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The nation's favourite celebrities... | 0:00:02 | 0:00:03 | |
Got some proper bling here. | 0:00:03 | 0:00:05 | |
Paired up with an expert... | 0:00:05 | 0:00:06 | |
Point, point! | 0:00:06 | 0:00:07 | |
And a classic car. | 0:00:07 | 0:00:09 | |
Get your legs up! | 0:00:09 | 0:00:11 | |
Their mission, to scour Britain for antiques. | 0:00:11 | 0:00:14 | |
All breakages must be paid for. | 0:00:14 | 0:00:17 | |
This is a good find, is it not? | 0:00:17 | 0:00:18 | |
The aim, to make the biggest profit at auction. | 0:00:18 | 0:00:21 | |
GAVEL BANGS | 0:00:21 | 0:00:22 | |
But it's no easy ride. | 0:00:22 | 0:00:23 | |
Who will find a hidden gem? Who will take the biggest risks? | 0:00:23 | 0:00:28 | |
Putting my antiques head-on. | 0:00:28 | 0:00:29 | |
Will anybody follow expert advice? | 0:00:29 | 0:00:32 | |
I think it's horrible! | 0:00:32 | 0:00:34 | |
There will be worthy winners. | 0:00:34 | 0:00:36 | |
This is better than Christmas! | 0:00:36 | 0:00:37 | |
And valiant losers. | 0:00:37 | 0:00:39 | |
Time to put your pedal to the metal. | 0:00:39 | 0:00:42 | |
This is Celebrity Antiques Road Trip. | 0:00:42 | 0:00:45 | |
Yeah... | 0:00:47 | 0:00:49 | |
MUSIC: GRANDSTAND THEME TUNE | 0:00:49 | 0:00:51 | |
Today we're in south-east England with a pair of super sporty pals | 0:00:51 | 0:00:54 | |
cruising around in a snazzy 1989 Jaguar XJS. | 0:00:54 | 0:00:59 | |
Oh, yes, it's Olympian Mark Foster and Paralympian Ade Adepitan. | 0:00:59 | 0:01:04 | |
-I reckon I've known you probably about eight years, seven or eight years? -Yeah. | 0:01:06 | 0:01:10 | |
-We then crossed each other's paths and did a lot more events together since 2012. -Yeah. | 0:01:10 | 0:01:15 | |
2012, I had to put up with you all the time. Flipping heck. | 0:01:15 | 0:01:18 | |
MARK LAUGHS | 0:01:18 | 0:01:19 | |
Going on about, "Oh, I was so fast in the pool. I was pacy! | 0:01:19 | 0:01:23 | |
"No-one could deal with me!" | 0:01:23 | 0:01:24 | |
-You were a sea person and I was a land person. -A land animal. | 0:01:27 | 0:01:31 | |
We don't mix. | 0:01:31 | 0:01:32 | |
MARK LAUGHS | 0:01:32 | 0:01:34 | |
You with your flipping flipper feet. | 0:01:34 | 0:01:37 | |
And what flippery feet they are, ha! | 0:01:37 | 0:01:41 | |
During an impressive 23-year career, Essex-born swimmer Mark won | 0:01:41 | 0:01:46 | |
16 world titles, competed in five Olympic games and broke eight world records. | 0:01:46 | 0:01:52 | |
What was your first Olympics? | 0:01:53 | 0:01:56 | |
When this car was built, about 1988. | 0:01:56 | 0:01:58 | |
ADE LAUGHS | 0:01:58 | 0:01:59 | |
-The Seoul Olympics in '88. -You went to Seoul! -Seoul in '88, yeah. | 0:01:59 | 0:02:02 | |
-Dude went to Seoul! -I GOT "Seoul"! -Jeez, man! | 0:02:02 | 0:02:07 | |
Seoul! That was in black and white! | 0:02:07 | 0:02:08 | |
THEY LAUGH | 0:02:08 | 0:02:10 | |
Now, I was in Sydney in 2000. | 0:02:10 | 0:02:13 | |
-So, how old were you, then, in 2000? -2000, I was 26. | 0:02:13 | 0:02:16 | |
I was quite old for my debut. | 0:02:16 | 0:02:19 | |
Ade is a Paralympic gold medallist in wheelchair basketball, | 0:02:19 | 0:02:24 | |
an actor and a TV presenter. | 0:02:24 | 0:02:27 | |
Among his many awards is an MBE he received in 2005. | 0:02:28 | 0:02:32 | |
In fairness, the first time I remember seeing you, | 0:02:33 | 0:02:35 | |
not meeting you, would have been adverts. | 0:02:35 | 0:02:38 | |
-I remember seeing all the adverts. -Oh, here we go! | 0:02:38 | 0:02:40 | |
Spinning around on the chair, the dreads flowing. | 0:02:40 | 0:02:42 | |
Yeah, that's the one! | 0:02:42 | 0:02:43 | |
Do you know what? That was a BBC ONE ident. | 0:02:43 | 0:02:46 | |
-I did that back in 2002. -Wow. | 0:02:46 | 0:02:48 | |
And when it first came out, I thought it was only going to be something really small. | 0:02:48 | 0:02:54 | |
It ended up being on 48,000 times. | 0:02:54 | 0:02:57 | |
Looks like today is very much a battle of land versus water. | 0:02:59 | 0:03:02 | |
Their guides are auctioneer Thomas Plant and dealer Mark Stacey, | 0:03:04 | 0:03:07 | |
who are making their way to meet them in this bright yellow Elva Courier. | 0:03:07 | 0:03:12 | |
The colour sort of doesn't go with my pink trousers today. | 0:03:14 | 0:03:17 | |
-Nothing goes with your pink trousers, Tom. -Just because you're jealous. | 0:03:17 | 0:03:20 | |
-Not even your shirt and jacket. -Oh, you're so cruel! | 0:03:20 | 0:03:23 | |
Shaping up to be a competitive jaunt, this one. | 0:03:24 | 0:03:27 | |
With £400 each to spend, our two pairs will be taking a journey around south-east England. | 0:03:27 | 0:03:32 | |
Starting in Otford, Kent, they'll meander around Kent and | 0:03:32 | 0:03:37 | |
West Sussex before heading to auction in Twickenham, south-west London. | 0:03:37 | 0:03:40 | |
Oh, wow! Here you go! Look at these two! Lovely, lovely! | 0:03:45 | 0:03:50 | |
-Hello. -It's bright. -You haven't seen his trousers yet. | 0:03:50 | 0:03:54 | |
THEY LAUGH | 0:03:54 | 0:03:55 | |
Go on, Mark, get out. Yeah, I've got to get out as well. Well, hurry up! | 0:03:56 | 0:04:00 | |
-TOM: -I can't get out now! -Pull yourself out there. -Hello. -I'm Mark. | 0:04:02 | 0:04:05 | |
Nice to meet you. But you see, nothing goes with those trousers. | 0:04:05 | 0:04:08 | |
-Thomas. -Nice to meet you. -How are you doing? Nice to meet you. | 0:04:08 | 0:04:11 | |
On this trip, Ade will team up with Thomas, | 0:04:11 | 0:04:13 | |
and Mark will go with Mark. | 0:04:13 | 0:04:15 | |
Do you know what I'd really like to see? The big Fozzy in that car. | 0:04:15 | 0:04:20 | |
That, I mean, that's made for you. | 0:04:20 | 0:04:22 | |
I think it's decided, though, Mark, actually, we'll have the Jag. | 0:04:22 | 0:04:25 | |
-Are you having the old man's car? -We're having that, yeah, yeah. | 0:04:25 | 0:04:28 | |
THEY LAUGH | 0:04:28 | 0:04:30 | |
-See you later. -See you later, bye-bye. | 0:04:31 | 0:04:33 | |
-Buy some brown furniture. -Yes! -Bye! | 0:04:33 | 0:04:35 | |
I hope it doesn't rain. | 0:04:35 | 0:04:37 | |
-Right, let's go shopping. -Yes, let's do it. | 0:04:38 | 0:04:40 | |
While the two Marks hit the road, Ade and Thomas's first shop is | 0:04:42 | 0:04:46 | |
just around the corner at Otford Antiques. | 0:04:46 | 0:04:49 | |
So, would this be your very first entry into an antiques shop? | 0:04:49 | 0:04:52 | |
I think so. Yeah, yeah, this is... Do you know what? | 0:04:52 | 0:04:55 | |
Already we're at an advantage against Mark, | 0:04:55 | 0:04:57 | |
-cos that giant will never get into anything like that. -Yeah, absolutely. | 0:04:57 | 0:05:00 | |
-He'd be knocking everything down. -Yeah, 100%. | 0:05:00 | 0:05:03 | |
-Hello! -Pleased to meet you. | 0:05:03 | 0:05:05 | |
Be gentle with me, this is my first time in an antiques shop. | 0:05:05 | 0:05:08 | |
I'm sure you're a natural. | 0:05:08 | 0:05:10 | |
-I think he is going to be a natural. -Pressure. | 0:05:10 | 0:05:13 | |
THEY LAUGH | 0:05:13 | 0:05:15 | |
Well, the proof is in the buying. Any tips, Thomas? | 0:05:15 | 0:05:18 | |
-So, basically, there's a very simple rule... -Yes. | 0:05:18 | 0:05:22 | |
You start left, and then... Honestly, it's that easy. | 0:05:22 | 0:05:25 | |
You've just got to be practical, because if you scatter-gun, you'll never get anywhere. | 0:05:25 | 0:05:30 | |
Sound advice. | 0:05:30 | 0:05:31 | |
And Ade's already spotted something shiny - | 0:05:31 | 0:05:34 | |
an intriguing interchangeable silver ring. | 0:05:34 | 0:05:37 | |
So, do you want to look like a pro? | 0:05:39 | 0:05:41 | |
Yeah, of course I want to look like a pro, come on. | 0:05:41 | 0:05:43 | |
I will give you the magical Thomas Plant loop. | 0:05:43 | 0:05:46 | |
-My eye glass, my jeweller's class. -Nice. | 0:05:46 | 0:05:49 | |
I have it on a thing so I can wear it around my neck. | 0:05:49 | 0:05:51 | |
-Right, so, you are right handed? -Yes. | 0:05:51 | 0:05:54 | |
So, put that towards your right eye. | 0:05:54 | 0:05:55 | |
-This way, yeah? -Yeah, or it doesn't really matter which way. | 0:05:55 | 0:05:58 | |
All the way up, further up, and then you bring this bad boy all | 0:05:58 | 0:06:01 | |
the way up, all the way up, further, further. It will happen. | 0:06:01 | 0:06:04 | |
-Oh, yes, yes! -Then bring this really close. Closer. Closer, closer... | 0:06:04 | 0:06:10 | |
-Oh, yeah. I've got it. I've got it. -And then it happens. | 0:06:10 | 0:06:14 | |
-We've got some proper bling here. -THEY LAUGH | 0:06:14 | 0:06:16 | |
So, how does it work, Annie? Does it flip out and then you interchange the stones? | 0:06:18 | 0:06:22 | |
So, it's... | 0:06:23 | 0:06:24 | |
-That levers out. -Yes, I see that. -It clicks and it just comes... | 0:06:25 | 0:06:29 | |
So, it's just a little latch That's really ingenious. | 0:06:29 | 0:06:33 | |
-And you take out the stone. -And then you can put any... | 0:06:33 | 0:06:37 | |
-I think this is amazing. -The red ruby colour? | 0:06:37 | 0:06:41 | |
The mauve colour for amethyst. | 0:06:41 | 0:06:43 | |
The green for emerald and the blue for sapphire. | 0:06:43 | 0:06:46 | |
-Do you think it might have been a reps sample once? -No. | 0:06:46 | 0:06:50 | |
I think it's for people who want to change their outfit, | 0:06:50 | 0:06:54 | |
-to change their clothes. -So, someone who likes to look different every day... | 0:06:54 | 0:06:59 | |
-Can you imagine saying to your friends, "Oh, yeah, I've just got the ruby out today?" -Yes. | 0:06:59 | 0:07:04 | |
-Matches your eyes. -I've got brown eyes, thank you. -THEY LAUGH | 0:07:04 | 0:07:10 | |
-And you've got his little stones, these white pave set stones. -On the sides, yeah. | 0:07:10 | 0:07:16 | |
-Yeah. -And, you know, on my sort of hairy little finger... -THEY LAUGH | 0:07:16 | 0:07:21 | |
-Your hobbit hand. -Yeah, my hobbit hand, yeah, absolutely. | 0:07:21 | 0:07:25 | |
-THEY IMPERSONATE: -My precious! -Schmiegel! Oh! | 0:07:25 | 0:07:30 | |
Boys, are you buying, or what? | 0:07:30 | 0:07:32 | |
-Let's talk about the price, because it is marked at 125. -That's correct. | 0:07:35 | 0:07:39 | |
I was going to suggest... | 0:07:39 | 0:07:41 | |
Do you want to do some negotiations, | 0:07:41 | 0:07:43 | |
and I can sort of hold you back when you get a bit hard? | 0:07:43 | 0:07:46 | |
OK. Um... | 0:07:46 | 0:07:47 | |
Oh... | 0:07:49 | 0:07:50 | |
I haven't done this before. Where do I go? | 0:07:51 | 0:07:54 | |
I know I've thrown you at the deep end, so you ask Annie what her very best is... | 0:07:54 | 0:07:59 | |
-Yes. -Don't mention her figure, though. | 0:07:59 | 0:08:01 | |
So, Annie, what's your best? | 0:08:01 | 0:08:04 | |
Oh, dear. | 0:08:04 | 0:08:05 | |
100 is my very best. | 0:08:07 | 0:08:09 | |
That's your very best? Sorry, I'm getting involved. | 0:08:09 | 0:08:13 | |
I shouldn't do it. | 0:08:13 | 0:08:15 | |
100. | 0:08:15 | 0:08:16 | |
-It's just glass, though, isn't it? -Yes. | 0:08:16 | 0:08:20 | |
How about... | 0:08:21 | 0:08:23 | |
Come on, Ade, you can do it. | 0:08:23 | 0:08:25 | |
Would you go lower? | 0:08:26 | 0:08:27 | |
I can't do much on it because... | 0:08:32 | 0:08:36 | |
Oh, you could do much! You could do so much! | 0:08:36 | 0:08:39 | |
Look at this handsome man! | 0:08:39 | 0:08:42 | |
Look at that. | 0:08:42 | 0:08:44 | |
I said you were a natural, didn't I! | 0:08:44 | 0:08:46 | |
-Seriously, I can't go any lower than 90. -90? | 0:08:46 | 0:08:51 | |
If you can go a little bit more, we can deal. | 0:08:51 | 0:08:57 | |
All right, 85, and that's it. | 0:08:57 | 0:08:59 | |
-So you wouldn't do 83? -Oh, dear. | 0:08:59 | 0:09:01 | |
84. | 0:09:01 | 0:09:02 | |
83.50. | 0:09:05 | 0:09:06 | |
-What?! -All right. | 0:09:06 | 0:09:08 | |
-I love this. -Yes? -Yes, OK. -Yes! | 0:09:08 | 0:09:13 | |
No, no, no, no, let's have a proper hug. | 0:09:13 | 0:09:18 | |
A top bit of negotiating there from antiques rooky, Ade, | 0:09:18 | 0:09:22 | |
has secured the first purchase of this road trip, so well done, chaps. | 0:09:22 | 0:09:27 | |
Mark and Mark, meanwhile, are on the road | 0:09:28 | 0:09:30 | |
and making their way to Brasted. | 0:09:30 | 0:09:32 | |
What first got you into swimming? | 0:09:34 | 0:09:36 | |
I learned because going back a long time, | 0:09:36 | 0:09:38 | |
my father got thrown into a lake and nearly drowned. | 0:09:38 | 0:09:41 | |
Petrified of water and he really turned his hate into my love. | 0:09:41 | 0:09:44 | |
Really? | 0:09:44 | 0:09:45 | |
He used to take me to the pool on Sundays with my sisters | 0:09:45 | 0:09:48 | |
and we jumped around and learned the water was fun. | 0:09:48 | 0:09:50 | |
Then, like you and most people, I went for swimming lessons. | 0:09:50 | 0:09:52 | |
I had swimming lessons and the person who taught me | 0:09:52 | 0:09:55 | |
was called Mrs Hardcastle. | 0:09:55 | 0:09:56 | |
She was the mother of a girl called Sarah Hardcastle who was | 0:09:56 | 0:09:59 | |
-Olympic silver and bronze medallist in the freestyle. -Gosh, really! | 0:09:59 | 0:10:02 | |
So, I had the right person. | 0:10:02 | 0:10:03 | |
After ten swimming lessons, she said, you're quite good, | 0:10:03 | 0:10:06 | |
-why don't you go and join the team? -Wow! What did you think? | 0:10:06 | 0:10:09 | |
I was six years of age... | 0:10:09 | 0:10:11 | |
I loved it because I enjoyed being in the water and I was competitive. | 0:10:11 | 0:10:14 | |
At the age of 11, I was the fastest swimmer in the world for my age. | 0:10:14 | 0:10:17 | |
Gosh! | 0:10:17 | 0:10:18 | |
I pushed and I worked hard and then Duncan Goodhew came | 0:10:18 | 0:10:23 | |
to my swimming club and did a Swimalong with Goodhew one day. | 0:10:23 | 0:10:26 | |
I swam with him and saw his gold medal, this shiny gold medal, | 0:10:26 | 0:10:29 | |
and saw him swim and said, | 0:10:29 | 0:10:30 | |
-I want to be like him, I want to go to the Olympic Games. -Wow! | 0:10:30 | 0:10:33 | |
My mum was the real driving force, the inspiration was Duncan Goodhew | 0:10:33 | 0:10:36 | |
and obviously my father had a part, teaching me to enjoy the water. | 0:10:36 | 0:10:40 | |
Mr Stacey, it's down to you to provide some antiques inspiration. | 0:10:41 | 0:10:46 | |
Their first shop is Courtyard Antiques, | 0:10:46 | 0:10:49 | |
where there's a rather unconventional welcome. | 0:10:49 | 0:10:53 | |
We just thought you might be a little hungry on your journey | 0:10:55 | 0:10:58 | |
and we have some Spanish tapas. | 0:10:58 | 0:11:01 | |
I love it. Is this Manchego cheese? | 0:11:01 | 0:11:05 | |
-I love Manchego cheese. Do you know Manchego cheese? -I don't. | 0:11:05 | 0:11:09 | |
I would like to try some. | 0:11:09 | 0:11:10 | |
What a lovely, generous gesture. | 0:11:10 | 0:11:13 | |
Wouldn't count on this in every shop, chaps! | 0:11:13 | 0:11:16 | |
Well, Mark, here we are. Our first shop. What do you think? | 0:11:18 | 0:11:24 | |
Well, I'm guessing I'm avoiding a nice piece of furniture | 0:11:24 | 0:11:28 | |
-and looking at small bits and pieces? -That's a good idea. | 0:11:28 | 0:11:32 | |
What does the London market like? I like Art Deco stuff. | 0:11:32 | 0:11:37 | |
Art Deco is quite good, depending on the name and the style of it | 0:11:37 | 0:11:39 | |
-and the price we pay, of course. -Yes. | 0:11:39 | 0:11:42 | |
People like sort of vintage, funky, almost one-off pieces. | 0:11:42 | 0:11:49 | |
"That's a statement piece," or something. | 0:11:49 | 0:11:52 | |
Well, if it's a statement piece you're after... | 0:11:52 | 0:11:55 | |
-What about something like this? -I say! | 0:11:55 | 0:11:58 | |
-This is very attractive. -Very stylish. There's good detail. | 0:11:59 | 0:12:03 | |
She's in a very typical Art Deco pose. | 0:12:03 | 0:12:06 | |
With figures, the less clothes they wear, of course, | 0:12:06 | 0:12:10 | |
the more popular they are. | 0:12:10 | 0:12:11 | |
She's nicely modelled. Difficult to put a date on this one. | 0:12:11 | 0:12:14 | |
It has got a little paper label there saying, Goldscheider. | 0:12:14 | 0:12:19 | |
That's the maker, is it? | 0:12:19 | 0:12:22 | |
That's the maker. They're a very famous maker of figurines. | 0:12:22 | 0:12:24 | |
-German? -German. In the Art Deco period. | 0:12:24 | 0:12:27 | |
This one might be more 1950s but in the Art Deco style. | 0:12:27 | 0:12:31 | |
I think there's just something about her. | 0:12:31 | 0:12:34 | |
So do I. With a ticket price of £150, | 0:12:34 | 0:12:37 | |
the Art Deco figurine is put straight back for now. | 0:12:37 | 0:12:40 | |
What else do our boys like the look of? | 0:12:40 | 0:12:42 | |
This looks quite interesting. | 0:12:42 | 0:12:44 | |
-What is it? -Can you see what's on there? | 0:12:46 | 0:12:48 | |
What's this, do you reckon? | 0:12:48 | 0:12:49 | |
Weasel or something? What is it? You can see a snake. | 0:12:49 | 0:12:52 | |
-That must be a mongoose. -OK. -They're not frightened of snakes. | 0:12:52 | 0:12:57 | |
They eat snakes. I think that's wonderful. What does the label say? | 0:12:57 | 0:13:01 | |
19th-century white metal parasol handle, | 0:13:01 | 0:13:04 | |
probably Anglo-Indian, circa 1880. | 0:13:04 | 0:13:08 | |
Is that something, we're buying for sale, | 0:13:09 | 0:13:11 | |
is that something someone would use and put a parasol on it or | 0:13:11 | 0:13:14 | |
a walking stick on it, do you think they would use it? | 0:13:14 | 0:13:16 | |
That's a very good question. | 0:13:16 | 0:13:18 | |
I think there's a lot of people who collect novelty walking canes | 0:13:18 | 0:13:21 | |
and handles. This is just such a whacky handle to have. | 0:13:21 | 0:13:25 | |
I've never seen one like it. | 0:13:25 | 0:13:27 | |
We could try to get someone like Rory McIlroy | 0:13:27 | 0:13:29 | |
to put it on the end of one of his clubs. | 0:13:29 | 0:13:31 | |
There we are, you see, I'm sure he's a good friend of yours. | 0:13:31 | 0:13:34 | |
There's nothing wrong with giving him the date of the auction! | 0:13:34 | 0:13:37 | |
But I think that, photographed properly on the internet, | 0:13:37 | 0:13:40 | |
would attract interest throughout the world, actually. | 0:13:40 | 0:13:43 | |
Ticket price is £155. Is there a deal to be done with Hugh? | 0:13:43 | 0:13:48 | |
-We'd love to try and get it down a bit if you can. -A lot! | 0:13:50 | 0:13:55 | |
Well, I'm afraid the best I can do on it for you would be 130. | 0:13:55 | 0:14:00 | |
-130? -Yes. | 0:14:00 | 0:14:02 | |
Gosh! | 0:14:02 | 0:14:03 | |
It's getting close to where I wanted to be really. | 0:14:03 | 0:14:06 | |
-Is that even before I say nice things about you? -Yes, probably! | 0:14:06 | 0:14:12 | |
-If you make me grow a few inches, I'll feel better! -Or I'll shrink! | 0:14:12 | 0:14:16 | |
-Yes, that's better! -120 now! | 0:14:16 | 0:14:18 | |
Or maybe offer some swimming lessons or something! | 0:14:20 | 0:14:23 | |
-I could do with some swimming lessons. -Doggy paddle, yeah? | 0:14:23 | 0:14:28 | |
I just think it's lovely. | 0:14:28 | 0:14:30 | |
-We couldn't get it down to 120? -No, but I'll tell you what. | 0:14:33 | 0:14:37 | |
I do know this dealer. Another fiver off. | 0:14:37 | 0:14:40 | |
-125? -Yes. | 0:14:40 | 0:14:41 | |
I think that's a deal for you. | 0:14:41 | 0:14:43 | |
-Thomas will absolutely love it. -Does he? | 0:14:43 | 0:14:46 | |
-Thanks. -Thank you very much. -Thank you very much indeed. | 0:14:46 | 0:14:49 | |
I much preferred you being down there, you know! | 0:14:49 | 0:14:52 | |
So, that's their first item bought | 0:14:53 | 0:14:55 | |
and it looks like the Marks are on a roll. | 0:14:55 | 0:14:58 | |
I wanted to show you something here that I found earlier. | 0:14:58 | 0:15:02 | |
I know it's only a vase but it's a big piece. | 0:15:05 | 0:15:08 | |
It's quite a big lump, isn't it? | 0:15:08 | 0:15:10 | |
It is but I like the colour. | 0:15:10 | 0:15:11 | |
It's very simplistic, the style, isn't it? | 0:15:11 | 0:15:15 | |
This is not old, Mark. What is it priced at? £55. | 0:15:15 | 0:15:19 | |
I think if it's something you like, you ought to have a word with him. | 0:15:19 | 0:15:23 | |
Right, boys, time to do a deal. | 0:15:23 | 0:15:25 | |
We've gone from Mark's small piece to my large piece. | 0:15:26 | 0:15:29 | |
-Which is quite appropriate, really! -Yes. -And it matches his shirt. | 0:15:29 | 0:15:34 | |
But, I mean, it's modestly priced | 0:15:35 | 0:15:37 | |
but, of course, not quite modestly enough for us. | 0:15:37 | 0:15:41 | |
I can't really do much off, I'm afraid. I'm sorry. | 0:15:41 | 0:15:44 | |
-And you have set your heart on it? -I know, we put it on £25. -Yes. | 0:15:44 | 0:15:51 | |
Hugh's not laughing, Mark. | 0:15:52 | 0:15:53 | |
When you say there's nothing, there's nothing? | 0:15:53 | 0:15:56 | |
-Or there's a tiny amount? -It's...a fiver, really. | 0:15:56 | 0:16:00 | |
I like it, I like the colour. I think it's a nice piece. | 0:16:02 | 0:16:06 | |
-I think we should take it. -Well, I think you should shake hands. | 0:16:06 | 0:16:11 | |
Thank you very much indeed. | 0:16:11 | 0:16:13 | |
-Well, we were doing so well. -Yes, we were, weren't we? | 0:16:13 | 0:16:17 | |
Two down. | 0:16:17 | 0:16:18 | |
I think we've earned a little bit of light refreshment. Come on. | 0:16:18 | 0:16:24 | |
He's not kidding either. Hey, save some for me, chaps! | 0:16:24 | 0:16:28 | |
Mark, time to refuel. | 0:16:30 | 0:16:31 | |
Do you think the other team are getting lunch made for them? | 0:16:31 | 0:16:34 | |
Not like this. I've ever had lunch made before. | 0:16:34 | 0:16:37 | |
It's wonderful, isn't it? | 0:16:37 | 0:16:38 | |
And we've got two items. | 0:16:38 | 0:16:39 | |
Ade and Thomas are back on the road, making their way to East Grinstead. | 0:16:41 | 0:16:46 | |
I used to live there. | 0:16:46 | 0:16:48 | |
So, Ade, tell me about basketball. | 0:16:48 | 0:16:51 | |
When did you start playing? | 0:16:51 | 0:16:53 | |
Oh, I'm going to start feeling old now. | 0:16:55 | 0:16:58 | |
I started playing wheelchair basketball when I was 12. | 0:16:58 | 0:17:02 | |
I was spotted by some physiotherapists | 0:17:02 | 0:17:04 | |
who were based in East London and I was being raced | 0:17:04 | 0:17:08 | |
through the streets by my mates in a Tesco's shopping trolley, | 0:17:08 | 0:17:12 | |
seemingly because I couldn't keep up with them | 0:17:12 | 0:17:15 | |
when I was walking on my callipers and we thought the best way for me | 0:17:15 | 0:17:19 | |
to get from A to B was to jump in a shopping trolley | 0:17:19 | 0:17:22 | |
and they spotted me. | 0:17:22 | 0:17:24 | |
They pulled up in this Sunshine Variety bus and they said, | 0:17:24 | 0:17:27 | |
how would you like to play wheelchair basketball? | 0:17:27 | 0:17:29 | |
I looked at him and said what? What is that all about?! | 0:17:29 | 0:17:34 | |
I had never heard of it before and they took me | 0:17:34 | 0:17:36 | |
to a place called Stoke Mandeville. | 0:17:36 | 0:17:38 | |
-Yeah, we've all heard of Stoke Mandeville. -Exactly. | 0:17:38 | 0:17:40 | |
I saw the junior games, | 0:17:40 | 0:17:42 | |
I saw some guys from the Great Britain Wheelchair Basketball Team. | 0:17:42 | 0:17:45 | |
They had the biggest muscles in the world I'd ever seen | 0:17:45 | 0:17:47 | |
and they were in these cool wheelchairs and I thought, | 0:17:47 | 0:17:50 | |
yeah, that is the sport for me. | 0:17:50 | 0:17:52 | |
Are you still a player? | 0:17:52 | 0:17:54 | |
In what sense? | 0:17:54 | 0:17:56 | |
Basketball! | 0:17:56 | 0:17:58 | |
With a car like this, we're both players, bruv! | 0:17:58 | 0:18:01 | |
We're both in the game! | 0:18:01 | 0:18:03 | |
East Grinstead is renowned for the work of an inspirational doctor. | 0:18:06 | 0:18:10 | |
His ground-breaking techniques in plastic surgery at the town's | 0:18:10 | 0:18:14 | |
Queen Victoria Hospital helped transform the lives of thousands | 0:18:14 | 0:18:18 | |
of Allied Air Force personnel during the Second World War. | 0:18:18 | 0:18:22 | |
Ade and Thomas have come to meet local expert Bob Marchant. | 0:18:22 | 0:18:28 | |
Could you tell us about the Queen Victoria Hospital | 0:18:28 | 0:18:30 | |
and its role during the war? | 0:18:30 | 0:18:32 | |
Yeah, the Queen Victoria Hospital was set up by the | 0:18:32 | 0:18:35 | |
Emergency Medical Service. | 0:18:35 | 0:18:36 | |
It was envisioned that there was going to be quite | 0:18:36 | 0:18:39 | |
a lot of aerial injuries coming from the Second World War, | 0:18:39 | 0:18:42 | |
so the Emergency Medical Service set up these | 0:18:42 | 0:18:45 | |
units around the country and East Grinstead was one. | 0:18:45 | 0:18:48 | |
It was designated to look after the Air Force casualties. | 0:18:48 | 0:18:51 | |
What sort of types of injuries did they have to deal with? | 0:18:51 | 0:18:56 | |
Mainly they were head and neck flash burns, if you like, in the hands. | 0:18:56 | 0:19:00 | |
Was there a particular doctor who arrived on the scene to give us | 0:19:00 | 0:19:04 | |
the specialist knowledge? | 0:19:04 | 0:19:06 | |
Yeah, this is where Archibald McIndoe came in, because | 0:19:06 | 0:19:09 | |
he was a civilian consultant to the Air Force for plastic surgery. | 0:19:09 | 0:19:13 | |
So they drafted him in to look after the unit | 0:19:13 | 0:19:15 | |
and it would be all RAF casualties. | 0:19:15 | 0:19:18 | |
As war continued, limited resources meant that the focus | 0:19:18 | 0:19:22 | |
was on saving lives, rather than rehabilitation. | 0:19:22 | 0:19:26 | |
The future was very bleak for young airmen returning | 0:19:26 | 0:19:29 | |
with these types of injuries. | 0:19:29 | 0:19:31 | |
But McIndoe felt strongly about addressing these difficult issues. | 0:19:31 | 0:19:35 | |
They were returning with really bad facial injuries, | 0:19:36 | 0:19:39 | |
burn injuries with their flesh burnt away. | 0:19:39 | 0:19:42 | |
Bad hands as well, because they weren't wearing | 0:19:42 | 0:19:44 | |
their gloves properly. | 0:19:44 | 0:19:47 | |
So the main part of their body was the face and hands. | 0:19:47 | 0:19:50 | |
McIndoe could see that these were going to be the first areas | 0:19:50 | 0:19:53 | |
the general public, if you like, would see. | 0:19:53 | 0:19:57 | |
So there was a real need to reconstruct those areas quickly. | 0:19:57 | 0:20:01 | |
Would you describe him as bit of a maverick? | 0:20:01 | 0:20:03 | |
Oh, yes, he was, yeah. He wanted to do things his way, obviously. | 0:20:03 | 0:20:07 | |
You know, he had great ideas. | 0:20:07 | 0:20:10 | |
But the other thing, he had the vision as well. | 0:20:10 | 0:20:12 | |
It wasn't only the burns and the injuries | 0:20:12 | 0:20:15 | |
that you've got to treat these chaps for, | 0:20:15 | 0:20:17 | |
you've got to treat psychologically as well. | 0:20:17 | 0:20:19 | |
I noticed a little clipping that said, | 0:20:19 | 0:20:21 | |
"East Grinstead, the town which didn't stare." | 0:20:21 | 0:20:25 | |
Yeah, that's right, yeah. | 0:20:25 | 0:20:27 | |
He had all these young chaps and surgery was taking | 0:20:27 | 0:20:31 | |
quite a length of time in-between operations. | 0:20:31 | 0:20:34 | |
So he got them out into the local community. | 0:20:34 | 0:20:37 | |
McIndoe went out to the local community and said, | 0:20:37 | 0:20:40 | |
"I'm going to send these chaps out. | 0:20:40 | 0:20:43 | |
"They got their injuries through fighting for you, | 0:20:43 | 0:20:45 | |
"if you like, unfortunately. | 0:20:45 | 0:20:47 | |
"Please accept them in the town. | 0:20:47 | 0:20:49 | |
"Please accept them as they are and don't stare at them." | 0:20:49 | 0:20:51 | |
-Really forward-thinking, isn't it? -Forward-thinking. | 0:20:51 | 0:20:54 | |
And this was another way that McIndoe brought the local | 0:20:54 | 0:20:58 | |
community in, if you like, and looked at their future. | 0:20:58 | 0:21:01 | |
So he didn't only repair their injuries, | 0:21:01 | 0:21:05 | |
he was repairing their minds as well. | 0:21:05 | 0:21:07 | |
It was during this time that McIndoe chanced upon | 0:21:07 | 0:21:10 | |
an unusual discovery that was to change the world of medicine. | 0:21:10 | 0:21:14 | |
McIndoe found that the airmen that were bailing out | 0:21:14 | 0:21:18 | |
and landed on the sea, their burns were a little bit different | 0:21:18 | 0:21:21 | |
than if you landed on land. | 0:21:21 | 0:21:23 | |
So he devised a saltwater treatment because he said it was | 0:21:23 | 0:21:27 | |
the sudden immersion of saltwater that did this treatment. | 0:21:27 | 0:21:30 | |
He then also got this technique into the other RAF hospitals | 0:21:30 | 0:21:33 | |
that he had control over. | 0:21:33 | 0:21:35 | |
So even the ones that couldn't come to East Grinstead, | 0:21:35 | 0:21:38 | |
they were getting the same sort of treatment as he was developing. | 0:21:38 | 0:21:43 | |
There was very little precedent for the work | 0:21:43 | 0:21:46 | |
that McIndoe was attempting, | 0:21:46 | 0:21:47 | |
much of it being by trial and error. | 0:21:47 | 0:21:51 | |
Do you think he and all his patients had a sense of how | 0:21:51 | 0:21:55 | |
ground-breaking what they were doing was? | 0:21:55 | 0:21:57 | |
-Oh, yeah, I think they did. -It must have been terribly exciting. | 0:21:57 | 0:22:00 | |
They could see that nothing else was being done like this. | 0:22:00 | 0:22:04 | |
They were only 18, 19 or 20. | 0:22:04 | 0:22:06 | |
They said he really didn't know what he was doing. | 0:22:06 | 0:22:08 | |
"He is just practising on us. We're just a load of guinea pigs." | 0:22:08 | 0:22:11 | |
Wow. | 0:22:11 | 0:22:13 | |
It was this true British grit in the face of adversity that | 0:22:13 | 0:22:17 | |
led to the formation of the now legendary | 0:22:17 | 0:22:19 | |
Guinea Pig Club. | 0:22:19 | 0:22:20 | |
So what was the Guinea Pig Club? | 0:22:20 | 0:22:22 | |
The Guinea Pig Club was formed in 1941 as a drinking club, really. | 0:22:22 | 0:22:27 | |
They could see... | 0:22:27 | 0:22:29 | |
-A good British tradition. -A good British tradition. | 0:22:29 | 0:22:31 | |
They all could see that this was going to be a long transition to | 0:22:31 | 0:22:34 | |
get back into society as well. | 0:22:34 | 0:22:36 | |
So the formed this group of themselves. | 0:22:36 | 0:22:39 | |
The extraordinary thing about these pictures, when you | 0:22:39 | 0:22:42 | |
look at all of these faces, most of these chaps would have probably | 0:22:42 | 0:22:45 | |
thought that when they sustained those injuries that that was it. | 0:22:45 | 0:22:48 | |
-Yeah. -That was it. | 0:22:48 | 0:22:50 | |
They were never going to have normal lives again. | 0:22:50 | 0:22:53 | |
-And McIndoe changed that. -He changed it all. | 0:22:53 | 0:22:56 | |
It was really the first patient self-support group, really. | 0:22:56 | 0:23:01 | |
It was formed by the patients for the patients. | 0:23:01 | 0:23:04 | |
The fascinating thing about this is, you know, war is so negative | 0:23:04 | 0:23:09 | |
and the damage it does to societies, but from it | 0:23:09 | 0:23:12 | |
comes people like McIndoe and then | 0:23:12 | 0:23:15 | |
Ludwig Guttmann did the same thing for paraplegics at Stoke Mandeville. | 0:23:15 | 0:23:20 | |
There is so much positivity. | 0:23:20 | 0:23:22 | |
It is happening now with people coming out of Afghanistan. | 0:23:22 | 0:23:25 | |
They say surgery develops through war, unfortunately, | 0:23:25 | 0:23:30 | |
and the techniques through war. | 0:23:30 | 0:23:32 | |
What we are seeing coming back now into this country from Afghanistan | 0:23:32 | 0:23:36 | |
is changing the whole aspect of accident and emergency work. | 0:23:36 | 0:23:40 | |
But McIndoe had the vision. | 0:23:40 | 0:23:42 | |
He'd got to look at these chaps psychologically. | 0:23:42 | 0:23:45 | |
In 1947 Sir Archibald McIndoe was knighted for his work. | 0:23:45 | 0:23:50 | |
Sadly, he passed away in 1960 aged just 59. | 0:23:50 | 0:23:56 | |
McIndoe's incredible legacy lives on, not only through the Guinea Pig Club, | 0:23:56 | 0:24:00 | |
whose existing members still meet today, but also in the type | 0:24:00 | 0:24:03 | |
of life-changing surgery that he helped to create. | 0:24:03 | 0:24:06 | |
And on that uplifting note, | 0:24:09 | 0:24:11 | |
we say toodle-pip to the first day of the trip. | 0:24:11 | 0:24:15 | |
Nighty-night, guys. | 0:24:16 | 0:24:18 | |
The next morning our celebrities are back on the road | 0:24:21 | 0:24:24 | |
and preparing for the shopping day ahead. | 0:24:24 | 0:24:27 | |
What fun. | 0:24:27 | 0:24:28 | |
# Ha... | 0:24:30 | 0:24:32 | |
# Hallelujah.. # | 0:24:32 | 0:24:33 | |
# Haaaa... # | 0:24:33 | 0:24:35 | |
Buy me, buy me, buy me! Have some of that! | 0:24:35 | 0:24:38 | |
THEY LAUGH | 0:24:38 | 0:24:40 | |
Yeah! | 0:24:40 | 0:24:41 | |
And it looks like our experts are raring to go, too. | 0:24:41 | 0:24:45 | |
I am thoroughly looking forward to today. | 0:24:45 | 0:24:47 | |
I'm up, I'm ready, I'm in the yellow banana. | 0:24:47 | 0:24:49 | |
I'm clashing with the colours. | 0:24:51 | 0:24:52 | |
-I love this car. -Do you? | 0:24:52 | 0:24:55 | |
-I love this car. It's a proper car. -Well, I love... | 0:24:55 | 0:24:58 | |
Well, that's because you're, sort of, old, isn't it? | 0:24:58 | 0:25:01 | |
Right, pull yourself together, you two, | 0:25:01 | 0:25:03 | |
your sporting heroes are waiting. | 0:25:03 | 0:25:06 | |
You'd find it difficult to clash with that car, | 0:25:06 | 0:25:09 | |
but you've done it. | 0:25:09 | 0:25:11 | |
Thomas, that's what I'm talking about. | 0:25:11 | 0:25:13 | |
THEY LAUGH | 0:25:13 | 0:25:15 | |
-Mark, how are you? -I'm good. | 0:25:15 | 0:25:18 | |
Nice to see you. | 0:25:18 | 0:25:19 | |
-How's it going, Ade? -Winning team, come on, come on! | 0:25:19 | 0:25:22 | |
-Dressed to kill. -Absolutely. | 0:25:22 | 0:25:27 | |
So far the Marks have bought two lots, the 19th parasol handle, | 0:25:27 | 0:25:30 | |
and the contemporary Chinese vase. | 0:25:30 | 0:25:32 | |
They have £225 left to spend. | 0:25:32 | 0:25:35 | |
See you later, bye-bye. | 0:25:35 | 0:25:38 | |
Ade and Thomas, meanwhile, have bought just one lot so far, | 0:25:39 | 0:25:43 | |
the silver interchangeable ring, | 0:25:43 | 0:25:45 | |
which means they still have a massive £316.50 to play with. | 0:25:45 | 0:25:49 | |
For their first shop of the day, | 0:25:51 | 0:25:52 | |
Ade and Thomas are making their way to Chart Sutton, in Kent. | 0:25:52 | 0:25:57 | |
What do you think of my haggling skills? | 0:25:57 | 0:25:59 | |
Do you think I went in too hard on the 50 pence? | 0:25:59 | 0:26:01 | |
No, I don't think so. I thought that was brilliant. I loved it | 0:26:01 | 0:26:04 | |
because you got that little bit off and that little bit might save us. | 0:26:04 | 0:26:07 | |
-Let's just go hard. -Go hard! | 0:26:07 | 0:26:09 | |
-Go hard or go home. -That's it. That is the phrase. | 0:26:09 | 0:26:13 | |
That is such the phrase. | 0:26:13 | 0:26:15 | |
We've got tactics here. | 0:26:18 | 0:26:20 | |
What's this shop like? | 0:26:21 | 0:26:23 | |
Is it... | 0:26:23 | 0:26:24 | |
The fellas' first shop of the day is Chart Sutton Antiques Centre. | 0:26:24 | 0:26:29 | |
-What have you done? -I've broken the door. | 0:26:29 | 0:26:31 | |
-What are you doing? -No, no, no, that's it. | 0:26:31 | 0:26:34 | |
You free, you're free, you're free. | 0:26:34 | 0:26:36 | |
Thank goodness for that as there's buying to be done. | 0:26:36 | 0:26:39 | |
With 25 dealers under one roof, this space is bursting with potential. | 0:26:39 | 0:26:44 | |
Oh, look, look! | 0:26:44 | 0:26:46 | |
What have you seen? What have you seen? | 0:26:46 | 0:26:48 | |
-I've seen Mark. -You've seen Mark. | 0:26:48 | 0:26:50 | |
Mark with a moustache. | 0:26:50 | 0:26:51 | |
He would look like that, wouldn't he? | 0:26:51 | 0:26:53 | |
That's what she would look like. | 0:26:53 | 0:26:55 | |
Time to get serious, chaps. | 0:26:55 | 0:26:57 | |
A photograph album. It's what they did back in the day. | 0:26:58 | 0:27:01 | |
I love that. That's so cool. | 0:27:01 | 0:27:03 | |
-Open it up and have a look. -It's so heavy, as well. | 0:27:03 | 0:27:06 | |
-It's so heavy as well. -It is heavy. Leather-bound. | 0:27:06 | 0:27:09 | |
-Beautifully gilded. -Look at that. | 0:27:09 | 0:27:11 | |
Hand-painted and photographs in there. | 0:27:11 | 0:27:14 | |
-That's amazing. -You like that, do you? | 0:27:14 | 0:27:16 | |
-It is pretty cool. -It is cool, isn't it? It is lovely. | 0:27:16 | 0:27:20 | |
Look at her on the bicycle. That is a lovely shot, isn't it? | 0:27:20 | 0:27:22 | |
It is. It's got spokey dokeys. | 0:27:22 | 0:27:25 | |
Victorian. So you're thinking photography, | 0:27:25 | 0:27:28 | |
a relatively recent invention from about 1840. | 0:27:28 | 0:27:30 | |
-Staged... They all look quite serious. -Very serious! | 0:27:32 | 0:27:35 | |
We've progressed from this to selfie sticks. | 0:27:35 | 0:27:37 | |
Selfie... Yeah, absolutely. | 0:27:37 | 0:27:40 | |
-What do you think of this then? -I quite like it. | 0:27:40 | 0:27:43 | |
-I like the way you reacted to it. -I like it. | 0:27:43 | 0:27:47 | |
-I like that. It's a good thing. -How much is it? -£65. | 0:27:47 | 0:27:50 | |
-OK. -You know what you're like. | 0:27:50 | 0:27:54 | |
-You've been there. -Shall we keep hold of that? | 0:27:54 | 0:27:56 | |
Let's keep hold of that. | 0:27:56 | 0:27:58 | |
So that's one potential buy. | 0:27:58 | 0:28:00 | |
Now, what about a WMF vase? | 0:28:00 | 0:28:03 | |
That's quite a nice vase, isn't it? | 0:28:03 | 0:28:05 | |
-What do you think of that? -Yeah, it looks shiny. | 0:28:05 | 0:28:07 | |
It is shiny, isn't it? | 0:28:07 | 0:28:09 | |
-I've got the top hat on again. -You love that. -Like the Artful Dodger. | 0:28:09 | 0:28:13 | |
-Beautiful. -Feel the weight of that. | 0:28:13 | 0:28:16 | |
-Oh, wow, that is... -Turn it over. | 0:28:16 | 0:28:19 | |
-It's nice. -This... how old do you think it is? | 0:28:19 | 0:28:21 | |
-It doesn't look that old. -It doesn't, does it? | 0:28:23 | 0:28:26 | |
It looks '70s, maybe. | 0:28:26 | 0:28:27 | |
-'70s? Maybe even -'80s. Do you like that? Even -'80s? Yeah. | 0:28:27 | 0:28:31 | |
What would you say if I told you that this was 1910? | 0:28:31 | 0:28:36 | |
1910?! | 0:28:38 | 0:28:39 | |
-Shut the front door. -Yeah! Shut the front door. | 0:28:39 | 0:28:42 | |
Close it tight. | 0:28:42 | 0:28:43 | |
It is quite reasonable as well. 58 quid. | 0:28:43 | 0:28:46 | |
-And we can do a bit more on that. -I reckon we could, yeah. | 0:28:46 | 0:28:49 | |
Time to have a word with Carol. | 0:28:49 | 0:28:52 | |
-Now, we've got ourselves an album. -Right. -An old album. | 0:28:54 | 0:28:57 | |
-So have a look at that. -And the question is... | 0:28:59 | 0:29:01 | |
What's your best? | 0:29:01 | 0:29:03 | |
-How did I guess? -We've also got this vase here. | 0:29:03 | 0:29:06 | |
-Lovely Victorian... -What's your best, or what's your worst? | 0:29:06 | 0:29:10 | |
..photo album. I can do 58. | 0:29:10 | 0:29:13 | |
I think 58 is a bit steep. | 0:29:13 | 0:29:16 | |
-Still going to be too much for you, is it? -BOTH: Yeah. | 0:29:16 | 0:29:19 | |
Well, usual thing, it's not mine. | 0:29:19 | 0:29:21 | |
So what we'll need to do is ring the dealer | 0:29:21 | 0:29:23 | |
and see what we can do for you. OK? | 0:29:23 | 0:29:25 | |
-OK. -And something else as well? | 0:29:25 | 0:29:28 | |
Obviously, I'm just carrying this for fun. | 0:29:28 | 0:29:32 | |
He needs the exercise. | 0:29:32 | 0:29:34 | |
Price. 58. | 0:29:34 | 0:29:36 | |
Again, without a phone call it's going to be 52. | 0:29:36 | 0:29:41 | |
-Oh, we need to make some calls. -Make some calls. | 0:29:41 | 0:29:43 | |
So it sounds like phone calls are in order. | 0:29:43 | 0:29:45 | |
As luck would have it, both items come from the same dealer. | 0:29:45 | 0:29:48 | |
The combined price is £110. | 0:29:48 | 0:29:51 | |
Ade, you're up! | 0:29:51 | 0:29:55 | |
How about 90? | 0:29:55 | 0:29:58 | |
I mean, we will take them both off your hands | 0:29:58 | 0:30:00 | |
and they'll go to a great home. | 0:30:00 | 0:30:03 | |
And we love them. | 0:30:03 | 0:30:05 | |
People will know that you are a wonderful person. | 0:30:05 | 0:30:09 | |
We have... | 0:30:09 | 0:30:10 | |
We've got to beat the other team. We've got to beat Mark Foster. | 0:30:10 | 0:30:13 | |
He's a swimmer. You know, don't worry about swimmers. Come on. | 0:30:13 | 0:30:17 | |
Oh, Fiona, you're a superstar! | 0:30:19 | 0:30:21 | |
90. | 0:30:21 | 0:30:23 | |
Yes? | 0:30:23 | 0:30:26 | |
-Fiona, thank you very much. -Thank you. Thank you so much. | 0:30:26 | 0:30:29 | |
Ade's really getting the hang of things. | 0:30:31 | 0:30:34 | |
A great deal done for the album and the WMF vase. | 0:30:34 | 0:30:36 | |
Taking a break from shopping, the two Marks | 0:30:36 | 0:30:39 | |
have made their way to Rochester. | 0:30:39 | 0:30:41 | |
They've come to the Huguenot Museum to learn about the first mass | 0:30:41 | 0:30:45 | |
influx of refugees into Britain | 0:30:45 | 0:30:47 | |
and the lasting effect they've had on British society. | 0:30:47 | 0:30:52 | |
In 1685, Louis XIV ended religious freedom in France, | 0:30:52 | 0:30:56 | |
ruling that you must be Catholic to live there. | 0:30:56 | 0:31:00 | |
This meant that French Protestants, also known as Huguenots, | 0:31:00 | 0:31:03 | |
were forced to make a difficult decision. | 0:31:03 | 0:31:06 | |
Here to explain more is museum director Hannah Kay. | 0:31:06 | 0:31:09 | |
So what did they do? | 0:31:10 | 0:31:12 | |
Well, the choices were actually very stark. | 0:31:12 | 0:31:14 | |
You either converted and became a Catholic, or you were persecuted. | 0:31:14 | 0:31:18 | |
-So they basically fled here? -Well, it's not quite that simple. | 0:31:18 | 0:31:22 | |
It was actually, at times, illegal to leave France | 0:31:22 | 0:31:24 | |
if you were a Huguenot. | 0:31:24 | 0:31:27 | |
Many did make the illegal escape to England, | 0:31:27 | 0:31:29 | |
but many did also convert. | 0:31:29 | 0:31:32 | |
There were around half a million Huguenots | 0:31:32 | 0:31:35 | |
living in France at the time. | 0:31:35 | 0:31:37 | |
Many took the risk of hiding their faith from the authorities. | 0:31:37 | 0:31:40 | |
This Bible has a really unique story. | 0:31:41 | 0:31:44 | |
-It's actually from the late 1500s. -Wow. | 0:31:44 | 0:31:46 | |
It's a family Bible and it belonged to the Fasquest family. | 0:31:46 | 0:31:50 | |
In the back and front of the Bible are lists of the births, marriages | 0:31:50 | 0:31:53 | |
and deaths of the family. | 0:31:53 | 0:31:55 | |
It was very, very precious. | 0:31:55 | 0:31:56 | |
I don't know if you can see around the edges of this book? | 0:31:56 | 0:31:59 | |
-Yes, I can. -Those are watermarks. | 0:31:59 | 0:32:01 | |
And that's because it was baked inside a loaf of bread to hide | 0:32:01 | 0:32:04 | |
-it from the government soldiers. -Gosh. -Wow. | 0:32:04 | 0:32:06 | |
It was so precious to the family that they wanted | 0:32:06 | 0:32:09 | |
to hide it and keep it safe. | 0:32:09 | 0:32:11 | |
Some Huguenots did make the difficult decision to escape. | 0:32:11 | 0:32:15 | |
In the 1680s about 180,000 made their break for freedom, | 0:32:15 | 0:32:20 | |
50,000 of whom ended up in Britain. | 0:32:20 | 0:32:23 | |
When the Huguenots settled in this country, | 0:32:23 | 0:32:26 | |
they created lots of organisations to help them establish a community. | 0:32:26 | 0:32:30 | |
They had a strong sense of family and of helping each other. | 0:32:30 | 0:32:34 | |
They created... They built French churches, | 0:32:34 | 0:32:36 | |
and a French school in Westminster. | 0:32:36 | 0:32:39 | |
The museum has many objects that relate to those early organisations. | 0:32:39 | 0:32:43 | |
We have these beautiful battered pewter tankards that were | 0:32:43 | 0:32:46 | |
used by the early inmates of the French Hospital, | 0:32:46 | 0:32:49 | |
which was established to help Huguenot refugees | 0:32:49 | 0:32:52 | |
and the early descendants. | 0:32:52 | 0:32:54 | |
If you come round, I can show you some more of our collections | 0:32:54 | 0:32:57 | |
which help to illustrate the array of crafts and trades and professions | 0:32:57 | 0:33:01 | |
and skills that the Huguenots brought with them to this country. | 0:33:01 | 0:33:04 | |
They were wood-turners, silk-weavers, glass-makers, | 0:33:04 | 0:33:08 | |
apothecaries, doctors... | 0:33:08 | 0:33:10 | |
-Silversmith, of course. -And, of course, Silversmiths. | 0:33:10 | 0:33:13 | |
Silver and goldsmithing was one of the trades that the | 0:33:13 | 0:33:15 | |
absolutely excelled in. | 0:33:15 | 0:33:17 | |
This object is a beautifully worked gold chatelaine. | 0:33:18 | 0:33:21 | |
It's from the early 1700s. | 0:33:21 | 0:33:23 | |
-It was made by a goldsmith called Francis Harache. -Wonderful. | 0:33:23 | 0:33:27 | |
He was a very important goldsmith. | 0:33:27 | 0:33:28 | |
His family came over in the 1680s to escape persecution. | 0:33:28 | 0:33:33 | |
It's a really good example of how | 0:33:33 | 0:33:35 | |
French design influenced British design. | 0:33:35 | 0:33:38 | |
This influx of French Huguenots, | 0:33:38 | 0:33:40 | |
they brought with them French style for furniture, textiles | 0:33:40 | 0:33:45 | |
and luxury goods, such as this. | 0:33:45 | 0:33:47 | |
When the Huguenots fled to Britain, around half of them | 0:33:47 | 0:33:50 | |
settled in London, which was a huge influx in comparison | 0:33:50 | 0:33:54 | |
to the population levels in London at that time. | 0:33:54 | 0:33:58 | |
It is estimated by academics that if you take those population figures, | 0:33:58 | 0:34:02 | |
there would probably be about | 0:34:02 | 0:34:04 | |
one in six people in Britain today | 0:34:04 | 0:34:06 | |
-who has Huguenot blood in their veins. -Really? | 0:34:06 | 0:34:08 | |
-As many as that? -Yeah. | 0:34:08 | 0:34:10 | |
And the Huguenots were Britain's first refugees. | 0:34:10 | 0:34:13 | |
They brought the word refugee into the English language with them. | 0:34:13 | 0:34:16 | |
-Did they? -Yep. | 0:34:16 | 0:34:18 | |
Huguenots have made a huge contribution to British | 0:34:18 | 0:34:22 | |
society over the centuries and, according to the museum, | 0:34:22 | 0:34:24 | |
descendants include the writer Daphne du Maurier, | 0:34:24 | 0:34:28 | |
Rolling Stones guitarist Keith Richards | 0:34:28 | 0:34:31 | |
and, perhaps most famous of all, | 0:34:31 | 0:34:33 | |
actor Laurence Olivier. | 0:34:33 | 0:34:36 | |
Back on the road, Ade and Thomas have made their way to Teynham and | 0:34:37 | 0:34:41 | |
Wildwinds Antiques and Collectables. | 0:34:41 | 0:34:44 | |
GONG | 0:34:47 | 0:34:49 | |
Let the games begin! | 0:34:49 | 0:34:52 | |
Everything's gone off. All the clocks. | 0:34:52 | 0:34:55 | |
What's going on? | 0:34:55 | 0:34:57 | |
Housing 12 traders in three rooms, | 0:34:57 | 0:35:00 | |
they should easily find something smashing to take to auction. | 0:35:00 | 0:35:04 | |
So far we have bought quite small things. | 0:35:04 | 0:35:06 | |
Yeah, and we need something that says, "Ta-da!" | 0:35:06 | 0:35:08 | |
Yep, ta-da! | 0:35:08 | 0:35:10 | |
What about this model of our illustrious HMS Victory? | 0:35:10 | 0:35:12 | |
Nelson's flagship. What a statement. | 0:35:12 | 0:35:16 | |
-I like it. -Yeah? I don't think it's that old. | 0:35:16 | 0:35:18 | |
-It's made out of ply, look. -Yes. | 0:35:18 | 0:35:20 | |
You see it's not that old but it would have taken somebody | 0:35:20 | 0:35:23 | |
some time to make it. | 0:35:23 | 0:35:25 | |
-Do you think Victory will give us victory? -Victory. | 0:35:25 | 0:35:30 | |
-We need to work on that. -Yeah. | 0:35:30 | 0:35:33 | |
-150. -(150. We've got about a couple of hundred quid, haven't we?) | 0:35:33 | 0:35:37 | |
What would you take that down to? What do you reckon? | 0:35:37 | 0:35:40 | |
(Well, we'll try and get it down to two figures.) | 0:35:40 | 0:35:44 | |
If you want that much off, | 0:35:44 | 0:35:46 | |
you'd better get on the blower and talk to the owner direct. | 0:35:46 | 0:35:50 | |
90 quid. | 0:35:53 | 0:35:55 | |
You wouldn't do 80? | 0:35:55 | 0:35:57 | |
What about 83.50? | 0:36:00 | 0:36:02 | |
Only because... Yes? | 0:36:05 | 0:36:07 | |
What's that? As long as we make some money for you, 83.50. | 0:36:09 | 0:36:12 | |
-You're happy with that? Boom! -Boom! | 0:36:12 | 0:36:15 | |
THEY LAUGH | 0:36:15 | 0:36:17 | |
Right, you've got a sale. Thanks a lot. | 0:36:17 | 0:36:19 | |
Cheers, bye. | 0:36:19 | 0:36:22 | |
-Dude. -We've done that. | 0:36:22 | 0:36:24 | |
No, fist pump. There you go. | 0:36:24 | 0:36:26 | |
-What's this?! What's this?! -Get all complicated! | 0:36:28 | 0:36:30 | |
-It's getting all complicated. -83.50. -£83 and 50 pence. | 0:36:30 | 0:36:33 | |
Just like you did! Just like you did! | 0:36:33 | 0:36:36 | |
You're liking the 50 pence! Come on. | 0:36:36 | 0:36:39 | |
The boys have still got £226.50 in their pockets | 0:36:39 | 0:36:43 | |
and it looks like some colourful glassware has caught their eye. | 0:36:43 | 0:36:48 | |
-What we could do is build up a lot. -A collection. -A collection. | 0:36:48 | 0:36:51 | |
We could build up a lot of all of these wonderful Whitefriars. | 0:36:51 | 0:36:54 | |
London made... | 0:36:54 | 0:36:57 | |
-What, and sell them altogether? -Sell them as a lot. | 0:36:57 | 0:37:00 | |
We could do something like that. | 0:37:00 | 0:37:02 | |
Like tangerine, willow pattern, | 0:37:02 | 0:37:04 | |
amethyst, frosted, dwarf candlesticks. | 0:37:04 | 0:37:06 | |
We could do that or get tumblers or we could... | 0:37:06 | 0:37:08 | |
-You know, we got enough money here... -Yeah. | 0:37:08 | 0:37:11 | |
..to really play around with. | 0:37:11 | 0:37:13 | |
-That's Whitefriars again, this one here. -That's nice. | 0:37:13 | 0:37:16 | |
-That's cool, isn't it? -It's really clean, isn't it? | 0:37:16 | 0:37:18 | |
-It's clean, isn't it? -It would look nice on a table. | 0:37:18 | 0:37:23 | |
-Can't we get a couple of these? -Yeah, we've got more money, you see. | 0:37:23 | 0:37:26 | |
-We got so much money. -Yeah, well, let's do that. | 0:37:26 | 0:37:28 | |
Let's get as many of these as we can with the clear. | 0:37:28 | 0:37:32 | |
-But there is also that vase there. -Right, OK, you like the blue? | 0:37:32 | 0:37:35 | |
That is by James Powell and Sons and that's... | 0:37:35 | 0:37:38 | |
Look at his knowledge. | 0:37:38 | 0:37:41 | |
So much knowledge from that brain! | 0:37:41 | 0:37:43 | |
Stop! So this is by somebody called James Powell and Sons. | 0:37:43 | 0:37:47 | |
-James Powell and Sons became Whitefriars. -Ah! | 0:37:47 | 0:37:50 | |
-So they're the same...? -This is earlier. -Yes. -This is 1930s. | 0:37:50 | 0:37:54 | |
-They call it optic moulded. -It's beautiful. -It's cool, isn't it? | 0:37:54 | 0:37:58 | |
Yeah. Right, will it sell? | 0:37:58 | 0:38:00 | |
It sells but you've got to buy it at the right price. | 0:38:00 | 0:38:03 | |
They've decided to try and go for a job lot, | 0:38:03 | 0:38:07 | |
for the colourful Whitefriars candlesticks, | 0:38:07 | 0:38:09 | |
the James Powell blue glass vase and the clear Whitefriars vase. | 0:38:09 | 0:38:13 | |
Dealer Richard's ready to negotiate. | 0:38:13 | 0:38:16 | |
So what's the damage as it stands, Thomas? | 0:38:16 | 0:38:19 | |
Let me see the figure. Oh! | 0:38:19 | 0:38:21 | |
Oh! (204!) | 0:38:21 | 0:38:25 | |
Now, we've got not very much money left. | 0:38:26 | 0:38:29 | |
Why are you making that face for?! | 0:38:30 | 0:38:34 | |
-Come on, give us a figure. -140. | 0:38:34 | 0:38:38 | |
-What do you reckon? -Ah, 140. | 0:38:38 | 0:38:42 | |
-Is that the best price? -I can't go any less than that. | 0:38:42 | 0:38:46 | |
-I mean it's a good... -Price. -Good, sort of... | 0:38:46 | 0:38:49 | |
-That would be the most expensive thing we've got. -Two lots, though. | 0:38:49 | 0:38:52 | |
It is. | 0:38:52 | 0:38:55 | |
Come on, then. Let's do it. | 0:38:55 | 0:38:56 | |
Let's not dither. Hold on, hold on do that again. | 0:38:56 | 0:38:59 | |
Handshake. | 0:38:59 | 0:39:01 | |
DONG! | 0:39:01 | 0:39:02 | |
-That's it. -It's on. -You're a star. | 0:39:02 | 0:39:05 | |
Come on, I need a handshake. Don't leave me hanging. | 0:39:05 | 0:39:07 | |
-Don't leave me hanging. -Again, again! Ready! -Wait. | 0:39:07 | 0:39:09 | |
DONG! | 0:39:09 | 0:39:12 | |
-I love it. -Right, that's it. | 0:39:12 | 0:39:14 | |
Yes, let's get the dosh out. | 0:39:14 | 0:39:15 | |
That's a total spend of £223.50, | 0:39:17 | 0:39:22 | |
bagging the HMS Victory model, | 0:39:22 | 0:39:24 | |
the glassware that they intend to split into two separate lots, | 0:39:24 | 0:39:28 | |
one for the vases and one for the candlesticks. | 0:39:28 | 0:39:30 | |
Meanwhile, the two Marks are making their way to Faversham | 0:39:33 | 0:39:37 | |
and their final shop, Squires Antiques, | 0:39:37 | 0:39:40 | |
to see what Conon and his mother Ann have on offer. | 0:39:40 | 0:39:44 | |
There's a tiny little cigarette lighter there, which is a bit rare. | 0:39:46 | 0:39:49 | |
-The smallest cigarette lighter in the world. -Oh, my gosh. | 0:39:49 | 0:39:52 | |
That is tiny, isn't it? | 0:39:52 | 0:39:55 | |
That's most unusual. | 0:39:55 | 0:39:57 | |
I don't know why on Earth you'd have one that small. | 0:39:57 | 0:40:00 | |
I guess back then people didn't have big pockets on their handbags | 0:40:00 | 0:40:05 | |
-to put these things in. -Possibly not, no. | 0:40:05 | 0:40:08 | |
-It would be a bit of a faff to light your cigarette with it. -Very true. | 0:40:08 | 0:40:11 | |
You'd have to be lighting it out of the wind. | 0:40:11 | 0:40:13 | |
With a ticket price of £65, what kind of a deal can Conon do? | 0:40:13 | 0:40:17 | |
So on the lighter, the best price would be? | 0:40:20 | 0:40:23 | |
I really need 55 for it. | 0:40:23 | 0:40:25 | |
But I would do a little bit better on that. | 0:40:25 | 0:40:29 | |
I can lose another fiver. | 0:40:29 | 0:40:31 | |
Oh, gosh. Well, I think... I will tell you what I'm going to do, Mark. | 0:40:31 | 0:40:34 | |
-I think we should go with the lighter. -Mm-hm. | 0:40:34 | 0:40:36 | |
And you really couldn't do that for 50? | 0:40:36 | 0:40:39 | |
-He said 50. -Oh, you said 50? | 0:40:39 | 0:40:41 | |
-You can have that 50, yeah. -Oh, I meant 45. | 0:40:41 | 0:40:44 | |
-You really can't do that for 45? -Yeah. -You can? -Yeah. | 0:40:44 | 0:40:48 | |
-Thank you. -Thanks, Conon. -You're welcome. -Thanks very much indeed. | 0:40:48 | 0:40:53 | |
With that deal done they still have £180 in their pocket. | 0:40:53 | 0:40:58 | |
And with yesterday's Art Deco lady still playing on their minds, | 0:40:58 | 0:41:02 | |
they've called Hugh to see if he'll go lower than the £150 ticket price. | 0:41:02 | 0:41:06 | |
The very, very, very best will be 95. | 0:41:08 | 0:41:11 | |
Very, very, very best with 95. | 0:41:11 | 0:41:14 | |
Yeah. | 0:41:14 | 0:41:15 | |
Are you sure you couldn't do it for 90, Hugh? | 0:41:15 | 0:41:18 | |
No, sorry. | 0:41:18 | 0:41:19 | |
No, 95. | 0:41:19 | 0:41:21 | |
-I think we would be happy. -I think we'll take it, yeah. | 0:41:21 | 0:41:23 | |
-We'd like to take it, if we can. -Thanks very much, Hugh. | 0:41:23 | 0:41:25 | |
-Thanks very much indeed. -All right, then. -Bye. | 0:41:25 | 0:41:28 | |
-Bye. -Bye. | 0:41:28 | 0:41:29 | |
-That's a result. -That has completely shocked me. | 0:41:30 | 0:41:33 | |
-95. -95 quid. | 0:41:33 | 0:41:35 | |
-That is awesome. -That's it, we're done, Mark. It's over. | 0:41:36 | 0:41:39 | |
-You see profit, don't you? -I hope so. | 0:41:39 | 0:41:41 | |
-I've not seen them smile so much all week. -It's trapped wind. | 0:41:41 | 0:41:44 | |
Hey, and on that lovely thought, they're all bought up. | 0:41:46 | 0:41:49 | |
Time for a bit of show and tell. | 0:41:49 | 0:41:52 | |
-So have you had an amazing time? -Amazing. -I've had a brilliant time. | 0:41:55 | 0:41:59 | |
I've enjoyed it. I've loved it. | 0:41:59 | 0:42:00 | |
I'm going to love it even more when I see the pure chintz that you have. | 0:42:00 | 0:42:04 | |
Is that your new word? | 0:42:04 | 0:42:06 | |
BOTH: Chintz. | 0:42:06 | 0:42:08 | |
Right, enough hilarity. On with the serious business. | 0:42:08 | 0:42:11 | |
Da-da-da-da! | 0:42:11 | 0:42:13 | |
Behold! Behold! | 0:42:13 | 0:42:15 | |
-I love the box. What's the box? Would you show us? -I'd love to. | 0:42:15 | 0:42:18 | |
An interchangeable ring with all those stones. | 0:42:18 | 0:42:23 | |
Look at that! | 0:42:23 | 0:42:24 | |
-Look at that! -That's fabulous. | 0:42:24 | 0:42:26 | |
I can see it sparkling in your eyes, guys. | 0:42:26 | 0:42:28 | |
Did you find that in Wendy house or something? | 0:42:28 | 0:42:31 | |
-No, that's actually very nice. -It is very, very nice. | 0:42:31 | 0:42:33 | |
I'm trying to knock it, though. | 0:42:33 | 0:42:35 | |
That was £83.50. | 0:42:35 | 0:42:37 | |
£83 and 50 pence. | 0:42:37 | 0:42:39 | |
-That could do very well. -It's a cool thing. -That could do 84. | 0:42:39 | 0:42:43 | |
Cheeky! | 0:42:43 | 0:42:45 | |
What about Victory? It will lead us to the promised land. | 0:42:45 | 0:42:48 | |
I think it has already sunk, isn't it? | 0:42:48 | 0:42:51 | |
No, no, with Nelson on there. | 0:42:51 | 0:42:54 | |
Now for the Marks to reveal their hoard. | 0:42:55 | 0:42:57 | |
Oh, what have we got? | 0:42:57 | 0:42:59 | |
We've got three items. | 0:42:59 | 0:43:01 | |
We can't see anything. I need a magnifying glass. | 0:43:01 | 0:43:03 | |
Where's that glass that you've got? | 0:43:03 | 0:43:06 | |
-It does look a little bit skewed here, doesn't it? -Bring the loupe. | 0:43:06 | 0:43:09 | |
-Ade, have you been using that loupe? -Yeah, of course he has. | 0:43:09 | 0:43:12 | |
Still cat see anything. Still can't see anything. | 0:43:12 | 0:43:15 | |
Let's have a look. What have we got? It's just three things?! | 0:43:15 | 0:43:18 | |
No, we have got one more thing but we had to do a little phone deal. | 0:43:18 | 0:43:22 | |
Oh! | 0:43:22 | 0:43:23 | |
-And it's being collected tomorrow. -It's being collected! -Yep. | 0:43:23 | 0:43:26 | |
What is it? | 0:43:26 | 0:43:28 | |
It's an Art Deco lady. | 0:43:28 | 0:43:29 | |
-An Art Deco lady. -Can I have look at the cane handle? | 0:43:29 | 0:43:33 | |
-Tell us about it. -This looks quite cool. | 0:43:33 | 0:43:35 | |
This looks like a parasol or cane handle. | 0:43:35 | 0:43:38 | |
-God, that looks nice quality. -It is lovely quality. | 0:43:38 | 0:43:41 | |
That does look lovely. | 0:43:41 | 0:43:42 | |
-That would have gone on your parasol. -Can I take it? | 0:43:42 | 0:43:45 | |
Yeah, have a look, hold it. | 0:43:45 | 0:43:47 | |
That looks like a nice thing. | 0:43:47 | 0:43:49 | |
What about the tiny Art Deco lighter? | 0:43:49 | 0:43:52 | |
That fell off my chair. | 0:43:52 | 0:43:54 | |
That's it! It's off my chair. We need to put it back on. | 0:43:54 | 0:43:57 | |
-I've been looking for that! -Actually, it is quite interesting. | 0:43:57 | 0:44:00 | |
It's a Dunhill lighter. Anything Dunhill is quality. | 0:44:00 | 0:44:04 | |
I think, you know, you've gone for three individual statements. | 0:44:04 | 0:44:08 | |
This is Mark's purchase. | 0:44:08 | 0:44:10 | |
-I like it. I like the way you just dumped that... -Do you like that?! | 0:44:10 | 0:44:13 | |
He just threw you out there. | 0:44:13 | 0:44:16 | |
You know when you're standing up there and about to do your relay | 0:44:16 | 0:44:19 | |
and the other one is like, "You're on your own?!" | 0:44:19 | 0:44:21 | |
"This is Mark's!" | 0:44:21 | 0:44:23 | |
Can I just ask you? What have you been doing for two days?! | 0:44:23 | 0:44:26 | |
We've been having fun, haven't we? | 0:44:26 | 0:44:29 | |
To be fair, carrying that stuff around was difficult. | 0:44:29 | 0:44:32 | |
Just eating paella, weren't you? | 0:44:32 | 0:44:34 | |
Right, I'm feeling smug. Let's go. | 0:44:34 | 0:44:36 | |
Champions! Whoo! | 0:44:36 | 0:44:38 | |
So out of earshot, what did they really make | 0:44:40 | 0:44:43 | |
of each other's offerings? | 0:44:43 | 0:44:45 | |
-The biggest item I saw was the ship. -The Victory. I think not. | 0:44:45 | 0:44:49 | |
-Do you see victory? -Not with that ship, no. Absolutely not. | 0:44:49 | 0:44:53 | |
Are you worried? | 0:44:53 | 0:44:55 | |
-That cane handle, that looks good. -It's a good thing. -Yeah. | 0:44:55 | 0:44:59 | |
-But it's just a cane handle. -OK. -You have to do something with it. | 0:44:59 | 0:45:03 | |
-It's not as good as our ring. -OK. | 0:45:03 | 0:45:05 | |
Mark, little Mark, he was going for it. He was winding us up. | 0:45:05 | 0:45:09 | |
Don't get intimidated. I promise you, we have got great items. | 0:45:09 | 0:45:14 | |
-Confidence? -I feel confident. | 0:45:14 | 0:45:16 | |
I wasn't sure before the reveal, but after seeing the reveal | 0:45:16 | 0:45:19 | |
-I think, yes. -Great. Well, let battle commence. | 0:45:19 | 0:45:22 | |
After starting in Otford, Kent, | 0:45:25 | 0:45:28 | |
our two teams have travelled almost 200 miles and are now motoring | 0:45:28 | 0:45:32 | |
towards Twickenham, in south-west London, for the big finale. | 0:45:32 | 0:45:36 | |
When it comes to the moment when that auction starts, | 0:45:37 | 0:45:40 | |
-are you going to get a little bit competitive? -Very competitive. | 0:45:40 | 0:45:43 | |
Not even a little bit. | 0:45:43 | 0:45:44 | |
I must admit, when we did the reveal, you started... | 0:45:44 | 0:45:47 | |
your chest came out. | 0:45:47 | 0:45:48 | |
I am like, "Ade has suddenly got..." | 0:45:48 | 0:45:51 | |
It's like... I thought it was the | 0:45:51 | 0:45:53 | |
-Olympic Games play-off final something. -I can't help it. | 0:45:53 | 0:45:55 | |
I can't help it, Mark. It's terrible. | 0:45:55 | 0:45:58 | |
I reckon when I watch this back I'm going to be cringing. | 0:45:58 | 0:46:02 | |
-I'm going to be like, "Calm down, Ade." -Calm down, yep. | 0:46:02 | 0:46:04 | |
Do you know what, though? Have you prepared a celebration. | 0:46:04 | 0:46:07 | |
I've been thinking, when I win it's going to be | 0:46:07 | 0:46:09 | |
the single punch. | 0:46:09 | 0:46:11 | |
Come on! Come on! | 0:46:11 | 0:46:14 | |
Are you going to do a Djokovic? | 0:46:14 | 0:46:16 | |
Are you going to take a little bit of the floor and put it in your mouth and taste it? | 0:46:16 | 0:46:19 | |
Yeah, I think so. I think I'll eat some antiques. | 0:46:19 | 0:46:22 | |
Oh, dear. Please don't. | 0:46:23 | 0:46:25 | |
-So I drove you... Oh, here they are. -I did offer. | 0:46:27 | 0:46:30 | |
Hey, hey, hey! | 0:46:30 | 0:46:31 | |
How's it going, winning team(?) | 0:46:31 | 0:46:33 | |
-Let's do it. -Oh, get over yourselves. | 0:46:33 | 0:46:36 | |
I'll give you little handshake. | 0:46:36 | 0:46:39 | |
The battleground is High Road Auctions and David Holmes | 0:46:39 | 0:46:42 | |
is the man with the gavel. | 0:46:42 | 0:46:44 | |
So what does he make of our celebrities' lots? | 0:46:44 | 0:46:49 | |
The interchangeable ring, it's a bit of fun. | 0:46:49 | 0:46:51 | |
It's a silver ring with different gem coloured stones | 0:46:51 | 0:46:54 | |
that you can interchange depending on the mood you're in. | 0:46:54 | 0:46:58 | |
I think the nicest piece today will | 0:46:58 | 0:47:00 | |
be the Dunhill lighter, for my money. | 0:47:00 | 0:47:02 | |
You don't see many of these on the market at all. Good internet lot. | 0:47:02 | 0:47:06 | |
It's got everything going for it. | 0:47:06 | 0:47:09 | |
I think that could be the one to surprise today. | 0:47:09 | 0:47:12 | |
Mark and Mark spent £315 on four auction lots. | 0:47:13 | 0:47:17 | |
While Ade and Thomas almost blew the lot, spending | 0:47:18 | 0:47:23 | |
£397 on an impressive six lots. | 0:47:23 | 0:47:25 | |
Our teams are taking their seats in the sale room, which has | 0:47:28 | 0:47:33 | |
buyers in the room and online. | 0:47:33 | 0:47:35 | |
Ade and Thomas's first lot is up. | 0:47:38 | 0:47:41 | |
It's the WMF vase. | 0:47:41 | 0:47:43 | |
I'm feeling a bit nervous. My heart's beating. | 0:47:43 | 0:47:45 | |
-Is it? Is it? Are you getting the adrenaline? -Yeah, I am. | 0:47:45 | 0:47:48 | |
It's got a bid. Start it off at £20 for this lot. | 0:47:48 | 0:47:51 | |
Thank you, sir. Take five again at the back. | 0:47:51 | 0:47:53 | |
At 25, 30. 28, sir. | 0:47:53 | 0:47:56 | |
£28. I'll take 30. I'll do the same for you. | 0:47:56 | 0:47:59 | |
I have a gentleman's bid, standing in the middle of the room. | 0:47:59 | 0:48:02 | |
-At £28. -Amazing price. -I'll take 30 for the lot. | 0:48:02 | 0:48:05 | |
It's selling. 30 with the lady. Take two again, sir. | 0:48:05 | 0:48:08 | |
At £30. The lady has bid. | 0:48:08 | 0:48:10 | |
He is trying. | 0:48:10 | 0:48:12 | |
Was that a bid? Are you nodding to say yes? | 0:48:12 | 0:48:14 | |
At £30, the lady has bid in the seating. | 0:48:14 | 0:48:16 | |
I'll take two on the internet. | 0:48:16 | 0:48:17 | |
The bid is in the room. No mistake, selling at £30 only. | 0:48:17 | 0:48:21 | |
Oh, dear. | 0:48:21 | 0:48:23 | |
-Don't worry, we've got... -You cut me so deep. | 0:48:23 | 0:48:26 | |
Yep, a bit of a disappointing start there, but it's only the first lot. | 0:48:28 | 0:48:31 | |
Onwards and upwards, eh? | 0:48:31 | 0:48:35 | |
Next, the contemporary Chinese vase. | 0:48:35 | 0:48:38 | |
£20 for the lot. Come along quickly. | 0:48:40 | 0:48:43 | |
£10 for it. Cheap. | 0:48:43 | 0:48:45 | |
-Come on. -I'll take 12 for the lot. | 0:48:45 | 0:48:48 | |
That's all we've got, guys. | 0:48:48 | 0:48:51 | |
I'll take 12 for the lot. A big decorative vase. | 0:48:51 | 0:48:54 | |
I've got to sell it. At £10 only. | 0:48:54 | 0:48:57 | |
Oh, dear. That didn't go down very well there, did it? | 0:48:58 | 0:49:02 | |
How are you feeling, Mark? | 0:49:02 | 0:49:04 | |
-Oh, you've got... -A tenner! A tenner! | 0:49:07 | 0:49:11 | |
Mark, honestly. | 0:49:11 | 0:49:13 | |
Well, at least Ade's enjoying himself. | 0:49:13 | 0:49:16 | |
Obviously, this is a very knowledgeable lot | 0:49:16 | 0:49:19 | |
and they knew that what you had up there was pure chintz. | 0:49:19 | 0:49:22 | |
Now, now, Ade. | 0:49:26 | 0:49:28 | |
Can the leather photo album, complete with pictures, fare any better? | 0:49:28 | 0:49:32 | |
We've got to start this one at £20 on commission. | 0:49:34 | 0:49:37 | |
-On commission. -25. Is that a bid, sir? I've got 28. | 0:49:37 | 0:49:41 | |
-I'll take £30 in the room. -Oh, yes. | 0:49:41 | 0:49:43 | |
-£30, thank you. 32 behind. -Oh, yes. | 0:49:43 | 0:49:45 | |
Was that a bid? 35. And 8. 38. 40, sir. | 0:49:45 | 0:49:48 | |
Go on! One more, one more! | 0:49:48 | 0:49:50 | |
-£38. The bid is behind you. -Oh! -Yes! | 0:49:50 | 0:49:53 | |
40 bid with the lady. Take 2 again, sir. | 0:49:53 | 0:49:55 | |
£42. The gentleman has bid 45. 8 again. | 0:49:59 | 0:50:02 | |
£50, madam. £48. The gentleman has bid behind you. | 0:50:04 | 0:50:09 | |
It's your last chance. I am selling it. Are we done at 48? | 0:50:09 | 0:50:12 | |
Are you building, sir? No. | 0:50:12 | 0:50:13 | |
-We didn't get... -Very good. | 0:50:16 | 0:50:18 | |
After auction costs, that will certainly result in a small loss. | 0:50:18 | 0:50:22 | |
Speaking of small. It's time for the Marks' | 0:50:22 | 0:50:24 | |
teeny Dunhill lighter. | 0:50:24 | 0:50:27 | |
65. Internet has got it. 75 bid. | 0:50:28 | 0:50:32 | |
-85 bid. -BOTH: Wow! -Wow. | 0:50:32 | 0:50:35 | |
It is still cheap. 90 bid. Take 5, internet. | 0:50:35 | 0:50:38 | |
I don't think we're there yet. | 0:50:38 | 0:50:40 | |
-At 95 bid. 100 bid. -Oh! | 0:50:40 | 0:50:42 | |
At £100, the bid with the internet. | 0:50:42 | 0:50:44 | |
Let's have a £10 bid, internet. | 0:50:44 | 0:50:46 | |
Come along. At £100. | 0:50:48 | 0:50:49 | |
110, thank you. Give me 120, internet. | 0:50:49 | 0:50:51 | |
I think we're done. I've have got to sell it. | 0:50:52 | 0:50:55 | |
Was that a bid? Nope. | 0:50:55 | 0:50:56 | |
At £110 with the internet. | 0:50:56 | 0:50:59 | |
-Nice. -Really good. | 0:51:00 | 0:51:02 | |
Respect. Respect. | 0:51:02 | 0:51:04 | |
That's more like it. | 0:51:06 | 0:51:07 | |
A whopping big profit there for the smallest lot. | 0:51:07 | 0:51:11 | |
Can the colourful collection of Whitefriars candlesticks do the same? | 0:51:12 | 0:51:17 | |
I'm going to start them at £45. | 0:51:17 | 0:51:20 | |
I'll take 48, the lot. | 0:51:20 | 0:51:23 | |
48, I beg your pardon. 50 bid. | 0:51:23 | 0:51:25 | |
5. Thank you, 55. I need 60, the lot. | 0:51:25 | 0:51:29 | |
Are you bidding? At £55. | 0:51:29 | 0:51:31 | |
The lady has bid right in front. | 0:51:31 | 0:51:33 | |
-No! -I need 60 on the internet. We'll give the internet a chance. | 0:51:33 | 0:51:36 | |
It's selling in the room. Are we done? At 55. | 0:51:36 | 0:51:39 | |
We're having a nightmare, aren't we? We're having a nightmare. | 0:51:39 | 0:51:42 | |
Absolute nightmare. | 0:51:42 | 0:51:45 | |
They really are a tough crowd to please today. | 0:51:45 | 0:51:49 | |
But least that lovely lady walks away with a bargain. | 0:51:49 | 0:51:52 | |
Well, well done for buying something good. | 0:51:52 | 0:51:54 | |
Let's see if Mark and Mark can increase their lead with | 0:51:56 | 0:51:59 | |
their Art Deco figure. | 0:51:59 | 0:52:02 | |
Give me £30. It's a very decorative items. £30 with the internet. | 0:52:02 | 0:52:05 | |
Take 35 in the room. | 0:52:05 | 0:52:07 | |
We have a bid online at £30 only. | 0:52:07 | 0:52:09 | |
I'm looking for 5 in the room. | 0:52:09 | 0:52:12 | |
Come on! | 0:52:12 | 0:52:13 | |
I'm sorry. It's £30. It's with the internet. | 0:52:13 | 0:52:15 | |
I'll take 5 in the room. Are we done selling online? | 0:52:15 | 0:52:19 | |
Last chance at 30. Internet buyer. | 0:52:19 | 0:52:21 | |
-That's it. -It's nothing, is it? | 0:52:23 | 0:52:25 | |
It's peanuts. | 0:52:25 | 0:52:27 | |
Those online bidders are getting some great deals today. | 0:52:27 | 0:52:30 | |
That loss closes the gap between the teams. | 0:52:30 | 0:52:33 | |
Do you know what I love about this? It's the highs and lows. | 0:52:33 | 0:52:35 | |
It's like sport. One minute you're up and the next minute you're down. | 0:52:35 | 0:52:39 | |
Next up, it's the joint lot of the Whitefriars | 0:52:39 | 0:52:43 | |
and James Powell vases. | 0:52:43 | 0:52:45 | |
Bid me £20 for the two vases there. | 0:52:46 | 0:52:49 | |
£20 with the internet. I'll take 5 in the room. | 0:52:49 | 0:52:51 | |
£20 on the internet. | 0:52:51 | 0:52:53 | |
At £20 only. I'll take 5 in the room. Thank you, madam. | 0:52:53 | 0:52:56 | |
£30 with the internet. | 0:52:56 | 0:52:58 | |
It'll be worth a fortune in a few years' time. | 0:52:58 | 0:53:00 | |
£25. The bid is in the room. I'll take 30. Online bidder. | 0:53:00 | 0:53:04 | |
The back of the room with the lady. £25 only. | 0:53:04 | 0:53:07 | |
I'll take 30. I'm selling at 25. | 0:53:08 | 0:53:11 | |
Oh, gosh. That's a bad loss. | 0:53:11 | 0:53:14 | |
It's definitely not been a good day for the vases. | 0:53:15 | 0:53:19 | |
We haven't finished. | 0:53:19 | 0:53:21 | |
-We've still got... -Still all to play for. | 0:53:21 | 0:53:23 | |
That's the attitude, Thomas. | 0:53:23 | 0:53:25 | |
Can you and Ade win the battle with your model of HMS Victory? | 0:53:25 | 0:53:29 | |
This has got £20 to get it started. Any good to you, sir? Thank you. | 0:53:31 | 0:53:34 | |
-Take 5, internet. -30. -30, thank you. | 0:53:34 | 0:53:37 | |
-35. New buyer. 40 in the door. -Come on, come on! | 0:53:37 | 0:53:40 | |
£40 in the doorway. I'll take 5 on the internet. Come on, internet. | 0:53:40 | 0:53:44 | |
£40. The bid in the room. | 0:53:44 | 0:53:46 | |
I'll take five. Internet buyer. | 0:53:46 | 0:53:47 | |
£50, sir? 50 bid. 55, sir. | 0:53:47 | 0:53:50 | |
55, thank you. | 0:53:50 | 0:53:52 | |
Bid me 60 on the internet. | 0:53:52 | 0:53:54 | |
£55, the bid in the doorway. I'll take 60 online. 60 bid. | 0:53:54 | 0:53:58 | |
Take 5 again, sir. 65 with the internet. He's had enough. | 0:53:58 | 0:54:03 | |
-Has he had enough? -Have you had enough? | 0:54:03 | 0:54:05 | |
-Come back. -He's had enough. | 0:54:05 | 0:54:06 | |
At £60. The bid with the internet. | 0:54:06 | 0:54:08 | |
Anybody else want to own it? | 0:54:08 | 0:54:10 | |
Are we done at 60? | 0:54:10 | 0:54:11 | |
That loss will keep the Marks happy, as the gap widens again. | 0:54:13 | 0:54:17 | |
There's a lot riding on their final item, | 0:54:17 | 0:54:20 | |
the most expensive buy of the trip, the silver metal handle. | 0:54:20 | 0:54:24 | |
At £60, commission bid is straight in. | 0:54:24 | 0:54:27 | |
I'll take 70 with the internet. | 0:54:27 | 0:54:29 | |
The bid is 60. 70 bid. 80 on commission, sir. | 0:54:29 | 0:54:32 | |
I'll take another 5 in the room. At £80. The bid is on commission. | 0:54:32 | 0:54:36 | |
I'll take 5 in the room. | 0:54:36 | 0:54:38 | |
Are we done at £80? It's a commission bid. | 0:54:38 | 0:54:41 | |
Any interest with the internet? It's going to be sold. | 0:54:41 | 0:54:43 | |
It's your last chance. Are we done at 80? | 0:54:43 | 0:54:47 | |
-£80. I mean, it could have been worse. -It could have been worse. | 0:54:47 | 0:54:50 | |
-I could have been worse. Sorry, Mark. -Don't be silly. | 0:54:50 | 0:54:54 | |
The boys' loss is someone else's gain. | 0:54:54 | 0:54:57 | |
A nice little item there, gone for a steal. | 0:54:57 | 0:55:00 | |
It is neck-and-neck and time for the final lot, | 0:55:00 | 0:55:03 | |
Ade and Thomas's interchangeable ring. | 0:55:03 | 0:55:06 | |
Give me £30 for it. £20 for it. It must be worse that. | 0:55:08 | 0:55:11 | |
£20 to get it started. £10. 20 bid. | 0:55:11 | 0:55:14 | |
5 again. | 0:55:14 | 0:55:16 | |
I've got £20 with the internet. I'll take 5 in the room. | 0:55:16 | 0:55:19 | |
It's worth that. Thank you. | 0:55:19 | 0:55:21 | |
I'm going to cry. | 0:55:21 | 0:55:22 | |
30 online. 5 again. | 0:55:24 | 0:55:27 | |
35 with the internet. 40 with the internet. | 0:55:27 | 0:55:29 | |
45. | 0:55:29 | 0:55:32 | |
At £40 with the internet. I'll take 5, the lot. | 0:55:32 | 0:55:35 | |
-45 with the internet. -Oh, come on, come on! | 0:55:35 | 0:55:38 | |
50. Bid. 55. | 0:55:38 | 0:55:39 | |
£50 with the internet. I'll take 5 on the internet. | 0:55:40 | 0:55:44 | |
I'll take 2 in the room. | 0:55:44 | 0:55:46 | |
-Are you sure? -Yes. -52 online. | 0:55:46 | 0:55:49 | |
5 again. 55 with the internet. | 0:55:49 | 0:55:51 | |
8 in the room. £55 with the internet. | 0:55:51 | 0:55:54 | |
Relax! Relax. | 0:55:54 | 0:55:56 | |
Are you sure? At £55 with the internet. | 0:55:56 | 0:56:01 | |
It's selling online. | 0:56:01 | 0:56:03 | |
This time are we done at 55? | 0:56:03 | 0:56:06 | |
Guys, I am really sorry. | 0:56:06 | 0:56:08 | |
Well, if it is any consolation, chaps, some lucky lady | 0:56:08 | 0:56:11 | |
has bagged herself a fine piece of jewellery. | 0:56:11 | 0:56:14 | |
Do you know what I have learned though, actually? | 0:56:14 | 0:56:17 | |
You can pick up proper bargain at auction because | 0:56:17 | 0:56:21 | |
all of that stuff has gone for real cheap. | 0:56:21 | 0:56:23 | |
And do you know what I think of auctions? | 0:56:23 | 0:56:26 | |
It's all so chintz. Come on, let's go. | 0:56:26 | 0:56:29 | |
I'm pleased to see you're all still smiling. | 0:56:30 | 0:56:34 | |
But the big question is, which team has come out on top? | 0:56:34 | 0:56:37 | |
Ade and Thomas started with £400. | 0:56:38 | 0:56:41 | |
After paying auction costs, sadly they made a loss of £173.14. | 0:56:41 | 0:56:47 | |
Wow. | 0:56:47 | 0:56:49 | |
So they end the trip with £226.86. | 0:56:49 | 0:56:52 | |
The two Marks also kicked off with £400 | 0:56:55 | 0:56:59 | |
and they made a slightly smaller loss dropping £126.40 after auction costs. | 0:56:59 | 0:57:05 | |
Meaning that these finish with £273.60 | 0:57:05 | 0:57:09 | |
and are crowned today's winners. | 0:57:09 | 0:57:13 | |
You might be surprised at this but none of us | 0:57:13 | 0:57:15 | |
actually made overall profits. | 0:57:15 | 0:57:17 | |
-Really? -I know, shocking. -Really? | 0:57:17 | 0:57:20 | |
Ade and Tom, you lost around £173. | 0:57:20 | 0:57:25 | |
THEY GROAN | 0:57:25 | 0:57:27 | |
-100 and how much? -73. | 0:57:27 | 0:57:28 | |
-How much did you lose? -Around 126. | 0:57:28 | 0:57:31 | |
It was quite close, but we won! | 0:57:31 | 0:57:34 | |
-Only by losing the least. -It doesn't matter. It's still a win. | 0:57:35 | 0:57:39 | |
-Fair play, fair play. -Listen, well done. | 0:57:40 | 0:57:43 | |
-Every event we go to. -Yeah, yeah, listen to this! | 0:57:43 | 0:57:45 | |
Ade, thank you. | 0:57:45 | 0:57:47 | |
Thanks for taking part. | 0:57:47 | 0:57:49 | |
-Take care. -A total pleasure. | 0:57:50 | 0:57:52 | |
-See you later. -Nice one. Thanks, Thomas. Thanks, Mark. | 0:57:52 | 0:57:56 | |
-It's all Thomas's fault. -It's all...! | 0:57:56 | 0:58:00 | |
He said, "It's all Thomas's fault." | 0:58:00 | 0:58:03 | |
THEY LAUGH | 0:58:03 | 0:58:05 | |
I'm surprised at how much I have enjoyed it, actually. | 0:58:05 | 0:58:09 | |
Do you know what? | 0:58:09 | 0:58:11 | |
I'm all about recycling and, for me, antiques is cool recycling. | 0:58:11 | 0:58:16 | |
You should get him on the basketball court soon, Thomas. | 0:58:16 | 0:58:19 | |
We'll take them to our world. | 0:58:19 | 0:58:21 | |
Yeah, that's what we should do. | 0:58:21 | 0:58:23 | |
Now, that I would pay to see. | 0:58:23 | 0:58:26 | |
Until next time then, Road-trippers, Ta-ta! | 0:58:26 | 0:58:30 |