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Stand by for some more inside information | 0:00:13 | 0:00:17 | |
from the Flog It! experts. | 0:00:17 | 0:00:18 | |
We've got a wealth of experience from over ten years of valuing | 0:00:18 | 0:00:22 | |
antiques and collectables. | 0:00:22 | 0:00:23 | |
So, if there is something you need to know, you can find it right here, | 0:00:23 | 0:00:27 | |
on Trade Secrets. | 0:00:27 | 0:00:29 | |
In today's show, | 0:00:56 | 0:00:58 | |
we're exploring how famous events can affect an item's value. | 0:00:58 | 0:01:01 | |
Coming up - some collectables relating to famous events | 0:01:01 | 0:01:05 | |
get our experts hot under the collar. | 0:01:05 | 0:01:08 | |
Phyllis, I'm so excited to see all this. | 0:01:08 | 0:01:12 | |
My heart begins to pound, I think, "We've got something special!" | 0:01:12 | 0:01:16 | |
Charlie discovers that appearances can be deceptive. | 0:01:16 | 0:01:19 | |
I just thought it was a ghastly tea service, to be perfectly honest, | 0:01:19 | 0:01:23 | |
and it was only when I turned a piece up that I realised | 0:01:23 | 0:01:26 | |
the historical importance of it. | 0:01:26 | 0:01:29 | |
And we find out what difference provenance can make. | 0:01:30 | 0:01:34 | |
Now, if this was early 20th century, it would be worth | 0:01:34 | 0:01:37 | |
a few or several hundred pounds. | 0:01:37 | 0:01:41 | |
But because of the provenance, it's probably worth £20,000. | 0:01:41 | 0:01:44 | |
Well, they say you never forget where you were | 0:01:48 | 0:01:50 | |
when you heard about a major event. | 0:01:50 | 0:01:52 | |
The moon landings, for instance, or the death of a notable person. | 0:01:52 | 0:01:55 | |
Now, sometimes, these events are a good excuse to go out and collect | 0:01:55 | 0:02:00 | |
associated memorabilia, which become quite valuable in their own right. | 0:02:00 | 0:02:04 | |
Just think of the huge amounts of money | 0:02:04 | 0:02:06 | |
paid by the collectors for Titanic memorabilia. | 0:02:06 | 0:02:10 | |
So, which events, past or present, are the ones to look out for? | 0:02:10 | 0:02:15 | |
You know when you think back, and you remember | 0:02:15 | 0:02:18 | |
where you were when something happened? | 0:02:18 | 0:02:21 | |
I think, for me, that's when you realise | 0:02:21 | 0:02:23 | |
that somebody great has died | 0:02:23 | 0:02:26 | |
or something important has happened in world history. | 0:02:26 | 0:02:30 | |
When a centenary or bicentenary of a certain event comes round, | 0:02:30 | 0:02:33 | |
you tend to see a peak in the prices of items associated with that event. | 0:02:33 | 0:02:38 | |
The collectable items are the items with the mistakes on, | 0:02:38 | 0:02:42 | |
or the changes in dates. | 0:02:42 | 0:02:44 | |
For example, Prince Charles and his second wedding to Camilla - | 0:02:44 | 0:02:48 | |
there were two dates. Can we remember why the date was changed? | 0:02:48 | 0:02:53 | |
The Pope had died. | 0:02:53 | 0:02:55 | |
Therefore, we had to move the wedding a few weeks later. | 0:02:55 | 0:02:58 | |
So, the first date is always collectable. | 0:02:58 | 0:03:00 | |
Without question, anything to do with Nelson | 0:03:00 | 0:03:05 | |
and the Battle of Trafalgar went wild at the bicentenary. | 0:03:05 | 0:03:10 | |
For me, the next big one - Battle of Waterloo. | 0:03:10 | 0:03:14 | |
Bicentenary 2015, anything to do with the Duke of Wellington, | 0:03:14 | 0:03:19 | |
if you've got anything in the cupboards, bring it out in 2015. | 0:03:19 | 0:03:22 | |
Back in 2005, Mark Stacey found an item | 0:03:23 | 0:03:26 | |
which commemorated the death of a very great Brit. | 0:03:26 | 0:03:31 | |
What can I say about Admiral Lord Nelson? | 0:03:31 | 0:03:34 | |
He was the superstar of his day. | 0:03:34 | 0:03:37 | |
What an interesting item you've brought in to show us! | 0:03:37 | 0:03:40 | |
It's a very interesting box. | 0:03:40 | 0:03:42 | |
This year, particularly, because it's a little brass box | 0:03:42 | 0:03:46 | |
made to commemorate the death of Admiral Lord Nelson, | 0:03:46 | 0:03:50 | |
after the Battle of Trafalgar in 1805. | 0:03:50 | 0:03:53 | |
And, of course, it's the bicentenary this year, | 0:03:53 | 0:03:55 | |
so if you're going to sell something with Nelson memorabilia, this is the year to sell it. | 0:03:55 | 0:04:00 | |
Nelson saved Britain. | 0:04:00 | 0:04:02 | |
His publicity machine was fantastic. | 0:04:02 | 0:04:05 | |
I mean, at his funeral they had entry tickets only. | 0:04:05 | 0:04:10 | |
The man was a legend in his day. | 0:04:10 | 0:04:15 | |
But what I like about it is that it's very nicely made. | 0:04:15 | 0:04:18 | |
We have a portrait of Lord Nelson, | 0:04:18 | 0:04:20 | |
and then we have a nice, classical Greek key border going around. | 0:04:20 | 0:04:24 | |
And then on the bottom, we have "conqueror" | 0:04:24 | 0:04:27 | |
and then the various battles - | 0:04:27 | 0:04:29 | |
Copenhagen, as well as Trafalgar, of course. | 0:04:29 | 0:04:33 | |
'The Battle of Trafalgar was a definitive moment' | 0:04:33 | 0:04:36 | |
in the battle against Napoleon. | 0:04:36 | 0:04:38 | |
Sadly, Lord Nelson died in that battle, | 0:04:38 | 0:04:41 | |
which really created a superhero. | 0:04:41 | 0:04:44 | |
And, of course, a lot of items would have been made | 0:04:44 | 0:04:46 | |
to commemorate both the battle and Lord Nelson. | 0:04:46 | 0:04:49 | |
I think we should put a conservative estimate on it, | 0:04:49 | 0:04:52 | |
and a wide estimate of £100 to £200. | 0:04:52 | 0:04:55 | |
150, 160. | 0:05:02 | 0:05:03 | |
At 160. 170. 180. | 0:05:03 | 0:05:07 | |
190. At 190. 190 with me now. | 0:05:07 | 0:05:10 | |
200. 210. 220. | 0:05:10 | 0:05:13 | |
At 220 in the room now. 220. | 0:05:13 | 0:05:15 | |
Are you all done now at 220? | 0:05:15 | 0:05:17 | |
-Happy? -Yes. | 0:05:17 | 0:05:19 | |
'Everything proved right on the day, didn't it?' | 0:05:19 | 0:05:21 | |
It was a lovely object. | 0:05:21 | 0:05:22 | |
The bicentenary of the death of Nelson. | 0:05:22 | 0:05:25 | |
The two items coming together helped create a magical result. | 0:05:25 | 0:05:30 | |
If you have an item at home that commemorates an important | 0:05:30 | 0:05:34 | |
historical event, choose carefully the best time to sell it. | 0:05:34 | 0:05:38 | |
Pick an important anniversary, if possible. | 0:05:38 | 0:05:41 | |
Back in 2007, James found some tickets | 0:05:41 | 0:05:44 | |
from a very special American event. | 0:05:44 | 0:05:47 | |
Entrance to the opening of the Statue of Liberty. | 0:05:48 | 0:05:52 | |
I mean, you don't get more of an iconic symbol of the US than that. | 0:05:52 | 0:05:57 | |
We've cleared stuff out and dumped it in the roof and never looked at it. | 0:05:57 | 0:06:01 | |
This hasn't been opened until about February this year, wasn't it? | 0:06:01 | 0:06:06 | |
How on earth did it arrive in their attic without anyone knowing it? | 0:06:07 | 0:06:12 | |
And then, with it, this wonderful history of George Washington | 0:06:12 | 0:06:17 | |
and the Brooklyn Bridge in an envelope together. | 0:06:17 | 0:06:20 | |
This is the invitation to the opening of the Brooklyn Bridge | 0:06:20 | 0:06:24 | |
-and the Statue of Liberty. -It's dated, you see. | 0:06:24 | 0:06:28 | |
1883 there, for the Brooklyn Bridge. | 0:06:28 | 0:06:31 | |
And 1886 for the opening of the Statue of Liberty. | 0:06:31 | 0:06:35 | |
The people of France gifted the Statue of Liberty to the US. | 0:06:35 | 0:06:39 | |
It was designed by Frenchman Frederic Auguste Bartholdi. | 0:06:39 | 0:06:42 | |
The Brooklyn Bridge was the longest suspension bridge in the world, | 0:06:42 | 0:06:46 | |
and was seen as an engineering marvel of its day when it opened. | 0:06:46 | 0:06:51 | |
It says "The trustees of the New York and Brooklyn Bridge | 0:06:52 | 0:06:55 | |
"request the honour of the presence of Mr Daniel Huntington." | 0:06:55 | 0:06:59 | |
-Was that a relative? -No. Not as far as we know. | 0:06:59 | 0:07:02 | |
-Is that the same man as that on there? -That's Huntington, isn't it? | 0:07:02 | 0:07:05 | |
Ah, well, now, this chap... | 0:07:05 | 0:07:08 | |
General Huntington was one of George Washington's generals | 0:07:08 | 0:07:12 | |
-in the War of Independence. -Was he? | 0:07:12 | 0:07:15 | |
And we're going through this, and it says, | 0:07:15 | 0:07:17 | |
"Sample of George Washington's hair." | 0:07:17 | 0:07:19 | |
My heart begins to pound. I think, "We've got something special!" | 0:07:19 | 0:07:23 | |
Little piece of paper here that says, "Hair of General Washington. | 0:07:23 | 0:07:28 | |
"The very string, ribbon that had bound his hair." | 0:07:28 | 0:07:35 | |
And it's empty. Oh, no! | 0:07:35 | 0:07:38 | |
The floor fell away. | 0:07:38 | 0:07:40 | |
Where's the hair? | 0:07:40 | 0:07:41 | |
It's been in the roof all these years. | 0:07:41 | 0:07:43 | |
-Whether it's disintegrated, I don't know. -Oh, blimey. | 0:07:43 | 0:07:46 | |
If only that had been there, | 0:07:46 | 0:07:48 | |
it would have been just one of the most important | 0:07:48 | 0:07:51 | |
'Flog it! moments ever.' | 0:07:51 | 0:07:53 | |
Now, as a collection without the hair, it's going to be worth | 0:07:53 | 0:07:57 | |
£300-400, something like that. | 0:07:57 | 0:08:01 | |
-As long as the right people know about it. -Yes. | 0:08:01 | 0:08:03 | |
Do you want to know what it would be worth if you can find the hair? | 0:08:03 | 0:08:06 | |
-Go on, go on. -This might inspire you to go into your attic. | 0:08:06 | 0:08:10 | |
-Somewhere between £7,000 and £10,000. -Well, I'm blowed! | 0:08:10 | 0:08:14 | |
Really? As much as...? | 0:08:14 | 0:08:16 | |
-It's worth a grovel. -Yes. | 0:08:16 | 0:08:19 | |
Unfortunately, despite having a good rummage, | 0:08:19 | 0:08:22 | |
Vera and Michael were unable to unearth | 0:08:22 | 0:08:25 | |
the former US President's hair. | 0:08:25 | 0:08:26 | |
240. 260. 240 here, then. 260 anywhere? | 0:08:26 | 0:08:30 | |
At 240, all done, then. At £240, all finished. | 0:08:30 | 0:08:35 | |
240. | 0:08:35 | 0:08:37 | |
I thought it was going to fly, but thank God it didn't sell, really, | 0:08:37 | 0:08:42 | |
because I think it was the wrong place, wrong time. | 0:08:42 | 0:08:46 | |
We're not worried, Paul. We really wanted to get on your programme. | 0:08:46 | 0:08:49 | |
Aww! | 0:08:49 | 0:08:50 | |
We've enjoyed every moment. | 0:08:50 | 0:08:52 | |
'If Vera and Michael still have those tickets, | 0:08:52 | 0:08:55 | |
'I don't think they'll regret it. | 0:08:55 | 0:08:58 | |
'The market has changed so much since live internet bidding.' | 0:08:58 | 0:09:02 | |
I can't think for one minute that those tickets will end up staying in the UK. | 0:09:02 | 0:09:08 | |
They'll end up selling online to an American collector, | 0:09:08 | 0:09:11 | |
or an American dealer, and they will make double, at least, | 0:09:11 | 0:09:15 | |
what they failed to sell for before. | 0:09:15 | 0:09:17 | |
If you are selling an item with international appeal, | 0:09:17 | 0:09:20 | |
make sure your auction house has an online catalogue. | 0:09:20 | 0:09:23 | |
To get the best price, you'll need to attract global bidders. | 0:09:23 | 0:09:28 | |
Charlie didn't have this problem when he found some china | 0:09:28 | 0:09:32 | |
with appeal close to home. | 0:09:32 | 0:09:34 | |
On the face of it, Hazel, this is incredibly boring. | 0:09:35 | 0:09:39 | |
'I had not attached the importance' | 0:09:39 | 0:09:42 | |
to this item when I first saw it. I just thought | 0:09:42 | 0:09:45 | |
it was a ghastly tea service, to be perfectly honest. | 0:09:45 | 0:09:48 | |
It was only when I turned a piece up | 0:09:48 | 0:09:50 | |
that I realised the historical importance of it. | 0:09:50 | 0:09:53 | |
So if we have a look at the bottom of one of these pieces | 0:09:53 | 0:09:56 | |
it will tell us about it, won't it? | 0:09:56 | 0:09:57 | |
It does say Cunard White Star under there. | 0:09:57 | 0:10:00 | |
Tell me where you got it from. | 0:10:01 | 0:10:03 | |
-It's from the Queen Mary. -Yeah. -The old Queen Mary. | 0:10:03 | 0:10:06 | |
-The old Queen Mary. -And it was acquired somewhere along the line, | 0:10:06 | 0:10:11 | |
and came into the family. | 0:10:11 | 0:10:13 | |
I like the word "acquired". | 0:10:13 | 0:10:15 | |
-When the Queen Mary actually went out of commission... -Yes. | 0:10:15 | 0:10:18 | |
..certain parts and pieces left the ship | 0:10:18 | 0:10:22 | |
before she went to be in America. | 0:10:22 | 0:10:25 | |
Cunard, one of the most famous shipping lines of all time, | 0:10:25 | 0:10:28 | |
was started by a Canadian in the first half of the 19th century. | 0:10:28 | 0:10:33 | |
And its flagship later on was the Queen Mary, | 0:10:33 | 0:10:37 | |
which had an extraordinary career. | 0:10:37 | 0:10:39 | |
It was launched, I think, in 1936. | 0:10:39 | 0:10:42 | |
Soon after that, of course, the War came, | 0:10:42 | 0:10:45 | |
and it was used as a troopship carrier. | 0:10:45 | 0:10:48 | |
Then it went back into service as an oceangoing liner | 0:10:48 | 0:10:51 | |
and ended up, of course, in California. | 0:10:51 | 0:10:54 | |
So it's had an extraordinary career, and to find something | 0:10:54 | 0:10:58 | |
that had come directly from that ship is really quite exciting. | 0:10:58 | 0:11:02 | |
The Queen Mary was kitted out in 1936. This was done for first class. | 0:11:02 | 0:11:10 | |
So, it's the poshest of the posh Cunard. | 0:11:10 | 0:11:13 | |
I suspect that when it finally was decommissioned and sold off, | 0:11:13 | 0:11:18 | |
they probably kept a lot of the items on board, | 0:11:18 | 0:11:23 | |
because now it's more or less a floating museum in California | 0:11:23 | 0:11:27 | |
and it wouldn't be a proper museum without the items there. | 0:11:27 | 0:11:31 | |
So I don't think there's that many things that have | 0:11:31 | 0:11:34 | |
hit the market from the Queen Mary. | 0:11:34 | 0:11:36 | |
If we look at one or two of these pieces, I'm afraid... | 0:11:36 | 0:11:40 | |
-It's well cracked. -Cracked. | 0:11:40 | 0:11:43 | |
-Rough voyage. -Bad waiter. | 0:11:43 | 0:11:45 | |
HE LAUGHS | 0:11:45 | 0:11:46 | |
Bad waiter or a rough journey. How much? | 0:11:46 | 0:11:49 | |
Well, I'm supposed to be a valuer, but I haven't got a clue. | 0:11:49 | 0:11:52 | |
I would say to you, I'd be very surprised | 0:11:52 | 0:11:56 | |
if it got up to £100 and would expect, out of interest, | 0:11:56 | 0:11:59 | |
if it's catalogued properly, £40-£60. | 0:11:59 | 0:12:03 | |
Here we go. For this lot, shall we start at £10? | 0:12:07 | 0:12:10 | |
Interesting little lot for collectors. | 0:12:10 | 0:12:14 | |
-Five, 40, sir. -Look, we've got 40. | 0:12:14 | 0:12:16 | |
45, 50. 60. Five. 70. | 0:12:16 | 0:12:21 | |
-80. -This is good. -Five. | 0:12:21 | 0:12:24 | |
90. Five. | 0:12:24 | 0:12:27 | |
100. And 10. | 0:12:27 | 0:12:30 | |
120. 130. | 0:12:30 | 0:12:32 | |
140. | 0:12:32 | 0:12:34 | |
150. No. | 0:12:34 | 0:12:37 | |
-£140 near me. Against you on the back... Going at 140. I sell. -140. | 0:12:37 | 0:12:41 | |
The hammer's gone down. | 0:12:41 | 0:12:43 | |
I think there's only one answer to the question, | 0:12:43 | 0:12:45 | |
"Why did it make so much money?" | 0:12:45 | 0:12:49 | |
The estimate was wrong. I think I got it wrong. | 0:12:49 | 0:12:52 | |
Because I didn't know enough about it I erred on the conservative side | 0:12:52 | 0:12:57 | |
and I think 100-150 would have been a better estimate. | 0:12:57 | 0:13:00 | |
Don't be so hard on yourself, Charlie. | 0:13:00 | 0:13:02 | |
It was a lot of money for a few cracked plates and cups. | 0:13:02 | 0:13:07 | |
I think there's no doubt that if this had come on the market | 0:13:07 | 0:13:10 | |
without the provenance of the Cunard line, | 0:13:10 | 0:13:13 | |
it would have been worth £10 or £12, probably. | 0:13:13 | 0:13:17 | |
You should never underestimate the lure of buying into a piece | 0:13:17 | 0:13:20 | |
of glamorous history. | 0:13:20 | 0:13:23 | |
The Queen Mary was the fastest and the best, | 0:13:23 | 0:13:27 | |
and people have a great affection | 0:13:27 | 0:13:29 | |
for this wonderful liner. | 0:13:29 | 0:13:31 | |
Phyllis, I'm so excited to see all this stuff, | 0:13:31 | 0:13:35 | |
because the Queen Mary was Clyde-built - a bit like myself - | 0:13:35 | 0:13:40 | |
and, of course, the Queen Mary sailed | 0:13:40 | 0:13:44 | |
from this part of the world all over the place. | 0:13:44 | 0:13:48 | |
Now, tell me, where did you get this stuff? | 0:13:48 | 0:13:51 | |
My brother worked for Cunard line for 34 years | 0:13:51 | 0:13:54 | |
-and he collected it through the years. -Uh-huh. | 0:13:54 | 0:13:57 | |
He died ten years ago and it's been left to me. | 0:13:57 | 0:14:01 | |
Was a steward? | 0:14:01 | 0:14:03 | |
He was in the stores, he was a steward, in the bar, everything. | 0:14:03 | 0:14:08 | |
The Queen Mary is one of the icons of the 20th century, | 0:14:08 | 0:14:12 | |
and it was the epitome of luxury - | 0:14:12 | 0:14:18 | |
the fitting, the presentation, | 0:14:18 | 0:14:21 | |
the cabins, the furniture that was in it | 0:14:21 | 0:14:25 | |
was of the first quality, | 0:14:25 | 0:14:27 | |
and in the Art Deco style. | 0:14:27 | 0:14:29 | |
And people have a great love and affection for this ship, | 0:14:29 | 0:14:35 | |
which was the first of the great liners. | 0:14:35 | 0:14:38 | |
-Now, who have we got here, Phyllis? -That's Liberace. -Liberace. | 0:14:39 | 0:14:44 | |
And we've got his signature. | 0:14:44 | 0:14:46 | |
And we also have the gorgeous Elizabeth Taylor. | 0:14:46 | 0:14:49 | |
And a little later we have Cliff Richard and The Shadows. | 0:14:49 | 0:14:55 | |
And on the back of this, we have autographs of that group. | 0:14:55 | 0:14:59 | |
Is there any sentimental attachment to them, Phyllis? | 0:14:59 | 0:15:04 | |
Not now, cos every time I find them, I have a little weep, you know. | 0:15:04 | 0:15:07 | |
Ah, right. | 0:15:07 | 0:15:09 | |
Phyllis was a wee bit sad when she sold the items. | 0:15:09 | 0:15:13 | |
I think there was a tear in her eye, and I can understand that. | 0:15:13 | 0:15:16 | |
But she had thought about it beforehand, | 0:15:16 | 0:15:19 | |
she had thought about selling it, | 0:15:19 | 0:15:22 | |
and she had felt that to leave them in a drawer, unloved, | 0:15:22 | 0:15:28 | |
uncared for, was not the thing. | 0:15:28 | 0:15:30 | |
She wanted to sell them, to pass them on to a collector. | 0:15:30 | 0:15:35 | |
Would the famous names impress the bidders? | 0:15:36 | 0:15:39 | |
Start me at £200. 200 to start me. | 0:15:39 | 0:15:41 | |
200 I'm bid. 220. 240. 260. 280. | 0:15:41 | 0:15:46 | |
300. 320. 340. 360. | 0:15:46 | 0:15:49 | |
380. 400. 420. | 0:15:49 | 0:15:52 | |
430. 450. 480. | 0:15:52 | 0:15:56 | |
480. The bidding's in front, 480. | 0:15:56 | 0:15:59 | |
At £480, right in front of me. | 0:15:59 | 0:16:03 | |
-Bang! Hammer's gone down. -Yes! | 0:16:03 | 0:16:05 | |
That's good, isn't it? Thanks very much. | 0:16:05 | 0:16:08 | |
Memorabilia from the Queen Mary | 0:16:08 | 0:16:10 | |
is greatly sought after by the collectors. | 0:16:10 | 0:16:14 | |
What it showed us was a little time capsule of the Queen Mary, | 0:16:14 | 0:16:18 | |
and this would be very appealing for the collectors. | 0:16:18 | 0:16:22 | |
Yes, it's certainly worth keeping your eyes open for items | 0:16:22 | 0:16:25 | |
related to the Queen Mary or the Cunard line. | 0:16:25 | 0:16:28 | |
But what else should you consider when buying or selling antiques | 0:16:28 | 0:16:32 | |
related to famous events? | 0:16:32 | 0:16:34 | |
Items associated with Lord Nelson, | 0:16:34 | 0:16:36 | |
a superstar in his own lifetime, are always popular. | 0:16:36 | 0:16:40 | |
But if you are auctioning a collectable relating to a great Brit, | 0:16:40 | 0:16:44 | |
choose your time carefully. | 0:16:44 | 0:16:46 | |
An anniversary or a centenary will yield a bigger sale price. | 0:16:46 | 0:16:51 | |
Consider who is going to want to buy your famous-related item | 0:16:51 | 0:16:55 | |
and where they are based. | 0:16:55 | 0:16:56 | |
If a potential buyer is transatlantic, | 0:16:56 | 0:16:59 | |
make sure you sell in an auction house that's online. | 0:16:59 | 0:17:02 | |
And, finally, it's always worth exploring your attics | 0:17:02 | 0:17:05 | |
or your cupboards - you never know what you might find. | 0:17:05 | 0:17:09 | |
I've been to many places with famous connections | 0:17:13 | 0:17:16 | |
over my years on Flog It!, | 0:17:16 | 0:17:17 | |
but, arguably, one of the most inspiring landscapes is the Lake District, | 0:17:17 | 0:17:21 | |
where children's author Arthur Ransome | 0:17:21 | 0:17:24 | |
created Swallows And Amazons. | 0:17:24 | 0:17:25 | |
Arthur Ransome was born in Leeds in 1884 | 0:17:29 | 0:17:32 | |
and spent three months every summer holiday in the Lakes. | 0:17:32 | 0:17:35 | |
He was a boarder at Old College in Windermere, | 0:17:35 | 0:17:37 | |
where his short-sightedness marked him out as a failure. | 0:17:37 | 0:17:41 | |
So, for him, the holidays were a refuge. | 0:17:41 | 0:17:44 | |
In 1924, after a career as a journalist, | 0:17:44 | 0:17:46 | |
Ransome and his wife settled permanently in the Lakes. | 0:17:46 | 0:17:51 | |
I've come to his former home to meet up with | 0:17:52 | 0:17:55 | |
author and member of the Arthur Ransome Society | 0:17:55 | 0:17:57 | |
Diane Janes to learn more. | 0:17:57 | 0:17:59 | |
What were his passions and interests? | 0:18:00 | 0:18:02 | |
His huge passion in life was fishing. | 0:18:02 | 0:18:04 | |
-Oh, well you're in the right place, aren't you? -Absolutely. | 0:18:04 | 0:18:07 | |
-You really are. -Plenty of scope for that round here. | 0:18:07 | 0:18:09 | |
-He also enjoyed sailing... -Yeah. | 0:18:09 | 0:18:11 | |
..and he kept a small dinghy on Windermere during all his time here. | 0:18:11 | 0:18:15 | |
Did he ever dream that he would be | 0:18:15 | 0:18:16 | |
a successful author at the age of 40? | 0:18:16 | 0:18:18 | |
Well, his hope, ever since childhood, had been to write books | 0:18:18 | 0:18:23 | |
and, in fact, he didn't actually begin Swallows And Amazons | 0:18:23 | 0:18:26 | |
till he'd been here for five years. So he was 45 by then. | 0:18:26 | 0:18:29 | |
-Really? -So, in a sense, it was rather a make or break moment. | 0:18:29 | 0:18:32 | |
He desperately wanted to get away from the journalism | 0:18:32 | 0:18:35 | |
and actually write children's books. | 0:18:35 | 0:18:37 | |
And his inspiration came in 1928, in an unexpected form | 0:18:41 | 0:18:45 | |
when his old friend, artist and author WG Collingwood, | 0:18:45 | 0:18:48 | |
introduced Ransome to his grandchildren | 0:18:48 | 0:18:50 | |
who were spending the summer with him. | 0:18:50 | 0:18:53 | |
The ensuing friendship with these children - | 0:18:53 | 0:18:55 | |
Susan, Titty, Roger and Tatty - | 0:18:55 | 0:18:57 | |
had a profound effect on Ransome's life. | 0:18:57 | 0:18:59 | |
He took them fishing and helped teach them to sail, | 0:19:01 | 0:19:03 | |
just as their grandfather had taught him, all those years before. | 0:19:03 | 0:19:06 | |
He even bought them two sailing boats - Swallow and Mavis. | 0:19:06 | 0:19:11 | |
Months later, when the children's visit ended, | 0:19:11 | 0:19:14 | |
they came here to Uncle Arthur's workroom, | 0:19:14 | 0:19:17 | |
where they presented him with a goodbye gift - | 0:19:17 | 0:19:19 | |
a pair of Turkish slippers. | 0:19:19 | 0:19:21 | |
In return, Ransome decided to write a story for them | 0:19:24 | 0:19:27 | |
to remind them of their holiday, | 0:19:27 | 0:19:30 | |
and he wrote that story in this very room. | 0:19:30 | 0:19:32 | |
And it was Swallows And Amazons. | 0:19:32 | 0:19:34 | |
And, when it was finished, he decided to dedicate it to, | 0:19:43 | 0:19:46 | |
and it says here, | 0:19:46 | 0:19:48 | |
"The six for whom it was written, in exchange for a pair of slippers." | 0:19:48 | 0:19:52 | |
Can you sum up what you think the most enduring appeal of the books is? | 0:19:59 | 0:20:03 | |
I think one of the reasons that it's been such a success | 0:20:03 | 0:20:06 | |
is that Ransome was an inclusive writer. | 0:20:06 | 0:20:09 | |
The children feel that they're right there in the stories. | 0:20:09 | 0:20:12 | |
You feel you're by the campfire or in the boat. | 0:20:12 | 0:20:15 | |
He's also a very good describer. | 0:20:15 | 0:20:18 | |
You get a real sense of the landscape and the people, | 0:20:18 | 0:20:23 | |
-and children just seem to really enjoy that. -Lock into that. -They do. | 0:20:23 | 0:20:26 | |
And children, even now, are still reading them, which is astonishing. | 0:20:26 | 0:20:30 | |
-It is, really, isn't it? -It's been nearly 80 years in print. | 0:20:30 | 0:20:33 | |
Do you know, I want to be in the book now! | 0:20:33 | 0:20:35 | |
I want to go on an adventure. | 0:20:35 | 0:20:38 | |
Ransome's inspiration came from the beauty and the magic | 0:20:38 | 0:20:41 | |
of this stunning scenery, | 0:20:41 | 0:20:43 | |
and his skill in weaving that into the exciting adventure stories | 0:20:43 | 0:20:47 | |
has ensured the Swallows And Amazons books | 0:20:47 | 0:20:49 | |
have never been out of print. | 0:20:49 | 0:20:52 | |
We talk about provenance a lot on Flog It!, | 0:20:55 | 0:20:59 | |
especially when it comes to relating an item to a famous person or event. | 0:20:59 | 0:21:03 | |
But how do we know if that story's authentic? | 0:21:03 | 0:21:06 | |
Now, sometimes the value of an antique | 0:21:09 | 0:21:11 | |
isn't just the intrinsic worth of the object, | 0:21:11 | 0:21:13 | |
it's the story and the history behind it. | 0:21:13 | 0:21:15 | |
And, of course, we call that provenance. | 0:21:15 | 0:21:17 | |
Now, an easy provenance, | 0:21:17 | 0:21:19 | |
if you've got a written, verifiable history of the object, | 0:21:19 | 0:21:23 | |
you can trace it back through historical documents | 0:21:23 | 0:21:25 | |
and you know its journey and where it started. | 0:21:25 | 0:21:29 | |
Now, this piece of tribal art is a great example. | 0:21:29 | 0:21:33 | |
First of all, stylistically, we know that it is a piece of Benin bronze. | 0:21:33 | 0:21:39 | |
And the Benins, of course, were in what now we call Southern Nigeria. | 0:21:39 | 0:21:44 | |
So, we look at this piece and we wonder, | 0:21:44 | 0:21:46 | |
"Gosh, is it an old piece or is it not? How can we provenance it?" | 0:21:46 | 0:21:49 | |
Well, you start to look at the colour, the patination, | 0:21:49 | 0:21:53 | |
and it's got this wonderful sort of nutty-brown colour and this hue to it. | 0:21:53 | 0:21:59 | |
And we know from the history of these objects | 0:21:59 | 0:22:03 | |
that this is going to take it back beyond 1900. | 0:22:03 | 0:22:07 | |
If it were 20th century, it would have a sort of | 0:22:07 | 0:22:11 | |
brassy, greeny colour to it. | 0:22:11 | 0:22:13 | |
Then we look at one or two other things, as well. | 0:22:13 | 0:22:15 | |
Stylistically, is it correct? | 0:22:15 | 0:22:17 | |
Well, it's of a queen mother | 0:22:17 | 0:22:18 | |
and it would have been used as an altar piece | 0:22:18 | 0:22:21 | |
to give prayer to in, probably, the Benin palace. | 0:22:21 | 0:22:26 | |
Now, if you start to look a little bit closer... | 0:22:26 | 0:22:29 | |
Gosh, this is heavy so you've got to be very careful. | 0:22:29 | 0:22:33 | |
Just very delicately flip it over on its back. | 0:22:33 | 0:22:36 | |
Now, what you want to see is the contours of the interior | 0:22:36 | 0:22:41 | |
match identically the contours of the exterior. | 0:22:41 | 0:22:44 | |
That, again, tells you that it is pre-1900. | 0:22:44 | 0:22:49 | |
And again, we can add it to the provenance of the Benin tribe. | 0:22:49 | 0:22:52 | |
Now, you might be wondering, | 0:22:53 | 0:22:55 | |
"What difference does it make if it's 19th or 20th century?" | 0:22:55 | 0:22:58 | |
Well, with the Benin tribes, | 0:22:58 | 0:23:02 | |
in 1897, we, the British, | 0:23:02 | 0:23:05 | |
to go and teach a lesson to the king of the Benins, | 0:23:05 | 0:23:09 | |
sent troops out there, | 0:23:09 | 0:23:10 | |
and he was arrested and executed and his palace was ransacked. | 0:23:10 | 0:23:15 | |
And items like this were looted and brought back. | 0:23:15 | 0:23:18 | |
So, because of all the patination and the casting, | 0:23:18 | 0:23:23 | |
we know it is from the period of pre-1897, | 0:23:23 | 0:23:28 | |
ie before the palace was ransacked, | 0:23:28 | 0:23:30 | |
and it makes it a very historically important piece. | 0:23:30 | 0:23:34 | |
So, the good tips we've learnt - the patination, the casting, | 0:23:34 | 0:23:37 | |
and know the history of what the object should look like | 0:23:37 | 0:23:40 | |
and what they were used for. | 0:23:40 | 0:23:42 | |
And that 1897 dateline | 0:23:42 | 0:23:44 | |
makes all the difference to the value of an object like this. | 0:23:44 | 0:23:49 | |
Now, if this was early 20th century, it would be worth a few, | 0:23:49 | 0:23:54 | |
or several, hundred pounds, as a decorative piece of tribal art. | 0:23:54 | 0:23:58 | |
But, because of the provenance, and we know it is part | 0:23:58 | 0:24:02 | |
of the King of Benin's Palace, it's probably worth £20,000. | 0:24:02 | 0:24:06 | |
Knowing an item's provenance can make the difference between | 0:24:06 | 0:24:09 | |
it being worth a few pounds or a few thousand, | 0:24:09 | 0:24:12 | |
so it always pays to do your homework. | 0:24:12 | 0:24:16 | |
We're nearly at the end of the show and it's been fascinating | 0:24:18 | 0:24:21 | |
to hear about all those famous events and people. | 0:24:21 | 0:24:24 | |
But for me, it's you, the viewers, with your passion for antiques | 0:24:24 | 0:24:27 | |
and collectables - YOU are the real stars of Flog It!. | 0:24:27 | 0:24:31 | |
Now, you'll all recognise this name - Whitefriars. | 0:24:31 | 0:24:35 | |
The designs of Geoffrey Baxter are of particular interest | 0:24:35 | 0:24:38 | |
to our Flog it! expert Anita Manning, who is a glass lover. | 0:24:38 | 0:24:42 | |
So she was delighted when Georgina brought along | 0:24:42 | 0:24:45 | |
a matching pair of glass vases to our valuation day in Bath in 2012. | 0:24:45 | 0:24:50 | |
I'm Georgina Katanach, head teacher of Kenley Primary School. | 0:24:52 | 0:24:56 | |
I've no idea where the vases came from. | 0:24:56 | 0:24:59 | |
They'd just been sitting on a shelf for a long time. | 0:24:59 | 0:25:02 | |
Georgina, these are a wonderful pair of tangerine pyramids. | 0:25:02 | 0:25:06 | |
Please tell me where you got them. | 0:25:06 | 0:25:09 | |
I've...stolen them from the school. | 0:25:09 | 0:25:13 | |
They've just been sitting on the shelf, doing nothing, | 0:25:13 | 0:25:16 | |
and as head teacher | 0:25:16 | 0:25:17 | |
I have taken the decision that we're going to sell them for school. | 0:25:17 | 0:25:23 | |
-How long have they been there? -At least 20 years. | 0:25:23 | 0:25:26 | |
I've been at the school 20 years and they've been there for ever. | 0:25:26 | 0:25:29 | |
They'd been around for ages and I hadn't noticed them really. | 0:25:29 | 0:25:33 | |
A parent said, "I think they're worth a little bit. I've seen those on Flog It!" | 0:25:33 | 0:25:37 | |
-And do you know what they are? -Whitefriar. | 0:25:37 | 0:25:40 | |
I only know that because a parent spotted them. | 0:25:40 | 0:25:43 | |
That's when I took them off the shelf | 0:25:43 | 0:25:45 | |
and decided to start looking after them. | 0:25:45 | 0:25:47 | |
I had Anita Manning on the day, and she was absolutely superb. | 0:25:47 | 0:25:52 | |
She was so kind and very friendly and put me at ease. | 0:25:52 | 0:25:55 | |
These things are very collectable. These were made probably 1968, '69. | 0:25:55 | 0:26:01 | |
I thought her advice was really useful, | 0:26:01 | 0:26:04 | |
because I knew a little bit about Whitefriars but not an awful lot. | 0:26:04 | 0:26:08 | |
Late '60s, what we had was oranges and lime greens and shocking pinks. | 0:26:08 | 0:26:12 | |
-Psychedlic. -Psychedelic! | 0:26:13 | 0:26:16 | |
-Oh, it takes me back! -Me too! | 0:26:16 | 0:26:20 | |
I would put an estimate of perhaps £100-£150 | 0:26:20 | 0:26:24 | |
on the pair. Would you, or would the school... | 0:26:24 | 0:26:29 | |
be happy? | 0:26:29 | 0:26:31 | |
I sure the school will be happy, the children will be happy. | 0:26:31 | 0:26:34 | |
Well, I'd just like to say to all the pupils at Kenley Primary School, | 0:26:38 | 0:26:42 | |
I hope you're watching this and enjoying the moment here | 0:26:42 | 0:26:45 | |
with Georgina and Anita. | 0:26:45 | 0:26:46 | |
And I've just been given this. | 0:26:46 | 0:26:48 | |
HE LAUGHS | 0:26:48 | 0:26:50 | |
And I've just been given this. | 0:26:50 | 0:26:53 | |
The auction was very exciting. I'd been to a couple of auctions before | 0:26:53 | 0:26:58 | |
but never having sold anything, And it was a really exciting day. | 0:26:58 | 0:27:01 | |
I had to sit on my hands so I didn't bid for anything. | 0:27:01 | 0:27:05 | |
One, two, three, four, five, six on the book, which helps. | 0:27:05 | 0:27:08 | |
Six bids on the book! | 0:27:08 | 0:27:10 | |
-We start at 120. -Yes! | 0:27:10 | 0:27:12 | |
150. 160 I'm bid. | 0:27:12 | 0:27:14 | |
Any advance on £160? | 0:27:14 | 0:27:17 | |
All done, then. | 0:27:17 | 0:27:19 | |
Selling with me, commission bid, on 160. | 0:27:19 | 0:27:23 | |
I was happy with the price that we got for it. | 0:27:23 | 0:27:26 | |
I thought we'd get about £100, | 0:27:26 | 0:27:28 | |
and I promised the children £100 whatever. | 0:27:28 | 0:27:32 | |
Short and sweet, wasn't it? £160, kids. That's good. | 0:27:32 | 0:27:36 | |
The school council are going to spend £100 on toys for the playground. | 0:27:36 | 0:27:41 | |
# I don't mind doing it for the kids | 0:27:41 | 0:27:44 | |
# So, come on | 0:27:45 | 0:27:47 | |
# Jump on board, take a ride... # | 0:27:47 | 0:27:52 | |
All the children use the equipment. | 0:27:52 | 0:27:54 | |
We have some in the infant playground, | 0:27:54 | 0:27:56 | |
some in the junior playground, | 0:27:56 | 0:27:58 | |
and every now and then, the school keeper, Mr Thornton, | 0:27:58 | 0:28:01 | |
goes up on to the roof to get them all back down. | 0:28:01 | 0:28:04 | |
And we bought the big Connect Four. They love the challenge of that. | 0:28:04 | 0:28:08 | |
And I am actually very good at it, as well. | 0:28:08 | 0:28:12 | |
I think if you find something you think is valuable, | 0:28:12 | 0:28:15 | |
it's a great, fun day anyway to go along and get it valued, | 0:28:15 | 0:28:21 | |
because who knows what's hiding up in our lofts? | 0:28:21 | 0:28:25 | |
Well, I love the fact those children benefited | 0:28:28 | 0:28:32 | |
from the sale of those vases. | 0:28:32 | 0:28:33 | |
If you've got any antiques and collectables you want to sell, | 0:28:33 | 0:28:37 | |
bring them along to one of our valuation days and we'll see what we can do for you. | 0:28:37 | 0:28:41 | |
Well, that's it for today. | 0:28:41 | 0:28:42 | |
Join me again soon for many more Trade Secrets. | 0:28:42 | 0:28:45 |