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After more than a decade of valuation days and auction rooms, | 0:00:06 | 0:00:10 | |
we have a wealth of experience valuing and selling your antiques and collectables on "Flog It!". | 0:00:10 | 0:00:16 | |
Fascinating. It's a really interesting object. | 0:00:16 | 0:00:19 | |
Are we all done at 1,900? | 0:00:19 | 0:00:21 | |
That is fantastic, isn't it? | 0:00:21 | 0:00:24 | |
And our experts are raring to go with some more inside information, | 0:00:24 | 0:00:29 | |
so if there's something you need to know, you're more than likely to find it right here. | 0:00:29 | 0:00:34 | |
Welcome to Trade Secrets. | 0:00:34 | 0:00:37 | |
Ever since an Englishman's home has been his castle, | 0:01:03 | 0:01:07 | |
we've looked at ways of being comfortable and happy within our own four walls, | 0:01:07 | 0:01:12 | |
whether it's something to sit on, eat from or for passing the time. | 0:01:12 | 0:01:16 | |
The things we buy for our homes have a special resonance. | 0:01:16 | 0:01:19 | |
Today, it's all about objects that once delighted us in our homes, and are now highly collectable. | 0:01:19 | 0:01:26 | |
We've got great tips on everything from early Victorian home entertainment | 0:01:26 | 0:01:31 | |
to cool, retro technology. | 0:01:31 | 0:01:33 | |
'Coming up, I'm amazed by a fantastic result at auction.' | 0:01:35 | 0:01:39 | |
-Bang, the hammer's gone down. What a result! -Amazing! -I'm so pleased. | 0:01:39 | 0:01:43 | |
'Will shocks a visitor with his estimate on an old telly.' | 0:01:43 | 0:01:47 | |
-Really? -Yes. Is that more than you thought it would be worth? | 0:01:47 | 0:01:50 | |
Much more. | 0:01:50 | 0:01:52 | |
'And our experts will be revealing the best collectables.' | 0:01:52 | 0:01:57 | |
My tip, if you're looking for more accessible things, is probably old radios. | 0:01:57 | 0:02:02 | |
In the days before catch-up TV and the internet, | 0:02:05 | 0:02:08 | |
people found other ways to while away the hours at home. | 0:02:08 | 0:02:12 | |
What we now consider antique or old-fashioned was once state-of-the-art gadgets. | 0:02:12 | 0:02:18 | |
Now, at our "Flog It!" valuation days, | 0:02:18 | 0:02:20 | |
we see many objects that were once designed | 0:02:20 | 0:02:23 | |
to provide home entertainment, | 0:02:23 | 0:02:25 | |
so what do our experts think we should be looking out for? | 0:02:25 | 0:02:29 | |
There's an interest in old techno items, | 0:02:29 | 0:02:31 | |
be it televisions, radios, gramophones. | 0:02:31 | 0:02:34 | |
Mechanical music is interesting, | 0:02:34 | 0:02:36 | |
music boxes and disc players and Polyphons, things like that. | 0:02:36 | 0:02:40 | |
Early pieces of technology can be very desirable, | 0:02:40 | 0:02:44 | |
particularly items such as magic lanterns | 0:02:44 | 0:02:48 | |
and particularly magic lanterns if they don't just have one lens. | 0:02:48 | 0:02:52 | |
If they've got three lenses, for example, they're very collectable, so really early entertainment. | 0:02:52 | 0:02:57 | |
Our idea of family recreation is very different today, | 0:02:57 | 0:03:02 | |
but the Victorians and Edwardians found plenty of things to amuse themselves with | 0:03:02 | 0:03:07 | |
and you keep us entertained by bringing them to "Flog It!". | 0:03:07 | 0:03:11 | |
We may not think of these simple, popular items as collectables, | 0:03:11 | 0:03:14 | |
but Anita knows how much they appeal to the bidders. | 0:03:14 | 0:03:17 | |
This is an interesting thing here. | 0:03:17 | 0:03:20 | |
This is what I would call a Victorian home entertainment centre. | 0:03:20 | 0:03:26 | |
It's a stereoscope. Every home would have something like this | 0:03:26 | 0:03:31 | |
and they would buy cards which showed you perhaps the Great Exhibitions | 0:03:31 | 0:03:37 | |
or scenes in Japan, scenes of India, | 0:03:37 | 0:03:41 | |
so that people were able to see foreign lands at that time. | 0:03:41 | 0:03:45 | |
If you can imagine the time then, | 0:03:45 | 0:03:47 | |
there were no televisions, there were no radios, | 0:03:47 | 0:03:50 | |
there was no internet, | 0:03:50 | 0:03:52 | |
there were no internet games, | 0:03:52 | 0:03:54 | |
so people had to find ways of amusing themselves and the stereoscope was one of them. | 0:03:54 | 0:03:59 | |
Now, on the front here we have two eyepieces. | 0:03:59 | 0:04:03 | |
Now, these would be used when we were viewing the cards which were specially manufactured for this | 0:04:03 | 0:04:10 | |
and this big lens here would be used as a magnifying glass for our photographs. | 0:04:10 | 0:04:17 | |
Tell me where you got it. | 0:04:17 | 0:04:18 | |
I bought a house. These two old people lived in it and they died. | 0:04:18 | 0:04:23 | |
When we saw this, I had no interest in it, but my husband kept it. | 0:04:23 | 0:04:26 | |
-Did he know what it was? -He thought it was something for a doctor. | 0:04:26 | 0:04:31 | |
Jeanette's husband thought it was a medical device. | 0:04:31 | 0:04:34 | |
I wonder what sort of medical device he thought it was? | 0:04:34 | 0:04:38 | |
-Unfortunately, we don't have any of the slides, the cards. -No, we didn't. | 0:04:38 | 0:04:43 | |
Well, if you had, he would have probably worked out that it wasn't a medical instrument | 0:04:43 | 0:04:49 | |
and it was a piece of home entertainment. | 0:04:49 | 0:04:52 | |
-Price-wise, I would estimate it in the region of, say, £20, £30. -Mm-hm. | 0:04:52 | 0:04:57 | |
Victorian stereoscope with slides. | 0:04:57 | 0:05:00 | |
There we have it. £20? £10, please? 10 bid. 15. | 0:05:00 | 0:05:03 | |
20. At 25. | 0:05:03 | 0:05:06 | |
At 30. 5. At 40. | 0:05:06 | 0:05:09 | |
At 5. At 50. | 0:05:09 | 0:05:11 | |
-This is good. -At 5. At 60. | 0:05:11 | 0:05:14 | |
At 5. At 70. At 5. | 0:05:14 | 0:05:17 | |
-At £75... -Brilliant. | 0:05:17 | 0:05:19 | |
The bid's at the back of the room at 75. | 0:05:19 | 0:05:21 | |
At £75 and I'm selling now at £75... | 0:05:21 | 0:05:25 | |
-The hammer's gone down. That was a good result, Anita. -Excellent. | 0:05:25 | 0:05:29 | |
-I'm happy for you. -Thank you very much. -That's OK. | 0:05:29 | 0:05:32 | |
A great result. | 0:05:33 | 0:05:36 | |
Many families had these amusements at home, | 0:05:36 | 0:05:39 | |
so it's worth checking out your attics to see what you can find. | 0:05:39 | 0:05:43 | |
The fact that it will no longer be used today | 0:05:43 | 0:05:46 | |
and the fact that it isn't a functional item really doesn't make any difference at all. | 0:05:46 | 0:05:52 | |
It's still a desirable item and still worth every penny of £75. | 0:05:52 | 0:05:58 | |
Another example of home entertainment we see a lot on "Flog It!" are magic lanterns. | 0:05:58 | 0:06:04 | |
I've had it working once. There was smoke coming out of the top of it. | 0:06:04 | 0:06:09 | |
We got gassed with the fumes, so we stopped using it. | 0:06:09 | 0:06:12 | |
These are fabulous. They're magic lantern slides. | 0:06:14 | 0:06:18 | |
Wind the handle and it gives the most wonderful patterns. | 0:06:18 | 0:06:23 | |
Magic lantern shows became popular in the 19th century | 0:06:24 | 0:06:29 | |
when people found the idea of seeing images projected on a screen spooky and fascinating | 0:06:29 | 0:06:36 | |
and the Victorians soon seized on them to amuse and entertain family and friends at home. | 0:06:36 | 0:06:42 | |
I can imagine hours of endless fun | 0:06:42 | 0:06:45 | |
looking at these slides through a magic lantern. | 0:06:45 | 0:06:49 | |
And it seems Anita is really drawn to these early projectors too. | 0:06:49 | 0:06:53 | |
Now, your magic lantern has seen better days. | 0:06:55 | 0:06:58 | |
Has it ever! | 0:06:58 | 0:07:00 | |
This has very, very little value. It wasn't the best of quality. | 0:07:00 | 0:07:06 | |
I've seen some beautiful ones which are brassbound with beautiful oak trimmings and so on. | 0:07:06 | 0:07:12 | |
What was of interest there were the packets of slides. | 0:07:12 | 0:07:18 | |
Now, we have about 12, 15 boxes of slides | 0:07:18 | 0:07:22 | |
from Victorian times up until the '30s and some classics. | 0:07:22 | 0:07:28 | |
I mean, we have the Disney ones here as well, so this will make it interesting. | 0:07:28 | 0:07:33 | |
Now, these three here | 0:07:33 | 0:07:36 | |
are of particular interest and these are older ones as well. | 0:07:36 | 0:07:40 | |
And if we can pick one up, | 0:07:40 | 0:07:43 | |
the slide would be put in... | 0:07:43 | 0:07:46 | |
..and what you've got is a crazy, bearded Scotsman, | 0:07:47 | 0:07:51 | |
brandishing weapons... | 0:07:51 | 0:07:54 | |
And if you pull the slide back, there he is, | 0:07:56 | 0:08:00 | |
shooting someone with a pistol. | 0:08:00 | 0:08:03 | |
'These little moving slides were very, very interesting' | 0:08:03 | 0:08:07 | |
and they, in actual fact, were the precursor of movies and television. | 0:08:07 | 0:08:13 | |
Robert, I would like to put a value | 0:08:13 | 0:08:17 | |
of £100 to £150. | 0:08:17 | 0:08:20 | |
Yes. | 0:08:20 | 0:08:22 | |
Would you be happy to sell them at that? | 0:08:22 | 0:08:25 | |
Yes, I would hope they would do better. | 0:08:25 | 0:08:28 | |
I would hope they would do better as well. I tend to estimate conservatively. | 0:08:28 | 0:08:33 | |
The magic lantern with a collection of boxed and other slides. | 0:08:33 | 0:08:37 | |
80. 5. 90. | 0:08:37 | 0:08:39 | |
100. 110. 20. | 0:08:39 | 0:08:42 | |
40. 60. 180. | 0:08:42 | 0:08:44 | |
200. I'll take 20 quickly. I'm selling at 200... | 0:08:44 | 0:08:49 | |
-What will you put £200 towards? -I'm sure my grandson will benefit. | 0:08:49 | 0:08:53 | |
I'd estimated much lower than that, | 0:08:53 | 0:08:56 | |
but it just showed the desirability of these slides | 0:08:56 | 0:09:01 | |
and quite probably the prize in the slides were the moving ones. | 0:09:01 | 0:09:06 | |
The need for domestic entertainment has led to all sorts of technological advances down the ages | 0:09:06 | 0:09:13 | |
and to some iconic looks. | 0:09:13 | 0:09:16 | |
There were some pretty funky designs going on | 0:09:16 | 0:09:18 | |
in the '30s and '40s, into the '50s and '60s, | 0:09:18 | 0:09:21 | |
which are probably more relevant today than they were then. | 0:09:21 | 0:09:24 | |
They were rejected then as being too racy, whereas nowadays we love that retro look. | 0:09:24 | 0:09:29 | |
There's a huge market in collectors' items, | 0:09:31 | 0:09:35 | |
20th century collectors' items, | 0:09:35 | 0:09:37 | |
things that I have been brought up with as a child - | 0:09:37 | 0:09:41 | |
televisions, radios, record players. | 0:09:41 | 0:09:44 | |
'You're not wrong, Charlie. | 0:09:44 | 0:09:45 | |
'And I got a lesson in just how desirable these things are | 0:09:45 | 0:09:49 | |
'back in 2006.' | 0:09:49 | 0:09:51 | |
-When we open this up, there's a big surprise in here. -There is. -Ta-da! | 0:09:51 | 0:09:56 | |
It's an early radio. | 0:09:56 | 0:09:59 | |
It belonged to my partner's grandfather and it's been in their house since he was a small child. | 0:09:59 | 0:10:06 | |
It's a crystal radio and I think it's absolutely superb. | 0:10:06 | 0:10:09 | |
We've got another little surprise in here because that's a little drawer and there's a set of headphones. | 0:10:09 | 0:10:15 | |
These, I bet, are in working order because they look pretty good to me. | 0:10:15 | 0:10:20 | |
We've never actually tried to have it working, but... | 0:10:20 | 0:10:24 | |
I wouldn't like to either. You've got to attach the headphones to these two terminals. | 0:10:24 | 0:10:29 | |
This is the tuner and it says here, | 0:10:29 | 0:10:32 | |
"Type approved by the Postmaster General for the BBC." | 0:10:32 | 0:10:36 | |
-Isn't it lovely? The crystal would go in here. -Yes. | 0:10:36 | 0:10:40 | |
Value? Crikey... | 0:10:40 | 0:10:41 | |
With the headphones, we'll put a value of £50 to £90. | 0:10:41 | 0:10:45 | |
-OK. -Are you happy with that? | 0:10:45 | 0:10:47 | |
Yes, I'm happy with that, Paul. | 0:10:47 | 0:10:49 | |
Interest starts me here already at 95. 100. And 10, you're in, sir. | 0:10:49 | 0:10:54 | |
At 110. Both my bidders are out. At 110. And 20. 30. | 0:10:54 | 0:10:57 | |
140. 50. 160. | 0:10:57 | 0:11:00 | |
170. 180. 190. | 0:11:00 | 0:11:02 | |
-200. 220... -They absolutely love it, don't they? | 0:11:02 | 0:11:07 | |
I can't believe it! | 0:11:07 | 0:11:08 | |
In front at £220... | 0:11:08 | 0:11:11 | |
-Bang, the hammer's gone down. What a result! -Amazing! -I'm so pleased. | 0:11:11 | 0:11:15 | |
-I would never have thought... -No, I wouldn't. | 0:11:15 | 0:11:18 | |
It did even better than I had hoped. | 0:11:20 | 0:11:23 | |
I love this early technology, | 0:11:23 | 0:11:25 | |
so search your sheds and attics and see what your grandparents may have bought | 0:11:25 | 0:11:30 | |
that could make you some money at auction. | 0:11:30 | 0:11:33 | |
And even what you and your parents bought shouldn't be ignored. | 0:11:36 | 0:11:40 | |
Will couldn't wait to get his hands on this fabulous retro item. | 0:11:40 | 0:11:45 | |
When I saw it, I thought perhaps you'd come on your motorbike and had left your Day-Glo helmet in the bag, | 0:11:45 | 0:11:50 | |
or perhaps a part-time astronaut. | 0:11:50 | 0:11:52 | |
-This is a great piece of post-war design. How did you come by it? -It's my sister's. | 0:11:52 | 0:11:57 | |
She and her husband got married in 1968, so I assume they bought it shortly after that. | 0:11:57 | 0:12:03 | |
-I think it probably dates from more towards the early '70s. -Yeah. | 0:12:03 | 0:12:08 | |
Right up my street, lovely thing. | 0:12:08 | 0:12:10 | |
Classic '70s design, bright colours, bold, | 0:12:10 | 0:12:15 | |
and I thought, "We don't see enough of that on "Flog It!" " | 0:12:15 | 0:12:18 | |
We've got the name of the maker on it, JVC, a Japanese firm | 0:12:18 | 0:12:22 | |
who in the sort of '70s, early '70s, | 0:12:22 | 0:12:26 | |
they were taking their design influence from the space race, | 0:12:26 | 0:12:30 | |
which is where this TV gets its nickname, shall we say? | 0:12:30 | 0:12:34 | |
-It's known as the Sputnik. -Is it? | 0:12:34 | 0:12:35 | |
Yeah. After the Russian satellites that were blasted into orbit. | 0:12:35 | 0:12:40 | |
TVs nowadays want to get thinner and thinner and thinner, | 0:12:40 | 0:12:44 | |
but someone at JVC thought it would be a great idea to have a TV in a ball. | 0:12:44 | 0:12:49 | |
Great, out-of-the-box thinking. | 0:12:49 | 0:12:51 | |
-You see these two chains popping out of the top? -Yeah. | 0:12:51 | 0:12:54 | |
They would have been a chain loop | 0:12:54 | 0:12:56 | |
because the alternative for this is you could have it on the stand as you have here, | 0:12:56 | 0:13:01 | |
which is again a multi-swivel stand, or you could hang it from a ceiling. | 0:13:01 | 0:13:05 | |
As a piece of sculpture, it works beautifully. | 0:13:05 | 0:13:08 | |
Whether it works as a telly, I'm not entirely sure, hanging in the corner of the room there by a chain. | 0:13:08 | 0:13:14 | |
But who cares? It looked beautiful. | 0:13:14 | 0:13:16 | |
And I see you've still got it wired up, so it does still work. | 0:13:16 | 0:13:20 | |
-Yes, I tried it the other week. -You get all the channels? | 0:13:20 | 0:13:23 | |
-All five terrestrial channels. -That's better than my modern telly at home! | 0:13:23 | 0:13:27 | |
I would suggest a sensible estimate of £200 to £300. | 0:13:27 | 0:13:30 | |
-Really? -Yes. | 0:13:30 | 0:13:32 | |
-Is that more than you thought it would be worth? -Much more. | 0:13:32 | 0:13:36 | |
If we say 200 to 300, | 0:13:36 | 0:13:38 | |
put a reserve on it at £200, bit of discretion? | 0:13:38 | 0:13:41 | |
-My sister said she didn't worry about the reserve. -No reserve. Excellent. £200 to £300, no reserve. | 0:13:41 | 0:13:47 | |
Hopefully, we'll do very well for you on the day. | 0:13:47 | 0:13:50 | |
Having no reserve is a great way to tempt the bidders, but do take advice from the auctioneer. | 0:13:52 | 0:13:57 | |
You must be prepared for your item to sell for a low price. | 0:13:57 | 0:14:02 | |
I can open the bidding at 100 here. On the book at £100. | 0:14:02 | 0:14:06 | |
-Gone. -£100 on the book. 120? | 0:14:06 | 0:14:08 | |
120. 140? | 0:14:08 | 0:14:10 | |
120 at the back. I'm out at 120. | 0:14:10 | 0:14:13 | |
At £120, are you done? | 0:14:13 | 0:14:15 | |
Are you sure? | 0:14:15 | 0:14:17 | |
The hammer's gone down at £120. | 0:14:17 | 0:14:20 | |
-Not bad. -No retro collectors here today. | 0:14:20 | 0:14:22 | |
-It got the lower end. -It's worth 200 quid. | 0:14:22 | 0:14:25 | |
I put the estimate for the TV at £200 to £300 because I believed that's what it was worth | 0:14:25 | 0:14:30 | |
and I still believe that's what it was worth. | 0:14:30 | 0:14:33 | |
I agree. The market for retro items is particularly strong just now, | 0:14:35 | 0:14:40 | |
so someone bagged a bargain there. | 0:14:40 | 0:14:42 | |
And you could too if you keep an eye on auction websites | 0:14:42 | 0:14:46 | |
and place a commission bid if you can't get there in person. | 0:14:46 | 0:14:49 | |
If you're looking out for techno bargains, | 0:14:51 | 0:14:54 | |
we're seeing a new interest in old computers | 0:14:54 | 0:14:57 | |
from the time when I was a child in the late '70s, early 1980s. | 0:14:57 | 0:15:02 | |
Those old computers, people are buying them. If you've got them boxed, new and in good condition, | 0:15:02 | 0:15:08 | |
then perhaps those are a good thing to hang on to. | 0:15:08 | 0:15:11 | |
I suspect that if you're looking at today's gadgets, | 0:15:11 | 0:15:15 | |
something like a mobile phone, | 0:15:15 | 0:15:19 | |
a rare, valuable mobile phone | 0:15:19 | 0:15:22 | |
could well become even more valuable in the future | 0:15:22 | 0:15:25 | |
because this technology is changing daily. | 0:15:25 | 0:15:29 | |
Apple were perhaps the forerunners in the design of smartphones and sort of being user-friendly, | 0:15:29 | 0:15:35 | |
then they might be something to collect. | 0:15:35 | 0:15:38 | |
We're all on number 5s now, aren't we? | 0:15:38 | 0:15:41 | |
I wonder if a few people have got the old number 3 at home? | 0:15:41 | 0:15:44 | |
It might become a design classic of the future. | 0:15:44 | 0:15:48 | |
So, from the cutting-edge designs for the future, | 0:15:53 | 0:15:57 | |
there are still some very collectable items for the home with the classic appeal of the past | 0:15:57 | 0:16:01 | |
and one of our experts is a little obsessed. | 0:16:01 | 0:16:04 | |
Philip Serrell is not really a man to show his feelings. | 0:16:04 | 0:16:07 | |
He's a rugby-loving, cigar-smoking, sports car-driving man's man, | 0:16:07 | 0:16:12 | |
but even he gets a tear in his eye when he comes across a piece of Royal Worcester porcelain | 0:16:12 | 0:16:17 | |
at a "Flog It!" valuation day. | 0:16:17 | 0:16:19 | |
-Do you know where I'm from? -Worcester. | 0:16:19 | 0:16:22 | |
-Why is that relevant? -Because it's a Worcester teapot. | 0:16:22 | 0:16:25 | |
What really does it for me about antiques is the social history, | 0:16:25 | 0:16:29 | |
so for Worcester porcelain, | 0:16:29 | 0:16:32 | |
it's important for me because I'm a Worcester boy, | 0:16:32 | 0:16:35 | |
I was educated in Worcester, I used to go to the Worcester Porcelain Museum as a 13, 14, 15-year-old. | 0:16:35 | 0:16:41 | |
Not much I can tell you about that. | 0:16:41 | 0:16:43 | |
-You're the expert. -What? Don't you come round here using that language! | 0:16:43 | 0:16:48 | |
As I got into it, I began to appreciate the effect | 0:16:48 | 0:16:51 | |
that the porcelain factory had on the city of Worcester in social terms, people who worked there, | 0:16:51 | 0:16:57 | |
and the whole thing that it brought to the city and the county, | 0:16:57 | 0:17:01 | |
and that's what does it for me now. | 0:17:01 | 0:17:04 | |
In my eyes, I might be slightly biased, I think Worcester is the best English factory there was. | 0:17:04 | 0:17:10 | |
Phil's auction house is in the heart of the Worcestershire countryside in a converted chapel | 0:17:13 | 0:17:18 | |
and his business is a family affair with his wife Briony and his daughter both working with him. | 0:17:18 | 0:17:24 | |
Clem's my daughter. She's with me today in the saleroom. | 0:17:24 | 0:17:27 | |
She first came into these hallowed portals... She's 29 now. I was an incredibly young father(!) | 0:17:27 | 0:17:33 | |
But she first came in here probably 28½ years ago. | 0:17:33 | 0:17:36 | |
I've been coming to salerooms since I was probably knee-high to a grasshopper. | 0:17:36 | 0:17:40 | |
There's black-and-white photos of my mum and I at farm sales | 0:17:40 | 0:17:44 | |
when my dad did livestock auctions before the antique stuff took off, | 0:17:44 | 0:17:49 | |
then from there, he's moved on to selling painted fruit to selling paintings. | 0:17:49 | 0:17:54 | |
I'd like to think I've been there every step of the way. Five years ago, I came into the business fully, | 0:17:54 | 0:18:00 | |
so now I'm here all the time. | 0:18:00 | 0:18:03 | |
Phil is hopeful that Clem will grow to love Royal Worcester as much as he does. | 0:18:05 | 0:18:10 | |
He's got a regular sale coming up featuring the local porcelain | 0:18:10 | 0:18:15 | |
and there are over 100 lots ready to be viewed. | 0:18:15 | 0:18:17 | |
This is all of the Worcester in next week's sale. There are interesting things here. | 0:18:17 | 0:18:22 | |
-Here's a bit of a quiz now, see how much you've learned. -OK. | 0:18:22 | 0:18:26 | |
Who are the best Worcester porcelain artists and what do they paint? | 0:18:26 | 0:18:30 | |
-OK, Harry Davis - sheep. -Which is that little vase down there. | 0:18:30 | 0:18:34 | |
-Yeah. -Which will make £1,000-plus. | 0:18:34 | 0:18:36 | |
I'd say. | 0:18:36 | 0:18:37 | |
-Charley Baldwyn - plates. -These plates here which are worth, hopefully, about £1,000 each. | 0:18:37 | 0:18:43 | |
Then these powder-blue vases are Charley Baldwyn and they're 3,000 to 5,000. | 0:18:43 | 0:18:48 | |
-The plates are a bit more interesting. -Beautifully painted. | 0:18:48 | 0:18:52 | |
-And cattle - Stinton. -The Stinton family. | 0:18:52 | 0:18:54 | |
These aren't the Stintons. These are later copies of Stintons. | 0:18:54 | 0:18:58 | |
Those are Stinton. He did Highland cattle, massively sought after. | 0:18:58 | 0:19:03 | |
Sometimes when Worcester comes into the saleroom, I look at it and think, | 0:19:03 | 0:19:07 | |
"Some people give £3,000, £5,000 for this sort of thing. Why?" | 0:19:07 | 0:19:11 | |
I can appreciate it and when you look at what they've painted on these items, | 0:19:11 | 0:19:17 | |
a lot of the time, if it's a vase or a pot, it's curved. | 0:19:17 | 0:19:20 | |
To paint some of these things on a curve and on a piece of ceramic is quite hard, | 0:19:20 | 0:19:25 | |
but in terms of whether I'd actually want to own it, it's slightly different. | 0:19:25 | 0:19:31 | |
-Then we have all this painted fruit. It's massively valuable because... -Travellers. | 0:19:31 | 0:19:36 | |
Travellers' caravans are full of really good painted fruit Worcester and this is painted fruit Worcester. | 0:19:36 | 0:19:42 | |
-Hit me with some painted fruit artists. -Freeman and Ayrton were the two best for painted fruit. | 0:19:42 | 0:19:47 | |
Yeah, though one of the earlier ones you rarely see was Richard Sebright. | 0:19:47 | 0:19:52 | |
-Yeah. -He was absolutely stunning. | 0:19:52 | 0:19:54 | |
Worcester items like part dinner services decorated with half a peach and a bit of leaf and half an apple, | 0:19:54 | 0:20:00 | |
they remind me of going round to your aunt's house for dinner | 0:20:00 | 0:20:04 | |
and they've got the roast potatoes in one, carrots in the other. | 0:20:04 | 0:20:08 | |
It does still have its market, but it's not my taste. | 0:20:08 | 0:20:12 | |
I don't know anybody my age who would collect it, really. | 0:20:12 | 0:20:15 | |
If you're giving someone a tip who's buying painted fruit, what would it be? | 0:20:15 | 0:20:20 | |
Out of these two, which would you tell them to buy? | 0:20:20 | 0:20:23 | |
-From the front, I like that one, but when you turn them over, you'll go for that one. -Why? | 0:20:23 | 0:20:28 | |
-It's got a pink backstamp. -What does that mean? | 0:20:28 | 0:20:30 | |
It's more valuable than the black backstamp. Always go pink. | 0:20:30 | 0:20:34 | |
There you are. Go pink. This is interesting because this is a Locke and Co Worcester vase. | 0:20:34 | 0:20:39 | |
-But it's got a peacock on it. What do we know about peacocks' feathers? -Unlucky. | 0:20:39 | 0:20:42 | |
-Why? -Devil's eye. | 0:20:42 | 0:20:44 | |
You'd never have a peacock's feather in the house. | 0:20:44 | 0:20:47 | |
So, a Worcester vase with a pheasant on it is worth a lot more than one with a peacock on it because...? | 0:20:47 | 0:20:54 | |
-It's unlucky. -You got it. | 0:20:54 | 0:20:56 | |
Today, Philip and Clem have got a decision to make about some very personal family items. | 0:20:59 | 0:21:06 | |
Part of this job is I clear houses for people when members of the family have died. | 0:21:06 | 0:21:11 | |
My mother has recently died, so I'm now doing my own job for me. | 0:21:11 | 0:21:15 | |
You approach it from a completely different angle. | 0:21:15 | 0:21:18 | |
She collected Worcester porcelain for 30 or 40 years | 0:21:18 | 0:21:21 | |
and now I must decide whether I keep this stuff or sell it. | 0:21:21 | 0:21:25 | |
Most of the figures that my mother's got are by Freda Doughty | 0:21:25 | 0:21:29 | |
and Freda Doughty did little figures of countries of the world, days of the week, months of the year. | 0:21:29 | 0:21:35 | |
They are very much collectors' pieces | 0:21:35 | 0:21:38 | |
and in a way, I much prefer the earlier Worcester porcelain dating from the 18th century. | 0:21:38 | 0:21:44 | |
The thing is, we've got nothing like this at home, have we? | 0:21:45 | 0:21:49 | |
No, it's just the sort of thing that gathers dust. | 0:21:49 | 0:21:51 | |
-Do you like these things? -Not particularly. Do you? | 0:21:51 | 0:21:55 | |
No. In fact, not at all. | 0:21:55 | 0:21:58 | |
Are any of these worth anything? | 0:21:58 | 0:22:00 | |
You've got the auctioneer's friend with this lot over here which is 80 to 120, but some of these here, | 0:22:00 | 0:22:06 | |
-the countries of the world should make anywhere between £150 and £300 a go. -OK. | 0:22:06 | 0:22:12 | |
I can remember my mother being so excited that she bought that one. 20 years ago, that cost 150, 200 quid. | 0:22:12 | 0:22:18 | |
-I don't think I'd be giving £200 for that. -It's worth a lot more now. | 0:22:18 | 0:22:22 | |
So, what would you spend the money on? | 0:22:22 | 0:22:25 | |
Other than shoes and handbags, maybe a nice painting, a seascape. | 0:22:25 | 0:22:29 | |
That's November and you were born in November, so we'll put that one by. I'd like to keep that one. | 0:22:29 | 0:22:36 | |
And that's Tuesday's child and you were born on a Tuesday, | 0:22:36 | 0:22:40 | |
-so those two are your sort of birth date. -Yeah. | 0:22:40 | 0:22:43 | |
I'd like to hang on to those two. | 0:22:43 | 0:22:45 | |
The rest of them, what will we do? Keep, sell, yes, no? | 0:22:45 | 0:22:48 | |
-I'm going to say "sell". -Really? | 0:22:48 | 0:22:51 | |
-Yeah. Obviously, it's down to you, but not really my kind of thing. -OK. | 0:22:51 | 0:22:55 | |
-"Sell" it is then. -Yeah. | 0:22:55 | 0:22:56 | |
OK, good enough. | 0:22:56 | 0:22:58 | |
For anyone who inherits something, there's a huge emotional tie as to whether you should sell or keep. | 0:23:01 | 0:23:06 | |
And I really do believe that if you don't like something, sell it. | 0:23:06 | 0:23:10 | |
Don't keep it just because it was your father's or your grandfather's or whatever. | 0:23:10 | 0:23:14 | |
It's no secret that I love antique wood. | 0:23:22 | 0:23:25 | |
You bring all sorts of wooden items, known as treen, to our tables. | 0:23:25 | 0:23:29 | |
From spoons and boxes to tools and kitchen gadgets. | 0:23:29 | 0:23:34 | |
It's a piece of what we call treen. | 0:23:34 | 0:23:36 | |
A nice piece of treen. | 0:23:36 | 0:23:37 | |
Made from the tree. | 0:23:37 | 0:23:40 | |
-It can be quite hard to date. -I'd have thought, yes. | 0:23:40 | 0:23:43 | |
Treen is a term used to describe all small, wooden, functional household or agricultural items. | 0:23:43 | 0:23:50 | |
It's a great field for collectors, especially if you limit it to one type of object, like snuff boxes. | 0:23:50 | 0:23:56 | |
You can see the top of it slides off here and this is where all the snuff would have been stored. | 0:23:56 | 0:24:03 | |
Before cheap metal and plastic came into use, wood was the most easily accessible and cheapest | 0:24:03 | 0:24:09 | |
raw material available for making everyday objects. | 0:24:09 | 0:24:13 | |
Close-grained hardwoods like box, beech and sycamore were popular for making treen. | 0:24:14 | 0:24:20 | |
And the best objects are the ones that have developed a deep colour and a patination through the years | 0:24:21 | 0:24:26 | |
of handling and use. | 0:24:26 | 0:24:28 | |
That's what collectors look for. | 0:24:28 | 0:24:31 | |
Now and again we see a really special treen item. | 0:24:34 | 0:24:38 | |
It might be made of an unusual wood or have lots of intricate decoration. | 0:24:38 | 0:24:44 | |
That's when it gets really exciting. Even something that looks a bit rough and ready can charm bidders. | 0:24:44 | 0:24:50 | |
At £700 we sell. | 0:24:50 | 0:24:52 | |
-700 quid! -Very nice, too. | 0:24:52 | 0:24:55 | |
Here's another little gem that caused a real stir with its beautiful turning and carving. | 0:24:55 | 0:25:02 | |
If we open it up, very carefully, | 0:25:02 | 0:25:04 | |
-we can see that it is actually a little nutmeg grater. -That's right. Yeah. | 0:25:04 | 0:25:10 | |
740. Are we done? | 0:25:10 | 0:25:11 | |
At £740. | 0:25:11 | 0:25:14 | |
740! | 0:25:14 | 0:25:16 | |
Thank you! Thank you, darling. | 0:25:16 | 0:25:19 | |
I may be biased, but treen is a great choice for new collectors. | 0:25:19 | 0:25:25 | |
There's plenty of variety and you can spend as much or as little as you like. Happy hunting! | 0:25:25 | 0:25:31 | |
In these days of equality, the whole family helps to make a house a home, | 0:25:36 | 0:25:41 | |
but in previous centuries, it was very much the woman's realm | 0:25:41 | 0:25:45 | |
and their domestic accomplishments are very much celebrated today. | 0:25:45 | 0:25:49 | |
This sampler isn't particularly early | 0:25:52 | 0:25:54 | |
and it isn't particularly special. | 0:25:54 | 0:25:56 | |
It's 1890, which is quite late as samplers go, | 0:25:56 | 0:25:59 | |
but to me, it absolutely epitomises the vagaries of the auction trade. | 0:25:59 | 0:26:04 | |
This came up for auction 25 years ago in a saleroom close to me. | 0:26:04 | 0:26:09 | |
Because it says here "South Cave Girls' School", that was the school I went to, | 0:26:09 | 0:26:14 | |
so I desperately wanted to buy this. | 0:26:14 | 0:26:17 | |
It was worth probably £30, £40 at the time, | 0:26:17 | 0:26:20 | |
but I got a bit of auction fever and I went up and up and up. | 0:26:20 | 0:26:24 | |
I dropped out at about 200. Two other people continued the fight | 0:26:24 | 0:26:28 | |
and the hammer went down for £300 which was ridiculous. | 0:26:28 | 0:26:32 | |
I was miffed I hadn't bought it, but I got over it. | 0:26:32 | 0:26:35 | |
20 years later, I went to another saleroom in a nearby village. | 0:26:35 | 0:26:39 | |
I saw the sampler that I should have had for sale and I thought, "This time, I'm going to get it." | 0:26:39 | 0:26:44 | |
I left a bid, I can't remember what bid I left, but the next day I went in to see if I'd got it. | 0:26:44 | 0:26:50 | |
Yes, I'd got it for £30 this time and I love it and it's staying with me. | 0:26:50 | 0:26:55 | |
Don't ever get auction fever. | 0:26:55 | 0:26:56 | |
Something might not be worth what it gets at auction. | 0:26:56 | 0:27:00 | |
It could be that just two people desperately want the item. | 0:27:00 | 0:27:03 | |
Wait. 20 years later, who knows, you might get it for a song. | 0:27:03 | 0:27:07 | |
It's easy to let your emotions run away with you in the excitement of the saleroom, | 0:27:09 | 0:27:13 | |
but should we be more sensible and restrained? What do our experts think? | 0:27:13 | 0:27:19 | |
Buy with your head or buy with your heart. | 0:27:19 | 0:27:22 | |
It all depends on what you're buying for. | 0:27:22 | 0:27:24 | |
If you're buying to make a profit on something, buy with your head. | 0:27:24 | 0:27:28 | |
If you are buying something because you want to put it in your home, buy with your heart. | 0:27:28 | 0:27:33 | |
As an auctioneer, I love to see somebody | 0:27:33 | 0:27:36 | |
who's carried away because their heart tells them | 0:27:36 | 0:27:38 | |
they want something and they can't live without it, | 0:27:38 | 0:27:41 | |
but bring your head along to the auction as well. | 0:27:41 | 0:27:44 | |
I'm a passionate sort of fellow, so I would say, "Buy with your heart." | 0:27:44 | 0:27:48 | |
If you really like it, get it bought. If it's a bit more than your budget, who cares? | 0:27:48 | 0:27:53 | |
There's nothing worse than getting home and thinking, "I wish I'd bought that item." | 0:27:53 | 0:27:58 | |
'Whether you buy on a whim or have carefully researched an item, | 0:28:04 | 0:28:08 | |
'it's clear that some objects | 0:28:08 | 0:28:09 | |
'designed for home entertainment | 0:28:09 | 0:28:11 | |
'are classic collectables today | 0:28:11 | 0:28:13 | |
'and you can reach high prices | 0:28:13 | 0:28:15 | |
'at the right auction.' | 0:28:15 | 0:28:17 | |
-Bang, hammer's gone down. -Wow! -What a result! | 0:28:17 | 0:28:20 | |
So if you've got something you want to sell, you know where to come. | 0:28:20 | 0:28:23 | |
I hope you can put some of our tips to good use. Please join us again soon for more Trade Secrets. | 0:28:23 | 0:28:30 |