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Welcome to Cash In The Celebrity Attic, the programme that loves to hunt around homes of the well-known | 0:00:02 | 0:00:07 | |
looking for things that they can take to auction to raise money | 0:00:07 | 0:00:11 | |
so that they can make a donation to the favourite charity. | 0:00:11 | 0:00:14 | |
Today, I'm about to meet a television personality who's also an internationally-known astrologer. | 0:00:14 | 0:00:19 | |
He began his career as an actor, appearing in television sitcoms like | 0:00:19 | 0:00:23 | |
Doctor In The House and On The Buses. | 0:00:23 | 0:00:25 | |
He made his name in the '80s, appearing on breakfast television | 0:00:25 | 0:00:29 | |
wearing outrageous sweaters and casting horoscopes. | 0:00:29 | 0:00:33 | |
According to his star sign, which is Aquarius, he's strong and eccentric. | 0:00:33 | 0:00:38 | |
I tell you, he's certainly larger than life. | 0:00:38 | 0:00:40 | |
Have you worked out who it is yet? | 0:00:40 | 0:00:42 | |
Today, I'm in North Wales on the edge of the Snowdonia National Park, | 0:01:01 | 0:01:05 | |
where I'm about to meet the zodiac guru Russell Grant. | 0:01:05 | 0:01:09 | |
It was in the 1970s, whilst Russell Grant was establishing himself as an actor, | 0:01:09 | 0:01:15 | |
that the opportunity arose to read the stars for the Queen Mother. | 0:01:15 | 0:01:18 | |
It turned what until then had been a hobby | 0:01:18 | 0:01:22 | |
into a highly successful career, as Russell was instantly hot property, and soon became a household name. | 0:01:22 | 0:01:28 | |
To this day, he remains one of the country's best-loved astrologers. | 0:01:28 | 0:01:34 | |
Coming up on Cash In The Celebrity Attic, | 0:01:34 | 0:01:37 | |
an outrageous piece of German pottery resonates with our flamboyant host. | 0:01:37 | 0:01:41 | |
It's too big. It's a heavy piece, it's large, a handful. | 0:01:41 | 0:01:45 | |
All of those things could apply to me. | 0:01:45 | 0:01:48 | |
And the mystic powers are at work as we search Russell's enchanting home. | 0:01:48 | 0:01:53 | |
I know you all think I'm bonkers, | 0:01:53 | 0:01:55 | |
but there is something in it and that's why I believe in it. | 0:01:55 | 0:01:58 | |
-But will all the excitement prove too much for Russell? -I have never been so exhausted in all me life. | 0:01:58 | 0:02:04 | |
Find out when the final hammer falls. | 0:02:04 | 0:02:07 | |
It may be a cloudy day here in the northwestern corner of Wales, but with our expert John Cameron's help, | 0:02:08 | 0:02:14 | |
I have no doubt that we're going to find items that will shine brightly at auction. | 0:02:14 | 0:02:20 | |
Russell may have called upon the stars for some good fortune today, | 0:02:20 | 0:02:23 | |
but he's also enlisted the help of his great friend Charlotte, who also dabbles in antiques. | 0:02:23 | 0:02:28 | |
-Russell, Charlotte. -Angela. | 0:02:28 | 0:02:31 | |
-Hello, darling. -How are you, darling? | 0:02:31 | 0:02:34 | |
What a lovely view, and this house is fantastic! How long have you lived here? | 0:02:34 | 0:02:38 | |
Oh, goodness me, must be well over ten years now, because... | 0:02:38 | 0:02:43 | |
No, not well over ten years, in fact it was my millennium gift to myself. | 0:02:43 | 0:02:48 | |
I knew that with the millennium, | 0:02:48 | 0:02:51 | |
new start, fresh feeling, wanted all the things that went with my job, my astrological vibes, | 0:02:51 | 0:02:58 | |
and I thought, "Got to move," and that's when I came up here. | 0:02:58 | 0:03:02 | |
-So, Charlotte, how do you two know each other? -We met about ten years ago. | 0:03:02 | 0:03:06 | |
It was to do with antiques, | 0:03:06 | 0:03:07 | |
actually, wasn't it, Russell? Cos we both like antiques. | 0:03:07 | 0:03:10 | |
Terrific. Let's establish why you've called in Cash In The Attic. | 0:03:10 | 0:03:14 | |
One of my passions is to support the Alzheimer's Society, | 0:03:14 | 0:03:20 | |
and I thought to myself, "You know, there's a lot of stuff here | 0:03:20 | 0:03:25 | |
"that I could do with getting shot of, so that it actually goes to a really good cause." | 0:03:25 | 0:03:31 | |
The Alzheimer's Society | 0:03:31 | 0:03:33 | |
is why I've called you in with your fabulous Libran eye. | 0:03:33 | 0:03:37 | |
Well, with my Libran eye, and your Aquarius eye, if we | 0:03:37 | 0:03:41 | |
look in the crystal ball, how much are we going to raise, do you think? | 0:03:41 | 0:03:45 | |
Tell you what. Let's do a bit of feng shui on this. | 0:03:45 | 0:03:48 | |
£440, four and four makes eight, | 0:03:48 | 0:03:52 | |
and eight is a very lucky number in feng shui, so 440 quid-ish. | 0:03:52 | 0:03:56 | |
We don't need the crystal ball, what we actually need is John Cameron, | 0:03:56 | 0:03:59 | |
and fortunately, I brought him with me. | 0:03:59 | 0:04:02 | |
He'll look at all the bits and pieces that you would like to auction, | 0:04:02 | 0:04:05 | |
and give us an idea of how much we think we might make. | 0:04:05 | 0:04:08 | |
-Shall we go and see what he's come up with? -Definitely. He's a good man. | 0:04:08 | 0:04:12 | |
-Follow me. -Right. | 0:04:12 | 0:04:15 | |
Well, £440 must surely be our most surreal target ever on the show. | 0:04:15 | 0:04:19 | |
A figure that, all being well, will bring us a good vibes in the feng shui stakes, | 0:04:19 | 0:04:25 | |
and, amongst Russell's shelves and cupboards, we will hopefully find enough antiques to meet it. | 0:04:25 | 0:04:30 | |
-Hi, John. -Hello, John. -That's a bit of a handful there! | 0:04:30 | 0:04:34 | |
It is rather heavy. | 0:04:34 | 0:04:35 | |
It's a large piece! I'm surprised to see something as big as that, | 0:04:35 | 0:04:39 | |
because most of the porcelain in the house is tiny, Russell. | 0:04:39 | 0:04:42 | |
Yes, and that's why it's got to go. It's too big, it's a heavy piece, it's large, a handful. | 0:04:42 | 0:04:48 | |
All of those things could apply to me. | 0:04:48 | 0:04:51 | |
However, I saw this and thought, "This is so beautiful." | 0:04:51 | 0:04:56 | |
I love beautiful things, elegant things, and I thought it had all of those going for it. | 0:04:56 | 0:05:01 | |
-Where did you get it? -I saw it down in Dolgellau, | 0:05:01 | 0:05:04 | |
the county town of Merioneth, the county we're in, | 0:05:04 | 0:05:07 | |
and I looked at it through the window and I thought to myself, "I really, really do like that." | 0:05:07 | 0:05:12 | |
-It's a terrific piece, isn't it? -It is. | 0:05:12 | 0:05:14 | |
It's German, probably Dresden, and very much in the style | 0:05:14 | 0:05:17 | |
of Meissen right in the middle of the 18th century. The figure group, | 0:05:17 | 0:05:21 | |
the whole composition, is often referred to as Watteau-esque, | 0:05:21 | 0:05:25 | |
after the great French rococo artist Jean-Antoine Watteau. | 0:05:25 | 0:05:29 | |
And when you look at them, with their powdered wigs and breeches, | 0:05:29 | 0:05:32 | |
they look rather splendid, don't they? | 0:05:32 | 0:05:34 | |
Originally, these were table decorations, | 0:05:34 | 0:05:38 | |
the first of which were made of sugar, and then eaten as a kind of sweet for the dessert. | 0:05:38 | 0:05:42 | |
They started to make them in porcelain, and became known as Kleinplastik. | 0:05:42 | 0:05:47 | |
Well, this is in pretty good condition, actually, isn't it? | 0:05:47 | 0:05:51 | |
If we are going to take this to auction, how much do think we might get for it? | 0:05:51 | 0:05:55 | |
Well, as impressive as it is, things like this have seen more popular times. | 0:05:55 | 0:06:00 | |
Nevertheless, it's still wonderful, a lot of work has gone into this. | 0:06:00 | 0:06:04 | |
I'd like to think we're looking at around £250 to £350. | 0:06:04 | 0:06:07 | |
Well, would you believe, | 0:06:07 | 0:06:08 | |
the target today is £440. | 0:06:08 | 0:06:10 | |
-Certainly put a dent in it. -CERTAINLY made a dent in it. | 0:06:10 | 0:06:13 | |
But let's have a look around this wonderful house and see what else we can find, John. | 0:06:13 | 0:06:18 | |
-Shall we go? -Yeah. | 0:06:18 | 0:06:21 | |
What an amazing start, the planets must be aligned in our favour today. | 0:06:21 | 0:06:26 | |
Besides being a world-renowned astrologer, Russell is also quite the collector. | 0:06:26 | 0:06:31 | |
He's been known to visit an antique auction house or two, | 0:06:31 | 0:06:34 | |
and I've come across one antique-fair purchase of his, this ornate floral mantel clock. | 0:06:34 | 0:06:40 | |
It's made by Royal Winton, which has been crafting clocks for the last 100 years. | 0:06:40 | 0:06:45 | |
John thinks someone will want to take this home for £50 to £75. | 0:06:45 | 0:06:49 | |
Meanwhile, Charlotte's used her previous knowledge about antiques to suss out another porcelain set | 0:06:49 | 0:06:55 | |
that she thinks might be perfect for auction. | 0:06:55 | 0:06:58 | |
John, what do you think of these dogs? | 0:06:58 | 0:07:01 | |
Rather charming, I do like the characters of the dogs. | 0:07:01 | 0:07:04 | |
-Where do they come from? -Russell bought them about five years ago, he paid about £20 for the three. | 0:07:04 | 0:07:10 | |
-That wasn't a bad price. You know they're SylvaC? -Yeah. | 0:07:10 | 0:07:12 | |
Well, the actual company was started back in the 19th century, | 0:07:12 | 0:07:16 | |
around the 1860s, 1870s, by William Copestake and William Shaw, | 0:07:16 | 0:07:20 | |
taking the name of SylvaC later into the 20th century. | 0:07:20 | 0:07:23 | |
I think they are most associated with this range of animals, | 0:07:23 | 0:07:27 | |
the bunnies, the jardinieres, the little pixies, | 0:07:27 | 0:07:30 | |
a whole range of different small ornaments in these rather muted colours - | 0:07:30 | 0:07:34 | |
the beiges, the greens, the turquoises, the lilacs, things like that. | 0:07:34 | 0:07:39 | |
And these are known as Mac dogs, | 0:07:39 | 0:07:41 | |
and I believe they were designed by Otakar Steinberger, | 0:07:41 | 0:07:45 | |
and they've remained popular ever since. | 0:07:45 | 0:07:47 | |
So what does Russell go for? Has he an eclectic taste? | 0:07:47 | 0:07:51 | |
He goes for anything and everything. | 0:07:51 | 0:07:53 | |
Well, they're good for auction. | 0:07:53 | 0:07:54 | |
I'd put the estimate at about £30 to £40, something like that. | 0:07:54 | 0:07:58 | |
-I think so, yeah. -Well, they are charming, | 0:07:58 | 0:08:00 | |
I'm sure they will charm the bidders on auction day, | 0:08:00 | 0:08:03 | |
but I think we've a few more things to find | 0:08:03 | 0:08:05 | |
-if we're going to hit that target. -OK, then. | 0:08:05 | 0:08:07 | |
It's clear Russell's in tune with the universe, | 0:08:07 | 0:08:10 | |
and it seems as though he's looking for a sign regarding today's outcome. | 0:08:10 | 0:08:14 | |
Or perhaps he's just found another great item to add to the auction. | 0:08:14 | 0:08:18 | |
He received this crystal ball to mark 30 years in the entertainment business. | 0:08:18 | 0:08:23 | |
This time, he'll let someone else try to command the cosmos for £30 to £40. | 0:08:23 | 0:08:28 | |
Meanwhile, Charlotte has come across another gift, | 0:08:30 | 0:08:33 | |
this one given to Russell for his 50th birthday in 2001. | 0:08:33 | 0:08:37 | |
This large oil painting of Caernarfon Castle | 0:08:37 | 0:08:40 | |
was painted by a local artist, | 0:08:40 | 0:08:42 | |
and John thinks it could add another £50 to £75 to the ever-growing kitty. | 0:08:42 | 0:08:47 | |
Russell, you're known internationally as an astrologer, | 0:08:49 | 0:08:52 | |
but you actually started out wanting to be an actor, didn't you? | 0:08:52 | 0:08:57 | |
Well, yes, and I did lots and lots of programmes that people still know, still see - | 0:08:57 | 0:09:03 | |
On The Buses, Doctor In The House, | 0:09:03 | 0:09:06 | |
and then I did Fenn Street Gang, Please Sir! | 0:09:06 | 0:09:09 | |
I did wonderful classical stuff like Canterbury Tales, | 0:09:09 | 0:09:13 | |
so I had a wonderful time. | 0:09:13 | 0:09:16 | |
Do you ever regret having given up the theatre for astrology? | 0:09:16 | 0:09:20 | |
Oh, yes, constantly. | 0:09:20 | 0:09:23 | |
It was only ever meant to be a hobby, and I'm at my happiest when I'm entertaining, | 0:09:23 | 0:09:29 | |
so I'm going back more into the things I love to do. | 0:09:29 | 0:09:32 | |
The fact that you're wearing that wonderful sweater reminds us that it was breakfast television... | 0:09:32 | 0:09:38 | |
You used to wear the sweaters, you did the daily horoscopes, | 0:09:38 | 0:09:41 | |
and you were this larger-than-life character. | 0:09:41 | 0:09:43 | |
I know, I was completely mad. | 0:09:43 | 0:09:45 | |
Um, completely bonkers. | 0:09:45 | 0:09:47 | |
I had a wonderful boss there called Ron Neil. | 0:09:47 | 0:09:50 | |
The sweaters actually weren't as chichi as this, | 0:09:50 | 0:09:54 | |
my mother made this, and I promised I would wear it. | 0:09:54 | 0:09:57 | |
In fact, I often say I won't wear sweaters any more because of those times. | 0:09:57 | 0:10:01 | |
Because I was actually made to wear those, you know. | 0:10:01 | 0:10:04 | |
You must have done your own astrological readings. | 0:10:04 | 0:10:07 | |
Yes. 2009, Jupiter entered Aquarius, which is my sign, | 0:10:07 | 0:10:12 | |
and that's always a good time to expand and grow. | 0:10:12 | 0:10:15 | |
I got myself into shape by losing about seven-and-a-half stone, | 0:10:16 | 0:10:20 | |
but then I've got some really heavy, intense concentrated aspects now for the next four to five years, | 0:10:20 | 0:10:26 | |
so it's now time to have a good old purge and clear out, | 0:10:26 | 0:10:29 | |
which is why you're here, dear. | 0:10:29 | 0:10:31 | |
Shall we go and have a look and see what that Taurean John is up to? | 0:10:31 | 0:10:35 | |
-He's Taurus? -He's Taurus. | 0:10:35 | 0:10:36 | |
Good at money, he'll be doing a good job. | 0:10:36 | 0:10:39 | |
He should be. | 0:10:39 | 0:10:40 | |
Let's go and see what he's finding to take to auction. | 0:10:40 | 0:10:43 | |
Whilst we've been chatting, John has been keeping up the good work | 0:10:43 | 0:10:47 | |
and comes across an old railway lamp on the landing. | 0:10:47 | 0:10:51 | |
No guardsman would ever have been without one of these | 0:10:51 | 0:10:54 | |
on the Victorian railways, | 0:10:54 | 0:10:55 | |
and there's still a strong collector's market for them today. | 0:10:55 | 0:10:59 | |
John thinks this example could light the way to another £30 to £40 at auction. | 0:10:59 | 0:11:03 | |
-Right. -What have you found now? -I found this... | 0:11:04 | 0:11:07 | |
Let's have a look at that. | 0:11:07 | 0:11:08 | |
..but I'm a little bit concerned, simply because it is very much linked to my home county of Middlesex. | 0:11:09 | 0:11:16 | |
You have an interest in cricket, Russell. | 0:11:16 | 0:11:19 | |
I love all sports, but cricket especially, | 0:11:19 | 0:11:21 | |
because we wave the Middlesex flag with that, you see. | 0:11:21 | 0:11:25 | |
And indeed, this is not just any old Middlesex game, | 0:11:25 | 0:11:28 | |
this is the Russell Grant Middlesex Cricket Festival! | 0:11:28 | 0:11:31 | |
-Yes! -You sponsored it. -I did. | 0:11:31 | 0:11:34 | |
This is held every year in Southgate, at the Walker Ground. | 0:11:34 | 0:11:39 | |
People think Southgate is North London, but it's actually in Middlesex. | 0:11:39 | 0:11:43 | |
And this beautiful ground, with the church and the spire and everything, | 0:11:43 | 0:11:47 | |
it's held there, and there's normally some short games and some County Championship games. | 0:11:47 | 0:11:53 | |
And these were the ones that actually were in that year. | 0:11:53 | 0:11:57 | |
And a little cricket bat, the miniature cricket bat, | 0:11:57 | 0:12:00 | |
I got all the players like Andy Strauss, OA Shah... | 0:12:00 | 0:12:03 | |
In fact, all of the players who played in these matches have signed the back. | 0:12:03 | 0:12:08 | |
Well, it is a lovely montage. It's a great piece, it's got great provenance. | 0:12:08 | 0:12:12 | |
Three lovely programmes and that signed cricket bat, beautifully framed up as well. | 0:12:12 | 0:12:16 | |
I think there'll be lots of cricketing fans that would give this house room. | 0:12:16 | 0:12:21 | |
What I would ask you, Russell, those signatures on there, | 0:12:21 | 0:12:24 | |
could you transcribe those | 0:12:24 | 0:12:25 | |
so the auction house and any potential viewer can read that, | 0:12:25 | 0:12:28 | |
see who's on there, and a letter of authentication? | 0:12:28 | 0:12:31 | |
-Yeah, no problem. -Cos that will be the great thing. | 0:12:31 | 0:12:34 | |
I certainly think we should be looking about £150 to £250. | 0:12:34 | 0:12:37 | |
How's that? | 0:12:37 | 0:12:38 | |
Yeah, definitely. Nothing less. | 0:12:38 | 0:12:41 | |
Well, if we can make £150, | 0:12:41 | 0:12:42 | |
I tell you what, that's going a long way to making our £440. | 0:12:42 | 0:12:46 | |
-Do you know, we have never had 440 before, have we? -No, we haven't! | 0:12:46 | 0:12:49 | |
So let's put this back on the wall and see what else we can find. | 0:12:49 | 0:12:53 | |
Well, it's a wonderful collection of cricketing memorabilia, | 0:12:54 | 0:12:58 | |
but will the bidders be bowled over by it on auction day? | 0:12:58 | 0:13:01 | |
100, 110, 120. | 0:13:01 | 0:13:05 | |
-Blooming heck! -130. | 0:13:05 | 0:13:07 | |
Find out later when the hammer falls. | 0:13:07 | 0:13:09 | |
Russell's stunning property in North Wales | 0:13:11 | 0:13:14 | |
is certainly keeping us all busy, and amongst his many possessions, | 0:13:14 | 0:13:18 | |
Charlotte has dug out a pair of brass school bells. | 0:13:18 | 0:13:21 | |
Russell bought these at auction, | 0:13:21 | 0:13:23 | |
and they date from the early part of the 20th century. | 0:13:23 | 0:13:25 | |
John thinks at auction, they could raise as much as £30 to £50. | 0:13:25 | 0:13:30 | |
Walk this way. I know, no gags. | 0:13:33 | 0:13:37 | |
What do you think of that? | 0:13:37 | 0:13:38 | |
I like it a lot. This is something you'd consider selling, Russell? | 0:13:38 | 0:13:42 | |
Yeah, I am. It's a Black Forest gateau or clock. | 0:13:42 | 0:13:46 | |
I did try to eat it. But no, seriously, | 0:13:46 | 0:13:48 | |
this was something I bought not so long ago, | 0:13:48 | 0:13:51 | |
and I do love it, but you have to keep winding it up. | 0:13:51 | 0:13:54 | |
And I'm... You know, I'm just not into doing things like that. | 0:13:54 | 0:13:58 | |
I love Black Forest carving, real fan of that. | 0:13:58 | 0:14:01 | |
As a carpenter when I left school, | 0:14:01 | 0:14:03 | |
I never lost that love of wood and carved wood. | 0:14:03 | 0:14:05 | |
The cuckoo clock itself is a form that's been around almost as long as clocks. | 0:14:05 | 0:14:10 | |
The earliest mention of cuckoo clocks is around 1630, believed to have been owned by a German prince. | 0:14:10 | 0:14:16 | |
-Is it in working order? -Yeah, yeah, yeah. He pops out, | 0:14:16 | 0:14:19 | |
and of course, the antlers are still all intact... | 0:14:19 | 0:14:22 | |
-Fantastic. -..with him, Rudolph. | 0:14:22 | 0:14:24 | |
And look at this case, it's just adorned with symbols of that forest way of life, | 0:14:24 | 0:14:28 | |
from the oak leaves around the side of the case, | 0:14:28 | 0:14:31 | |
-and even the pendulum there... -I noticed that, isn't that good? -..is an oak leaf. | 0:14:31 | 0:14:35 | |
Under there, we've got the gamekeeper's bag, | 0:14:35 | 0:14:38 | |
where he keeps his cartridges. | 0:14:38 | 0:14:40 | |
Right down to the weights, look, they're cast pine cones. I love it. | 0:14:40 | 0:14:44 | |
-Isn't it lovely? -It is lovely, it really is. | 0:14:44 | 0:14:47 | |
-I think we should be looking at around £150, possibly £180, something like that. -Yeah? | 0:14:47 | 0:14:52 | |
-Happy with that? -Absolutely. | 0:14:52 | 0:14:53 | |
Another excellent item for auction, but I think you've more tucked away, don't you? | 0:14:53 | 0:14:58 | |
-Come on, let's rummage. -Walk this way. | 0:14:58 | 0:15:00 | |
There's not much time left to make Russell's £440 target. | 0:15:01 | 0:15:05 | |
But luckily, John's instinct for valuable items | 0:15:05 | 0:15:07 | |
has let him straight to the kitchen | 0:15:07 | 0:15:09 | |
where he's found an enormous cheese dish. | 0:15:09 | 0:15:12 | |
It's Victorian in style, but John thinks it's a modern Oriental reproduction. | 0:15:12 | 0:15:17 | |
But he's certain that someone will fancy it, and values it at £30 to £40. | 0:15:17 | 0:15:22 | |
Your family is important to you. Your two grandmothers, | 0:15:24 | 0:15:28 | |
Alice and Lily, they are two of the most important people in your life. | 0:15:28 | 0:15:32 | |
Oh, my goodness! I still think about them every day, even though I've lost them both. | 0:15:32 | 0:15:36 | |
My grandmother, Alice, she lived with my mum and dad. | 0:15:36 | 0:15:41 | |
She brought me up, really. | 0:15:41 | 0:15:43 | |
Then my nanny Lily, she lived in Ruislip, she was so cool. | 0:15:43 | 0:15:48 | |
But it's really because of your closeness to your grandmothers | 0:15:48 | 0:15:52 | |
that you're so involved now with the Alzheimer's Society, isn't it? | 0:15:52 | 0:15:56 | |
Yes. Nanny Alice, she started to show signs of dementia. | 0:15:56 | 0:16:00 | |
Although, you see, at the time, in the 1980s, | 0:16:00 | 0:16:03 | |
people didn't know what it was, doctors didn't know what it was. | 0:16:03 | 0:16:08 | |
And so dementia, as it is now, it does have and hold a stigma | 0:16:08 | 0:16:12 | |
because, to a lot of people, dementia means madness. | 0:16:12 | 0:16:16 | |
And people don't want to think they've got madness in the family. | 0:16:16 | 0:16:19 | |
And don't want to talk about it. | 0:16:19 | 0:16:21 | |
They don't want to talk about it, they go into denial. | 0:16:21 | 0:16:24 | |
But what people don't understand is, | 0:16:24 | 0:16:27 | |
when you have something which is a physical pain, | 0:16:27 | 0:16:31 | |
you can say, "I ache here, I hurt here," | 0:16:31 | 0:16:34 | |
but people with dementia or Alzheimer's can't say that. | 0:16:34 | 0:16:39 | |
Research to find a cure is terribly important, | 0:16:39 | 0:16:42 | |
because that way, the cure-all is the panacea. | 0:16:42 | 0:16:46 | |
Well, we're going to try and do our bit | 0:16:46 | 0:16:48 | |
to ensure that we raise that money. | 0:16:48 | 0:16:50 | |
And we've still got a few more things to find to make that money, | 0:16:50 | 0:16:53 | |
so I think we'd better get back to work, don't you? | 0:16:53 | 0:16:56 | |
-Oh, definitely. -Let's go. -Loads of stuff in my drawers, love. | 0:16:56 | 0:17:00 | |
Time is, sadly, slipping away on our day here in North Wales. | 0:17:01 | 0:17:05 | |
We've seen so many terrific collectibles already, | 0:17:05 | 0:17:08 | |
but could Russell be saving the most unusual till last? | 0:17:08 | 0:17:12 | |
You looking at my salt-marsh lamb? | 0:17:12 | 0:17:15 | |
-We are. Look at it! -Famous lamb, | 0:17:15 | 0:17:17 | |
famous Welsh lamb there. | 0:17:17 | 0:17:19 | |
Famous plate, famous plate here. | 0:17:19 | 0:17:20 | |
What a fantastic looking plate, Russell. Where does that one come from, then? | 0:17:20 | 0:17:24 | |
I did a very successful series called Russell Grant's All-Star Show, | 0:17:24 | 0:17:30 | |
and that was given to me at the end | 0:17:30 | 0:17:31 | |
by the crew and everyone who worked on the show. | 0:17:31 | 0:17:34 | |
-So you remember seeing this in the house, Charlotte? -I do, yes. | 0:17:34 | 0:17:37 | |
-Do you like it? -I do. Yeah, it's lovely. | 0:17:37 | 0:17:39 | |
It is a wonderfully colourful piece of pottery, | 0:17:39 | 0:17:42 | |
earthenware to be precise, | 0:17:42 | 0:17:44 | |
but we can see all the decoration on the front. | 0:17:44 | 0:17:46 | |
And on the back it says, "Russell Grant's All-Star Show." | 0:17:46 | 0:17:49 | |
But here we've got a maker's mark and it says "Majolica Works". | 0:17:49 | 0:17:54 | |
-Majolica is a type of glazed earthenware, colourful glazed earthenware. -From Italy? | 0:17:54 | 0:17:59 | |
From Italy. And that type of pottery is known as Majolica in Italy. | 0:17:59 | 0:18:04 | |
In Germany and France it is known as faience, | 0:18:04 | 0:18:08 | |
and the same type of pottery in England and Holland is known as Delft. | 0:18:08 | 0:18:12 | |
-It's very distinctive, that. -It's unique, one-off. | 0:18:12 | 0:18:15 | |
No-one else has got one of them. | 0:18:15 | 0:18:17 | |
Not an easy thing to price, I should think, John. | 0:18:17 | 0:18:20 | |
So what do you reckon we might get on it at auction? | 0:18:20 | 0:18:22 | |
Well, I have to say it would be a bit of a guesstimate | 0:18:22 | 0:18:25 | |
because it is unique, but I'm for tempting the bidder, | 0:18:25 | 0:18:28 | |
so I'd put an estimate of £80 to £120, | 0:18:28 | 0:18:30 | |
and hopefully, we might even get that 100 or more. | 0:18:30 | 0:18:33 | |
Oh, good. That's great. | 0:18:33 | 0:18:35 | |
I tell you what's even better than that - | 0:18:35 | 0:18:37 | |
that's the last thing we're taking a look at today before we go to auction, | 0:18:37 | 0:18:41 | |
so let me tell you... | 0:18:41 | 0:18:43 | |
I've got goose flesh about this before I tell you the figure, | 0:18:43 | 0:18:46 | |
because you said you wanted to make £440, | 0:18:46 | 0:18:48 | |
you said anything that's got eights in it, | 0:18:48 | 0:18:50 | |
so if you made £880, it would be better. | 0:18:50 | 0:18:52 | |
Do you know how much it's come to | 0:18:52 | 0:18:54 | |
now I've added up all those lowest estimates? | 0:18:54 | 0:18:57 | |
£880! | 0:18:57 | 0:18:59 | |
No! No, really?! Oh, my goodness! | 0:18:59 | 0:19:03 | |
Twice the 440. | 0:19:03 | 0:19:05 | |
You see, there's something in all this. | 0:19:05 | 0:19:07 | |
I know you all think I'm bonkers, | 0:19:07 | 0:19:09 | |
but there is something in it and that's why I believe in it. | 0:19:09 | 0:19:12 | |
That is incredible, isn't it? | 0:19:12 | 0:19:15 | |
'Now that really is spooky.' | 0:19:16 | 0:19:18 | |
It's also a fitting way to finish what's been a successful day in North Wales | 0:19:18 | 0:19:22 | |
with one of Britain's best-loved astrologers. | 0:19:22 | 0:19:24 | |
But we no longer need a crystal ball to know exactly which items we're going to be taking off to auction. | 0:19:24 | 0:19:31 | |
There's the intricately carved cuckoo clock | 0:19:31 | 0:19:34 | |
from the depths of Germany's Black Forest. | 0:19:34 | 0:19:36 | |
John loved it and we're hoping that the bidders will too, | 0:19:36 | 0:19:40 | |
and pay upwards of its £150 to £180 estimate. | 0:19:40 | 0:19:45 | |
The collection of cricketing memorabilia | 0:19:45 | 0:19:47 | |
and miniature cricket bat, | 0:19:47 | 0:19:49 | |
signed by some leading England players, including Andrew Strauss. | 0:19:49 | 0:19:53 | |
Fingers crossed it will be a big hit in the saleroom | 0:19:53 | 0:19:57 | |
and deliver its £150 to £250 estimate. | 0:19:57 | 0:20:01 | |
And, of course, there's the splendid Dresden ornament. | 0:20:01 | 0:20:04 | |
We're looking for £250 to £350 for it, but who knows? | 0:20:04 | 0:20:08 | |
Come auction day, it could exceed all predictions. | 0:20:08 | 0:20:12 | |
'Still to come on Cash In The Celebrity Attic - | 0:20:13 | 0:20:16 | |
'Russell dishes out advice on how to improve one's home...' | 0:20:16 | 0:20:20 | |
It's the perfect piece to have in the north area of your home or office because it represents support. | 0:20:20 | 0:20:25 | |
I never knew that. Did you, John? | 0:20:25 | 0:20:27 | |
No, but you must come round when I redecorate. | 0:20:27 | 0:20:30 | |
I will. I'll feng shui you. | 0:20:30 | 0:20:31 | |
'..and emotions run high. | 0:20:32 | 0:20:34 | |
'Was it something I said?' | 0:20:34 | 0:20:35 | |
-Every time I meet you, you make me cry. -Oh, sweetie! | 0:20:35 | 0:20:39 | |
It is so fantastic. | 0:20:39 | 0:20:41 | |
'Find out with the final fall of the gavel.' | 0:20:41 | 0:20:44 | |
Well, Russell's beautiful house in that stunning Welsh countryside | 0:20:48 | 0:20:53 | |
really did come up trumps with items for us to take to auction. | 0:20:53 | 0:20:56 | |
There was that astrological plate, the signed Middlesex cricket bat | 0:20:56 | 0:21:00 | |
and some really lovely pieces of porcelain. | 0:21:00 | 0:21:02 | |
And we've brought all of them to sell here today at Byrne's Auctioneers in Chester. | 0:21:02 | 0:21:09 | |
Now, you'll remember that Russell wants to raise at least £440 to donate to the Alzheimer's Society, | 0:21:09 | 0:21:14 | |
so let's hope all of today's bidders are feeling generous when his collectibles go under the hammer. | 0:21:14 | 0:21:19 | |
Now, we've got the crystal ball, which we hope, actually, | 0:21:21 | 0:21:24 | |
will make a few bob because of that nice inscription on the bottom. | 0:21:24 | 0:21:28 | |
-Any second thoughts about anything at all? -My Middlesex stuff, yeah, only because we're in Cheshire. | 0:21:28 | 0:21:33 | |
And how many Middlesexy people are there here? | 0:21:33 | 0:21:36 | |
But there are some great names on that cricket bat. | 0:21:36 | 0:21:38 | |
Yeah, it's got Andrew Strauss, it's got OA Shah. | 0:21:38 | 0:21:41 | |
It's got some of the big names, of that there's no doubt. | 0:21:41 | 0:21:44 | |
So, maybe, maybe you're right. | 0:21:44 | 0:21:45 | |
Well, we don't need the crystal ball, | 0:21:45 | 0:21:48 | |
we know we are going to do well. So...shall we go and get started? | 0:21:48 | 0:21:52 | |
Right, we're off. | 0:21:52 | 0:21:54 | |
I think the first of our lots up before today's crowd are absolutely charming. | 0:21:56 | 0:22:01 | |
It's the three terriers made by SylvaC - | 0:22:01 | 0:22:04 | |
a British pottery company that specialised in porcelain animals, | 0:22:04 | 0:22:08 | |
but which ceased production in the early 1980s. | 0:22:08 | 0:22:11 | |
We're ready to go, Russell. How you feeling? | 0:22:11 | 0:22:13 | |
Some wavers, I don't know why. | 0:22:13 | 0:22:15 | |
You shouldn't be nervous, | 0:22:15 | 0:22:17 | |
you've got Charlotte to give you encouragement. | 0:22:17 | 0:22:19 | |
But she doesn't know what she's doing either. | 0:22:19 | 0:22:22 | |
We've got three dogs coming up, we've got £30 to £40 on them. | 0:22:22 | 0:22:26 | |
How much did you pay for them? | 0:22:26 | 0:22:27 | |
-Goodness... -About £20? -Something like that. | 0:22:27 | 0:22:29 | |
We're looking for a profit. Possible, John? | 0:22:29 | 0:22:32 | |
Well, they're charming and they're displayed down at the front, | 0:22:32 | 0:22:36 | |
so hopefully, we'll get our £30 for them. | 0:22:36 | 0:22:38 | |
Three SylvaC terriers. | 0:22:38 | 0:22:40 | |
£30 opens the bidding here. £30, I have. | 0:22:40 | 0:22:42 | |
-He's got £30 already. -What, for those doggies? -Yes. | 0:22:42 | 0:22:45 | |
38, 40, | 0:22:45 | 0:22:48 | |
42, 45... | 0:22:48 | 0:22:49 | |
-Still going up. -No! It's outrageous! | 0:22:49 | 0:22:52 | |
..any advance on 48? | 0:22:52 | 0:22:54 | |
At £48, I have. Are we all done? | 0:22:54 | 0:22:56 | |
At £48, I'm selling now. | 0:22:56 | 0:22:58 | |
-At 48. -GAVEL BANGS | 0:22:58 | 0:23:00 | |
I'm going to cry. I am! | 0:23:00 | 0:23:02 | |
I think that's a fantastic start for the charity. My goodness, | 0:23:02 | 0:23:06 | |
someone loves my doggies, woof-woof! | 0:23:06 | 0:23:10 | |
And why wouldn't they love your doggies, Russell? | 0:23:10 | 0:23:13 | |
Just look at them - they're adorable. | 0:23:13 | 0:23:15 | |
What a great way to kick off our auction. | 0:23:15 | 0:23:17 | |
Let's hope it's a sign of things to come. | 0:23:17 | 0:23:19 | |
Now, I for one am going to be really intrigued | 0:23:19 | 0:23:22 | |
to see what the good people of Chester make of Russell's next offering. | 0:23:22 | 0:23:27 | |
You obviously like cheese because this oriental cheese bowl that is coming up is rather large. | 0:23:27 | 0:23:33 | |
Yes. | 0:23:33 | 0:23:34 | |
RUSSELL SPEAKS WELSH As we say in Wales. Big cheese, that's me. | 0:23:34 | 0:23:38 | |
-I'd forgotten you speak Welsh. -RUSSELL SPEAKS WELSH | 0:23:38 | 0:23:41 | |
A little bit. A bit of Welsh, but a lot of cheese. | 0:23:41 | 0:23:43 | |
Yes. But we should do quite well with this, John. | 0:23:43 | 0:23:46 | |
Well, let's hope so. As we say, it's modern Oriental Victorian style. | 0:23:46 | 0:23:49 | |
-Now, there's an oxymoron. -Yeah! | 0:23:49 | 0:23:51 | |
We're looking for £30 for it. | 0:23:51 | 0:23:53 | |
I think it's cute. In fact, I rather like it. | 0:23:53 | 0:23:55 | |
Is there any cheese left in it, though? | 0:23:55 | 0:23:57 | |
There it is, and bidding starts with me at £18. | 0:23:57 | 0:23:59 | |
£18, I have. Any advance on 18? | 0:23:59 | 0:24:02 | |
On commission at £18. Any advance on 18? At £18. | 0:24:02 | 0:24:05 | |
We want to get more than that, please. | 0:24:05 | 0:24:07 | |
On behalf of charity at £18. | 0:24:07 | 0:24:09 | |
Any advance? 20, 22... | 0:24:09 | 0:24:12 | |
Bit of mature cheese we can throw in with it? | 0:24:12 | 0:24:14 | |
..£25. Any advance on 25? Straight ahead at £25. Are we all done? | 0:24:14 | 0:24:19 | |
-Should have put Camembert in. -Yeah. | 0:24:19 | 0:24:21 | |
Quite sure? All done? | 0:24:21 | 0:24:22 | |
-£25, happy with that? -I'm happy with anything. -Good! | 0:24:22 | 0:24:25 | |
I like Russell's attitude. | 0:24:25 | 0:24:27 | |
His first lot sold over estimate, the second just below. | 0:24:27 | 0:24:31 | |
'So, as it stands, we're still right where we want to be. | 0:24:31 | 0:24:34 | |
'From a modern reproduction to a genuine antique. | 0:24:34 | 0:24:37 | |
'It's the Victorian guardsman's lamp from the Welsh railways.' | 0:24:37 | 0:24:41 | |
So you've never been out at night with the lamp? | 0:24:41 | 0:24:44 | |
Leading the way through the mountains. | 0:24:44 | 0:24:46 | |
Definitely not, and certainly not up a railway. | 0:24:46 | 0:24:48 | |
I see a remake of the Railway Children, don't you? | 0:24:48 | 0:24:51 | |
Can I be Jenny Agutter? Please? | 0:24:51 | 0:24:54 | |
£30 to £40. It's going to go to a railway buff, presumably, John. | 0:24:54 | 0:24:57 | |
Hopefully, and hopefully we'll get near our estimate. | 0:24:57 | 0:25:01 | |
We haven't done badly with railwayana of late. I'm optimistic. | 0:25:01 | 0:25:04 | |
Appropriately sold here at The Sidings. And what shall we say for this one? | 0:25:04 | 0:25:08 | |
Bidding starts with me at £10. | 0:25:08 | 0:25:10 | |
£10, I have. | 0:25:10 | 0:25:11 | |
12, 15, 18, 20, | 0:25:11 | 0:25:14 | |
22, 25, | 0:25:14 | 0:25:16 | |
28, 30, 32. | 0:25:16 | 0:25:19 | |
£32 here. | 0:25:19 | 0:25:22 | |
At £32. Any advance on 32? | 0:25:22 | 0:25:24 | |
35, new bidding. 38. | 0:25:24 | 0:25:27 | |
£38 straight ahead, then. At £38. Any advance on 38? | 0:25:27 | 0:25:31 | |
-At £38, are we all done? -We'll throw in a guardsman. | 0:25:31 | 0:25:34 | |
We're selling at £38. | 0:25:34 | 0:25:37 | |
-£38! -Is that good? | 0:25:37 | 0:25:38 | |
Well, we're pleased, then. | 0:25:38 | 0:25:40 | |
We had £30 to £40. | 0:25:40 | 0:25:42 | |
Oh, well, that's good. JC... | 0:25:42 | 0:25:44 | |
Looks like someone's in Russell's good books. | 0:25:44 | 0:25:48 | |
That's another cracking result. | 0:25:48 | 0:25:49 | |
And, after three lots, we've so far managed to raise all the ones - | 0:25:49 | 0:25:54 | |
£111 towards Russell's £440 target. | 0:25:54 | 0:25:57 | |
Maybe it's a sign that good fortune is on our side. | 0:25:57 | 0:26:01 | |
If only we had a crystal ball to look into. | 0:26:01 | 0:26:04 | |
Oh, we do! | 0:26:04 | 0:26:05 | |
Now, we're all going to get a bit mystic now | 0:26:05 | 0:26:07 | |
because we've the crystal ball coming up, | 0:26:07 | 0:26:10 | |
which is lovely because it's got that lovely inscription on the bottom saying, | 0:26:10 | 0:26:14 | |
"Dear Russell, congratulations on 30 years in the entertainment business. | 0:26:14 | 0:26:18 | |
"Love, all at ITV." | 0:26:18 | 0:26:19 | |
Yeah, yeah, yeah. I was working for ITV at the time when it came up to being this anniversary. | 0:26:19 | 0:26:25 | |
£30 to £40 is what we got on this. | 0:26:25 | 0:26:26 | |
But, John, a bit difficult to decide what sort of value to put on it. | 0:26:26 | 0:26:30 | |
You've got to take a punt on it, haven't you? | 0:26:30 | 0:26:32 | |
Well, of all the items that Russell's brought today, | 0:26:32 | 0:26:35 | |
what better item to own than the crystal ball, I ask you? | 0:26:35 | 0:26:38 | |
£30 to £40, it seems a small estimate. | 0:26:38 | 0:26:40 | |
-Hopefully, it will blast it away. -Yeah, yeah, yeah. | 0:26:40 | 0:26:43 | |
Right. Oh, crystal ball, how much are we going to get? Let's find out. | 0:26:43 | 0:26:47 | |
This is Russell's very own crystal ball, inscribed on the base. | 0:26:47 | 0:26:52 | |
What shall we say for this? Bidding starts with me at £18. | 0:26:52 | 0:26:55 | |
£18, I have. Any advance on £18? £18, I'm bid. | 0:26:55 | 0:26:58 | |
-At £18, any advance on £18? -Bit more than that! | 0:26:58 | 0:27:00 | |
20, 22, | 0:27:00 | 0:27:01 | |
25, 28, 30. | 0:27:01 | 0:27:03 | |
£30, I'm bid. At 30 pounds against you. | 0:27:03 | 0:27:06 | |
At £30, bid is on the right at 30. | 0:27:06 | 0:27:08 | |
Any advance on £30? | 0:27:08 | 0:27:09 | |
30's our lowest bid, isn't it? | 0:27:09 | 0:27:11 | |
£30, I have. Bid straight ahead at £30. Are we all done? | 0:27:11 | 0:27:14 | |
At £30, you're quite sure? It's a unique item at £30. | 0:27:14 | 0:27:18 | |
Are we all done. Quite sure? | 0:27:18 | 0:27:20 | |
-£30. 32. -Somebody coming in late. -Down the row at 32. | 0:27:20 | 0:27:24 | |
Any advance on 32? | 0:27:24 | 0:27:26 | |
It's against you now. Down the row at £32. | 0:27:26 | 0:27:29 | |
Are we all done at 32? | 0:27:29 | 0:27:31 | |
-Quite sure? Selling now at £32. -GAVEL BANGS | 0:27:31 | 0:27:35 | |
-Late bidder, £32. -Yeah. -It was over our bottom estimate. | 0:27:35 | 0:27:38 | |
But I was hopeful we would get more than that. | 0:27:38 | 0:27:40 | |
But it's got the inscription underneath, | 0:27:40 | 0:27:43 | |
so it's too personal to me for some people, isn't it? | 0:27:43 | 0:27:45 | |
'How did I know it was going to sell for that price? Well, I didn't. | 0:27:45 | 0:27:49 | |
'But it is right within estimate, so maybe Mystic John did. | 0:27:49 | 0:27:55 | |
'It's the turn of the old school bells next. | 0:27:55 | 0:27:57 | |
'Now, Charlotte discovered these, and as someone with a passion for antiques, | 0:27:57 | 0:28:01 | |
'it will be interesting to see if the bidders share her liking for them. | 0:28:01 | 0:28:05 | |
'John valued the pair at £30 to £50.' | 0:28:05 | 0:28:08 | |
So, you didn't use them to call the staff when you wanted your lunch? | 0:28:08 | 0:28:12 | |
No, they just appear as if by magic. | 0:28:12 | 0:28:14 | |
When I appear, there's people who sort of mill around me | 0:28:14 | 0:28:18 | |
-and bring me food and grapes and wine. -You live a charmed life. | 0:28:18 | 0:28:22 | |
I do, darling. They dress me, they un... | 0:28:22 | 0:28:24 | |
No, they don't. Trust me. | 0:28:24 | 0:28:26 | |
THEY LAUGH | 0:28:26 | 0:28:28 | |
And bidding starts with me at £15. | 0:28:28 | 0:28:31 | |
-Oh, we've got a bid. -The two school bells at 15, 18, 20. | 0:28:31 | 0:28:35 | |
-Oh, good. -22. Your bid at £22. | 0:28:35 | 0:28:38 | |
Any advance on 22? 25, 28, 30. | 0:28:38 | 0:28:42 | |
Two people in the room want it. | 0:28:42 | 0:28:44 | |
£30, In the centre at 30. | 0:28:44 | 0:28:46 | |
At £30, I have. Any advance on 30? | 0:28:46 | 0:28:49 | |
At £30, I'm bid. Are we all done? | 0:28:49 | 0:28:51 | |
At £30. You're quite sure? | 0:28:51 | 0:28:53 | |
-I'm selling now at £30. -GAVEL BANGS | 0:28:53 | 0:28:56 | |
-Are we pleased? -In the immortal words of Leslie Phillips, "Ding dong!" | 0:28:56 | 0:29:01 | |
Don't you start, John. | 0:29:01 | 0:29:02 | |
I've got enough on my plate keeping Russell under control! | 0:29:02 | 0:29:06 | |
Oh, but I'll let you off, though, as we are doing really rather well. | 0:29:06 | 0:29:10 | |
Only one item has failed to achieve its estimate so far, | 0:29:10 | 0:29:13 | |
but we have only been selling the lower-valued items. | 0:29:13 | 0:29:16 | |
Until now, as it's the turn of the Black Forest cuckoo clock. | 0:29:16 | 0:29:20 | |
Not antique, but magnificent, nonetheless. | 0:29:20 | 0:29:24 | |
Are you not loathe to get rid of this, Russell? | 0:29:24 | 0:29:27 | |
Oh, I really would love to keep it, but there's a lot of winding up that has to be done. | 0:29:27 | 0:29:31 | |
And when you go away, you come back, you're disoriented, and you don't know the real time. | 0:29:31 | 0:29:36 | |
Or are you in the real world? In fact, where am I? | 0:29:36 | 0:29:39 | |
I've put £150 to £180 on it, I think it's fantastic. | 0:29:39 | 0:29:42 | |
Hopefully, we'll get somewhere near our estimate. | 0:29:42 | 0:29:45 | |
Handsome piece this one. | 0:29:45 | 0:29:47 | |
And bidding starts with me at £150. | 0:29:47 | 0:29:50 | |
Hey-hey! | 0:29:50 | 0:29:52 | |
£150. | 0:29:52 | 0:29:54 | |
At £150, I'm bid. Any advance on 150? | 0:29:54 | 0:29:57 | |
At £150, I'm bid. Are we all done? | 0:29:57 | 0:30:00 | |
At £150. I shall sell at 150 if we're all done. | 0:30:00 | 0:30:05 | |
-At £150. -GAVEL BANGS | 0:30:05 | 0:30:07 | |
Nice result. | 0:30:07 | 0:30:08 | |
Sold to a buyer on commission, and bang on John's lower estimate. | 0:30:10 | 0:30:15 | |
It's been an exciting first half to our auction, so how much have we raised so far? | 0:30:15 | 0:30:20 | |
Remember, Russell is hoping to raise at least £440. | 0:30:20 | 0:30:25 | |
We're up to £323. | 0:30:25 | 0:30:29 | |
-Are we really? That's good. -We are. | 0:30:29 | 0:30:31 | |
And we've more lovely stuff to come - that amazing collection of Dresden figurines, | 0:30:31 | 0:30:35 | |
and your astrological plate, which you, my friend, are going to sell. | 0:30:35 | 0:30:40 | |
All right, so long as I can sing and dance and do my whole repertoire. | 0:30:40 | 0:30:44 | |
I tell you what, how would you like three minutes where you can just go and rehearse? | 0:30:44 | 0:30:48 | |
Yes. Get your legs out, Rippon. | 0:30:48 | 0:30:50 | |
Cheeky so-and-so! | 0:30:50 | 0:30:52 | |
Now, if you're thinking of heading to auction to raise money for something special, | 0:30:52 | 0:30:57 | |
then do remember fees like commission may be added to your bill. | 0:30:57 | 0:31:01 | |
So always check the details with your local auction house first to avoid any surprises. | 0:31:01 | 0:31:06 | |
Now, I wonder how Russell's rehearsal is going. | 0:31:06 | 0:31:09 | |
Look at this! A thrilling combination, me and the hat. | 0:31:09 | 0:31:13 | |
It's got a little bit of a French flag, quite nice now because it's gone mauve. | 0:31:13 | 0:31:17 | |
That's nice because it fits my hot pink colour scheme. | 0:31:17 | 0:31:21 | |
# Singular sensation every little step she takes | 0:31:21 | 0:31:25 | |
# Diddly diddly dee, one, yeah! # | 0:31:25 | 0:31:29 | |
Right, enough tomfoolery, Russell. | 0:31:29 | 0:31:31 | |
Carry on like that and you'll frighten off all the bidders. | 0:31:31 | 0:31:34 | |
And that's the last thing we need, as we have some cracking lots coming up. | 0:31:34 | 0:31:38 | |
Starting with the contemporary oil painting of Caernarfon Castle | 0:31:38 | 0:31:42 | |
under a moonlit sky. | 0:31:42 | 0:31:43 | |
If you're into feng shui, it's the perfect piece to have | 0:31:43 | 0:31:47 | |
in the north area of your home or office, because it represents support. | 0:31:47 | 0:31:51 | |
-I never knew that. Did you? -No. You must come round when I redecorate. | 0:31:51 | 0:31:55 | |
I will. I'll feng shui you! | 0:31:55 | 0:31:56 | |
THEY LAUGH | 0:31:56 | 0:31:58 | |
And that's the best offer you'll get all week! | 0:31:58 | 0:32:02 | |
The bidding starts with me at £18. £18 I have. | 0:32:02 | 0:32:06 | |
Any advance on 18? At £18 I bid 20, 22. | 0:32:06 | 0:32:09 | |
25, 28... | 0:32:09 | 0:32:11 | |
Good. | 0:32:11 | 0:32:13 | |
..30, 32, | 0:32:13 | 0:32:14 | |
35, 38, £40. | 0:32:14 | 0:32:17 | |
Oh, this is good. | 0:32:17 | 0:32:19 | |
£40 on the right. | 0:32:19 | 0:32:21 | |
Any advance on 40? At £40 I have. | 0:32:21 | 0:32:24 | |
Any advance on £40? At £40 I'm bid. | 0:32:24 | 0:32:27 | |
I'm watching you closely at £40. Are we all done? At £40, | 0:32:27 | 0:32:30 | |
selling at 40... | 0:32:30 | 0:32:33 | |
-Do you mind that, Russell? -No, I'm really pleased, | 0:32:33 | 0:32:35 | |
because I was really worried it was going to go for a tenner. So 40 is good. | 0:32:35 | 0:32:40 | |
So, Russell's more than happy, and let's hope the new owner enjoys | 0:32:40 | 0:32:44 | |
all the benefits of the feng shui powers of the painting. | 0:32:44 | 0:32:47 | |
Now, I think it's fair to say that our next lot isn't going to be everyone's taste. | 0:32:47 | 0:32:52 | |
It's the limited edition Royal Winton chintz mantel clock | 0:32:52 | 0:32:56 | |
that was produced in the 1990s. | 0:32:56 | 0:32:59 | |
John's valued it, possibly optimistically, at £50-75. | 0:32:59 | 0:33:04 | |
A little bit out of the norm. You do see odd teacups | 0:33:04 | 0:33:06 | |
and part breakfast sets turning up, so a nice clock like this, limited edition, hopefully will do that. | 0:33:06 | 0:33:11 | |
Yeah. And I'm out of the norm! | 0:33:11 | 0:33:14 | |
Definitely a limited edition! | 0:33:14 | 0:33:17 | |
They broke the mould! | 0:33:17 | 0:33:19 | |
It's a clochet avant-garde. | 0:33:19 | 0:33:21 | |
The bidding starts with me at £32. | 0:33:21 | 0:33:23 | |
Ooh, that's good! | 0:33:23 | 0:33:24 | |
..32. The bid is on commission at £32. | 0:33:24 | 0:33:28 | |
Any advance on 32? | 0:33:28 | 0:33:30 | |
35, 38, | 0:33:30 | 0:33:32 | |
40, 42. | 0:33:32 | 0:33:34 | |
£42 I'm bid. Standing at 42. | 0:33:34 | 0:33:37 | |
Any advance on £42? | 0:33:37 | 0:33:39 | |
At £42 I have. Are we all done? | 0:33:39 | 0:33:41 | |
At £42, we're quite sure, selling at 42... 45, new bidder. | 0:33:41 | 0:33:45 | |
Standing at the back at 45. | 0:33:45 | 0:33:49 | |
Any advance on £45? At £45 I'm bid. | 0:33:49 | 0:33:52 | |
The bid is at the back now at 45. Are we all done? Selling at 45... | 0:33:52 | 0:33:56 | |
£5 under our lower estimate. | 0:33:57 | 0:34:00 | |
Considering how the market has turned, are we are OK with it? | 0:34:00 | 0:34:03 | |
Oh, yeah. I'm OK with anything, really. A couple of quid will do me. | 0:34:03 | 0:34:08 | |
Russell is still happy, despite the clock not exactly attracting a bidding frenzy. | 0:34:09 | 0:34:14 | |
But it is proof enough that chintzware items are still collected by people who love it. | 0:34:14 | 0:34:20 | |
Now, it's time for one of our star lots. | 0:34:20 | 0:34:22 | |
The Middlesex County Cricket memorabilia. | 0:34:22 | 0:34:25 | |
And, as a passionate fan of the game, Russell knows just how collectable this lot is. | 0:34:25 | 0:34:30 | |
But how many Middlesex cricket fans will there be here today in Chester? | 0:34:30 | 0:34:35 | |
I think you're a bit nervous about this | 0:34:35 | 0:34:38 | |
next item coming up, Russell, but you have put a £150 reserve on it. | 0:34:38 | 0:34:42 | |
Yeah. Simply because it's very special to me. | 0:34:42 | 0:34:47 | |
This is the wrong place for it. What does Middlesex mean to them? | 0:34:47 | 0:34:51 | |
I need a rich old Middle Saxon. | 0:34:51 | 0:34:52 | |
Don't we all, dear? | 0:34:52 | 0:34:54 | |
Who'll start me at £100? | 0:34:54 | 0:34:56 | |
£100 anywhere. £100 for it, surely? | 0:34:56 | 0:34:59 | |
£100 anywhere? No? | 0:34:59 | 0:35:02 | |
£80, then. £80 I'm bid. | 0:35:02 | 0:35:04 | |
Oh, well, that surprises me. | 0:35:04 | 0:35:07 | |
Any advance on 80? 85. | 0:35:07 | 0:35:10 | |
90, 95, | 0:35:10 | 0:35:13 | |
100, | 0:35:13 | 0:35:15 | |
110, 120... | 0:35:15 | 0:35:17 | |
Bloomin' heck! | 0:35:17 | 0:35:18 | |
..130. | 0:35:18 | 0:35:20 | |
140. | 0:35:21 | 0:35:22 | |
Wow! | 0:35:22 | 0:35:23 | |
£140. | 0:35:23 | 0:35:25 | |
At £140. | 0:35:25 | 0:35:26 | |
-Would you let it go at 140? -Yeah, yeah! | 0:35:26 | 0:35:29 | |
At £140... | 0:35:29 | 0:35:31 | |
Goodness me! | 0:35:32 | 0:35:34 | |
As we say in Middlesex, quelle surprise! | 0:35:34 | 0:35:36 | |
And as they say on the crease - howzat? | 0:35:36 | 0:35:40 | |
£10 shy of Russell's discretionary reserve, | 0:35:40 | 0:35:42 | |
but he doesn't care. Russell's delighted. In fact, we all are. | 0:35:42 | 0:35:46 | |
Today's sale is once again proving that you really can't predict | 0:35:46 | 0:35:50 | |
what might happen at auction, even with an astrologer on the team. | 0:35:50 | 0:35:54 | |
So it's anyone's guess what the room is going to make | 0:35:54 | 0:35:57 | |
of Russell's rather magnificent, if slightly OTT, Dresden ornament. | 0:35:57 | 0:36:02 | |
£250-350, | 0:36:02 | 0:36:04 | |
that's a fair amount, John! | 0:36:04 | 0:36:07 | |
It is quite a hefty price tag | 0:36:07 | 0:36:08 | |
considering that this stuff has gone out of fashion in recent years. | 0:36:08 | 0:36:12 | |
But there is a glimmer of hope. It is a nice piece, and I think there's a bit of provenance that may help. | 0:36:12 | 0:36:17 | |
So, Charlotte, what would your feeling be? | 0:36:17 | 0:36:19 | |
I would think it would fetch at the most about 200. | 0:36:19 | 0:36:22 | |
Let's see what the room feels. | 0:36:22 | 0:36:24 | |
Bidding starts with me at £150. | 0:36:24 | 0:36:27 | |
Ooh, wowee! | 0:36:27 | 0:36:29 | |
-Wowee! -Any advance on £150? | 0:36:29 | 0:36:31 | |
160, 170, | 0:36:31 | 0:36:34 | |
-180, 190... -Class! | 0:36:34 | 0:36:37 | |
200. | 0:36:37 | 0:36:39 | |
£200 I'm bid. | 0:36:39 | 0:36:41 | |
You were right, 200. | 0:36:41 | 0:36:43 | |
At £200 I have. Any advance on 200? | 0:36:43 | 0:36:47 | |
At £200, are we all done? | 0:36:47 | 0:36:49 | |
I'm selling at £200. | 0:36:49 | 0:36:51 | |
All done at 200. | 0:36:51 | 0:36:53 | |
You got that on the nose! | 0:36:54 | 0:36:56 | |
Don't worry, John. You're irreplaceable. | 0:36:57 | 0:37:00 | |
But well done, Charlotte, your prediction was spot-on. | 0:37:00 | 0:37:03 | |
Now, our next item, like Russell himself, is a complete one-off. | 0:37:03 | 0:37:08 | |
It's the astrological plate, made especially for him. | 0:37:08 | 0:37:11 | |
So, who better to take to the podium to try and achieve John's £80-120? | 0:37:11 | 0:37:17 | |
Russell, are you ready for this? | 0:37:17 | 0:37:19 | |
-Yeah. -Are you girding your loins? | 0:37:19 | 0:37:22 | |
-Yeah. -You haven't got the hat. | 0:37:22 | 0:37:23 | |
But you have got the personality, darling, and you've got the will to sell the astrological plate! | 0:37:23 | 0:37:29 | |
Darling, I'm Bonnie Langford. I'm off! | 0:37:29 | 0:37:32 | |
Welcome, Russell Grant. | 0:37:33 | 0:37:35 | |
Thank you! | 0:37:35 | 0:37:38 | |
Right, everybody. | 0:37:40 | 0:37:42 | |
This is my plate that was given to me at a very successful series in the 1990s | 0:37:42 | 0:37:46 | |
called Russell Grant's All-Stars Show. | 0:37:46 | 0:37:49 | |
-He we go. -Someone give us a bid. | 0:37:49 | 0:37:52 | |
Eh? What's that, darling? 20 quid. | 0:37:52 | 0:37:55 | |
-What next? -We want more than £20 for it, Russell! | 0:37:55 | 0:37:58 | |
Any more for any more? | 0:37:58 | 0:37:59 | |
It's worth more than 50 quid, I can tell you that. 60 quid, down there? | 0:37:59 | 0:38:04 | |
70 quid, diolch. | 0:38:04 | 0:38:06 | |
See, Cymraeg. It takes a Welshman to come here and put in a good bid. | 0:38:06 | 0:38:10 | |
80 quid. | 0:38:10 | 0:38:12 | |
Where are you from? | 0:38:12 | 0:38:13 | |
-From Chester. -Good, good, we've got some local interest! | 0:38:13 | 0:38:18 | |
Thank you, diolch. | 0:38:18 | 0:38:19 | |
Anyone else? | 0:38:19 | 0:38:21 | |
90? Diolch! £90 already. | 0:38:21 | 0:38:26 | |
-£100! -Oh, well done, Russell! -Any more for any more? | 0:38:26 | 0:38:31 | |
-110. -£110, fantastic, "fablas" as we say in Barry. -120. | 0:38:31 | 0:38:37 | |
£120, fantastic, thank you so much. | 0:38:37 | 0:38:41 | |
Any more for any more? | 0:38:41 | 0:38:43 | |
-£130! -She's over your estimate, John! | 0:38:43 | 0:38:45 | |
Don't get any more bids. I'll have to look at you. | 0:38:45 | 0:38:49 | |
HE LAUGHS | 0:38:49 | 0:38:51 | |
140 down there. | 0:38:51 | 0:38:53 | |
£140! Going back to Wales, Cymru. | 0:38:53 | 0:38:55 | |
150. | 0:38:55 | 0:38:59 | |
-Nice round figure. -£160, oh, my goodness! | 0:38:59 | 0:39:02 | |
Now I'm going to start to cry. | 0:39:02 | 0:39:04 | |
Because this is very generous of both of you. | 0:39:04 | 0:39:07 | |
What's that? 170! This is brilliant. | 0:39:07 | 0:39:10 | |
This is like playing pantomime in Guildford, though. | 0:39:10 | 0:39:12 | |
-No-one laughs in Guildford. -You're getting more than I am! | 0:39:12 | 0:39:16 | |
But it's good stuff. I've only got two in the audience bothering. Anyway, what else have we got? | 0:39:16 | 0:39:21 | |
180! | 0:39:21 | 0:39:23 | |
£180. | 0:39:23 | 0:39:26 | |
Do I bang the hat? | 0:39:26 | 0:39:28 | |
Oh, 200 from the back! | 0:39:28 | 0:39:30 | |
Eh? £200?! | 0:39:30 | 0:39:32 | |
£200 from the man at the back in black. | 0:39:32 | 0:39:35 | |
You see, he is a mystery man. | 0:39:35 | 0:39:38 | |
Lovely. | 0:39:38 | 0:39:40 | |
Do I put the hammer down on it? | 0:39:40 | 0:39:41 | |
Thank you, thank you very much. | 0:39:43 | 0:39:45 | |
APPLAUSE | 0:39:45 | 0:39:46 | |
-Well done! -£200! | 0:39:48 | 0:39:52 | |
I've never been so exhausted in all me life. | 0:39:52 | 0:39:55 | |
Well, you can afford to relax now, Russell, | 0:39:55 | 0:39:57 | |
after that stupendous performance. | 0:39:57 | 0:39:59 | |
But what fate lies ahead for the astrological plate? | 0:39:59 | 0:40:03 | |
I've just recently moved house outside Dingwall. | 0:40:03 | 0:40:06 | |
I've got a huge lounge with a massive coffee-table on it. | 0:40:06 | 0:40:09 | |
And it's been sitting there begging for something big to be put on it. | 0:40:09 | 0:40:12 | |
And you can't get much bigger than a plate like this. | 0:40:12 | 0:40:15 | |
The amount of fruit that's going to go in this is going to be unbelievable. | 0:40:15 | 0:40:20 | |
So, the plate looks like its future is bright. But how has that last sale affected our day's takings? | 0:40:21 | 0:40:27 | |
Remember, Russell's original target was £440. | 0:40:27 | 0:40:31 | |
Do you remember when we were at the house, you also said 888 would be good, with all this lot? | 0:40:31 | 0:40:37 | |
-It was a magical number, wasn't it? -Yeah, yeah. | 0:40:37 | 0:40:39 | |
-So if you'd made 888, you'd be pleased? -I would be very pleased! | 0:40:39 | 0:40:43 | |
So if I tell you you've made 948... | 0:40:43 | 0:40:46 | |
Oh, my God! | 0:40:46 | 0:40:48 | |
That is fantastic! | 0:40:48 | 0:40:50 | |
That is fantastic. | 0:40:50 | 0:40:53 | |
£948. | 0:40:53 | 0:40:55 | |
Now you've set me off again, Rippon! | 0:40:55 | 0:40:57 | |
Every time I meet you, you make me cry. | 0:40:57 | 0:40:59 | |
-Oh, sweetie! -It's so fantastic. | 0:40:59 | 0:41:01 | |
Gosh, I'm so showbiz! | 0:41:01 | 0:41:05 | |
The charity that I'm raising money for is the Alzheimer's Society. | 0:41:11 | 0:41:16 | |
But I have a special fund within it, and it's for research. | 0:41:16 | 0:41:19 | |
I became an international ambassador for the society - I was the very first one, | 0:41:19 | 0:41:23 | |
which was a great privilege and honour. | 0:41:23 | 0:41:26 | |
I wanted my money to go into research, because if you can find a cure, you don't need the drugs. | 0:41:26 | 0:41:31 | |
And that's going to help, especially with funding being so tight | 0:41:31 | 0:41:34 | |
for anything to do with medical science, medical research or such. | 0:41:34 | 0:41:39 | |
We have a number of ambassadors like Russell | 0:41:39 | 0:41:42 | |
who help raise money for us, who help raise the profile of dementia. | 0:41:42 | 0:41:46 | |
Getting people to remember just how important an issue it is. | 0:41:46 | 0:41:51 | |
To get the money that we did was just beyond my wildest dreams. | 0:41:51 | 0:41:54 | |
We've almost doubled it, and that is just brilliant. | 0:41:54 | 0:41:58 | |
So the people here have not just been generous, | 0:41:58 | 0:42:01 | |
but they have been overwhelmingly generous. | 0:42:01 | 0:42:05 | |
And I'm really, really grateful to them. | 0:42:05 | 0:42:07 | |
Russell predicted that we were going to have a good auction, and that was a stellar result for his charity. | 0:42:11 | 0:42:17 | |
If there is something that you'd like to raise money for and you think you have things at home | 0:42:17 | 0:42:21 | |
you'd be happy to take to auction, why not get in touch with the programme? | 0:42:21 | 0:42:25 | |
You'll find all of our details on our website: | 0:42:25 | 0:42:28 | |
We look forward to working with you on Cash In The Attic. | 0:42:28 | 0:42:31 | |
Subtitles by Red Bee Media Ltd | 0:42:33 | 0:42:36 | |
Email [email protected] | 0:42:36 | 0:42:39 |