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The nation's favourite celebrities... | 0:00:02 | 0:00:03 | |
Oh, I like that. | 0:00:03 | 0:00:04 | |
..paired up with an expert... | 0:00:04 | 0:00:06 | |
Oh, we've had some fun, haven't we? | 0:00:06 | 0:00:07 | |
..and a classic car. | 0:00:07 | 0:00:09 | |
It feels as if it could go quite fast. | 0:00:09 | 0:00:10 | |
Their mission - to scour Britain for antiques. | 0:00:10 | 0:00:13 | |
-CONCERTINA WHEEZES -Fantastic. -Yes! | 0:00:13 | 0:00:15 | |
I'll do that in slow-mo. | 0:00:15 | 0:00:16 | |
The aim? To make the biggest profit at auction. | 0:00:16 | 0:00:19 | |
Come on, boys! | 0:00:19 | 0:00:20 | |
But it's no easy ride. | 0:00:20 | 0:00:22 | |
Ta-dah! | 0:00:22 | 0:00:23 | |
Who will find a hidden gem? | 0:00:23 | 0:00:25 | |
"Don't sell me!" | 0:00:25 | 0:00:26 | |
Who will take the biggest risks? | 0:00:26 | 0:00:28 | |
Go away, darling! | 0:00:28 | 0:00:29 | |
Will anybody follow expert advice? | 0:00:29 | 0:00:32 | |
I'm trying to spend money, here. | 0:00:32 | 0:00:34 | |
There will be worthy winners... | 0:00:34 | 0:00:35 | |
Yes! | 0:00:35 | 0:00:36 | |
..and valiant losers. | 0:00:36 | 0:00:37 | |
Put the pedal to the metal. | 0:00:39 | 0:00:41 | |
This is the Celebrity Antiques Road Trip. | 0:00:41 | 0:00:43 | |
Yeah! | 0:00:46 | 0:00:47 | |
MUSIC: Blue Peter Theme | 0:00:47 | 0:00:49 | |
On today's show, we are joined by a pair | 0:00:49 | 0:00:51 | |
of legendary children's television presenters | 0:00:51 | 0:00:54 | |
and old Blue Peter pals, Peter Duncan and Sarah Greene. | 0:00:54 | 0:00:57 | |
ENGINE ROARS | 0:00:57 | 0:00:58 | |
LAUGHTER | 0:00:58 | 0:01:00 | |
Actress and presenter Sarah became a familiar face on our TV screens | 0:01:03 | 0:01:08 | |
at the age of just 22, | 0:01:08 | 0:01:09 | |
when she paired up with Peter and Simon Groom | 0:01:09 | 0:01:12 | |
to host Blue Peter. | 0:01:12 | 0:01:14 | |
And what a year it's been, | 0:01:14 | 0:01:16 | |
especially for Peter and me, as Blue Peter's newest members. | 0:01:16 | 0:01:19 | |
I don't think either of us will forget 1980 in a hurry. | 0:01:19 | 0:01:21 | |
Sarah went on to front other hit TV shows, | 0:01:23 | 0:01:26 | |
including Saturday Superstore and Going Live, | 0:01:26 | 0:01:29 | |
which she presented alongside a fresh-faced Phillip Schofield. | 0:01:29 | 0:01:33 | |
We've done really well. | 0:01:33 | 0:01:34 | |
Over the six years, we've done really well. | 0:01:34 | 0:01:36 | |
-Yes. -We've had everybody on. | 0:01:36 | 0:01:37 | |
Your favourite, Michael Fallon, the junior minister for education. | 0:01:37 | 0:01:40 | |
-What a star he was! -Marvellous. -LAUGHTER | 0:01:40 | 0:01:43 | |
Going right back, Peter, going right back. | 0:01:43 | 0:01:45 | |
I sort of got into it by accident | 0:01:45 | 0:01:47 | |
because of having been in a drama and you, | 0:01:47 | 0:01:51 | |
you were meant to have been in it before, anyway, weren't you? | 0:01:51 | 0:01:54 | |
Yeah, I was going to do it before, | 0:01:54 | 0:01:55 | |
because Biddy Baxter wanted me to take over from John Noakes and, | 0:01:55 | 0:01:59 | |
being an actor, I thought, "No, that's the end of acting." | 0:01:59 | 0:02:02 | |
And then she phoned me again and said, | 0:02:02 | 0:02:04 | |
"Do you want to do Blue Peter now?" | 0:02:04 | 0:02:06 | |
I switched on the telly that day - I was just about to go on holiday - | 0:02:06 | 0:02:09 | |
and there you are, doing your first-ever programme. | 0:02:09 | 0:02:13 | |
When I saw you and Simon, I thought, "God, we could... | 0:02:13 | 0:02:15 | |
"What a fool I would be not to do this, now." | 0:02:15 | 0:02:18 | |
Fellow actor and presenter Peter | 0:02:20 | 0:02:22 | |
was best known as the daredevil and action man of Blue Peter | 0:02:22 | 0:02:26 | |
in the '80s. | 0:02:26 | 0:02:27 | |
That's it, pop your leg right over. And this leg. | 0:02:27 | 0:02:31 | |
You kind of forget where you are for a minute, don't you, really? | 0:02:31 | 0:02:34 | |
As long as you don't step back and admire your work. | 0:02:36 | 0:02:38 | |
Peter went on to have his own series titled Duncan Dares. | 0:02:41 | 0:02:45 | |
He still hasn't lost his adventurous ways, | 0:02:45 | 0:02:48 | |
recently showing off his acrobatic side on the TV series Tumble. | 0:02:48 | 0:02:52 | |
This morning, our celebs are starting their journey | 0:02:54 | 0:02:56 | |
in this 1965 Jaguar E-type coupe - lovely. | 0:02:56 | 0:03:00 | |
How is it feeling? The car? | 0:03:01 | 0:03:03 | |
Oh, well...it's a thrill beyond a thrill, really, isn't it? | 0:03:03 | 0:03:07 | |
-You're loving it. -Yeah. | 0:03:07 | 0:03:09 | |
It's that, sort of, large frontage to the car | 0:03:09 | 0:03:12 | |
that makes you feel very much a man, you know? | 0:03:12 | 0:03:15 | |
SARAH LAUGHS | 0:03:15 | 0:03:16 | |
Oh, gosh...ha! | 0:03:16 | 0:03:18 | |
On this trip, Sarah and Peter will be joined | 0:03:19 | 0:03:22 | |
by auctioneers extraordinaire | 0:03:22 | 0:03:23 | |
Natasha Raskin and Catherine Southon, | 0:03:23 | 0:03:26 | |
who are slipping along in this beautiful blue 1959 Porsche 356. | 0:03:26 | 0:03:31 | |
I don't know if you knew we were getting a blue car, | 0:03:31 | 0:03:34 | |
because we dressed to match. | 0:03:34 | 0:03:36 | |
Yes, we match the car! | 0:03:36 | 0:03:38 | |
But it's so exciting, seeing as it's blue, | 0:03:38 | 0:03:39 | |
talking of blue, Blue Peter... | 0:03:39 | 0:03:41 | |
-Oh, yes! -How exciting to have Sarah Greene and Peter Duncan. | 0:03:41 | 0:03:44 | |
Oh, my goodness. Sarah Greene, Peter Duncan were my heroes. | 0:03:44 | 0:03:51 | |
-Really? -I was glued to Blue Peter. | 0:03:51 | 0:03:54 | |
I wanted to be, in particular, Sarah Greene. | 0:03:54 | 0:03:57 | |
So Sarah was your, sort of, style icon and you wanted to be her. | 0:03:57 | 0:04:00 | |
-You've got to shop with Sarah, then. -Oh... -It has to be that way. | 0:04:00 | 0:04:04 | |
Once paired up, our teams will hit the road | 0:04:05 | 0:04:08 | |
with £400 in their pockets. | 0:04:08 | 0:04:09 | |
Starting in Guildford, | 0:04:09 | 0:04:11 | |
they will embark on a buying bonanza around Surrey, Hertfordshire | 0:04:11 | 0:04:14 | |
and northwest London before making their way | 0:04:14 | 0:04:17 | |
to Tewkesbury in Gloucestershire for auction. | 0:04:17 | 0:04:20 | |
You are kidding me! | 0:04:21 | 0:04:23 | |
Look at this car, look how cool... | 0:04:23 | 0:04:25 | |
-ENGINE ROARS -Oh-ho-ho! | 0:04:25 | 0:04:27 | |
Hello! | 0:04:27 | 0:04:29 | |
Catherine Southon. Lovely to meet you. | 0:04:29 | 0:04:31 | |
-Nice to see you. -Hello. | 0:04:31 | 0:04:35 | |
-Good morning, Sarah, hello. -Hello, Natasha. | 0:04:35 | 0:04:37 | |
-Nice to see you. How are you? -I'm very well. | 0:04:37 | 0:04:40 | |
Now, Catherine said to me in the car as we were driving along | 0:04:40 | 0:04:43 | |
that you were her style icon when you were on Blue Peter. | 0:04:43 | 0:04:46 | |
Oh, no... No pressure. | 0:04:46 | 0:04:47 | |
-You're mine, Catherine. -Oh, thank you! | 0:04:47 | 0:04:49 | |
And she told me that Peter was as mad as a clown, | 0:04:49 | 0:04:52 | |
so we went together really nicely. | 0:04:52 | 0:04:53 | |
So I think I'm going to just shuffle over beside you, Peter, | 0:04:53 | 0:04:56 | |
because apparently, we are a couple of clowns! | 0:04:56 | 0:04:58 | |
-Yeah, that's good. -Mad as a box of fish. | 0:04:58 | 0:05:00 | |
-We've got clown trousers on. -You guys have a Porsche 356! | 0:05:00 | 0:05:04 | |
-I can't believe it, I'm so excited! -Let's get in it. | 0:05:04 | 0:05:07 | |
-We'll see you later. -Have fun! | 0:05:07 | 0:05:09 | |
Oh, it's quite low. | 0:05:11 | 0:05:12 | |
-Seat belts, then. -Seat belts. | 0:05:12 | 0:05:14 | |
-You just turn that...? -Yeah, but it's got buttons. | 0:05:14 | 0:05:17 | |
I've never seen that before. | 0:05:17 | 0:05:19 | |
-ENGINE RUMBLES -Oh...oh! | 0:05:19 | 0:05:20 | |
Peter, when I was in school, | 0:05:24 | 0:05:25 | |
I was busy trying to get the boys' attention | 0:05:25 | 0:05:27 | |
and they were giving me none. | 0:05:27 | 0:05:28 | |
-They were too busy watching Flash... -Oh, Flash, yeah. | 0:05:28 | 0:05:31 | |
I was only on screen 28 seconds. | 0:05:31 | 0:05:33 | |
-It was a very short, short cameo. -Did you sit there with a stopwatch? | 0:05:33 | 0:05:36 | |
But it lingers. No, I counted it, yeah. | 0:05:36 | 0:05:38 | |
Blue Peter - I was a massive, massive Blue Peter fan. | 0:05:38 | 0:05:42 | |
I only did it for three... | 0:05:42 | 0:05:43 | |
I know, when you're little, three years is a long time and, | 0:05:43 | 0:05:46 | |
actually, for me, it was an amazing experience. | 0:05:46 | 0:05:49 | |
But what you were fantastic at was making things. | 0:05:49 | 0:05:52 | |
It was the TV programme ones... | 0:05:52 | 0:05:55 | |
Willo The Wisp, or something? | 0:05:55 | 0:05:56 | |
-Yes. Kenneth Williams. -Yes. -Yes. | 0:05:56 | 0:05:59 | |
And you made an Evil Edna. | 0:05:59 | 0:06:01 | |
The great Kenneth Williams came into the studio | 0:06:01 | 0:06:04 | |
and was on the programme with me | 0:06:04 | 0:06:06 | |
and that was a big thrill, a big thrill. | 0:06:06 | 0:06:10 | |
That was another thing - you met so many amazing people. | 0:06:10 | 0:06:13 | |
And that is why, Sarah Greene, I wanted to be you in the '80s. | 0:06:13 | 0:06:17 | |
Oh, Catherine. | 0:06:17 | 0:06:18 | |
Bless! | 0:06:18 | 0:06:19 | |
You're well known as an actor. You've been known as a daredevil. | 0:06:19 | 0:06:25 | |
You're not afraid. | 0:06:25 | 0:06:27 | |
How do you reckon you're going to handle the full-throttle activity | 0:06:27 | 0:06:30 | |
of haggling with an antiques dealer? | 0:06:30 | 0:06:32 | |
Well, I used to travel... | 0:06:32 | 0:06:34 | |
I used to make these docs, taking my kids round the world, | 0:06:34 | 0:06:37 | |
and obviously, one of the features, like this TV programme here, | 0:06:37 | 0:06:40 | |
you're going and filming it, you know? | 0:06:40 | 0:06:42 | |
And you'd go into the market and I found the best technique | 0:06:42 | 0:06:45 | |
was to send the kids in. | 0:06:45 | 0:06:46 | |
So I'd send the seven-year-old son in to do the haggling | 0:06:46 | 0:06:50 | |
and, of course, that would have a wonderful effect, | 0:06:50 | 0:06:53 | |
because he charmed them, absolutely. | 0:06:53 | 0:06:55 | |
Obviously we can't do that today! | 0:06:55 | 0:06:56 | |
Afraid not. | 0:06:56 | 0:06:58 | |
This morning, Peter and Natasha have pootled five minutes | 0:06:58 | 0:07:01 | |
along the road to their first shop in Compton. | 0:07:01 | 0:07:05 | |
They've arrived at Old Barn Antiques, | 0:07:08 | 0:07:10 | |
where they hope dealer Chloe will have something special. | 0:07:10 | 0:07:13 | |
-Lady of the house. -Hello? | 0:07:15 | 0:07:17 | |
Wipe that dust off, we might buy it! | 0:07:17 | 0:07:20 | |
-Hello, how do you do? I'm Peter. -Hello. -Nice to meet you. | 0:07:20 | 0:07:22 | |
-Hello. -Natasha. -Nice to see you. -How are you? | 0:07:22 | 0:07:25 | |
-I'm all right, thank you. -You're well? | 0:07:25 | 0:07:27 | |
Are you excited to welcome us to your wonderful shop? | 0:07:27 | 0:07:30 | |
Well, I don't know whether excited is the word, but... | 0:07:30 | 0:07:34 | |
-It's different. -What about a huge discount | 0:07:34 | 0:07:36 | |
for arriving in my E-Type Jag? | 0:07:36 | 0:07:38 | |
I think I'll stick to my Land Rover, if you don't mind. | 0:07:38 | 0:07:41 | |
Doesn't look like charm will win you a discount here, Peter, | 0:07:41 | 0:07:44 | |
although compact and bijou, the shop is jam-packed | 0:07:44 | 0:07:49 | |
with the combined treasures of six dealers. | 0:07:49 | 0:07:51 | |
-That is interesting, isn't it? -Oh, no! Oh, gosh! See that? | 0:07:54 | 0:07:56 | |
-Gosh! -It's a slippery egg-holder. | 0:07:56 | 0:07:59 | |
It's super-sweet. | 0:07:59 | 0:08:01 | |
-"Happy birthday", it says, all over it. -Oh, no! | 0:08:01 | 0:08:04 | |
Whoops! | 0:08:04 | 0:08:05 | |
I hope your haggling is better than your juggling. | 0:08:05 | 0:08:07 | |
I mean, that's quite cool, what you've just picked up there. | 0:08:09 | 0:08:12 | |
Horn letter opener. What an unusual handle, like a spiralling shell. | 0:08:12 | 0:08:17 | |
-Peter Pannish, almost. Isn't it? -It is really cool. | 0:08:17 | 0:08:21 | |
I like that, but I've no idea that anyone would want to buy that. | 0:08:21 | 0:08:24 | |
I mean, it's a bit of a punt, isn't it? | 0:08:24 | 0:08:26 | |
It's not sharp, it's safe, child-friendly. | 0:08:26 | 0:08:29 | |
It's a really pretty thing. I like that. | 0:08:29 | 0:08:31 | |
But it's all about whether or not you like it. | 0:08:31 | 0:08:34 | |
I think it could have a chance, if we got it for a tenner. | 0:08:34 | 0:08:37 | |
The vendor has priced the unusual horn letter opener at £16. | 0:08:37 | 0:08:41 | |
Time now for Peter to attempt his first haggle. | 0:08:41 | 0:08:44 | |
Look out, Chloe. | 0:08:44 | 0:08:45 | |
-What has she put on it? 16? -16, she had put. | 0:08:45 | 0:08:48 | |
And it does say..."Trade 1." | 0:08:48 | 0:08:52 | |
What does that mean? | 0:08:52 | 0:08:53 | |
You can only take one off. £1? | 0:08:53 | 0:08:56 | |
Yes, to make it 15. | 0:08:56 | 0:08:58 | |
But there's two of us, that's "trade 2", at least. | 0:08:58 | 0:09:01 | |
But...see, we could make it 15, so how about 12? | 0:09:01 | 0:09:07 | |
12. What about sticks 11? | 0:09:07 | 0:09:11 | |
-Go on, then. -All right, then. | 0:09:11 | 0:09:13 | |
-Thank you very much. -Glad you found something, anyway. | 0:09:13 | 0:09:16 | |
That's Peter out of his shopping starter blocks, | 0:09:16 | 0:09:20 | |
spending £11 on his first lot for auction. | 0:09:20 | 0:09:22 | |
Good man. | 0:09:22 | 0:09:24 | |
Bye! | 0:09:25 | 0:09:27 | |
Meanwhile, Sarah and Catherine have headed | 0:09:28 | 0:09:30 | |
to Runfold near Farnham in Surrey to begin their shopping. | 0:09:30 | 0:09:34 | |
They've arrived at the Antiques Warehouse. | 0:09:37 | 0:09:40 | |
We must remember, though, we're not buying for ourselves, sadly. | 0:09:42 | 0:09:46 | |
I know - and will you do me a favour, Catherine? | 0:09:46 | 0:09:49 | |
Would you keep reminding me of that? Because I will forget. | 0:09:49 | 0:09:52 | |
-I will, I will. -I'm not buying for me. | 0:09:52 | 0:09:55 | |
-This is an Aladdin's cave, isn't it? -There's a lot to see. | 0:09:58 | 0:10:01 | |
Hello, how nice to see you. Very nice to meet you. | 0:10:01 | 0:10:03 | |
-I'm Sarah. -Lovely to meet you. | 0:10:03 | 0:10:05 | |
-Catherine. Nice to meet you. -Hi. | 0:10:05 | 0:10:07 | |
Set in two Elizabethan barns, | 0:10:07 | 0:10:09 | |
shopkeeper Hillary has an array of fine furniture and collectables | 0:10:09 | 0:10:13 | |
belonging to around 20 dealers. | 0:10:13 | 0:10:15 | |
This looks like the, sort of, kitchen area. | 0:10:17 | 0:10:19 | |
-How does kitchenalia do, Catherine? -Depends what it is. | 0:10:19 | 0:10:23 | |
Just thinking about the success and popularity of shows like Bake Off | 0:10:23 | 0:10:28 | |
and this, sort of, renaissance of baking. | 0:10:28 | 0:10:31 | |
-Baking... -Whether there is something, like, cake forks, | 0:10:31 | 0:10:34 | |
something like that. | 0:10:34 | 0:10:36 | |
Yeah, no, I think you're onto a good thing. | 0:10:36 | 0:10:39 | |
If were going to go for something like cake forks, | 0:10:39 | 0:10:41 | |
I think maybe not silver-plated ones. | 0:10:41 | 0:10:45 | |
We need to go for something silver. | 0:10:45 | 0:10:46 | |
Let's go and have a look. | 0:10:46 | 0:10:48 | |
OK. Silver cake forks. Where are you? | 0:10:48 | 0:10:51 | |
Right... | 0:10:51 | 0:10:53 | |
Silver, silver, silver. | 0:10:53 | 0:10:55 | |
I'm slightly overwhelmed. There is so much here. | 0:10:55 | 0:10:58 | |
-There is so much here. -Um... | 0:10:58 | 0:11:01 | |
That's quite sweet. | 0:11:01 | 0:11:02 | |
-Isn't that lovely? -The only reason I'm looking at that | 0:11:03 | 0:11:06 | |
is because it's a pocket watch. | 0:11:06 | 0:11:08 | |
-And it's heart-shaped. -It's heart-shaped. | 0:11:08 | 0:11:10 | |
I have to be honest, pocket watches in general are a bit of a no-no, | 0:11:10 | 0:11:14 | |
unless there's something quite special about them, | 0:11:14 | 0:11:16 | |
or unless they're gold, or they're by a particular maker. | 0:11:16 | 0:11:19 | |
But that's a fob watch, a ladies fob watch, | 0:11:19 | 0:11:20 | |
in the form of a heart - I think it's quite sweet. | 0:11:20 | 0:11:22 | |
It could be worn as a pendant, anyway, couldn't it? | 0:11:22 | 0:11:25 | |
It could be worn as a pendant, yeah. | 0:11:25 | 0:11:27 | |
Looks like the girls have fallen in love with a heart-shaped silver fob, | 0:11:27 | 0:11:31 | |
which has a ticket price of £90. | 0:11:31 | 0:11:34 | |
Anything else you fancy, girls? | 0:11:34 | 0:11:36 | |
There was something quite big downstairs that I saw. | 0:11:38 | 0:11:41 | |
-Oh, OK. -And heavy. | 0:11:41 | 0:11:43 | |
Sounds interesting. | 0:11:43 | 0:11:45 | |
What are your feelings about using the chimney pots as big planters? | 0:11:45 | 0:11:50 | |
Just like a piece of garden statuary, really? | 0:11:50 | 0:11:53 | |
-Yes, yes. -These, I love. | 0:11:53 | 0:11:55 | |
I'm not talking about these. I'm talking about that. | 0:11:55 | 0:11:58 | |
These are so much more standard and, kind of, almost fairly common. | 0:11:58 | 0:12:02 | |
-Yes. -But I love the shape of that one. | 0:12:02 | 0:12:05 | |
-No, that's what caught my eye... -Like it. Love it. -..as we swept in. | 0:12:05 | 0:12:08 | |
But my worry is that if I was going to get this, I'd want two. | 0:12:08 | 0:12:12 | |
I'm just wondering if there's another one floating around. | 0:12:12 | 0:12:14 | |
-Hillary. -Hello. -Hillary, Hillary, Hillary. | 0:12:14 | 0:12:16 | |
We like your chimney pot. Is it on its own? | 0:12:16 | 0:12:20 | |
No. I think they've been split up and I think there's another one | 0:12:20 | 0:12:24 | |
buried over there somewhere. | 0:12:24 | 0:12:25 | |
-Shall we go and have a look? -Shall I come and help you? | 0:12:25 | 0:12:28 | |
I think it's tucked behind this... | 0:12:28 | 0:12:30 | |
-This shrub, here. -How does it look? | 0:12:31 | 0:12:34 | |
Because the key thing is, really, condition on these things. | 0:12:34 | 0:12:36 | |
I think there might be a little chip out of one of them | 0:12:36 | 0:12:38 | |
at the bottom somewhere. | 0:12:38 | 0:12:40 | |
What I love this, down the bottom, this sort of smokiness. | 0:12:40 | 0:12:43 | |
-This has really had a lot of wear. -Yes, yes. | 0:12:43 | 0:12:46 | |
It feels good, it looks good... | 0:12:46 | 0:12:48 | |
I mean, this has got a good 100 years on it, hasn't it? | 0:12:48 | 0:12:51 | |
-Does I'd classify as an antique, then? -Oh, yes. -Yes, it does. | 0:12:51 | 0:12:53 | |
I can actually say that that belongs in the...? | 0:12:53 | 0:12:56 | |
-Absolutely. -OK. | 0:12:56 | 0:12:57 | |
At £85 each, the combined ticket price | 0:12:59 | 0:13:02 | |
for the 19th-century terracotta chimney pots would be £170. | 0:13:02 | 0:13:06 | |
What is your absolute very best on these, | 0:13:08 | 0:13:10 | |
if we were to buy a pair? | 0:13:10 | 0:13:12 | |
Let me just think. I've got to do a little calculation. | 0:13:12 | 0:13:15 | |
I could make them 120. How does that sound? | 0:13:15 | 0:13:18 | |
120...for the pair? | 0:13:18 | 0:13:19 | |
-For the pair. -Mm... | 0:13:19 | 0:13:21 | |
-It's a really big discount. -It's a big discount, | 0:13:21 | 0:13:23 | |
and I'd say we're getting there, Hillary - we're getting there. | 0:13:23 | 0:13:26 | |
Hard-nosed negotiator Sarah isn't quite ready to seal the deal, | 0:13:28 | 0:13:32 | |
as something else has caught her eye - | 0:13:32 | 0:13:34 | |
a set of French Art Deco hors d'oeuvres servers. | 0:13:34 | 0:13:37 | |
I'm thinking, once upon a time, | 0:13:38 | 0:13:40 | |
they would have been in a really nice presentation set. | 0:13:40 | 0:13:43 | |
They probably would, yes. | 0:13:43 | 0:13:44 | |
You haven't got a box for them or anything? | 0:13:44 | 0:13:46 | |
Or did they come like that? | 0:13:46 | 0:13:48 | |
They didn't come with a box, no. | 0:13:48 | 0:13:50 | |
Are they actually silver, the handles? | 0:13:50 | 0:13:52 | |
Yes, French silver. They won't have the English hallmark on them, but... | 0:13:52 | 0:13:56 | |
-So, these are probably silver gilt. -It's silver gilt, yes. | 0:13:56 | 0:13:59 | |
And these are silver. They are very light. | 0:13:59 | 0:14:02 | |
Mind you, you wouldn't want anything heavy when you are serving | 0:14:02 | 0:14:04 | |
something like this, but they are quite light. | 0:14:04 | 0:14:06 | |
They're quite big and butch-looking, but I quite like them. | 0:14:06 | 0:14:09 | |
I absolutely love those. I think they're good. | 0:14:09 | 0:14:11 | |
How much are they? | 0:14:11 | 0:14:13 | |
I think it says 75 on the ticket. | 0:14:13 | 0:14:17 | |
I'd like to talk about combining. | 0:14:17 | 0:14:19 | |
Can I offer you, for this and the chimney pots, 130? | 0:14:19 | 0:14:24 | |
I could come down to...40 on those. That's nearly half price. | 0:14:24 | 0:14:29 | |
So that adds up, 160 for the two. | 0:14:29 | 0:14:31 | |
Can we take it to 150? | 0:14:31 | 0:14:33 | |
Oh, dear... You do drive a hard bargain, don't you? | 0:14:33 | 0:14:37 | |
Well, as I've had those for an awfully long time, | 0:14:37 | 0:14:40 | |
I think I might just be prepared, this once, to do it. | 0:14:40 | 0:14:45 | |
Thank you very much. | 0:14:45 | 0:14:46 | |
Thank you very much. I'm on my bended knee, saying thank you! | 0:14:46 | 0:14:49 | |
These two aren't finished yet. | 0:14:50 | 0:14:52 | |
They are both still keen on the silver heart-shaped fob watch. | 0:14:52 | 0:14:56 | |
What can that be? What's the bottom price on that? | 0:14:56 | 0:14:58 | |
-Can you remember what was...? -I think it was on it for 90. | 0:14:58 | 0:15:01 | |
I could come down to 75. | 0:15:01 | 0:15:04 | |
I think that's still too steep for us. | 0:15:04 | 0:15:07 | |
I think... To be perfectly honest, I think the only way | 0:15:07 | 0:15:09 | |
we'd be interested in it if it's more, sort of, 40. | 0:15:09 | 0:15:12 | |
£50. If it can be around that, then possibly... | 0:15:12 | 0:15:15 | |
It's got to be 60. | 0:15:15 | 0:15:16 | |
I'd hoped you'd say 55, but do you know what? | 0:15:16 | 0:15:21 | |
Hillary, you've been so helpful, let's say 60. | 0:15:21 | 0:15:25 | |
So that brings us to a total of... | 0:15:25 | 0:15:29 | |
-We were at 150, so... -210. | 0:15:29 | 0:15:33 | |
Correct, Catherine. | 0:15:33 | 0:15:34 | |
The newly acquired fob watch | 0:15:36 | 0:15:38 | |
is added to the 19th-century chimney pots they bought for £120 | 0:15:38 | 0:15:40 | |
and the Art Deco hors d'oeuvre servers that they got for £30 - wow. | 0:15:40 | 0:15:46 | |
Back with Peter and Natasha, | 0:15:52 | 0:15:54 | |
and they've made their way to Woking. | 0:15:54 | 0:15:55 | |
During Peter's days presenting on Blue Peter, | 0:15:55 | 0:15:59 | |
he was well-known as a daredevil and a sportsman, | 0:15:59 | 0:16:03 | |
so Natasha is taking him on a trip that he is sure to enjoy | 0:16:03 | 0:16:07 | |
at the Hockey Museum. | 0:16:07 | 0:16:08 | |
They are meeting curator Mike Smith to find out more about the history | 0:16:10 | 0:16:14 | |
of one of the world's most popular sports. | 0:16:14 | 0:16:18 | |
Yes, so, the obvious question we want to know | 0:16:18 | 0:16:20 | |
is how did it all begin? | 0:16:20 | 0:16:22 | |
No definitive answer to that. | 0:16:22 | 0:16:23 | |
We know that a stick-and-ball game | 0:16:23 | 0:16:25 | |
was being played by the Egyptians 2,000 BC, | 0:16:25 | 0:16:28 | |
so that's 4,000 years ago. | 0:16:28 | 0:16:30 | |
-No! -And all manner of communities, civilisations | 0:16:30 | 0:16:35 | |
played what would be a stick-and-ball game. | 0:16:35 | 0:16:37 | |
It started to evolve in the 18th century. | 0:16:37 | 0:16:40 | |
They were playing a primitive form of hockey in schools | 0:16:40 | 0:16:44 | |
and different schools formulated their own rules. | 0:16:44 | 0:16:47 | |
The game's popularity grew through the 18th and 19th centuries | 0:16:49 | 0:16:53 | |
and by the 1800s, an official Hockey Association was formed. | 0:16:53 | 0:16:57 | |
So the hockey that we play now, by the rules now, | 0:17:00 | 0:17:03 | |
how did that spread round the world? | 0:17:03 | 0:17:05 | |
I think the catalyst for that | 0:17:05 | 0:17:06 | |
was hockey getting into the Olympics in 1908. | 0:17:06 | 0:17:09 | |
Is it as popular now? Is it gaining popularity worldwide? | 0:17:09 | 0:17:13 | |
I know the Indians and Pakistanis play it, don't they? | 0:17:13 | 0:17:15 | |
The Indians and Pakistanis do play, | 0:17:15 | 0:17:18 | |
but that's thanks to the British Army | 0:17:18 | 0:17:19 | |
that took the game out there | 0:17:19 | 0:17:21 | |
in the latter part of the 19th century, | 0:17:21 | 0:17:24 | |
the early 20th century. | 0:17:24 | 0:17:25 | |
And the officers had probably played hockey at school and at university, | 0:17:25 | 0:17:30 | |
so they took it with them and got the men playing hockey. | 0:17:30 | 0:17:33 | |
So hockey became a very strong sport within the services. | 0:17:33 | 0:17:36 | |
Once considered too dangerous a sport for females, | 0:17:36 | 0:17:40 | |
it wasn't until the 1880s that woman's hockey was introduced | 0:17:40 | 0:17:43 | |
in British schools - scary. | 0:17:43 | 0:17:46 | |
I sort of remember, as a kid, that actually, | 0:17:48 | 0:17:51 | |
girls played hockey more than boys. | 0:17:51 | 0:17:52 | |
Very much so, yes. | 0:17:52 | 0:17:54 | |
At the back end of the 19th century, | 0:17:54 | 0:17:55 | |
the ladies had to fight very hard to be able to play it, | 0:17:55 | 0:17:58 | |
as it was their fathers and brothers that were playing the game. | 0:17:58 | 0:18:01 | |
Almost a sort of suffragette-type of movement - | 0:18:01 | 0:18:04 | |
they had to form their own clubs | 0:18:04 | 0:18:06 | |
and they didn't get a lot of help from the blokes, | 0:18:06 | 0:18:08 | |
because it wasn't seen to be ladylike to play sport. | 0:18:08 | 0:18:12 | |
-People were so sexist in those days. -Very much so. -Absolutely. | 0:18:12 | 0:18:15 | |
But good on them for persisting. | 0:18:15 | 0:18:17 | |
Now, my real connection to it is that I... | 0:18:17 | 0:18:19 | |
In the '80s, I made a Blue Peter film, | 0:18:19 | 0:18:21 | |
and I was dressed up as the goalie. | 0:18:21 | 0:18:23 | |
Well, let's take a look at you in action, then, Peter... | 0:18:23 | 0:18:25 | |
Stick your arms in... | 0:18:25 | 0:18:26 | |
..up against the British Olympic hockey team. | 0:18:26 | 0:18:30 | |
Poor Peter took a bit of a battering. | 0:18:30 | 0:18:33 | |
PETER YELLS | 0:18:34 | 0:18:35 | |
Ow! | 0:18:37 | 0:18:38 | |
'I was just a dummy, standing in goal. | 0:18:38 | 0:18:41 | |
'And they, you know,' | 0:18:41 | 0:18:42 | |
they were whacking these balls at me as hard as they could | 0:18:42 | 0:18:45 | |
and when they hit you, you know, you were doing all this. | 0:18:45 | 0:18:48 | |
You wouldn't want to do that sort of thing, | 0:18:48 | 0:18:49 | |
cos it's dangerous, really. | 0:18:49 | 0:18:51 | |
Now, that sounds like a challenge if ever I heard one. | 0:18:51 | 0:18:54 | |
And with Natasha being a hardy Scot, well, she's up for it. | 0:18:56 | 0:19:01 | |
Scary! | 0:19:01 | 0:19:03 | |
-Peter. -Aye... -Your time has come. -Aye, I know. | 0:19:03 | 0:19:08 | |
-I'm in goals this time. -Yeah. | 0:19:08 | 0:19:10 | |
-You ready for a bit of competition? -I have my balls. | 0:19:10 | 0:19:13 | |
You've got just two, there. I'm going to give you five. | 0:19:13 | 0:19:15 | |
-Five? OK. -Five shots at goal. | 0:19:15 | 0:19:18 | |
-Best of five... -Best of five. -..wins. | 0:19:18 | 0:19:21 | |
OK. So, if I get three, I win. If you get three... | 0:19:21 | 0:19:25 | |
If I lose two... If... Yeah. | 0:19:25 | 0:19:28 | |
Enough about the rules. Shall we just play? | 0:19:28 | 0:19:30 | |
Better than doing the maths. | 0:19:30 | 0:19:32 | |
Anyway, it's perfect hockey weather here in Woking. | 0:19:34 | 0:19:38 | |
Peter is stepping up to the first ball. Can he score? | 0:19:38 | 0:19:41 | |
LAUGHTER | 0:19:41 | 0:19:42 | |
That'll be a "no", then. | 0:19:42 | 0:19:44 | |
-Does that one count? -I'm afraid it does, old chap. | 0:19:44 | 0:19:46 | |
Oh...! | 0:19:46 | 0:19:48 | |
Right, can he hit ball two properly? | 0:19:48 | 0:19:52 | |
OK, better, but way off the mark. That's 2-0 to Natasha. | 0:19:55 | 0:19:58 | |
He shoots - he scores! | 0:20:00 | 0:20:01 | |
Oh, nice! | 0:20:01 | 0:20:03 | |
SHE LAUGHS | 0:20:03 | 0:20:04 | |
-Oh...! -Back of the net! | 0:20:05 | 0:20:08 | |
It all comes down to the final ball. Go on, give it some welly! | 0:20:08 | 0:20:12 | |
Yeah! | 0:20:14 | 0:20:15 | |
What a save! | 0:20:15 | 0:20:17 | |
Sorry, Duncan. | 0:20:17 | 0:20:19 | |
This time, goalie wins. | 0:20:19 | 0:20:21 | |
Don't worry, you're still my team-mate. | 0:20:21 | 0:20:25 | |
High five, hockey stick. | 0:20:25 | 0:20:27 | |
-Ow! -SHE LAUGHS | 0:20:27 | 0:20:29 | |
Back with Sarah and Catherine, | 0:20:34 | 0:20:36 | |
it's more shopping that's on the agenda, | 0:20:36 | 0:20:38 | |
so they've motored along to Ripley in Surrey. | 0:20:38 | 0:20:42 | |
Originally a 17th-century coaching inn, | 0:20:42 | 0:20:44 | |
J Hartley Antiques is packed with everything from period furniture | 0:20:44 | 0:20:47 | |
to quirky collectables. | 0:20:47 | 0:20:50 | |
Look at that! | 0:20:50 | 0:20:52 | |
Oh, there's all sorts in here, Catherine. | 0:20:52 | 0:20:54 | |
I have to tell you... | 0:20:54 | 0:20:56 | |
..probably the most unusual thing in here has caught my eye. | 0:20:58 | 0:21:01 | |
-I actually love this. -I love it. | 0:21:01 | 0:21:04 | |
I love this ladder. Are we allowed a ladder? | 0:21:04 | 0:21:07 | |
We can have whatever you want. | 0:21:07 | 0:21:08 | |
I can imagine that in somewhere that is extremely modern and stark. | 0:21:08 | 0:21:12 | |
-Mm-hm. -Interior or exterior, in any garden. | 0:21:12 | 0:21:16 | |
-It's kind of a bit shabby chic, isn't it? -It is, and it's been... | 0:21:16 | 0:21:19 | |
But it's been done quite well, I think. | 0:21:19 | 0:21:21 | |
-I wonder where it comes from? -I don't know. -Shall we ask? | 0:21:21 | 0:21:23 | |
Better call dealer John over. | 0:21:23 | 0:21:25 | |
John? Hello? | 0:21:25 | 0:21:27 | |
We quite like your ladder. | 0:21:27 | 0:21:28 | |
That actually belongs to Deirdre. | 0:21:28 | 0:21:31 | |
Right. Who's Deirdre? | 0:21:31 | 0:21:32 | |
The lady who has this room. | 0:21:32 | 0:21:34 | |
Has it actually got a price on it, Sarah? | 0:21:34 | 0:21:36 | |
She may have it hidden under the fabric. | 0:21:36 | 0:21:38 | |
Let's have a look. I can't see it under there, no. | 0:21:38 | 0:21:43 | |
-Has she actually got a ticket on it? Do we know? -It's free! | 0:21:43 | 0:21:46 | |
You wish! | 0:21:46 | 0:21:47 | |
John is off to ask Deirdre for a price. Deirdre? | 0:21:47 | 0:21:51 | |
Why do you love that so much? | 0:21:51 | 0:21:53 | |
It's about where I can see it being placed. | 0:21:53 | 0:21:56 | |
The possibilities are endless for interior design, aren't they? | 0:21:56 | 0:22:00 | |
I mean, you wouldn't use this as a ladder. | 0:22:00 | 0:22:02 | |
It looks very rickety and I wouldn't... | 0:22:02 | 0:22:04 | |
That's the one thing I wouldn't use it for, quite right! | 0:22:04 | 0:22:07 | |
John is back. What's the news? | 0:22:07 | 0:22:10 | |
Deirdre says it's £80 and a French orchard apple ladder. | 0:22:10 | 0:22:15 | |
Apple orchard - I'm kind of loving it more, now. | 0:22:15 | 0:22:18 | |
Really? So if it came from an abattoir in Swindon, | 0:22:18 | 0:22:21 | |
you'd not have wanted it? | 0:22:21 | 0:22:22 | |
-LAUGHING: -I wouldn't have liked it then! | 0:22:22 | 0:22:24 | |
-OK. Shall we have a look around and have a mull about that? -Yes. | 0:22:24 | 0:22:28 | |
Doesn't take Sarah long to spy another unusual item. | 0:22:32 | 0:22:36 | |
Look at those! | 0:22:36 | 0:22:37 | |
They've got a bit of age to them, but aren't they...? | 0:22:39 | 0:22:42 | |
Again, a little bit like our ladder thing downstairs, | 0:22:42 | 0:22:45 | |
just up on a wall somewhere. | 0:22:45 | 0:22:48 | |
I mean, just to be funny, because they are quite funny. | 0:22:48 | 0:22:50 | |
-They're quite comical. -I don't want the poles. | 0:22:50 | 0:22:52 | |
-I don't care about the poles. -No, no, me neither. | 0:22:52 | 0:22:54 | |
-I just want the skis. -Yeah. | 0:22:54 | 0:22:56 | |
£55 that's on them. Actually, they look in pretty... | 0:22:56 | 0:22:59 | |
They're rusty and they've been here ages, but... | 0:22:59 | 0:23:02 | |
Oh, look, oh, look. This is all coming off, here. | 0:23:02 | 0:23:05 | |
But we are not buying them to use, are we? | 0:23:05 | 0:23:07 | |
I'm just thinking about the negotiation, that's all. | 0:23:07 | 0:23:10 | |
-I think if we got those for 25... -Yeah. | 0:23:10 | 0:23:14 | |
-..I think I might go for the ladder. -Do you? | 0:23:14 | 0:23:17 | |
Crafty. Best talk to John. John? | 0:23:17 | 0:23:21 | |
-Your skis. -They were my father's. -Oh! | 0:23:22 | 0:23:27 | |
And he skied on those and I learned to ski on those, | 0:23:27 | 0:23:30 | |
so because they are sentimental, | 0:23:30 | 0:23:31 | |
I don't really want to slash them out. | 0:23:31 | 0:23:33 | |
Well, we have a proposition. | 0:23:33 | 0:23:35 | |
Of course, when we thought about this figure, | 0:23:35 | 0:23:38 | |
we had no idea about your back story to this. | 0:23:38 | 0:23:41 | |
25. | 0:23:41 | 0:23:42 | |
Without the poles. We don't need the poles. | 0:23:45 | 0:23:47 | |
Oh, boy... | 0:23:47 | 0:23:49 | |
Um... I should have been sitting down. | 0:23:49 | 0:23:51 | |
Knowing Dad, he would have knocked them out for about £40. | 0:23:51 | 0:23:55 | |
Can we meet somewhere? Can we meet in the middle? | 0:23:55 | 0:23:57 | |
35? | 0:23:57 | 0:23:59 | |
Yeah... Yeah, absolutely. | 0:23:59 | 0:24:03 | |
-Right. -Absolutely. -Deal done. | 0:24:03 | 0:24:06 | |
A generous price gets the girls the vintage 1950s skis for £35. | 0:24:06 | 0:24:11 | |
Sarah is still after the French apple orchard ladder, | 0:24:14 | 0:24:17 | |
so she's asked John to see if Deirdre would accept £50. | 0:24:17 | 0:24:20 | |
I'm afraid the absolute death on that is £58. | 0:24:20 | 0:24:25 | |
58. OK. | 0:24:25 | 0:24:27 | |
Come on, Catherine. You're going to have to... | 0:24:27 | 0:24:31 | |
Oh, please don't make me make that decision! | 0:24:31 | 0:24:34 | |
Let's make a decision... Let's make it together. | 0:24:34 | 0:24:37 | |
Do we want it? | 0:24:37 | 0:24:38 | |
Well, do you? | 0:24:41 | 0:24:43 | |
-I say yes. -Yes! -Yes. | 0:24:43 | 0:24:45 | |
LAUGHTER | 0:24:45 | 0:24:47 | |
Oh, no, what have we done?! | 0:24:47 | 0:24:48 | |
We are buying a ladder for £58. Are we going to do it? | 0:24:48 | 0:24:52 | |
-Yes. -Yes. | 0:24:52 | 0:24:54 | |
They got there eventually. | 0:24:54 | 0:24:56 | |
So, they've bought the French orchard ladder for £50 | 0:24:57 | 0:25:00 | |
and the vintage skis for 35. | 0:25:00 | 0:25:03 | |
I really thought we were going to buy jewellery today. | 0:25:03 | 0:25:06 | |
-I had it in my mind. -I know. -We were going to buy gems. | 0:25:06 | 0:25:08 | |
-Goodbye, thank you. -We couldn't have gone further away. | 0:25:10 | 0:25:13 | |
I'll say! | 0:25:13 | 0:25:14 | |
And after that peculiar spot of shopping, | 0:25:14 | 0:25:16 | |
both teams' first day is done. | 0:25:16 | 0:25:18 | |
So, nighty-night, sleep well. | 0:25:18 | 0:25:21 | |
It's the next morning and Sarah and Peter are together again. Aw! | 0:25:25 | 0:25:30 | |
Quite a tight road, this. We might get stuck in a tree. | 0:25:30 | 0:25:33 | |
Yeah, you are very, very...very skilled | 0:25:33 | 0:25:37 | |
at navigating these nadgery lanes. | 0:25:37 | 0:25:40 | |
Nadgery is an official word meaning very narrow and winding. | 0:25:40 | 0:25:43 | |
Catherine and Natasha are also back on the road, | 0:25:43 | 0:25:47 | |
making their way to Shendish in Hertfordshire, | 0:25:47 | 0:25:49 | |
to meet their celebrity partners. | 0:25:49 | 0:25:51 | |
Yesterday was wild. | 0:25:51 | 0:25:53 | |
I think we went across every single genre possible and we bought... | 0:25:53 | 0:25:59 | |
We bought the craziest things you can imagine. | 0:25:59 | 0:26:01 | |
Give me a clue. What kind of genre? | 0:26:01 | 0:26:03 | |
CATHERINE LAUGHS | 0:26:03 | 0:26:06 | |
-Sporting... -OK. | 0:26:06 | 0:26:09 | |
Um...and then... | 0:26:09 | 0:26:11 | |
-We did go a bit traditional. -OK. | 0:26:11 | 0:26:13 | |
And then we went... We went a bit wild, too. | 0:26:13 | 0:26:16 | |
This could mean anything, Catherine. These are not clues. | 0:26:16 | 0:26:19 | |
Peter and Natasha have only bought one item so far - | 0:26:19 | 0:26:23 | |
the unusual horn letter opener - | 0:26:23 | 0:26:25 | |
which means they are still loaded, with £389 to spend today, | 0:26:25 | 0:26:31 | |
while the girls have had a much more successful shopping spree, | 0:26:31 | 0:26:34 | |
buying an impressive five lots - | 0:26:34 | 0:26:37 | |
the vintage 1950s skis, the French apple orchard ladder, | 0:26:37 | 0:26:42 | |
the rare silver heart-shaped fob watch, | 0:26:42 | 0:26:45 | |
the pair of 19th-century terracotta chimney pots | 0:26:45 | 0:26:49 | |
and the French Art Deco hors d'oeuvre servers - | 0:26:49 | 0:26:52 | |
leaving them with just £97 to play with. | 0:26:52 | 0:26:55 | |
How many of your things have you got? | 0:26:58 | 0:27:00 | |
Shall I tell you how many I've got? Am I allowed to tell you? | 0:27:00 | 0:27:03 | |
I've got five things. | 0:27:03 | 0:27:04 | |
See, I don't hang about, me, Peter. I don't hang about. | 0:27:04 | 0:27:07 | |
But the other thing is we have got some money left over... | 0:27:07 | 0:27:10 | |
-Can I have the money that's left over, then? -No. | 0:27:10 | 0:27:13 | |
Harsh! But you've got plenty of your own cash, Peter. | 0:27:13 | 0:27:17 | |
-Stop! -Good morning! -Hello! | 0:27:17 | 0:27:20 | |
Guten morgen. | 0:27:20 | 0:27:21 | |
Good morning, sweetheart. Are you all right? | 0:27:21 | 0:27:23 | |
Yeah, absolutely. Raring to go. | 0:27:23 | 0:27:25 | |
I have arranged this for us, as well. | 0:27:25 | 0:27:27 | |
Thank you, yes. | 0:27:27 | 0:27:28 | |
-Are you happy about that? -Good morning. -Hello. | 0:27:28 | 0:27:31 | |
Well, wish us luck, ladies, because we need it more than you do. | 0:27:31 | 0:27:34 | |
-Be positive, be positive. -Positive thinking. | 0:27:34 | 0:27:36 | |
You start out so sweet and nice, | 0:27:36 | 0:27:37 | |
but there is this undercurrent of competition that surfaces... | 0:27:37 | 0:27:41 | |
Moi? Never! | 0:27:41 | 0:27:42 | |
No, Peter is really the competitive one, not me. | 0:27:42 | 0:27:45 | |
This morning, our two teams will recommence their road trip | 0:27:47 | 0:27:50 | |
in the historic town of Berkhamsted in Hertfordshire. | 0:27:50 | 0:27:53 | |
-Now, what about shopping today? -We have a job on, here. | 0:27:53 | 0:27:56 | |
I mean, clearly, the opposition have streaked ahead of us. | 0:27:56 | 0:28:00 | |
They are getting worried. I think they are getting worried. | 0:28:00 | 0:28:03 | |
I think Natasha is getting slightly worried. | 0:28:03 | 0:28:05 | |
They've only bought one item. | 0:28:05 | 0:28:06 | |
-NATASHA: -We need to be calm and cool and focused. | 0:28:06 | 0:28:10 | |
You need to make me happy, Natasha. | 0:28:10 | 0:28:12 | |
I'll try! And we need to spend some money. | 0:28:12 | 0:28:14 | |
-11 quid. -How much have we spent? 11 quid? -Of 400. | 0:28:14 | 0:28:18 | |
They've got lots of things to buy today. | 0:28:18 | 0:28:20 | |
Better get on with it, then. | 0:28:20 | 0:28:22 | |
Both teams have arrived in Berkhamsted, | 0:28:22 | 0:28:24 | |
where they will begin their day at Heritage Antiques. | 0:28:24 | 0:28:29 | |
-Look, they're coming. -Get a game plan. | 0:28:29 | 0:28:31 | |
Look at that, sort of, striding walk, there. | 0:28:31 | 0:28:34 | |
You know what you need? You need a hat. | 0:28:34 | 0:28:36 | |
We just walked so casually, the sass coming off of you two! | 0:28:36 | 0:28:39 | |
You've got five, I've got one. I'm going in. | 0:28:39 | 0:28:42 | |
-Are you? Are you? Are you? -Oh, sorry. -Are you sure? | 0:28:42 | 0:28:44 | |
I found a Blue Peter book that you're in. | 0:28:44 | 0:28:46 | |
-You look much younger. -We're not like that. | 0:28:46 | 0:28:49 | |
- After you, after you. - I know. Thank you, Catherine. | 0:28:49 | 0:28:51 | |
Sorry, we don't care about you. | 0:28:51 | 0:28:53 | |
Now, now, Peter. | 0:28:53 | 0:28:55 | |
Crammed with antiques from 31 dealers, | 0:28:56 | 0:29:00 | |
there is plenty to go around and, straight away, | 0:29:00 | 0:29:03 | |
Peter has clocked something he likes. | 0:29:03 | 0:29:05 | |
Just saw it as I came in, | 0:29:05 | 0:29:06 | |
because I bought one of these in, um...France. | 0:29:06 | 0:29:09 | |
What have you got? Oh, the burner! | 0:29:09 | 0:29:10 | |
Yeah, yeah, look. | 0:29:10 | 0:29:12 | |
See, what you do is, it is a wood burner, | 0:29:12 | 0:29:14 | |
but this is Art Deco, it says. | 0:29:14 | 0:29:16 | |
-You put all your wood in there. -That's right. | 0:29:16 | 0:29:18 | |
I've got one exactly... Only a French version of this. | 0:29:18 | 0:29:20 | |
-I think it's beautiful. -You think it's beautiful? -125. | 0:29:20 | 0:29:23 | |
Do you know what I have to tell you? I really like that. | 0:29:23 | 0:29:25 | |
-Do you? Really? -I think it's supercool. | 0:29:25 | 0:29:27 | |
No, I have recently become quite obsessed with wood burners. | 0:29:27 | 0:29:30 | |
Obviously, the very modern style. But these ceramic pieces... | 0:29:30 | 0:29:34 | |
They evoke a nice era, don't they? | 0:29:34 | 0:29:36 | |
-That must be, what, '30s? -Yeah, well, I believe so. | 0:29:36 | 0:29:39 | |
Ha-ha! With a ticket price of £125, it is down to Peter to do the deal, | 0:29:39 | 0:29:45 | |
so Pauline has got the owner on the phone. | 0:29:45 | 0:29:48 | |
Well done, Pauline. | 0:29:48 | 0:29:49 | |
Peter, I've got Tony on the phone for you. | 0:29:49 | 0:29:51 | |
-Oh, cool, cool. -OK? Thank you. | 0:29:51 | 0:29:52 | |
Hi, Tony. I've just seen your beautiful Art Deco log burner. | 0:29:52 | 0:29:56 | |
-What price could I have it for? -(£60!) | 0:29:56 | 0:29:59 | |
100, so that's only 25 off. Can we... What about 85? | 0:29:59 | 0:30:03 | |
-'Can't do.' -Can't do 85. Somewhere in between? | 0:30:03 | 0:30:06 | |
'Sorry, has to be 95.' | 0:30:06 | 0:30:09 | |
95. 95. 95. Going once, going twice... | 0:30:09 | 0:30:13 | |
Tony, it's done. 95. | 0:30:13 | 0:30:15 | |
Blimey. Natasha's in shock. | 0:30:15 | 0:30:17 | |
Peter has gone and bought the early 20th-century wood-burner for £95. | 0:30:17 | 0:30:22 | |
Now, where are the girls? | 0:30:24 | 0:30:26 | |
I'm glad they've got so much outside we can look at today. | 0:30:26 | 0:30:29 | |
Oh, this is lovely. This is perfect. | 0:30:29 | 0:30:31 | |
This is just for us today and I feel very relaxed. | 0:30:31 | 0:30:34 | |
I feel like we should just pull up a chair and sit all day. | 0:30:34 | 0:30:38 | |
-SARAH CHUCKLES -And just laugh at them. | 0:30:38 | 0:30:40 | |
While the girls are busy being smug, | 0:30:42 | 0:30:44 | |
Peter's got his shopping head firmly on. | 0:30:44 | 0:30:46 | |
Right, what have you got in there? | 0:30:46 | 0:30:48 | |
I didn't even know all this stuff was outside? | 0:30:48 | 0:30:50 | |
-I know. I know. Look at this now. -Look what you've got! | 0:30:50 | 0:30:52 | |
So, I have been to Africa quite a lot and when I was there, I bought | 0:30:52 | 0:30:56 | |
a fantastic thing that was very similar to this, | 0:30:56 | 0:30:59 | |
sort of, East African. | 0:30:59 | 0:31:01 | |
And they're kind of all something to do with fertility | 0:31:01 | 0:31:03 | |
and obviously praying to gods. | 0:31:03 | 0:31:05 | |
But they're beautiful, aren't they? | 0:31:05 | 0:31:06 | |
-They're really nice. -Feel the weight of them. | 0:31:06 | 0:31:08 | |
-Feel the weight. -OK. Give me one. | 0:31:08 | 0:31:09 | |
Oh, I tell you what, they are weighty. Beautiful wood. | 0:31:09 | 0:31:13 | |
I have to confess, I don't know the wood, but it's very beautiful. | 0:31:13 | 0:31:15 | |
-Do you know the price? -No. There's no price on them. | 0:31:15 | 0:31:18 | |
Better get Pauline and her trusty phone back to call Stewart, | 0:31:18 | 0:31:21 | |
the owner of the ticketless fertility figures. | 0:31:21 | 0:31:25 | |
I've got Peter from Blue Peter here. | 0:31:25 | 0:31:27 | |
He would like to talk to you about | 0:31:27 | 0:31:30 | |
your pair of carved bodies. OK? | 0:31:30 | 0:31:34 | |
Hello, mate. I wondered really what price you could do them for. | 0:31:34 | 0:31:38 | |
'About £30.' | 0:31:38 | 0:31:39 | |
-For both? -'Yeah, for both.' | 0:31:39 | 0:31:42 | |
Yeah, £30 for both. What about 25? | 0:31:42 | 0:31:44 | |
He's getting the hang of this. | 0:31:46 | 0:31:48 | |
OK. All right. £30. 15 each. | 0:31:48 | 0:31:52 | |
Do you know, I'm enjoying myself so much today, | 0:31:52 | 0:31:54 | |
I'm not in the mood for haggling any more? 30 quid, it's a deal. | 0:31:54 | 0:31:57 | |
And just like that, Peter's bought another lot for auction. | 0:31:57 | 0:32:00 | |
Catherine, when you come to places like this where you've got | 0:32:02 | 0:32:05 | |
this great, big, old mixture of stuff, | 0:32:05 | 0:32:07 | |
do you ever find any proper sort of historical treasures? | 0:32:07 | 0:32:11 | |
Oh, yes. Yes. We've just got to look. Got to look high and low. | 0:32:11 | 0:32:15 | |
Looking everywhere. On the floor, under things. | 0:32:15 | 0:32:18 | |
Yes. And I'm also looking at hats. | 0:32:18 | 0:32:19 | |
That hat doesn't look very historic to me, Sarah. | 0:32:19 | 0:32:23 | |
-I don't know. What do you think? -It's tiny. -Um, it is a bit small. | 0:32:23 | 0:32:27 | |
-It's not really... -Let's have a look. | 0:32:27 | 0:32:30 | |
-I don't think that is right at all. -Oh, no. That's too high for you. | 0:32:30 | 0:32:34 | |
-It's a bit too high, isn't it? -Yeah. | 0:32:34 | 0:32:36 | |
While the girls are playing dressing up, Peter's playing puppets. | 0:32:36 | 0:32:41 | |
Hello, everybody! And it says on it, look, look, it says, | 0:32:41 | 0:32:44 | |
"Vintage Pinocchio." | 0:32:44 | 0:32:46 | |
So, it's a vintage, which is, uh... And it's beautiful. | 0:32:46 | 0:32:49 | |
-It's 33 quid, you could get that down a bit. -OK. | 0:32:49 | 0:32:51 | |
But if it's really old... Is it old? | 0:32:51 | 0:32:53 | |
It's not that old. I would say it's probably about 1970s. | 0:32:53 | 0:32:55 | |
Now, what I'm worried about - not worried at all - | 0:32:55 | 0:32:58 | |
-is these two letters, AF... -What does that mean? -..means "as found". | 0:32:58 | 0:33:01 | |
So, there must be some sort of damage on it somewhere. | 0:33:01 | 0:33:03 | |
-Well, it's the... -Is it just the strings? -It's the strings. | 0:33:03 | 0:33:05 | |
-Is that the only bit of damage you can see? -Yes. And I can fix that | 0:33:05 | 0:33:08 | |
-cos I'm in theatre. -I think I quite like him. | 0:33:08 | 0:33:09 | |
Shall we go and speak to Pauline about him? | 0:33:09 | 0:33:11 | |
-Shall we take him with us? -Or in fact, before we do that, | 0:33:11 | 0:33:13 | |
-shall I show you what I've come up with? -Yeah, yeah. | 0:33:13 | 0:33:15 | |
-OK. Come with me, you two. -I'll take my little man with me. | 0:33:15 | 0:33:18 | |
So... | 0:33:18 | 0:33:19 | |
Behold. | 0:33:20 | 0:33:21 | |
-He doesn't look very impressed. -I know. | 0:33:21 | 0:33:23 | |
-You wanted something in a pair. -Yeah, I like pair things. | 0:33:23 | 0:33:25 | |
-A pair of brass... -Goblets. -..oriental vases. -Oriental? Ooh. | 0:33:25 | 0:33:31 | |
They're quite exciting. They're trumpet-shaped. | 0:33:31 | 0:33:33 | |
But how nicely turned this trumpet shape is. | 0:33:33 | 0:33:37 | |
-And such a good price. -Such a good price. | 0:33:37 | 0:33:38 | |
-Now, believe it or not... -Are you a double act? | 0:33:38 | 0:33:41 | |
..these belong to Pauline. | 0:33:41 | 0:33:42 | |
-Now, they're not going to change anyone's life. -No, no, no. | 0:33:42 | 0:33:45 | |
-But have you seen the ticket price? -10 quid, yeah. -(10 quid.) | 0:33:45 | 0:33:47 | |
I'm not even going to bargain with you on that. Done. | 0:33:47 | 0:33:50 | |
Oh, thank you very much. | 0:33:50 | 0:33:51 | |
-Well, I wasn't going to suggest that. -You can come again. | 0:33:51 | 0:33:54 | |
I was going to say, "Let's get them at half price." | 0:33:54 | 0:33:56 | |
-But, do you know what, Peter, you're an honest man. -Fiver each, then. | 0:33:56 | 0:33:59 | |
Let me show you this other thing. | 0:33:59 | 0:34:00 | |
I found another pair, leaded windows. | 0:34:00 | 0:34:03 | |
So, this here is named Transvaal, which was a colony of South Africa, | 0:34:03 | 0:34:07 | |
-that was founded in 1910. -Yeah, yeah, I know, I know. | 0:34:07 | 0:34:09 | |
Then, to go with it, we also have Cape Colony, | 0:34:09 | 0:34:12 | |
-so, another South African area... -Wow! | 0:34:12 | 0:34:16 | |
..around the Cape of Good Hope. | 0:34:16 | 0:34:17 | |
So, they're not stained glass, | 0:34:17 | 0:34:19 | |
they're painted glass with leaded panels. | 0:34:19 | 0:34:21 | |
But it's certainly an attractive pair | 0:34:21 | 0:34:23 | |
and what I think is interesting | 0:34:23 | 0:34:25 | |
is that these probably came from a whole set. | 0:34:25 | 0:34:28 | |
These are not the only two colonies in South Africa, | 0:34:28 | 0:34:30 | |
so I would imagine that they've came from | 0:34:30 | 0:34:32 | |
a grand home which had every single colony painted and their crest. | 0:34:32 | 0:34:36 | |
-Nice sturdy oak frames. -Yeah. -Good weight. -And we've got a lot of money | 0:34:36 | 0:34:39 | |
-to spend, but not as much as on the ticket. -Don't tell Pauline that. | 0:34:39 | 0:34:42 | |
With the ticket price of £118 for the pair, | 0:34:42 | 0:34:45 | |
Peter is taking the helm again and calling the vendor. Standby. | 0:34:45 | 0:34:50 | |
Hello, hello. Listen, I love your windows. | 0:34:50 | 0:34:54 | |
I'm just wondering what price I could have them for. | 0:34:54 | 0:34:57 | |
-'I would go to 100 on them.' -100. | 0:34:57 | 0:34:59 | |
-'But I paid more than 80 myself.' -Did you pay more than 80? Oh, I see. | 0:34:59 | 0:35:02 | |
There's a couple of other things we're going to look at. | 0:35:02 | 0:35:05 | |
Nice to talk to you. Thanks very much. All right, bye-bye. | 0:35:05 | 0:35:08 | |
-OK. So, what was the best price, £100? -Well, 100, really, | 0:35:08 | 0:35:11 | |
because she paid 90 for them and she's got to make a profit. | 0:35:11 | 0:35:14 | |
While Peter's considering another purchase, | 0:35:14 | 0:35:17 | |
the girls are back out in the sun. | 0:35:17 | 0:35:19 | |
-Flaky chairs. -Bistro chairs. -They're a little bit like the ladder, | 0:35:22 | 0:35:25 | |
-aren't they? -There's a couple. | 0:35:25 | 0:35:26 | |
-They are. They've got that same look, but shall I test? -Yes. | 0:35:26 | 0:35:29 | |
Have a test and see what you think. | 0:35:29 | 0:35:31 | |
-Would you sit on and lean back on that in comfort, really? -No. -No? | 0:35:31 | 0:35:35 | |
I feel very lopsided. | 0:35:35 | 0:35:37 | |
In that case, I think you've made the decision for us. | 0:35:37 | 0:35:39 | |
And I'm going to get flaky paint all over the car. | 0:35:39 | 0:35:43 | |
Having already secured five lots | 0:35:43 | 0:35:45 | |
and nothing here tickling their antique taste buds, | 0:35:45 | 0:35:48 | |
the girls are heading off. | 0:35:48 | 0:35:49 | |
Peter, on the other hand, still has some haggling to do. | 0:35:51 | 0:35:54 | |
I do want to buy Pinocchio because I think that's... | 0:35:54 | 0:35:58 | |
I think it's beautiful and it's funny and I think maybe | 0:35:58 | 0:36:02 | |
people would buy it for a child or somewhere to sit. What can we... | 0:36:02 | 0:36:07 | |
-What's the price? -We've got 33 on it. -Yeah. | 0:36:07 | 0:36:11 | |
-I think 25. -25. -How's that? -Twice my age. Yeah, done. -Done. | 0:36:11 | 0:36:15 | |
-Thank you very much. -Thank you very much. | 0:36:15 | 0:36:17 | |
So, 25 on the puppet, 10 on the trumpet vases, | 0:36:17 | 0:36:20 | |
-30 on the things. -Yeah. -95 on the wood burner. -Yeah. | 0:36:20 | 0:36:24 | |
Wait a minute, already we're at four, five items. | 0:36:24 | 0:36:27 | |
-So, what do you think about these windows. -I like the windows. | 0:36:27 | 0:36:30 | |
To be honest, I love both your items, but I like the windows | 0:36:30 | 0:36:33 | |
-more than the £10 vases. -You've dealt on the vases, Peter. | 0:36:33 | 0:36:35 | |
Oh, I've dealt on the vases. I've got to have the vases. | 0:36:35 | 0:36:38 | |
I'm sorry to tell you, you've got to have the vases. | 0:36:38 | 0:36:40 | |
-You want to go for these windows? -Yes. -You're sold on those at £100? | 0:36:40 | 0:36:42 | |
-Yeah, yeah. -Do the deal. | 0:36:42 | 0:36:44 | |
-£100. £100? -Yeah, yeah. -Well done. How much are we up to now? | 0:36:44 | 0:36:48 | |
I'm not sure what I did there but, anyway, it feels good... | 0:36:48 | 0:36:51 | |
He's a buying machine, spending a whopping £260. | 0:36:51 | 0:36:56 | |
260. 20, 40, 60, 80, 100, | 0:36:57 | 0:37:00 | |
20, 40, 60, 80, 100, 20, 40, 60! | 0:37:00 | 0:37:03 | |
He's throwing it at you, Pauline. For God's sake. | 0:37:03 | 0:37:06 | |
-Could you check that, please? -Oh, come on. -She runs a tight ship. | 0:37:06 | 0:37:10 | |
I used to be a bank teller, I know what I'm doing. | 0:37:10 | 0:37:12 | |
-Look, I've got the thumb. -Are you sure? -You're short. | 0:37:12 | 0:37:15 | |
-You're short £20! -It usually works. | 0:37:15 | 0:37:17 | |
There you are, you see. | 0:37:17 | 0:37:19 | |
You could lose your Blue Peter badge for that. | 0:37:19 | 0:37:22 | |
Having bought all their lots for auction, | 0:37:26 | 0:37:28 | |
Sarah and Catherine are taking | 0:37:28 | 0:37:29 | |
the afternoon off and have journeyed | 0:37:29 | 0:37:31 | |
15 miles down the road | 0:37:31 | 0:37:33 | |
to Stanmore in North West London. | 0:37:33 | 0:37:35 | |
Sarah has a passion for aviation after setting up her own | 0:37:37 | 0:37:41 | |
aerial filming business with her late husband Mike Smith, | 0:37:41 | 0:37:45 | |
so Catherine has brought her to Bentley Priory, which played | 0:37:45 | 0:37:48 | |
a pivotal role during the Battle of Britain | 0:37:48 | 0:37:50 | |
as Fighter Command HQ. | 0:37:50 | 0:37:53 | |
This was when one of Britain's darkest moments also became | 0:37:56 | 0:38:00 | |
her finest hour thanks to a man called Sir Hugh Dowding | 0:38:00 | 0:38:04 | |
and the innovative air defence system he created. | 0:38:04 | 0:38:07 | |
It is sensational. | 0:38:09 | 0:38:11 | |
The girls are meeting Bentley Priory trustee Natasha Brown | 0:38:11 | 0:38:16 | |
to find out more. | 0:38:16 | 0:38:17 | |
This was Fighter Command in 1936. | 0:38:17 | 0:38:20 | |
The RAF had it from 1926, when it stopped being a school. | 0:38:20 | 0:38:24 | |
And as notoriously happened during World War II, | 0:38:24 | 0:38:27 | |
a lot of mansions were taking over by the army, the RAF | 0:38:27 | 0:38:31 | |
to be prisoner of war camps or intelligence centres | 0:38:31 | 0:38:34 | |
and this was Fighter Command. | 0:38:34 | 0:38:36 | |
Why was this Fighter Command? | 0:38:36 | 0:38:37 | |
Strategically, it's placed right in front of the London Basin, | 0:38:37 | 0:38:41 | |
so you can see London. | 0:38:41 | 0:38:43 | |
-You can see the views from here. -Exactly. -Spectacular. -Stunning. | 0:38:43 | 0:38:45 | |
-And this man... -I was going to say, he's looking out over us now. | 0:38:45 | 0:38:49 | |
Sir Hugh Dowding, yeah, was actually in charge at the time, | 0:38:49 | 0:38:52 | |
from 1936 to 1940. | 0:38:52 | 0:38:55 | |
And he is pivotal in the whole of the Battle of Britain | 0:38:55 | 0:38:59 | |
and us winning the war. | 0:38:59 | 0:39:03 | |
Fought in the skies, the Battle of Britain took place | 0:39:03 | 0:39:06 | |
during World War II between July and October 1940. | 0:39:06 | 0:39:11 | |
A crucial victory for this country, | 0:39:11 | 0:39:13 | |
it made Hitler's invasion plans all but impossible. | 0:39:13 | 0:39:17 | |
Heavily outnumbered by the Luftwaffe, | 0:39:19 | 0:39:21 | |
which was the largest air force in the world at the time, | 0:39:21 | 0:39:25 | |
Britain's success is largely credited to Sir Dowding | 0:39:25 | 0:39:28 | |
and his air defence system. | 0:39:28 | 0:39:30 | |
So, this was the nerve centre. | 0:39:32 | 0:39:34 | |
This is like going backstage in the theatre. | 0:39:34 | 0:39:36 | |
I know, it's amazing, isn't it? | 0:39:36 | 0:39:38 | |
It's like the back of a set, all the bits of scaffold and wood. | 0:39:38 | 0:39:41 | |
Well, this is actually a complete recreation | 0:39:41 | 0:39:44 | |
of what was actually here. | 0:39:44 | 0:39:45 | |
So, we went into the archives of the RAF to find out | 0:39:45 | 0:39:48 | |
and there were plans of what he did. | 0:39:48 | 0:39:50 | |
Dowding's system brought together technology, ground defences | 0:39:50 | 0:39:54 | |
and fighter aircraft into a unified system of defence. | 0:39:54 | 0:39:58 | |
Radar gave early warning of Luftwaffe raids, which were also | 0:40:00 | 0:40:05 | |
tracked by the Observer Corps. | 0:40:05 | 0:40:06 | |
Information on the incoming aircraft was first filtered | 0:40:07 | 0:40:11 | |
at Bentley Priory, then passed on to various group HQs | 0:40:11 | 0:40:15 | |
and sector stations who would scramble fighters into action. | 0:40:15 | 0:40:19 | |
-So, the map that we have in here... -Yes? -Mm-hm. | 0:40:21 | 0:40:24 | |
..is from the Scottish coast all the way down and across the south coast. | 0:40:24 | 0:40:28 | |
So, this is looking out to sea, really. | 0:40:28 | 0:40:30 | |
This is what's approaching us. | 0:40:30 | 0:40:32 | |
So, what the radar were great at was distance and what this | 0:40:32 | 0:40:35 | |
information brought in was the number of people and | 0:40:35 | 0:40:38 | |
so that was the strength and then also the height at which they | 0:40:38 | 0:40:41 | |
were coming in because that was critical for us. | 0:40:41 | 0:40:44 | |
Where we had such a fewer number of planes to fight these guys, | 0:40:44 | 0:40:48 | |
we had to make sure that what we did, | 0:40:48 | 0:40:50 | |
we did precisely and it wasn't just where they were located, | 0:40:50 | 0:40:53 | |
but the height at which, so that we knew how high we needed | 0:40:53 | 0:40:57 | |
to come down in order to get them. | 0:40:57 | 0:40:58 | |
And what's the speed involved here, | 0:40:58 | 0:41:00 | |
in terms of them getting the information | 0:41:00 | 0:41:02 | |
and then getting our aircraft to go and intercept the enemy? | 0:41:02 | 0:41:05 | |
It was a really quick turnaround, | 0:41:05 | 0:41:06 | |
so, we're looking at something about four minutes | 0:41:06 | 0:41:08 | |
on a quick turnaround basis. | 0:41:08 | 0:41:09 | |
So, every 30 seconds, you'd get new information coming through | 0:41:09 | 0:41:12 | |
so you could follow the path of everything coming through. | 0:41:12 | 0:41:15 | |
Once they knew that it was really an enemy aircraft approach, | 0:41:15 | 0:41:17 | |
that's when the information went through | 0:41:17 | 0:41:20 | |
from the teller up at the top | 0:41:20 | 0:41:21 | |
through to the special operations room. | 0:41:21 | 0:41:23 | |
As well as processing huge amounts of information quickly | 0:41:26 | 0:41:29 | |
and managing the position of the fighter aircraft, | 0:41:29 | 0:41:32 | |
the operations room also directed other elements | 0:41:32 | 0:41:36 | |
of the defence network, including anti-aircraft guns, | 0:41:36 | 0:41:40 | |
searchlights and barrage balloons. | 0:41:40 | 0:41:43 | |
So, this was the operations room. | 0:41:44 | 0:41:47 | |
This filled the space at two levels, | 0:41:47 | 0:41:49 | |
with balconies and a big map in the middle, | 0:41:49 | 0:41:52 | |
and you can see that in this model. | 0:41:52 | 0:41:54 | |
This model, again, is taken from the archives. | 0:41:54 | 0:41:56 | |
So, we took all of the information and this is placed from | 0:41:56 | 0:41:59 | |
photographs in the archive drawings to show with the map in the middle. | 0:41:59 | 0:42:03 | |
But this time, the map is centred on the country and not on the sea. | 0:42:03 | 0:42:07 | |
So, this is Observer Corps information also being | 0:42:07 | 0:42:09 | |
filtered through into here, so that they can really plot and plan | 0:42:09 | 0:42:13 | |
where the planes are going. | 0:42:13 | 0:42:14 | |
This is the Dowding system. | 0:42:14 | 0:42:16 | |
This is the culmination of working with the radar, | 0:42:16 | 0:42:20 | |
working with Observer Corps, | 0:42:20 | 0:42:21 | |
working with all of these new technologies | 0:42:21 | 0:42:24 | |
and this new information to actually make sure | 0:42:24 | 0:42:26 | |
that we didn't over-use them, but we used them strategically | 0:42:26 | 0:42:30 | |
and that we lost as few as possible | 0:42:30 | 0:42:32 | |
because we had this brilliant information. | 0:42:32 | 0:42:35 | |
After the Battle of Britain, | 0:42:35 | 0:42:37 | |
Hitler realised he couldn't win in the skies and that was a big win. | 0:42:37 | 0:42:42 | |
He then couldn't invade us in the way that he had wanted to. | 0:42:42 | 0:42:46 | |
-We have so much to be thankful for, don't we? -Mm. Absolutely. | 0:42:46 | 0:42:49 | |
It's an amazing story that people need to remember. | 0:42:49 | 0:42:52 | |
Peter and Natasha have also made their way to North West London. | 0:42:58 | 0:43:02 | |
They've come to Pinner for their final spot of shopping | 0:43:02 | 0:43:05 | |
at A&C Antiques And Collectables. | 0:43:05 | 0:43:08 | |
-Last chance to spend some money. -Yeah. | 0:43:08 | 0:43:11 | |
-Hello. -Hello. | 0:43:12 | 0:43:14 | |
Hi, I'm Tasha. | 0:43:14 | 0:43:15 | |
Oh, hello there, I'm Cris. | 0:43:15 | 0:43:17 | |
-Cris, this is Peter. -Hi, Cris. Peter. Are you all right? | 0:43:17 | 0:43:19 | |
Ooh, is that for sale? | 0:43:19 | 0:43:20 | |
Huh. Lordy. | 0:43:22 | 0:43:23 | |
Peter's keen to spend all of their remaining £129 and has spotted | 0:43:25 | 0:43:29 | |
something outside that could fit the bill - a pair of birdbaths. | 0:43:29 | 0:43:33 | |
I love these. They're definitely old, aren't they, really? | 0:43:33 | 0:43:36 | |
Well, certainly the rust gives a little bit of an idea of age. | 0:43:36 | 0:43:40 | |
But, yes, these are typical, Victorian, I guess, cast iron. | 0:43:40 | 0:43:44 | |
-But really heavy. Heavy. -Heavy. | 0:43:44 | 0:43:46 | |
Just like the back of our wood-burner. | 0:43:46 | 0:43:49 | |
-I wonder how much they cost. -Yeah, shall we go and ask Cris? | 0:43:49 | 0:43:51 | |
Do you want me to go and get her? | 0:43:51 | 0:43:54 | |
-She's coming. -Cris! | 0:43:54 | 0:43:55 | |
Cris, do you know the price of the birdbaths? | 0:43:55 | 0:43:57 | |
Yeah, they were 125 each or a couple of hundred for the pair. | 0:43:57 | 0:44:01 | |
That's way out of our league, I'm afraid. | 0:44:01 | 0:44:04 | |
The very, very, very best would be 150 for the pair. | 0:44:04 | 0:44:08 | |
-That would be the best. -Well, we don't even have 150. | 0:44:08 | 0:44:11 | |
We don't have 150. Shall I tell you how much we have? | 0:44:11 | 0:44:13 | |
So, I've spent 271, | 0:44:13 | 0:44:18 | |
so I've got 129 left. | 0:44:18 | 0:44:20 | |
-OK, then, yeah. For 129. -Oh-ho! | 0:44:24 | 0:44:26 | |
Well, Peter, Cris has made your wish come true. | 0:44:26 | 0:44:29 | |
They are very nice. They are very nice. | 0:44:29 | 0:44:31 | |
-That's great. -They are lovely. -Well, that's a bit of a shock. | 0:44:31 | 0:44:34 | |
-OK, then, 129. -That's a very good deal. | 0:44:34 | 0:44:36 | |
I'll say. | 0:44:36 | 0:44:38 | |
That generous discount bags Peter and Natasha the bird baths for £129, | 0:44:38 | 0:44:43 | |
which they'll add to the wood-burner to create one lot for auction. | 0:44:43 | 0:44:48 | |
Steady on, old chap. | 0:44:52 | 0:44:54 | |
HE GROANS Crikey! | 0:44:54 | 0:44:57 | |
Shopping complete for both teams, | 0:44:57 | 0:44:59 | |
it's time to get an eyeful of each other's lots. | 0:44:59 | 0:45:02 | |
Dum, dum, dum... | 0:45:04 | 0:45:06 | |
You went with Pinocchio! | 0:45:06 | 0:45:08 | |
-That's exactly who it is. -Yeah, yeah. | 0:45:08 | 0:45:11 | |
It's in need of slight repair, string-wise. | 0:45:11 | 0:45:13 | |
What about your kind of, hmm, ethnic figures? | 0:45:13 | 0:45:16 | |
You didn't sound very impressed by them. | 0:45:16 | 0:45:17 | |
-Well, this is a good story because Peter's wife is a midwife. -Yeah. | 0:45:17 | 0:45:20 | |
And these are for fertility. | 0:45:20 | 0:45:22 | |
-They're quite impressive looking, aren't they? -They're cool. | 0:45:22 | 0:45:24 | |
-I think so. -They've got bosoms on their head | 0:45:24 | 0:45:26 | |
-and there's a pair here, too. -They're everywhere. -Yes, yes. | 0:45:26 | 0:45:29 | |
-You're holding back a bit now, aren't you? -Yeah. -Yes. | 0:45:29 | 0:45:31 | |
And you notice, I've bought everything in pairs except | 0:45:31 | 0:45:33 | |
for Pinocchio and this object over here which is my favourite. | 0:45:33 | 0:45:37 | |
The piece de resistance. | 0:45:37 | 0:45:38 | |
It is a bright blue wood-burner, Art Deco-style. Look. | 0:45:38 | 0:45:42 | |
Lid comes out like that. You put your wood in there. | 0:45:42 | 0:45:44 | |
Bit of methylated spirit on that, it'll sell for 200 quid. | 0:45:44 | 0:45:47 | |
I love these. I think they're absolutely brilliant. | 0:45:47 | 0:45:49 | |
Did you choose them, Peter? | 0:45:49 | 0:45:51 | |
-No, no. -They've got style. | 0:45:51 | 0:45:52 | |
Natasha saw them and she persuaded me and instantly when I saw them, | 0:45:52 | 0:45:56 | |
I concurred with her that this was a good choice. | 0:45:56 | 0:45:58 | |
-Well done, you. Well done. -They're a wee bit on my head. | 0:45:58 | 0:46:00 | |
I've spent every pound of my £400 to get these things together. | 0:46:00 | 0:46:03 | |
-Have you? -Every penny. -I have to congratulate you on that. | 0:46:03 | 0:46:06 | |
Congratulations to both of you. | 0:46:06 | 0:46:08 | |
-And you did the same, of course. -Of course! Almost. | 0:46:08 | 0:46:12 | |
'You fibbers! Time to reveal all.' | 0:46:12 | 0:46:16 | |
It's a stepladder! | 0:46:16 | 0:46:17 | |
It's an apple orchard ladder from the 1920s from France. | 0:46:17 | 0:46:22 | |
-Can I reveal back what's under here? -Yes. | 0:46:22 | 0:46:24 | |
-Ooh! -There we are. -Oh! | 0:46:24 | 0:46:27 | |
I thought it was all going to be small chimney pots. | 0:46:27 | 0:46:30 | |
We've bought things to do with fire and burning things. | 0:46:30 | 0:46:33 | |
-It's great! -I know. -How good are they for the garden? | 0:46:33 | 0:46:36 | |
-That's what they're for. -Thank you, yes. -Beautiful. | 0:46:36 | 0:46:38 | |
That's exactly what they're for. | 0:46:38 | 0:46:40 | |
-What do you think of these little devils? -Really gorgeous. | 0:46:40 | 0:46:43 | |
They're the Devil's fork and spoon. | 0:46:43 | 0:46:45 | |
-They're Deco. -Silver-gilt. -Silver-gilt, and they're French. | 0:46:45 | 0:46:49 | |
-They are beautiful. -They are so attractive. | 0:46:49 | 0:46:51 | |
They are for serving hors d'oeuvres or whatever you want, really. | 0:46:51 | 0:46:53 | |
That's a cutie, I tell you. That wee sweetheart, | 0:46:53 | 0:46:55 | |
-little pocket watch. -Do you love that? | 0:46:55 | 0:46:57 | |
Well, when was the last time you saw one in a heart-shaped? | 0:46:57 | 0:46:59 | |
-That's so cute. -I think we've done pretty well. | 0:46:59 | 0:47:02 | |
I think we've all done spectacularly well. | 0:47:02 | 0:47:04 | |
And I am fascinated. | 0:47:04 | 0:47:05 | |
-Shall we go and talk about our sales behind our backs? -I think we should. | 0:47:05 | 0:47:09 | |
-Let's go and have a chat. -Come on. | 0:47:09 | 0:47:10 | |
'Out of earshot, what do they really make of each other's lots?' | 0:47:11 | 0:47:15 | |
What do you think of the African figures? | 0:47:15 | 0:47:18 | |
Well, they're brand-new. | 0:47:18 | 0:47:19 | |
I mean, let's be honest, they're just off the plane. | 0:47:19 | 0:47:22 | |
-THEY LAUGH -But you never know, | 0:47:22 | 0:47:25 | |
it's the sort of quirky thing that someone might pick up on. | 0:47:25 | 0:47:27 | |
I particularly like the ladder cos I'm a comedy ladder man. | 0:47:27 | 0:47:30 | |
I'm always buying ladders. I've got five ladders at home. | 0:47:30 | 0:47:32 | |
-Not sure about the strange sort of demonic cutlery. -I like that. | 0:47:32 | 0:47:37 | |
I do like it, but it's a bit weird. | 0:47:37 | 0:47:39 | |
I don't know. It all depends who's there on the day, doesn't it? | 0:47:39 | 0:47:42 | |
-Whose do you prefer? -Ours. | 0:47:42 | 0:47:45 | |
-Yay! We can say that. -I do. I really do. | 0:47:45 | 0:47:49 | |
TIM: No shame in that, Sarah. | 0:47:49 | 0:47:51 | |
After starting way back in Guildford in Surrey, | 0:47:51 | 0:47:54 | |
Sarah and Peter are now en route | 0:47:54 | 0:47:56 | |
to auction in Tewkesbury, Gloucestershire. | 0:47:56 | 0:47:58 | |
-Obviously, Pinocchio I love. -Yes. -But I'm quite sad that he's going... | 0:48:02 | 0:48:05 | |
Do you think he'll come to life today at the auction? | 0:48:05 | 0:48:07 | |
-I hope so, Peter. -Do you think if someone offers him for a fiver, | 0:48:07 | 0:48:10 | |
-he might sort of spring to life and object? -I hope you're allowed... | 0:48:10 | 0:48:13 | |
I mean, I hope he's allowed to do that. | 0:48:13 | 0:48:15 | |
Mm. Me too. | 0:48:15 | 0:48:18 | |
Natasha and Catherine have already arrived | 0:48:18 | 0:48:20 | |
in the historic riverside town of Tewkesbury | 0:48:20 | 0:48:23 | |
and are waiting for their celebrity partners | 0:48:23 | 0:48:26 | |
at Church Street Auctions. | 0:48:26 | 0:48:27 | |
-ENGINE REVS -Can you hear what I can here? | 0:48:27 | 0:48:30 | |
I can hear a roaring. | 0:48:30 | 0:48:31 | |
-Listen to her roar! -The roar of success! | 0:48:31 | 0:48:35 | |
-All right, steady on. -Look, these girls look ready for action. | 0:48:35 | 0:48:39 | |
You look absolutely beautiful! Look at this gorgeous dress. | 0:48:39 | 0:48:42 | |
Thank you very much. | 0:48:42 | 0:48:43 | |
-That, to me, is a winning dress. -Is it? -Yeah. | 0:48:43 | 0:48:46 | |
-Don't worry. You get to drive it after the auction, too. -Do I? | 0:48:46 | 0:48:50 | |
-You sure do. -Oh, we're leaving. I'll take it home. | 0:48:50 | 0:48:52 | |
Feeling positive. Feeling good. | 0:48:52 | 0:48:54 | |
-We're just talking of auctions, are you feeling lucky? -Yeah. | 0:48:54 | 0:48:57 | |
-Are you feeling lucky? -Are you all right? -I am, actually. | 0:48:57 | 0:48:59 | |
-Very Art Deco. -We are positive! | 0:48:59 | 0:49:00 | |
-Shall we take our positive energy indoors? -I think we should. | 0:49:00 | 0:49:03 | |
-Ladies, after you. -We'll follow in your wake, I think. | 0:49:03 | 0:49:05 | |
On this Road Trip, Sarah and Catherine spent £303 | 0:49:07 | 0:49:10 | |
on five auction lots. | 0:49:10 | 0:49:12 | |
While Peter and Natasha also bought five lots, | 0:49:13 | 0:49:16 | |
spending every single penny of their £400 budget. | 0:49:16 | 0:49:21 | |
The man presiding over today's auction is Beau Howell. | 0:49:21 | 0:49:24 | |
So, what does he make of our celebrities' lots? | 0:49:24 | 0:49:27 | |
..at £8. | 0:49:27 | 0:49:29 | |
The Swiss watch, I like very much, the silver one, | 0:49:29 | 0:49:31 | |
I think that's lovely. | 0:49:31 | 0:49:32 | |
And the wrought iron birdbaths, | 0:49:32 | 0:49:34 | |
it's a shame that the fire's with them, but I like them a lot. | 0:49:34 | 0:49:37 | |
I think they're great pieces. | 0:49:37 | 0:49:39 | |
Find your seats, you two, as you're first up... | 0:49:39 | 0:49:42 | |
..with the brass vases and unusual horn letter opener. | 0:49:44 | 0:49:47 | |
15, anyone? | 0:49:47 | 0:49:49 | |
Come on. They've got to be worth that. It's yours for 15, surely. | 0:49:51 | 0:49:54 | |
Surely. | 0:49:54 | 0:49:55 | |
-IN COCKNEY ACCENT: -Tenner! Anyone at all? £10. | 0:49:55 | 0:49:57 | |
He doesn't sound like he's from Tewkesbury, does he? | 0:49:57 | 0:50:00 | |
-£10 I've got. 12 anywhere? -Come on. | 0:50:00 | 0:50:02 | |
-All finished at 10. -Come on. Surely. | 0:50:02 | 0:50:05 | |
Are you finished? Are you sure? | 0:50:05 | 0:50:07 | |
Sold for 10. | 0:50:07 | 0:50:08 | |
Not the best of starts. | 0:50:10 | 0:50:11 | |
Onwards and upwards, we hope. | 0:50:12 | 0:50:15 | |
I think people are not in a spending mood, unfortunately. | 0:50:15 | 0:50:18 | |
Well, Sarah, hopefully someone will want to fork out for | 0:50:18 | 0:50:22 | |
your 20th century French apple orchard ladder. | 0:50:22 | 0:50:25 | |
I have a couple of bids on it and I can go in at £60. | 0:50:25 | 0:50:30 | |
-No! -Yeah! | 0:50:30 | 0:50:31 | |
-£60 I've got. -That's brilliant! Sorry. | 0:50:31 | 0:50:33 | |
65 anywhere? All finished at £60? | 0:50:33 | 0:50:37 | |
THEY LAUGH | 0:50:39 | 0:50:42 | |
A small but sweet profit there for Sarah and Catherine. | 0:50:42 | 0:50:46 | |
-£10, anyone? -Utterly amazed. -That's very good. | 0:50:46 | 0:50:48 | |
-You're well in the lead. -I'm really surprised. | 0:50:48 | 0:50:50 | |
You shouldn't be to shocked. You did buy them. | 0:50:50 | 0:50:53 | |
You might have to get up and do a bit of an act, Peter. | 0:50:53 | 0:50:55 | |
All right, OK. | 0:50:55 | 0:50:56 | |
Yes, Peter, as it's the turn of your porcelain puppet. | 0:50:56 | 0:51:00 | |
Hello, everybody! | 0:51:01 | 0:51:03 | |
Would he like to bid? | 0:51:03 | 0:51:05 | |
Not until somebody else does, no. Would you like to bid? | 0:51:05 | 0:51:08 | |
No, I don't bid! | 0:51:08 | 0:51:09 | |
£10 for him? Tenner? | 0:51:09 | 0:51:11 | |
£10? Come on. He's worth £10. | 0:51:11 | 0:51:14 | |
-10, I've got. -Thank you, sir. You're kind. You take me home. | 0:51:14 | 0:51:17 | |
-I cook and clean for you. -£12? | 0:51:17 | 0:51:19 | |
Are you all finished at 10? | 0:51:19 | 0:51:21 | |
You're not going to let him go for that, surely? | 0:51:21 | 0:51:23 | |
Don't sell me! Don't sell me! | 0:51:23 | 0:51:25 | |
-THEY LAUGH -All done? -I hate you! | 0:51:25 | 0:51:29 | |
-Yours, sir. -There you go, mate. | 0:51:29 | 0:51:31 | |
Thanks a lot. | 0:51:32 | 0:51:33 | |
-May you be very happy together. -LAUGHTER | 0:51:33 | 0:51:36 | |
Despite Peter's performance, that's another loss. Rotten luck. | 0:51:36 | 0:51:41 | |
We bought it for 25, it sold for 10. A good strong second for us there. | 0:51:41 | 0:51:45 | |
Maybe Sarah's vintage skis will be more to this crowd's liking. | 0:51:47 | 0:51:51 | |
-£10 for them. -Could you sell them separately? | 0:51:51 | 0:51:54 | |
-£10 I've got. -There you go. He's amazed. | 0:51:54 | 0:51:58 | |
12. | 0:51:58 | 0:51:59 | |
14. | 0:51:59 | 0:52:01 | |
16. 18. 20. | 0:52:01 | 0:52:04 | |
22. | 0:52:04 | 0:52:06 | |
-Here you go. -24. -Oh, my God. You've got some actual bidding. | 0:52:06 | 0:52:08 | |
25. No? | 0:52:08 | 0:52:10 | |
£25, straight down there. All finished at £25? | 0:52:10 | 0:52:14 | |
CATHERINE SIGHS Another loss there. | 0:52:14 | 0:52:17 | |
Where are all the Blue Peter fans when you need them, hey? | 0:52:17 | 0:52:20 | |
It's slightly bizarre. Do you think they know something we don't? | 0:52:20 | 0:52:24 | |
Surely your incongruous linked birdbaths | 0:52:24 | 0:52:28 | |
and early 20th-century wood-burner will sell well, Peter. | 0:52:28 | 0:52:31 | |
-And I go in at £200. -Yes! -Wow, that's very good. | 0:52:31 | 0:52:36 | |
£200 I've got. 220 anywhere? | 0:52:36 | 0:52:39 | |
-220. -That's it, sir. | 0:52:39 | 0:52:40 | |
-240. -Go on! | 0:52:40 | 0:52:43 | |
250. 260. 270. | 0:52:43 | 0:52:47 | |
Nope. 260, on my right. | 0:52:47 | 0:52:50 | |
All finished at 260. All done? | 0:52:50 | 0:52:53 | |
Yes! Yes! | 0:52:53 | 0:52:57 | |
Finally, a profit for Peter and Natasha. Hurrah! | 0:52:57 | 0:53:01 | |
Well done. Well done, well done. | 0:53:01 | 0:53:03 | |
-That's brilliant. -Well done! -That was fantastic. | 0:53:03 | 0:53:06 | |
It was, indeed. | 0:53:07 | 0:53:09 | |
Right, can Sarah and Catherine pull in a profit | 0:53:09 | 0:53:12 | |
with their silver heart-shaped fob watch? | 0:53:12 | 0:53:14 | |
-50 I've got. Is there 55 anywhere? -Come on! | 0:53:15 | 0:53:19 | |
-It is worth a lot, lot more than that. -It is. Come on. | 0:53:19 | 0:53:21 | |
All finished at £50. Are you sure? | 0:53:21 | 0:53:24 | |
It's incredibly beautiful, I have to tell you. | 0:53:24 | 0:53:26 | |
No? | 0:53:26 | 0:53:28 | |
Ah! So close yet so far. What a shame. | 0:53:29 | 0:53:32 | |
-We loved it. -And that's all that matters. -Yes. -It is. | 0:53:33 | 0:53:38 | |
Well, not if you want to win, it's not. | 0:53:38 | 0:53:40 | |
Peter and Natasha's pair of lead glass windows are up next. | 0:53:41 | 0:53:45 | |
40 I've got. 45 anyway? | 0:53:45 | 0:53:48 | |
45. 50. Do you want 55? | 0:53:50 | 0:53:52 | |
55 I'm out on the floor. 55. 60 anywhere? | 0:53:52 | 0:53:56 | |
-All done? -Oh, that's sore. -No! | 0:53:56 | 0:53:59 | |
-That's sore. -THEY GROAN | 0:53:59 | 0:54:02 | |
Ouch. It is indeed another disappointing loss there. | 0:54:02 | 0:54:05 | |
-Someone's got a deal there, haven't they? -I tell you what, | 0:54:06 | 0:54:08 | |
there are some bargains being got today, aren't there? | 0:54:08 | 0:54:11 | |
Time now for Sarah and Catherine's priciest purchase, | 0:54:11 | 0:54:15 | |
their 19th-century terracotta chimney pots. | 0:54:15 | 0:54:18 | |
-£60 I've got. 65 anywhere? -There's two! -65. 67. | 0:54:18 | 0:54:24 | |
Do you want 70? 70 I'm out. | 0:54:24 | 0:54:26 | |
-That's it. That's it. -70. 75. | 0:54:26 | 0:54:28 | |
No? 75. 77 anywhere? | 0:54:29 | 0:54:32 | |
-All finished at 75? -Oh, no. Surely not. -All done? -Come on. | 0:54:32 | 0:54:36 | |
-77. -Ah! | 0:54:36 | 0:54:39 | |
Come on! | 0:54:39 | 0:54:41 | |
80. 82? | 0:54:41 | 0:54:44 | |
82. Come on. 84? | 0:54:44 | 0:54:47 | |
84. | 0:54:47 | 0:54:48 | |
No? 84 on my left. | 0:54:48 | 0:54:50 | |
All finished at £84. All done. | 0:54:50 | 0:54:53 | |
-Thank you. -1984. -Now, how about the other one? | 0:54:55 | 0:54:58 | |
Nice try, Sarah, nice try. | 0:55:01 | 0:55:03 | |
-Wait for the final reckoning. -I know. | 0:55:03 | 0:55:06 | |
Here it comes, Peter, your last lot, | 0:55:08 | 0:55:09 | |
the pair of carved African fertility figures. | 0:55:09 | 0:55:13 | |
£20, someone? | 0:55:13 | 0:55:16 | |
Look at them, the weight of them! | 0:55:16 | 0:55:17 | |
15? Anyone at all? £15 for two African fertility figures. | 0:55:17 | 0:55:22 | |
Come on now. | 0:55:22 | 0:55:23 | |
Come on. They're worth that, surely. | 0:55:23 | 0:55:25 | |
Tenner? | 0:55:25 | 0:55:27 | |
Here we go. | 0:55:27 | 0:55:29 | |
-£10? -£10! | 0:55:29 | 0:55:32 | |
-Fiver? -A fiver?! | 0:55:32 | 0:55:34 | |
All right. I'll buy 'em for a fiver. | 0:55:34 | 0:55:37 | |
Yes! | 0:55:37 | 0:55:39 | |
I'll see you at the stage door. | 0:55:39 | 0:55:40 | |
What a hero. | 0:55:40 | 0:55:42 | |
-Sold to me. -Well done. -Sold to the auctioneer. | 0:55:42 | 0:55:44 | |
I love that auctioneer. He is the best auctioneer I've ever met. | 0:55:44 | 0:55:48 | |
Well, they've sold, just. | 0:55:48 | 0:55:50 | |
Sadly, Peter and Natasha end on another loss. | 0:55:50 | 0:55:53 | |
He's bought them for six. | 0:55:53 | 0:55:55 | |
He bought them for five. | 0:55:55 | 0:55:58 | |
-Didn't he bid against himself for six? -No. -Five. OK. | 0:55:58 | 0:56:02 | |
It's been a tough old crowd today. | 0:56:02 | 0:56:05 | |
But what will they think of the final lot, | 0:56:05 | 0:56:07 | |
Sarah and Catherine's Art Deco silver hors d'oeuvre servers? | 0:56:07 | 0:56:12 | |
15, anyone? £15? | 0:56:12 | 0:56:14 | |
£15 I've got. 17 anywhere? | 0:56:14 | 0:56:17 | |
That's a start. Come on. 17? | 0:56:17 | 0:56:20 | |
Anyone at all? £17? | 0:56:20 | 0:56:23 | |
Nobody's interested. What's happening? | 0:56:23 | 0:56:25 | |
I know. They were our best... | 0:56:25 | 0:56:27 | |
Oh, dear. No happy ending there, it would seem. | 0:56:29 | 0:56:32 | |
-Let's go and do maths. -Must we? | 0:56:32 | 0:56:34 | |
-Let's do it. -We must, we must. -OK. | 0:56:34 | 0:56:35 | |
-Nice bloke, though. -Yes, yes. Thank you. | 0:56:36 | 0:56:39 | |
After beginning with £400, | 0:56:40 | 0:56:42 | |
sadly, Peter and Natasha made a loss | 0:56:42 | 0:56:44 | |
of £121.20 | 0:56:44 | 0:56:47 | |
after paying auction costs, | 0:56:47 | 0:56:50 | |
which means they end their journey with £278.80. | 0:56:50 | 0:56:55 | |
Sarah and Catherine also kicked off with £400 and unfortunately | 0:56:56 | 0:57:01 | |
they too made a loss after auction costs | 0:57:01 | 0:57:03 | |
of £111.12, | 0:57:03 | 0:57:06 | |
which means they're crowned today's winning losers, so as to speak, | 0:57:06 | 0:57:11 | |
finishing with £288.88. | 0:57:11 | 0:57:15 | |
So close. I call that quits, actually. | 0:57:15 | 0:57:17 | |
-I think so, too. -It's a draw! | 0:57:17 | 0:57:19 | |
-It's a draw. -Well done! -Well done, everyone. | 0:57:19 | 0:57:22 | |
What I've learnt from this experience is all you need in life | 0:57:22 | 0:57:25 | |
is an E-Type Jaguar and two lovely ladies to share | 0:57:25 | 0:57:28 | |
the passenger seat with you. | 0:57:28 | 0:57:29 | |
-I hope I'm one of those. -Yes, two! | 0:57:29 | 0:57:31 | |
-Well, talking of E-Types. You've got to jump in it now. -Oh. -It's the end. | 0:57:31 | 0:57:35 | |
-The end of the road. -Not in that car again. | 0:57:35 | 0:57:37 | |
-It's been a pleasure. -And you, darling. -Well done. | 0:57:37 | 0:57:41 | |
-Good luck. -Bye! -Thank you! | 0:57:41 | 0:57:43 | |
And so, despite the disappointments, our celebrities depart with a smile. | 0:57:43 | 0:57:46 | |
ENGINE STARTS | 0:57:48 | 0:57:51 | |
-BOTH: -Bye-bye! -Bye! | 0:57:51 | 0:57:55 | |
What's been your best bit about being on the Antiques Road Trip? | 0:57:57 | 0:58:02 | |
-REVS ENGINE -Oh. | 0:58:02 | 0:58:05 | |
I thought you were going to say being with me. | 0:58:05 | 0:58:06 | |
Just sitting in this white E-Type Jag with you by my side, | 0:58:06 | 0:58:10 | |
-talking of old times. -Oh! | 0:58:10 | 0:58:13 | |
I mean, let's forget all the buying and the selling | 0:58:13 | 0:58:15 | |
and the extraordinary disaster that happened. | 0:58:15 | 0:58:18 | |
I used to have a model of this when I was a little boy, this car, | 0:58:18 | 0:58:21 | |
you know, so this is like some sort of childhood fantasy. | 0:58:21 | 0:58:24 | |
-It's a dream come true. -It is. -A dream come true. | 0:58:24 | 0:58:26 | |
Well, isn't that nice. | 0:58:26 | 0:58:28 | |
Until we meet again. | 0:58:28 | 0:58:30 | |
Ta-ta, roadtrippers. | 0:58:30 | 0:58:32 |