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One of the things I love about "Flog It!" is meeting you | 0:00:07 | 0:00:11 | |
and hearing about the thousands of interesting, beautiful and often rare objects | 0:00:11 | 0:00:16 | |
you bring along to our valuation days. | 0:00:16 | 0:00:19 | |
Together, we've made hundreds of trips to the auction rooms | 0:00:21 | 0:00:24 | |
to put our experts' valuations to the test. | 0:00:24 | 0:00:28 | |
In this series, we're pooling all of our knowledge together | 0:00:31 | 0:00:34 | |
to help you get in the know. | 0:00:34 | 0:00:36 | |
Welcome to Trade Secrets. | 0:00:36 | 0:00:38 | |
Today, we're exploring militaria. It's a huge area | 0:01:05 | 0:01:08 | |
but one which, more often than not, it's the weight behind the story | 0:01:08 | 0:01:13 | |
and the personal sentiment that puts the value on the object. | 0:01:13 | 0:01:16 | |
Later in the show, we see moving reminders of the First World War. | 0:01:17 | 0:01:22 | |
A lot of them are of ruins. | 0:01:22 | 0:01:24 | |
They are very, very poignant. | 0:01:24 | 0:01:27 | |
And our experts find a few surprises from the trenches. | 0:01:27 | 0:01:30 | |
I opened it up and inside was the original contents. | 0:01:30 | 0:01:34 | |
There was the original tobacco. And the cigarettes. | 0:01:34 | 0:01:37 | |
Lord above. Look at that, eh? | 0:01:37 | 0:01:40 | |
-So the old-fashioned condom. -So he was a bit of a ladies' man perhaps? | 0:01:40 | 0:01:44 | |
A bit of a ladies' man on the quiet. | 0:01:44 | 0:01:46 | |
And we see surprising items owned by Winston Churchill. | 0:01:46 | 0:01:51 | |
I had a onesie, but it didn't look like that! | 0:01:51 | 0:01:54 | |
For me, one of the most interesting aspects about "Flog It!" is | 0:01:58 | 0:02:01 | |
how individual pieces tell us so much about our collective history | 0:02:01 | 0:02:05 | |
and how seemingly insignificant personal objects | 0:02:05 | 0:02:09 | |
can bring past times back to life quite vividly. | 0:02:09 | 0:02:13 | |
If you buy World War One items, I think my tip would be | 0:02:15 | 0:02:18 | |
try and buy something that you can specifically relate to a person, | 0:02:18 | 0:02:24 | |
or a battle, or a time. | 0:02:24 | 0:02:28 | |
If you're going to buy something military, | 0:02:28 | 0:02:30 | |
make sure the story that goes with it | 0:02:30 | 0:02:33 | |
is the thing that's important. | 0:02:33 | 0:02:35 | |
Make sure it leaves a lump in your throat or a tear in your eye. | 0:02:35 | 0:02:39 | |
If you've got something that great-great-grandfather or whoever used in the First World War, | 0:02:39 | 0:02:44 | |
please, write it down so that the next lot know all about it. | 0:02:44 | 0:02:49 | |
Many of you have items inherited from relatives | 0:02:57 | 0:03:00 | |
with firsthand experience of war. | 0:03:00 | 0:03:03 | |
Many of you have wonderful wartime stories to tell, | 0:03:03 | 0:03:07 | |
and we wanted to hear again some of the more memorable. | 0:03:07 | 0:03:11 | |
I love this intriguing collection from World War One. | 0:03:11 | 0:03:16 | |
Tony, this is an interesting sort of collection you've brought in | 0:03:16 | 0:03:20 | |
for us to have a look at. | 0:03:20 | 0:03:21 | |
Tell me, how did you come by this? | 0:03:21 | 0:03:22 | |
Well, this was found in a trunk of an old friend of ours | 0:03:22 | 0:03:27 | |
who was in the Norfolk Regiment during the First World War. | 0:03:27 | 0:03:32 | |
After he died, we found these with an old, great coat | 0:03:32 | 0:03:35 | |
and his old army boots and spats | 0:03:35 | 0:03:37 | |
and these were things we just salvaged from that. | 0:03:37 | 0:03:41 | |
Right, I see. | 0:03:41 | 0:03:42 | |
There was nothing there that was particularly rare, | 0:03:42 | 0:03:46 | |
but it was just a nice, genuine lot. | 0:03:46 | 0:03:48 | |
Well, obviously, the market for militaria, shall we call it, is strong. | 0:03:48 | 0:03:53 | |
The majority of the value is probably going to be in his field compass, | 0:03:53 | 0:03:57 | |
which still retains its original leather case, | 0:03:57 | 0:04:00 | |
-which is embossed with his name, there, Dalton. -Darcy Dalton. | 0:04:00 | 0:04:04 | |
Darcy Dalton. That's a great name, isn't it? | 0:04:04 | 0:04:07 | |
-Sounds like something out of the movies. -Yeah. | 0:04:07 | 0:04:09 | |
Great name. Darcy Dalton. Should have been a film star. | 0:04:09 | 0:04:13 | |
Erm... But the one that caught my eye was the compass, obviously. | 0:04:13 | 0:04:17 | |
I think that was the sort of the meat of the lot, shall we say, | 0:04:17 | 0:04:20 | |
especially as it came in its original leather case. | 0:04:20 | 0:04:23 | |
-And then moving along from that we've got his original dog tags. -Right. | 0:04:23 | 0:04:27 | |
We've got some of these matches, here, these Wind Vestas, | 0:04:27 | 0:04:31 | |
which it says here is for use on motors, cycles and yachts. | 0:04:31 | 0:04:35 | |
-Fancy lighting up a cigarette on a motorcycle now. -An impressive feat. | 0:04:35 | 0:04:38 | |
-And rolling one at the same time. -Yes. -How's that? | 0:04:38 | 0:04:40 | |
-And then you've got these various cap badges. -Yes. | 0:04:40 | 0:04:43 | |
And then these rather fine buttons. | 0:04:43 | 0:04:46 | |
And then to finish off, you've got these fascinating trench maps. | 0:04:46 | 0:04:50 | |
These trench maps are just amazing how they ever sorted them out. | 0:04:50 | 0:04:54 | |
It's always poignant to hold something that was involved | 0:04:54 | 0:04:58 | |
in such a terrible period of history, really. | 0:04:58 | 0:05:02 | |
-So he survived the war? -He survived the war. | 0:05:02 | 0:05:06 | |
-And he lived to a ripe old age, did he? -He was into his 80s. | 0:05:06 | 0:05:09 | |
-Into his 80s, so he was an old man. -Yes. | 0:05:09 | 0:05:12 | |
-So he was married, was he? -He was married. | 0:05:12 | 0:05:14 | |
-Because we've got this rather sort of... -Well, yeah. -..interesting... | 0:05:14 | 0:05:18 | |
Yeah, I wouldn't know whether his wife would know about that. | 0:05:18 | 0:05:21 | |
-It's the old... -It's the old-fashioned condom, | 0:05:21 | 0:05:24 | |
which I suppose the gentry used to carry about with them. | 0:05:24 | 0:05:28 | |
-It doesn't say anything about it, just silk and seamless. -Exactly. | 0:05:28 | 0:05:33 | |
So he was a bit of a ladies' man, was he, perhaps? | 0:05:33 | 0:05:35 | |
A bit of a ladies' man, probably on the quiet, yes. | 0:05:35 | 0:05:37 | |
Well, who knows? It may have been precautionary | 0:05:37 | 0:05:40 | |
or it could have doubled up as a water carrier in times of emergency - | 0:05:40 | 0:05:44 | |
you never know. | 0:05:44 | 0:05:46 | |
He may have had good intentions all the while | 0:05:46 | 0:05:48 | |
but, you know, life's tough as a soldier. | 0:05:48 | 0:05:50 | |
I'm sure it can get lonely. | 0:05:50 | 0:05:51 | |
I mean, there's nothing here that's going to be hugely valuable on its own. | 0:05:51 | 0:05:55 | |
So I would say for the whole lot as a group, | 0:05:55 | 0:05:58 | |
-if you could estimate it at maybe sort of £40-£60... -Yes. | 0:05:58 | 0:06:01 | |
-..and we'll see how we do on the day for you. -That's fine. | 0:06:01 | 0:06:04 | |
When you think about the sacrifice that was made during the Great War, | 0:06:04 | 0:06:07 | |
you think that items related to it should be worth a lot more. | 0:06:07 | 0:06:12 | |
But the trouble is so many people went to war | 0:06:12 | 0:06:15 | |
that a lot of this stuff is out there. | 0:06:15 | 0:06:17 | |
-£40, £50 for this? -75. -75 is good to start. -Phone bid. | 0:06:17 | 0:06:23 | |
75 I'm bid. 80. 80. 85. | 0:06:23 | 0:06:26 | |
90. 95. | 0:06:26 | 0:06:28 | |
-A phone bidder. -95, 100, 110. | 0:06:28 | 0:06:31 | |
All done at 110? It's on the telephone. | 0:06:31 | 0:06:32 | |
Against you all in the room at £110. All finished? All done? | 0:06:32 | 0:06:37 | |
To think this collection was in an old trunk! | 0:06:37 | 0:06:41 | |
Good on Tony for salvaging something that recalls | 0:06:41 | 0:06:43 | |
the sacrifices made during the Great War. | 0:06:43 | 0:06:47 | |
But to me, nothing evokes the dread atmosphere of war so starkly | 0:06:47 | 0:06:53 | |
as photographs that were taken at the time. | 0:06:53 | 0:06:55 | |
Ray, I've been thumbing through this album | 0:06:55 | 0:06:58 | |
with no little amount of interest. | 0:06:58 | 0:07:01 | |
It really is fascinating | 0:07:01 | 0:07:02 | |
and it contains, I would have thought, | 0:07:02 | 0:07:04 | |
between 300 and 400 photographs and postcards. | 0:07:04 | 0:07:08 | |
-Where did it come from? -It was originally my grandfather's, | 0:07:08 | 0:07:12 | |
who gave it to my father and my father gave it to me. | 0:07:12 | 0:07:14 | |
-But there's some addressed to your grandmother from your grandfather? -Yes. | 0:07:14 | 0:07:18 | |
-During the First World War? -Yes. -Amazing. | 0:07:18 | 0:07:21 | |
These albums are becoming more and more collectable | 0:07:21 | 0:07:24 | |
and I think as the anniversaries approach, | 0:07:24 | 0:07:26 | |
they will become more valuable and more collectable. | 0:07:26 | 0:07:30 | |
The other reason is, I think, we are less personally touched now | 0:07:30 | 0:07:34 | |
than we would have been 30 or 40 years ago. | 0:07:34 | 0:07:37 | |
Another generation has gone by, | 0:07:37 | 0:07:39 | |
so we perhaps feel more comfortable that we can buy something | 0:07:39 | 0:07:43 | |
that isn't directly affecting us. | 0:07:43 | 0:07:45 | |
They are very, very poignant. | 0:07:45 | 0:07:48 | |
I mean, a lot of them are of ruins, First World War ruins, | 0:07:48 | 0:07:51 | |
-obviously in France. -Yes. | 0:07:51 | 0:07:54 | |
Some of those images really are very, very chilling. | 0:07:54 | 0:07:59 | |
Some of those images of northern France | 0:07:59 | 0:08:03 | |
and indeed, later on, Germany, that had been bombed to bits - | 0:08:03 | 0:08:08 | |
there was nothing left of some of those towns. | 0:08:08 | 0:08:12 | |
A lot of them are by a very famous chap. | 0:08:12 | 0:08:14 | |
I think the very first one - Louis Levy, "LL", | 0:08:14 | 0:08:18 | |
-who was a very famous photographer and later publisher. -Mm-hm. | 0:08:18 | 0:08:23 | |
And a lot of these of France, he photographed during the First World War | 0:08:23 | 0:08:28 | |
and they're sad, but they are an important part of history. | 0:08:28 | 0:08:32 | |
Then we've got, I think, an amazing card here. | 0:08:32 | 0:08:36 | |
This is 1915, stamped with the censor's mark, | 0:08:36 | 0:08:40 | |
because everything had to pass the censor, | 0:08:40 | 0:08:42 | |
and they weren't allowed to say what was going on. | 0:08:42 | 0:08:45 | |
"I am still in the best of health," which is something of a feat in 1915, | 0:08:45 | 0:08:48 | |
"and spirits," even more importantly. | 0:08:48 | 0:08:51 | |
"Weather here is grand." | 0:08:51 | 0:08:52 | |
How on earth you can be sitting, being bombed to bits in a trench | 0:08:52 | 0:08:57 | |
and all you're allowed to talk about is the weather. | 0:08:57 | 0:08:59 | |
It's a great, great collection. Why are you selling it? | 0:08:59 | 0:09:02 | |
Well, it's just sitting on the shelf doing absolutely nothing | 0:09:02 | 0:09:05 | |
and somebody else who likes that sort of thing should be looking at it. | 0:09:05 | 0:09:09 | |
It should be where people can see it, really, | 0:09:09 | 0:09:11 | |
-because it's destruction that should never happen. -No. | 0:09:11 | 0:09:14 | |
-Value? Any ideas? -It was valued a few years ago at £100. | 0:09:14 | 0:09:18 | |
-At £100? I think that's about its value. -Yeah. -£100-£150. | 0:09:18 | 0:09:22 | |
But these sort of cards have become more and more collectable in the last few years. | 0:09:22 | 0:09:27 | |
Shall we start at 120? | 0:09:27 | 0:09:29 | |
Thank you, Chris. 120. | 0:09:29 | 0:09:31 | |
Straight in at £120. | 0:09:31 | 0:09:33 | |
150, 160. 160 in front. 170. | 0:09:33 | 0:09:38 | |
180. 190. 200. | 0:09:38 | 0:09:41 | |
And 10. 220, 230. | 0:09:41 | 0:09:44 | |
At £230 in front. All done, now? | 0:09:44 | 0:09:47 | |
Yes! The hammer's gone down. Cracking result. | 0:09:47 | 0:09:50 | |
That's social history and you can't really put a price on that. | 0:09:50 | 0:09:52 | |
It's a very sad pastime, but a fascinating one to look through these cards. | 0:09:52 | 0:09:56 | |
That sale price proves that collectors will pay good money | 0:09:57 | 0:10:02 | |
for items that help to keep our past alive. | 0:10:02 | 0:10:05 | |
The poignancy of war is often captured in the most unexpected items, | 0:10:08 | 0:10:13 | |
like this simple gift box, issued to the troops at Christmas time. | 0:10:13 | 0:10:18 | |
-Brenda, how are you doing? -Very well, thank you. | 0:10:18 | 0:10:21 | |
Now, I think this is really, really interesting. | 0:10:21 | 0:10:24 | |
I've got one of these at home, which was my grandfather's. | 0:10:24 | 0:10:27 | |
They're always known as Queen Mary's Gift Box, | 0:10:27 | 0:10:30 | |
-but they're not really Queen Mary's because they are... -Princess Mary. | 0:10:30 | 0:10:35 | |
This box was given to me by an elderly gentleman | 0:10:35 | 0:10:37 | |
about 25 years ago because he knew I collected tins | 0:10:37 | 0:10:41 | |
and I've got dozens of them. | 0:10:41 | 0:10:44 | |
And then I opened it up and inside was the original contents | 0:10:44 | 0:10:48 | |
with the card from Princess Mary to the troops, | 0:10:48 | 0:10:53 | |
which said, "With all best wishes for a happy Christmas | 0:10:53 | 0:10:57 | |
"and a victorious New Year." | 0:10:57 | 0:11:00 | |
And this was in 1914. | 0:11:00 | 0:11:02 | |
And then there was the original tobacco. | 0:11:02 | 0:11:05 | |
And the cigarettes. | 0:11:05 | 0:11:07 | |
And the badge with "Victory" written on it. | 0:11:08 | 0:11:11 | |
For me, what was lovely about Queen Mary's Gift Boxes, | 0:11:11 | 0:11:14 | |
I've got one at home that was given to my grandfather. | 0:11:14 | 0:11:16 | |
But mine, like 99% of the rest in the world, | 0:11:16 | 0:11:20 | |
has had all the contents taken out of it. | 0:11:20 | 0:11:22 | |
Look at that, eh? | 0:11:24 | 0:11:26 | |
-There's no health warning on those, is there? -No! | 0:11:26 | 0:11:29 | |
And it's got Princess Mary's stamp on it. | 0:11:29 | 0:11:31 | |
It's got Princess Mary's monogram just there, hasn't it? | 0:11:31 | 0:11:35 | |
And let's just see what else it's got in there. | 0:11:35 | 0:11:38 | |
-Have you seen that? -Yes. | 0:11:40 | 0:11:42 | |
Isn't that just lovely? | 0:11:42 | 0:11:43 | |
Let me just shut the box up so we can see this cover. | 0:11:43 | 0:11:46 | |
-Because what we see in the saleroom today is normally just that, isn't it? -Yes. | 0:11:46 | 0:11:51 | |
-Because these contents have long since gone. -Yes. | 0:11:51 | 0:11:54 | |
And the thing that I always think is really, really sad | 0:11:54 | 0:11:56 | |
-is they make little or no money. -No, I know. | 0:11:56 | 0:12:00 | |
That, without the contents, in an auction is probably, what - £5 or £10? | 0:12:00 | 0:12:03 | |
Something like that. | 0:12:03 | 0:12:04 | |
I just think it ought to be worth a whole load more than it is. | 0:12:04 | 0:12:07 | |
If you think of the First World War, it was actually really barbaric. | 0:12:07 | 0:12:11 | |
Life in the trenches just must have been awful. | 0:12:11 | 0:12:15 | |
And these guys were given these gifts from the Queen. | 0:12:15 | 0:12:18 | |
I'm a great believer that these things are very personal | 0:12:18 | 0:12:21 | |
and as such, should be kept and treasured by the people they mean something to | 0:12:21 | 0:12:25 | |
and probably shouldn't just be cotton-woolled in museums. | 0:12:25 | 0:12:28 | |
Why are you selling it? | 0:12:28 | 0:12:30 | |
Well, I've got so many hundreds of tins | 0:12:30 | 0:12:34 | |
and the house we're in now, you can't display them like we used to be able to. | 0:12:34 | 0:12:38 | |
So you take it to "Flog It!" and flog it. | 0:12:38 | 0:12:40 | |
I don't know how many other people have seen one with the contents. | 0:12:40 | 0:12:44 | |
No, and that's the key thing. | 0:12:44 | 0:12:45 | |
-The fact that you've got all of this... -Yeah. | 0:12:45 | 0:12:47 | |
..I just think that's absolutely lovely | 0:12:47 | 0:12:49 | |
and I think at auction, this is going to make between £20 and £40. | 0:12:49 | 0:12:53 | |
-You know, they've got a real bit of history, there, haven't they? -Yes. | 0:12:53 | 0:12:57 | |
-And so well done you for bringing it in. -Some museum might buy it. | 0:12:57 | 0:13:00 | |
Let's live in hope. | 0:13:00 | 0:13:01 | |
-I can start the bidding at 50. £55. -Fantastic. | 0:13:01 | 0:13:04 | |
-That's a real good price. -Where's 60 in the room now? | 0:13:04 | 0:13:07 | |
At £55 I'm bid. With me at £55. | 0:13:07 | 0:13:10 | |
Against you all, then, at £55. | 0:13:10 | 0:13:13 | |
Is there 60 in the room? Are you done, then? To sell. | 0:13:13 | 0:13:15 | |
-Against you all, then, at £55... -GAVEL BANGS | 0:13:15 | 0:13:18 | |
They really should be worth more but they're not. | 0:13:18 | 0:13:21 | |
But perhaps, when the anniversary comes round, | 0:13:21 | 0:13:24 | |
they will make the money that I think they should do. | 0:13:24 | 0:13:28 | |
I find it very sobering to think that instead of tucking into turkey, | 0:13:28 | 0:13:33 | |
surrounded by loved ones on Christmas Day, | 0:13:33 | 0:13:36 | |
British soldiers in the trenches were receiving | 0:13:36 | 0:13:39 | |
these simple gift boxes. | 0:13:39 | 0:13:41 | |
Our memories are often worth more to us than gold | 0:13:42 | 0:13:45 | |
and, as David Fletcher knows, this is especially the case | 0:13:45 | 0:13:48 | |
when it comes to marking the feats of the previous generation | 0:13:48 | 0:13:52 | |
who were called up to fight for their country. | 0:13:52 | 0:13:55 | |
This object is very important to me. | 0:13:56 | 0:13:59 | |
I'm sure that it's the sort of thing which many people will recognise. | 0:13:59 | 0:14:03 | |
It's a First World War memorial plaque | 0:14:03 | 0:14:06 | |
and plaques like this made of bronze were given to the next of kin | 0:14:06 | 0:14:13 | |
of those men and women who lost their lives in the First World War. | 0:14:13 | 0:14:17 | |
The Government recognised that there was an appalling loss of life | 0:14:17 | 0:14:21 | |
and that loss of life was going very largely uncommemorated. | 0:14:21 | 0:14:26 | |
So, as a gesture, they decided to stage a competition | 0:14:26 | 0:14:30 | |
and in 1916, the winner was announced. | 0:14:30 | 0:14:34 | |
His name was Edward Preston. | 0:14:34 | 0:14:37 | |
There were over one million made. | 0:14:37 | 0:14:39 | |
This was awarded to my great-uncle, who died in 1918 in Salonika, | 0:14:39 | 0:14:44 | |
actually after the war finished. | 0:14:44 | 0:14:47 | |
He wasn't killed in action. He died of a disease he contracted whilst he was there. | 0:14:47 | 0:14:51 | |
It's not of any great financial value, as you might imagine, | 0:14:51 | 0:14:55 | |
because there are so many of them about, | 0:14:55 | 0:14:58 | |
but it does mean a very great deal to me. | 0:14:58 | 0:15:00 | |
Most of the war-related objects we see were things used in action. | 0:15:07 | 0:15:12 | |
But occasionally a piece turns up with a more hopeful story to tell. | 0:15:12 | 0:15:17 | |
Jennifer, this is a fascinating little piece of social history. | 0:15:17 | 0:15:22 | |
It's a little carved panel. | 0:15:22 | 0:15:24 | |
Can you tell me - where did you get it? | 0:15:24 | 0:15:26 | |
It was left in the house when we moved in | 0:15:26 | 0:15:28 | |
and that's really all we know. | 0:15:28 | 0:15:30 | |
-Do you like it? -No. | 0:15:30 | 0:15:32 | |
-Is that why you want to sell it? -Yes. -OK, let's have a look at it. | 0:15:33 | 0:15:37 | |
We see a carved figure here | 0:15:37 | 0:15:39 | |
and we have a little panel which says, "Home from the front." | 0:15:39 | 0:15:46 | |
And we see, I don't know if that's perhaps a foot missing, | 0:15:46 | 0:15:49 | |
-perhaps shot off in the war. -Yes. | 0:15:49 | 0:15:52 | |
So it's, I suppose, rather sad in that way. | 0:15:52 | 0:15:58 | |
These were terrible situations | 0:15:58 | 0:16:00 | |
where hundreds of thousands of young men were killed | 0:16:00 | 0:16:05 | |
and the objects that we have from the wars | 0:16:05 | 0:16:09 | |
do keep things alive. | 0:16:09 | 0:16:11 | |
A rather naive carving. | 0:16:11 | 0:16:13 | |
-It's not someone who has done fine work. -Oh, no. | 0:16:13 | 0:16:16 | |
And it had occurred to me that this is perhaps something | 0:16:16 | 0:16:20 | |
that he may have done after coming back from the war, | 0:16:20 | 0:16:25 | |
perhaps injured, perhaps not able to work, | 0:16:25 | 0:16:29 | |
and this is how he spent his time. | 0:16:29 | 0:16:32 | |
So it's... | 0:16:32 | 0:16:34 | |
-There could be a little story behind that... -Oh, yes. | 0:16:34 | 0:16:38 | |
-..if we knew. -Yes, if we knew. -If we knew. | 0:16:38 | 0:16:40 | |
It would have been of greater interest if she had been able | 0:16:40 | 0:16:44 | |
to tell us the story, tell us the person who had carved the panel | 0:16:44 | 0:16:49 | |
and to have perhaps photographs or maybe letters - | 0:16:49 | 0:16:53 | |
all these things which give it provenance, | 0:16:53 | 0:16:56 | |
which give it a story, make the item more desirable for the buyers. | 0:16:56 | 0:17:02 | |
If we maybe put it in, £20-£30, | 0:17:02 | 0:17:05 | |
-would you be happy enough with that? -Oh, yes. | 0:17:05 | 0:17:07 | |
I think it's charming. | 0:17:07 | 0:17:09 | |
I don't. | 0:17:09 | 0:17:11 | |
Small carved picture of a squaddie. | 0:17:12 | 0:17:13 | |
-£30? £20, then. -Come on. Someone come in. | 0:17:13 | 0:17:18 | |
Any advance on £20? The bid's in front. | 0:17:18 | 0:17:21 | |
One bid at 20. Yeah, 22. 25. | 0:17:21 | 0:17:23 | |
28, 30, 32, 35. | 0:17:23 | 0:17:27 | |
38. At 40. | 0:17:27 | 0:17:29 | |
42. 45. | 0:17:29 | 0:17:32 | |
48. At 50. At 50. | 0:17:32 | 0:17:34 | |
Well, this is good, this is good. | 0:17:34 | 0:17:35 | |
Any advance on £50? 55. | 0:17:35 | 0:17:38 | |
At 55. Standing on my right. | 0:17:38 | 0:17:41 | |
-All finished now at £55. -That's a great result. £55. | 0:17:41 | 0:17:45 | |
-The hammer's going down. Yes! -GAVEL BANGS | 0:17:45 | 0:17:47 | |
Jennifer, that's great. | 0:17:47 | 0:17:48 | |
Whatever you choose to collect, | 0:17:49 | 0:17:51 | |
it pays to look for things with stories that touch you. | 0:17:51 | 0:17:55 | |
It's a good idea to concentrate on a particular battle, conflict or person. | 0:17:56 | 0:18:01 | |
And if you do decide to part with family items, please write down the stories | 0:18:03 | 0:18:07 | |
to ensure they live on. | 0:18:07 | 0:18:09 | |
We've seen all sorts of militaria on today's programme, | 0:18:15 | 0:18:19 | |
from the spoils of war to the medals that represent the bravery of the ordinary man. | 0:18:19 | 0:18:24 | |
But there is one man in particular whose place during World War Two | 0:18:24 | 0:18:28 | |
was so important that anything related to him has become hugely valuable. | 0:18:28 | 0:18:33 | |
Winston Churchill led Britain's coalition government | 0:18:36 | 0:18:40 | |
between 1940 and 1945. | 0:18:40 | 0:18:43 | |
During this turbulent time in British history, | 0:18:43 | 0:18:46 | |
he became the nation's hero, | 0:18:46 | 0:18:48 | |
leading the country to victory against Nazi Germany | 0:18:48 | 0:18:52 | |
in the Second World War. | 0:18:52 | 0:18:53 | |
The image of him dressed in a three-piece suit, | 0:18:53 | 0:18:57 | |
more often than not with a cigar in hand, | 0:18:57 | 0:19:00 | |
has come to symbolise our wartime success. | 0:19:00 | 0:19:03 | |
Now, here at Longleat House they have a very impressive collection | 0:19:05 | 0:19:08 | |
of Churchill memorabilia, | 0:19:08 | 0:19:10 | |
possibly one of the best collections in the world, | 0:19:10 | 0:19:13 | |
and I particularly like this. | 0:19:13 | 0:19:15 | |
It's a red velvet siren suit | 0:19:15 | 0:19:17 | |
and it was the predecessor to the onesie. | 0:19:17 | 0:19:20 | |
Now, I had a onesie, but it didn't look like that! | 0:19:20 | 0:19:23 | |
Apparently, the siren suit was worn by Churchill | 0:19:23 | 0:19:25 | |
when he ran from the house to the air-raid shelter which was in the garden, | 0:19:25 | 0:19:29 | |
to take cover from the bombing during the Blitz of the Second World War. | 0:19:29 | 0:19:33 | |
Now, if you look carefully, you can see some little patches | 0:19:33 | 0:19:37 | |
which have been sewn up. | 0:19:37 | 0:19:38 | |
They are burn marks from his cigar. | 0:19:38 | 0:19:41 | |
So while he was wearing that, running along, | 0:19:41 | 0:19:43 | |
he was still smoking his cigar. | 0:19:43 | 0:19:45 | |
And talking of cigars, one of Churchill's unsmoked cigars | 0:19:45 | 0:19:49 | |
recently sold in auction, back in 2010, | 0:19:49 | 0:19:52 | |
for a staggering £2,125. | 0:19:52 | 0:19:56 | |
Now, here at Longleat House they have one of Churchill's cigars | 0:19:56 | 0:19:59 | |
but it's been half-smoked | 0:19:59 | 0:20:01 | |
and it has the most wonderful provenance. | 0:20:01 | 0:20:03 | |
Now, this half-smoked cigar is accompanied | 0:20:03 | 0:20:06 | |
by a handwritten letter by Juliet Duff | 0:20:06 | 0:20:09 | |
to the Sixth Marquis on the 5th November 1963 - | 0:20:09 | 0:20:13 | |
watertight provenance - and it reads... | 0:20:13 | 0:20:17 | |
"Darling Henry, this cigar was smoked by Winston Churchill | 0:20:17 | 0:20:19 | |
"on Tuesday evening October 29th 1963, | 0:20:19 | 0:20:23 | |
"at 28 Hyde Park Gate | 0:20:23 | 0:20:26 | |
"during a game of bezique played between him and your loving coz, Juliet." | 0:20:26 | 0:20:33 | |
Isn't that brilliant? But it gets even better. | 0:20:33 | 0:20:35 | |
There's a typed letter right next to it and look at this. | 0:20:35 | 0:20:39 | |
"My dear Bath, I understand that you would like one of my cigars for your collection | 0:20:39 | 0:20:44 | |
"and I send you one herewith. | 0:20:44 | 0:20:46 | |
"Yours very sincerely, Winston Churchill." | 0:20:46 | 0:20:50 | |
And that's signed in ink and it's dated 10th June, 1963. | 0:20:50 | 0:20:55 | |
Now, that type of provenance is absolutely invaluable, | 0:20:55 | 0:20:58 | |
especially when related to wartime memorabilia. | 0:20:58 | 0:21:01 | |
That kind of thing puts the value up, | 0:21:01 | 0:21:03 | |
so try and support your item with some written documentation. | 0:21:03 | 0:21:08 | |
Despite his obvious fondness for cigars, | 0:21:11 | 0:21:14 | |
Churchill lived a long life. | 0:21:14 | 0:21:17 | |
He died at his London home in January 1965 | 0:21:17 | 0:21:20 | |
at the ripe old age of 90. | 0:21:20 | 0:21:23 | |
War touches us all in some way - our parents, our grandparents may have had a firsthand experience | 0:21:29 | 0:21:35 | |
of a life-shattering conflict. | 0:21:35 | 0:21:37 | |
This is certainly the case for our expert, Philip Serrell. | 0:21:37 | 0:21:40 | |
I don't come from an overly sentimental family, | 0:21:43 | 0:21:46 | |
but this is one of the most poignant things that I've got, really. | 0:21:46 | 0:21:48 | |
It really does mean something. | 0:21:48 | 0:21:51 | |
I can remember, as a kid, finding this in a drawer at home | 0:21:51 | 0:21:54 | |
and it was just sort of, you can see from the state of it, there was... | 0:21:54 | 0:21:58 | |
No care had been taken of it. There was water spilled on it and all sorts. | 0:21:58 | 0:22:02 | |
In fact, I got it all framed up and all the rest of it. | 0:22:02 | 0:22:05 | |
And it was to my grandfather and it's from Buckingham Palace, dated 1918, | 0:22:05 | 0:22:09 | |
and I'll just read it to you. | 0:22:09 | 0:22:11 | |
It says, "The Queen joins me in welcoming you | 0:22:11 | 0:22:14 | |
"on your release from the miseries and hardships | 0:22:14 | 0:22:16 | |
"which you have endured with so much patience and courage. | 0:22:16 | 0:22:19 | |
"During these many months of trial, | 0:22:19 | 0:22:21 | |
"the early rescue of our gallant officers and men from the cruelties of their captivity | 0:22:21 | 0:22:25 | |
"has been uppermost in our thoughts. | 0:22:25 | 0:22:28 | |
"We are thankful that this longed-for day has arrived | 0:22:28 | 0:22:31 | |
"and that back in the old country you will be able | 0:22:31 | 0:22:33 | |
"to once more enjoy the happiness of the home | 0:22:33 | 0:22:35 | |
"and to see good days among those who anxiously look forward to your return." | 0:22:35 | 0:22:39 | |
And it's signed King George. | 0:22:39 | 0:22:41 | |
Now, I sort of naively thought when I found this as a young boy | 0:22:41 | 0:22:44 | |
that this was a letter from the king to my granddad | 0:22:44 | 0:22:48 | |
and it sort of added to the mystique and the memory, really. | 0:22:48 | 0:22:51 | |
But it isn't. These were probably churned out in their thousands | 0:22:51 | 0:22:54 | |
and anybody who was a prisoner of war got one. | 0:22:54 | 0:22:57 | |
But I know that he had a real, real tough time as a prisoner of war | 0:22:57 | 0:23:01 | |
and this meant an awful lot to him, | 0:23:01 | 0:23:04 | |
so it's really quite nice now that I've got this. | 0:23:04 | 0:23:06 | |
It's a special thing for me, that. | 0:23:06 | 0:23:08 | |
21st-century Winchester is a peaceful, beautiful place, | 0:23:13 | 0:23:17 | |
but it has a 2,000-year-old link with British military history. | 0:23:17 | 0:23:20 | |
This incredible square is the Peninsula Barracks, | 0:23:20 | 0:23:23 | |
once home to serving army regiments. | 0:23:23 | 0:23:26 | |
Now, part of it is home to a museum dedicated to a very brave band of soldiers - | 0:23:26 | 0:23:31 | |
the Gurkhas. | 0:23:31 | 0:23:33 | |
Gurkhas have been part of the British Army for almost 200 years, | 0:23:34 | 0:23:39 | |
but who are these fearsome Nepalese fighters? | 0:23:39 | 0:23:42 | |
"Better to die than be a coward." The Gurkha motto sets the tone | 0:23:42 | 0:23:46 | |
that reflects their fearsome and valiant reputation. | 0:23:46 | 0:23:50 | |
They've served with British soldiers all over the world, | 0:23:50 | 0:23:52 | |
from World War One to World War Two, | 0:23:52 | 0:23:55 | |
to campaigns in the Falklands, Iraq and Afghanistan. | 0:23:55 | 0:23:59 | |
Even the young Prince Harry lived with a Gurkha regiment | 0:23:59 | 0:24:01 | |
for his 10-week tour of duty in Afghanistan. | 0:24:01 | 0:24:05 | |
The Gurkhas originate from the hill villages of Nepal, | 0:24:08 | 0:24:11 | |
where they were a proud warrior nation. | 0:24:11 | 0:24:13 | |
The British fought them at the height of the empire-building in the 1800s | 0:24:13 | 0:24:18 | |
and realising their potential, put them in uniform | 0:24:18 | 0:24:21 | |
and eventually made them part of the British Army. | 0:24:21 | 0:24:23 | |
The Gurkhas became renowned as tough, masculine soldiers, | 0:24:29 | 0:24:33 | |
fearless in the face of the enemy. | 0:24:33 | 0:24:36 | |
They earned a reputation for front-line fighting all over the world. | 0:24:36 | 0:24:39 | |
There are many legends about the Gurkhas and their bravery | 0:24:41 | 0:24:45 | |
and also about this, the kukri, the traditional knife. | 0:24:45 | 0:24:47 | |
It's the symbol of the Gurkha and the symbol of Nepal. | 0:24:47 | 0:24:50 | |
It has a curved blade that averages around 14 to 16 inches long. | 0:24:50 | 0:24:54 | |
There's a selection here laid out in front of me. | 0:24:54 | 0:24:57 | |
The one I've picked up here in the leather sheath | 0:24:57 | 0:24:59 | |
was used during the First World War. | 0:24:59 | 0:25:01 | |
That's razor sharp. | 0:25:01 | 0:25:03 | |
These were made by blacksmiths in the hills of Nepal | 0:25:03 | 0:25:05 | |
and throughout India. | 0:25:05 | 0:25:07 | |
Here is a knife that was used during the Second World War | 0:25:07 | 0:25:11 | |
and note the canvas. | 0:25:11 | 0:25:13 | |
There were around 120,000 Gurkhas enlisted, | 0:25:13 | 0:25:16 | |
each having two or possibly three knives. | 0:25:16 | 0:25:18 | |
Right up to the present day these are still being made in Nepal | 0:25:18 | 0:25:23 | |
and in India. | 0:25:23 | 0:25:24 | |
The sheaths are made out of water buffalo hide. | 0:25:24 | 0:25:27 | |
It's beautifully balanced, absolutely beautifully balanced. | 0:25:27 | 0:25:31 | |
It's slightly smaller now but it's still as lethal. That is razor sharp. | 0:25:31 | 0:25:35 | |
SOUNDS OF BATTLE | 0:25:38 | 0:25:41 | |
One notable Gurkha hero was Havildar Gaje Ghale, | 0:25:58 | 0:26:02 | |
a platoon sergeant in Burma in 1943. | 0:26:02 | 0:26:06 | |
The official battle log said, "hurling hand grenades, | 0:26:08 | 0:26:11 | |
"covered in blood from his own, neglected wounds, | 0:26:11 | 0:26:14 | |
"he led assault after assault, shouting the Gurkhas' battle cry - | 0:26:14 | 0:26:18 | |
" 'Glory be to the goddess of war. Here come the Gurkhas!' " | 0:26:18 | 0:26:23 | |
13 Victoria Crosses have been issued to the Gurkhas so far | 0:26:23 | 0:26:27 | |
and 13 to their British Army officers. | 0:26:27 | 0:26:29 | |
That's a total of 26 and they have three here in the museum. | 0:26:29 | 0:26:33 | |
The Victoria Cross is always issued with a purple ribbon. | 0:26:33 | 0:26:36 | |
It's cast from bronze from melted down captured Russian cannons | 0:26:36 | 0:26:40 | |
from the Crimean War. | 0:26:40 | 0:26:42 | |
On the face side there's a high relief of a lion | 0:26:42 | 0:26:45 | |
standing over the crown | 0:26:45 | 0:26:47 | |
and underneath it says, "For valour." | 0:26:47 | 0:26:49 | |
On the reverse it's quite plain but it's inscribed to the recipient with the date. | 0:26:49 | 0:26:54 | |
And they were only issued for conspicuous bravery | 0:26:54 | 0:26:58 | |
in the face of the enemy. | 0:26:58 | 0:26:59 | |
And as you can see, these ones are behind glass for security reasons. | 0:27:00 | 0:27:05 | |
They're highly valuable. | 0:27:05 | 0:27:06 | |
One of the toughest battles for the Gurkhas in recent years | 0:27:08 | 0:27:11 | |
has been with British red tape. | 0:27:11 | 0:27:14 | |
Actress Joanna Lumley, whose father served with the Sixth Gurkha rifles, | 0:27:14 | 0:27:18 | |
led a high-profile campaign | 0:27:18 | 0:27:20 | |
which led to the Gurkhas and their families being allowed to live in the UK. | 0:27:20 | 0:27:24 | |
For close on 200 years, Gurkhas have been a part of our armed forces, | 0:27:32 | 0:27:36 | |
proving themselves again and again with their character, dedication | 0:27:36 | 0:27:41 | |
and bravery. | 0:27:41 | 0:27:42 | |
One Chief of Staff in the Indian Army said of them, | 0:27:45 | 0:27:47 | |
"If a man says he's not afraid of dying, he's either lying or he's a Gurkha." | 0:27:47 | 0:27:52 | |
So many memories and emotions can be bound up in wartime items | 0:28:00 | 0:28:04 | |
and they are always valuable indicators of life | 0:28:04 | 0:28:08 | |
in those terrible times. | 0:28:08 | 0:28:10 | |
If you have any item with a military connection | 0:28:10 | 0:28:12 | |
and you're sure you want to part with it, | 0:28:12 | 0:28:15 | |
then please bring it along to one of our valuation days. | 0:28:15 | 0:28:19 | |
Well, that's it for today. | 0:28:19 | 0:28:20 | |
If you're thinking of going out and doing some buying and selling, | 0:28:20 | 0:28:23 | |
good luck, but until then, it's goodbye from Trade Secrets. | 0:28:23 | 0:28:27 |