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Welcome to Cash In The Celebrity Attic, where we look around the homes of the well-known | 0:00:02 | 0:00:07 | |
and find items to take to auction to raise funds for charity. | 0:00:07 | 0:00:11 | |
Today I'm meeting a writer, actor and TV presenter. | 0:00:11 | 0:00:16 | |
He started out as a stunt man working on films and then ended up treading the boards himself. | 0:00:16 | 0:00:22 | |
In 1975 his genius created a fantastic musical | 0:00:22 | 0:00:26 | |
that also became a film from which there was the most amazing dance craze. | 0:00:26 | 0:00:32 | |
And if you're ever trapped in a Crystal Maze, he's your man. | 0:00:32 | 0:00:37 | |
Have you figured out who it is yet? | 0:00:37 | 0:00:39 | |
Today I'm in South London to meet the creator of the Rocky Horror Show | 0:00:59 | 0:01:03 | |
and presenter of The Crystal Maze. | 0:01:03 | 0:01:06 | |
He is, of course, Richard O'Brien. | 0:01:06 | 0:01:08 | |
'Richard is the man who introduced the world to the Time Warp, | 0:01:08 | 0:01:13 | |
'the popular dance craze that sprang from The Rocky Horror Picture Show. | 0:01:13 | 0:01:17 | |
'Two decades later, he was the MC of the cult Channel 4 quiz The Crystal Maze. | 0:01:17 | 0:01:23 | |
'Twice married, he has three grown-up children to whom he is very close. | 0:01:23 | 0:01:28 | |
'Coming up, Richard jokes about the clutter in his home.' | 0:01:28 | 0:01:33 | |
Miss Havisham said the place was a tip! | 0:01:33 | 0:01:37 | |
'He's soon pulling Paul's leg.' | 0:01:37 | 0:01:39 | |
-You're not just a pretty face. -Well, I'm not that either, but I know a bike when I see one! | 0:01:39 | 0:01:45 | |
'We find ourselves at one of the most exciting sales ever.' | 0:01:45 | 0:01:49 | |
1,800. There we are at 1,800. 1,900. | 0:01:49 | 0:01:52 | |
At 1,900. 2,000 the bid. | 0:01:52 | 0:01:55 | |
'It's an emotional ride right up until the hammer falls. | 0:01:55 | 0:01:59 | |
'Antiques expert Paul Hayes is with me today. We can't help wondering what's in store.' | 0:01:59 | 0:02:05 | |
-Be off with you! -I hope you don't mean that! -..Hello! | 0:02:07 | 0:02:12 | |
-It's us, Lorne and Paul. -Hello. Gosh, you're good-looking. Come in. | 0:02:12 | 0:02:16 | |
He's talking about you, not me. | 0:02:16 | 0:02:19 | |
Nice to meet you. | 0:02:19 | 0:02:21 | |
'Richard's lived in this elegant townhouse in South London for years | 0:02:25 | 0:02:29 | |
'and today helping him look through his mementoes is his good friend, Rebecca Hardy.' | 0:02:29 | 0:02:35 | |
-Here's Rebecca. -Hello! -Hi! -Helping out for the day? -Yes. | 0:02:35 | 0:02:41 | |
-How long have you two known each other? -Yonks. -Ages. -She's my special squeeze. | 0:02:41 | 0:02:46 | |
-Is she? Oh, right! What did you do to qualify for that role? -I really don't know! | 0:02:46 | 0:02:52 | |
She's got this big house. She's a woman of substance. | 0:02:52 | 0:02:57 | |
-He tries to educate me. -Does he? -And the pupil is better than the master. -Cryptic crosswords. | 0:02:57 | 0:03:04 | |
-Is that what you're into? -"Lady in waiting - expectant mother." -Oh, yes! | 0:03:04 | 0:03:11 | |
You've got a really lovely house and it's full of things. So much more interesting than minimalism. | 0:03:11 | 0:03:17 | |
-Would you describe yourself as a collector? -Miss Havisham came round and said the place was a tip! | 0:03:17 | 0:03:23 | |
Well, it's a nice tip. There's loads to look at. Who are we raising money for? | 0:03:23 | 0:03:29 | |
The Royal Manchester Children's Hospital. They're in new premises | 0:03:29 | 0:03:34 | |
and this money will go directly towards the scanner. | 0:03:34 | 0:03:38 | |
-Have you got a figure in mind? -I would like us to raise at least five grand | 0:03:38 | 0:03:44 | |
and hopefully get up somewhere near eight or ten. That'd be cool. | 0:03:44 | 0:03:49 | |
-Over to you, Paul. -No pressure(!) That sounds great. | 0:03:49 | 0:03:54 | |
Have you been to an auction before? | 0:03:54 | 0:03:56 | |
-Yeah, I've got a house in the Cotswolds, so we go to auctions to get furniture for that. -OK. | 0:03:56 | 0:04:03 | |
So it's open-ended, but several thousand. | 0:04:03 | 0:04:07 | |
-Are you happy to carry on looking down here? -Yeah, I will. There's quite a bit of stuff! | 0:04:07 | 0:04:14 | |
-There certainly is. Richard, where will we start? -Come on upstairs with me. -OK. | 0:04:14 | 0:04:20 | |
'Almost all the rooms reflect his many and varied tastes. | 0:04:20 | 0:04:24 | |
'His musical loo is decorated from floor to ceiling with everything from ukuleles to violins. | 0:04:24 | 0:04:31 | |
'And let's not forget his beautiful Mercedes car. | 0:04:31 | 0:04:36 | |
'He's used to travelling in style, although I don't expect this will be heading to auction.' | 0:04:36 | 0:04:42 | |
This is my humble abode. | 0:04:44 | 0:04:46 | |
-Wow! I love the way this is decorated! -It's hardly decorated. Thrown together. | 0:04:46 | 0:04:52 | |
-It's thrown together beautifully. -We should find something. I do have this guitar. | 0:04:52 | 0:04:59 | |
I bought this guitar because Elvis Presley played a guitar this shape | 0:04:59 | 0:05:06 | |
in Loving You. I don't know if you remember it. He was dressed in cream and scarlet, | 0:05:06 | 0:05:12 | |
cowboy suits and silk shirts. He looked gorgeous. | 0:05:12 | 0:05:16 | |
I always remembered that and thought, "I want a guitar like that." | 0:05:16 | 0:05:20 | |
This is about 1980, I guess. | 0:05:20 | 0:05:24 | |
-Right. -Flat top, Epiphone Jumbo. -Well, you mentioned the key word there - Jumbo. | 0:05:24 | 0:05:30 | |
It's an over-sized guitar. | 0:05:30 | 0:05:32 | |
Elvis's nearly covered his body - possibly for censorship reasons! | 0:05:32 | 0:05:37 | |
But the idea is that the structure actually takes the steel strings and so it's a good resonance, | 0:05:37 | 0:05:43 | |
a good loud sound. This looks like satinwood, inlaid. | 0:05:43 | 0:05:47 | |
Epiphone, very famous name. It's a beautifully-made guitar. | 0:05:47 | 0:05:51 | |
Looking at the origins of bluegrass, rock'n'roll, this is the sort of guitar people started out with. | 0:05:51 | 0:05:57 | |
-Almost a busking guitar. -So what about value, Paul? | 0:05:57 | 0:06:01 | |
If it was a general auction, I'd have said around the £150 mark, | 0:06:01 | 0:06:07 | |
-but with your sort of provenance... -I would like to see that go for £1,000 or £1,500. | 0:06:07 | 0:06:13 | |
-That's what I'd like to see! I would expect we start at 300 quid. -OK. -Fine. | 0:06:13 | 0:06:18 | |
-Shall we say that? -We should. | 0:06:18 | 0:06:20 | |
I'm happy with that as well. | 0:06:20 | 0:06:23 | |
'Richard has so much packed in here | 0:06:23 | 0:06:25 | |
'that we'd need more than a day for it. Luckily, he's already put a lot of thought into this | 0:06:25 | 0:06:32 | |
'in aid of a good cause.' | 0:06:32 | 0:06:36 | |
-So there it is. -Wow. -Gosh. -That is amazing. How long have you had this for? | 0:06:36 | 0:06:42 | |
I have had that probably for about 12 years, I think. | 0:06:42 | 0:06:46 | |
I bought it at Christie's, but if it can save a child's life, I'll let that go. | 0:06:46 | 0:06:52 | |
-Do you remember what you paid for it, roughly? -Oooh. | 0:06:52 | 0:06:56 | |
-I think I paid £500 for it. I think. -I think that was a bargain, don't you? | 0:06:56 | 0:07:02 | |
Absolutely, but there was a time when you could buy big Victorian paintings relatively cheaply. | 0:07:02 | 0:07:08 | |
-People needed a large space. Do you know where it is? -Mont Saint Michel, | 0:07:08 | 0:07:13 | |
-which is a tidal island off the coast of Normandy. -Do you know the artist? | 0:07:13 | 0:07:18 | |
Well, it says down here George Clarkson Stanfield. He was obviously very capable. | 0:07:18 | 0:07:25 | |
The draughtsmanship is good, all the vanishing points are good, the application of paint. | 0:07:25 | 0:07:31 | |
I love the way you get all these different kinds of directions going on. They all work. | 0:07:31 | 0:07:37 | |
What I like about it, actually, | 0:07:37 | 0:07:40 | |
is the top of the church, the windows, are faded out. It gives that wonderful perspective. | 0:07:40 | 0:07:47 | |
It looks a lot further away. That's a clever artist. | 0:07:47 | 0:07:51 | |
They were a family of artists. The father was the most famous, a north-east marine painter. | 0:07:51 | 0:07:58 | |
This is the son, George, late Victorian. A household name. | 0:07:58 | 0:08:02 | |
-A very famous artist. It could do very well. -What sort of price? | 0:08:02 | 0:08:07 | |
-I'd like to say a couple of thousand. -Oh, wow. If we doubled it and got a grand, I'd be happy. | 0:08:07 | 0:08:14 | |
-Excellent. -If you're happy with £1,000, we could put it in with the lowest estimate of £1,000. | 0:08:14 | 0:08:21 | |
-Generally speaking, that helps the bidding. -It attracts buyers | 0:08:21 | 0:08:25 | |
and if two people take a shine to it, it can go for a lot more. Let's see how it goes. | 0:08:25 | 0:08:31 | |
-Shall we see if Rebecca's found anything? -Yeah. -Come on. -Great. | 0:08:31 | 0:08:36 | |
'Rebecca is carefully sorting through the many and varied ornaments in the lounge. | 0:08:36 | 0:08:42 | |
'Could this small wooden trinket box be suitable for sale? | 0:08:42 | 0:08:46 | |
'It's Art Nouveau, decorated with mother of pearl shell and a pewter lid. | 0:08:46 | 0:08:52 | |
'An Australian film director presented it to Richard | 0:08:52 | 0:08:56 | |
'and at £30-£50 he's happy for it go to auction. | 0:08:56 | 0:09:01 | |
'Richard has another trinket box he'd like to put forward. | 0:09:01 | 0:09:04 | |
'This one's Mexican, in the shape of a cross, and made of metal and glass. | 0:09:04 | 0:09:10 | |
'He bought it in Malibu 10 years ago and filled it with dried flowers.' | 0:09:10 | 0:09:15 | |
I had fresh roses and when they went a bit droopy, I turned them upside down and dried them! | 0:09:15 | 0:09:22 | |
'Along with the cross, there's also a Mexican book. Richard has said he'll sign them both | 0:09:22 | 0:09:28 | |
'and Paul reckons they'll fetch £30-£50. | 0:09:28 | 0:09:32 | |
'But at the sale, the auctioneer forgets to mention the signature and it affects the value.' | 0:09:32 | 0:09:39 | |
I kill these people! I take them with my bare hands! | 0:09:39 | 0:09:43 | |
'It looks tense. I hope our star keeps his cool. | 0:09:43 | 0:09:48 | |
'The treasure hunt is still going strong. Going by Paul's lowest estimates, | 0:09:50 | 0:09:56 | |
'he stands to make £1,360 when the items go before the bidders. | 0:09:56 | 0:10:01 | |
'If only I could see into the future I could find out if he makes it. | 0:10:01 | 0:10:05 | |
'Pity, but we haven't found a crystal ball yet.' | 0:10:05 | 0:10:10 | |
Now we know you from The Crystal Maze and Rocky Horror Show, | 0:10:10 | 0:10:15 | |
but where did you start? | 0:10:15 | 0:10:18 | |
I got a job riding horses in movies in 1965. | 0:10:18 | 0:10:22 | |
I was born in Cheltenham during the war. 1942 I was born. | 0:10:22 | 0:10:27 | |
And my family emigrated in 1952. I was 10. And I was so pleased | 0:10:27 | 0:10:32 | |
to get away from the grey totalitarian kind of... And post-war rationing, | 0:10:32 | 0:10:38 | |
and all the rest of it, to New Zealand where the air was fresh and you ran around in shorts | 0:10:38 | 0:10:45 | |
and bare feet. You know, it was wonderful. | 0:10:45 | 0:10:50 | |
Then in '64, I got on a boat and came back to England for a year's working holiday. | 0:10:50 | 0:10:55 | |
And I found myself riding in Carry On Cowboy, The Fighting Prince of Donegal | 0:10:55 | 0:11:02 | |
and the original Casino Royale movie in 1965. | 0:11:02 | 0:11:05 | |
And I looked at the people on the set and thought, "I don't want to be a stunt man. I want to be an actor." | 0:11:05 | 0:11:12 | |
-So where did you make that break? -Er, I suppose being cast in Gulliver's Travels. | 0:11:12 | 0:11:20 | |
I got into Hair, from Hair to Jesus Christ Superstar. | 0:11:20 | 0:11:25 | |
-Then I wrote Rocky Horror. -But the whole concept of the Rocky Horror Show, the story, the music, | 0:11:25 | 0:11:33 | |
-how does that all come together? -I love populist themes and Rocky is full of them - advertising, | 0:11:33 | 0:11:39 | |
rock and roll, B movies, science fiction movies, romance comics. | 0:11:39 | 0:11:44 | |
It's just a collection of all that kind of stuff that I grew up with. | 0:11:44 | 0:11:49 | |
So when you actually wrote this, did you want it to become what it did become? | 0:11:49 | 0:11:55 | |
No, we thought we'd have three weeks' fun and then do something else. | 0:11:55 | 0:11:59 | |
The weird thing is that nobody had to sell the idea. | 0:11:59 | 0:12:03 | |
We were allowed to make the movie about 18 months after we opened at a fringe theatre event. | 0:12:03 | 0:12:09 | |
We had 1.25 million given to us to go and make a movie which could star all of us! | 0:12:09 | 0:12:15 | |
And the director of the fringe theatre event could direct the movie. So unusual. | 0:12:15 | 0:12:20 | |
It's kept me alive in many ways. I don't have to apologise for it, don't have to explain myself. | 0:12:20 | 0:12:28 | |
It's allowed me to be my tranny self as well, which is very nice. | 0:12:28 | 0:12:35 | |
I was brought up in a much more repressed society than people are today. | 0:12:35 | 0:12:41 | |
I hope I've made the world a little warmer for people like myself. | 0:12:41 | 0:12:46 | |
What do your children make of it? | 0:12:46 | 0:12:49 | |
They just put up with me, frankly. | 0:12:49 | 0:12:52 | |
-I bet they're very proud of their dad. -Well, they love me and I love them to distraction | 0:12:52 | 0:12:59 | |
and that's all that matters. | 0:12:59 | 0:13:01 | |
-I've very keen to find out what the others are up to. Shall we check it out? -Let's go and see. | 0:13:01 | 0:13:08 | |
'Over the years, Richard has described himself in many ways, | 0:13:08 | 0:13:13 | |
'but I'd say he's one of the most generous celebrities we've ever met. | 0:13:13 | 0:13:17 | |
'There's no stopping the flow of precious mementoes he seems willing to part with. | 0:13:17 | 0:13:23 | |
'He knows exactly what's what and goes straight to this brooch with the monogram of Butler and Wilson. | 0:13:23 | 0:13:30 | |
'This company designs flamboyant costume jewellery and accessories. | 0:13:30 | 0:13:34 | |
'Paul gives it an estimated £30-£50. | 0:13:34 | 0:13:37 | |
'Confronted with all his years of keepsakes, it's difficult to decide what should go to auction. | 0:13:40 | 0:13:47 | |
'Rebecca spots the next object worthy of consideration.' | 0:13:48 | 0:13:52 | |
Paul? | 0:13:55 | 0:13:56 | |
-What about this? -Oh, wow. Great. | 0:13:56 | 0:13:59 | |
-So where's this been hiding? -This was in his sitting room upstairs. -Do you know what it is? | 0:13:59 | 0:14:07 | |
-I think it's a tobacco jar. -Exactly. It keeps your tobacco moist and damp, | 0:14:07 | 0:14:12 | |
away from the strong sunlight. It kept it at its best. Do you know who made it? | 0:14:12 | 0:14:18 | |
-Royal Doulton? -Exactly. Well done. -There's a mark on the bottom! -Oh, right! | 0:14:18 | 0:14:23 | |
Doulton are famous for their porcelain figures, toby jugs, that sort of thing. | 0:14:23 | 0:14:29 | |
But in the Victorian period they were more famous for unglazed pottery. | 0:14:29 | 0:14:34 | |
They supplied lots of drainpipes, utilitarian stuff. | 0:14:34 | 0:14:38 | |
Then about 1880 they were approached by Lambeth School of Art and started to encourage local artists | 0:14:38 | 0:14:45 | |
and produced wonderful art pottery. So you got some fantastic, well-executed items | 0:14:45 | 0:14:51 | |
that were relatively cheap, so there's masses around. | 0:14:51 | 0:14:55 | |
-Is it unusual, the raised-ness of this? -No. | 0:14:55 | 0:14:59 | |
It's done in relief, almost like Wedgwood does. Each section is placed on by hand afterwards. | 0:14:59 | 0:15:05 | |
-Very clever, very intricate. The end result is beautiful. -Yeah. | 0:15:05 | 0:15:10 | |
It's one of my favourite pieces that we've found. I just like it. | 0:15:10 | 0:15:14 | |
-Really? Has he collected Doulton? -He's got a few tobacco jars. | 0:15:14 | 0:15:19 | |
-I think this is the most beautiful. -Right. Will he let it go? | 0:15:19 | 0:15:23 | |
-He's given it the nod. -Great. He's generous. Remind me again of how much he paid for it. | 0:15:23 | 0:15:30 | |
-He paid £18. 18 quid, he said. -Wow. An absolute bargain. | 0:15:30 | 0:15:35 | |
You have to check it's in good condition. If I said now | 0:15:35 | 0:15:39 | |
between £70 and £100, I think that's a bargain. | 0:15:39 | 0:15:44 | |
Do you think that's all right? | 0:15:44 | 0:15:46 | |
-I hope we get more for it, though! It's beautiful. -Let's hope so. | 0:15:46 | 0:15:50 | |
Let's hope two people like it and it goes for more. | 0:15:50 | 0:15:54 | |
'Thankfully, the busy air traffic over Richard's South London home isn't spoiling our day here. | 0:15:54 | 0:16:00 | |
'I've decided to take a good look through a cabinet in the lounge | 0:16:00 | 0:16:04 | |
'and in the kitchen Richard has come across two small vases in the shape of hunting dogs. | 0:16:04 | 0:16:11 | |
'They're Victorian and he bought them about 15 years ago. They're estimated at £40-£60. | 0:16:11 | 0:16:18 | |
'Our host is really getting into the swing of sorting things now.' | 0:16:18 | 0:16:23 | |
Not Kissinger. | 0:16:23 | 0:16:26 | |
-Right! -But this one here. -Oh, right. -That's interesting. | 0:16:26 | 0:16:31 | |
You've got quite a lot of ecclesiastical things. | 0:16:31 | 0:16:35 | |
I get a lot of comfort and pleasure from ecclesiastical works. | 0:16:35 | 0:16:40 | |
I bought him in a big cardboard box with lots of wooden saints. | 0:16:40 | 0:16:46 | |
He was the only one with paint on. | 0:16:46 | 0:16:48 | |
-Right, OK. -And it's interesting, isn't it? | 0:16:48 | 0:16:52 | |
-He's got jug ears. Taxi door ears they call them in Australia. -Right, OK. -Which is interesting. | 0:16:52 | 0:16:59 | |
-But I do like the fact that he's still got all this rather garish paint on. -It's polychrome paint. | 0:16:59 | 0:17:07 | |
A lot was done in the 18th century. I think this dates from that period. | 0:17:07 | 0:17:13 | |
The whole thing is carved from wood, hand carved. A naive charm to it. | 0:17:13 | 0:17:17 | |
Then the surface is a very thin plaster and that gives a good base for the paint. | 0:17:17 | 0:17:23 | |
It can look like a very thick sort of cloudy image. It's not too precise. | 0:17:23 | 0:17:29 | |
-Lots were done throughout Europe. My gut feeling is it's Italian. -OK. | 0:17:29 | 0:17:34 | |
In Italy, this mustard yellow colour is quite prominent, on the tunic and robes. | 0:17:34 | 0:17:39 | |
-Do you know if it represents any particular saint? -No idea. | 0:17:39 | 0:17:44 | |
-It would help if it was Francis of Assisi. -He'd be in a brown habit because he was Franciscan. -Exactly. | 0:17:44 | 0:17:51 | |
Hence the name. | 0:17:51 | 0:17:53 | |
Aptly, the society was named after him. | 0:17:53 | 0:17:58 | |
There is definitely a collectors' area. Usually a little bit smaller. This is quite large. | 0:17:58 | 0:18:04 | |
But they do turn up quite regularly. If I said £60-£100, | 0:18:04 | 0:18:08 | |
-we'll see how it goes. -OK. -Does that sound right? -Cool. -Very generous of you. | 0:18:08 | 0:18:14 | |
'I don't think I've ever seen a home that reflects the personality of its owner quite as much as Richard's.' | 0:18:14 | 0:18:22 | |
We were talking earlier about the Rocky Horror Show, | 0:18:22 | 0:18:26 | |
but you had then a completely separate career with The Crystal Maze, a cult in its own right. | 0:18:26 | 0:18:32 | |
It became very popular, didn't it? Strangely, it was doing that show that got me interested | 0:18:32 | 0:18:38 | |
in raising funds for children with cancer. I had the shaved head | 0:18:38 | 0:18:43 | |
and I was getting letters from nurses and families whose children were undergoing chemotherapy | 0:18:43 | 0:18:49 | |
and they'd say, "We like the guy on The Crystal Maze," so would I send them a card? | 0:18:49 | 0:18:56 | |
You were quite unique. At the time, there weren't any people who had the character you had | 0:18:56 | 0:19:02 | |
and the unique bald head. | 0:19:02 | 0:19:04 | |
When I first shaved my head, in 1975, 1976, | 0:19:04 | 0:19:08 | |
the only two people in the world that we knew were Yul Brynner and Telly Savalas. | 0:19:08 | 0:19:13 | |
And I used to get jip in the streets. People would kind of avoid me. | 0:19:13 | 0:19:18 | |
I liked it. Getting in the shower and feeling water drumming on your head | 0:19:18 | 0:19:25 | |
is wonderful. Brrrrr! | 0:19:25 | 0:19:28 | |
So what was it like meeting these children and their families? | 0:19:28 | 0:19:32 | |
It's the strength of the parents. They have to sit on the bed and hope that their child will get better. | 0:19:32 | 0:19:39 | |
And they can't show how scared they are or how emotionally upset they are. | 0:19:39 | 0:19:45 | |
They have to be absolutely resolute. | 0:19:45 | 0:19:48 | |
And they've got other children who need their love and affection. | 0:19:48 | 0:19:52 | |
The whole balance in the family is pulled apart by this | 0:19:52 | 0:19:58 | |
and if we can send a child back to the loving embrace of its family, I can't think of anything better. | 0:19:58 | 0:20:05 | |
Tell me what this money is towards. | 0:20:05 | 0:20:08 | |
They built a new hospital and the charity I was with decided we were going to donate a scanner. | 0:20:08 | 0:20:16 | |
-So any contribution goes towards this? -Anything we make from what I sell | 0:20:16 | 0:20:22 | |
will go directly to help pay for that scanner. | 0:20:22 | 0:20:26 | |
'Clearly Richard is incredibly passionate about his charities, | 0:20:26 | 0:20:31 | |
'so it's vital we keep up the good work. Now then, what has he found in the wardrobe?' | 0:20:31 | 0:20:37 | |
That's from the Kings Road. 1968, '69. Something like that. | 0:20:37 | 0:20:42 | |
-It should be in the V&A, actually. -I think it's fantastic. | 0:20:42 | 0:20:47 | |
Girls would like it as well, with some leggings and long boots. It would look quite stunning. | 0:20:47 | 0:20:53 | |
'He bought it for £40 from a famous Kings Road boutique called Granny Takes A Trip. | 0:20:53 | 0:21:00 | |
'Paul thinks it could bring in £100-£150 from the bidders. | 0:21:00 | 0:21:05 | |
'Ever the showman, our host has saved the best item for last. | 0:21:05 | 0:21:09 | |
'And he's parked it outside. | 0:21:09 | 0:21:12 | |
'Surely he's not had a change of heart about the Mercedes?' | 0:21:12 | 0:21:16 | |
Come on. The piece de resistance. | 0:21:16 | 0:21:19 | |
-Wow! -Look. -Goodness. | 0:21:19 | 0:21:23 | |
I bought this when I was doing Chitty Chitty Bang Bang to get me to the theatre. | 0:21:23 | 0:21:28 | |
I'd be in the West End in 10 minutes. It's only eight years old. | 0:21:28 | 0:21:33 | |
It cost me £3,500, it's a Honda limited edition, dual exhaust pipes, | 0:21:33 | 0:21:40 | |
cafe racer style petrol tank, | 0:21:40 | 0:21:43 | |
little bucket seat, stubby handlebars. It's a beautiful little motorcycle. | 0:21:43 | 0:21:49 | |
-I reckon if we get £2,000 I'll be very happy. -You bought it new. It looks old. | 0:21:49 | 0:21:54 | |
Retro styling. | 0:21:54 | 0:21:57 | |
I used to get stopped by the police to ask me about the bike. | 0:21:57 | 0:22:01 | |
-It does look like a racing bike. -It's fab. | 0:22:01 | 0:22:06 | |
It's a fab little bike. | 0:22:06 | 0:22:08 | |
I could start it up. | 0:22:08 | 0:22:10 | |
ENGINE REVS | 0:22:11 | 0:22:13 | |
I think that's worth about... | 0:22:13 | 0:22:16 | |
Well, three and a half grand when I bought it new. | 0:22:16 | 0:22:19 | |
-OK. -It's only had one owner and who was that? Oh! Me! | 0:22:19 | 0:22:24 | |
-Why do you want to part with it? -Because I can save a child's life. | 0:22:24 | 0:22:29 | |
What would I give if it was my child? My life. I think it's beautiful. | 0:22:29 | 0:22:34 | |
I can imagine there will be a demand for it because it is a limited edition, the racing history, | 0:22:34 | 0:22:41 | |
Honda are associated with racing. | 0:22:41 | 0:22:43 | |
Their main emphasis was power to weight ratio. They made small engines to be light and powerful. | 0:22:43 | 0:22:51 | |
-You're not just a pretty face. -Well, not that either! | 0:22:51 | 0:22:55 | |
-So, Paul, what are we going to do with this one? -It's quite difficult. | 0:22:55 | 0:23:01 | |
We wouldn't do it justice in a general sale. We need to do our homework, find a specialist auction. | 0:23:01 | 0:23:08 | |
Someone that really appreciates bikes. | 0:23:08 | 0:23:11 | |
Reserve of two grand, I think. | 0:23:11 | 0:23:14 | |
Otherwise it's silly, isn't it? | 0:23:14 | 0:23:17 | |
So a £2,000 reserve. You'll be delighted to know then that totting up all the items, | 0:23:17 | 0:23:24 | |
all the bottom line figures, it comes to £3,660. | 0:23:24 | 0:23:29 | |
-At the bottom end? -Yes. -We're going to do better than that, aren't we? | 0:23:29 | 0:23:35 | |
-Before, we've doubled the amount. -We're going to triple it! -We are. -I love your enthusiasm! | 0:23:35 | 0:23:42 | |
'Thanks to Richard's generosity, we're looking forward to some delightful times ahead. | 0:23:42 | 0:23:48 | |
'There's the Jumbo Epiphone guitar which he signed specially. | 0:23:48 | 0:23:53 | |
'We hope it'll make something to the tune of £300. | 0:23:53 | 0:23:57 | |
'And what about the Victorian oil painting by George Clarkson Stanfield? | 0:23:57 | 0:24:03 | |
'That's got to be worth at least £1,000, surely? | 0:24:03 | 0:24:07 | |
'And Richard's limited edition Honda motorcycle. | 0:24:07 | 0:24:11 | |
'That's going to a specialist sale where, all being well, it should make £2,000 or a bit more. | 0:24:11 | 0:24:18 | |
'Still to come, Paul asks Richard for tips on some fancy footwork.' | 0:24:19 | 0:24:24 | |
-Can you teach me that Time Warp? -I don't think I could, actually. | 0:24:24 | 0:24:29 | |
'Who can blame him? Will it be a Rocky Horror Picture Show or one of the most exciting auctions yet?' | 0:24:29 | 0:24:35 | |
1,800. At 1,800. 1,900. | 0:24:35 | 0:24:38 | |
2,000 the bid. | 0:24:38 | 0:24:40 | |
-'Find out when the hammer falls.' -Your bike, sir. | 0:24:40 | 0:24:44 | |
It's just over a month since we visited Richard O'Brien | 0:24:48 | 0:24:52 | |
and he had some fantastic items for auction. | 0:24:52 | 0:24:56 | |
He's looking to raise £5,000 for the Royal Manchester Children's Hospital. | 0:24:56 | 0:25:02 | |
His limited edition Dream 50 motorbike has been brought here to Bonham's for a specialist sale. | 0:25:02 | 0:25:09 | |
We're here in Oxfordshire and it really looks at home among all these beautiful bikes. | 0:25:09 | 0:25:16 | |
All of Richard's other items were sent to John Nicholson, Auctioneer, in Surrey. | 0:25:16 | 0:25:21 | |
Paul was there to help Richard sell them. | 0:25:21 | 0:25:25 | |
-Good morning, Richard. -Hello, Paul! -Good to see you. -We're selling this. | 0:25:29 | 0:25:33 | |
-Exactly, yes. -We want big biccies for this. -I was hoping that you would auction that one yourself. | 0:25:33 | 0:25:40 | |
I was a born entertainer. I love talking about myself and singing! | 0:25:40 | 0:25:45 | |
If I can squeeze another five quid out of anybody, I'll be happy. | 0:25:45 | 0:25:50 | |
-You're looking amazing. -Am I cool? -Amazing, but where's Rebecca? -She's in the United States. | 0:25:50 | 0:25:56 | |
-She flew out and left me a Dear John letter. -Just the two us today. | 0:25:56 | 0:26:01 | |
-Yes. -Well, it's all looking good. The auction starts any minute. -My heart is pounding. | 0:26:01 | 0:26:07 | |
-Shall we take our places? -Yes. | 0:26:07 | 0:26:09 | |
'All auction houses make charges such as commission, so if you're thinking of buying or selling, | 0:26:09 | 0:26:15 | |
'check the small print to avoid any unexpected surprises.' | 0:26:15 | 0:26:19 | |
-So here we are, Richard. In the garden of tranquillity. -Oh, yes! | 0:26:22 | 0:26:27 | |
-The auction's already started. Quite exciting, isn't it? -It is, relatively so, yes. | 0:26:27 | 0:26:33 | |
-Can you feel the tension? -Er... | 0:26:33 | 0:26:36 | |
Well, yes. Yes, yes. | 0:26:37 | 0:26:40 | |
-I think it's very much like going onstage. -Well, no, not really. | 0:26:40 | 0:26:44 | |
I don't have to learn any lines today, so it's a lot easier. | 0:26:44 | 0:26:49 | |
But we need to learn what we're selling. The first item is the carved wooden figure of a saint. | 0:26:49 | 0:26:56 | |
It's in at £60-£100. Where did this come from? | 0:26:56 | 0:27:00 | |
I bought a job lot, a big cardboard box full of saints, wooden saints. | 0:27:00 | 0:27:05 | |
That happened to be amongst them. | 0:27:05 | 0:27:07 | |
The others weren't as interesting as that. This one has still got all the paint on. | 0:27:07 | 0:27:13 | |
-The auctioneer likes it and he, like you, thinks it's Spanish. -OK. | 0:27:13 | 0:27:17 | |
-I like his thinking. -I like his thinking, too. Let's hope the buyers agree. | 0:27:17 | 0:27:23 | |
We'll start here at £60 bid. | 0:27:23 | 0:27:26 | |
-£60 already. -Goodness. | 0:27:26 | 0:27:29 | |
It's for a really good cause. £60 bid. 70 anywhere? 70. | 0:27:29 | 0:27:34 | |
Here we go. | 0:27:34 | 0:27:36 | |
Do I see 80 now? At £70 at the back of the room. A little below estimate. 80 anywhere? | 0:27:36 | 0:27:43 | |
-Selling at £70. -It's gone for £70. | 0:27:43 | 0:27:46 | |
-That's excellent. -Pleased? -Yes, very pleased. | 0:27:46 | 0:27:50 | |
-It's in the ballpark. -Yeah. Between £60 and £100. Excellent. | 0:27:50 | 0:27:55 | |
'That's a great start. Richard's an imposing figure in those glasses. | 0:27:55 | 0:28:00 | |
'Let's hope the bidders aren't daunted - we want them to part with stacks of cash!' | 0:28:00 | 0:28:06 | |
OK, we have a very unusual Mexican cross now, with the dried flowers. And a book of Mexican girls! | 0:28:06 | 0:28:13 | |
Yes, calendar girls. I bought it in Malibu, Los Angeles. | 0:28:13 | 0:28:18 | |
I put the book with it just to jolly the idea of having it. | 0:28:18 | 0:28:23 | |
I've signed inside the book and on the cross. | 0:28:23 | 0:28:26 | |
That gives it a provenance, a little bit more interest. | 0:28:26 | 0:28:31 | |
Start me. 10 bid. 15. 20. 5 anywhere? | 0:28:31 | 0:28:35 | |
At £20. 5. 30. And 5. | 0:28:35 | 0:28:39 | |
35. 40 anywhere? Remember, this is a charity lot. | 0:28:39 | 0:28:42 | |
At £35. 40 anywhere now? | 0:28:42 | 0:28:46 | |
At 35. | 0:28:46 | 0:28:48 | |
40 anywhere? Selling at 35. | 0:28:48 | 0:28:52 | |
-There you go. All right? -Fine. £5 over. He should have mentioned they were both signed. | 0:28:52 | 0:28:58 | |
-Right. We did say they were property of yourself. -But he should have said it. | 0:28:58 | 0:29:05 | |
-That's essential information, isn't it? -OK. -Was. Too late now. -Too late. | 0:29:05 | 0:29:11 | |
I kill these people! I take them with my bare hands! | 0:29:11 | 0:29:15 | |
'I'm not sure Paul's used to dealing with larger-than-life theatricals! | 0:29:15 | 0:29:21 | |
'I could have held his hand. | 0:29:21 | 0:29:23 | |
'Two reasonable results. Let's hope the next sale pleases us, too. | 0:29:23 | 0:29:28 | |
'It's the Art Nouveau-style trinket box with a pewter lid.' | 0:29:28 | 0:29:33 | |
I can start here at 10 bid. 15. 20. 5. | 0:29:36 | 0:29:41 | |
At £25. 30. 5 anywhere now? | 0:29:41 | 0:29:44 | |
At £30. Nice little Art Nouveau box. At £30. | 0:29:44 | 0:29:47 | |
5 anywhere? | 0:29:47 | 0:29:50 | |
35. 40. At 40. | 0:29:50 | 0:29:53 | |
5 anywhere else? Selling, then, at £40. | 0:29:53 | 0:29:56 | |
-That's good! -40 quid, yeah. It's worth £40. | 0:29:56 | 0:30:01 | |
A lovely little box. | 0:30:01 | 0:30:03 | |
'That's another good sale. Richard must be quite happy so far. | 0:30:03 | 0:30:08 | |
'I can tell because he hasn't turned into a creature of the night, yet.' | 0:30:08 | 0:30:13 | |
Now I do remember this was one of Rebecca's favourite items. It's that Doulton Lambeth piece. | 0:30:13 | 0:30:20 | |
We said it was a tobacco jar. It could be a biscuit barrel. | 0:30:20 | 0:30:25 | |
I was collecting tobacco jars at the time. It was one area | 0:30:25 | 0:30:31 | |
where they wouldn't cost very much. I kind of like that, a bargain. | 0:30:31 | 0:30:35 | |
Start here at £20. 25. | 0:30:35 | 0:30:38 | |
-30. 35. 40. At £40. -40, we're in. | 0:30:38 | 0:30:42 | |
5 anywhere else? At £40. Do I see 5 now? | 0:30:42 | 0:30:46 | |
At £40. 45. 50 with me. One more? | 0:30:46 | 0:30:50 | |
At 50. 5 anywhere else? It's had its time. On commission. | 0:30:50 | 0:30:54 | |
Selling at £50. | 0:30:54 | 0:30:57 | |
-£50. There we go. Is that all right? -Excellent. | 0:30:57 | 0:31:01 | |
-There were no biscuits left in there? -No. -No, OK. | 0:31:01 | 0:31:04 | |
'Richard does like a bargain, but he draws the line at Custard Creams. | 0:31:04 | 0:31:11 | |
'Next, a small pair of posy vases in the shape of hunting dogs. They were in his kitchen. | 0:31:11 | 0:31:16 | |
'Now we're all hoping they'll sell for between £40 and £60.' | 0:31:16 | 0:31:21 | |
15 bid. 20. 5. | 0:31:21 | 0:31:25 | |
30 anywhere? At £25. | 0:31:25 | 0:31:28 | |
30 anywhere now? 30. 5 anywhere? | 0:31:28 | 0:31:31 | |
Selling, then, at £30. | 0:31:31 | 0:31:34 | |
There we go. £30. | 0:31:34 | 0:31:36 | |
-Phew! Just. -That a relief? | 0:31:36 | 0:31:38 | |
I thought they were going to go for 25! | 0:31:38 | 0:31:42 | |
'They didn't quite reach their estimate, but Richard's pleased. | 0:31:42 | 0:31:48 | |
'Next for sale is a fantastic brooch by the makers Butler and Wilson.' | 0:31:49 | 0:31:54 | |
I knew Butler and Wilson, the two chaps, when they first started out in the early '70s. | 0:31:54 | 0:32:00 | |
They were finally allowed to open a little stall in Harrods. | 0:32:00 | 0:32:04 | |
And they sent this brooch out with the invitation. | 0:32:04 | 0:32:09 | |
So they're very unique, a very limited edition. I think it's rather beautiful. | 0:32:09 | 0:32:16 | |
I can start here at £10. 15. 20. | 0:32:16 | 0:32:18 | |
5 anywhere? At £20. A rare little thing. | 0:32:18 | 0:32:22 | |
At £20. 5. 30. | 0:32:22 | 0:32:24 | |
And 5, madam. At £35. | 0:32:24 | 0:32:27 | |
40 anywhere? At 35. 40 anywhere? | 0:32:27 | 0:32:31 | |
It's the lady's bid. I'm selling at £35. | 0:32:31 | 0:32:34 | |
-There we go. £35. Is that...? -A bargain. | 0:32:34 | 0:32:38 | |
'Oh, dear. Richard clearly wanted that piece to have gone for more. | 0:32:38 | 0:32:42 | |
'We have another one-off next. The jacket he bought in a chi-chi London boutique in the late 1960s.' | 0:32:42 | 0:32:49 | |
-I know Rebecca's in America. -Yes. -But this jacket is called Granny Takes A Trip? -Yes, it is. | 0:32:52 | 0:32:59 | |
-That's the manufacturer? -It was a very important store at the bottom of the Kings Road. | 0:32:59 | 0:33:06 | |
It was very hip and groovy to have clothes from Granny's. | 0:33:06 | 0:33:10 | |
This jacket dates back to that period. | 0:33:10 | 0:33:14 | |
It really is a vintage collector's item. Should be in the V&A. | 0:33:14 | 0:33:18 | |
'To give it its best chance, Richard has stuck to his word. | 0:33:18 | 0:33:22 | |
'He's now available for modelling.' | 0:33:22 | 0:33:25 | |
Let's see what we can get. This lovely jacket, as modelled by Richard there. | 0:33:25 | 0:33:31 | |
Who'll start me at £100 for it? I'll start at 50, then. | 0:33:31 | 0:33:35 | |
60. 70. Do I see 80? | 0:33:35 | 0:33:37 | |
Start at 50? The cheapskates! | 0:33:37 | 0:33:41 | |
Do I see 80 anywhere? | 0:33:41 | 0:33:43 | |
At £70. I thought this would make a lot more. All for a good cause. | 0:33:43 | 0:33:47 | |
80 anywhere? It's had its time. | 0:33:47 | 0:33:50 | |
Unfortunately, it didn't sell. It didn't realise its potential today, so the auctioneer has withdrawn it. | 0:33:50 | 0:33:56 | |
Oh, I didn't know. I wish Zandra Rhodes had been here. She'd buy it. | 0:33:56 | 0:34:01 | |
'At least Richard can take it home. Who knows? Maybe we'll see him wearing it on another day.' | 0:34:01 | 0:34:07 | |
I think maybe we'll take it down to the motorbike fair and see if we can sell it there. | 0:34:07 | 0:34:14 | |
Motorcycle enthusiasts do like a little bit of rock and roll. | 0:34:14 | 0:34:19 | |
'Well, we'll find out soon and so we come to the final lot of this particular sale. | 0:34:19 | 0:34:26 | |
'A real trouper, Richard is going to have another crack at wowing the people.' | 0:34:26 | 0:34:31 | |
Ladies and gentlemen, a flat-top Jumbo Epiphone acoustic guitar. | 0:34:31 | 0:34:37 | |
I bought it because it was pretty. And this is the guitar. | 0:34:37 | 0:34:41 | |
# Let's do the Time warp again | 0:34:41 | 0:34:45 | |
# Let's do the Time Warp again Doo-da-dooby-doo-doop! # | 0:34:46 | 0:34:52 | |
'I bet those bidders never thought they'd be entertained by a rendition of the Time Warp today.' | 0:34:52 | 0:34:59 | |
Please, dig deep because whoever buys this | 0:34:59 | 0:35:04 | |
you'll be responsible for sending a child home to their loving family. Back to you, sir. | 0:35:04 | 0:35:11 | |
I can start bidding here at £100. | 0:35:11 | 0:35:14 | |
Do I see 120? 120. 140. | 0:35:14 | 0:35:17 | |
160. 180. 200. At £200, then. | 0:35:17 | 0:35:21 | |
-£200. -Remember, it's for a really good cause. £200. | 0:35:21 | 0:35:25 | |
Do I see £220 for the signed guitar? | 0:35:25 | 0:35:28 | |
At £200. Do I see 220? | 0:35:28 | 0:35:31 | |
-220! -At 220. 240. | 0:35:31 | 0:35:34 | |
Can I say 260? 260. | 0:35:34 | 0:35:36 | |
And 280. And 300, sir? At £280. Well done. You've bid well. | 0:35:36 | 0:35:42 | |
At 280. Do I see 300? Going to sell. | 0:35:42 | 0:35:45 | |
First time, second time. At £280. Well done, sir. | 0:35:45 | 0:35:50 | |
-Wow. -Excellent. -That's great. Congratulations, Richard. Are you pleased with that? -I am. | 0:35:50 | 0:35:56 | |
I think your rendition helped. | 0:35:56 | 0:35:58 | |
It does need new strings! | 0:35:58 | 0:36:01 | |
I didn't tell them that! | 0:36:01 | 0:36:03 | |
'I'm sure whoever bought it won't mind replacing a few strings. They should be delighted. Now, Paul, | 0:36:03 | 0:36:10 | |
'time to check up on our guest's running total so far.' | 0:36:10 | 0:36:15 | |
-OK, Richard, that's all our items today. That was the general sale. -It was, that's true. | 0:36:15 | 0:36:21 | |
One item's going back with you, which is the jacket. | 0:36:21 | 0:36:25 | |
-That, unfortunately, didn't have the audience today. -Weird. -You keep that for another day. | 0:36:25 | 0:36:31 | |
But I can tell you that all the other items today have sold for a total of £540. | 0:36:31 | 0:36:38 | |
Oh, that's cool. It didn't seem as much as that. There were 30s and 20s and 40s, you know. | 0:36:38 | 0:36:44 | |
-But it's all mounted up. -That's a very reasonable target. | 0:36:44 | 0:36:48 | |
And the motorcycle yet to come. | 0:36:48 | 0:36:51 | |
-Can you teach me that Time Warp? -I don't think I could, actually. | 0:36:51 | 0:36:57 | |
All right. Let's get a cup of tea. | 0:36:58 | 0:37:01 | |
'I'll teach you one day! | 0:37:01 | 0:37:04 | |
'We mustn't forget the painting. | 0:37:04 | 0:37:07 | |
'The auction house suggested it should go in their fine art sale. | 0:37:07 | 0:37:11 | |
'Their expert, Aubrey, reminded Paul why it is so special.' | 0:37:11 | 0:37:16 | |
Victorian oils in general are struggling, but quality shines through. It's all about the detail. | 0:37:16 | 0:37:23 | |
You see nice groups of figures, | 0:37:23 | 0:37:25 | |
the lovely towers, just a really nice quality picture. | 0:37:25 | 0:37:30 | |
When I originally saw it, I put it at £1,000-£1,500. About right? | 0:37:30 | 0:37:35 | |
-That's fair to start with. Hopefully more. -Excellent. | 0:37:35 | 0:37:39 | |
'And when it went under the hammer...' | 0:37:39 | 0:37:43 | |
Selling at £1,600. | 0:37:43 | 0:37:46 | |
'It made a tremendous price. Along with the £540 from the general sale, that brings Richard's tally | 0:37:47 | 0:37:53 | |
'to £2,140. And still we've got his motorbike to sell.' | 0:37:53 | 0:37:58 | |
'Time for the specialist auction we've all been waiting for. | 0:38:04 | 0:38:08 | |
'200 different bikes are under the hammer. | 0:38:08 | 0:38:12 | |
'Richard's retro-style Honda model from 2002 could be about to make a breathtaking sale here.' | 0:38:12 | 0:38:19 | |
-What have the auction house told you? -They really like it. | 0:38:19 | 0:38:23 | |
There's only a few around, it belongs to Richard O'Brien. They're quite excited. | 0:38:23 | 0:38:29 | |
They've done a lot of press advertising. And it's among friends. | 0:38:29 | 0:38:34 | |
It's a great place here. We've done the best we can. | 0:38:34 | 0:38:39 | |
OK, let's go and see how Richard feels about it selling, shall we? | 0:38:39 | 0:38:44 | |
-Morning, Richard. -Hello! -Have you found one you want to buy? | 0:38:48 | 0:38:53 | |
The Sunbeam, yes. Jesus wants me for a sunbeam. | 0:38:53 | 0:38:56 | |
-It looks very nice, my bike. -It's very nice in the catalogue. -Wow! | 0:38:56 | 0:39:02 | |
-That's impressive. -It looks nice. | 0:39:02 | 0:39:04 | |
Well, it's time to sell it Come on. | 0:39:04 | 0:39:07 | |
'If we're to make Richard's target of £5,000, it'll need to make a good deal more than that. | 0:39:07 | 0:39:13 | |
'We're keeping everything crossed.' | 0:39:13 | 0:39:17 | |
£1,200 for an opening bid. | 0:39:17 | 0:39:19 | |
1,300. 1,400. 1,500. 1,600. 1,700. | 0:39:19 | 0:39:24 | |
The bid's at 1,700 against you in the back row. | 0:39:24 | 0:39:28 | |
1,800. There we are. | 0:39:28 | 0:39:31 | |
1,900. At 1,900. 2,000, the bid. | 0:39:31 | 0:39:34 | |
At 2,000, the bid. 2,200. | 0:39:34 | 0:39:37 | |
2,400. 2,600. | 0:39:37 | 0:39:41 | |
Any more? 2,800. Thank you, sir. | 0:39:43 | 0:39:46 | |
Most generous. 3,000, the bid. At 3,000. | 0:39:46 | 0:39:51 | |
At 3,000. The bid is at £3,000. | 0:39:51 | 0:39:55 | |
I'll take 100 if it helps. You will? 3,100. Sir? | 0:39:55 | 0:39:59 | |
3,100. The bid is on my right. At £3,100 are you all done? | 0:39:59 | 0:40:04 | |
Fair warning. At £3,100. Last call. Your bike, sir. | 0:40:04 | 0:40:10 | |
Thank you very much indeed. | 0:40:10 | 0:40:13 | |
Thank you! | 0:40:13 | 0:40:16 | |
-Thank you very much. -Richard had to take a little break. As he said when we met him at home, | 0:40:17 | 0:40:23 | |
this charity is particularly close to his heart. He's off now! | 0:40:23 | 0:40:27 | |
Get the tissues! | 0:40:27 | 0:40:30 | |
'It's not often that we see such enthusiastic bidding and we all feel a little emotional. | 0:40:30 | 0:40:37 | |
'I'll see if Richard's all right.' | 0:40:37 | 0:40:39 | |
Once it went past the two grand, | 0:40:39 | 0:40:42 | |
I was absolutely thrilled. | 0:40:42 | 0:40:45 | |
When it hit three, you know, I was over the moon. | 0:40:45 | 0:40:49 | |
Would you like to know the total? | 0:40:49 | 0:40:51 | |
-Altogether, yes, please. -You wanted £5,000, didn't you? -I was looking in that area. | 0:40:51 | 0:40:57 | |
£5,240. | 0:40:57 | 0:41:00 | |
-Ain't that cool? -That's really good! | 0:41:00 | 0:41:03 | |
And, be fair, be honest, you never thought we'd do that. | 0:41:03 | 0:41:07 | |
-No, I didn't. -It did seem quite a lot. -Oh, ye of little faith. | 0:41:07 | 0:41:12 | |
I think it's outstanding! | 0:41:12 | 0:41:14 | |
-It's fantastic. And I've been entertaining. -You have. | 0:41:15 | 0:41:20 | |
-Gorgeous, glamorous. It's a win/win/win situation! -Modest is the key word. -Above all! | 0:41:20 | 0:41:27 | |
The Royal Manchester Children's Hospital charity is the beneficiary of Richard's auction earnings. | 0:41:31 | 0:41:39 | |
£5,000 is always welcome. | 0:41:39 | 0:41:42 | |
I don't think there's many people who are not aware of how upsetting it is | 0:41:42 | 0:41:46 | |
when a loved one or a friend gets a death-threatening illness. | 0:41:46 | 0:41:51 | |
I'm so pleased we raised this much. | 0:41:51 | 0:41:54 | |
'This new children's hospital is one of the biggest in the country and helps 150,000 children a year. | 0:41:54 | 0:41:59 | |
'David Kane is its director of charities and is delighted.' | 0:41:59 | 0:42:05 | |
Richard's money is really important to us. It's contributed to the cost of our new MRI scanner. | 0:42:05 | 0:42:10 | |
It will be used for 12-14 patients a day in our hospital. | 0:42:10 | 0:42:15 | |
To be a parent and have a child on a cancer ward is one of the most terrifying things in the world. | 0:42:15 | 0:42:22 | |
And one of the greatest things we can do is provide hope. | 0:42:22 | 0:42:27 | |
And if we can go further than that and send children back home, then we're really winning. | 0:42:27 | 0:42:34 | |
If you've got antiques and collectables you'd like to sell to raise money for good causes, | 0:42:39 | 0:42:45 | |
or for a project, why not apply to come on the show. You'll find more details and an application form | 0:42:45 | 0:42:51 | |
at our website: | 0:42:51 | 0:42:53 | |
I'll see you again next time. | 0:42:53 | 0:42:56 | |
Subtitles by Subtext for Red Bee Media Ltd - 2010 | 0:43:10 | 0:43:14 | |
Email [email protected] | 0:43:15 | 0:43:17 |