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Hello! Welcome to Cash In The Celebrity Attic, | 0:00:02 | 0:00:04 | |
the show that finds treasures in the homes of the well-known | 0:00:04 | 0:00:07 | |
and helps sell them at auction, all for a good cause of their choice. | 0:00:07 | 0:00:11 | |
Today, we're in Lancashire, not far up the coast from Blackpool, | 0:00:11 | 0:00:15 | |
and I'm on my way to meet a supersonic comedian who was once part of a famous double act. | 0:00:15 | 0:00:20 | |
With his distinctive glasses, he cut a slender figure next to his rather more robust partner. | 0:00:20 | 0:00:26 | |
Have you guessed who it is yet? | 0:00:26 | 0:00:28 | |
Today's famous guest is the comedian Syd Little, born and bred in Blackpool, | 0:00:48 | 0:00:52 | |
and one of the county's most famous residents. | 0:00:52 | 0:00:55 | |
Born Cyril Mead 1942, he's best known for his partnership with Eddie Large. | 0:00:55 | 0:01:01 | |
Winning the talent show Opportunity Knocks changed their lives, and neither of them has looked back. | 0:01:01 | 0:01:07 | |
These days, Syd flies solo, and he still performs on TV, cruise ships and in pantomime. | 0:01:07 | 0:01:12 | |
He married Sheree in 1972, and they have a son called Dominic. | 0:01:12 | 0:01:19 | |
Coming up on Cash in The Celebrity Attic, Syd shows that he still has what it takes. | 0:01:19 | 0:01:25 | |
# Well, I woke up this morning | 0:01:25 | 0:01:27 | |
# I felt so erotic | 0:01:27 | 0:01:29 | |
# My house had been invaded by those people from Cash In The Attic. # | 0:01:29 | 0:01:33 | |
He's used to being the straight man. | 0:01:33 | 0:01:35 | |
As you can see, it is very flattering, isn't it? Yes. | 0:01:35 | 0:01:38 | |
But will he have the last laugh at auction? | 0:01:38 | 0:01:42 | |
Hands up all those who thought I was dead. | 0:01:42 | 0:01:45 | |
LAUGHTER | 0:01:45 | 0:01:46 | |
Find out when the hammer falls. | 0:01:46 | 0:01:49 | |
-Good morning, Jennie. -Hi! You ready for it? | 0:01:51 | 0:01:53 | |
Joining us today with over 20 years' experience in the antiques trade is our expert, Paul Hayes. | 0:01:53 | 0:01:59 | |
Syd's wife Sheree will be helping at us out, too. | 0:01:59 | 0:02:02 | |
-Oh, hello. -Hello, nice to see you. -You must be Sheree. -I am, yes. | 0:02:05 | 0:02:09 | |
-Do you mind if I make a start? -No, not at all. -Great. | 0:02:09 | 0:02:12 | |
-We'd better find Syd. Is he lurking somewhere? -He'll be hiding somewhere, yes. OK. | 0:02:12 | 0:02:17 | |
Found him, here he is. | 0:02:23 | 0:02:25 | |
-Hello. -Hi, how are you? All right? -Are you hoping to get out of the programme, or something? | 0:02:25 | 0:02:31 | |
Yeah! Well, this is my little den. This is my little retreat. | 0:02:31 | 0:02:35 | |
-When I get told off, I come in here. -Oh, right! | 0:02:35 | 0:02:37 | |
-How often do you send him in here, then? -Oh, often! -As you can see, I've got a lot to do. | 0:02:37 | 0:02:41 | |
-You're building boats? -Yes, model boats, that's one of my hobbies, | 0:02:41 | 0:02:46 | |
apart from playing guitar and singing, which became my job, of course. | 0:02:46 | 0:02:50 | |
-Have you got lots of bits and pieces around the house? Are you collectors? -BOTH: We're hoarders! | 0:02:50 | 0:02:56 | |
We are, yes. Many years together, we're definitely hoarders, yeah. | 0:02:56 | 0:03:00 | |
-Good. -So this is a good excuse to get rid of everything. -Yeah. | 0:03:00 | 0:03:03 | |
-So what are we going to be raising money for today? -For Alzheimer's. | 0:03:03 | 0:03:07 | |
My best friend's father has it, he's in a nursing home, so it's very close to my heart. | 0:03:07 | 0:03:12 | |
-Well, both of us, isn't it? -Mmm. -And what target do you think you'd like to set? How much could we make? | 0:03:12 | 0:03:17 | |
-Well...what? -500? -Yeah. | 0:03:17 | 0:03:19 | |
-£500. -We're not looking big. Little, not large. | 0:03:19 | 0:03:24 | |
Hey! First crack of the day, wey-hey! | 0:03:24 | 0:03:28 | |
Let's hope it's the last. | 0:03:28 | 0:03:29 | |
Brilliant, £500, then, for Alzheimer's. | 0:03:29 | 0:03:32 | |
Great cause, good target, let's get rummaging. | 0:03:32 | 0:03:35 | |
£500 sounds a very fair target for a cause that's so close to their hearts. | 0:03:37 | 0:03:42 | |
This 1930s house has been the Littles' home for ten years. | 0:03:42 | 0:03:46 | |
They share it with their son Dominic and Sheree's parents. | 0:03:46 | 0:03:50 | |
They're all rather modest about what they call their clutter around the house, but to an expert like Paul, | 0:03:50 | 0:03:55 | |
the Littles' life laundry contains much of value. | 0:03:55 | 0:03:59 | |
-So what's this, one of your favourites? -This one, actually, | 0:03:59 | 0:04:03 | |
although it looks newish, I've had it a few years. | 0:04:03 | 0:04:07 | |
But this went to Australia with me. I did the QE2, and I do a lot of cruise ships now. | 0:04:07 | 0:04:13 | |
I would never do it again. I went on the QE2 for four days, | 0:04:13 | 0:04:18 | |
but I had to travel to Australia to pick it up. Ohh! | 0:04:18 | 0:04:21 | |
-It took me a fortnight to get over it. -It's a long way. | 0:04:21 | 0:04:24 | |
-It is, yeah. -So you do a bit of a song and dance act? | 0:04:24 | 0:04:27 | |
Oh yeah, guitar, jokes... Anything, really. Just to get through a 45-minute spot. | 0:04:27 | 0:04:34 | |
This is a Yamaha Pacifica. This is a range that Yamaha came up with in the 1990s, | 0:04:34 | 0:04:39 | |
but they originally started making reed organs in the 19th century. | 0:04:39 | 0:04:44 | |
They've made motorcycle parts, electronic items, | 0:04:44 | 0:04:47 | |
but now they're one of the biggest producers of musical instruments. | 0:04:47 | 0:04:51 | |
There's a big following, actually, they're quite a cult item. You haven't got an amp? | 0:04:51 | 0:04:56 | |
-Yeah, but it's an old one, yeah. -Would that be able to go with it? Just to give it a chance. | 0:04:56 | 0:05:00 | |
-Brilliant idea. -It's a complete package then. -Good idea. | 0:05:00 | 0:05:03 | |
-I'd think that's very saleable. -If you could sign it, I think that would help, | 0:05:03 | 0:05:07 | |
and if you had an amp, somebody starting out, it's a wonderful thing to have. | 0:05:07 | 0:05:11 | |
I mean, if I said £70-£100, that sort of price? | 0:05:11 | 0:05:15 | |
Yeah, that's fine, that's fine. | 0:05:15 | 0:05:17 | |
-OK, that's a deal. That's a good start. -A done deal. | 0:05:17 | 0:05:20 | |
-We've got to the rest of the house to rummage, though, so come on, put that down, no time for playing. -OK. | 0:05:20 | 0:05:25 | |
Syd may have been the most self-effacing of the Little and Large partnership, | 0:05:25 | 0:05:30 | |
but he was never timid when it came to music, | 0:05:30 | 0:05:32 | |
and he's hoping there'll be someone out there waiting for the chance to earn a signed, supersonic guitar. | 0:05:32 | 0:05:38 | |
As we divide our efforts across the many nooks and crannies, | 0:05:38 | 0:05:42 | |
Sheree leads Paul to a corner that's arguably the most tempting. | 0:05:42 | 0:05:47 | |
-There's a few bits here. -Now, then, these are beautiful. | 0:05:47 | 0:05:51 | |
-This salad bowl here, I mean, can that go? -No. | 0:05:51 | 0:05:54 | |
-No? -Too precious. That was my grandfather's, he won that for running. | 0:05:54 | 0:05:58 | |
-He was a runner. It's too precious. -So that's come down the family? -Yes. | 0:05:58 | 0:06:02 | |
OK. Well, I must admit, my favourite item here has to be this. | 0:06:02 | 0:06:06 | |
Now, this has a special name. Do you know what it's called? | 0:06:06 | 0:06:09 | |
-Tantalus. -Do you know why they're called a tantalus? -Well, it was in the old days. | 0:06:09 | 0:06:14 | |
-They had a key and would lock them so the servants couldn't drink them. -Exactly. It used to tantalise you. | 0:06:14 | 0:06:20 | |
-That's right. -But Tantalus comes from Greek mythology. | 0:06:20 | 0:06:23 | |
You know more than I do! | 0:06:23 | 0:06:26 | |
He was punished by the gods and was submersed up to his neck in water, | 0:06:26 | 0:06:30 | |
with fruit trees around his head, and every time he reached for some fruit, the branches would recede, | 0:06:30 | 0:06:35 | |
and every time he went to drink the water, the water would recede, so he was poor Tantalus. | 0:06:35 | 0:06:40 | |
But typically, late 19th century, early 1900s, these items were everywhere. They were important. | 0:06:40 | 0:06:46 | |
The one thing that does detract them nowadays is the fact that, | 0:06:46 | 0:06:49 | |
because of they're glass and alcohol, they do tend to damage quite easily. | 0:06:49 | 0:06:53 | |
-Is there damage on these bottles? -They are, yes. There was a couple of chips when we bought it. | 0:06:53 | 0:06:58 | |
-I see, right. -They've probably gone further. | 0:06:58 | 0:07:01 | |
That's going to detract the value slightly. To find these absolutely mint is difficult. | 0:07:01 | 0:07:06 | |
But it's a nice frame, it's oak, it's 100 years old, but if I said, for the sake of our target today, | 0:07:06 | 0:07:12 | |
£70-£100, do you think Syd and yourself would be willing to let that go for that? | 0:07:12 | 0:07:16 | |
I'm sure he would, yes. | 0:07:16 | 0:07:18 | |
-Hopefully somebody else will want to be tantalised with it. -Let's hope so. Let's keep looking. -OK. | 0:07:18 | 0:07:24 | |
Now, that's a very pleasing result, | 0:07:24 | 0:07:27 | |
and it's spurred Sheree on to take a closer look at just about everything. | 0:07:27 | 0:07:31 | |
Meanwhile, Paul finds his way to Syd's den, where he discovers these cute steam toys and car models. | 0:07:31 | 0:07:38 | |
They date from the 1960s and once belonged to Sheree's father. | 0:07:38 | 0:07:41 | |
Clearly, Paul shares his love for vintage transport toys, | 0:07:41 | 0:07:45 | |
and thinks an enthusiast | 0:07:45 | 0:07:47 | |
may part with as much as £150 for the collection. | 0:07:47 | 0:07:52 | |
Now, who's that I can hear singing next door? | 0:07:52 | 0:07:54 | |
# Well, I woke up this morning | 0:07:57 | 0:07:59 | |
# I felt so erotic | 0:07:59 | 0:08:02 | |
# My house had been invaded by those people from Cash In The Attic | 0:08:02 | 0:08:05 | |
# They said, have you any antiques we can see? | 0:08:05 | 0:08:08 | |
# I said, the only antique in this house | 0:08:08 | 0:08:11 | |
# Is me. # | 0:08:11 | 0:08:12 | |
A serenade specially for us? | 0:08:15 | 0:08:17 | |
Yes, yes. Unfortunately, yes. | 0:08:17 | 0:08:19 | |
-Thank you so much. -When are you going? | 0:08:19 | 0:08:22 | |
Now, guitars are really important to you. You've played since you were a kid? | 0:08:22 | 0:08:26 | |
Yes, I got my first - a little ukulele banjo, actually - | 0:08:26 | 0:08:29 | |
and my dad taught me to tune it up as, "My dog has fleas." | 0:08:29 | 0:08:32 | |
A little plastic ukulele they used to have in the '70s, | 0:08:32 | 0:08:36 | |
"Welcome to Britain, Elvis Presley" guitar for seven and six in the Daily Mirror, you know. | 0:08:36 | 0:08:41 | |
I sent away for one and I got it and my dad helped me tune it up, and then that was me, I was hooked. | 0:08:41 | 0:08:47 | |
It was all Lonnie Donegan in those days, all the skiffle, because you only needed three chords, | 0:08:47 | 0:08:52 | |
and that was it, you were off and running. | 0:08:52 | 0:08:54 | |
Then I started getting involved with Mr Eddie Large. | 0:08:54 | 0:08:57 | |
We were friends together in the same teenage gang, and we used to go to the pubs and clubs around Manchester. | 0:08:57 | 0:09:03 | |
Now, of course, you had a prime-time Saturday show, 8 million viewers, I think, most weeks? | 0:09:03 | 0:09:08 | |
-It was incredible. You were household names. -Cor! -And that went on for, what, 20 years? -Yeah. | 0:09:08 | 0:09:13 | |
Well, from '71 with Opp Knocks, we just kept doing... | 0:09:13 | 0:09:17 | |
We did Crackerjack - Crackerjack! - yeah, | 0:09:17 | 0:09:20 | |
and then we did a pilot show for Roy in '76. 77 was our big year. | 0:09:20 | 0:09:25 | |
How did you deal with that kind of fame? | 0:09:25 | 0:09:28 | |
The only time we felt it was when we went to the pubs and clubs, we used to go to the bar and have a drink | 0:09:28 | 0:09:34 | |
and we found that you can't do that, because people would inundate you, "Can I have your autograph?" | 0:09:34 | 0:09:40 | |
But our feet were on the ground. | 0:09:40 | 0:09:42 | |
I've never had a Rolls-Royce. I've never gone to those lengths, | 0:09:42 | 0:09:45 | |
not that I wanted one, you know, but that sort of thing. | 0:09:45 | 0:09:48 | |
-So it didn't really change you that much? -No, I hope it didn't. | 0:09:48 | 0:09:51 | |
I'd like to think that through my life I've been a nice guy, I really do, | 0:09:51 | 0:09:56 | |
because people say when, you're in showbiz, "There are some nasty people," | 0:09:56 | 0:10:00 | |
but the majority of the people are very nice, and I hope I'm one of them! | 0:10:00 | 0:10:04 | |
Modesty is definitely one of Syd's qualities, despite his years in the spotlight. | 0:10:05 | 0:10:10 | |
But there is no holding back now. We've got to get rummaging if we're to raise that £500. | 0:10:10 | 0:10:16 | |
Paul's taken by this very delicate glass and solid-silver swan, given as a wedding present. | 0:10:16 | 0:10:23 | |
He thinks it should do well at auction with an estimate of £30-£50. | 0:10:23 | 0:10:28 | |
Sheree bought this porcelain Nelson figure for Syd as a birthday present 15 years ago. | 0:10:28 | 0:10:34 | |
It was made by Royal Doulton in 1980 as one of a series of ship's figureheads, | 0:10:34 | 0:10:39 | |
part of a limited edition. | 0:10:39 | 0:10:41 | |
Paul thinks the bidders will be happy to part with £20-£50 for it. | 0:10:41 | 0:10:45 | |
While we're busy | 0:10:48 | 0:10:50 | |
uncovering family recollections of weddings and birthdays, | 0:10:50 | 0:10:54 | |
Syd finds he has many memories of his own, back when he was basking in the limelight. | 0:10:54 | 0:10:59 | |
-Ah, there you are! -I'm here! | 0:10:59 | 0:11:01 | |
-Stage left then, for a minute. -Look at that, a bit of memorabilia. How about that? | 0:11:01 | 0:11:06 | |
These are great. Look at that, the Bristol Hippodrome. Isla St Clair! | 0:11:06 | 0:11:11 | |
Isla St Clair, yeah. And look at that on the bottom there. | 0:11:11 | 0:11:14 | |
-The Great Soprendo. -I remember The Great Soprendo. | 0:11:14 | 0:11:18 | |
He had a whole season on the Morecambe Pier, | 0:11:18 | 0:11:20 | |
but this is the golden age, really, of pantomime in the mid-'80s into the '90s. | 0:11:20 | 0:11:25 | |
-You've got a real piece of memorabilia there. -This, I don't know. | 0:11:25 | 0:11:30 | |
Apparently, he was supposed to be quite a famous cartoonist. | 0:11:30 | 0:11:33 | |
Charles Griffin. He's actually a well-known caricature artist, | 0:11:33 | 0:11:38 | |
and he did political satire. So a bit like Spitting Image. It's all that sort of era, isn't it? | 0:11:38 | 0:11:44 | |
-Did he do one of Eddie, as well? -No, he didn't. -Just one of you? -No, I was always the brunt of... | 0:11:44 | 0:11:48 | |
As you can see, it's very flattering, isn't it? You know. | 0:11:48 | 0:11:51 | |
So, it was always me, yeah. | 0:11:51 | 0:11:53 | |
What you've got to remember, items like these posters here | 0:11:53 | 0:11:57 | |
have a very short life span. These are ephemeral items. | 0:11:57 | 0:11:59 | |
Once that event happened, they're no use. They're not like a painting you'd put on your wall. | 0:11:59 | 0:12:04 | |
Things like cinema posters, travel posters, theatre programmes, | 0:12:04 | 0:12:07 | |
it's called ephemera, and people buy into that market. | 0:12:07 | 0:12:10 | |
One of the rarest examples you can get is Casablanca. | 0:12:10 | 0:12:14 | |
When that came out, they had posters in all the cinemas all over the British Isles, | 0:12:14 | 0:12:18 | |
and they were designed to be thrown away. A few have survived, and one turned up recently at auction. | 0:12:18 | 0:12:23 | |
Have a guess how much it fetched. | 0:12:23 | 0:12:26 | |
Em, go on. | 0:12:26 | 0:12:28 | |
-£40,000. -Wow! -I think we're more 40 quid. | 0:12:28 | 0:12:32 | |
-Yeah, 4p, yeah! -But these are interesting. We've got some good Syd Little memorabilia. | 0:12:32 | 0:12:38 | |
If I was being conservative here, low as I possibly can, £20 to £50. | 0:12:38 | 0:12:43 | |
I'm sure if two people really fancied them, I think we could do well. | 0:12:43 | 0:12:47 | |
-Does that sound all right to you? -Yeah, that's fine. -All right. Can I have your Buttons? -Ye... | 0:12:47 | 0:12:52 | |
-Or one of the ugly sisters? -I can see you in panto, you'd be very good. No, Prince Charming. | 0:12:52 | 0:12:57 | |
-Thank you. -Don't put yourself down. -It's the tights, they chafe. | 0:12:57 | 0:13:00 | |
Let's hope there will be plenty of bidders out there for Syd's posters. | 0:13:00 | 0:13:05 | |
And who knows? They might make a whole lot more than Paul reckons. | 0:13:05 | 0:13:10 | |
32, 34, 36, 38, 40... | 0:13:10 | 0:13:14 | |
-I'll sign it! -42! No, you said that last time and the price went down! | 0:13:16 | 0:13:20 | |
-£42. -Forget that, then! | 0:13:20 | 0:13:22 | |
Find out later it if they do fetch more than we bargained for. | 0:13:22 | 0:13:28 | |
Thank you very much. | 0:13:28 | 0:13:30 | |
Our rummage in Lancashire is going very well so far. | 0:13:30 | 0:13:33 | |
Syd's found two china fairy ballerinas that he gave to Sheree as a gift in the 1980s. | 0:13:33 | 0:13:40 | |
Blackthorn and Heliotrope were designed by Cicely Mary Barker for Border Fine Arts. | 0:13:40 | 0:13:46 | |
For some reason, they've been sitting in the attic all these years. | 0:13:46 | 0:13:50 | |
Paul thinks they should take someone's fancy | 0:13:50 | 0:13:52 | |
and go for between £20 and £60. | 0:13:52 | 0:13:55 | |
As Syd continues his good work upstairs, we've uncovered some true craftsmanship in the garage. | 0:13:57 | 0:14:02 | |
What have you two found? | 0:14:03 | 0:14:05 | |
-Your furniture store? -No, I know, we're clunked up with furniture, but Paul's quite interested in this one. | 0:14:05 | 0:14:11 | |
Yes, it's a very attractive piece, actually, this one. | 0:14:11 | 0:14:14 | |
It fits in with a modern look, it's very restrained, very elegant. | 0:14:14 | 0:14:18 | |
But the style itself was developed in the 18th century, and it's after a guy called Thomas Sheraton. | 0:14:18 | 0:14:23 | |
He came up with a method of marquetry inlay in this style, and it's very distinctive. | 0:14:23 | 0:14:28 | |
You get this fan decoration, where he's carved into the mahogany, | 0:14:28 | 0:14:31 | |
which was expensive, replaced the area with a satinwood to give contrast, | 0:14:31 | 0:14:35 | |
and then used this cross-banding and stringing to give a real detail and fine lines. | 0:14:35 | 0:14:40 | |
It's a very, very elegant style, I think. | 0:14:40 | 0:14:42 | |
A couple of hundred years later, about 1900, there was a revival, and that's what this piece is. | 0:14:42 | 0:14:47 | |
It's called a Sheraton revival. Don't forget, at that time, we were obsessed with travel, | 0:14:47 | 0:14:53 | |
so in here would be our knick-knacks from our journeys from around the British Isles or around the world. | 0:14:53 | 0:14:58 | |
And the cabinet would be full of interesting curios. | 0:14:58 | 0:15:01 | |
But nowadays, 21st century, we can re-use this. | 0:15:01 | 0:15:05 | |
-It's a very good functional antique. Fantastic. -Oh, brilliant. | 0:15:05 | 0:15:08 | |
I think it's a beautiful piece, but you want to part with it? | 0:15:08 | 0:15:12 | |
-Well, we're willing to part with it, yes. -For the good cause, yeah. | 0:15:12 | 0:15:16 | |
-That's right, yes. -Well, it's very handsome. -Thank you very much! | 0:15:16 | 0:15:20 | |
Joking apart, it's a very attractive piece and it does fit in with that modern style today. | 0:15:20 | 0:15:25 | |
It's very simple, very elegant. | 0:15:25 | 0:15:27 | |
If I was being quite conservative, if I said sort of £120-£150. | 0:15:27 | 0:15:32 | |
If you polished this up a bit, brought the wood back to life, | 0:15:32 | 0:15:35 | |
you could do quite well with this. | 0:15:35 | 0:15:37 | |
-As much as that? -Do you think she should polish it up? -Yes, bit of polish works wonders. | 0:15:37 | 0:15:41 | |
Thanks, Paul! | 0:15:41 | 0:15:44 | |
So Sheree needs to get to work on it. | 0:15:44 | 0:15:46 | |
But not just yet, as we have to find a few more things to take to auction. | 0:15:46 | 0:15:50 | |
Paul comes across a ceramic tankard in the study, designed to celebrate | 0:15:50 | 0:15:54 | |
the 50th anniversary of the National Maritime Museum. | 0:15:54 | 0:15:58 | |
Sheree bought it for Syd as a birthday present about 20 years ago. | 0:15:58 | 0:16:01 | |
It should attract any nautical enthusiasts in the saleroom. | 0:16:01 | 0:16:05 | |
The stage was very much at the heart of Syd and Sheree's lives. | 0:16:05 | 0:16:09 | |
But panto has a deeper meaning for both of them. | 0:16:09 | 0:16:12 | |
-Because you two met in panto, didn't you? -We did. -Yeah. -Go on, tell me more. | 0:16:12 | 0:16:17 | |
-Do you really want to know? -I do, I do, I do. | 0:16:17 | 0:16:19 | |
-1972 and we'd just done Crackerjack, do you remember that? -I do. | 0:16:19 | 0:16:24 | |
With Elaine Paige. I've got a picture of Elaine Paige somewhere. | 0:16:24 | 0:16:27 | |
And that was it, Crackerjack, and then we went into pantomime | 0:16:27 | 0:16:31 | |
-and it was Diddy David Hamilton. Remember him, the DJ? -Absolutely. -And me and Ed. | 0:16:31 | 0:16:36 | |
And Sheree was one of the dancing girls, and that was it. | 0:16:36 | 0:16:40 | |
It was love at first sight in a way, really, wasn't it? | 0:16:40 | 0:16:42 | |
Was it? | 0:16:42 | 0:16:44 | |
That's the wrong answer! | 0:16:44 | 0:16:46 | |
-Well, for me, it was. -No, it was, yeah. | 0:16:46 | 0:16:49 | |
Sheree took a bit of time to come round, because I didn't get off to a good footing | 0:16:49 | 0:16:55 | |
-because I sent my brother, who was our road manager at the time, to ask her for a date, for me. -You didn't! | 0:16:55 | 0:17:02 | |
-He did. -She said, "Well, come and ask me himself," you know? | 0:17:02 | 0:17:06 | |
-I don't blame you. What, "My mate says he fancies you"? Is that what... That's it. -Sort of. | 0:17:06 | 0:17:12 | |
-If he wants to invite me out... -"Let him ask me himself." | 0:17:12 | 0:17:15 | |
I'd love to know more, though, about the charity, the cause today, Alzheimer's. | 0:17:15 | 0:17:20 | |
Well, it's something close to my heart because it's my best friend Tracy. | 0:17:20 | 0:17:24 | |
Her father suffers with it and he's in a nursing home. | 0:17:24 | 0:17:27 | |
And it's a way of saying how much I care about her, | 0:17:27 | 0:17:34 | |
in a way, because I do, and it doesn't just affect the person that has it. | 0:17:34 | 0:17:40 | |
It affects the whole family, like Margaret, his wife, | 0:17:40 | 0:17:43 | |
the grandchildren, everybody, and it's sad. | 0:17:43 | 0:17:46 | |
-We've seen the deterioration from the beginning. -Oh, yes. -And it's really sad. | 0:17:46 | 0:17:51 | |
Well, it is a great cause and hopefully we'll make at least £500. | 0:17:51 | 0:17:56 | |
-Maybe a bit more, if we're lucky, yeah? -Fingers crossed, I hope so. | 0:17:56 | 0:17:59 | |
As a well-known person says, what is it, every LITTLE helps. | 0:17:59 | 0:18:02 | |
-Indeed... -Little, Little. -Oh, very good! | 0:18:02 | 0:18:06 | |
But we'll have to do some more work | 0:18:06 | 0:18:08 | |
-if we're going to make the money, so let's lead on, we'll find somewhere else... -OK. -..to look around. | 0:18:08 | 0:18:14 | |
-I don't want to leave that fire. -I know, it's lovely, but let's go. | 0:18:14 | 0:18:17 | |
Do you know, it's great to have the chance to help Syd and Sheree raise money for such a worthy cause. | 0:18:17 | 0:18:23 | |
And it feels as if we're doing well so far. | 0:18:23 | 0:18:26 | |
Just to move us along, Syd's friends at the charity | 0:18:26 | 0:18:29 | |
have sent over this box which contains a silver-plated bangle, a cigarette box and a pocket watch. | 0:18:29 | 0:18:36 | |
They all date back to the 1920s and could fetch £40-60. | 0:18:36 | 0:18:41 | |
Meanwhile, Paul's down in the kitchen scouring the shelves. | 0:18:45 | 0:18:48 | |
-Oh, you're here! -Hello, Syd. I've just put the kettle on. | 0:18:49 | 0:18:53 | |
-You love your tea! -I do. -I've found this, Paul. Well, I haven't found it, it was given, | 0:18:53 | 0:18:57 | |
-donated by the charity. Alzheimer's. -Oh, that's fantastic, isn't it? | 0:18:57 | 0:19:03 | |
-It looks a good one. -Does it? Oh, good. -Have you ever worn a pocket watch? | 0:19:03 | 0:19:07 | |
I did have one, I remember when I was in my 20s, but everyone took the mickey out of me, so I lost it. | 0:19:07 | 0:19:14 | |
Well, these really were kept for best, it's a dress watch. | 0:19:14 | 0:19:17 | |
What would happen, a gentleman would have a silver pocket watch for every day, | 0:19:17 | 0:19:21 | |
or perhaps a gunmetal, and that would be worn on their waistcoat. | 0:19:21 | 0:19:25 | |
These gold watches tended to be for special occasions, | 0:19:25 | 0:19:28 | |
so if you were going out for the evening or a wedding, you'd wear this item, | 0:19:28 | 0:19:32 | |
and why lots of them have survived in this condition. It's beautiful. | 0:19:32 | 0:19:35 | |
And what a generous thing to give. There are three different types. | 0:19:35 | 0:19:38 | |
The first one being a full case, which is where you can't see the face at all. | 0:19:38 | 0:19:43 | |
The second one is a half-hunter, where it has a small gap where you can tell the time, | 0:19:43 | 0:19:48 | |
and the third type is an open face, which this one is, where you can see the whole face. | 0:19:48 | 0:19:53 | |
All these Roman numerals on the back. This one dates some time after about 1910, | 0:19:53 | 0:19:58 | |
-so I'd put this about 1920, 1930. -Oh. | 0:19:58 | 0:20:00 | |
I can tell that because it's got a screw wind, it's not a key-wound, | 0:20:00 | 0:20:04 | |
but let me see if it's rolled gold or solid gold. | 0:20:04 | 0:20:06 | |
Let's have a look. No, this one is solid gold. | 0:20:06 | 0:20:09 | |
-Look at that. -Oh, so it is gold then? -Solid gold. | 0:20:09 | 0:20:11 | |
-Oh. -They didn't give you a chain that went with it, or anything? -No, that was it. | 0:20:11 | 0:20:16 | |
So what you've got is a 1920s solid-gold open-face pocket watch in good condition. | 0:20:16 | 0:20:21 | |
-If I said around the £100 mark, £80-120? -Whoa, yeah. | 0:20:21 | 0:20:26 | |
-Does that sound all right to you? -That sounds all right to me. | 0:20:26 | 0:20:30 | |
It's handsome, but will it turn out to be worth its weight in gold? | 0:20:30 | 0:20:34 | |
We'll find out soon enough. | 0:20:34 | 0:20:36 | |
Our day in Lancashire is almost over, | 0:20:36 | 0:20:38 | |
but it seems there's one last offering in Syd's den that could help us to victory on auction day. | 0:20:38 | 0:20:44 | |
Now, I've got to ask you, Sheree, where have all these boats come from? | 0:20:44 | 0:20:48 | |
It seems to be a fascination with all things nautical going on here. | 0:20:48 | 0:20:52 | |
There is, that's Syd. He builds... These he's built. | 0:20:52 | 0:20:55 | |
-Yes, you found the one I didn't build. -Oh, right, OK. | 0:20:55 | 0:20:58 | |
So you made some of these? That's fantastic. | 0:20:58 | 0:21:01 | |
Yes, but not that one. I got that, would you believe, in an antique shop. | 0:21:01 | 0:21:05 | |
Well, it wasn't an antique shop, it was like a junk shop. I think I paid about £30 for it. | 0:21:05 | 0:21:09 | |
But to me, it's worth everything. | 0:21:09 | 0:21:11 | |
Just the way it was built, I don't know when it was built, you'll know that, but... | 0:21:11 | 0:21:16 | |
-These tend to be very 1970s. -Are they?! -The Golden Hind. These are reproduced. | 0:21:16 | 0:21:20 | |
Don't forget, this originally, the original Golden Hind, was sailing in the 16th century, 1570s, | 0:21:20 | 0:21:26 | |
so in the 1970s, there was a massive interest in that particular vessel, | 0:21:26 | 0:21:30 | |
so lots of these things were inspired. | 0:21:30 | 0:21:33 | |
So you get lots of paintings, models, lots of kits you could buy. | 0:21:33 | 0:21:36 | |
And of course, the Golden Hind, famous for circumnavigating the globe, commissioned by Elizabeth I, | 0:21:36 | 0:21:42 | |
which is why you've got "ER" on the sail here, fantastic, | 0:21:42 | 0:21:46 | |
but it was belonging to Sir Francis Drake, and it really was the ship that sparked the Anglo-Spanish war. | 0:21:46 | 0:21:51 | |
When they went out to Brazil and the Caribbean, he bumped into lots of Spanish ships | 0:21:51 | 0:21:56 | |
and apparently, the booty that he brought back home | 0:21:56 | 0:21:59 | |
after circumnavigating the globe was enough to pay off the national debt. | 0:21:59 | 0:22:03 | |
-Wow! -Which was amazing. Can you imagine doing that today? | 0:22:03 | 0:22:06 | |
It's lovely, that. I just love anything nautical. | 0:22:06 | 0:22:09 | |
It's a nice little ship and I just hope it does well. | 0:22:09 | 0:22:12 | |
-I hope it gets a lot of money. -Well, let's hope so. | 0:22:12 | 0:22:15 | |
I think it's the sort of thing that people do tend to collect. | 0:22:15 | 0:22:18 | |
It's quite desirable. It's one of the most famous ships that the British Navy has ever had, | 0:22:18 | 0:22:25 | |
-so if I said about the 100 mark, £70-100, would that help you? -Wow. | 0:22:25 | 0:22:30 | |
-Yeah. -All right. -That's brilliant. If we could make that at auction, that'd be wonderful. | 0:22:30 | 0:22:34 | |
Wonderful for you, wonderful for the charity, | 0:22:34 | 0:22:37 | |
and I think that means, with a grand finale like that, we can end our rummaging | 0:22:37 | 0:22:42 | |
which is a great relief all round. OK, well, if everything goes to plan at the auction, | 0:22:42 | 0:22:47 | |
and based on Paul's lowest estimates... Now, what was your target this morning? | 0:22:47 | 0:22:51 | |
-£500. -£500, all right. | 0:22:51 | 0:22:54 | |
Well, we're hoping that you will make, actually... | 0:22:54 | 0:22:57 | |
-£680! -Oh! -Oh, fantastic! -Yeah. | 0:22:57 | 0:23:01 | |
-So fingers crossed, then. -Absolutely. | 0:23:01 | 0:23:04 | |
-That would certainly help the charity. -Dead right, yeah. -That's lovely. -OK. | 0:23:04 | 0:23:08 | |
Well, thanks ever so much. We've had a great day | 0:23:08 | 0:23:11 | |
-and we'll pack everything up and see you at the auction. -Thank you. -Thank you. | 0:23:11 | 0:23:15 | |
Considering Syd's attachment to his nautical memorabilia, | 0:23:15 | 0:23:18 | |
it's very generous of him to send the Golden Hind into service. | 0:23:18 | 0:23:22 | |
What a great end to our rummage, and here are some of the other pieces going under the hammer. | 0:23:22 | 0:23:27 | |
Syd's showbiz memorabilia. | 0:23:27 | 0:23:29 | |
Some Little and Large fans might just pay well over £20-£30 for it. | 0:23:29 | 0:23:34 | |
The Yamaha Pacifica guitar | 0:23:34 | 0:23:38 | |
could rock-and-roll its way to the stars at £70-£100. | 0:23:38 | 0:23:41 | |
And let's not forget that Thomas Sheraton-style cabinet, | 0:23:41 | 0:23:45 | |
which deserves to make its asking price of £120-£150. | 0:23:45 | 0:23:51 | |
Still to come on Cash In The Celebrity Attic - the Little lots just fly out of the saleroom. | 0:23:54 | 0:24:00 | |
-Whoa! -What a result. What a result. | 0:24:00 | 0:24:04 | |
It doesn't take Syd long to prove he's still got that old magic... | 0:24:04 | 0:24:08 | |
Going, going...gone! Hooray! | 0:24:08 | 0:24:12 | |
Well done, that was brilliant. | 0:24:12 | 0:24:16 | |
Be there when that final hammer falls. | 0:24:16 | 0:24:18 | |
Well, we certainly had a laugh up there at Fleetwood with Syd Little and his lovely wife, Sheree. | 0:24:22 | 0:24:28 | |
Syd's donating some wonderful items to help his chosen cause, the Alzheimer's Society, | 0:24:28 | 0:24:33 | |
and we've brought everything here to Cuttlestones Auctioneers at Penkridge near Stafford. | 0:24:33 | 0:24:38 | |
Now, Syd wants to raise £500 for the society, | 0:24:38 | 0:24:40 | |
but we're hoping the bidders here will be even more generous when his items go under the hammer. | 0:24:40 | 0:24:47 | |
It's early on auction day in this very picturesque village. | 0:24:47 | 0:24:51 | |
A cattle market in Victorian times, the modern-day saleroom is already getting busy, | 0:24:51 | 0:24:56 | |
with plenty of interesting lots to keep the bidders occupied. | 0:24:56 | 0:24:59 | |
One man who's certainly at home here is our expert, Paul Hayes, | 0:24:59 | 0:25:03 | |
and he seems quite excited about the Littles' chances today. | 0:25:03 | 0:25:07 | |
Do you remember Syd's garage, that bit of furniture that was a bit distressed, | 0:25:07 | 0:25:12 | |
-needed a bit of loving care? Take a look. Isn't that fantastic? -My goodness! | 0:25:12 | 0:25:17 | |
-He's given it a good old polish. It's got a lovely, rich colour. -It's scrubbed up well. | 0:25:17 | 0:25:22 | |
-It has! -Rather like you. -Thank you very much. | 0:25:22 | 0:25:25 | |
Sheree's efforts have definitely improved the cabinet's chances of making a top sale. | 0:25:25 | 0:25:30 | |
As our couple take in the saleroom buzz, I hope they're feeling as optimistic as we are. | 0:25:30 | 0:25:36 | |
You're saying goodbye to some quite personal items today, really. | 0:25:36 | 0:25:40 | |
You've kindly donated your guitar, I suppose, is top of the list. | 0:25:40 | 0:25:43 | |
Yes, it's been around the world a few times with me and I played it on the QE2 and, yeah, yeah, | 0:25:43 | 0:25:49 | |
it'll be sad to see, but I've got my felt-tip pen and I can actually sign it, if they want it signing, that is. | 0:25:49 | 0:25:55 | |
-Brilliant. -Do you think that's a good idea? Do you want to sell it on the rostrum? | 0:25:55 | 0:25:59 | |
Oh, I'd love to, yeah. Oh, great. | 0:25:59 | 0:26:02 | |
But beware, though, I'll be on there for an hour. | 0:26:02 | 0:26:05 | |
Well, the auction is about to start, so let's find a good place. Shall we go this way? | 0:26:05 | 0:26:10 | |
Follow me. | 0:26:10 | 0:26:11 | |
The first of Syd's lots has a nautical theme and, as we know, that's very close to his heart. | 0:26:13 | 0:26:18 | |
Paul had high hopes | 0:26:18 | 0:26:19 | |
for this model of Sir Francis Drake's famous Tudor warship. | 0:26:19 | 0:26:24 | |
On the Golden Hind at £40. At £40. Who says 45? Quickly... | 0:26:25 | 0:26:29 | |
-At £40, the bid's with us and no mistake. -Oh, come on. -At £40... | 0:26:29 | 0:26:33 | |
At £40. Is there interest? | 0:26:33 | 0:26:36 | |
We've got a commission. That's all we've got. | 0:26:36 | 0:26:38 | |
At £40? We sell it and no mistake, at £40... | 0:26:38 | 0:26:43 | |
-There's profit... -There's profit for you, but it's less than we expected. -Yeah. | 0:26:43 | 0:26:48 | |
Well, we had been hoping for a much more exciting start. | 0:26:48 | 0:26:52 | |
That's just over half Paul's lower estimate. | 0:26:52 | 0:26:55 | |
Still, there's plenty to come. In fact, the room ought to be buzzing over the next lot. | 0:26:55 | 0:27:00 | |
It's more unique than we thought. | 0:27:00 | 0:27:03 | |
I think we might have a bit of a sleeper going on here. | 0:27:03 | 0:27:06 | |
-Do you know what a sleeper is? -No. -Not a clue. | 0:27:06 | 0:27:08 | |
Something that's come in with a low estimate that might do quite well. | 0:27:08 | 0:27:12 | |
This is the bust of Nelson, which is very collectable anyway, | 0:27:12 | 0:27:16 | |
but it's made by Royal Doulton and it's a limited edition, | 0:27:16 | 0:27:19 | |
-so that's very collectable to the collectors. -Good. | 0:27:19 | 0:27:22 | |
And we'll start the commission straight in at £50. | 0:27:22 | 0:27:25 | |
50 already. There you are, see? | 0:27:25 | 0:27:27 | |
£50, 5, 60, | 0:27:27 | 0:27:29 | |
-5, 70... -Come on! -..5, 80, | 0:27:29 | 0:27:32 | |
5, 90, 5, 100. | 0:27:32 | 0:27:35 | |
The bid's with me at £100. | 0:27:35 | 0:27:38 | |
At £100 bid, £10 now. | 0:27:38 | 0:27:40 | |
-At £100... -It really is a sleeper. | 0:27:40 | 0:27:42 | |
At 110 on the web, 120 with me. | 0:27:42 | 0:27:44 | |
At £120, the bid is with me, the web is out. At 120, we sell. | 0:27:44 | 0:27:49 | |
-£120... On commission at £120. -Yes! | 0:27:49 | 0:27:53 | |
A lovely surprise - six times Paul's lower estimate. | 0:27:53 | 0:27:59 | |
Syd and Sheree are obviously delighted with this result. | 0:27:59 | 0:28:02 | |
Next to go under the hammer is another birthday gift | 0:28:02 | 0:28:05 | |
from Sheree to Syd, again with a nautical theme. | 0:28:05 | 0:28:10 | |
Where do we start? Do we start the bidding at £30? £20, start me surely. | 0:28:10 | 0:28:14 | |
-Come on. -20, I'm bid. 22, 24. 26, 28. I have the lady's bid at 28. | 0:28:14 | 0:28:20 | |
-28. -30, I've come to you all. -Oh, they're all bidding for it, there you go. -Blimey. -Quite a lot. | 0:28:20 | 0:28:26 | |
35 standing, at £35. | 0:28:26 | 0:28:27 | |
-38? -Come on. -At 38, fresh money. 40, sir? | 0:28:27 | 0:28:30 | |
-Oh! -40. | 0:28:30 | 0:28:32 | |
45. | 0:28:32 | 0:28:34 | |
50. I have gentleman's bid at £50. | 0:28:34 | 0:28:37 | |
At £50 bid on the post there, selling £50, going at £50. Yes, sir. | 0:28:37 | 0:28:43 | |
-Yes! -Brilliant. | 0:28:43 | 0:28:46 | |
A bit of a battle - they recreated it there. | 0:28:46 | 0:28:49 | |
THEY ALL LAUGH | 0:28:49 | 0:28:51 | |
Another great result. It's so good to see everything selling well. | 0:28:51 | 0:28:56 | |
Back when Syd was a regular fixture on our screens with comedy partner Eddie Large, | 0:28:56 | 0:29:00 | |
it was his job to be the butt of jokes. | 0:29:00 | 0:29:03 | |
And to this day, he's still up for a laugh. | 0:29:03 | 0:29:06 | |
228, the Yamaha electric guitar and case, with amp, used by Syd, and he's on the way! | 0:29:06 | 0:29:11 | |
THEY CHEER | 0:29:11 | 0:29:13 | |
-He's fast, isn't he? -< How do you get in here? | 0:29:16 | 0:29:18 | |
Right, afternoon, I won't keep you... | 0:29:18 | 0:29:23 | |
I am Syd Little. Hands up all those who thought I was dead! | 0:29:23 | 0:29:26 | |
I've never seen so many hands go up at once. Did you see that? | 0:29:26 | 0:29:30 | |
In an auction room. Yeah, well, this is a guitar that, actually... | 0:29:30 | 0:29:34 | |
I've got a few at home, but this one is very dear to me, because this has been all round the world with me | 0:29:34 | 0:29:41 | |
a few times, and other places, so I'm going to start the bidding at... | 0:29:41 | 0:29:46 | |
-Ben, what do you think? -We've got a commission bid of £50. | 0:29:46 | 0:29:49 | |
-Oh, £50! -Wey-hey! -And if anybody wants it signed, I've got my felt-tip pen, | 0:29:49 | 0:29:54 | |
and it also comes with an amp. I actually found an amp in the attic, so we've got an amplifier, | 0:29:54 | 0:29:59 | |
so it's a nice Christmas present for a budding Jimi Hendrix or Syd Little. | 0:29:59 | 0:30:03 | |
LAUGHTER So £50, anybody? | 0:30:03 | 0:30:07 | |
-Oh, we're in at 50. 51. What's that? -It's all over the place. | 0:30:07 | 0:30:10 | |
£60? Any more than 60? I'll sign it. 60, 70, £70. £70... | 0:30:10 | 0:30:15 | |
£80! Do you want it signed? | 0:30:15 | 0:30:17 | |
£90! Oh, I like this. £90! Any advance on 90? 100 quid. £100! | 0:30:17 | 0:30:24 | |
He's got 100. | 0:30:24 | 0:30:25 | |
I won't sign it, it'll be worth more. No, 110. Is that unsigned? Yeah. | 0:30:25 | 0:30:30 | |
-£110, unsigned. -He's getting excited, isn't he? -Where? 120, wow, £120. | 0:30:30 | 0:30:38 | |
130. £130 for this fantastic guitar. | 0:30:38 | 0:30:42 | |
-He's getting excited! -140, he's there. | 0:30:42 | 0:30:45 | |
140. That's double what we were expecting, actually. | 0:30:45 | 0:30:49 | |
140! 140, any advance? 150. 150! | 0:30:49 | 0:30:52 | |
Any advance on 150? 160. | 0:30:52 | 0:30:56 | |
Sorry, folks, you'll be here till midnight. 160, any advance on 160? | 0:30:56 | 0:31:01 | |
-His voice can't get any higher. -160? | 0:31:01 | 0:31:04 | |
-Going, going... -Are you bidding, madam? | 0:31:04 | 0:31:06 | |
Where, where, where? Ooh, careful. 160? Going, going...gone. | 0:31:06 | 0:31:12 | |
-Sold, £160. -Hooray! | 0:31:12 | 0:31:14 | |
-Well done. That was brilliant? -That was really good. Fantastic. -That's great. | 0:31:14 | 0:31:21 | |
Syd's got a real flair for this - well over Paul's highest estimate. | 0:31:22 | 0:31:27 | |
Let's hope the next lot gets as much interest | 0:31:27 | 0:31:30 | |
and that someone here collects fairies. | 0:31:30 | 0:31:32 | |
At £35, on the net. | 0:31:32 | 0:31:35 | |
-That's great, isn't it? -Yeah. -That's good. | 0:31:35 | 0:31:38 | |
Another good sale for Syd and Sheree. | 0:31:38 | 0:31:41 | |
People here seem to like their bits and pieces. | 0:31:41 | 0:31:44 | |
Next is another of Syd's favourites. In fact, he likes it so much I'm surprised it made it to auction. | 0:31:44 | 0:31:49 | |
What we're looking for now is £70 for your tantalus, | 0:31:49 | 0:31:53 | |
-which is a very generous donation, because you still use this. -We do. | 0:31:53 | 0:31:57 | |
Yeah, we're going to miss it next Christmas, so... | 0:31:57 | 0:32:00 | |
-shame but we'll find another one, won't we? -Hopefully so. | 0:32:00 | 0:32:04 | |
-We'll start the bidding at £50 on the nice oak tantalus. At £50. -£50. | 0:32:04 | 0:32:08 | |
55, 60, 5, 70, | 0:32:08 | 0:32:11 | |
5. I'm out at 75 on the tantalus. | 0:32:11 | 0:32:14 | |
At £75. | 0:32:14 | 0:32:15 | |
£75. | 0:32:15 | 0:32:17 | |
-80, thank you. 85. -Yes! -90? I have the lady's bid at £90. | 0:32:17 | 0:32:23 | |
Are we five now? 95, back in. Fill it up, madam. | 0:32:23 | 0:32:27 | |
-Fantastic. £95. -< It is for charity. | 0:32:27 | 0:32:30 | |
100, thank you. | 0:32:30 | 0:32:32 | |
-Well done. -Thank you. | 0:32:32 | 0:32:34 | |
At £100... It's for charity, John. | 0:32:34 | 0:32:36 | |
It's not going to work twice! At £100, and we'll sell and no mistake at £100. Thank you. | 0:32:36 | 0:32:42 | |
-Oh, well. -There you go, that's good, isn't it? -Yeah, yeah. -That's brilliant. | 0:32:42 | 0:32:47 | |
What a relief, especially in view of that damage to a decanter. | 0:32:47 | 0:32:51 | |
And what's more, we made Paul's top estimate. | 0:32:51 | 0:32:55 | |
In fact, he's been bang on target for most of the sales today, | 0:32:55 | 0:32:59 | |
so let's find out how well we're doing so far. | 0:32:59 | 0:33:02 | |
-Halfway through. It's been sort of jittery, hasn't it? -Nervous, yeah. | 0:33:03 | 0:33:08 | |
-When was he last that nervous? -Probably our wedding day! | 0:33:08 | 0:33:12 | |
Well, I'll tell you there's really no need to be nervous, | 0:33:12 | 0:33:15 | |
because at the start of the day, we said £500 would be great for your charity, the Alzheimer's Society. | 0:33:15 | 0:33:20 | |
Well, at the halfway point, you have made £505! | 0:33:20 | 0:33:25 | |
Wow! | 0:33:25 | 0:33:27 | |
-How about that? -Fantastic. | 0:33:27 | 0:33:29 | |
I think we deserve a break, or have a look around the auction. OK? | 0:33:29 | 0:33:32 | |
-Let's go. -Let's go. -Yeah. | 0:33:32 | 0:33:34 | |
Not bad, eh? And we're only halfway through. | 0:33:34 | 0:33:38 | |
Time for a well-earned cup of tea before the rest of the sale. | 0:33:38 | 0:33:42 | |
Now, if you want to raise some extra cash at auction, | 0:33:42 | 0:33:45 | |
don't forget that commission and other charges will apply | 0:33:45 | 0:33:48 | |
so check the details with your saleroom to avoid any unexpected costs. | 0:33:48 | 0:33:52 | |
So far today, we've done better than any of us could have hoped. | 0:33:55 | 0:33:58 | |
Let's keep up the momentum in the second half, which promises even more. | 0:33:58 | 0:34:03 | |
There's that lovely silver and glass swan given to Syd and Sheree as a wedding gift. | 0:34:03 | 0:34:07 | |
And how could we forget that handsome Thomas Sheraton-style cabinet? | 0:34:08 | 0:34:13 | |
Up next, a blast from Syd's past. | 0:34:13 | 0:34:16 | |
Do you know what I have noticed actually, | 0:34:16 | 0:34:18 | |
and well done to your credit again, you two, | 0:34:18 | 0:34:20 | |
you've framed this caricature and he looks very well presented here. | 0:34:20 | 0:34:24 | |
-It does. -An odd piece of paper is one thing, | 0:34:24 | 0:34:26 | |
but a framed picture, different thing altogether. | 0:34:26 | 0:34:29 | |
-Let's hope it'll do all right. -Let's hope it works. | 0:34:29 | 0:34:32 | |
And we'll start it straight in at £20. | 0:34:32 | 0:34:34 | |
There we go, £20, we've got a commission. Fantastic. | 0:34:34 | 0:34:37 | |
And the poster's at £20, who says 22? Thank you. | 0:34:37 | 0:34:40 | |
At 22, I'm only bid at 20... 24. | 0:34:40 | 0:34:42 | |
-24. -26, 28, 30. | 0:34:42 | 0:34:45 | |
32, 34, 36. 38, 40. | 0:34:45 | 0:34:50 | |
I'll sign it. | 0:34:51 | 0:34:52 | |
No, you said that last time and the price went down! | 0:34:52 | 0:34:56 | |
Forget that then. | 0:34:56 | 0:34:58 | |
-He tells the jokes. -Are we 44 anywhere? | 0:34:58 | 0:35:01 | |
At 42 and we'll sell and no mistake, at £42? You've got it, sir. | 0:35:01 | 0:35:06 | |
There you are, I think that's great, thank you very much. | 0:35:06 | 0:35:10 | |
So supersonic Syd rides again. | 0:35:10 | 0:35:13 | |
The memorabilia from his heyday will no doubt adorn | 0:35:13 | 0:35:16 | |
someone's wall for many years to come. | 0:35:16 | 0:35:18 | |
Now, what interest will there be in our silver? | 0:35:18 | 0:35:21 | |
At £60... | 0:35:21 | 0:35:24 | |
-Oh. -Very good. | 0:35:25 | 0:35:28 | |
Fantastic, bang on Paul's upper estimate. | 0:35:28 | 0:35:32 | |
Up next is this beautiful wedding gift | 0:35:32 | 0:35:34 | |
and we're all expecting it to make an impressive show. | 0:35:34 | 0:35:37 | |
-And we'll start at £20. -20 we're in. | 0:35:37 | 0:35:41 | |
Silver swan at 22, 25, 28, 30, | 0:35:41 | 0:35:44 | |
32, 35, 38, 40. | 0:35:44 | 0:35:48 | |
£40, at £40. Who says 45? | 0:35:48 | 0:35:50 | |
At 40 I'm bid, five quickly. At £40. | 0:35:50 | 0:35:53 | |
At £40, we're selling and no mistake, £40... | 0:35:53 | 0:36:00 | |
-Yay! Fantastic. -Very nice. | 0:36:00 | 0:36:03 | |
Everything seems to be selling today | 0:36:03 | 0:36:05 | |
and that was right in the middle of Paul's valuation. | 0:36:05 | 0:36:09 | |
Syd and Sheree must be thrilled we're doing so well. | 0:36:09 | 0:36:12 | |
Next to go under the hammer, | 0:36:12 | 0:36:14 | |
the 1950s pocket watch. | 0:36:14 | 0:36:16 | |
At nine carats, let's hope it really is a pot of gold. | 0:36:16 | 0:36:19 | |
We've got another of the charity's donations now here, I think the pocket watch. | 0:36:19 | 0:36:23 | |
It's from the society again, the Alzheimer's, yes? | 0:36:23 | 0:36:26 | |
Yes, I was quite surprised actually because when it was shown to Paul. | 0:36:26 | 0:36:30 | |
he opened it up and it's solid gold. | 0:36:30 | 0:36:32 | |
So, you know, I don't know if that will bring the price up, it should do. | 0:36:32 | 0:36:38 | |
-Yes, gold is rocketing at the moment, isn't it? -It is really. | 0:36:38 | 0:36:41 | |
The bullion price of gold has gone up, but don't forget this has an added value as well. | 0:36:41 | 0:36:45 | |
It has the price of gold but also of the value of a watch. | 0:36:45 | 0:36:48 | |
It's an intrinsic item in its own right, | 0:36:48 | 0:36:51 | |
so I've put this in at £80 to £120. | 0:36:51 | 0:36:53 | |
Let's hope somebody agrees, but I think it's a great example. | 0:36:53 | 0:36:57 | |
At £50 I'm on with the watch. At £50, £50. | 0:36:57 | 0:37:01 | |
Five, thank you, at 55 I'm bid. | 0:37:01 | 0:37:03 | |
55, 60. 60. | 0:37:03 | 0:37:05 | |
70, 5. 80, I'll come to you all. | 0:37:05 | 0:37:08 | |
85. 90, sir? | 0:37:08 | 0:37:10 | |
90. Five. | 0:37:10 | 0:37:13 | |
100, 110. | 0:37:13 | 0:37:16 | |
-This is good. -No? 110 I'm bid. | 0:37:16 | 0:37:19 | |
The lady has bid at £110. Are we 120? 120, thank you. | 0:37:19 | 0:37:23 | |
-130, I have £130. The lady's bid at 130. -I want it back! | 0:37:23 | 0:37:28 | |
At £130, I sell at £130. | 0:37:28 | 0:37:33 | |
Fantastic. | 0:37:35 | 0:37:36 | |
£10 over the top estimate. | 0:37:36 | 0:37:38 | |
The bidders are lapping it up, | 0:37:38 | 0:37:40 | |
that's another one to top Paul's upper estimate. | 0:37:40 | 0:37:43 | |
Let's see if the next lot, | 0:37:43 | 0:37:45 | |
which belonged to Sheree's father, is one for the boys. | 0:37:45 | 0:37:49 | |
Lot 290A and we'll start in at £100. | 0:37:49 | 0:37:52 | |
£100, how's that? | 0:37:52 | 0:37:55 | |
Start me at £100. I'm bid 110, | 0:37:55 | 0:37:57 | |
120, 130. I'm out at 130, the commission is at 130. | 0:37:57 | 0:38:02 | |
At 130, I'm only bid at 130, who says 140? 140. | 0:38:02 | 0:38:06 | |
-That's it. -140. | 0:38:06 | 0:38:08 | |
150. I'm bid £150. | 0:38:08 | 0:38:10 | |
It's all gone quiet because you know the cameras are here. 150 bid. | 0:38:10 | 0:38:14 | |
I'm selling at £150. | 0:38:14 | 0:38:16 | |
All done at 150. | 0:38:16 | 0:38:20 | |
-How's that? -Thanks. | 0:38:20 | 0:38:22 | |
These 1960s steam toys often attract enthusiasts | 0:38:22 | 0:38:26 | |
of all ages and today they've done us proud. | 0:38:26 | 0:38:29 | |
Just one more lot to go. | 0:38:31 | 0:38:33 | |
Display cabinets often sell quite well, | 0:38:33 | 0:38:36 | |
and with that extra polishing from Sheree, | 0:38:36 | 0:38:38 | |
we could be on to a winner here. | 0:38:38 | 0:38:41 | |
We want to know if all your hard work has paid off | 0:38:41 | 0:38:44 | |
with that display cabinet. It looks great now. | 0:38:44 | 0:38:46 | |
It's a great example, and you've done yourself a favour. | 0:38:46 | 0:38:48 | |
Let's hope people agree here. | 0:38:48 | 0:38:51 | |
Let's see what value you have added to it. | 0:38:51 | 0:38:53 | |
We already have commissions at £100 to start. | 0:38:53 | 0:38:56 | |
Started with 100! | 0:38:56 | 0:38:58 | |
We'll start with £100, the display cabinet at £100. | 0:38:58 | 0:39:01 | |
110 I'm bid, at 120, 130, 140, | 0:39:01 | 0:39:04 | |
150, 160, 170. I'm out at 170 bid. | 0:39:04 | 0:39:08 | |
-170! -170 bid, are we 180? | 0:39:08 | 0:39:11 | |
At 170 bid. At 180 quickly. At 170. | 0:39:11 | 0:39:14 | |
It's 170. | 0:39:14 | 0:39:16 | |
170 all done now... 180, fresh money. | 0:39:16 | 0:39:20 | |
-180. -190, 200. 210... | 0:39:20 | 0:39:24 | |
-It's your polishing! -220, 230. | 0:39:24 | 0:39:27 | |
Have another look at it. | 0:39:27 | 0:39:29 | |
230 bid. | 0:39:29 | 0:39:31 | |
240. 240 at the back. | 0:39:31 | 0:39:35 | |
At 240. At 240, we sell at the back of the room at £240. | 0:39:35 | 0:39:41 | |
-Whoa! -What a result! What a result! | 0:39:41 | 0:39:45 | |
Thank you! Thank you! | 0:39:45 | 0:39:49 | |
Whoo-whoo-whoo! | 0:39:49 | 0:39:51 | |
Fantastic, what a finish! | 0:39:52 | 0:39:55 | |
What an amazing finale. | 0:39:55 | 0:39:57 | |
Everything has sold, and for very respectable prices. | 0:39:57 | 0:40:01 | |
There's only one thing left for us to do now and that's tot up our total. | 0:40:01 | 0:40:06 | |
-It's over. It's been really exciting. -It has, it has. | 0:40:06 | 0:40:10 | |
I'm pleased because it's the first one I've put stuff in and sold so we're over the moon. | 0:40:10 | 0:40:16 | |
-You did your bit, selling that guitar, that was fantastic. -Yeah, that came good. | 0:40:16 | 0:40:20 | |
-At the start of the day... You're dying to know what we made, are you? -Yeah! | 0:40:20 | 0:40:25 | |
At the start of the day, £500 was the target for your charity, all going to the charity. | 0:40:25 | 0:40:30 | |
You know you've made your target because we did that at half-time. | 0:40:30 | 0:40:34 | |
You've actually made £1,167. | 0:40:34 | 0:40:39 | |
Fantastic! | 0:40:39 | 0:40:41 | |
-Isn't that good? -I'm so pleased for the charity. -So are we. | 0:40:41 | 0:40:46 | |
I think it's been worth coming just to see you auction off that guitar. | 0:40:46 | 0:40:50 | |
-That was priceless for me! -I don't want to do it again. | 0:40:50 | 0:40:54 | |
Don't come round for another 20 years, will you? | 0:40:54 | 0:40:57 | |
Thanks ever so much for taking part, it's been a pleasure to meet you. | 0:40:57 | 0:41:01 | |
Well, we've enjoyed every minute of it, thank you. | 0:41:01 | 0:41:04 | |
Syd has raised his money for the Alzheimer's Society. | 0:41:09 | 0:41:12 | |
It doesn't matter whether it's tuppence or £2, or £2 million. | 0:41:12 | 0:41:17 | |
Every little helps, I'm there again, aren't I! | 0:41:17 | 0:41:19 | |
Well, Syd Little is my name. | 0:41:19 | 0:41:21 | |
His donation will support many of the charity's activities, like this weekly tea dance. | 0:41:21 | 0:41:27 | |
It's held at Twickenham village hall in Middlesex | 0:41:27 | 0:41:29 | |
and helps people with Alzheimer's keep fit and relaxed, like Janice and Terry. | 0:41:29 | 0:41:34 | |
It gets you out. Otherwise we'd be very isolated at home. | 0:41:34 | 0:41:39 | |
If it wasn't for the Alzheimer's Society, we'd be stuck in the house most of the time, | 0:41:39 | 0:41:43 | |
and it's people who have the same sort of problems and they understand. | 0:41:43 | 0:41:47 | |
They're understanding, kind people and it's just lovely. | 0:41:47 | 0:41:50 | |
It's like a second family really with the Alzheimer's group, it's just really nice. | 0:41:50 | 0:41:55 | |
You really enjoy it, don't you? | 0:41:55 | 0:41:57 | |
-Yeah. -Yeah, it does get us out and he loves music. He loves music. | 0:41:57 | 0:42:01 | |
Sally and Martin also have no doubt about the benefits of this kind of gathering. | 0:42:01 | 0:42:07 | |
No matter how old they are and what problems they have at home, | 0:42:07 | 0:42:10 | |
they come in here and we're here to make them laugh | 0:42:10 | 0:42:13 | |
and share our worries and our experiences. | 0:42:13 | 0:42:18 | |
-I don't know what we'd do without it actually. -No, it's exceedingly important for us. | 0:42:18 | 0:42:24 | |
So that's a fabulous result for Syd, Sheree and their charity. | 0:42:27 | 0:42:31 | |
They made more than twice what they had been expecting. | 0:42:31 | 0:42:34 | |
If you'd like to raise money for something special | 0:42:34 | 0:42:36 | |
and you think you have some bits and pieces hidden round the home, why not apply to come on the show? | 0:42:36 | 0:42:41 | |
You can find the form on our website, and that's... | 0:42:41 | 0:42:46 | |
Good luck, and maybe see you next time on Cash In The Attic. | 0:42:46 | 0:42:49 | |
Subtitles by Red Bee Media Ltd | 0:42:56 | 0:43:00 | |
E-mail [email protected] | 0:43:00 | 0:43:02 |