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Welcome to Cash In The Celebrity Attic. | 0:00:02 | 0:00:04 | |
This is the show that searches round the homes of the very well-known and | 0:00:04 | 0:00:07 | |
finds all their hidden treasures, some of which we'll take to auction to raise money for good causes. | 0:00:07 | 0:00:13 | |
Well, today I'm meeting a lady who's been a regular on our television screens for more than 30 years. | 0:00:13 | 0:00:18 | |
She's been in Minder, The Bill, London's Burning, and Casualty. | 0:00:18 | 0:00:23 | |
In fact, there's not very many successful British television shows that she's not been in. | 0:00:23 | 0:00:28 | |
She was once married to the son of a notorious London gangster, | 0:00:28 | 0:00:33 | |
whose associates terrorised the streets she used to call home. | 0:00:33 | 0:00:37 | |
And it's from these East End streets, or should I say, East End Square, that this lady really | 0:00:37 | 0:00:42 | |
made her name, playing the part of the mother of Martine McCutcheon's Tiffany character in EastEnders. | 0:00:42 | 0:00:48 | |
And, boy, did she have some explosive storylines. Have you worked out who it is yet? | 0:00:48 | 0:00:52 | |
Today I'm in Brighton and I'm on my way to meet the actress Carol Harrison. | 0:01:12 | 0:01:17 | |
Carol is best known for her role as Louise Raymond, the wilful mother of Tiffany in EastEnders. | 0:01:17 | 0:01:24 | |
She hails from the East End herself | 0:01:24 | 0:01:27 | |
and a single parent family. She was once married to the actor Jamie Foreman and they have a son, Alfie. | 0:01:27 | 0:01:33 | |
Then, in 2005, Carol married Ian, and the couple now live in East Sussex. | 0:01:33 | 0:01:38 | |
She currently teaches drama at the local college, and she's | 0:01:38 | 0:01:42 | |
writing her own play based on the 60s band, The Small Faces. | 0:01:42 | 0:01:46 | |
Coming up, as we look through her collectables, I take a risk with | 0:01:48 | 0:01:51 | |
the other question you should never ask a lady. | 0:01:51 | 0:01:54 | |
-So, how much did you pay for this, then? -Oh, far too much. | 0:01:54 | 0:01:57 | |
Don't ask her. This is a charity auction. | 0:01:57 | 0:02:00 | |
And there's intrigue over something Carol is a little embarrassed to own. What could it be? | 0:02:00 | 0:02:07 | |
The fact that it's wrapped up in newspaper, Carol, suggests to me that you don't use this. | 0:02:07 | 0:02:12 | |
-Is that right? -Open it up and you'll see why. | 0:02:12 | 0:02:14 | |
But how will Carol cope selling her cherished collectables at auction? | 0:02:14 | 0:02:18 | |
I love having icons around my house. | 0:02:18 | 0:02:20 | |
-And now you've got John. -And now I've got John. | 0:02:20 | 0:02:23 | |
Poor substitute, I know, I know. | 0:02:23 | 0:02:25 | |
Find out with the final fall of the gavel. | 0:02:25 | 0:02:28 | |
Joining me is John Cameron, who's well used to making home visits for valuations. | 0:02:30 | 0:02:34 | |
While he gets the hunt for collectables under way, I go in search of our host. | 0:02:34 | 0:02:39 | |
-Morning, ladies. -Hello. | 0:02:40 | 0:02:42 | |
-Lovely to meet you. -And you. -Fantastic house. | 0:02:42 | 0:02:44 | |
-I love this sort of Regency period. It's fantastic. -Thank you. It's quite cute. | 0:02:44 | 0:02:48 | |
-So, you've called in Cash In The Attic. -Absolutely. To help with Nina's charity. | 0:02:48 | 0:02:52 | |
This is my friend Nina. | 0:02:52 | 0:02:54 | |
And it's her son who's inspired the charity Whoopsadaisy. | 0:02:54 | 0:02:57 | |
Right, and what does Whoopsadaisy do? | 0:02:57 | 0:02:59 | |
Well, we help children with physical disabilities. | 0:02:59 | 0:03:02 | |
We use a method of Conductive Education. | 0:03:02 | 0:03:04 | |
So, we're helping local children. | 0:03:04 | 0:03:06 | |
John Cameron's having a look around so hopefully he'll have found something for us. | 0:03:06 | 0:03:10 | |
So, should we go and find the man? | 0:03:10 | 0:03:11 | |
-Great. Fantastic. -We'll start out here. | 0:03:11 | 0:03:13 | |
John Cameron. Where are you? | 0:03:13 | 0:03:15 | |
Carol lives in an Edwardian terraced house on a vibrant street. | 0:03:17 | 0:03:20 | |
Inside, things are immaculate. | 0:03:20 | 0:03:22 | |
There's a strong French provincial influence here. | 0:03:22 | 0:03:25 | |
Carol must be very house-proud. | 0:03:25 | 0:03:27 | |
Let's just hope she's willing to part with enough items | 0:03:27 | 0:03:29 | |
to raise the £400 - £500 that she's hoping to make for her charity. | 0:03:29 | 0:03:35 | |
Now, I have it on good authority that our host has a lifelong love of music. | 0:03:35 | 0:03:39 | |
Especially bands from the 60s and 70s. | 0:03:39 | 0:03:42 | |
But that's not to say everything in her house has a musical theme. | 0:03:42 | 0:03:46 | |
-Ah, John, you've found something already. -I have. | 0:03:47 | 0:03:50 | |
This rather eye-catching aeroplane. | 0:03:50 | 0:03:53 | |
-Yeah, my lovely plane. -Where did you get this from, then? | 0:03:53 | 0:03:55 | |
Well, I actually got that in Camden Market. | 0:03:55 | 0:04:00 | |
And when I bought it, I think he said it was American, so, yes. | 0:04:00 | 0:04:04 | |
Well, it's a copy of a lamp that was first produced in around 1939. | 0:04:04 | 0:04:08 | |
Very art-deco looking. And it was exhibited at the 1939 trade fair. | 0:04:08 | 0:04:12 | |
-The model itself is actually based on the DC3. -Yes. | 0:04:12 | 0:04:15 | |
And what I love about this is the use of the materials. | 0:04:15 | 0:04:18 | |
They were both in vogue at the time and a real reflection of the age. | 0:04:18 | 0:04:22 | |
This is chromium plated. | 0:04:22 | 0:04:24 | |
And the press moulded glass, both things that really do typify the machine age. | 0:04:24 | 0:04:29 | |
And a lot of designers and artists at the time | 0:04:29 | 0:04:32 | |
embracing those materials and really trying to sort of make good designs that were available to the masses. | 0:04:32 | 0:04:39 | |
I thought it looked very much like Howard Hughes' plane - | 0:04:39 | 0:04:41 | |
it's a very chunky thing, isn't it? | 0:04:41 | 0:04:42 | |
You're right. I was thinking, this is the sort of thing you might have found on Howard Hughes' desk. | 0:04:42 | 0:04:48 | |
-You're spot-on. -Maybe it was there. -Maybe it was. | 0:04:48 | 0:04:51 | |
Not this one. | 0:04:51 | 0:04:52 | |
Well, a bit of poetic licence, there. | 0:04:52 | 0:04:55 | |
Can you remember what you paid for it? | 0:04:55 | 0:04:57 | |
It was about £20-£25. | 0:04:57 | 0:04:59 | |
-How long ago was that? -Late 80s. | 0:04:59 | 0:05:02 | |
Right, OK. And what sort of value do you think it might have, then? | 0:05:02 | 0:05:06 | |
Well, I think we could probably do a little bit better than that. | 0:05:06 | 0:05:08 | |
I mean, it's missing its electrical element, though. | 0:05:08 | 0:05:10 | |
I think it's a good thing because otherwise you'd have to have it electrically tested. | 0:05:10 | 0:05:14 | |
So, that's fine. Whoever buys it, they can choose to either revert it back to a nice | 0:05:14 | 0:05:17 | |
-lamp, which would look fantastic glowing. -It looks lovely when it's lit up. -I'm sure it does. | 0:05:17 | 0:05:21 | |
Or they just can leave it as a nice desk ornament which I think again looks quite striking. | 0:05:21 | 0:05:25 | |
I think today, sensible estimate | 0:05:25 | 0:05:27 | |
-on that would be about £30-£50. -Oh, brilliant. | 0:05:27 | 0:05:30 | |
-Are you happy with that? -Yes. That would be fantastic. | 0:05:30 | 0:05:33 | |
I bet Howard Hughes' plane cost more than that. | 0:05:33 | 0:05:35 | |
I bet. You never know, two people want it in the room - it may well take off. | 0:05:35 | 0:05:38 | |
Well, let's go and put that away somewhere safe before you come up with any more puns. | 0:05:38 | 0:05:42 | |
-Let's see what else we can find. Come on. -OK. | 0:05:42 | 0:05:44 | |
In order to explore Carol's home in detail, we decide it's best to split up. | 0:05:46 | 0:05:51 | |
Nina takes a careful look at some crystal ornaments in the dining room. | 0:05:51 | 0:05:54 | |
But, unfortunately, they're too sentimental for Carol to part with. | 0:05:54 | 0:05:58 | |
We won't be seeing these particular items in the sale room. | 0:05:58 | 0:06:01 | |
Then I come across a miner's lamp from Eccles and there's a lot of | 0:06:01 | 0:06:05 | |
these on the market, so we decide not to take this one to auction either. But there is some good news. | 0:06:05 | 0:06:11 | |
In the hallway, John notices that Carol has a signed, framed picture | 0:06:11 | 0:06:15 | |
of Ray Davies, lead singer of that 60s band, The Kinks. | 0:06:15 | 0:06:19 | |
Their song, You Really Got Me, reached number one in 1964, and Carol's happy for this to be sold. | 0:06:19 | 0:06:25 | |
Which is great news. Let's hope there are | 0:06:25 | 0:06:28 | |
plenty of dedicated followers of their music at the sale, | 0:06:28 | 0:06:31 | |
so we might exceed John's £40-£80 estimate. | 0:06:31 | 0:06:34 | |
Spurred on by his find, | 0:06:34 | 0:06:36 | |
our expert heads straight for more of our hosts musical mementos. | 0:06:36 | 0:06:40 | |
Whenever I get to go through someone's record collection, | 0:06:41 | 0:06:44 | |
I think it's a real reflection of the person. So, we've got an interesting selection here. | 0:06:44 | 0:06:49 | |
-It's eclectic. -It's eclectic. From Buddy Holly and Mick Jagger, to The Who, a favourite of mine. | 0:06:49 | 0:06:53 | |
Elvis Presley and Pink Floyd. | 0:06:53 | 0:06:56 | |
So, come on, explain this rather interesting collection of records that we've got here. | 0:06:56 | 0:07:01 | |
Well, I do have eclectic taste in music. | 0:07:01 | 0:07:05 | |
I love The Who, I love all the Mod stuff. Mick Jagger. | 0:07:05 | 0:07:08 | |
Greatest rock'n'roll band. I like a bit of reggae. | 0:07:08 | 0:07:12 | |
And, obviously, Elvis is king of rock and roll. And a bit of Pink Floyd. | 0:07:12 | 0:07:16 | |
I'm also a bit of a closet country queen as well. | 0:07:16 | 0:07:20 | |
Because I love a bit of country. | 0:07:20 | 0:07:22 | |
So, you know, I mean, I went through this phase of buying rare records, really. | 0:07:22 | 0:07:28 | |
There's quite a few fairs. There's one down here in Brighton. | 0:07:28 | 0:07:32 | |
And you know, when I've been on tour and stuff, and picked up different things. | 0:07:32 | 0:07:35 | |
Well, these are picture discs. These are some of them. We've got an Elvis one here. | 0:07:35 | 0:07:39 | |
Look at that beautiful pink marbling on there. | 0:07:39 | 0:07:41 | |
-Puce marbling. -Puce marbling. | 0:07:41 | 0:07:43 | |
This one is a similar thing. I think these were issued as a series. | 0:07:43 | 0:07:47 | |
And this one in yellow. | 0:07:47 | 0:07:49 | |
Again, great. But I love the Pink Floyd album here. That's just great. | 0:07:49 | 0:07:52 | |
I mean, these are interesting. | 0:07:52 | 0:07:54 | |
And my son only recently paid £50 for a red vinyl Sergeant Pepper. | 0:07:54 | 0:07:57 | |
So, these are kind of slightly better than the norm. | 0:07:57 | 0:08:00 | |
They would have been released later but they would have been in limited editions. | 0:08:00 | 0:08:04 | |
It's an interesting little collection. | 0:08:04 | 0:08:06 | |
-I think the value really lies in these here and this one. -Oh, right. | 0:08:06 | 0:08:09 | |
What I do also know is that dealers don't tend to want to pay a lot for them at auction, being realistic. | 0:08:09 | 0:08:16 | |
I know they retail them for good sums because somebody keeps coming to me for pocket money. | 0:08:16 | 0:08:20 | |
But I know also, dealing with a lot of probate sales, what they're willing to pay at auction. | 0:08:20 | 0:08:25 | |
So I put these in together at auction | 0:08:25 | 0:08:27 | |
with an estimate of about £70-£100. | 0:08:27 | 0:08:30 | |
But the great thing is we've got the internet on our side today, so people looking for something | 0:08:30 | 0:08:34 | |
a bit rare, a bit out of the norm, chances are they'll see it, and who knows where we'll go from there? | 0:08:34 | 0:08:38 | |
Yes. Well, they might want a particular one they haven't got in their collection, or something. | 0:08:38 | 0:08:42 | |
Well, that would be good. | 0:08:42 | 0:08:43 | |
We've got some good names here, so, hopefully, we'll do all right with them. | 0:08:43 | 0:08:47 | |
But will Carol's vinyl collection rock the sale room when it heads to auction? | 0:08:48 | 0:08:51 | |
£50 please. | 0:08:51 | 0:08:54 | |
£50, 55, 60. Five, 70, five, 80, five. | 0:08:54 | 0:09:00 | |
With a bit of luck, they'll reach a price that flies off the scale. | 0:09:00 | 0:09:04 | |
All that excitement is still to come. But as we continue our search in East Sussex, | 0:09:05 | 0:09:09 | |
I find myself blown away by Carol's lovely flower arrangement. | 0:09:09 | 0:09:14 | |
Nina's in the kitchen checking out something that certainly had appeal back in the 70s. | 0:09:14 | 0:09:18 | |
But, alas, soda siphons have little value at auction these days. | 0:09:18 | 0:09:22 | |
In the bedroom, I've spotted a small chain-mail handbag. | 0:09:22 | 0:09:26 | |
Carol bought this from a boutique on London's fashionable Portobello Road, about 30 years ago. | 0:09:26 | 0:09:31 | |
It's electroplated silver and has an Albion stamp on it. | 0:09:31 | 0:09:35 | |
This is the hallmark of the Sheffield company, Lee & Wigfull. | 0:09:35 | 0:09:38 | |
They normally made cutlery so this is a bit unusual for them. | 0:09:38 | 0:09:41 | |
It's a rare but not that valuable find, which is why the estimate is just £20-£30. | 0:09:41 | 0:09:47 | |
Born and bred in West Ham, Carol's a real life East Ender, just like her mum. | 0:09:49 | 0:09:53 | |
So her part in the soap was a perfect fit. | 0:09:53 | 0:09:55 | |
It's 11 years since she played Louise Raymond in EastEnders. | 0:09:55 | 0:09:59 | |
So, is she still remembered as Tiffany's mum? | 0:09:59 | 0:10:02 | |
-Did you realise when you got the part and took it on how big a role that was going to become? -No. | 0:10:02 | 0:10:08 | |
When you do a soap, it is different. | 0:10:08 | 0:10:12 | |
You are in people's front rooms three times a week. | 0:10:12 | 0:10:17 | |
I didn't... Wasn't quite prepared for how big it was going to be. | 0:10:17 | 0:10:21 | |
-Or how enormous the role was going to be, in the sense of what I had to go through. -Yes. | 0:10:21 | 0:10:26 | |
In the end, I needed counselling I think for my character, I went through so many things. | 0:10:26 | 0:10:31 | |
And you spend much more time being that person than you are at home. | 0:10:31 | 0:10:34 | |
-Of course. -That was the extraordinary thing about it as well. | 0:10:34 | 0:10:37 | |
Were you quite shocked when you read some of the storylines? | 0:10:37 | 0:10:40 | |
Back in the days, you were having an affair with your daughter's husband. | 0:10:40 | 0:10:43 | |
-I did. -Who, accidentally, was Grant Mitchell. | 0:10:43 | 0:10:46 | |
-It was a bit radical, wasn't it, really? -It was. | 0:10:46 | 0:10:49 | |
I mean, when I went in, I didn't know what the storyline was going to be, | 0:10:49 | 0:10:52 | |
but they just said that they wanted someone that was young enough for it to be... | 0:10:52 | 0:10:59 | |
that he could fancy, sort of thing, they could fancy each other. Um... | 0:10:59 | 0:11:04 | |
And... So, it was quite shocking. | 0:11:04 | 0:11:07 | |
Another shocking thing was, because people would say to me, | 0:11:07 | 0:11:10 | |
"Oh, you'll get people hating you in the street", and stuff. | 0:11:10 | 0:11:13 | |
And, in actual fact, I didn't. I think people were so intrigued by it. | 0:11:13 | 0:11:17 | |
I mean, and Tiffany was like the Princess Diana of the Square at the time. Er... | 0:11:17 | 0:11:24 | |
But they were really intrigued by it, I think. I didn't really get all of that nastiness. | 0:11:24 | 0:11:29 | |
So, how did you get into acting? | 0:11:29 | 0:11:32 | |
Oh, well, that was a long time ago. | 0:11:32 | 0:11:34 | |
It was a decision I made when I was six years old. | 0:11:36 | 0:11:39 | |
That was it, I was just going to be an actress. | 0:11:39 | 0:11:42 | |
And I'd made my mind up. | 0:11:42 | 0:11:44 | |
I lived in this complete fantasy world where my fantasy world was much better than my reality. | 0:11:44 | 0:11:50 | |
So that's where I lived. So I'd go to school, and they'd say, "Where have you been, because it's 11 o'clock?" | 0:11:50 | 0:11:57 | |
And I'd go, "Well, I've been coming to school". | 0:11:57 | 0:12:00 | |
I'd been dawdling, in my own fantasy world. | 0:12:00 | 0:12:03 | |
So, yeah, that's what I decided to do. | 0:12:03 | 0:12:06 | |
At 11, I went to youth theatre. | 0:12:06 | 0:12:08 | |
At 17, I was offered a place at drama school. But I went straight into the business. | 0:12:08 | 0:12:13 | |
And started touring all over the country, then went to the | 0:12:13 | 0:12:17 | |
-National Theatre, and just went on from there, really. -So how did you get that break into television? | 0:12:17 | 0:12:21 | |
Oh, I just auditioned for Softly Softly, it was called. | 0:12:21 | 0:12:26 | |
-I remember. -Of a gangster's moll. | 0:12:26 | 0:12:28 | |
And I was obviously perfect for the part. And... | 0:12:28 | 0:12:32 | |
So that was my first television. | 0:12:32 | 0:12:34 | |
That was... oh, a long, long time ago. | 0:12:34 | 0:12:37 | |
But it's...fantastic. I loved it. | 0:12:37 | 0:12:41 | |
I loved my character, I loved her complexity, and I loved to be in there. So, it's a good thing to do. | 0:12:41 | 0:12:47 | |
-So, what are you up to at the moment? -Well I am still acting. | 0:12:47 | 0:12:51 | |
Erm... But also I've got an MA in Screenwriting that I did when I come out of EastEnders. | 0:12:51 | 0:12:56 | |
So I lecture in screenwriting and acting. | 0:12:56 | 0:13:00 | |
And, also, I've written a feature, but at the moment I'm writing a musical. | 0:13:00 | 0:13:06 | |
A Mod musical. | 0:13:06 | 0:13:08 | |
And, hopefully, some more telly. That would be good. | 0:13:08 | 0:13:11 | |
Well, let's make sure today doesn't turn into too much of a soap opera of our own making, shall we? | 0:13:11 | 0:13:16 | |
-And see whether John's found anything else we can add to the fund. Come on. -Thank you. | 0:13:16 | 0:13:20 | |
It looks like he's found her stash of costume jewellery. | 0:13:22 | 0:13:25 | |
It's a nice collection. But she doesn't want to part with it. | 0:13:25 | 0:13:28 | |
Around the fireplace, Nina's spotted | 0:13:28 | 0:13:30 | |
some items of copperware which our host is more happy to sell. | 0:13:30 | 0:13:34 | |
She discovered them in her garage many years ago. | 0:13:34 | 0:13:37 | |
There's about five pieces, and John thinks they could fetch £20-£30 on sale day. | 0:13:37 | 0:13:41 | |
What about Carol's soap award, do you think this would do well at auction? | 0:13:45 | 0:13:49 | |
-I think it would do fantastic, yes. -Carol, can we put your soap award into auction? | 0:13:49 | 0:13:53 | |
Absolutely not. Put it back, I might not get another one. | 0:13:53 | 0:13:55 | |
-With the look you gave me there, I thought you were going to hit me with it. -Never! | 0:13:55 | 0:13:59 | |
-What have you got here? -Right. A 70s classic, I think. -This is not records, is it? | 0:13:59 | 0:14:03 | |
-No, no, no more records, no. This is china. -China? -Bit of china. | 0:14:03 | 0:14:07 | |
OK. Let's have a look. | 0:14:07 | 0:14:10 | |
Well, the fact that it's wrapped up in newspaper, Carol, suggests that to me that you don't use this. | 0:14:10 | 0:14:16 | |
-Is that right? -Open it up and you'll see why. | 0:14:16 | 0:14:19 | |
We've got a good name to start with. It's Doulton. | 0:14:19 | 0:14:21 | |
That's a good name, isn't it? | 0:14:21 | 0:14:23 | |
It is a good name. One of the best and it's Morning Star is the pattern. | 0:14:23 | 0:14:28 | |
So why don't you use this? | 0:14:28 | 0:14:31 | |
-Well, it's very 70s, isn't it? -I think it's great. | 0:14:31 | 0:14:34 | |
It's great, it actually belonged to my husband. His grandma gave it to him when he got his first flat. | 0:14:34 | 0:14:39 | |
Ok. I think we've got two potential buyers for this sort of thing. | 0:14:39 | 0:14:43 | |
One are a number of firms that have set up, | 0:14:43 | 0:14:46 | |
specialising in discontinued patterns and this Morning Star | 0:14:46 | 0:14:50 | |
is a discontinued pattern and it's Doulton, it's easy to track back. | 0:14:50 | 0:14:55 | |
How they make their money is they buy these up and then when somebody breaks a plate and | 0:14:55 | 0:14:59 | |
can't replace it any more, they go to these companies and they get one. | 0:14:59 | 0:15:02 | |
They have to pay handsomely for it and they get a lot of work out of insurance companies. | 0:15:02 | 0:15:05 | |
But they are looking for condition all the time. | 0:15:05 | 0:15:09 | |
Luckily on here we've got no gilding to start with and that's one of the | 0:15:09 | 0:15:12 | |
things on porcelain that gets rubbed and worn very quickly. So, no gilding on here. | 0:15:12 | 0:15:16 | |
We do have these overglaze enamelled decorations which all looks good. The other | 0:15:16 | 0:15:21 | |
potential user of all this I think are people that love retro. | 0:15:21 | 0:15:24 | |
I think this is a great pattern. | 0:15:24 | 0:15:26 | |
Morning Star, which is the name given to Venus | 0:15:26 | 0:15:29 | |
when she rises in the east in the mornings. | 0:15:29 | 0:15:31 | |
-I think this is a nice pattern, I like it. -Yes. | 0:15:31 | 0:15:34 | |
How many pieces do you have here? | 0:15:34 | 0:15:37 | |
I think it's, sort of eight places and it's all there and there's some vegetable tureens and stuff as well. | 0:15:37 | 0:15:42 | |
-If you've got eight pieces, what have you got? Cups, saucers, side plates, dinner plates? -Yes. | 0:15:42 | 0:15:46 | |
-There's 32 pieces and some tureens - probably about 35 to 40 pieces? -Yes. Something like that. | 0:15:46 | 0:15:53 | |
To put it into auction today, not huge sums but I'd certainly think | 0:15:53 | 0:15:57 | |
£30 to £50. What do you think? | 0:15:57 | 0:15:59 | |
-Yes. I think that's good. -I think there's a lot of pieces for that. | 0:15:59 | 0:16:02 | |
You get a lot for your money but then more people should | 0:16:02 | 0:16:05 | |
go to auction, because with things like | 0:16:05 | 0:16:06 | |
this you can furnish your home for not a king's ransom. Look. | 0:16:06 | 0:16:10 | |
You've got a great retro design and it's Doulton. | 0:16:10 | 0:16:12 | |
Especially if you furnish it all in 70s furniture. | 0:16:12 | 0:16:15 | |
-Brilliant. -Yes. | 0:16:15 | 0:16:16 | |
Going by John's lowest estimate so far, we stand to make £210 when we take everything we found to auction. | 0:16:16 | 0:16:24 | |
So we're around the halfway mark. | 0:16:24 | 0:16:26 | |
With the fate of the Royal Doulton sealed, | 0:16:26 | 0:16:28 | |
Carol remembers she has another set of crockery in the kitchen. | 0:16:28 | 0:16:31 | |
This one is bone china made in the first half of the 20th century | 0:16:31 | 0:16:35 | |
by Paragon, of Stoke-on-Trent. | 0:16:35 | 0:16:38 | |
Carol was given this as a gift back in the 90s, | 0:16:38 | 0:16:40 | |
but is happy to sell it to benefit the charity. | 0:16:40 | 0:16:42 | |
It's not quite as collectable as Royal Doulton, | 0:16:42 | 0:16:46 | |
but it's still worth roughly the same price. | 0:16:46 | 0:16:49 | |
It could bring in another £20 to £40 on sale day. | 0:16:49 | 0:16:52 | |
In the study, John's taking a close look at this old box of snooker balls. | 0:16:54 | 0:17:00 | |
They were made by the prestigious London company, | 0:17:00 | 0:17:02 | |
Burroughes & Watts, one of the | 0:17:02 | 0:17:04 | |
oldest makers of snooker tables and accessories still in existence. | 0:17:04 | 0:17:08 | |
The balls are made of crystallite. | 0:17:08 | 0:17:10 | |
Top-of-the-range in its day but the manufacturing process has | 0:17:10 | 0:17:13 | |
moved on since these were produced. | 0:17:13 | 0:17:15 | |
On closer inspection, it looks like they've been well used. | 0:17:15 | 0:17:19 | |
John still thinks they could be of interest to collectors | 0:17:19 | 0:17:22 | |
of sporting memorabilia and may bring in as much as £30 to £50. | 0:17:22 | 0:17:26 | |
Then I find something which never seems to date. | 0:17:28 | 0:17:32 | |
Carol, John, are you there? | 0:17:32 | 0:17:34 | |
Look, I have to say I have just literally lifted this off the wall. | 0:17:34 | 0:17:37 | |
-So I don't know whether it's for sale of not? -Yes, of course. | 0:17:37 | 0:17:41 | |
-Yes, I'd love to put it in. -There you go then. | 0:17:41 | 0:17:43 | |
-There's a valuation to be done. -So you're obviously a fan, Carol? | 0:17:43 | 0:17:45 | |
I'm a fan of the King, yes. | 0:17:45 | 0:17:48 | |
He was the King of Rock and Roll and that is a fact because Elvis is | 0:17:48 | 0:17:50 | |
the highest selling recording artist of all time, | 0:17:50 | 0:17:54 | |
followed by the Beatles and there is a big gap between them | 0:17:54 | 0:17:57 | |
which shows you just how popular he was. | 0:17:57 | 0:17:59 | |
The great thing about Elvis is that he has remained as popular today as | 0:17:59 | 0:18:03 | |
he's ever been and has sold more records posthumously then he did when he was alive. | 0:18:03 | 0:18:08 | |
-So where did it come from? -Well, I bought it at a charity auction, but | 0:18:08 | 0:18:11 | |
I did this wonderful trip that when I came out of EastEnders, | 0:18:11 | 0:18:15 | |
a magazine asked me what I wanted to do | 0:18:15 | 0:18:17 | |
and I said I wanted to take my sister to Gracelands because she loved him and she'd just lost her husband. | 0:18:17 | 0:18:22 | |
So we did this fantastic trip from New Orleans to Nashville | 0:18:22 | 0:18:25 | |
and Memphis and to Tupelo | 0:18:25 | 0:18:27 | |
and it just reminded me of that and I was at this charity auction, | 0:18:27 | 0:18:30 | |
it was a good cause, so I bought it there. | 0:18:30 | 0:18:32 | |
These particular stamps here, they are a commemorative thing. | 0:18:32 | 0:18:36 | |
We can see they've both been issued on August 16th, 2002. | 0:18:36 | 0:18:40 | |
This one is Sierra Leone. | 0:18:40 | 0:18:42 | |
This one here, a fantastic shot of Elvis on stage there, | 0:18:42 | 0:18:45 | |
probably in his Vegas days. | 0:18:45 | 0:18:46 | |
That's a significant date, August 16th, | 0:18:46 | 0:18:49 | |
it was the day he died and this was the 25th anniversary of that date. | 0:18:49 | 0:18:53 | |
Yes, I was in Egypt at the time, it was weird. They said, "Elvis is dead" | 0:18:53 | 0:18:56 | |
and we heard it on the street and I said "No, it can't be possible. | 0:18:56 | 0:19:00 | |
"What were they saying?" Because it was an Egyptian sort of accent. | 0:19:00 | 0:19:04 | |
-I thought, they can't say Elvis is dead. -There we are. | 0:19:04 | 0:19:07 | |
For me, the value in these doesn't actually lie in those stamps. | 0:19:07 | 0:19:11 | |
They would have been produced in huge, huge numbers. | 0:19:11 | 0:19:13 | |
Because as we said he's still very, very popular, | 0:19:13 | 0:19:15 | |
so they would have sold untold amounts of these. | 0:19:15 | 0:19:17 | |
But the value in this lies in the display. It's a nice thing. | 0:19:17 | 0:19:21 | |
It's attractive, it's been framed sympathetically and I think will | 0:19:21 | 0:19:25 | |
make a great gift for the numerous Elvis fans that still remain today. | 0:19:25 | 0:19:29 | |
In my opinion that's where the money now lies - as a display. | 0:19:29 | 0:19:33 | |
So at auction today, I'd probably put it in | 0:19:33 | 0:19:35 | |
at about £50 to £100, something like that. | 0:19:35 | 0:19:38 | |
How does that compare to what you paid for it? | 0:19:38 | 0:19:41 | |
I paid a bit more than that! At a charity auction, I think I paid a couple of hundred pounds for it. | 0:19:41 | 0:19:45 | |
But it was for a good cause. I don't mind, | 0:19:45 | 0:19:47 | |
-that's fine because then it's done its job twice, hasn't it? -Yeah. | 0:19:47 | 0:19:51 | |
That's a nice way to look at it, isn't it? | 0:19:51 | 0:19:53 | |
-OK. Well shall we put Elvis Presley down and see what else we can find? -OK. -Yes. -Come on then. | 0:19:53 | 0:19:59 | |
Well, let's hope those stamps aren't "returned to sender". | 0:19:59 | 0:20:02 | |
We need them to do well on the day. | 0:20:02 | 0:20:05 | |
Carol moved down to Brighton five years ago and loves living by the sea. | 0:20:05 | 0:20:09 | |
It was here that she met her good friend, Nina. | 0:20:09 | 0:20:11 | |
How did you choose out of all the charities to get involved with, this particular one? | 0:20:13 | 0:20:18 | |
Well, I met Nina socially and she told me about her son | 0:20:18 | 0:20:23 | |
and then I met Christopher who inspired the charity. | 0:20:23 | 0:20:28 | |
She asked me to become a patron and I saw the great work that they had done | 0:20:28 | 0:20:33 | |
with children with cerebral palsy. | 0:20:33 | 0:20:36 | |
So it's quite miraculous us when you see that, when you see the difference that it makes. | 0:20:36 | 0:20:40 | |
You know how important it is then. | 0:20:40 | 0:20:42 | |
What is this treatment then? | 0:20:42 | 0:20:44 | |
It's called Conductive Education. | 0:20:44 | 0:20:46 | |
It was formulated in Hungary. They use singing and games for similar, | 0:20:46 | 0:20:52 | |
like physiotherapy, but we do it in group sessions for the children. | 0:20:52 | 0:20:56 | |
So they don't actually compete with one another, but they learn off one another. | 0:20:56 | 0:21:00 | |
-You just celebrated Christopher's 18th birthday. -Yeah. | 0:21:00 | 0:21:04 | |
And it was fantastic to see other kids he's with in the centre, and staff as well. | 0:21:04 | 0:21:09 | |
Do you think our children take for granted what they have compared to children like Christopher? | 0:21:09 | 0:21:16 | |
I expect they do. | 0:21:16 | 0:21:17 | |
But I think we should really take it for granted, it's just unfortunate | 0:21:17 | 0:21:21 | |
that there are children out there that don't have that. | 0:21:21 | 0:21:24 | |
The two of you met in Brighton. What made you move to Brighton? | 0:21:24 | 0:21:28 | |
I actually moved down here, my husband's parents live here. | 0:21:28 | 0:21:32 | |
I'm two minutes from the sea, which is lovely. | 0:21:32 | 0:21:35 | |
It's a very nice place to live and I kind of made my mark down here | 0:21:35 | 0:21:38 | |
a little bit because I teach at the local college and film school. | 0:21:38 | 0:21:43 | |
I've made some friends, some nice friends now down here. | 0:21:43 | 0:21:47 | |
So, yeah, life is nice here but I still pine for London. | 0:21:47 | 0:21:53 | |
I think you can take the girl out of the East End but you can't take the East End out of the girl. | 0:21:53 | 0:21:57 | |
We need to find John Cameron. | 0:21:57 | 0:21:59 | |
-To make sure he's working. -Yes, well that will be a first. | 0:21:59 | 0:22:02 | |
No, he does work very hard does our John. | 0:22:02 | 0:22:05 | |
I'm delighted to see that he's been a busy bee. | 0:22:05 | 0:22:08 | |
It looks like he could be on to something valuable. | 0:22:08 | 0:22:11 | |
Nina's also busying herself around one of Carol's trinket boxes. | 0:22:11 | 0:22:17 | |
But I'm sticking with our host and helping her sort through some ornaments. | 0:22:17 | 0:22:20 | |
Now if we're to achieve the £400 to £500 target, we still need a big find and we could be struggling. | 0:22:20 | 0:22:26 | |
Girls... Look what I've found. | 0:22:26 | 0:22:29 | |
Oh, Frankie! | 0:22:29 | 0:22:31 | |
An interesting golf putter with a signed picture of Frankie Vaughan in there. | 0:22:31 | 0:22:36 | |
-I'm wondering if there's a story behind this? -Got to be. | 0:22:36 | 0:22:39 | |
Yeah, there is a story behind this. | 0:22:39 | 0:22:41 | |
Frankie Vaughan, this was my mum's idol, my mum's pin-up. | 0:22:41 | 0:22:46 | |
And I bought this at an auction and it's his actual putter supplied by his wife, Stella. | 0:22:46 | 0:22:52 | |
I couldn't resist it because my mum loved him so much and all the things that I'd done, she never knew. | 0:22:54 | 0:23:01 | |
She died before I was at the National, working with Arthur Miller | 0:23:01 | 0:23:04 | |
or in EastEnders or any of the TV stuff. | 0:23:04 | 0:23:06 | |
So when the auction came up, I had to buy | 0:23:06 | 0:23:10 | |
something and it was a golf putter but it's crazy but I just went for it because it reminds me of my mum. | 0:23:10 | 0:23:18 | |
-How much did you pay for this then? -Far too much! | 0:23:18 | 0:23:21 | |
-Don't answer that! -But I'm getting on to my next question, OK, over to you, what's it worth? | 0:23:21 | 0:23:28 | |
Interesting that Frankie Vaughan was a golfing man and a sportsman because did you know he was a boxer? | 0:23:28 | 0:23:33 | |
-Yes, I did. -Grew up in Liverpool, he was born in Liverpool, | 0:23:33 | 0:23:37 | |
boxed as a kid and boxed in the army before becoming Mr Moonlight. | 0:23:37 | 0:23:42 | |
Do you also know what his name was and how he got his name? | 0:23:42 | 0:23:45 | |
-No, I don't know that. -It's an interesting story, I don't know how true it is. | 0:23:45 | 0:23:48 | |
But he was actually born Frankie Abelson, of Russian-Jewish parentage. | 0:23:48 | 0:23:54 | |
And his grandmother, who was a Russian-Jewish lady, she used to always say, | 0:23:54 | 0:24:01 | |
"Frankie you're my number von grandson". | 0:24:01 | 0:24:05 | |
Number von! | 0:24:05 | 0:24:07 | |
That's where he changed his name to Frankie Vaughan. | 0:24:07 | 0:24:11 | |
What sort of value are we talking about then, John? | 0:24:11 | 0:24:14 | |
Well, it's an interesting thing, it's got actual provenance and you've got | 0:24:14 | 0:24:19 | |
a signed photograph which I think makes it more interesting and I think this will be | 0:24:19 | 0:24:23 | |
the perfect gift for a golfing fan if you have a golfing fan that's also a fan of Frankie Vaughan. | 0:24:23 | 0:24:28 | |
There's lots of Frankie Vaughan fans, like my mum. | 0:24:28 | 0:24:30 | |
If we had to put an estimate on it, I think £80 to £120 is certainly | 0:24:30 | 0:24:35 | |
reasonable and I'd have thought would the bidding started. | 0:24:35 | 0:24:38 | |
-Happy with that? -Yeah, absolutely. | 0:24:38 | 0:24:40 | |
OK. Well I think it should help our total. | 0:24:40 | 0:24:42 | |
-Nina, are you there? -Yes. | 0:24:42 | 0:24:44 | |
Come in because we've got the total now. | 0:24:44 | 0:24:46 | |
We've run out of time for rummaging but thanks to Frankie Vaughan, | 0:24:46 | 0:24:49 | |
do you think we've done very well today? | 0:24:49 | 0:24:52 | |
I hope so, yes. I think it's been OK, yes. | 0:24:52 | 0:24:55 | |
-What about you, Nina? -Very pleased. | 0:24:55 | 0:24:57 | |
The value of everything that's going to auction comes to a total of £390. | 0:24:57 | 0:25:04 | |
-Oh, wow. -So that's good, isn't it? | 0:25:04 | 0:25:05 | |
So hopefully we can do that and perhaps a bit better? | 0:25:05 | 0:25:09 | |
That would be even nicer, wouldn't it? | 0:25:09 | 0:25:11 | |
-Every penny counts, so the next we see you will be at the auction house. -OK. Lovely. | 0:25:11 | 0:25:15 | |
Don't get too excited and no buying! | 0:25:15 | 0:25:18 | |
No. I'll have to strap my hand down. | 0:25:18 | 0:25:21 | |
So we're not far off the £400 target | 0:25:21 | 0:25:24 | |
and of course the closer she gets to £500, the happier Carol will be. | 0:25:24 | 0:25:30 | |
We've found some really fascinating items today and heading off to the auction, we have... | 0:25:30 | 0:25:34 | |
Carol's much-loved collection of rare vinyl records. | 0:25:34 | 0:25:38 | |
Including Elvis, the Who, the Rolling Stones and Pink Floyd. | 0:25:38 | 0:25:41 | |
All very collectable and we hope they'll rock us with £70 to £100. | 0:25:41 | 0:25:48 | |
There's the Art Deco-style aeroplane lamp that Carol bought on a market stall. | 0:25:48 | 0:25:51 | |
The design is similar to the Douglas DC 3, the American transport aircraft of the 1930s and 1940s. | 0:25:51 | 0:25:59 | |
Could it bring in another £30 to £50? | 0:25:59 | 0:26:02 | |
And the Elvis Presley stamps from Graceland. | 0:26:02 | 0:26:05 | |
This set is nicely presented and we're hoping it'll perform brilliantly. | 0:26:05 | 0:26:08 | |
If there are plenty of Elvis fans there on the day. | 0:26:08 | 0:26:11 | |
All being well, the stamps should be upwards of their £50 to £100 estimate. | 0:26:11 | 0:26:16 | |
Still to come on Cash In The Celebrity Attic ... | 0:26:16 | 0:26:19 | |
We try to spot who could bid on some of our musical memorabilia. | 0:26:19 | 0:26:23 | |
It is a real niche collecting area. | 0:26:23 | 0:26:27 | |
-Do we think we've got them in today? -We'll soon find out. | 0:26:27 | 0:26:29 | |
Carol can't contain her excitement with some unexpected results. | 0:26:29 | 0:26:33 | |
Yes! Rock and roll! | 0:26:33 | 0:26:36 | |
That's great, isn't it? | 0:26:36 | 0:26:38 | |
But will our luck hold out? Find out at the final fall of the gavel. | 0:26:38 | 0:26:43 | |
Now it's been a good few weeks since we visited Carol at her lovely cottage down in Brighton. | 0:26:47 | 0:26:52 | |
And we found plenty of really eclectic items to bring here | 0:26:52 | 0:26:56 | |
to Chiswick auction rooms in west London. | 0:26:56 | 0:26:58 | |
Now Carol is hoping to raise £400 to £500 for her charity but the more we make, the better. | 0:26:59 | 0:27:04 | |
Her items have been on display in the saleroom for a good few days | 0:27:04 | 0:27:08 | |
leading up to the sale to give them the best possible chance. | 0:27:08 | 0:27:11 | |
They should have received plenty of interest from prospective buyers. | 0:27:11 | 0:27:15 | |
John spotted the Elvis stamps. | 0:27:15 | 0:27:16 | |
Is he still confident they'll achieve his estimate? | 0:27:16 | 0:27:19 | |
What do you expect these to go for? | 0:27:19 | 0:27:22 | |
I've got £50 to £100 for it and I think it's a nice thing, it's ready | 0:27:22 | 0:27:25 | |
-to go, a good present for somebody. -She's got quite a lot of musical related items. | 0:27:25 | 0:27:30 | |
Yes, she's a bit of a rock chick. | 0:27:30 | 0:27:32 | |
She's got nice picture disks and some coloured vinyl as well. | 0:27:32 | 0:27:34 | |
I like the really sophisticated Art Deco style lamp. | 0:27:34 | 0:27:38 | |
-I thought that was gorgeous. -Yes, that was quite nice. Eye-catching. | 0:27:38 | 0:27:42 | |
We can't afford for anything not to sell very well today. | 0:27:42 | 0:27:45 | |
So it's quite a pressurised environment so do we want to put Elvis down? | 0:27:45 | 0:27:48 | |
And don't leave the building, stay with us, all right? | 0:27:48 | 0:27:51 | |
The room is filling up nicely as we approach the start of the auction. | 0:27:51 | 0:27:55 | |
Hopefully these dealers have come laden with money to spend. | 0:27:55 | 0:27:59 | |
Carol's looking forward to the sale and Nina's here too, lending some moral support. | 0:27:59 | 0:28:05 | |
The first of Carol's lots to go under the hammer | 0:28:05 | 0:28:07 | |
is the collection of copper, including of course an old bed pan. | 0:28:07 | 0:28:10 | |
John valued this lot at £20 to £30. | 0:28:10 | 0:28:13 | |
But seeing they cost Carol nothing, whatever they make is a bonus. | 0:28:13 | 0:28:18 | |
£20? £10? | 0:28:18 | 0:28:21 | |
£10, give me £10 for it? £10. | 0:28:21 | 0:28:24 | |
£10. 12 at £10. | 0:28:24 | 0:28:26 | |
12 at £10? We're now at £10. | 0:28:26 | 0:28:29 | |
£12. 15. 18? 18. 20. £18. | 0:28:29 | 0:28:33 | |
£18 are we done? At £18. | 0:28:33 | 0:28:35 | |
£18, finished at £18? That's it. | 0:28:35 | 0:28:38 | |
-508, £18. -Oh, not too good. | 0:28:38 | 0:28:40 | |
We've only just started. It was as flat as a bedpan. | 0:28:40 | 0:28:43 | |
It was really, yes, yes. | 0:28:43 | 0:28:46 | |
OK, so not exactly a bidding frenzy. | 0:28:46 | 0:28:48 | |
Still, we do have our first contribution to the charity pot. | 0:28:48 | 0:28:52 | |
Let's hope the next lot gains a little more interest. | 0:28:52 | 0:28:54 | |
It's Carol's Morning Star dinner service. Royal Doulton, no less. | 0:28:54 | 0:28:59 | |
-Where was this from? -That was my husband's grandmother, her set. | 0:28:59 | 0:29:03 | |
And then she gave it all to him when he got his first flat. | 0:29:03 | 0:29:06 | |
Oh, bless. That's the way things used to work, wasn't it? Yes, yes. | 0:29:06 | 0:29:09 | |
That's why you very rarely get an entire service together, cos it's all been split up. | 0:29:09 | 0:29:12 | |
-I think that's more or less all there. -Is it? | 0:29:12 | 0:29:15 | |
-Yes. -OK, so 30 to £50? Doesn't seem a lot for a dinner service. | 0:29:15 | 0:29:19 | |
You're right, Lorne, it doesn't. It's all there, it's in good condition, | 0:29:19 | 0:29:23 | |
it's Doulton and I think it's a nice retro pattern. | 0:29:23 | 0:29:25 | |
And 30 to £50 does sound cheap but they don't make great sums these days. | 0:29:25 | 0:29:29 | |
I hope I'm wrong, I hope it makes a lot more. | 0:29:29 | 0:29:30 | |
-OK, well, let's see what we get. -£30 for it, £20 for it. | 0:29:30 | 0:29:35 | |
Come on. | 0:29:35 | 0:29:38 | |
28, 30, 32, 32. | 0:29:38 | 0:29:40 | |
-It's going up. -That's good. | 0:29:40 | 0:29:42 | |
40, 42, 45, 48, 50, 55, 60. | 0:29:42 | 0:29:47 | |
Good, good, good. | 0:29:47 | 0:29:49 | |
-70. -Yes! -Hello! | 0:29:49 | 0:29:52 | |
72? 72, 75, 78. | 0:29:53 | 0:29:56 | |
-Oh, fantastic. -80. | 0:29:56 | 0:29:59 | |
Saying no. £78, its £78. | 0:29:59 | 0:30:02 | |
That's good. | 0:30:02 | 0:30:04 | |
That's going to go at £78. | 0:30:04 | 0:30:06 | |
-£78! -Fantastic. -That's really good. | 0:30:06 | 0:30:09 | |
Did you see how nobody seemed to want to bid at the start? | 0:30:09 | 0:30:11 | |
-It nearly opened at £20. -It's unfashionable now. -Yeah. | 0:30:11 | 0:30:16 | |
-Are you pleased with that? -Yes. -Good, good, good. Now that's a result. | 0:30:16 | 0:30:20 | |
Soaring well over John's top estimate. | 0:30:20 | 0:30:23 | |
Considering the times I've seen dinner services go unsold or practically given away | 0:30:23 | 0:30:27 | |
it goes to show that stylish examples in good condition still find enthusiastic buyers. | 0:30:27 | 0:30:33 | |
Well, we've determined that there are porcelain buyers in the room, | 0:30:33 | 0:30:37 | |
but will they like our Paragon bone china service as much as they like the Doulton? | 0:30:37 | 0:30:43 | |
-Tea tastes better out of a cup. -It does! | 0:30:43 | 0:30:46 | |
-Bit of bone china. -Definitely. -Forget those mugs. | 0:30:46 | 0:30:50 | |
-Well, you've sold it to us, we've just got to sell it to the room now. -£10 for it. | 0:30:50 | 0:30:55 | |
Right at the back, I'm bid at 10. | 0:30:55 | 0:30:57 | |
12? 12, 15, 18. | 0:30:57 | 0:31:00 | |
Come on. | 0:31:00 | 0:31:02 | |
At £15, £15. | 0:31:02 | 0:31:04 | |
Going to sell at £15. That's the money. | 0:31:04 | 0:31:06 | |
At 15 and going, all done. At £15 then. | 0:31:06 | 0:31:08 | |
-Well... -£15, a little bit disappointed with that? | 0:31:08 | 0:31:12 | |
-Yeah, a little bit. -Not a lot of money for such a charming set. | 0:31:12 | 0:31:16 | |
Could it have been too traditional for today's crowd? | 0:31:16 | 0:31:19 | |
Well, if they're after style, then our next lot should be right up their runway. | 0:31:19 | 0:31:22 | |
It's the Art Deco style lamp, which could have come straight | 0:31:22 | 0:31:25 | |
off the desk of The Aviator, alias Hollywood movie mogul Howard Hughes. | 0:31:25 | 0:31:31 | |
OK, now our next lot - I absolutely love this - is the Art Deco style plane. | 0:31:31 | 0:31:36 | |
-And you were in two minds about maybe whether to keep it, weren't you? -Yeah. | 0:31:36 | 0:31:40 | |
-Well, you've decided to let it go. -Yeah, definitely. | 0:31:40 | 0:31:44 | |
It is Art Deco style. Is it genuine, as in of the period, John? | 0:31:44 | 0:31:48 | |
No, it's an Art Deco style piece, reproduction, but it's an iconic piece. | 0:31:48 | 0:31:53 | |
£20 for it? | 0:31:53 | 0:31:55 | |
-Oh, come on. -Give me 22, at £20, | 0:31:55 | 0:31:59 | |
22, 25, 28, 30, 32, 35, 38. | 0:31:59 | 0:32:02 | |
-Yes! -40, 42. The bid's there at £40. | 0:32:02 | 0:32:05 | |
You saying no? At £40, will you give me one more? | 0:32:05 | 0:32:08 | |
At £40, will you give me 42? And £40? Sold at £40 this time. | 0:32:08 | 0:32:12 | |
-£40? -Middle of our estimate. | 0:32:12 | 0:32:15 | |
That's fine, isn't it really? | 0:32:15 | 0:32:17 | |
The bidders are taking their time showing their hands today, which is playing havoc with all our nerves. | 0:32:17 | 0:32:22 | |
I'd hate to think how Carol's feeling. | 0:32:22 | 0:32:24 | |
Fortunately, the plane lamp gives us another sale within estimate. | 0:32:24 | 0:32:28 | |
And our charity fund gets another boost. | 0:32:28 | 0:32:30 | |
Carol bought this chain mail hand bag at a fashionable west London | 0:32:30 | 0:32:34 | |
boutique in the 1970s. For a time, she wouldn't go anywhere without it. | 0:32:34 | 0:32:40 | |
I just hope she won't be taking it home with her today. | 0:32:40 | 0:32:41 | |
It would be terrific if it made 20 to £30. | 0:32:41 | 0:32:44 | |
£10 for it? | 0:32:46 | 0:32:48 | |
Impress your girlfriend. £10 for it? I'm bid at 10. Give me 12? And £10? | 0:32:48 | 0:32:52 | |
12, at 12, thank you. 15? | 0:32:52 | 0:32:54 | |
-Thank you. -15, 18, 18, 20. | 0:32:54 | 0:32:58 | |
-At the table just here, £18. Give me 20? -Come on, come on. | 0:32:58 | 0:33:02 | |
28, 30. At £28, do you want 30? | 0:33:02 | 0:33:05 | |
At £28 all-out and going. For £28 and gone, at £28 then, thank you. | 0:33:05 | 0:33:09 | |
£28. £28, that's enough, isn't it? | 0:33:09 | 0:33:12 | |
Thank you! | 0:33:12 | 0:33:15 | |
Well, Carol's happy with that result and rightly so. | 0:33:15 | 0:33:18 | |
Sold to the gentleman for just £2 shy of John's top estimate. | 0:33:18 | 0:33:22 | |
We've had a reasonable run of sales but as Carol is looking | 0:33:22 | 0:33:25 | |
to raise 400-£500, I wonder how much we've managed to raise so far. | 0:33:25 | 0:33:30 | |
So far, we've actually made £179. Are you happy with that? | 0:33:33 | 0:33:39 | |
-I'm happy. -Good, good, good. | 0:33:39 | 0:33:40 | |
We've got a bit of time, I'd like you to is see if | 0:33:40 | 0:33:43 | |
-there's anything here that takes your fancy. -Oh no. | 0:33:43 | 0:33:44 | |
-Have a look and just see. -That's dangerous! | 0:33:44 | 0:33:48 | |
If Carol has inspired you to try buying or selling at auction, remember that charges | 0:33:50 | 0:33:54 | |
such as commission will be added to your bill. | 0:33:54 | 0:33:58 | |
It's always worth checking these fees in advance as no one likes | 0:33:58 | 0:34:00 | |
to be caught out with unexpected charges. | 0:34:00 | 0:34:03 | |
Now, is there anything here that's caught Carol's eye? | 0:34:03 | 0:34:07 | |
I'm liking the sofa because it matches my dress! | 0:34:07 | 0:34:13 | |
And I think it's fab, actually. | 0:34:13 | 0:34:16 | |
Its dralon gone mad really. But I'm not sure it's to everybody's taste. | 0:34:16 | 0:34:22 | |
And it wouldn't go and my house at all. | 0:34:22 | 0:34:24 | |
It would work if it was a sort of penthouse apartment | 0:34:24 | 0:34:27 | |
or a loft overlooking the river, but not really in my Regency house. | 0:34:27 | 0:34:30 | |
But that's why I was drawn to it, I think. | 0:34:30 | 0:34:32 | |
Some of the bidders liked that sofa too, but only for sitting on, because it remained unsold. | 0:34:32 | 0:34:38 | |
Today's auction is moving along at quite a pace, and we don't have long | 0:34:38 | 0:34:42 | |
to wait before Carol's next lot goes before the room. | 0:34:42 | 0:34:44 | |
It's the box of early 20th century crystallite snooker balls. | 0:34:44 | 0:34:49 | |
They are in their original box, which I think's a very sweet touch. | 0:34:49 | 0:34:53 | |
And they are Burroughes & Watts, which in the snooker world is a very good old maker. | 0:34:53 | 0:34:58 | |
And a lot of the collectors of snooker memorabilia, | 0:34:58 | 0:35:01 | |
-snooker equipment, they'll pay literally a king's ransom for a good Burroughes & Watts scoreboard. -OK. | 0:35:01 | 0:35:06 | |
Sadly, you haven't got one of those. You have the balls, but it's a good maker, good pedigree. | 0:35:06 | 0:35:11 | |
£30 for the lot? £30? | 0:35:11 | 0:35:14 | |
£20? I'm bid at £20. | 0:35:14 | 0:35:16 | |
Give me 22? And £20? At £20? | 0:35:16 | 0:35:18 | |
-Are we done at £20? -£20. | 0:35:18 | 0:35:21 | |
-Oh, come on. -No... | 0:35:21 | 0:35:23 | |
All finished at £20? 22. Do you want 25? | 0:35:23 | 0:35:27 | |
25, 28, 28, 30. | 0:35:27 | 0:35:30 | |
At £28, do you want 30? At £28. | 0:35:30 | 0:35:33 | |
At £28. Your last shot at £28. 28 and going. Your bid, sir. | 0:35:33 | 0:35:36 | |
Well, almost got there. | 0:35:36 | 0:35:38 | |
-£28. -Not too bad. -No, I suppose not, John. | 0:35:38 | 0:35:41 | |
I thought we were going to get a king's ransom! | 0:35:41 | 0:35:43 | |
-Yeah, I know, that's what you said. -I did have a look and there were a few cracks. | 0:35:43 | 0:35:48 | |
Oh, now you tell us. | 0:35:48 | 0:35:50 | |
They were a collector's lot. | 0:35:50 | 0:35:52 | |
If you can afford a snooker table, you'd get yourself a nice shiny set of balls. | 0:35:52 | 0:35:56 | |
-These would be on display. -Anyway, moving swiftly on. | 0:35:56 | 0:35:58 | |
We get where you're coming from, John. | 0:35:58 | 0:36:00 | |
All we ask is that you don't keep getting our hopes up like that. | 0:36:00 | 0:36:03 | |
The snooker fans may not be out in their droves, but we're really | 0:36:03 | 0:36:07 | |
hoping that the music lovers are tuning in. | 0:36:07 | 0:36:10 | |
Because there is a strong and jaunty theme linking each of our remaining lots. | 0:36:10 | 0:36:15 | |
We kick off with a signed picture of the Kinks frontman Ray Davies. | 0:36:15 | 0:36:19 | |
John valued it at 40 to £80. | 0:36:19 | 0:36:21 | |
At £20? One bid at 20. Give me 22? | 0:36:23 | 0:36:27 | |
-Come on. Oh, come on. -22, 25, 28, 28, 30. 32. | 0:36:27 | 0:36:33 | |
32? 35, 38, 40, 42. Bid at the table at £40. At £40. | 0:36:33 | 0:36:37 | |
Are we done at £40? | 0:36:37 | 0:36:39 | |
Last chance, going at £40. At £40? Sold at £40 and gone. | 0:36:39 | 0:36:44 | |
£40. Well, that's on the money, isn't it? | 0:36:44 | 0:36:46 | |
Right at the bottom end there. | 0:36:46 | 0:36:48 | |
-Maybe we should have put a reserve on that one. -Do you think? | 0:36:48 | 0:36:50 | |
Sad to see it go for that. | 0:36:50 | 0:36:52 | |
Oh dear. Carol's really disappointed with that, despite the poster achieving John's lower estimate. | 0:36:52 | 0:36:58 | |
But we've worked out where all the music collectors are hiding, which is good news. | 0:36:58 | 0:37:02 | |
Could they have been saving their hard-earned cash for the Elvis stamps, I wonder? | 0:37:02 | 0:37:07 | |
Just remind me where you got these from. | 0:37:07 | 0:37:09 | |
I bought them at a charity auction. | 0:37:09 | 0:37:11 | |
My sister's a big Elvis fan and she took me to Graceland. | 0:37:11 | 0:37:15 | |
We'd just come back from there, so it was to remind us of the trip, really. | 0:37:15 | 0:37:19 | |
I love Elvis, I love having icons around my house. | 0:37:19 | 0:37:23 | |
-Yes, and now you've got John. -And now I've got John. | 0:37:23 | 0:37:26 | |
A poor substitute, I know! | 0:37:26 | 0:37:28 | |
Start me at £50 please. | 0:37:28 | 0:37:30 | |
Yes! Good man. | 0:37:30 | 0:37:32 | |
At 55, 60, 5, 70, 5. | 0:37:32 | 0:37:36 | |
He came up and had a chat earlier about the background to it. | 0:37:36 | 0:37:39 | |
-He's a fan. -At £80, 85. Are you saying no? | 0:37:39 | 0:37:42 | |
At £80. Your bid, sir, £80. | 0:37:42 | 0:37:44 | |
At £80? Last chance, going at £80. | 0:37:44 | 0:37:47 | |
Oh, our bottom estimate. | 0:37:47 | 0:37:49 | |
-£80, are you happy with that? -Yeah. As long as he's a fan, I don't mind. | 0:37:49 | 0:37:53 | |
That's more like it. A happy buyer, a happy seller and, as it sold mid-estimate, a happy expert. | 0:37:53 | 0:38:00 | |
Pink Floyd, Mick Jagger and The Who are among | 0:38:00 | 0:38:03 | |
the starry names in Carol's record collection, under the hammer next. | 0:38:03 | 0:38:06 | |
I expect our very own rocker John Cameron wouldn't mind | 0:38:06 | 0:38:09 | |
getting his hands on them, but that's against the rules. | 0:38:09 | 0:38:12 | |
Collectors are looking for early pressings, they are looking for the big names. | 0:38:12 | 0:38:15 | |
And they don't get much bigger than Pink Floyd and Mick Jagger and Buddy Holly. | 0:38:15 | 0:38:19 | |
I don't think 70 to £100 is a lot of money when you look at what's there, but you just don't know. | 0:38:19 | 0:38:24 | |
You need to have the right buyer. It is a real niche collecting area. | 0:38:24 | 0:38:27 | |
-Do you think we've got them in today? -We'll soon find out. | 0:38:27 | 0:38:29 | |
£50 please. Bid at £50. | 0:38:29 | 0:38:31 | |
At £50, say 55? | 0:38:31 | 0:38:33 | |
55, 60, 5, 70, 5, 80, 5. | 0:38:33 | 0:38:37 | |
-90, 5? -Yes, yes! | 0:38:37 | 0:38:40 | |
-To 100! -Going at £90? Are you out? | 0:38:40 | 0:38:42 | |
Are we done this time at £90? | 0:38:42 | 0:38:44 | |
-100! -£90 and going, all done. | 0:38:44 | 0:38:46 | |
At £90, your bid, sir. | 0:38:46 | 0:38:48 | |
Yeah! | 0:38:48 | 0:38:50 | |
-Well done. -Rock'n'roll! -£90, are you happy with that? That's great, isn't it? | 0:38:50 | 0:38:53 | |
Wow, what a great result, and Carol's delighted with that. | 0:38:53 | 0:38:57 | |
Just £10 shy of the top estimate, proof that vinyl collecting is still alive and well. | 0:38:57 | 0:39:02 | |
And long may that continue. | 0:39:02 | 0:39:04 | |
We have just one lot left to sell today, and it's a unique item with great provenance. | 0:39:04 | 0:39:09 | |
For Carol, it's a lot that has sentimental value too, as it reminds her of her old mum. | 0:39:09 | 0:39:14 | |
It's the golf putter which belonged to Mr Moonlight himself, the legendary Frankie Vaughan. | 0:39:14 | 0:39:19 | |
I think we should leave it to Carol to let the bidders know the inside track. | 0:39:19 | 0:39:24 | |
Now our last lot is the Frankie Vaughan golf club. | 0:39:24 | 0:39:27 | |
How do you feel about selling this? | 0:39:27 | 0:39:30 | |
Oh, it's going for a good cause, it's for Nina's charity. | 0:39:30 | 0:39:35 | |
I didn't mean selling it, I meant how do you feel about | 0:39:35 | 0:39:38 | |
selling it and going up on the podium and selling it? | 0:39:38 | 0:39:41 | |
Tom'll stay up there with you. | 0:39:41 | 0:39:43 | |
-You don't have to. -I'm much better at bidding for things than doing it. | 0:39:43 | 0:39:47 | |
-We all are, darling! -You've been to enough charity auctions, you know how it's done. | 0:39:47 | 0:39:51 | |
-I'll give it a go. -Good. All right then. | 0:39:51 | 0:39:52 | |
Well, we'll be standing here cheering on the crowds, OK, so go up and talk. Tom will help you out. | 0:39:52 | 0:39:57 | |
-OK. -Go on then. | 0:39:57 | 0:39:58 | |
Now I can say that it definitely belonged to Frankie Vaughan. | 0:40:03 | 0:40:06 | |
I met Frankie Vaughan and why I bought this was because he was my mum's favourite. | 0:40:06 | 0:40:12 | |
He was my mum's pin-up, she absolutely adored him. £50, please. | 0:40:12 | 0:40:16 | |
Any more? 60, 55. | 0:40:16 | 0:40:18 | |
I can't see a thing. Anywhere else? | 0:40:18 | 0:40:21 | |
-60 there. -60, thank you. -65. Five over there. 70 there. | 0:40:21 | 0:40:24 | |
70. | 0:40:24 | 0:40:26 | |
-75. -75. -80. | 0:40:26 | 0:40:27 | |
-80. -85. -85. | 0:40:27 | 0:40:30 | |
-90. -90. -95. -95. | 0:40:30 | 0:40:32 | |
We're doing really well! 100. | 0:40:32 | 0:40:35 | |
Yeah, keep going. Where's the cheering?! | 0:40:35 | 0:40:36 | |
£100. We've got £100 here. | 0:40:36 | 0:40:41 | |
I want 110. Come on, it's only 10 more. | 0:40:41 | 0:40:43 | |
£110 anywhere? | 0:40:43 | 0:40:45 | |
No. OK, I think my lovely man over here has got it for £100. | 0:40:45 | 0:40:50 | |
-Thank you very much. -Excellent, well done. Thank you. -Thank you. | 0:40:50 | 0:40:54 | |
That's good news, isn't it? | 0:40:57 | 0:40:58 | |
Well done, Carol. £100 is bang in the middle of John's estimate. | 0:40:58 | 0:41:03 | |
And it's the perfect way to finish off what's been a thrilling sale. | 0:41:03 | 0:41:06 | |
She wanted 400 to £500, so I think she'll enjoy hearing my news. | 0:41:06 | 0:41:12 | |
-How about if we said £517? There we are! -Wow. | 0:41:12 | 0:41:18 | |
-Are you happy with that? -Oh, that's fantastic. | 0:41:18 | 0:41:20 | |
-I'm really, really pleased. It's a really good result. -Thank you so much. | 0:41:20 | 0:41:24 | |
It's been fantastic. It's been a rock and roll experience. | 0:41:24 | 0:41:27 | |
The money Carol has raised will go to a charity which helps children | 0:41:31 | 0:41:36 | |
with physical disabilities develop skills for independent living. | 0:41:36 | 0:41:40 | |
Carol's friend Nina set it up after her son, Christopher, was diagnosed with cerebral palsy at 18 months. | 0:41:40 | 0:41:47 | |
Now 18 years old, he's looking forward to a career in the music business. | 0:41:47 | 0:41:51 | |
I would like to be a songwriter when I grow up. | 0:41:53 | 0:41:57 | |
Lots of education has made me as independent as possible, | 0:41:57 | 0:42:02 | |
and I hope it helps other children with physical disabilities. | 0:42:02 | 0:42:06 | |
I'm really happy that we've made as much money as we did | 0:42:06 | 0:42:10 | |
cos this is going to go a long way to help with the Whoopsadaisy charity. | 0:42:10 | 0:42:13 | |
It's something very close to my heart so I'm thrilled. | 0:42:13 | 0:42:15 | |
Well, how fantastic for Carol and her chosen charity. | 0:42:22 | 0:42:25 | |
Great to see all that money being made at auction. | 0:42:25 | 0:42:27 | |
Now, if you've got a good cause you'd like to raise some funds for, or a project that you have in mind | 0:42:27 | 0:42:32 | |
and you want to sell your antiques and collectables at auction, why not get in touch with Cash In The Attic? | 0:42:32 | 0:42:37 | |
You'll find more details and an application form at our website: | 0:42:37 | 0:42:40 | |
And I'll see you again next time. | 0:42:42 | 0:42:44 | |
Subtitles by Red Bee Media | 0:42:46 | 0:42:50 | |
E-mail [email protected] | 0:42:50 | 0:42:53 |