Browse content similar to Maritime - Part 1. Check below for episodes and series from the same categories and more!
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Over the years on "Flog It!" we've helped you sell thousands | 0:00:05 | 0:00:08 | |
of your antiques and collectibles, to raise some much-needed cash. | 0:00:08 | 0:00:12 | |
That's absolutely divine, | 0:00:17 | 0:00:18 | |
it's one of the nicest things I've seen on "Flog It!" | 0:00:18 | 0:00:21 | |
Every valuation day throws up something new, | 0:00:22 | 0:00:25 | |
and some old favourites just to keep our experts on their toes. | 0:00:25 | 0:00:29 | |
All done then at 1,200. | 0:00:29 | 0:00:30 | |
And here's where they share what they know, | 0:00:32 | 0:00:34 | |
as they let you in to their trade secrets. | 0:00:34 | 0:00:37 | |
We British are an island race, in fact, | 0:01:05 | 0:01:08 | |
our nation is made up of 6,000 separate islands. | 0:01:08 | 0:01:12 | |
Our relationship with the sea | 0:01:12 | 0:01:13 | |
and all things maritime is undisputed, | 0:01:13 | 0:01:16 | |
and that's been very much evident at all the valuation days | 0:01:16 | 0:01:20 | |
we've held near coastal locations. | 0:01:20 | 0:01:22 | |
So, if there's a tang of salt in the air, | 0:01:22 | 0:01:25 | |
that's because today's programme is dedicated to maritime antiques. | 0:01:25 | 0:01:29 | |
It's a huge and valuable area of collecting, covering everything | 0:01:34 | 0:01:38 | |
from ships, instruments, to nautical paintings - and I love it. | 0:01:38 | 0:01:43 | |
Coming up today, | 0:01:43 | 0:01:44 | |
Phil has some high hopes for a piece of sunken treasure... | 0:01:44 | 0:01:48 | |
It wouldn't surprise me if this really did take off. | 0:01:48 | 0:01:51 | |
-Yes! -£1,200. Where's Margaret gone? | 0:01:53 | 0:01:56 | |
..I get excited when we turn Trevor's £2.50 into a huge profit... | 0:01:56 | 0:02:02 | |
Yes, it's all smiles over here! | 0:02:02 | 0:02:04 | |
..and our experts share their trade secrets | 0:02:06 | 0:02:09 | |
on how to boost your chances of making money. | 0:02:09 | 0:02:12 | |
What we're finding at the moment is particularly strong | 0:02:12 | 0:02:15 | |
is the naive art. | 0:02:15 | 0:02:16 | |
When it comes to collecting anything scientific | 0:02:17 | 0:02:20 | |
the name and the location of the manufacturer is very important. | 0:02:20 | 0:02:24 | |
Lovely thing at £200... | 0:02:24 | 0:02:26 | |
The coastline of our nation boasts dramatic geography - | 0:02:31 | 0:02:34 | |
captivating fishing harbours, beautiful beaches and pounding surf. | 0:02:34 | 0:02:38 | |
So it's hardly surprising, really, | 0:02:38 | 0:02:40 | |
that items related to the sea are amongst the most popular | 0:02:40 | 0:02:44 | |
in the fields of collecting in the UK. | 0:02:44 | 0:02:46 | |
I love to see maritime memorabilia | 0:02:46 | 0:02:49 | |
when it turns up at our valuation days, | 0:02:49 | 0:02:52 | |
and I'm generally the first person to pounce on it, | 0:02:52 | 0:02:55 | |
before our experts have a chance to spot it. | 0:02:55 | 0:02:57 | |
So I was delighted to meet up with Trevor | 0:02:57 | 0:02:59 | |
back in 2007 on the Isle of Wight, | 0:02:59 | 0:03:02 | |
whose item combined two of my favourite things - | 0:03:02 | 0:03:05 | |
woodwork and the love of the sea. | 0:03:05 | 0:03:07 | |
-I bought it at a boot sale about 25 years ago. -On the island? | 0:03:08 | 0:03:11 | |
-On the island. -And how much did you pay for it? | 0:03:11 | 0:03:14 | |
-£2.50 I paid for it. -Is that all?! -That's all. | 0:03:14 | 0:03:17 | |
I used to be a roofer, so I bought this, | 0:03:17 | 0:03:19 | |
I thought I could use it up on the roof. | 0:03:19 | 0:03:21 | |
It's a little too precise, isn't it? | 0:03:21 | 0:03:23 | |
I couldn't use it, so... I put it up in the loft. | 0:03:24 | 0:03:27 | |
I think you've picked up a bargain, I really do. | 0:03:27 | 0:03:31 | |
It is for a carpenter, | 0:03:31 | 0:03:32 | |
but it's for a cabinet maker that would have worked on board ship. | 0:03:32 | 0:03:36 | |
When he comes to fit the furniture, awkward-sized cabins, | 0:03:36 | 0:03:40 | |
different ribs, different stations and bulkheads. | 0:03:40 | 0:03:43 | |
To find the angles, he would use this. | 0:03:43 | 0:03:46 | |
He would then set his level to find the horizontal, | 0:03:46 | 0:03:50 | |
once he's got that gauge he could turn this around, | 0:03:50 | 0:03:52 | |
and then he knows - working off that same station line he's found, | 0:03:52 | 0:03:57 | |
let's say a 45-degree angle - | 0:03:57 | 0:03:59 | |
he knows where the horizontal is. | 0:03:59 | 0:04:01 | |
That's very interesting, cos I didn't know none of that. | 0:04:01 | 0:04:05 | |
That is such a precise gauge and tool, it really is. | 0:04:05 | 0:04:09 | |
I've not seen one like this and I'm quite excited about this, | 0:04:09 | 0:04:13 | |
because there are a lot of people | 0:04:13 | 0:04:14 | |
that collect levels, spirit levels and gauges. | 0:04:14 | 0:04:17 | |
-Why do you want to sell this? -I lost me teeth last new year... -Oh, yes! | 0:04:17 | 0:04:24 | |
..and I've...got to get some new ones. | 0:04:24 | 0:04:27 | |
So you're going to pay for the teeth? | 0:04:27 | 0:04:29 | |
It's going to go towards it, yes. | 0:04:29 | 0:04:30 | |
I'd like to put this into auction with a valuation of £100-150. | 0:04:30 | 0:04:34 | |
-That'd be very nice. -Hopefully gets the top end. | 0:04:34 | 0:04:37 | |
So, it cost £2.50, how much will the bidders be prepared to pay? | 0:04:44 | 0:04:49 | |
75, eighty...five, ninety...five. | 0:04:49 | 0:04:53 | |
100, 110, 150, 160. | 0:04:53 | 0:04:57 | |
170, 180 - yes. 190, he's back in, 200. | 0:04:57 | 0:05:02 | |
210, one more, 220. 210 then, it's in the corner. | 0:05:02 | 0:05:07 | |
At £210 we're selling at, 210, all done. | 0:05:07 | 0:05:10 | |
-Yes, it's all smiles over here! £210! -Great. | 0:05:10 | 0:05:16 | |
Less commission, obviously, but that's fantastic, isn't it? | 0:05:16 | 0:05:19 | |
You reckon I'll get my teeth then? | 0:05:19 | 0:05:20 | |
Oh, well, it's a good start, isn't it? | 0:05:20 | 0:05:22 | |
It was a real treat for me to see that maritime level, | 0:05:24 | 0:05:28 | |
because I find shipbuilding a fascinating area | 0:05:28 | 0:05:30 | |
of maritime collecting, | 0:05:30 | 0:05:32 | |
and our experts have plenty of advice | 0:05:32 | 0:05:34 | |
on how to navigate your way through the sea of collectibles out there. | 0:05:34 | 0:05:38 | |
The collecting of maritime-related objects is such a huge subject, | 0:05:41 | 0:05:46 | |
if you're going to go into it for the first time, narrow it down. | 0:05:46 | 0:05:51 | |
Look for instruments... | 0:05:51 | 0:05:53 | |
A good tip for maritime is to choose, possibly, | 0:05:53 | 0:05:55 | |
the history of a particular ship... | 0:05:55 | 0:05:58 | |
..or paintings, or medals. | 0:05:58 | 0:06:01 | |
..or a particular element of the navy, or a particular port. | 0:06:01 | 0:06:05 | |
Get into a smaller field | 0:06:05 | 0:06:07 | |
and you'll find it easier to become a specialist. | 0:06:07 | 0:06:11 | |
Choose something which you can expand within, | 0:06:11 | 0:06:14 | |
but gives backbone to your collection, | 0:06:14 | 0:06:16 | |
and I think that will give you a direction to follow | 0:06:16 | 0:06:19 | |
which is very positive. | 0:06:19 | 0:06:21 | |
There's a huge range of maritime objects to discover, | 0:06:23 | 0:06:26 | |
and sometimes it's just about keeping your eyes peeled. | 0:06:26 | 0:06:30 | |
-Margaret, how you doing? -I'm very well, thank you. | 0:06:30 | 0:06:33 | |
-That is not a local accent, is it? -I'm from Glasgow. -Glasgow? | 0:06:33 | 0:06:36 | |
-Originally, moved down here when I got married. -Got married. | 0:06:36 | 0:06:39 | |
-To Alec, he self-taught himself to dive. -Really? | 0:06:39 | 0:06:44 | |
This presumably is from one of his expeditions? | 0:06:44 | 0:06:46 | |
It's unbelievable, a glint of the sun through the water, | 0:06:46 | 0:06:51 | |
and a corner, just a corner of that, was on the sea bed. | 0:06:51 | 0:06:55 | |
And he scooped it away, | 0:06:55 | 0:06:58 | |
and there it was. | 0:06:58 | 0:07:00 | |
He brought it up, and 30-odd years we've had it now. | 0:07:00 | 0:07:04 | |
Where did he find it then, was he diving off the coast here? | 0:07:04 | 0:07:07 | |
Off the coast of Torbay, way out. | 0:07:07 | 0:07:09 | |
So we've got a brass plaque, "Palmers..." | 0:07:09 | 0:07:12 | |
"Palmers Ship Building and Iron Co." | 0:07:12 | 0:07:16 | |
I really liked that ship's plaque, | 0:07:16 | 0:07:17 | |
and I think it was the fact that Margaret's husband | 0:07:17 | 0:07:20 | |
had been out diving and, you know, the sunlight glistening... | 0:07:20 | 0:07:25 | |
It's quite romantic, isn't it? | 0:07:25 | 0:07:26 | |
The sunlight glistening through the water, glinted on this thing | 0:07:26 | 0:07:30 | |
and it caught her husband's eye, and he took it up. | 0:07:30 | 0:07:32 | |
And all of that added to the story. | 0:07:32 | 0:07:35 | |
Presumably this is your research? | 0:07:35 | 0:07:37 | |
Yes, I wrote to Palmers. | 0:07:37 | 0:07:40 | |
Yep, who don't exist. | 0:07:40 | 0:07:41 | |
Well, I didn't know that, and then months after I got this letter, | 0:07:41 | 0:07:46 | |
saying they'd passed the Palmers letter to Vickers Shipbuilding. | 0:07:46 | 0:07:50 | |
-So if we just look at this here. -Yes! | 0:07:50 | 0:07:53 | |
He says, "Palmers started building ships in 1852, | 0:07:53 | 0:07:57 | |
"and had built some 350 by 1877." | 0:07:57 | 0:08:01 | |
Having looked at that, | 0:08:01 | 0:08:03 | |
-we've got 1877 here. -Yeah. | 0:08:03 | 0:08:05 | |
I wonder if that 355, perhaps that's the 355th ship they built? | 0:08:05 | 0:08:09 | |
Might be, I've no idea. | 0:08:09 | 0:08:11 | |
And Margaret, bless her, | 0:08:11 | 0:08:12 | |
she'd researched this ship, this company, everything, | 0:08:12 | 0:08:16 | |
and she'd done a lot of the auctioneers' work for us, | 0:08:16 | 0:08:19 | |
cos it was all there. | 0:08:19 | 0:08:20 | |
It's something we can all do, I'd urge you to go and do it, | 0:08:20 | 0:08:23 | |
I really, really would. | 0:08:23 | 0:08:24 | |
I think at auction, with this information allied to it, | 0:08:24 | 0:08:29 | |
-I think it'd be good to give that with it. -Yeah, you can. | 0:08:29 | 0:08:31 | |
-I think we can put a cautious estimate of £80-120. -Right. | 0:08:31 | 0:08:36 | |
We'll put a reserve on it of £60. | 0:08:36 | 0:08:39 | |
I have sold a name plaque from a ship for the thick end of £1,000. | 0:08:39 | 0:08:42 | |
So it wouldn't surprise me if this really did take off. | 0:08:42 | 0:08:47 | |
If someone brings you in a ship's plaque | 0:08:47 | 0:08:49 | |
that's been salvaged from I don't know how many fathoms below the sea, | 0:08:49 | 0:08:54 | |
and you have no idea what it's worth, then you have to do... | 0:08:54 | 0:08:58 | |
that. And it's sort of slightly guesswork, really. | 0:08:58 | 0:09:01 | |
Why'd you want to sell it? | 0:09:01 | 0:09:02 | |
-I don't want it. -You just don't want it? | 0:09:02 | 0:09:05 | |
-What would you do with 100 quid if it makes 100 quid? -Don't know. | 0:09:05 | 0:09:07 | |
-Spend it! -Spend it! On that note, let's put it to auction, shall we? | 0:09:07 | 0:09:12 | |
-Well done, you. -What the heck! | 0:09:12 | 0:09:15 | |
'But will she get it? What did the auctioneer have to say?' | 0:09:21 | 0:09:24 | |
There's a lovely story we've uncovered here, Anthony. | 0:09:24 | 0:09:27 | |
It belongs to Margaret, this brass plaque, | 0:09:27 | 0:09:29 | |
and we've got a value of £80-120. | 0:09:29 | 0:09:32 | |
-80-120, yes. -Bit of a "come and buy me." | 0:09:32 | 0:09:36 | |
Doesn't sound a lot, does it, for a piece of maritime history? | 0:09:36 | 0:09:39 | |
The added interest to this, | 0:09:39 | 0:09:41 | |
not only do we know which vessel it came from, | 0:09:41 | 0:09:44 | |
the company itself has a lot of history. | 0:09:44 | 0:09:47 | |
It was sold in 1933 and then closed down subsequently, | 0:09:47 | 0:09:51 | |
and the closing of this company | 0:09:51 | 0:09:54 | |
was credited as part of the reason for the Jarrow March, | 0:09:54 | 0:09:56 | |
because so many people were made redundant at the time. | 0:09:56 | 0:10:00 | |
The closing of Palmers was disastrous for the area. | 0:10:00 | 0:10:04 | |
200 workers marched from Jarrow to London | 0:10:04 | 0:10:07 | |
to lobby Parliament about the terrible poverty, | 0:10:07 | 0:10:10 | |
poor housing, and malnutrition their families were enduring. | 0:10:10 | 0:10:14 | |
To me, the plaque was a tribute to their determination. | 0:10:14 | 0:10:18 | |
Surely we've got to do a lot more than 80-120. | 0:10:18 | 0:10:21 | |
Has there been much interest? | 0:10:21 | 0:10:23 | |
We've had a bit of interest in it, certainly, | 0:10:23 | 0:10:25 | |
and my initial reaction when I saw it was probably 200-300, | 0:10:25 | 0:10:29 | |
something like that. But I think it'll do even better than that. | 0:10:29 | 0:10:32 | |
Oh, thanks, Anthony. Well, this is certainly the one to watch. | 0:10:32 | 0:10:36 | |
It's the brass name plate for Palmers Ship Building and Iron Co. | 0:10:39 | 0:10:43 | |
Several bid for it, I'm bid £180 to start it. At £180... | 0:10:43 | 0:10:48 | |
Against the room. 190, 200, and ten, 220, | 0:10:48 | 0:10:52 | |
250, 260, | 0:10:52 | 0:10:54 | |
270, 280, 290, 300, and 20, | 0:10:54 | 0:10:58 | |
-340, 360... -Now we're flying... | 0:10:58 | 0:11:00 | |
500, and 20, 540, 560, 580... | 0:11:00 | 0:11:05 | |
-600. -I was going to throw that out. -Oh! -700. | 0:11:05 | 0:11:10 | |
-750 if you like. -750? -780. | 0:11:10 | 0:11:14 | |
800 now, and 20. 850, | 0:11:14 | 0:11:16 | |
900...and 50. | 0:11:16 | 0:11:18 | |
-£1,100. -1,100?! -Yeah. -Oh, I feel sick. | 0:11:20 | 0:11:24 | |
1,200. At £1,200 then, last chance. | 0:11:24 | 0:11:29 | |
All done then? At £1,200. | 0:11:29 | 0:11:33 | |
-Yes! -£1,200. Where's Margaret gone? | 0:11:33 | 0:11:37 | |
-Can't believe it! -Get back here, Margaret. | 0:11:39 | 0:11:41 | |
Gosh, what an exciting moment, | 0:11:41 | 0:11:42 | |
that's what auctions are all about, that's what we were saying earlier. | 0:11:42 | 0:11:45 | |
-I was going to throw it in the bin! -Come back here, Margaret! | 0:11:45 | 0:11:49 | |
I don't know whether it was luck or what it was, | 0:11:49 | 0:11:51 | |
but we're in Plymouth and I just think on the day | 0:11:51 | 0:11:55 | |
we found one or more people who just wanted to buy that particular item, | 0:11:55 | 0:12:00 | |
who knew what it was, who knew what it was worth, | 0:12:00 | 0:12:02 | |
and that just meant that it reached its market level. | 0:12:02 | 0:12:05 | |
And that's the joy of an auction, really, that's what it does for you. | 0:12:05 | 0:12:08 | |
An auctioneer will do their best to achieve a good price | 0:12:12 | 0:12:15 | |
for any item you're selling. | 0:12:15 | 0:12:17 | |
So the more research you do, the better. | 0:12:17 | 0:12:20 | |
My advice to you | 0:12:20 | 0:12:22 | |
if you're thinking of investing in nautical memorabilia, | 0:12:22 | 0:12:25 | |
is to only buy something if you know what ship it came from. | 0:12:25 | 0:12:30 | |
All of these ships were registered, so you know where they were built, | 0:12:30 | 0:12:33 | |
what they did throughout their service, and when they sank. | 0:12:33 | 0:12:37 | |
It's that bigger picture that creates the value. | 0:12:37 | 0:12:39 | |
Britain's wonderful coastline | 0:12:45 | 0:12:47 | |
has always been an inspiration for artists, | 0:12:47 | 0:12:50 | |
and we see lot of nautical paintings on "Flog It!" | 0:12:50 | 0:12:53 | |
But where do you start if you want to collect? | 0:12:53 | 0:12:55 | |
Well, our experts have their own ideas | 0:12:55 | 0:12:58 | |
about what might prove a canny investment. | 0:12:58 | 0:13:01 | |
People like marine scenes, but you need lots going on, in my opinion. | 0:13:02 | 0:13:07 | |
I've seen enough paintings of seashores with nothing else there. | 0:13:07 | 0:13:12 | |
I think you need ships, and you need people. If they're well done, | 0:13:12 | 0:13:16 | |
then you're in the money. | 0:13:16 | 0:13:18 | |
-Eddie, nice to see you. -Hello. | 0:13:25 | 0:13:27 | |
You've brought three little paintings along, | 0:13:27 | 0:13:29 | |
what can you tell me about them? | 0:13:29 | 0:13:32 | |
I bought them about 20 years ago, paid very little for them. | 0:13:32 | 0:13:35 | |
About £5-6, I suppose. | 0:13:35 | 0:13:38 | |
-I liked the frames originally, more than... -Pretty, aren't they? | 0:13:38 | 0:13:44 | |
-Do you know who might have painted them, or...? -I don't, no. | 0:13:44 | 0:13:48 | |
There's no signature on the front, | 0:13:48 | 0:13:50 | |
but perhaps if you signed the front there wouldn't be any paint left! | 0:13:50 | 0:13:54 | |
-There's not much of them! -They're very, very tiny. | 0:13:54 | 0:13:57 | |
Well, there is a signature on the back, | 0:13:57 | 0:13:59 | |
and they are painted by Gustave de Breanski. | 0:13:59 | 0:14:03 | |
British artist. | 0:14:03 | 0:14:05 | |
The most famous member of the de Breanski family, | 0:14:05 | 0:14:07 | |
Alfred de Breanski - his pictures are generally much larger, | 0:14:07 | 0:14:11 | |
they sell for a lot of money. | 0:14:11 | 0:14:13 | |
And I've recently sold a Highland landscape of his for £30,000. | 0:14:13 | 0:14:18 | |
Huge amounts. | 0:14:18 | 0:14:20 | |
This man was not as good. | 0:14:20 | 0:14:23 | |
'I loved these paintings,' | 0:14:23 | 0:14:25 | |
but they were just too small, weren't they? | 0:14:25 | 0:14:28 | |
They were almost all frame and no painting! But they were charming. | 0:14:28 | 0:14:32 | |
They were quite primitive, | 0:14:32 | 0:14:35 | |
and a member of a very famous artist's family, | 0:14:35 | 0:14:38 | |
but not by the right artist. | 0:14:38 | 0:14:41 | |
I should think these date from 1880, 1890. | 0:14:41 | 0:14:44 | |
They are oil paintings, | 0:14:44 | 0:14:46 | |
and they're painted on card as opposed to canvas. | 0:14:46 | 0:14:50 | |
But because they are by a known artist, | 0:14:50 | 0:14:53 | |
despite the fact they are small, | 0:14:53 | 0:14:55 | |
and because they are reasonably well presented in their gilt frames, | 0:14:55 | 0:14:59 | |
I would say that they've got a certain value. | 0:14:59 | 0:15:04 | |
They must be worth £20 or £30 each, | 0:15:04 | 0:15:06 | |
and I think we can put them into auction, estimate £80-120. | 0:15:06 | 0:15:12 | |
Might not seem a lot of money for a listed artist, | 0:15:12 | 0:15:15 | |
but who's going to buy a picture of that size? | 0:15:15 | 0:15:18 | |
Three in the lot here, numerous commission bids, | 0:15:23 | 0:15:26 | |
-start me straight in at £95. -Yes. | 0:15:26 | 0:15:29 | |
And £100 I'll take. At £95, 100, and ten. | 0:15:29 | 0:15:34 | |
At 110, we all done then? 120, 130, 140, 150. | 0:15:34 | 0:15:40 | |
Now at £150, we all done at £150? | 0:15:40 | 0:15:44 | |
-Yes! -Yes! -That's 50 quid each, you happy with that? -Very good. | 0:15:44 | 0:15:48 | |
Most expensive fridge magnets in the world! | 0:15:48 | 0:15:50 | |
Had it been Alfred de Breanski instead of Gustave, uh... | 0:15:51 | 0:15:57 | |
For a start the paintings would have been much bigger, | 0:15:57 | 0:15:59 | |
but they would have been better and they would have been thousands, | 0:15:59 | 0:16:03 | |
rather than 100 or so pounds. | 0:16:03 | 0:16:06 | |
Maritime art is very popular | 0:16:14 | 0:16:16 | |
and has continued, throughout fluctuations in the market, | 0:16:16 | 0:16:19 | |
to maintain a good following. | 0:16:19 | 0:16:21 | |
But what we're finding at the moment is particularly strong | 0:16:21 | 0:16:24 | |
is the naive art, for example the East Anglian school of painters | 0:16:24 | 0:16:28 | |
who were working in the 19th century recording the fishing trawlers. | 0:16:28 | 0:16:32 | |
They're not particularly well painted, | 0:16:32 | 0:16:35 | |
but they're an element of folk art, which is very strong at the moment. | 0:16:35 | 0:16:39 | |
Maritime art can be phenomenally expensive - | 0:16:43 | 0:16:47 | |
overblown, ships under full sail, | 0:16:47 | 0:16:50 | |
painted by artists like Montague Dawson, | 0:16:50 | 0:16:53 | |
ruinously expensive. | 0:16:53 | 0:16:54 | |
Forget about those. | 0:16:54 | 0:16:56 | |
Just take a trip down to your local seaside resort | 0:16:56 | 0:16:59 | |
next time you're in Cornwall or Devon or Norfolk, | 0:16:59 | 0:17:02 | |
and have a rummage around in the junk shops | 0:17:02 | 0:17:04 | |
and see if you can find something | 0:17:04 | 0:17:06 | |
that might have been painted | 0:17:06 | 0:17:08 | |
by someone who was on holiday there in the 1920s, | 0:17:08 | 0:17:11 | |
and depicted the harbour as it was in those days. | 0:17:11 | 0:17:13 | |
That's great advice for pointing you in the right direction | 0:17:15 | 0:17:17 | |
if you want to buy maritime art. | 0:17:17 | 0:17:20 | |
And Mark's got something to help you find your way if you're all at sea. | 0:17:20 | 0:17:23 | |
Now, before we open this, I want to ask you, where did you get it from? | 0:17:25 | 0:17:29 | |
From an old friend in the fire brigade | 0:17:29 | 0:17:31 | |
-at British Leyland, I used to do a lot of sailing. -Oh, right. | 0:17:31 | 0:17:35 | |
But I've never used it. | 0:17:35 | 0:17:36 | |
Well, it's too nice to use, thus giving a clue of what it is. | 0:17:36 | 0:17:40 | |
It's a little travelling compass, it's a circular little wooden box, | 0:17:41 | 0:17:45 | |
but it's been covered with this ...almost like skin, isn't it? | 0:17:45 | 0:17:49 | |
Well, it is in actual fact, skin, it's shark skin. | 0:17:49 | 0:17:52 | |
Otherwise known as shagreen, | 0:17:52 | 0:17:54 | |
and originally this would have been very, very bright. | 0:17:54 | 0:17:58 | |
It's a little bit fragile, it's coming off there, | 0:17:58 | 0:18:00 | |
but it's fundamentally there, and when we take it out we've got... | 0:18:00 | 0:18:05 | |
little maker's mark on the back as well. | 0:18:05 | 0:18:07 | |
"J & W Watkins, Charing Cross." | 0:18:07 | 0:18:10 | |
And this may well be silver, I can't find a hallmark | 0:18:10 | 0:18:13 | |
and I don't think we should try and open the back | 0:18:13 | 0:18:16 | |
because that may affect | 0:18:16 | 0:18:17 | |
the sensitive nature of the instruments inside. | 0:18:17 | 0:18:20 | |
When it comes to collecting anything scientific | 0:18:20 | 0:18:23 | |
the name and the location of the manufacturer is very important. | 0:18:23 | 0:18:27 | |
So if it's a big metropolitan city like Bristol or London | 0:18:27 | 0:18:30 | |
it's good to add a premium to the price. | 0:18:30 | 0:18:32 | |
Now, you've done some research yourself, | 0:18:32 | 0:18:34 | |
what have you found out about it? | 0:18:34 | 0:18:36 | |
We found that J & W stood for Jeremiah | 0:18:36 | 0:18:41 | |
and may have been William or Walter. | 0:18:41 | 0:18:45 | |
Yeah, so what age do you think it is? | 0:18:45 | 0:18:47 | |
Well, the only date we could find | 0:18:47 | 0:18:50 | |
where they mentioned an actual pocket compass, was 1803. | 0:18:50 | 0:18:54 | |
Well, I think it's a bit earlier than that. | 0:18:54 | 0:18:57 | |
And actually, it dates to the last quarter of the 18th century. | 0:18:57 | 0:19:01 | |
-So we're looking at 1780, 1790. -Gosh. | 0:19:01 | 0:19:04 | |
These are great collectors' items, | 0:19:04 | 0:19:05 | |
and this is a really nice original piece to have. | 0:19:05 | 0:19:09 | |
-I think we put an estimate of £200-300 on it. -Fantastic. | 0:19:09 | 0:19:13 | |
With a reserve of £150 just to protect it on the day, | 0:19:13 | 0:19:17 | |
and, hopefully, we'll get a good collector | 0:19:17 | 0:19:19 | |
and a good dealer bidding on this. | 0:19:19 | 0:19:21 | |
-Are you happy with that? -Fantastic, I didn't even know he had it | 0:19:21 | 0:19:24 | |
and we've been married for 23 years, I only seen it the other day. | 0:19:24 | 0:19:28 | |
You know boys and their toys, hidden away in a drawer, you see! | 0:19:28 | 0:19:32 | |
150, 160, 170, 180, 190. | 0:19:38 | 0:19:42 | |
190, 200. | 0:19:42 | 0:19:44 | |
At £200, we all done? Lovely thing. At £200... | 0:19:44 | 0:19:48 | |
-200, that's gone. Happy? -Yes, that's good. | 0:19:50 | 0:19:54 | |
That was a nice find, and well done for looking after it. | 0:19:54 | 0:19:56 | |
-Get searching all his cupboards and the garage and the shed! -Yeah. | 0:19:56 | 0:20:01 | |
The collectability of it on the day, it just scraped the estimate. | 0:20:01 | 0:20:04 | |
I don't know, maybe it was a bad sale, | 0:20:04 | 0:20:06 | |
but I loved it and somebody else liked it. | 0:20:06 | 0:20:08 | |
I'm just glad it sold. | 0:20:08 | 0:20:10 | |
Small objects like the compass are a great way to start collecting | 0:20:10 | 0:20:14 | |
maritime memorabilia. | 0:20:14 | 0:20:16 | |
Narrowing down your search to focus on particular instruments | 0:20:16 | 0:20:19 | |
or collectables from a specific ship or navy is a good tip | 0:20:19 | 0:20:23 | |
and it will help you to become more knowledgeable in your chosen area. | 0:20:23 | 0:20:27 | |
All of our "Flog It!" experts | 0:20:32 | 0:20:33 | |
have a keen eye for antiques and collectibles, | 0:20:33 | 0:20:36 | |
and many of them have some surprising antiques | 0:20:36 | 0:20:38 | |
stashed away at home. | 0:20:38 | 0:20:40 | |
Like me, I know that Will Axon has a passion for horses, | 0:20:40 | 0:20:43 | |
but I didn't know he had a taste for antique oddities. | 0:20:43 | 0:20:46 | |
Well, I don't know what it is, whether it was a childhood visit | 0:20:48 | 0:20:51 | |
to the Natural History Museum, | 0:20:51 | 0:20:53 | |
I remember those huge, great dinosaurs in the foyer, | 0:20:53 | 0:20:56 | |
but I've always been very keen on natural history | 0:20:56 | 0:20:59 | |
and specimens of animals, be they stuffed, dried, or part of them. | 0:20:59 | 0:21:06 | |
I've brought along my sawfish rostrum, | 0:21:06 | 0:21:09 | |
which I think is rather splendid and spectacular. | 0:21:09 | 0:21:14 | |
I know it's not everyone's cup of tea | 0:21:15 | 0:21:17 | |
that I'm holding part of an animal in my hand, | 0:21:17 | 0:21:20 | |
but this one was actually given to me as a gift by my godfather, | 0:21:20 | 0:21:25 | |
and it's signed and inscribed. | 0:21:25 | 0:21:27 | |
This was caught in Aden, early 1960s, | 0:21:27 | 0:21:31 | |
so it's well before the CITES ban | 0:21:31 | 0:21:34 | |
on trade on sawfish rostrums. | 0:21:34 | 0:21:37 | |
I know my children have taken it into school, | 0:21:37 | 0:21:40 | |
and the kids are fascinated by it, | 0:21:40 | 0:21:42 | |
they cannot believe that this comes from a fish. | 0:21:42 | 0:21:45 | |
So, can you imagine a sailor back in the 18th century | 0:21:45 | 0:21:49 | |
seeing a sawfish, which is a kind of ray, it's not a fish at all. | 0:21:49 | 0:21:53 | |
You can see how the legends of sea beasts | 0:21:53 | 0:21:57 | |
arose from sailors' tales out in exotic waters. | 0:21:57 | 0:22:02 | |
I like my sawfish rostrum and I hope you do too, | 0:22:02 | 0:22:05 | |
but, yeah, mind your fingers, these things are very sharp. | 0:22:05 | 0:22:09 | |
We've seen some wonderful items turn up at our valuation days | 0:22:13 | 0:22:17 | |
that the experts describe as "fresh to the market", | 0:22:17 | 0:22:20 | |
meaning they've never been sold in auction before. | 0:22:20 | 0:22:23 | |
Now expert Caroline Hawley has uncovered some treasures | 0:22:23 | 0:22:26 | |
in her hometown of Hull | 0:22:26 | 0:22:28 | |
which brings the city's maritime history vividly back to life. | 0:22:28 | 0:22:32 | |
In the 1840s this would have been a really bustling port - | 0:22:39 | 0:22:43 | |
whaling ships coming and going, | 0:22:43 | 0:22:45 | |
leaving here to the freezing conditions | 0:22:45 | 0:22:48 | |
of Greenland, the Arctic, the Davis Straits. | 0:22:48 | 0:22:52 | |
More than 40% of Britain's whalers left from the Port of Hull, | 0:22:52 | 0:22:56 | |
that's how busy it was. | 0:22:56 | 0:22:58 | |
Whale oil was a very, very important ingredient | 0:22:58 | 0:23:01 | |
to the running of the economy. | 0:23:01 | 0:23:03 | |
We needed it for lamp oil, for candles, | 0:23:03 | 0:23:07 | |
staybusts for ladies' corsets, which were fashionable at the time, | 0:23:07 | 0:23:11 | |
no end of usage, where nowadays, we would use plastics. | 0:23:11 | 0:23:14 | |
But sadly, at the height whales were hunted almost to extinction, | 0:23:14 | 0:23:19 | |
some of the species, | 0:23:19 | 0:23:20 | |
which is very, very sad, and, quite rightly now, it's banned. | 0:23:20 | 0:23:23 | |
Caroline's meeting master mariner John Simpson | 0:23:25 | 0:23:28 | |
at Hull's Trinity House. | 0:23:28 | 0:23:30 | |
-Hello, John. -Hello, Caroline. -Lovely to see you. -Lovely to see you. | 0:23:30 | 0:23:34 | |
For hundreds of years there's been a guild here supporting mariners, | 0:23:34 | 0:23:39 | |
as well as a school that once trained boys for life at sea. | 0:23:39 | 0:23:43 | |
But few people have seen the fascinating collection | 0:23:43 | 0:23:46 | |
that's been brought back from all four corners of the world. | 0:23:46 | 0:23:50 | |
There are pieces from the South Pacific, from New Zealand. | 0:23:50 | 0:23:55 | |
It's a history of British shipping through the centuries. | 0:23:55 | 0:24:00 | |
But what drew Caroline to Trinity House | 0:24:03 | 0:24:05 | |
was John's passion for scrimshaw. | 0:24:05 | 0:24:08 | |
Sailors used the long hours between whale hunts | 0:24:08 | 0:24:11 | |
to carve pictures on the teeth or bones of whales, | 0:24:11 | 0:24:14 | |
often as love tokens for womenfolk left at home. | 0:24:14 | 0:24:19 | |
And John has taken up this ancient art, carving old teeth as a hobby. | 0:24:19 | 0:24:24 | |
So, John, what are you working on now? | 0:24:24 | 0:24:27 | |
Well, this is a very old tooth, but it's work that I've started, | 0:24:27 | 0:24:34 | |
and these are the coat of arms of Hull Trinity House. | 0:24:34 | 0:24:37 | |
It's wonderful work, and you're using exactly the same tools. | 0:24:37 | 0:24:41 | |
I use a sailmaker's needle, which is the same method they would have used. | 0:24:41 | 0:24:46 | |
And how do you get such a wonderfully smooth surface, | 0:24:46 | 0:24:48 | |
from the raw tooth to this very smooth surface on which to work? | 0:24:48 | 0:24:53 | |
This one is a tooth in its natural condition, | 0:24:53 | 0:24:59 | |
with these very deep ridges. | 0:24:59 | 0:25:02 | |
And how do you smooth it? | 0:25:02 | 0:25:04 | |
With lots of sandpaper and lots of patience, | 0:25:04 | 0:25:07 | |
it's just to remove the surface until we get the tooth looking like this. | 0:25:07 | 0:25:13 | |
Once the scratching has been completed, | 0:25:13 | 0:25:16 | |
it's as simple as getting some ink or soot, | 0:25:16 | 0:25:20 | |
and then rubbed over the surface. | 0:25:20 | 0:25:23 | |
Hey presto. | 0:25:23 | 0:25:25 | |
# This dirty town has been my home | 0:25:25 | 0:25:29 | |
# Since last time I was sailing | 0:25:29 | 0:25:32 | |
# But I'll not stay another day | 0:25:33 | 0:25:37 | |
# I'd sooner be a-whaling... # | 0:25:37 | 0:25:39 | |
Scrimshaw collectors pay many thousands of pounds | 0:25:41 | 0:25:44 | |
for quality antique examples, especially ones with provenance. | 0:25:44 | 0:25:48 | |
And with her connections as an auctioneer, | 0:25:48 | 0:25:51 | |
Caroline's brought some to show John. | 0:25:51 | 0:25:53 | |
I've borrowed a wonderful collection of antique scrimshaw. | 0:25:54 | 0:25:58 | |
It's wonderful to see the pieces that the sailors did so many years ago, | 0:25:58 | 0:26:03 | |
from a practical thing like a fid that's been made out of whalebone. | 0:26:03 | 0:26:08 | |
And this one here, the detail on that! | 0:26:08 | 0:26:11 | |
Because of the work and the size, | 0:26:11 | 0:26:14 | |
it's probably the most valuable one on the table, | 0:26:14 | 0:26:17 | |
several thousands of pounds we're looking at here. | 0:26:17 | 0:26:21 | |
This swordstick here, with a whalebone handle, | 0:26:21 | 0:26:26 | |
is actually from the ship Cyrus, with William Beadling the captain, | 0:26:26 | 0:26:32 | |
can you see the depiction of the ship, the Cyrus? | 0:26:32 | 0:26:35 | |
With the whale here. | 0:26:35 | 0:26:36 | |
From the same shape, the same master, is this wonderful snuffbox | 0:26:36 | 0:26:41 | |
with the Cyrus here, but it's got a secret, do you want to see? | 0:26:41 | 0:26:45 | |
I would love to. | 0:26:45 | 0:26:46 | |
Right, so we'll open the top, | 0:26:46 | 0:26:48 | |
-and inside is the rather saucy mermaid or something. -Mm. | 0:26:48 | 0:26:54 | |
Erotic engravings are very rare, | 0:26:54 | 0:26:57 | |
because most of these were made to take home to your loved ones, | 0:26:57 | 0:27:00 | |
and I can imagine most wives and sweethearts | 0:27:00 | 0:27:03 | |
wouldn't be awfully keen on seeing some half-naked mermaid. | 0:27:03 | 0:27:07 | |
So something like this little box, | 0:27:07 | 0:27:10 | |
with the known link to Hull | 0:27:10 | 0:27:12 | |
and to a named captain, a named ship, | 0:27:12 | 0:27:15 | |
and the added interest of the erotica inside, | 0:27:15 | 0:27:19 | |
adds hugely to the value. | 0:27:19 | 0:27:22 | |
The sky's the limit, but it could be as much as £15,000, | 0:27:22 | 0:27:25 | |
£20,000 for the two. | 0:27:25 | 0:27:26 | |
But for those of us, myself included, | 0:27:26 | 0:27:28 | |
who don't have that sort of money, | 0:27:28 | 0:27:31 | |
we can actually start by buying something | 0:27:31 | 0:27:34 | |
like these very small teeth, those are eminently affordable. | 0:27:34 | 0:27:38 | |
A - because they're so small, and these are only £45, £50. | 0:27:38 | 0:27:43 | |
There will always be the chance find | 0:27:43 | 0:27:47 | |
at a car-boot sale or an antique fair, and who knows? | 0:27:47 | 0:27:52 | |
# To cut the throats of them there blokes | 0:27:54 | 0:27:59 | |
# What sells bad beer to sailors. # | 0:27:59 | 0:28:04 | |
There you have it! | 0:28:12 | 0:28:13 | |
All you need to know to ensure your items sail away at auction. | 0:28:13 | 0:28:17 | |
If you've got something you'd like to sell, | 0:28:18 | 0:28:20 | |
then we look forward to seeing you at one of our valuation days. | 0:28:20 | 0:28:24 | |
And I hope you can put some of these tips to good use. | 0:28:26 | 0:28:28 | |
But, until then, please join me again soon for more Trade Secrets. | 0:28:28 | 0:28:33 |