50p? £36.50? | 0:36:30 | 0:36:33 | |
I'm at £36. 50p? | 0:36:33 | 0:36:36 | |
£36 to the foxy lady. A big round of applause! There's one other bid! | 0:36:36 | 0:36:42 | |
What do you want? 40 quid? Yeah. | 0:36:42 | 0:36:46 | |
You're on, son! 40 quid. Do you want it? It's up to you. | 0:36:46 | 0:36:50 | |
41! ..Sorry, love. You nearly got shot of it, then. | 0:36:50 | 0:36:55 | |
£41 to the foxy lady. A big round of applause. Thank you. Well done. | 0:36:55 | 0:37:00 | |
Well done, everyone. Thank you. I'm going, cos I'm lactating. | 0:37:00 | 0:37:05 | |
-He sold it, did he? -Yeah! -41. | 0:37:05 | 0:37:09 | |
'So he's not only good at getting a laugh, | 0:37:09 | 0:37:13 | |
'he got a brilliant sale, too. | 0:37:13 | 0:37:16 | |
'Our next lot was commissioned after Joe stole the show in I'm A Celebrity Get Me Out Of Here.' | 0:37:16 | 0:37:22 | |
I wonder how this will do. Your King of the Jungle picture, | 0:37:22 | 0:37:26 | |
which I love. Lots of memories for us, but not for anyone else here. | 0:37:26 | 0:37:32 | |
I think there will be some interest. That was six years ago. | 0:37:32 | 0:37:36 | |
It's worth something to somebody. | 0:37:36 | 0:37:39 | |
-Julie, feeling good about it? -Yes, there's lots of Joe Pasquale fans that'll... | 0:37:39 | 0:37:45 | |
(I'll have the money later.) | 0:37:45 | 0:37:49 | |
40 I'm bid. Looking for 5. | 0:37:49 | 0:37:52 | |
5. 50. | 0:37:52 | 0:37:55 | |
5? 60? | 0:37:55 | 0:37:57 | |
60, sir? I shall sell it at 55. | 0:37:57 | 0:38:01 | |
Take it while it's hot! Yeah, well done, sir. | 0:38:01 | 0:38:06 | |
'It took a bit of time to warm up, but we got there in the end.' | 0:38:06 | 0:38:12 | |
-OK, this is the lovely vase that was given by the charity. -Yeah. | 0:38:12 | 0:38:18 | |
-It's got quite a bit of damage. -It's all chipped and cracked. | 0:38:18 | 0:38:22 | |
-I've still put £50 to maybe even £100 on it, so let's see what happens. -As long as it goes. | 0:38:22 | 0:38:29 | |
Absolutely. Here it comes. | 0:38:29 | 0:38:31 | |
Start me at £40. | 0:38:31 | 0:38:34 | |
30 I'm bid. Is there 2 anywhere? I am bid £30. | 0:38:34 | 0:38:39 | |
I'm looking for 2. I shall sell at £30. | 0:38:39 | 0:38:43 | |
No advance at 30? It's got to go at 30. | 0:38:43 | 0:38:47 | |
-He let it go. -Let it go. | 0:38:47 | 0:38:51 | |
'A bit of a disappointment there, but perhaps it was the damage | 0:38:51 | 0:38:56 | |
'that made the difference. | 0:38:56 | 0:38:59 | |
'The sale of our brown jug brought another £30.' | 0:38:59 | 0:39:03 | |
-Well done. -We liked that. | 0:39:03 | 0:39:06 | |
'But we're still a way off the £500 target, | 0:39:06 | 0:39:09 | |
'so everything rests on our final lot. Will Elton do it for us?' | 0:39:09 | 0:39:15 | |
-Do you think it'll go? -Yeah. | 0:39:15 | 0:39:18 | |
If you like Elton John, it'll go. If not, no one will want it. | 0:39:18 | 0:39:22 | |
-See any Elton John fans? -To be honest, no, I don't! Des O'Connor fans. That's about it. | 0:39:22 | 0:39:29 | |
-Sorry, Des. -You're so rude. There might be commission bids. We'd like £100. | 0:39:29 | 0:39:35 | |
-It's got to be worth that. -If they don't sell it here, they can sell it somewhere else. | 0:39:35 | 0:39:41 | |
It's collectable. | 0:39:41 | 0:39:43 | |
Start me at £80. Is there 60 anywhere? | 0:39:43 | 0:39:48 | |
60 I'm bid. £60 I'm bid. | 0:39:48 | 0:39:51 | |
Is there 5? 5? 60 I'm bid. | 0:39:51 | 0:39:54 | |
It's a good thing. 5. 70. 5. | 0:39:54 | 0:39:57 | |
80. 5. 90. | 0:39:57 | 0:39:59 | |
5. 100? I shall sell it at £95 to our own Jonty lookalike. | 0:39:59 | 0:40:04 | |
I'm selling at 95. Are you all done at 95, then? | 0:40:04 | 0:40:09 | |
-Yeah! Well done, sir. 95 quid, that's good. -OK? -Yeah. | 0:40:11 | 0:40:16 | |
'It could have been better, but not a bad note to end on. So how much have we raised?' | 0:40:16 | 0:40:22 | |
-That's the end of the day. -It was a lot better than I thought. | 0:40:22 | 0:40:27 | |
-These people have been great. -I was a bit worried and I think Jonty was | 0:40:27 | 0:40:33 | |
-whether we could get anywhere near your target. -Cos all my stuff is pants! -You said it! | 0:40:33 | 0:40:39 | |
But you did very well and some of the furniture was good. | 0:40:39 | 0:40:43 | |
-You did brilliantly with the muscle man. -They know a bit of class. | 0:40:43 | 0:40:48 | |
-£500 you were looking for. -Yep. -You've made...531. -No? | 0:40:48 | 0:40:52 | |
Put it there, son. | 0:40:52 | 0:40:55 | |
-Well done, love. Brilliant. -Well done. | 0:40:55 | 0:40:58 | |
-It'll mean a lot to the charity. -Yes. I really enjoyed it. | 0:40:58 | 0:41:02 | |
I think the charity are going to be over the moon with that. | 0:41:06 | 0:41:11 | |
Considering I was selling a load of old BLEEP, it was great! | 0:41:11 | 0:41:15 | |
'Janice Dennis is the Chair of the Smiley Steps Centre in Kent.' | 0:41:15 | 0:41:20 | |
Cerebral palsy is a cerebral haemorrhage and it can happen at birth or even after birth. | 0:41:20 | 0:41:26 | |
It affects their ability, physical ability and mental ability. | 0:41:26 | 0:41:31 | |
They all have different severities of cerebral palsy, so some do some things and others do others. | 0:41:31 | 0:41:39 | |
Some are using walking frames. All different severities. | 0:41:39 | 0:41:43 | |
'The money Joe raised will buy toys and learning tools for the children. | 0:41:43 | 0:41:48 | |
'One person who has seen the difference first hand is Louise Taylor, | 0:41:48 | 0:41:53 | |
'who has come here with her son Joshua for the past two years.' | 0:41:53 | 0:41:58 | |
When Joshua came he was 17 months and he couldn't even sit up. | 0:41:58 | 0:42:02 | |
All he could do was lay on the floor and roll to play. | 0:42:02 | 0:42:06 | |
Within one month, they had him sitting up, which changed his whole perspective on the world. | 0:42:06 | 0:42:13 | |
He's now taking independent steps to walk around the room. The centre has been fantastic for us. | 0:42:13 | 0:42:21 | |
We were all chuffed for Joe. What a nice guy and a great result for him and his charity. | 0:42:25 | 0:42:31 | |
If you'd like to raise money for something special and might have some antiques around the house, | 0:42:31 | 0:42:37 | |
apply to come on the show. Just fill in the form on our website: | 0:42:37 | 0:42:44 | |
Good luck and maybe see you next time on Cash In The Attic. | 0:42:44 | 0:42:49 | |
Subtitles by Subtext for Red Bee Media Ltd - 2010 | 0:43:00 | 0:43:04 | |
Email [email protected] | 0:43:05 | 0:43:07 |