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Now, we've all got things tucked away in cupboards or in the attic. | 0:00:02 | 0:00:05 | |
Treasures that have been forgotten about for many years. | 0:00:05 | 0:00:08 | |
But if you take a closer look, you might just find something | 0:00:08 | 0:00:10 | |
of real value. | 0:00:10 | 0:00:12 | |
Something a collector will be waiting for. | 0:00:12 | 0:00:15 | |
I have an automatic gold detector in my fingertips! | 0:00:15 | 0:00:18 | |
Over the last 11 years on the show, | 0:00:18 | 0:00:20 | |
you've literally brought in thousands of items | 0:00:20 | 0:00:23 | |
for our experts to wax lyrical over. | 0:00:23 | 0:00:26 | |
And now I want to share some of that knowledge with the rest of you | 0:00:26 | 0:00:29 | |
to help you get in the know. | 0:00:29 | 0:00:31 | |
On today's show, we're looking back at childhood memories. | 0:00:58 | 0:01:01 | |
And what's the stuff of those memories? | 0:01:01 | 0:01:03 | |
Well, it's toys, of course. | 0:01:03 | 0:01:06 | |
-It's lovely, isn't it? -Where did you get it from? | 0:01:06 | 0:01:09 | |
And we'll be letting you in on the secret of what's a winner | 0:01:09 | 0:01:12 | |
and what's a damp squib | 0:01:12 | 0:01:13 | |
when it come to selling those childhood treasures. | 0:01:13 | 0:01:17 | |
If you can find and immaculate | 0:01:17 | 0:01:19 | |
and complete old Monopoly set you're into money. | 0:01:19 | 0:01:22 | |
We've got an Aladdin's cave of play things and we'll be lifting the lid on what to look out for | 0:01:22 | 0:01:27 | |
in antique toys. | 0:01:27 | 0:01:28 | |
I think this is all her original dress, which is marvellous. | 0:01:30 | 0:01:33 | |
Wonderful glass eyes. Later, they were plastic. | 0:01:33 | 0:01:36 | |
If we knock them against our teeth, we can tell they're glass. | 0:01:36 | 0:01:39 | |
And today's the day Elizabeth Talbot reveals a soft spot | 0:01:39 | 0:01:42 | |
for a childhood favourite. | 0:01:42 | 0:01:45 | |
He's gorgeous! He's waving, look. | 0:01:45 | 0:01:49 | |
One of my favourite toys from my childhood | 0:01:52 | 0:01:55 | |
has to be my Dinky and Corgi cars. | 0:01:55 | 0:01:57 | |
Every time I see one at a Flog It valuation day, | 0:01:57 | 0:01:59 | |
it brings back memories of a happy childhood for me. | 0:01:59 | 0:02:02 | |
I think that's what the collectors are looking for. | 0:02:02 | 0:02:05 | |
Evocative of a time before computer games | 0:02:05 | 0:02:07 | |
when you had to use your own imagination to play with your toys. | 0:02:07 | 0:02:11 | |
But what separates a collectable classic | 0:02:11 | 0:02:14 | |
from something of just sentimental value? | 0:02:14 | 0:02:16 | |
Things that are original and retain their original packaging | 0:02:19 | 0:02:23 | |
and is in as good a condition as possible are more valuable. | 0:02:23 | 0:02:26 | |
So often, especially with Dinky toys, | 0:02:26 | 0:02:29 | |
a Dinky toy might be worth £50, but the box it came in might be worth 100. | 0:02:29 | 0:02:34 | |
I suppose that's condition, isn't it? | 0:02:34 | 0:02:35 | |
Toys and games have got to be in good condition. | 0:02:35 | 0:02:38 | |
Sadly, not played with! | 0:02:38 | 0:02:39 | |
Sad to think of a toy or game that hasn't been used, | 0:02:39 | 0:02:41 | |
but the more mint-like the condition, | 0:02:41 | 0:02:45 | |
the more value it will have. | 0:02:45 | 0:02:47 | |
And boxed, if possible. | 0:02:47 | 0:02:49 | |
So the message is loud and clear. | 0:02:53 | 0:02:55 | |
Condition, condition, condition! | 0:02:55 | 0:02:57 | |
Now let's take a closer look at some of the most exciting | 0:02:57 | 0:02:59 | |
and pristine toys we've ever seen on the show. | 0:02:59 | 0:03:03 | |
-What a wonderful treasure you've brought in! -It's lovely, isn't it? | 0:03:05 | 0:03:08 | |
-Where did you get it from? -It belonged to my father. | 0:03:08 | 0:03:12 | |
But the strange thing was, we none of us saw it when we were children. | 0:03:12 | 0:03:15 | |
We only, unfortunately, discovered it after he'd died. | 0:03:15 | 0:03:17 | |
-We were going through his things to sort through them. -No! | 0:03:17 | 0:03:20 | |
-Never got it out at Christmas or anything? -No. -So the family could play along? -No. | 0:03:20 | 0:03:24 | |
The other nice thing to see straightaway is the inset brass plaque here, | 0:03:24 | 0:03:31 | |
engraved with the maker's name. Which is? | 0:03:31 | 0:03:33 | |
"Toulmin & Gale, from Cheapside in London." | 0:03:33 | 0:03:36 | |
There's nothing cheap about this box, is there? | 0:03:36 | 0:03:38 | |
Toulmin & Gale, actually, were a very long-established firm, | 0:03:38 | 0:03:42 | |
founded in the early part of the 18th century. | 0:03:42 | 0:03:44 | |
They went right through the 19th century, | 0:03:44 | 0:03:47 | |
even winning a gold medal in the 1862 International Exhibition. | 0:03:47 | 0:03:51 | |
-We've naturally got a whole set of chess. -Yes. | 0:03:51 | 0:03:55 | |
-We've got a set of dominoes. -Yes. | 0:03:55 | 0:03:57 | |
A full set of draughts. | 0:03:57 | 0:04:00 | |
Games, of course, are common, and have been common for thousands of years. | 0:04:00 | 0:04:04 | |
A compendium of this quality | 0:04:04 | 0:04:07 | |
and range of games | 0:04:07 | 0:04:09 | |
would not have been common. | 0:04:09 | 0:04:12 | |
It would have been for the upper classes. | 0:04:12 | 0:04:15 | |
Then we've got a Bezique game, which I never know how to play! | 0:04:15 | 0:04:19 | |
-No! -But my favourite, I have to say, and I'm not a betting man, | 0:04:19 | 0:04:24 | |
-but I love this horse-racing game. -It's lovely. | 0:04:24 | 0:04:27 | |
We've only put a few horses out, and a few of the jumps, | 0:04:27 | 0:04:31 | |
-but there's more fitted inside. -Yes. | 0:04:31 | 0:04:33 | |
And even the beakers for shaking the dice, it's just absolutely superb. | 0:04:33 | 0:04:40 | |
There are so many fragile, breakable, and, of course, small pieces | 0:04:40 | 0:04:45 | |
that could have been lost. | 0:04:45 | 0:04:47 | |
So when you open a box like this, | 0:04:47 | 0:04:49 | |
and find it virtually intact, | 0:04:49 | 0:04:51 | |
and untouched, | 0:04:51 | 0:04:53 | |
well, it's a collector's dream. | 0:04:53 | 0:04:54 | |
So we've got to think of a price. We're quite excited about it | 0:04:54 | 0:04:58 | |
and have to think of a price. | 0:04:58 | 0:05:00 | |
But I would put it in with a "come and get me" estimate. | 0:05:00 | 0:05:02 | |
-To get their taste buds watering, if you like. -Yes. | 0:05:02 | 0:05:06 | |
-So I would put something like 400 to £600 on it. -OK. That's good. | 0:05:06 | 0:05:11 | |
Mark might not be a gambling man, | 0:05:13 | 0:05:15 | |
but he is hedging his bets. | 0:05:15 | 0:05:17 | |
The name and the quality will surely raise the stakes? | 0:05:17 | 0:05:20 | |
280 now. 300. | 0:05:20 | 0:05:22 | |
320 bid. 340 against you in the room. | 0:05:22 | 0:05:25 | |
-Climbing. -360. | 0:05:25 | 0:05:26 | |
If you want something like this, of the quality and complete nature, | 0:05:26 | 0:05:31 | |
you certainly need to have a decent few counters in your wallet. | 0:05:31 | 0:05:36 | |
Cos they don't come cheap. | 0:05:36 | 0:05:39 | |
600 on my right. Going 620? | 0:05:39 | 0:05:41 | |
-620 with you. Thank you. -This is great. -Good advice. | 0:05:41 | 0:05:45 | |
660 now. 680. 700. | 0:05:45 | 0:05:47 | |
Look out for unusual objects in there. You know, | 0:05:47 | 0:05:50 | |
little games pointers made of ivory or silver. | 0:05:50 | 0:05:53 | |
All those little things add value to pieces. | 0:05:53 | 0:05:56 | |
-900 seated. Lady's bid at £900. -Brilliant. | 0:05:56 | 0:05:59 | |
-900. -920. -920 offered. | 0:05:59 | 0:06:01 | |
940, the lady. 940 I'm bid. | 0:06:01 | 0:06:04 | |
-Absolutely brilliant. 940... 960. -Still going strong. | 0:06:04 | 0:06:09 | |
We might get to a thousand! | 0:06:09 | 0:06:12 | |
-£980. Lady's bid at 980. -1,000. | 0:06:12 | 0:06:15 | |
-1,000. -1,000! | 0:06:15 | 0:06:16 | |
Fantastic! | 0:06:16 | 0:06:18 | |
£1,000 against you. Lovely lot. Don't let it go. | 0:06:18 | 0:06:21 | |
1,050. Thank you. | 0:06:21 | 0:06:23 | |
1,050 I'm bid. I'm looking for 1,100. | 0:06:23 | 0:06:25 | |
If you're all done? At 1,050 I'm selling. | 0:06:25 | 0:06:28 | |
-Amazing! -Crash! £1,050. Margaret, I'm tingling. -Amazing. | 0:06:29 | 0:06:34 | |
One of the best games compendiums I've ever seen. | 0:06:34 | 0:06:37 | |
Not bad for something she didn't even know was in her father's house! | 0:06:37 | 0:06:41 | |
And there was another treat for the collectors | 0:06:41 | 0:06:43 | |
when Michael found a pre-war toy complete with its original accessories. | 0:06:43 | 0:06:48 | |
I remember seeing a Chad Valley doll at Llandudno. | 0:06:48 | 0:06:52 | |
If you want to get your end, and I'll get mine. We'll have a look. | 0:06:52 | 0:06:55 | |
Right. Oh, isn't that lovely! | 0:06:55 | 0:06:57 | |
So we've got the little girl in her bed. How did you come by this? | 0:06:58 | 0:07:04 | |
It was donated to St David's Hospice | 0:07:04 | 0:07:07 | |
and I asked if I could take a few things along today. | 0:07:07 | 0:07:12 | |
-They said, "Take our pretty doll." -Right. | 0:07:12 | 0:07:14 | |
Everything we need to know about this little doll | 0:07:14 | 0:07:17 | |
is actually on the box here! | 0:07:17 | 0:07:19 | |
It's The Chad Valley, which is an English company | 0:07:19 | 0:07:22 | |
that specialised in making toys and especially dolls with this felt covering. | 0:07:22 | 0:07:27 | |
This is all her original dress, which is marvellous. | 0:07:27 | 0:07:30 | |
'Chad Valley is one of those companies' | 0:07:30 | 0:07:32 | |
that's immediately recognisable as a British toy manufacturer. | 0:07:32 | 0:07:36 | |
Being in a country where the toys were made | 0:07:36 | 0:07:38 | |
leads to an appeal within that market. | 0:07:38 | 0:07:41 | |
It's the "Bambina", which is not a doll I've come across before. | 0:07:41 | 0:07:45 | |
But what's super about this little doll, | 0:07:45 | 0:07:48 | |
is even though someone's had her out and played with her, | 0:07:48 | 0:07:50 | |
they've put her back in the box. It's all in card, all terribly fragile. | 0:07:50 | 0:07:55 | |
But it's all been kept in wonderful condition by this box. | 0:07:55 | 0:07:59 | |
The one thing you learn is, the more ephemeral the object, | 0:07:59 | 0:08:02 | |
the more valuable it is. | 0:08:02 | 0:08:05 | |
So the toy might be kept, but the box it comes in | 0:08:05 | 0:08:08 | |
is the first thing on the fire, in the bin, in the skip. | 0:08:08 | 0:08:11 | |
And even though this box is dreadfully tired, | 0:08:11 | 0:08:14 | |
-I cannot tell you how many times these get thrown away. -Yeah. | 0:08:14 | 0:08:18 | |
Have you got any idea when it was made? | 0:08:18 | 0:08:20 | |
Not really, but we had a bit of paper with it | 0:08:20 | 0:08:24 | |
and that said 1934. | 0:08:24 | 0:08:27 | |
I wouldn't argue with your bit of paper! | 0:08:27 | 0:08:29 | |
-No. -I wouldn't be that specific as your bit of paper. | 0:08:29 | 0:08:32 | |
To have all of this, to have the original label, | 0:08:32 | 0:08:35 | |
to have the box, which is almost, from a graphic design point of view, | 0:08:35 | 0:08:39 | |
I like the box more than the doll! | 0:08:39 | 0:08:42 | |
-I think we can put it into auction at 50 to £80. -Yeah. | 0:08:42 | 0:08:46 | |
Put a £50 reserve on it, and see where it goes from there. | 0:08:46 | 0:08:51 | |
It's always important when you're selling something for a charity | 0:08:51 | 0:08:54 | |
that it does as well as it possibly can. | 0:08:54 | 0:08:56 | |
It adds a bit of pressure on to us. | 0:08:56 | 0:08:58 | |
-I've been joined by Heather. Who have you brought along? -Marie. | 0:09:04 | 0:09:07 | |
Marie, hi. Love the blue T-shirts. St David's Hospice. | 0:09:07 | 0:09:11 | |
-It's a charity. -Yes. We have to raise 1.3 million | 0:09:11 | 0:09:16 | |
to actually keep the hospice running. | 0:09:16 | 0:09:17 | |
So we do a lot of work to fundraise towards that. | 0:09:17 | 0:09:22 | |
It's going under the hammer now. | 0:09:22 | 0:09:23 | |
Lot 394, folks. | 0:09:23 | 0:09:25 | |
A 1930s Chad Valley soft-bodied cloth doll Bambina. | 0:09:25 | 0:09:30 | |
It starts, though, at £50. | 0:09:30 | 0:09:32 | |
Five. 60. Five. 70. | 0:09:32 | 0:09:36 | |
Five. 80. Five. | 0:09:36 | 0:09:38 | |
Toys are strong collectables now | 0:09:38 | 0:09:41 | |
because people are trying to recapture | 0:09:41 | 0:09:42 | |
some of the innocence of youth. Some of their childhood. | 0:09:42 | 0:09:46 | |
But it's also very much a collectors' market. | 0:09:46 | 0:09:49 | |
So once you feed into it, once you collect dolls, | 0:09:49 | 0:09:52 | |
which are all in different numbers | 0:09:52 | 0:09:53 | |
of heads and sizes and styles, | 0:09:53 | 0:09:56 | |
you want the rarer and rarer ones. | 0:09:56 | 0:09:58 | |
It's like collecting coins or stamps, in a way. | 0:09:58 | 0:10:01 | |
-150. 160. -Fantastic. -170. | 0:10:01 | 0:10:04 | |
180. 190. 200. | 0:10:04 | 0:10:07 | |
-Great feeling. -For charity, isn't it? | 0:10:07 | 0:10:10 | |
As, of course, collectors start their collections and go on, | 0:10:10 | 0:10:13 | |
they're willing to spend more and more money. | 0:10:13 | 0:10:16 | |
A market that probably didn't exist 50 years ago for collectable toys | 0:10:16 | 0:10:21 | |
is now very strong | 0:10:21 | 0:10:22 | |
with lots of specialist sales throughout the country. | 0:10:22 | 0:10:25 | |
280. 300. | 0:10:25 | 0:10:27 | |
At £300. | 0:10:27 | 0:10:29 | |
Gosh, I'm tingling! | 0:10:29 | 0:10:31 | |
Anybody new? At £300. | 0:10:31 | 0:10:33 | |
Fantastic. That can't be bad, can it! | 0:10:33 | 0:10:37 | |
£300 for charity. | 0:10:37 | 0:10:39 | |
-I'm exhausted! -Thank you so much. -Don't set me off! | 0:10:40 | 0:10:45 | |
With toys, the maker is always important. | 0:10:46 | 0:10:50 | |
Even if they look well loved. | 0:10:50 | 0:10:52 | |
-Are these your toys? -Those were my toys. -Were yours. Do you remember playing with them as a child? -I do. | 0:10:52 | 0:10:58 | |
-Were they in the family? They weren't bought new. -They came down through the family. | 0:10:58 | 0:11:01 | |
And you want to sell them now? | 0:11:01 | 0:11:03 | |
-Yes. -Your childhood memories, out through the window? | 0:11:03 | 0:11:05 | |
-That's it. Yes. -Dear me! | 0:11:05 | 0:11:08 | |
-You can't do that! -I'm the last of the Anderson line. | 0:11:08 | 0:11:11 | |
-I think these were made in Germany. -Right. | 0:11:11 | 0:11:13 | |
And I think they were made in the '20s. | 0:11:13 | 0:11:15 | |
They work from clockwork, and our little pig here plays the drums. | 0:11:15 | 0:11:19 | |
And our little violinist, he's on the fiddle! | 0:11:19 | 0:11:22 | |
-Right. -They're German. Do you know how I know that? -No, no. | 0:11:22 | 0:11:26 | |
I know that cos it says here, "Made in Germany"! | 0:11:26 | 0:11:28 | |
-So I'm an all-seeing expert here, Norman. -Yes. | 0:11:28 | 0:11:32 | |
They were made by a company called Schuco. | 0:11:32 | 0:11:34 | |
'They made little motor cars that you wound up.' | 0:11:34 | 0:11:37 | |
They made little pigs and teddy bears where the head came off | 0:11:37 | 0:11:41 | |
with scent bottles inside. | 0:11:41 | 0:11:42 | |
They made all manner of good quality little toys like that. | 0:11:42 | 0:11:46 | |
And their wares are sought after. | 0:11:46 | 0:11:48 | |
-Have you got the key to wind him up? -I haven't. -You haven't? | 0:11:49 | 0:11:52 | |
There are specialist toy hospitals, | 0:11:52 | 0:11:55 | |
and if you go to people who restore teddy bears and this type of thing, | 0:11:55 | 0:12:00 | |
if you go to a specialist, | 0:12:00 | 0:12:02 | |
'finding a spare key shouldn't be too problematic.' | 0:12:02 | 0:12:04 | |
What are they worth? I think they'll make 40 to £60 estimate. | 0:12:04 | 0:12:09 | |
-For the two? -For the two, yes. -Yes. | 0:12:09 | 0:12:12 | |
Put a reserve on of £30? | 0:12:12 | 0:12:13 | |
-Right. -Are you happy with that? -Yes. | 0:12:13 | 0:12:16 | |
Let's hope they drum up a bit of interest at the auction! | 0:12:16 | 0:12:19 | |
-It's going under the hammer. -Lot 136 | 0:12:20 | 0:12:23 | |
is a lot comprising two Schuco tin-plate toy clockwork pigs. | 0:12:23 | 0:12:27 | |
On the floor at 35. Fresh bidder. | 0:12:27 | 0:12:29 | |
-40. 45. -Oh, come on. -50. | 0:12:29 | 0:12:33 | |
Animals, in particular, are collectable, | 0:12:33 | 0:12:37 | |
because you get people that collect any type of animal. | 0:12:37 | 0:12:41 | |
-Come on! -60, fresh bidder. | 0:12:41 | 0:12:43 | |
65. | 0:12:43 | 0:12:44 | |
And for some reason, don't ask me, | 0:12:44 | 0:12:46 | |
pigs are very collectable. | 0:12:46 | 0:12:49 | |
Good. | 0:12:49 | 0:12:50 | |
85. | 0:12:50 | 0:12:52 | |
90. | 0:12:52 | 0:12:53 | |
-Any advance on £90? -Come on! | 0:12:53 | 0:12:56 | |
All done at 90... 95 back in. | 0:12:56 | 0:12:58 | |
£95. Any advance on 95? | 0:12:59 | 0:13:02 | |
95. | 0:13:02 | 0:13:03 | |
It trotted on, didn't it? 95. | 0:13:03 | 0:13:07 | |
I loved them to bits. Great fun. And to tell the truth, | 0:13:07 | 0:13:10 | |
I had a wee play with them myself! | 0:13:10 | 0:13:11 | |
So Schuco is definitely a name to look out for. | 0:13:11 | 0:13:14 | |
But when it comes to toys, there's one that touches all our hearts. | 0:13:15 | 0:13:19 | |
# For every bear there ever was | 0:13:19 | 0:13:21 | |
# Will gather there for certain cos | 0:13:21 | 0:13:23 | |
# Today's the day the teddy bears have their picnic! # | 0:13:23 | 0:13:26 | |
Oh, teddy bear! Look at that teddy! | 0:13:26 | 0:13:29 | |
We've all got one at home. They come in to every valuation day | 0:13:29 | 0:13:33 | |
and they can be very valuable. | 0:13:33 | 0:13:34 | |
-Have you given your teddy bear a name? -Yep. Albert. | 0:13:34 | 0:13:37 | |
-Albert. Ah. He's not for sale, is he? -No! | 0:13:37 | 0:13:40 | |
No. You just want a valuation. | 0:13:40 | 0:13:43 | |
You've brought in today these wonderful bears. | 0:13:43 | 0:13:46 | |
The Farnell's bear, for me, | 0:13:46 | 0:13:47 | |
every time, was the most fascinating toy. | 0:13:47 | 0:13:49 | |
Just beautiful, and in such good condition. | 0:13:49 | 0:13:52 | |
Tell me where they're from. | 0:13:52 | 0:13:54 | |
-They've been passed down through my wife's side of the family. -Right. | 0:13:54 | 0:13:57 | |
Was she allowed to play with them as a child? | 0:13:57 | 0:14:00 | |
She was allowed to play with them at the bottom of the stairs, | 0:14:00 | 0:14:02 | |
because Granny didn't like noisy children! | 0:14:02 | 0:14:05 | |
Should be seen and not heard! | 0:14:05 | 0:14:07 | |
-That's right. -Were you allowed to play with them? | 0:14:07 | 0:14:09 | |
I wasn't. I was allowed to hold them at some point, | 0:14:09 | 0:14:12 | |
but we weren't allowed to play with them, cos of Granddad. | 0:14:12 | 0:14:14 | |
The fact you weren't allowed to play with them means they are in excellent condition. | 0:14:14 | 0:14:19 | |
The wonderful thing about this one is he's actually still got his growler. | 0:14:19 | 0:14:23 | |
-He has. -Can you make him growl for me? | 0:14:23 | 0:14:25 | |
FAINT GROWL | 0:14:26 | 0:14:27 | |
LOUDER GROWL | 0:14:28 | 0:14:31 | |
Any kind of original features that antiques still have, | 0:14:31 | 0:14:35 | |
for example, the growler in the bear that was still working, | 0:14:35 | 0:14:38 | |
certainly add to the value. | 0:14:38 | 0:14:40 | |
That's what collectors want. It ticks so many boxes for collectors. | 0:14:40 | 0:14:43 | |
That's terrifying! You wouldn't want to meet him in the woods! | 0:14:43 | 0:14:46 | |
Oh, no! | 0:14:46 | 0:14:48 | |
But I've rather taken to him, I have to say. | 0:14:48 | 0:14:50 | |
I think he's absolutely wonderful. He's got this lovely label here | 0:14:50 | 0:14:54 | |
which tells us he's actually a Farnell bear. | 0:14:54 | 0:14:57 | |
Now, Farnell's was basically the English equivalent of Steiff. | 0:14:57 | 0:15:01 | |
In 1906, with the craze of teddy bears, | 0:15:01 | 0:15:05 | |
they were credited with producing the first English teddy bear, | 0:15:05 | 0:15:09 | |
which, I believe, went on to rival Steiff's bears in Germany as well. | 0:15:09 | 0:15:14 | |
But they are fundamentally important in the history of the teddy bear. | 0:15:14 | 0:15:18 | |
He's quite an early chap. We've got wonderful glass eyes. | 0:15:18 | 0:15:21 | |
Later, they were plastic. If we knock them against our teeth, | 0:15:21 | 0:15:25 | |
we can tell that they're glass. | 0:15:25 | 0:15:27 | |
Nice felt pad, there. Original stitching. | 0:15:27 | 0:15:29 | |
So I would date him to around the 1930s, 1940s. | 0:15:29 | 0:15:34 | |
-He's got the most wonderful expression on his face. -Yes. | 0:15:34 | 0:15:37 | |
It must have been so tempting to play with him when you were younger, and not be allowed! | 0:15:37 | 0:15:41 | |
My grandma was always stood guard over Tony and me. | 0:15:41 | 0:15:43 | |
-Was she? -Yes. -Yeah. | 0:15:43 | 0:15:45 | |
Then this little chappie, unfortunately, we can't attribute him to any particular factory. | 0:15:47 | 0:15:51 | |
-But he looks like he's around the same sort of date. -Yes. | 0:15:51 | 0:15:54 | |
Unfortunately, with teddy bear collectors, the name is pretty much everything. | 0:15:54 | 0:15:58 | |
If you can attribute them to a particular factory, that's fantastic. | 0:15:58 | 0:16:02 | |
A nice, 1930s, 1940s bear. | 0:16:02 | 0:16:04 | |
We're looking somewhere probably in the region of 100 to £150. | 0:16:04 | 0:16:10 | |
Purely because unfortunately we can't attribute him to a particular factory. | 0:16:10 | 0:16:13 | |
The Farnell's Alpha Bear, I think he is gorgeous. | 0:16:13 | 0:16:18 | |
We're looking somewhere in the region of maybe 300 to £500. | 0:16:18 | 0:16:22 | |
-OK. -But you never know. | 0:16:22 | 0:16:24 | |
As long as they go to someone who looks after them. That's what I'd like. | 0:16:24 | 0:16:27 | |
Exactly. | 0:16:27 | 0:16:29 | |
# Today's the day the teddy bears have their picnic! # | 0:16:29 | 0:16:33 | |
'Despite that wonderful pedigree, my favourite was our second lot, | 0:16:35 | 0:16:39 | |
'the less distinguished cousin!' | 0:16:39 | 0:16:42 | |
I think he's been duffed up a bit and needs a lot of love! | 0:16:42 | 0:16:44 | |
He's the cheaper of the two, | 0:16:44 | 0:16:46 | |
but I think he looks more expensive, put it that way. | 0:16:46 | 0:16:50 | |
But it's just my opinion. | 0:16:50 | 0:16:51 | |
Let's see who's going to put their paws up. Here we go. | 0:16:51 | 0:16:54 | |
The Alpha Toys teddy bear, the Farnell's. | 0:16:54 | 0:16:58 | |
I've got 320 on the net. | 0:16:58 | 0:17:00 | |
390. | 0:17:00 | 0:17:01 | |
It was incredibly nerve-racking, cos the bidding was quite slow, | 0:17:01 | 0:17:04 | |
initially. | 0:17:04 | 0:17:06 | |
-I'll take 580 in the room. -Brilliant. | 0:17:06 | 0:17:08 | |
I've got 570 now on the net. | 0:17:08 | 0:17:10 | |
600, now. | 0:17:10 | 0:17:12 | |
I found other similar comparables of Farnell's bears | 0:17:12 | 0:17:14 | |
that were selling for that sort of region, the three, four, five, £600 region. | 0:17:14 | 0:17:18 | |
But I don't think I particularly appreciated | 0:17:18 | 0:17:23 | |
how good a condition that bear was in | 0:17:23 | 0:17:25 | |
and how much of a premium it would have added. | 0:17:25 | 0:17:27 | |
850. | 0:17:27 | 0:17:29 | |
-880. -I can see you willing this on! | 0:17:29 | 0:17:32 | |
Your head's nodding with the bidders! | 0:17:32 | 0:17:35 | |
"One more, one more!" | 0:17:35 | 0:17:37 | |
It was wonderful. I was thrilled to bits. | 0:17:37 | 0:17:39 | |
1,300. | 0:17:39 | 0:17:41 | |
Wow! | 0:17:41 | 0:17:42 | |
-1,350. -Gosh! | 0:17:42 | 0:17:44 | |
It's a bit special! | 0:17:44 | 0:17:46 | |
At 1,300... 1,350 back in. 1,400? | 0:17:47 | 0:17:50 | |
1,400. 1,450? | 0:17:51 | 0:17:53 | |
No? At 1,400, then. On the steps at 1,400. | 0:17:53 | 0:17:56 | |
Selling, then, at 1,400. | 0:17:56 | 0:17:59 | |
-Fantastic! -That's one down! -Lovely. | 0:17:59 | 0:18:01 | |
One more to go. My favourite, next! | 0:18:01 | 0:18:03 | |
'How much difference did that lost label make?' | 0:18:04 | 0:18:07 | |
I think we all loved the second bear | 0:18:08 | 0:18:10 | |
because he probably wasn't going to make as much and because he lost his label at some point. | 0:18:10 | 0:18:14 | |
-The mohair teddy bear. -Here we go. | 0:18:16 | 0:18:18 | |
Someone's got good taste out there. | 0:18:18 | 0:18:20 | |
£100. Finished. | 0:18:20 | 0:18:22 | |
Well, I still prefer that one! | 0:18:24 | 0:18:25 | |
That was the right money, £100. | 0:18:25 | 0:18:27 | |
A grand total of £1,500. | 0:18:27 | 0:18:29 | |
Keeping them in good condition is incredibly important for their future value. | 0:18:29 | 0:18:33 | |
So it's very difficult. It is very sad about a bear that hasn't been cuddled. | 0:18:33 | 0:18:38 | |
That's what they were made for, at the end of the day! | 0:18:38 | 0:18:41 | |
When it comes to collecting toys, | 0:18:42 | 0:18:44 | |
here are some handy hints on how to play the market. | 0:18:44 | 0:18:47 | |
Fortunately, if you want to get into the games collecting market, | 0:18:47 | 0:18:51 | |
there's many price points to start with. | 0:18:51 | 0:18:54 | |
You can find something as simple as a 1970s Rubik's cube. | 0:18:54 | 0:18:59 | |
Make sure it hasn't been done, of course! | 0:18:59 | 0:19:01 | |
If you can find an original Monopoly, with the old shoe and the iron. | 0:19:01 | 0:19:07 | |
Nowadays, I don't know what they have - racing cars and things. | 0:19:07 | 0:19:09 | |
But if you can find an immaculate and complete old Monopoly set, you're into money. | 0:19:09 | 0:19:15 | |
And now here are some of my trade secrets. | 0:19:15 | 0:19:18 | |
With toys, quality is always important. | 0:19:19 | 0:19:22 | |
Watch out. Missing pieces in games and jigsaw puzzles will really put the collectors off. | 0:19:22 | 0:19:28 | |
And they don't come much more fussy than doll collectors! | 0:19:29 | 0:19:32 | |
So, does it have its original clothing and accessories? | 0:19:32 | 0:19:35 | |
That's the detail they're after. | 0:19:35 | 0:19:37 | |
But with enough charm, even mass-produced, damaged toys | 0:19:37 | 0:19:42 | |
can still find a new home. | 0:19:42 | 0:19:44 | |
With teddy bears, it's all in the name. | 0:19:45 | 0:19:47 | |
So make sure you check the labels. | 0:19:47 | 0:19:49 | |
Elizabeth Talbot will be sharing more teddy bear know-how shortly! | 0:19:49 | 0:19:54 | |
We've all got something at home, that one special item that we're particularly attached to. | 0:19:54 | 0:19:58 | |
But I want to know what's the one thing | 0:19:58 | 0:20:00 | |
our experts would rescue from a burning building! | 0:20:00 | 0:20:03 | |
Today, it's the turn of James Lewis. | 0:20:07 | 0:20:09 | |
If there was a fire at home, | 0:20:09 | 0:20:11 | |
I would probably save something that belongs to my daughter. | 0:20:11 | 0:20:15 | |
Assuming she was out of the house already! | 0:20:15 | 0:20:17 | |
It's a little stuffed rabbit that she calls Rabby. | 0:20:17 | 0:20:21 | |
My life would not be worth living | 0:20:21 | 0:20:24 | |
if anything happened to that! | 0:20:24 | 0:20:25 | |
It's just a little... Probably a collectable of the future, | 0:20:25 | 0:20:29 | |
worth absolutely nothing at the moment apart from for her. | 0:20:29 | 0:20:32 | |
I think that is probably the most precious, loved thing in the house. | 0:20:32 | 0:20:37 | |
A toy in good condition is a rarity indeed | 0:20:40 | 0:20:42 | |
because it's in their nature to be played with too hard, | 0:20:42 | 0:20:45 | |
to be bashed around a bit and enjoyed. | 0:20:45 | 0:20:47 | |
Teddy bears are especially prone to being cuddled into a state of disrepair! | 0:20:47 | 0:20:52 | |
But what makes a good teddy bear in the first place? | 0:20:52 | 0:20:55 | |
Flog It expert Elizabeth Talbot went down in the woods to find out. | 0:20:55 | 0:21:00 | |
I like teddy bears because they are very much individual personalities. | 0:21:10 | 0:21:15 | |
Little characters, very much like these ones! | 0:21:15 | 0:21:17 | |
Hello, chaps! | 0:21:17 | 0:21:19 | |
Traditionally, there are certain firms of teddy bear manufacturers | 0:21:19 | 0:21:22 | |
who make teddy bears out of alpaca hair. | 0:21:22 | 0:21:25 | |
Farnell was probably the most famous company that did that. | 0:21:25 | 0:21:30 | |
They had a special range. | 0:21:30 | 0:21:32 | |
But I do know one other company that still includes alpaca hair in some to their teddy bears. | 0:21:32 | 0:21:36 | |
It's not very far from here. | 0:21:36 | 0:21:38 | |
Merrythought has been making teddy bears | 0:21:38 | 0:21:40 | |
at its Victorian factory in Shropshire since 1930. | 0:21:40 | 0:21:45 | |
It's a family-run firm, and the last remaining British manufacturer | 0:21:45 | 0:21:48 | |
still producing bears by hand. | 0:21:48 | 0:21:51 | |
Elizabeth is meeting Sarah Holmes, | 0:21:51 | 0:21:53 | |
who runs the company with her sister, Hannah. | 0:21:53 | 0:21:56 | |
-Morning, Sarah. -Hello. -Lovely to meet you. | 0:21:56 | 0:21:58 | |
I'm so excited to be here. | 0:21:58 | 0:22:00 | |
I've rushed over from the alpaca farm. | 0:22:00 | 0:22:02 | |
How did it all start? | 0:22:02 | 0:22:04 | |
-You've been here since 1930? -1930, yes. | 0:22:04 | 0:22:07 | |
My great-grandfather established the business in 1930. | 0:22:07 | 0:22:10 | |
And it's been in Ironbridge and part of Shropshire ever since. | 0:22:10 | 0:22:14 | |
The classic teddy bear that people are familiar with, | 0:22:14 | 0:22:17 | |
it's arguable in terms of who really established that. | 0:22:17 | 0:22:21 | |
Alpha Farnell and Steiff were two of the very earliest. | 0:22:21 | 0:22:25 | |
The Alpha Farnell teddy is what is commonly associated with as being the classic teddy bear | 0:22:25 | 0:22:30 | |
with the long limbs and the hump on the back. | 0:22:30 | 0:22:32 | |
They ceased production in the late '60s. | 0:22:32 | 0:22:36 | |
So hence their original designs from pre- that era are very sought after. | 0:22:36 | 0:22:41 | |
Then Merrythought took on the brand | 0:22:41 | 0:22:44 | |
in the mid-1990s. | 0:22:44 | 0:22:46 | |
Which was great, because it means we are able to bring Alpha Farnell back to life. | 0:22:46 | 0:22:50 | |
From my perspective, there are some serious collectors | 0:22:50 | 0:22:52 | |
who look for the Cheeky and the "punkinhead" and the different ones. | 0:22:52 | 0:22:56 | |
Where did they come from? Whose inspiration were those? | 0:22:56 | 0:22:58 | |
They are so different. | 0:22:58 | 0:23:00 | |
It was actually our original designer, Florence Attwood, | 0:23:00 | 0:23:03 | |
who was wonderfully talented in designing teddy bears. | 0:23:03 | 0:23:07 | |
So this would be the very first Merrythought teddy bear. | 0:23:07 | 0:23:09 | |
-This was designed by Florence? -Yes. -How wonderful. | 0:23:09 | 0:23:13 | |
And he is from about 1930 in age? | 0:23:13 | 0:23:16 | |
This particular bear is from 1931. | 0:23:16 | 0:23:18 | |
So he would have been one of the very first to be produced. | 0:23:18 | 0:23:21 | |
But Florence went on to design a huge array of different styles of teddy bears. | 0:23:21 | 0:23:26 | |
Rather famously, the Cheeky bear | 0:23:26 | 0:23:28 | |
and the Punky bear | 0:23:28 | 0:23:30 | |
in the late '40s | 0:23:30 | 0:23:32 | |
and early '50s. | 0:23:32 | 0:23:34 | |
Yes, the Punky bear is a very unique teddy bear! | 0:23:34 | 0:23:38 | |
It still has a very strong collectors' following today | 0:23:38 | 0:23:40 | |
and they are quite sought after at auction. | 0:23:40 | 0:23:43 | |
I wanted to ask you, do you have any alpaca bears here? | 0:23:43 | 0:23:45 | |
-We certainly do. -Do you? -We use alpaca quite a lot, actually. | 0:23:45 | 0:23:49 | |
Obviously alongside mohair. | 0:23:49 | 0:23:51 | |
There's one little white teddy bear here, made from alpaca. | 0:23:51 | 0:23:55 | |
Oh, he's so fluffy. He's lovely. | 0:23:55 | 0:23:57 | |
It's a very fine fibre and creates a very soft finish. | 0:23:57 | 0:24:01 | |
They're quite distinctive. He's made from alpaca. | 0:24:01 | 0:24:04 | |
I can certainly show you a few more. | 0:24:04 | 0:24:07 | |
I'd love to see a few more, please! | 0:24:07 | 0:24:09 | |
This is a hive of concentrated activity. Amazing. | 0:24:15 | 0:24:18 | |
What's actually happening in this room? | 0:24:18 | 0:24:20 | |
This is where we make all our teddy bears. | 0:24:20 | 0:24:22 | |
Everything we produce is made from start to finish under this roof. | 0:24:22 | 0:24:26 | |
Just to give you an idea of the process, | 0:24:26 | 0:24:30 | |
we start by cutting out each of the shapes that make our pattern for our teddy bear. | 0:24:30 | 0:24:35 | |
Those shapes are then sewn together. | 0:24:35 | 0:24:37 | |
And then we move on to the next stage where the eyes are put in. | 0:24:37 | 0:24:40 | |
The bears are part stuffed. | 0:24:40 | 0:24:43 | |
Then the joints are put in. A fiddly process. | 0:24:43 | 0:24:46 | |
And then the bears are assembled. The arms, legs and head are all attached to the body. | 0:24:46 | 0:24:50 | |
And then the final stage is hand embroidering the nose | 0:24:50 | 0:24:54 | |
and the smile on the teddy bear. | 0:24:54 | 0:24:56 | |
-Very important part. -Absolutely. | 0:24:56 | 0:24:57 | |
-It brings it to life. -Yes, gives it its character. | 0:24:57 | 0:25:00 | |
-Ah, the all-important eyes. -Absolutely. | 0:25:04 | 0:25:06 | |
They're put in by hand as well. | 0:25:06 | 0:25:08 | |
So that's why some bears have this wonderful expression where maybe their eyes are not quite level | 0:25:08 | 0:25:13 | |
or they're a bit close together. | 0:25:13 | 0:25:15 | |
But it actually adds to the bespoke nature of them. | 0:25:15 | 0:25:18 | |
-Though a Merrythought bear wouldn't pass quality control if his eyes weren't level. -OK. | 0:25:18 | 0:25:23 | |
But I notice from a collector's point of view | 0:25:23 | 0:25:25 | |
they will often spend money where they feel there is a personality, | 0:25:25 | 0:25:30 | |
to purchase a bear with a bit of a quirk. | 0:25:30 | 0:25:32 | |
-It isn't always a bad thing. -No. Absolutely. | 0:25:32 | 0:25:36 | |
But it's fascinating to see how that's achieved. | 0:25:36 | 0:25:39 | |
Teddy bears' eyes are magical | 0:25:43 | 0:25:44 | |
because they're the window on the teddy bear's soul, being very romantic! | 0:25:44 | 0:25:48 | |
But teddy bears' eyes are important in dating them. | 0:25:48 | 0:25:52 | |
The earlier ones, from the 1904 period of Steiff | 0:25:52 | 0:25:55 | |
and the early Farnell's | 0:25:55 | 0:25:57 | |
were the little metal boot button eyes which were black painted. | 0:25:57 | 0:26:00 | |
But through the early 20th century, glass was used in different colours | 0:26:00 | 0:26:03 | |
to give the pupil and the surround in a nice coloured way. | 0:26:03 | 0:26:06 | |
Then as the 20th century developed | 0:26:06 | 0:26:08 | |
the synthetic man-made plastics were inserted and used | 0:26:08 | 0:26:12 | |
because they were cheaper and easier to mass-produce | 0:26:12 | 0:26:14 | |
but also increasingly it was a safety element, which was important. | 0:26:14 | 0:26:18 | |
-This is the assembly. -Yes. We call it fitting up. | 0:26:21 | 0:26:25 | |
Is this how a bear in 1931 would have been assembled? | 0:26:25 | 0:26:28 | |
-With the pins? -Absolutely. -Just the same. | 0:26:28 | 0:26:31 | |
This technique wouldn't have changed since teddy bears started. | 0:26:31 | 0:26:37 | |
Have you ever put a leg on back to front? | 0:26:37 | 0:26:38 | |
Yes! | 0:26:38 | 0:26:40 | |
That was a special edition, that one! | 0:26:40 | 0:26:42 | |
Penny's got a lot of responsibility, | 0:26:46 | 0:26:49 | |
because the expression and personality of the bear comes out first through the eyes | 0:26:49 | 0:26:53 | |
and then it's enhanced by the facial features, the nose and mouth. | 0:26:53 | 0:26:56 | |
And although they are working to a pattern, | 0:26:56 | 0:26:58 | |
you cannot but help have slight variations | 0:26:58 | 0:27:00 | |
because every stitch is unique. It is unique. | 0:27:00 | 0:27:04 | |
Therefore each bear has a very slight kind of individual nature which sets it apart. | 0:27:04 | 0:27:10 | |
Expression has always commanded quite an important consideration for collectors. | 0:27:10 | 0:27:15 | |
A bear that looks appealing, whether it looks sad or lonely, | 0:27:15 | 0:27:18 | |
or quite mischievous, | 0:27:18 | 0:27:20 | |
can tempt people to bid that bit more at auction and pay more. | 0:27:20 | 0:27:24 | |
It's like the cherry on the top of a cake. | 0:27:24 | 0:27:25 | |
Just kind of finishing it off. | 0:27:25 | 0:27:27 | |
Oh, look at him. He's gorgeous! | 0:27:27 | 0:27:29 | |
He's waving, look! | 0:27:29 | 0:27:31 | |
Happy bear. | 0:27:31 | 0:27:33 | |
Sarah, I have to say I've had such an amazing day. | 0:27:36 | 0:27:39 | |
I'll enjoy teddy bears even more after today. | 0:27:39 | 0:27:41 | |
That's nice to hear. You're very welcome. | 0:27:41 | 0:27:43 | |
I've had the most magical day here in Ironbridge. | 0:27:44 | 0:27:46 | |
I've learned such a lot. It's been a wonderful experience | 0:27:46 | 0:27:49 | |
which I'll remember for years to come. | 0:27:49 | 0:27:51 | |
But I've learned such a lot about parts of teddy bears I'd never even considered! | 0:27:51 | 0:27:55 | |
To see these craftswomen at work has brought the whole thing to life for me. It's been wonderful! | 0:27:55 | 0:28:01 | |
Well, it really has been wonderful to take a trip down memory lane | 0:28:06 | 0:28:10 | |
and to discover more about the world of antique toys and games, | 0:28:10 | 0:28:13 | |
especially when the prices at auction | 0:28:13 | 0:28:15 | |
can be stuff that dreams area made of. | 0:28:15 | 0:28:19 | |
Don't set me off! | 0:28:19 | 0:28:20 | |
I hope you've enjoyed today's show. | 0:28:20 | 0:28:23 | |
Join me again soon for more inside information and surprising sales. | 0:28:23 | 0:28:27 | |
But until then, it's goodbye. | 0:28:27 | 0:28:29 |