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Welcome to Cash In The Celebrity Attic, the show that searches the homes of the well-known, | 0:00:02 | 0:00:08 | |
finds their bits of treasure and auctions it for good causes. | 0:00:08 | 0:00:12 | |
Today I'm meeting one of the nation's best-loved DJs and broadcasters. | 0:00:12 | 0:00:17 | |
You've seen his mop top on Top of the Pops. | 0:00:17 | 0:00:21 | |
He's famous for his work for "charidee". | 0:00:21 | 0:00:24 | |
In the 1980s on radio, he was as much part of breakfast as tea and toast. Do you know who it is? | 0:00:24 | 0:00:31 | |
Read my lips. | 0:00:31 | 0:00:33 | |
I'm on my way to meet top DJ Mike Read. | 0:00:52 | 0:00:56 | |
'Coming up: Mike talks the talk about a home packed with antiques.' | 0:00:56 | 0:01:01 | |
-So how about my Rembrandt? -In that case we're laughing. -OK. | 0:01:01 | 0:01:06 | |
'Plus the most novel use ever for a retro biscuit barrel.' | 0:01:06 | 0:01:10 | |
These all seem to be CDs that Mike has either performed on or written. | 0:01:10 | 0:01:16 | |
That won't devalue the item? | 0:01:16 | 0:01:18 | |
'Come auction day, could it be getting too much for this rock DJ?' | 0:01:18 | 0:01:23 | |
-Right, £50-£100 for this. -Ahh! -It's a stab in the dark. | 0:01:23 | 0:01:27 | |
'Will he recover by the time the hammer falls?' | 0:01:27 | 0:01:31 | |
Mike Read has been a radio DJ since the 1970s | 0:01:31 | 0:01:36 | |
and he still presents a daily morning show for the West Country, | 0:01:36 | 0:01:41 | |
and now lives in the Cotswolds. | 0:01:41 | 0:01:43 | |
In the 1980s, he's also remembered as the kind-hearted host of the Saturday Superstore. | 0:01:43 | 0:01:51 | |
Joining Mike is his close friend and business partner, Brett Orchard. This station is their brainchild. | 0:01:53 | 0:02:00 | |
-Good morning, gentlemen. -Hello. -Lovely to meet you. And you've been dragged in to rummage for the day? | 0:02:00 | 0:02:06 | |
-I'm helping out. -He's an expert rummager. -Is he? | 0:02:06 | 0:02:10 | |
I thought I collected a lot of junk... | 0:02:10 | 0:02:13 | |
-We do have a lot in the basement. We'll take you down there. -How did you two meet? | 0:02:13 | 0:02:19 | |
Through radio, really. We bought a load of radio stations so we're both shareholders. | 0:02:19 | 0:02:25 | |
So we're here with a swan on the surface, pedalling like mad underneath. So, yes. | 0:02:25 | 0:02:32 | |
You're doing Cash In The Attic, so what's prompted that decision? | 0:02:32 | 0:02:37 | |
We're looking to raise money for the Bomber Command Memorial Fund through the Heritage Foundation. | 0:02:37 | 0:02:43 | |
I'm the Vice President. A lot of these old boys are delighted | 0:02:43 | 0:02:47 | |
because 55,000 Allied air crew lost their lives during the war. | 0:02:47 | 0:02:52 | |
-There's never been a memorial. So that's what it's for. -OK. | 0:02:52 | 0:02:57 | |
-Have you got a figure in mind? -What's the most that's been raised? | 0:02:57 | 0:03:01 | |
-We did once raise about £10,000, but that was down to one picture by somebody very famous. -OK. | 0:03:01 | 0:03:08 | |
-How will my Rembrandt do? -In that case, we're laughing! -OK. -Yeah. | 0:03:08 | 0:03:13 | |
-What about if we say £500? -It's always good to start low. You can't go down from that. | 0:03:13 | 0:03:19 | |
But optimistically I'd be hoping for more than that for the guys. | 0:03:19 | 0:03:24 | |
Absolutely. As Frank Sinatra said, we have high hopes. | 0:03:24 | 0:03:28 | |
-Well, so do I. John Cameron is doing the valuations. -David Cameron?! | 0:03:28 | 0:03:34 | |
I know. He didn't have anything else to do. Let's go back to the house. | 0:03:34 | 0:03:39 | |
'Our expert, John, is already at the cottage, which Mike only recently moved in to. | 0:03:39 | 0:03:45 | |
'A lot of his stuff is still in storage, following his bankruptcy issues, | 0:03:45 | 0:03:51 | |
'but he now seems to have put all that behind him, | 0:03:51 | 0:03:55 | |
'so we waste no time and it's not long before our expert, John, makes our first find.' | 0:03:55 | 0:04:02 | |
-Aha! -Lorne, sorry. I've picked an item that's football-related. | 0:04:02 | 0:04:06 | |
What do you think about Cliff Richard and Manchester United? | 0:04:06 | 0:04:11 | |
One musical I did was Cliff The Musical. I wrote it. | 0:04:11 | 0:04:15 | |
Then they said, "We'd like you to be in it," so I toured with it. | 0:04:15 | 0:04:20 | |
And it was the time when Alex Ferguson kicked a boot across the dressing room and hit Becks. | 0:04:20 | 0:04:27 | |
-So we incorporated it into the musical. -Wow, interesting. You'd sell this at auction? | 0:04:27 | 0:04:34 | |
Yeah, it is a unique shirt. A one-off. | 0:04:34 | 0:04:37 | |
I thought to give it a little more gravitas, | 0:04:37 | 0:04:41 | |
-I have a framed signed picture of Antonio Valencia. -That's nice and current as well. | 0:04:41 | 0:04:48 | |
-Absolutely. -And framed things are always nice as gifts for people. -Great for a Man U fan. | 0:04:48 | 0:04:53 | |
It's signed, authenticated, a big picture and two little ones, great player. | 0:04:53 | 0:04:59 | |
-So that will go with it. -OK. | 0:04:59 | 0:05:01 | |
In terms of demand, they don't come more popular than Manchester United. Probably the world's biggest club, | 0:05:01 | 0:05:07 | |
it pains me to say. Estimate-wise, I'd start with something conservative to get bidding going. | 0:05:07 | 0:05:13 | |
£50-£100 would start the bidding. | 0:05:13 | 0:05:16 | |
But it's a popular side, international appeal. | 0:05:16 | 0:05:21 | |
And when it gets to the sale room, Mike takes to the rostrum for some hard selling. | 0:05:21 | 0:05:27 | |
He doesn't deserve it. You do. I love you...in a manly way. | 0:05:27 | 0:05:30 | |
We'll have to wait a little longer to see how much they love him. | 0:05:30 | 0:05:35 | |
As the search of Mike's cosy home continues, John spots something revealing one of his many passions. | 0:05:35 | 0:05:43 | |
It's a tennis racquet used in a Cliff Richard charity tournament. | 0:05:43 | 0:05:47 | |
Mike is patron for the Tennis Foundation and regularly plays. | 0:05:47 | 0:05:52 | |
He says this Wilson racquet can go to auction with two VIP passes. | 0:05:52 | 0:05:57 | |
John reckons they could be a smash hit with a £50-£100 estimate. | 0:05:57 | 0:06:02 | |
-Brett, how are you getting on? -Well, I just found this. It was in pride of place. | 0:06:04 | 0:06:10 | |
-I think we should flog it if it's worth anything. -Should we check with Mike? -No! | 0:06:10 | 0:06:16 | |
-What have you got? -Some CDs. These all seem to be CDs Mike has performed on or written. | 0:06:16 | 0:06:24 | |
-Yeah. -You don't think it will devalue the item? -I won't tell him you said that. | 0:06:24 | 0:06:30 | |
This does look interesting. | 0:06:30 | 0:06:32 | |
Looking on the bottom, sadly no mark on it. | 0:06:32 | 0:06:36 | |
But it's the very iconic and famous Wurlitzer jukebox. | 0:06:36 | 0:06:41 | |
I'm guessing it's a biscuit barrel. | 0:06:41 | 0:06:44 | |
-It's all quite crazed. Will it have any value? -Well, this is iconic. | 0:06:44 | 0:06:48 | |
Although the company goes right back to the 1840s, | 0:06:48 | 0:06:52 | |
first formed in Cincinnati by Franz Wurlitzer. It finished in the '80s. | 0:06:52 | 0:06:57 | |
These are now reproduced. This classic design you can buy new. | 0:06:57 | 0:07:02 | |
-Are you a jukebox man? -Everybody is a jukebox man, but I've not had one myself. | 0:07:02 | 0:07:08 | |
I'd love to own the genuine thing. At auction they make thousands. | 0:07:08 | 0:07:14 | |
-Is this worth any money? -Well, if I said £20-£40, I think it's cheap. | 0:07:14 | 0:07:19 | |
I'd buy it at that. If we said that as an estimate, we'll get the bidding going. | 0:07:19 | 0:07:25 | |
-And if we put these in? 10-15? -I was including them. -OK. | 0:07:25 | 0:07:30 | |
Of course, Mike's more than happy for all those to be sold in aid of his good cause. | 0:07:30 | 0:07:36 | |
I leave John and Brett to it while I take time out to chat to our smooth-talking host. | 0:07:36 | 0:07:43 | |
How did you get involved in broadcasting? | 0:07:43 | 0:07:46 | |
Some people I knew were starting up a local radio station in the Thames Valley. | 0:07:46 | 0:07:52 | |
It was headed by a wonderful guy called Neil ffrench-Blake. He was married to a Duke's daughter. | 0:07:52 | 0:07:58 | |
He was starting a station and he called me over - I played cricket with him a few times - | 0:07:58 | 0:08:04 | |
and he said, "Right, I want you on my radio station." I said, "To do what? Sing?" | 0:08:04 | 0:08:11 | |
He said, "No, broadcasting." I said, "It's not really what I do." | 0:08:11 | 0:08:16 | |
He said, "I have three reasons. One, you're very English, two, you're mildly eccentric, | 0:08:16 | 0:08:22 | |
"and three, you're a damn good opening bowler." I said, "What's that got to do with it?!" | 0:08:22 | 0:08:28 | |
He said, "I'm starting a cricket team!" So it was really cricketing ability that got me into radio! | 0:08:28 | 0:08:35 | |
So where did it go from there, then? | 0:08:35 | 0:08:38 | |
Well, I started with Steve Wright on day one. So with our names we did the Read and Wright Show. | 0:08:38 | 0:08:45 | |
It just worked perfectly. | 0:08:45 | 0:08:48 | |
At the end of the following year, I auditioned for Radio Luxembourg. | 0:08:48 | 0:08:52 | |
They said, "We'll let you know. We have 2,000 people to see." They called and said, "You got the job." | 0:08:52 | 0:09:00 | |
So I was living in another country that I wasn't expecting and within 10 months I was at Radio One. | 0:09:00 | 0:09:07 | |
Radio One is what the vast majority of people will remember you for. | 0:09:07 | 0:09:11 | |
-What's your memories of it? -It was fantastic. When I left, the press and the media said, | 0:09:11 | 0:09:17 | |
"Come on, you can spill the beans about how dreadful it was." | 0:09:17 | 0:09:22 | |
But I just had a great time. I can't think of one bad moment. A wonderful time. | 0:09:22 | 0:09:27 | |
-You also did a lot of TV work, didn't you? -Yeah. | 0:09:27 | 0:09:30 | |
In-between those two major things, almost having two simultaneous careers, radio and TV, | 0:09:30 | 0:09:37 | |
you've also written loads of music, musicals, all your charity work. How do you get the time? | 0:09:37 | 0:09:42 | |
I just have a great enthusiasm for life. I enjoy the things I do. | 0:09:42 | 0:09:48 | |
To me, it's not a chore. I love it. | 0:09:48 | 0:09:51 | |
-Let's put John Cameron under the spotlight and see if he's found anything else to sell. -Let's do it. | 0:09:51 | 0:09:58 | |
'You won't find anything in there and Mike may want to keep his fire. | 0:09:58 | 0:10:04 | |
'Brett's spotted something that the bidders should snap up - | 0:10:04 | 0:10:08 | |
'an old board game called Steeple Chase. | 0:10:08 | 0:10:11 | |
'Mike says it belonged to his grandparents. They didn't play it much or took very good care of it. | 0:10:11 | 0:10:18 | |
'It's in excellent condition. There's also a 1930s Chad Valley jigsaw puzzle, which IS well-used. | 0:10:18 | 0:10:25 | |
'There's a couple of pieces missing, but they could make £20-£40 at the sale room. | 0:10:25 | 0:10:31 | |
'Mike's obviously still moving in and there's still plenty of space. | 0:10:33 | 0:10:37 | |
'But this colourful work of art caught our expert's eye | 0:10:37 | 0:10:41 | |
'and guess what - it's made by our talented host himself.' | 0:10:41 | 0:10:45 | |
Tell me the background to how you got involved in designing these. | 0:10:45 | 0:10:49 | |
It was a bit of fun, really. | 0:10:49 | 0:10:52 | |
I was at a friend's dinner party and they deal in art. They had some primary-coloured pieces of metal. | 0:10:52 | 0:10:58 | |
I said, "I could do that with Meccano and a screwdriver!" | 0:10:58 | 0:11:03 | |
They said, "But you didn't." I said, "If I came up with something new..." They said, "It's all been done." | 0:11:03 | 0:11:10 | |
And I opened my mouth and said, "Choc art." I don't know where it came from. | 0:11:10 | 0:11:16 | |
So I ended up doing about 35 pieces, I had four exhibitions | 0:11:16 | 0:11:20 | |
-and sold loads of them. It was for fun. -Did you eat the original? | 0:11:20 | 0:11:25 | |
No, the originals are organic. They sort of...melt. | 0:11:25 | 0:11:29 | |
So this... I often say to people, "What is it?" And they go... | 0:11:29 | 0:11:34 | |
It is, in fact, the world. South America, North America, Australia, Africa, | 0:11:34 | 0:11:40 | |
-and there we are there. -There's Italy. | 0:11:40 | 0:11:44 | |
And the South and North Poles. All made of Liquorice Allsorts. | 0:11:44 | 0:11:49 | |
So I called it It Takes Allsorts To Make A World. | 0:11:49 | 0:11:53 | |
I've never seen one, never sold one. We've got the limited edition. | 0:11:53 | 0:11:57 | |
Number five of only 250. And we've got the title. | 0:11:57 | 0:12:01 | |
I'd be cautious with my estimate. I'd say... | 0:12:01 | 0:12:05 | |
-between £100 and £200 as an estimate. -Sure. | 0:12:05 | 0:12:08 | |
-But would you be prepared to give it a try? -Absolutely. | 0:12:08 | 0:12:12 | |
I'll let you two carry on here. I'm going to go and see if I can find the original. | 0:12:12 | 0:12:19 | |
'Who'd have thought it? The UK is three circles of coconut and liquorice. Whatever next? | 0:12:19 | 0:12:25 | |
'A chocolate teapot? Cliff Richard fashioned from aniseed? You think I'm joking. | 0:12:25 | 0:12:30 | |
'My next find is another of his creations - Choc Around The Clock. | 0:12:30 | 0:12:35 | |
'The Roman numerals are chocolate-covered matchsticks. | 0:12:35 | 0:12:39 | |
'Mike assures us this would normally fetch £500, but we'll be selling it at a general sale in Stafford | 0:12:39 | 0:12:45 | |
'and John thinks an estimate of £100-£200 gives it a better chance of taking off. | 0:12:45 | 0:12:52 | |
'So far, by the lowest estimates, we stand to make £340 towards Mike's target | 0:12:52 | 0:12:58 | |
'for the memorial fund.' So how did you get involved with your chosen good cause? | 0:12:58 | 0:13:04 | |
How it came about, the Bomber Command memorial, I'm Vice President of the Heritage Foundation. | 0:13:04 | 0:13:11 | |
Robin Gibb is the President and Davy Graham is Chairman. Davy spoke to the old RAF boys. | 0:13:11 | 0:13:16 | |
There are tributes to everybody except the crews from Bomber Command. | 0:13:16 | 0:13:21 | |
55,000 lost their lives. | 0:13:21 | 0:13:24 | |
He said we should do something. Robin is passionate about that, so he said, "I'll front it up." | 0:13:24 | 0:13:30 | |
Liam O'Connor has done a brilliant memorial. Sculptures of the airmen. Very moving. Not jingoistic, | 0:13:30 | 0:13:37 | |
not triumphant. Just a typical air crew come back, tired, looking for their mates, "Are their planes in? | 0:13:37 | 0:13:43 | |
"We fly again in a few hours." It's that, and it really is absolutely perfect. | 0:13:43 | 0:13:50 | |
We're determined to do all we can to help honour the memory of those dedicated servicemen. | 0:13:50 | 0:13:56 | |
Our host is on the look out for more possible treasures and he comes across a trophy | 0:13:56 | 0:14:01 | |
given to him on I'm A Celebrity back in 2004. | 0:14:01 | 0:14:05 | |
It says it was awarded for the impersonations he did during his time in the jungle. | 0:14:05 | 0:14:11 | |
I'm not sure they went down that well as he was the first voted out! | 0:14:11 | 0:14:15 | |
This appears to be a simple wooden doll, sprayed gold. | 0:14:15 | 0:14:19 | |
For this little memento, John reckons £50-£100. | 0:14:19 | 0:14:23 | |
-What have you found here, Brett? -I don't know if Mike'll sell these. | 0:14:25 | 0:14:29 | |
I know he still wears them. I found some Mike Read leg warmers | 0:14:29 | 0:14:34 | |
and I've got his favourite shirt, which he obviously wears around the radio station a lot. | 0:14:34 | 0:14:40 | |
It's a Radio One Roadshow shirt. But Mike's very own leg warmers. | 0:14:40 | 0:14:45 | |
The leg warmers. Wow. That takes me back to my youth. | 0:14:45 | 0:14:51 | |
What have you found? You've been raiding the old cupboard. | 0:14:51 | 0:14:55 | |
-Your drawer. -Before we get to them, put a date on these for us. | 0:14:55 | 0:15:00 | |
They would sort of be around mid-'80s. It would be around the time of the Kids from Fame. | 0:15:00 | 0:15:07 | |
We had them on the programme and people sent in leg warmers. | 0:15:07 | 0:15:11 | |
I had dozens of pairs, wore them for about a week, then I thought, "That'll do." | 0:15:11 | 0:15:17 | |
-Have you got some on now? -No. | 0:15:17 | 0:15:20 | |
I would guess somewhere '82, '83, '84, '85. Around that period. | 0:15:20 | 0:15:25 | |
-What about this? -This was a shirt that I wore on the Roadshow. | 0:15:25 | 0:15:29 | |
They were uniform. | 0:15:29 | 0:15:32 | |
If we weren't wearing our uniform, it was like school. Trouble. | 0:15:32 | 0:15:37 | |
These are great pieces of pop and radio memorabilia. I'll say £20-£40. | 0:15:37 | 0:15:42 | |
-My goodness me! Now you're not being conservative at all. You're being... -Crazy! -They've got to make that. | 0:15:42 | 0:15:49 | |
Listen, when I saw these, they took me back to my youth. The Radio One Summer Roadshow. | 0:15:49 | 0:15:55 | |
I looked forward to it every summer, down on Portsmouth Common. | 0:15:55 | 0:15:59 | |
-A lot of people like me would love to own these. -Those could have your name on - well, it's my name. | 0:15:59 | 0:16:06 | |
News just in from The Clothes Show - leg warmers are back in fashion, so they could be a surprise hit. | 0:16:06 | 0:16:13 | |
You know, it's amazing what you find in a DJ's house. | 0:16:13 | 0:16:17 | |
John's eye was drawn to this photo of a familiar face. | 0:16:17 | 0:16:23 | |
It's Tony Curtis in 1997 with his soon-to-be fifth and last wife, Jill Vandenberg. | 0:16:23 | 0:16:29 | |
It's signed by Tony with a letter of authenticity on the back. It was given to Mike by a friend. | 0:16:29 | 0:16:35 | |
John gives it a £40-£60 estimate. | 0:16:35 | 0:16:38 | |
The day is drawing to a close here in beautiful Gloucestershire, | 0:16:38 | 0:16:44 | |
but one more thing has caught our expert's eye. | 0:16:44 | 0:16:47 | |
-You can't have that, but you can have this, if you want it. What do you think? -Let's have a look. | 0:16:47 | 0:16:53 | |
That looks very interesting. A signed photo of Charlie Drake and a blue plaque. What's the story? | 0:16:53 | 0:17:00 | |
I'm Vice President of the Heritage Foundation and we put up blue plaques. This was put up in 2008. | 0:17:00 | 0:17:07 | |
It's a replica of the one that went on the wall in Twickenham, where Charlie lived in his latter years. | 0:17:07 | 0:17:14 | |
And a picture signed by Charlie there. One of our best-loved and most diminutive comedians. | 0:17:14 | 0:17:21 | |
So this is a lovely piece. | 0:17:21 | 0:17:24 | |
How many of these were issued? | 0:17:24 | 0:17:27 | |
I'm not sure. Not too many. You won't be likely to bump into one at somebody else's house. | 0:17:27 | 0:17:33 | |
-"Oh, you've got a Charlie Drake plaque as well!" -I've never seen one of these at auction before. | 0:17:33 | 0:17:39 | |
We see them on the front of houses. The awarding of these started back in the 1860s, | 0:17:39 | 0:17:45 | |
originally by the Royal Society of Arts, then London County Council | 0:17:45 | 0:17:49 | |
-and now English Heritage? -And the Heritage Foundation. | 0:17:49 | 0:17:54 | |
-Yeah, it's interesting. -If I had to put an estimate on it, | 0:17:54 | 0:17:59 | |
I'd say £100-£200, but it's a guess. | 0:17:59 | 0:18:02 | |
-Right. You've nothing to go on. -Nothing. | 0:18:02 | 0:18:05 | |
-We've got the photograph. Signed photos of Charlie make £30-£50 at auction. -Right. | 0:18:05 | 0:18:12 | |
But with this plaque and the frame, I don't really know. | 0:18:12 | 0:18:16 | |
-It's a really nice item and quite a few collectors would love it. -Good, that's good. | 0:18:16 | 0:18:23 | |
-Hello, gents. -A wonderful picture of Charlie Drake with a blue plaque. | 0:18:23 | 0:18:27 | |
-What have you put on that, John? -I've suggested £100-£200. | 0:18:27 | 0:18:32 | |
That'll be jolly handy, then, because you wanted to raise £500 | 0:18:32 | 0:18:37 | |
-for your chosen good cause. -At least. -Well, the valuations that John has put on the items, | 0:18:37 | 0:18:43 | |
-which is quite conservative, comes to £550. -Right. | 0:18:43 | 0:18:48 | |
-I think he's being very conservative. -Do you? -He's only doing it so I feel much better when it goes past that. | 0:18:48 | 0:18:56 | |
If he went higher and it was lower, I'd be disappointed in him. | 0:18:56 | 0:19:01 | |
Am I that transparent? | 0:19:01 | 0:19:03 | |
-Mike, you quite like an auction. -I've done loads of auctions. I absolutely love it. | 0:19:03 | 0:19:09 | |
-Fantastic! You can sell a few pieces. -I'd be delighted to do that. | 0:19:09 | 0:19:14 | |
-OK. The next time we see you both will be at the auction house. -Fantastic. -So bring your money! | 0:19:14 | 0:19:21 | |
'Yes, laughs all round. The day we've spent with Mike has been one big, long laugh. | 0:19:21 | 0:19:27 | |
'I can't wait to see what the bidders make of it all. | 0:19:27 | 0:19:31 | |
'This trophy from his time in the jungle for his impersonations could fetch £50-£100. | 0:19:31 | 0:19:37 | |
'Then there's his two prints of Choc Art and Sweetie Art. They'll be sold separately | 0:19:39 | 0:19:45 | |
'but should raise over £200 between them. | 0:19:45 | 0:19:48 | |
'And he's selling that signed Charlie Drake photo with blue plaque. | 0:19:48 | 0:19:54 | |
'Will bidders be his darlings? | 0:19:54 | 0:19:57 | |
'Still to come: is Mike's listener in Gloucestershire pining for him?' | 0:19:57 | 0:20:04 | |
Mike's not there, so the best thing to do was just turn it off. | 0:20:04 | 0:20:09 | |
We left the light on, though. | 0:20:09 | 0:20:11 | |
'But Mike's brought his DJ banter to the sale room.' | 0:20:11 | 0:20:15 | |
Is that a bid or are you blowing your nose? You nearly bought this. | 0:20:15 | 0:20:20 | |
'Will his patter work when the final hammer falls?' | 0:20:20 | 0:20:25 | |
It's been a few weeks since we met Mike Read in Cheltenham. | 0:20:29 | 0:20:33 | |
We had a good look round his items and the best we have brought here to Cuttlestones in Stafford. | 0:20:33 | 0:20:40 | |
Mike's hoping to raise around £500 for his chosen good cause | 0:20:40 | 0:20:45 | |
so let's just hope the bidders feel very generous. | 0:20:45 | 0:20:49 | |
This sale room started specialising in antiques 20 years ago after being an agricultural auction. | 0:20:49 | 0:20:55 | |
What will the crowd here make of Mike's rather unique lots? | 0:20:55 | 0:20:59 | |
-What's it like seeing your own stuff in the auction? -It's interesting. I keep seeing things I like, | 0:20:59 | 0:21:06 | |
-then realising they're mine. -Looking forward to today? -Yes. | 0:21:06 | 0:21:11 | |
With trepidation, yes. You always think that your stuff is really not worth anything. | 0:21:11 | 0:21:17 | |
-Other people's stuff is worth something. -Will you go up on the podium and auction a few bits? | 0:21:17 | 0:21:23 | |
The problem is not getting me on, it's getting me off again. | 0:21:23 | 0:21:28 | |
We raise a lot of money for charity, but it's problematical trying to sell your own stuff. | 0:21:28 | 0:21:33 | |
If you auction somebody else's stuff, you can say, "Come on!" With your own stuff, you're more self-effacing. | 0:21:33 | 0:21:39 | |
Brett, what's happened with the radio station? Both of you are here. | 0:21:39 | 0:21:43 | |
-We just turned it off. Mike's not there, so just turn it off. -We left a light on though. -OK, good. | 0:21:43 | 0:21:50 | |
-People all over the world will be struggling today. -Shall we get in position? -We get a position? -Yeah. | 0:21:50 | 0:21:56 | |
-I know, it's very exciting. -Good. | 0:21:56 | 0:21:59 | |
'This is really quite different to a charity sale | 0:21:59 | 0:22:03 | |
'which is full of celebrities eager to part with their cash for a good cause. | 0:22:03 | 0:22:08 | |
'Many people here are only buying to make a profit. | 0:22:08 | 0:22:11 | |
'The first lot is the biscuit barrel in the shape of a jukebox.' | 0:22:11 | 0:22:15 | |
I'm going to be extremely peeved | 0:22:15 | 0:22:18 | |
-if they don't mention it's full of fantastic CDs. -Did we not leave your CDs in there? -Yeah. | 0:22:18 | 0:22:24 | |
It just says "biscuit barrel" there. | 0:22:24 | 0:22:26 | |
People are not going to know that inside, they have a veritable musical cornucopia. | 0:22:26 | 0:22:31 | |
-What do we want for it? -We've said £20 to £40. It's not marked. | 0:22:31 | 0:22:35 | |
It's a nice, novel thing. I like it. | 0:22:35 | 0:22:38 | |
-Brett's not so sure. -Will the CDs make a difference? -Brett didn't think so. -They'll lower the price! | 0:22:38 | 0:22:44 | |
Well, let's see what they make. | 0:22:44 | 0:22:47 | |
-And it's got some CDs in there as well. -There you go. | 0:22:47 | 0:22:50 | |
Some corkers in there. I can start this in at £10. | 0:22:50 | 0:22:54 | |
On the biscuit barrel at £10. Any advance on 10? 12. | 0:22:54 | 0:22:58 | |
14. 16. 18. No? | 0:22:58 | 0:23:00 | |
20, madam? 20, left-hand side. | 0:23:00 | 0:23:03 | |
-We've got 20, our bottom bid. -Any advance on £20? | 0:23:03 | 0:23:06 | |
22. 24. 26. | 0:23:06 | 0:23:09 | |
28. Says "no". | 0:23:10 | 0:23:12 | |
£28, left-hand side. Any advance on £28? I'll have to sell. | 0:23:12 | 0:23:17 | |
£28... | 0:23:17 | 0:23:19 | |
-£28, that wasn't bad. -Not bad at all. Are you happy with that, Mike? | 0:23:20 | 0:23:24 | |
Yeah. Yeah, I'm pleased I ate the biscuits first. | 0:23:24 | 0:23:28 | |
'But you didn't share them with us! Only joking! It was a great start.' | 0:23:28 | 0:23:33 | |
The next lot are two board games. | 0:23:33 | 0:23:36 | |
-They're very old. They're from my grandmother's period. -They look like they're old. | 0:23:36 | 0:23:41 | |
-But people do collect these. -They do. | 0:23:41 | 0:23:45 | |
One's an old world jigsaw and the other is a horse-racing board game. | 0:23:45 | 0:23:49 | |
It's from my grandmother's youth when board games were basic. | 0:23:49 | 0:23:53 | |
£20 to £40 you've put on that, John. | 0:23:53 | 0:23:56 | |
We're hoping we've got somebody here that wants to re-live their own deprived childhood | 0:23:56 | 0:24:01 | |
and force their children to re-live it with them. | 0:24:01 | 0:24:04 | |
I can start these in at £10. | 0:24:04 | 0:24:07 | |
£10 on the board games. 10. 12. 14. | 0:24:07 | 0:24:10 | |
16. 18. Says "no". £18 with me. | 0:24:10 | 0:24:13 | |
Any advance on £18? | 0:24:13 | 0:24:16 | |
20, bidding's out, centre. | 0:24:16 | 0:24:18 | |
£20, centre. Any advance on 20 on the two games? | 0:24:18 | 0:24:21 | |
No? | 0:24:21 | 0:24:23 | |
Selling for £20... | 0:24:23 | 0:24:25 | |
-Spot-on again! -Just crept up to our bottom estimate again there. | 0:24:25 | 0:24:29 | |
-It's not a lot though, really, when you think how old they are. -Not really. | 0:24:29 | 0:24:34 | |
'The jigsaw did have two missing pieces though, | 0:24:34 | 0:24:37 | |
'so we can't really grumble at that result.' | 0:24:37 | 0:24:40 | |
The next lot is one of my favourites - the signed photograph of Tony Curtis. Tell me about this. | 0:24:40 | 0:24:47 | |
-Well, Brett and Tony Curtis were in a long relationship for a while(!) -Right, OK. | 0:24:47 | 0:24:53 | |
They signed a pre-nup where Brett got the signed photograph of Tony or the house | 0:24:53 | 0:24:58 | |
and he went for the photograph, just as a gentle reminder of happier days, really. | 0:24:58 | 0:25:03 | |
-Tony had quite a lot of my stuff as well, so it was quite a two-way thing. -Right, OK. | 0:25:03 | 0:25:09 | |
-And now we have the photograph here to sell. -Yes, back to reality. | 0:25:09 | 0:25:13 | |
-You've got 40 to 60 on that, John. -It has its ticket of authenticity. | 0:25:13 | 0:25:18 | |
Tony Curtis is one of the greats and having recently passed away, | 0:25:18 | 0:25:22 | |
people know they're going to become harder to obtain. | 0:25:22 | 0:25:25 | |
And a lucky lady there. Signed picture there. Where can I start this? | 0:25:25 | 0:25:30 | |
Couple of bids. I can start at £20. | 0:25:30 | 0:25:33 | |
£20 on the signed picture. | 0:25:33 | 0:25:35 | |
Any advance on £20? | 0:25:35 | 0:25:38 | |
22. 24. Says "no". | 0:25:38 | 0:25:40 | |
-24 with me. £24. -This is very cheap. -Any advance on £24? | 0:25:40 | 0:25:45 | |
26. Bidding's out. £26, left-hand side. | 0:25:45 | 0:25:49 | |
Any advance on £26? | 0:25:49 | 0:25:51 | |
I'm selling for £26... | 0:25:52 | 0:25:54 | |
I thought it would have gone for more than that, I must say. | 0:25:55 | 0:25:59 | |
I thought 40 to 60 was about right, but not today. | 0:25:59 | 0:26:03 | |
-We're climbing a hill at the moment, aren't we? -Yes. | 0:26:03 | 0:26:06 | |
I always say we have to take an overview, rather than focusing on one lot that hasn't sold well. | 0:26:06 | 0:26:13 | |
'That was disappointing, considering the Hollywood calibre of that lot.' | 0:26:13 | 0:26:19 | |
Next up is my favourite lot. It's the leg warmers and the Radio 1 Roadshow shirt. | 0:26:19 | 0:26:24 | |
In the auction house, I came across the album The Kids From Fame, | 0:26:24 | 0:26:28 | |
released in 1982, and they're all wearing leg warmers on the cover. | 0:26:28 | 0:26:32 | |
I'm not too sure if there are many Kids From Fame fans here today | 0:26:32 | 0:26:36 | |
or indeed anyone who will want leg warmers with my name on. | 0:26:36 | 0:26:41 | |
You're quite hopeful because you've got £20 to £40 on these. | 0:26:41 | 0:26:45 | |
-We'll see. -Optimist! | 0:26:45 | 0:26:48 | |
I can start this in at a tenner. | 0:26:49 | 0:26:51 | |
£10 on the jacket and leg warmers. | 0:26:51 | 0:26:54 | |
12. 14. 16. 18. | 0:26:54 | 0:26:57 | |
-Yes! -20. -Yes! -22. £22 with me, commission bid. | 0:26:57 | 0:27:01 | |
Any advance on £22 then? | 0:27:01 | 0:27:03 | |
On the jacket and the leg warmers? | 0:27:03 | 0:27:06 | |
I shall sell for £22... | 0:27:06 | 0:27:09 | |
-GAVEL BANGS -Yes! -I think the stuff I put in was too cheap. | 0:27:09 | 0:27:13 | |
-You need to sell the ones you've got on. -I should have put in a Monet or... -I think you're right. | 0:27:13 | 0:27:19 | |
-But the leg warmers sold, £22. -Absolutely. -I should've put my Stradivarius in. | 0:27:19 | 0:27:25 | |
'But Mike put the Radio 1 leg warmers in | 0:27:25 | 0:27:28 | |
'and they shimmied off for a pretty good price too.' | 0:27:28 | 0:27:31 | |
-The next lot is the tennis racket from a Cliff Richard tournament. Did you play with that? -Yes, I did. | 0:27:31 | 0:27:37 | |
It had the players' "access all areas" badges on which I think gives it its provenance. | 0:27:37 | 0:27:43 | |
There are collectors of passes, so it will add value to the piece. | 0:27:43 | 0:27:48 | |
-And we want what for this? -I've said £50 to £100. -50 to 100? OK. | 0:27:48 | 0:27:52 | |
Oh, terribly optimistic. | 0:27:52 | 0:27:55 | |
It's the tennis racket from the Cliff Richard Tournament. | 0:27:55 | 0:27:59 | |
And I can start this in at £10. £10 in on the tennis racket. £10. | 0:27:59 | 0:28:04 | |
10. 12. 14. | 0:28:04 | 0:28:06 | |
Says "no". £14 with me. Any advance on £14 in the room for the tennis racket? 16. | 0:28:06 | 0:28:12 | |
18. 20. 22. | 0:28:12 | 0:28:15 | |
Says "no". £22. It's all going in for charity. £22, centre. Couple of quid more, anybody? | 0:28:15 | 0:28:21 | |
£22. Selling then... | 0:28:21 | 0:28:24 | |
24, late bidder. 26. | 0:28:24 | 0:28:27 | |
-Cheeky little late bidder! -Don't make it sound like it's a lot. A sharp breath on 26(!) | 0:28:28 | 0:28:35 | |
Any advance on £28? And I shall sell for 28... | 0:28:35 | 0:28:40 | |
-Not good. And it did have the passes. -That's a bit painful. -It is. | 0:28:40 | 0:28:44 | |
-And that was with the passes. -Hmm. | 0:28:44 | 0:28:47 | |
-That's not a lot of money, £28, is it? -No, that's not good at all. | 0:28:47 | 0:28:51 | |
'Mike's lost for words which must be a first. | 0:28:52 | 0:28:55 | |
'I won't put a smile on his face when I tell him the total | 0:28:55 | 0:28:59 | |
'we've made so far towards the memorial for the Bomber Command.' | 0:28:59 | 0:29:03 | |
We've got a bit of a break before the next lots come up which you're auctioning, Mike, which is great. | 0:29:03 | 0:29:09 | |
So far, we've raised...£124, | 0:29:09 | 0:29:12 | |
which isn't very good, really. | 0:29:12 | 0:29:14 | |
Not terribly good, no. I hoped for more. | 0:29:14 | 0:29:17 | |
Whether I picked the wrong stuff or it's the wrong place or people don't have any money, I haven't got a clue. | 0:29:17 | 0:29:23 | |
I would have thought that the tennis racket would have sold for more. | 0:29:23 | 0:29:27 | |
I had high hopes for it, but you never can tell at auctions. | 0:29:27 | 0:29:31 | |
'Never mind. If you'd like to have a go at selling at auction yourself, | 0:29:31 | 0:29:36 | |
'do bear in mind that fees such as commission are added to your bill. | 0:29:36 | 0:29:40 | |
'This charges varies from one saleroom to another, so enquire in advance. | 0:29:40 | 0:29:45 | |
'Mike has taken a wander around the collectables and found something | 0:29:45 | 0:29:50 | |
'that appeals to his musical talent.' | 0:29:50 | 0:29:52 | |
I found this old guitar. It has no name, no brand on it, which is unusual. | 0:29:52 | 0:29:58 | |
It might be home-made. It is a solid block of wood. But somehow, I don't think so. | 0:29:58 | 0:30:04 | |
Obviously, it has a truss rod in there, | 0:30:04 | 0:30:07 | |
so I don't think it's a home-made guitar. | 0:30:07 | 0:30:10 | |
But unusually, there's no name on there. | 0:30:10 | 0:30:13 | |
I can't see that it's going to be very good. | 0:30:13 | 0:30:16 | |
It looks like a late '50s, early '60s bodge-up, | 0:30:16 | 0:30:20 | |
but the fret has got this curvature on it, the fretboard, | 0:30:20 | 0:30:25 | |
which is very odd, very strange for playing chords on and stuff, | 0:30:25 | 0:30:29 | |
but it'll be interesting to see what it's like strung. | 0:30:29 | 0:30:33 | |
I'd sling somebody a fiver for the fun of stringing it up to see what it sounds like. | 0:30:33 | 0:30:38 | |
'A fiver would not have been enough for that guitar as it sold for £18. | 0:30:38 | 0:30:42 | |
'Mike's auction may have been a damp squib so far, but there's plenty of exciting items to come. | 0:30:42 | 0:30:48 | |
'Next up is the first of his Choc Art prints - Choc Around The Clock. | 0:30:48 | 0:30:53 | |
'And Mike tries the personal touch.' | 0:30:53 | 0:30:56 | |
It's all done in chocolate. A lot of them sold for a lot of money, the first time it's been done. | 0:30:56 | 0:31:01 | |
We've had four exhibitions. They sold very well. I did one of the '66 World Cup squad which the FA bought. | 0:31:01 | 0:31:07 | |
Limited edition? | 0:31:07 | 0:31:09 | |
Yes. Don't let that put you off spending lots of money for the charity. | 0:31:09 | 0:31:14 | |
Start this in at £30 on the picture. | 0:31:14 | 0:31:17 | |
Yeah, I'm tempted to bid now. | 0:31:17 | 0:31:19 | |
£30. With me, commission bid, at £30. | 0:31:19 | 0:31:22 | |
Any advance? 32. 34. 36? | 0:31:22 | 0:31:26 | |
Thinking about it. £34 with me. | 0:31:28 | 0:31:30 | |
£34. Any advance on £34 on the picture then? | 0:31:30 | 0:31:34 | |
36, bidding's out. In the far corner at £36. £36 now. | 0:31:34 | 0:31:39 | |
Any advance on £36 on the picture? No? | 0:31:39 | 0:31:42 | |
-< Am I selling that at 36? -Are we going to sell it at that or not? | 0:31:42 | 0:31:47 | |
< 36 then... | 0:31:47 | 0:31:49 | |
It's better than nothing. | 0:31:49 | 0:31:51 | |
Right, £36. | 0:31:51 | 0:31:54 | |
It's less than we wanted. How do you feel? It's your artwork. | 0:31:54 | 0:31:58 | |
I don't think anyone's spending any money at all here. I haven't seen anything go for more than 50 quid. | 0:31:58 | 0:32:04 | |
The idea of people spending in the hundreds is certainly not happening at this auction. | 0:32:04 | 0:32:09 | |
'Mike's sweet-talking didn't have the desired effect. | 0:32:09 | 0:32:13 | |
'The bidders seem reluctant to part with their money. What does the auctioneer Dave Eglington think?' | 0:32:13 | 0:32:19 | |
Obviously, Mike's quite attached to these pieces that have been produced | 0:32:19 | 0:32:23 | |
and they all look nice when they're hung up in galleries, | 0:32:23 | 0:32:27 | |
but when it comes into a saleroom and people want them on their living room walls, it is a bit difficult. | 0:32:27 | 0:32:34 | |
'When his other Choc Art print, It Takes All Sorts To Make A World, comes up next, | 0:32:34 | 0:32:40 | |
'Mike decides to try a different tack. | 0:32:40 | 0:32:42 | |
'Will this make any difference to the bidders?' | 0:32:42 | 0:32:45 | |
It'd be great on any children's bedroom wall. It'll just lull them to sleep. | 0:32:45 | 0:32:50 | |
Who'll start me off at £40? | 0:32:50 | 0:32:52 | |
£40 for this great piece, very colourful? Is that a bid or are you blowing your nose? | 0:32:52 | 0:32:58 | |
You nearly bought this for having a cold! | 0:32:58 | 0:33:02 | |
Who'll start me on £40? Very colourful, brilliant for a wall. These have been selling at £250-plus. | 0:33:02 | 0:33:08 | |
Who'll start me on £40? 30 then? Do I hear 30? Terrific bargain! | 0:33:08 | 0:33:12 | |
I'd buy this myself for 30, for goodness sake! £30? £30? | 0:33:12 | 0:33:16 | |
Anybody here at £30? Don't let me down. This is for the Bomber Command memorial. | 0:33:16 | 0:33:21 | |
It's a great piece. It took me days to create. Who'll start me on £30? | 0:33:21 | 0:33:26 | |
30 I have. 30 I have. £30 I have. | 0:33:26 | 0:33:29 | |
We're looking for 40. 30 I have. | 0:33:29 | 0:33:31 | |
It's terrific value. The paper alone is worth £30. £30 I have. Are we selling at £30? | 0:33:31 | 0:33:37 | |
Disgracefully low amount, £30. Do we hear a quick 40 anywhere in the room? | 0:33:37 | 0:33:42 | |
You'll regret it if you don't buy it. | 0:33:42 | 0:33:45 | |
We're selling it for 30. | 0:33:45 | 0:33:47 | |
All done for £30? 30. | 0:33:47 | 0:33:49 | |
-Oh! -Oh, dear. | 0:33:49 | 0:33:52 | |
Good crowd. Good crowd. | 0:33:52 | 0:33:55 | |
'Oh, dear. Such a shame! | 0:33:55 | 0:33:57 | |
'They obviously don't have a sweet tooth in these parts.' | 0:33:57 | 0:34:01 | |
-The next lot is your I'm A Celebrity Get Me Out Of Here trophy. -Very topical. -Was that good fun? | 0:34:01 | 0:34:07 | |
-Absolutely. -You didn't faint either. | 0:34:07 | 0:34:10 | |
You're waiting for those dreaded words, "It might be you." | 0:34:10 | 0:34:14 | |
Oh, God, I hope not! I can't stand spiders. Right, £50 to £100 for this, John? | 0:34:14 | 0:34:19 | |
-It's a stab in the dark. -LAUGHTER | 0:34:19 | 0:34:22 | |
I don't think it'll fetch anything like that. | 0:34:23 | 0:34:26 | |
I think the trophy's going to do OK. | 0:34:26 | 0:34:29 | |
It's very topical. Popular show. | 0:34:29 | 0:34:32 | |
-And who knows, you know? -Who knows, yeah. | 0:34:32 | 0:34:34 | |
-I've got a couple of commission bids in. -Great. Got some commission bids. | 0:34:34 | 0:34:39 | |
-And I can start this one in at £16. -Oh, £16 commission bid(!) -Come on! | 0:34:39 | 0:34:44 | |
£18, sir. £18, left-hand side. | 0:34:44 | 0:34:46 | |
20. 22. 24. | 0:34:46 | 0:34:50 | |
26. 28. | 0:34:50 | 0:34:52 | |
30. 32. | 0:34:52 | 0:34:54 | |
34. 36. | 0:34:54 | 0:34:56 | |
38. 40. | 0:34:56 | 0:34:58 | |
42. 44. 46. | 0:34:58 | 0:35:02 | |
48. 50. | 0:35:02 | 0:35:04 | |
And 5. | 0:35:04 | 0:35:06 | |
60. Says "no". | 0:35:06 | 0:35:09 | |
With the gentleman there who's now hiding. | 0:35:11 | 0:35:14 | |
-And selling... -Yes! | 0:35:14 | 0:35:17 | |
-Brilliant. -We can all faint because we got 50 quid. Ready? On cue! | 0:35:17 | 0:35:22 | |
'A welcome relief and a startling reminder | 0:35:22 | 0:35:26 | |
'that you can never tell what the bidders will take a shine to. | 0:35:26 | 0:35:30 | |
'Mike heads to the podium to try the hard sell with that Manchester United shirt | 0:35:30 | 0:35:34 | |
'with Cliff Richard on the back, | 0:35:34 | 0:35:37 | |
'plus the signed photo of Antonio Valencia.' | 0:35:37 | 0:35:40 | |
Who'll start me off at £50? £50? £50? The Valencia alone would fetch more than this at any charity evening. | 0:35:40 | 0:35:48 | |
Who'll start me off at...? £50 I have on the right. | 0:35:48 | 0:35:51 | |
-Our lower estimate. -He's a good auctioneer. | 0:35:51 | 0:35:55 | |
-60? This alone on eBay... -He's certainly a loud auctioneer. -Yes. | 0:35:55 | 0:35:59 | |
-He's certainly woken up the room! -Yeah. | 0:35:59 | 0:36:02 | |
80? I've got to look for the subtleties here. 80 I have. 80. £80 I have. | 0:36:02 | 0:36:08 | |
Can I go on forcing the money out of them? Tell me when to shut up. | 0:36:08 | 0:36:12 | |
80. It's got to be worth three figures. It's for charity. £100 I have. | 0:36:12 | 0:36:16 | |
It's against you now, the man standing there. | 0:36:16 | 0:36:19 | |
£100 I have. Was that a move? It was? 120? | 0:36:19 | 0:36:23 | |
120? 110. 110 I have. 110 I have. | 0:36:23 | 0:36:26 | |
Don't let this man get away with it. He doesn't deserve it. | 0:36:26 | 0:36:30 | |
You do. 110 I have. 120 I'm looking for. You'll regret it if you don't buy it. | 0:36:30 | 0:36:36 | |
For anyone who likes Manchester United, this is worth it. 110. 120. I knew I'd convince you. | 0:36:36 | 0:36:41 | |
Don't run away! 120 I have. | 0:36:41 | 0:36:44 | |
He's out of the door like a rabbit. 120 I have. 120 I have. | 0:36:44 | 0:36:48 | |
Are we all done at 120? Going once at 120. | 0:36:48 | 0:36:52 | |
All done in the room at... £140. | 0:36:52 | 0:36:55 | |
Late bidder. Mr 1917. Not when you were born. You're much younger than that. | 0:36:55 | 0:37:00 | |
140. I love you. In a manly way. | 0:37:00 | 0:37:02 | |
£140 I have. £140 I have. It's worth it. | 0:37:02 | 0:37:06 | |
The provenance there for Antonio Valencia. Fantastic. This shirt, one-off. | 0:37:06 | 0:37:11 | |
It's against you now at 140. £140. All done in the room? | 0:37:11 | 0:37:15 | |
Once at 140, twice at 140... Sold. Thank you very much, sir. £140. | 0:37:15 | 0:37:20 | |
-Well done. -Thank you. | 0:37:20 | 0:37:21 | |
-He's great. -He was superb at that. | 0:37:21 | 0:37:24 | |
-Are you like that when you get auctioning? -I put the hammer down a little quicker. | 0:37:24 | 0:37:29 | |
We're trying to do 120 lots an hour! | 0:37:29 | 0:37:31 | |
'What a natural! I think the auctioneer should be very worried.' | 0:37:32 | 0:37:36 | |
If he wants to come and work in sunny Penkridge every other Wednesday, he's more than welcome. | 0:37:36 | 0:37:42 | |
I enjoy doing auctions anywhere. | 0:37:42 | 0:37:45 | |
In the business, a lot of us are used to being told, "Get up there and make some money." | 0:37:45 | 0:37:50 | |
That one could have gone for more, but it's quite a good result. | 0:37:50 | 0:37:55 | |
'That was an excellent price. You were saying the bidders here weren't parting with more than 50 quid! | 0:37:55 | 0:38:00 | |
'He's heading back up to the rostrum to work his magic on his final lot - | 0:38:00 | 0:38:05 | |
'the framed Charlie Drake signed photo and blue plaque.' | 0:38:05 | 0:38:09 | |
It's the last time. Don't worry. | 0:38:09 | 0:38:11 | |
Last chance to get your hand on a bargain. Gavel in hand, here we go. | 0:38:11 | 0:38:15 | |
Gavel in hand. Thank you very much. | 0:38:15 | 0:38:18 | |
This is a replica of the blue plaque erected on Brinsworth House | 0:38:18 | 0:38:22 | |
which is where the famous comedian Charlie Drake ended his days. | 0:38:22 | 0:38:26 | |
Along with a replica of the blue plaque which is very rare, | 0:38:26 | 0:38:30 | |
nicely framed, is a photograph of Charlie Drake, one of our best comedians, and signed by Charlie, | 0:38:30 | 0:38:36 | |
making it a very, very rare piece. Who'll start me off at £50 for this? | 0:38:36 | 0:38:40 | |
Who'll start me off at £50 for this? | 0:38:40 | 0:38:43 | |
Charlie Drake, signed photograph and a replica blue plaque. Very rare, this. Who'll start me at £50? | 0:38:43 | 0:38:50 | |
Nobody? £50? This is an extraordinary piece. £50 I have. | 0:38:50 | 0:38:54 | |
We're looking for 60. 50 I have. 50 I have. | 0:38:54 | 0:38:57 | |
£50 we have. 50 we have. We're looking for 60. | 0:38:57 | 0:39:01 | |
I can't believe you're not going for this. Charlie will be looking down, crying, | 0:39:01 | 0:39:06 | |
saying, "Oh, no, my darlings!" £50 I have. £50. | 0:39:06 | 0:39:09 | |
£50 I have. I think we're going to have to sell elsewhere. | 0:39:09 | 0:39:13 | |
Oh, 60 I have down at the front. 60. 70. | 0:39:13 | 0:39:17 | |
-70 I have over there. -He is getting them to put their hands up. | 0:39:17 | 0:39:22 | |
70 I have. 80. 80. 90. | 0:39:22 | 0:39:24 | |
90 I have. 90. Out at 90. | 0:39:24 | 0:39:27 | |
£90 I have. £90 I have. | 0:39:27 | 0:39:29 | |
We're looking for three figures maybe. £90 I have. | 0:39:29 | 0:39:33 | |
-£90 I have. -One more! -We're looking for £100. | 0:39:33 | 0:39:36 | |
A quick 100? A bargain! | 0:39:36 | 0:39:39 | |
This is a fantastic piece. I know we're taking longer on this than we should. £100? | 0:39:39 | 0:39:44 | |
-£100. £100 I have. -Well done. -Are we all done in the room at £100? | 0:39:44 | 0:39:50 | |
Once at £100... Your last chance. Twice at £100... | 0:39:50 | 0:39:53 | |
Sold, £100. | 0:39:53 | 0:39:56 | |
-He got there in the end - £100. -It was really hard work, wasn't it? | 0:39:56 | 0:40:00 | |
He did it and that's amazing. | 0:40:00 | 0:40:03 | |
'Mike worked really hard to get the amount | 0:40:04 | 0:40:07 | |
'he felt that special piece deserved | 0:40:07 | 0:40:10 | |
'and I'm keen to work out how he's done overall.' | 0:40:10 | 0:40:13 | |
-How do you feel about the auction? -I'd have loved to have got more, but nobody bid much on anything. | 0:40:13 | 0:40:19 | |
There were no high bids on anything. | 0:40:19 | 0:40:22 | |
It's strange. I'm used to doing charity auctions where people are whacking it up into the thousands, | 0:40:22 | 0:40:28 | |
so the harsh reality of people with few notes in their pockets, it's a tough one. | 0:40:28 | 0:40:33 | |
What was your impression, Brett? | 0:40:33 | 0:40:35 | |
We thought we'd do better with those leg warmers which I thought would go through the roof. | 0:40:35 | 0:40:41 | |
-What about the blue plaque? -I must admit I'd have gone the 200 quid myself on the blue plaque. | 0:40:41 | 0:40:47 | |
-You should've done. -I didn't want to steal your thunder. | 0:40:47 | 0:40:51 | |
We wanted £500 for your chosen good cause | 0:40:51 | 0:40:55 | |
and the value of everything that's sold comes to £490. | 0:40:55 | 0:41:01 | |
So just a tenner short! | 0:41:01 | 0:41:03 | |
Well, Brett will put a tenner in to make it up to 500 for the charity, | 0:41:03 | 0:41:08 | |
-so we've got our 500. Well done, Brett. -Thanks, Brett. | 0:41:08 | 0:41:11 | |
I'm such a giver! | 0:41:11 | 0:41:13 | |
Mike has come to the RAF Museum in Hendon, North London. | 0:41:18 | 0:41:22 | |
Together with David Graham, trustee of the Heritage Foundation, | 0:41:22 | 0:41:26 | |
they'll present the cheque to the secretary of the Bomber Command Association, Douglas Radcliffe. | 0:41:26 | 0:41:32 | |
He worked as a bomber wireless operator during the war. | 0:41:32 | 0:41:36 | |
-Hi, Dougie. -Hi, Mike. -How are you? -David, so good to see you again. | 0:41:36 | 0:41:40 | |
When you stand in here by yourself and it's just you and one of the aircraft, | 0:41:40 | 0:41:45 | |
what are the emotions that you feel? | 0:41:45 | 0:41:48 | |
Lucky that you're here. | 0:41:49 | 0:41:52 | |
My pilot and my rear gunner from my first crew are both buried in Germany. | 0:41:53 | 0:42:00 | |
It is awesome, isn't it? | 0:42:00 | 0:42:02 | |
You realise how much you owe these guys, but with the Bomber Command memorial, | 0:42:02 | 0:42:08 | |
people are going to have a permanent memorial to them in Green Park. | 0:42:08 | 0:42:14 | |
Anyway, here you are. Here's a little cheque to go towards it. | 0:42:14 | 0:42:18 | |
Hopefully, we'll be off and running. | 0:42:18 | 0:42:21 | |
Everyone's done a very good job. A lot of people have put into this. | 0:42:21 | 0:42:25 | |
Thank you for that most generous donation. We deeply appreciate it. | 0:42:25 | 0:42:29 | |
-Thank you very much, old friend. -Our pleasure. -Good stuff, Dougie. | 0:42:29 | 0:42:33 | |
Mike didn't raise the whole amount he was looking for, | 0:42:37 | 0:42:40 | |
but he did raise a good portion of it towards his chosen good cause. | 0:42:40 | 0:42:45 | |
If you've got a project you'd like to raise money for by selling your collectables at auction, | 0:42:45 | 0:42:50 | |
apply to come on Cash In The Attic. You'll find details at our website. | 0:42:50 | 0:42:54 | |
I'll see you again next time. | 0:42:56 | 0:42:58 | |
Subtitles by Subtext for Red Bee Media Ltd 2011 | 0:43:18 | 0:43:22 | |
Email [email protected] | 0:43:22 | 0:43:25 |