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This is the show that aims to give you the inside track | 0:00:10 | 0:00:13 | |
on buying and selling antiques and collectables. | 0:00:13 | 0:00:15 | |
We've got over ten years of Flog It! behind us. | 0:00:17 | 0:00:19 | |
That's hundreds of programmes | 0:00:19 | 0:00:21 | |
and thousands of your antiques valued and sold. | 0:00:21 | 0:00:24 | |
Stand by for some top tips. This is Trade Secrets. | 0:00:28 | 0:00:32 | |
The majority of the items you bring along to our valuation days | 0:00:59 | 0:01:02 | |
are comfortably familiar to all of our experts | 0:01:02 | 0:01:05 | |
and their valuations are pretty accurate. | 0:01:05 | 0:01:07 | |
But every now and then, | 0:01:07 | 0:01:08 | |
you bring along something that takes us all by surprise. | 0:01:08 | 0:01:11 | |
So today's programme is going to be dedicated | 0:01:11 | 0:01:14 | |
to the weird and the wonderful | 0:01:14 | 0:01:16 | |
that not only puts our experts to the test, | 0:01:16 | 0:01:18 | |
but makes the programme so much fun. | 0:01:18 | 0:01:20 | |
Coming up on today's show - Philip tears a strip off one owner | 0:01:26 | 0:01:29 | |
for mistreating a very strange-looking creation. | 0:01:29 | 0:01:33 | |
Some hooligan, over the years, boy, have they done some damage to it. | 0:01:33 | 0:01:38 | |
-I think that might be my fault. -What, you're the hooligan? | 0:01:38 | 0:01:40 | |
Mark shares his tips with us. | 0:01:40 | 0:01:43 | |
You might find something which is valuable, you might not. | 0:01:43 | 0:01:46 | |
But it will still be a lovely object to look at. | 0:01:46 | 0:01:49 | |
And I get the best surprise ever at a valuation day. | 0:01:49 | 0:01:53 | |
That's one of the rarest things we've ever seen on the show. | 0:01:53 | 0:01:59 | |
24,000. | 0:01:59 | 0:02:00 | |
-26,000. -26,000! I'm tingling. | 0:02:00 | 0:02:04 | |
-Are you tingling? -Aye. -£26,000. | 0:02:04 | 0:02:07 | |
Now, it's often the case with all these with weird | 0:02:11 | 0:02:13 | |
and wonderful things that turn up at our valuation days | 0:02:13 | 0:02:16 | |
that generally, they are just normal household objects, | 0:02:16 | 0:02:20 | |
except they are the eccentric versions, | 0:02:20 | 0:02:22 | |
dressed up, in a way, to keep us guessing. | 0:02:22 | 0:02:24 | |
To create a conversation. | 0:02:24 | 0:02:26 | |
Even the stuffy confines of the gentleman's study weren't | 0:02:26 | 0:02:30 | |
exempt to this kind of practice. | 0:02:30 | 0:02:33 | |
Take, for example, the humble desktop object. | 0:02:33 | 0:02:36 | |
Some of them can be rather intriguing. | 0:02:36 | 0:02:38 | |
BELL CHIMES | 0:02:38 | 0:02:39 | |
It's good, that, isn't it? I've been dying to do that for hours. | 0:02:39 | 0:02:42 | |
-Kevin and Karen. Whose is this? -Mine. -It's yours? | 0:02:42 | 0:02:45 | |
I'm a great believer that it's back to the boys' toys things | 0:02:45 | 0:02:48 | |
again and blokes definitely do buy things for their desk | 0:02:48 | 0:02:51 | |
but I've got to say | 0:02:51 | 0:02:52 | |
that I think that rams' horn thingummyjiggy-whatsit doo-dah, | 0:02:52 | 0:02:55 | |
it does say something for your own ego | 0:02:55 | 0:02:57 | |
if you have got to buy one of those to stuff on your desk, doesn't it? | 0:02:57 | 0:03:01 | |
These are rams' horns. And you see them from about 1850 to about 1900. | 0:03:01 | 0:03:07 | |
We start off with this quite sweet little circular clock up the top | 0:03:07 | 0:03:11 | |
and then we've got our bell and I wonder | 0:03:11 | 0:03:14 | |
whether that's to ring someone and tell them to, you know, | 0:03:14 | 0:03:17 | |
come and collect my post, because this is actually a desk tidy. | 0:03:17 | 0:03:22 | |
So it would have sat on your writing desk. Where'd it come from? | 0:03:22 | 0:03:25 | |
It was my grandfather's. | 0:03:25 | 0:03:27 | |
Well, some hooligan, over the years, | 0:03:27 | 0:03:29 | |
boy, have they done some damage to it. | 0:03:29 | 0:03:31 | |
-Do you know how they have done that? -I think that might be my fault. | 0:03:31 | 0:03:34 | |
What, you're the hooligan? | 0:03:34 | 0:03:36 | |
Well, as a child, it was my job to clean it with Brasso. | 0:03:36 | 0:03:40 | |
Why didn't you go the whole hog and use a scratch brush as well? | 0:03:40 | 0:03:42 | |
I was ten years old at the time. I knew no better. | 0:03:42 | 0:03:45 | |
-So, can you remember cleaning this initially? -Yes. | 0:03:45 | 0:03:47 | |
-And all this was silver? -No. -Can I just show you something? | 0:03:47 | 0:03:51 | |
Can you just see there? That's silver. Or it's the plate. | 0:03:51 | 0:03:56 | |
-And you want to sell it. -I do. -So it's his but you want to sell it? | 0:03:56 | 0:03:59 | |
-I do. -How does that work, then? | 0:03:59 | 0:04:01 | |
-I'm just getting my own way again. -Again? -Again. | 0:04:01 | 0:04:03 | |
-Is this the story of your life? -Sometimes. | 0:04:03 | 0:04:06 | |
Kevin and Karen were a little bit at odds over the desk tidy | 0:04:06 | 0:04:09 | |
but there is no doubt in my mind that Karen was going to have | 0:04:09 | 0:04:11 | |
her way and it was going, and she was going to get the money. | 0:04:11 | 0:04:15 | |
I think if all of this was beautifully silver-plated, | 0:04:15 | 0:04:17 | |
it would look a whole different proposition. | 0:04:17 | 0:04:19 | |
And then it could be worth £1,000 or more. | 0:04:19 | 0:04:22 | |
I think, as it is, this is worth £300-£500. That's my view. | 0:04:22 | 0:04:27 | |
If it makes, I don't know, £450, what would you do with that? | 0:04:27 | 0:04:31 | |
-Well... -Holiday. -Let's think about this for a moment. -Holiday. | 0:04:31 | 0:04:36 | |
I can sense a family debate coming on. So a holiday here or here... | 0:04:36 | 0:04:40 | |
-What is the "or"? -I've got a 1969 Mustang that I'm renovating. | 0:04:40 | 0:04:43 | |
-Have you? Are you a car man? -Yes. Big petrolhead. | 0:04:43 | 0:04:45 | |
Let's get it sold for you. | 0:04:45 | 0:04:47 | |
Philip's face lit up at the mention of cars, | 0:04:49 | 0:04:52 | |
but will one of these bidders be driving home with Kevin's ornate desk tidy? | 0:04:52 | 0:04:56 | |
Start me that at, what, 500? | 0:04:58 | 0:05:01 | |
400? 300. Two. | 0:05:01 | 0:05:02 | |
£200 I'm bid. At 200. Two I am bid. | 0:05:02 | 0:05:03 | |
At 200. 220. 250 the lady. | 0:05:03 | 0:05:08 | |
250. 280. 280. At 300. | 0:05:08 | 0:05:11 | |
£300 I am bid. At 300. | 0:05:11 | 0:05:13 | |
-Well, we've sold it. -320. 320. 350. | 0:05:13 | 0:05:17 | |
380. At 380. Four, is it? £400. | 0:05:17 | 0:05:20 | |
£400 I am bid. At 400. And 20. | 0:05:20 | 0:05:22 | |
-420. -This is good. -450. 480. 500. | 0:05:22 | 0:05:26 | |
500 quid. 520. | 0:05:26 | 0:05:29 | |
520. 550. 580. | 0:05:29 | 0:05:32 | |
600 on the telephone. | 0:05:32 | 0:05:33 | |
620. 650. 650. 680. 700. | 0:05:33 | 0:05:36 | |
-What a fantastic price. -Brilliant. -720 bid. 750. 780. | 0:05:36 | 0:05:41 | |
-800. -Gosh. -800. 850. | 0:05:41 | 0:05:45 | |
900 I will take. 950. | 0:05:45 | 0:05:49 | |
At 950, in the room. | 0:05:49 | 0:05:52 | |
-You all done? It's going to be sold. -£950! | 0:05:52 | 0:05:56 | |
£950! | 0:05:56 | 0:05:59 | |
-I have to say, I'd rather have 950 quid. -So would I! | 0:05:59 | 0:06:03 | |
So would I, that's why I'm selling it! | 0:06:03 | 0:06:06 | |
These guys would as well! | 0:06:06 | 0:06:08 | |
Wow, it might not have been the most beautiful object but two bidders | 0:06:08 | 0:06:12 | |
were so keen on it, they were prepared to fight to the finish. | 0:06:12 | 0:06:16 | |
I think that rams' horn desk tidy was probably bought | 0:06:16 | 0:06:19 | |
for the export market. In all probability, America. | 0:06:19 | 0:06:22 | |
And, you know, I think | 0:06:22 | 0:06:24 | |
the Americans see their antique life as through what's | 0:06:24 | 0:06:27 | |
reflected in this country and I think they see that as being | 0:06:27 | 0:06:31 | |
the height of Victoriana and that's what they buy. | 0:06:31 | 0:06:35 | |
Just because the rams' horns aren't to our taste today, | 0:06:35 | 0:06:38 | |
it doesn't mean they won't find a market | 0:06:38 | 0:06:40 | |
so don't dismiss strange-looking objects out of hand. | 0:06:40 | 0:06:43 | |
-Hi, Dave. -Hiya. -I love this. | 0:06:53 | 0:06:55 | |
I homed on this instantly I saw you in the queue with it. | 0:06:55 | 0:06:58 | |
It's a great little thing. It's a real Victorian novelty. | 0:06:58 | 0:07:02 | |
-How on earth did you come by it? -I was given it by a family friend. -OK. | 0:07:02 | 0:07:06 | |
-Recently, or a while ago? -Recently. -Quite recently. | 0:07:06 | 0:07:08 | |
Just to let everyone else know what it is we're looking at here, | 0:07:08 | 0:07:12 | |
if you just flip the hinge up, it's an inkwell. | 0:07:12 | 0:07:15 | |
It's a real gentleman's collector's item, I guess. | 0:07:15 | 0:07:18 | |
Unusual one-off objects like this are notoriously difficult to value | 0:07:18 | 0:07:21 | |
because as auctioneers, | 0:07:21 | 0:07:23 | |
we often use comparable results to value objects. | 0:07:23 | 0:07:26 | |
I've seen one of these before, I've seen the type of thing. | 0:07:26 | 0:07:28 | |
And you use your knowledge and experience to sort of second-guess. | 0:07:28 | 0:07:33 | |
We'll take this to auction and there will be a lot of interest in it. | 0:07:33 | 0:07:37 | |
People that collect sea-related items, | 0:07:37 | 0:07:39 | |
people that collect brassware, people that collect inkwells, | 0:07:39 | 0:07:42 | |
predominantly, will be the main bidding force. | 0:07:42 | 0:07:45 | |
And I can see it making maybe a couple of hundred pounds. | 0:07:45 | 0:07:48 | |
But when you've got things like this you've got no comparables | 0:07:48 | 0:07:51 | |
to fall back on so you've got to go with your gut instinct. | 0:07:51 | 0:07:55 | |
Will people like it, why will they like it, | 0:07:55 | 0:07:57 | |
how much can they afford to push it up to? | 0:07:57 | 0:07:59 | |
So it becomes less of an accurate estimate, | 0:07:59 | 0:08:02 | |
and a little bit more of a guesstimate. | 0:08:02 | 0:08:05 | |
A round figure of, say, £100 would be a good reserve | 0:08:05 | 0:08:08 | |
but don't be surprised if it makes more than that and goes on. | 0:08:08 | 0:08:11 | |
-Are you happy to do that? -Yes. -OK. | 0:08:11 | 0:08:14 | |
If I like it, then surely someone else there is mad enough to like it | 0:08:14 | 0:08:18 | |
and lo and behold, they did. | 0:08:18 | 0:08:20 | |
Cast brass lobster-pattern desk inkwell. Novel item. | 0:08:20 | 0:08:23 | |
-Three bids on the books. 140. -Three bids. -We're starting at £140. | 0:08:23 | 0:08:28 | |
Looking for 150. 150. 160. 170. | 0:08:28 | 0:08:31 | |
If you're going to buy and sell curiosities, | 0:08:31 | 0:08:33 | |
make sure they are curios, OK? Don't buy bland, mainstream items. | 0:08:33 | 0:08:39 | |
Find things that make people sit and say, gosh, what is that? | 0:08:39 | 0:08:42 | |
180. 190. | 0:08:42 | 0:08:44 | |
200. And 10. 220. 230. | 0:08:44 | 0:08:47 | |
-This is more like it. -240. Anybody at 240? | 0:08:47 | 0:08:51 | |
Bid is in the room at £230. Standing at 230 and selling at £230. | 0:08:51 | 0:08:57 | |
Yes, the hammer's gone down. | 0:08:57 | 0:08:58 | |
That's a "sold" sound. £230. They loved it. | 0:08:58 | 0:09:03 | |
So if you're buying curios, the curiouser, the better. | 0:09:03 | 0:09:07 | |
Desk items are, to me, wonderful. | 0:09:11 | 0:09:15 | |
I love the idea of sitting at a desk and writing, | 0:09:15 | 0:09:19 | |
rather than sitting at a screen and typing words in. | 0:09:19 | 0:09:23 | |
Desk items are popular. They make great presents today. | 0:09:27 | 0:09:32 | |
They're very decorative, they are very varied. | 0:09:32 | 0:09:34 | |
There are some very, very keen collectors out there. | 0:09:34 | 0:09:38 | |
Something a bit unusual and a bit different as a gift, | 0:09:41 | 0:09:44 | |
a little desktop item, is a great thing to have. | 0:09:44 | 0:09:47 | |
And the more unusual they are, I think, | 0:09:47 | 0:09:50 | |
the more readily they are going to be chased up to a high price. | 0:09:50 | 0:09:54 | |
In the 19th century, as the middle classes grew richer | 0:09:57 | 0:10:00 | |
and more influential, a gentleman's desk became a status symbol | 0:10:00 | 0:10:04 | |
and the Victorians were masters of making strange | 0:10:04 | 0:10:07 | |
and wonderful desktop objects to place upon it. | 0:10:07 | 0:10:11 | |
What all these desktop status symbols have in common is | 0:10:16 | 0:10:19 | |
they are still worth hundreds of pounds today and apparently, | 0:10:19 | 0:10:23 | |
the odder, the better. | 0:10:23 | 0:10:25 | |
But talking of weird, I've never seen anything like these before. | 0:10:25 | 0:10:29 | |
Come on, Ken, tell me a bit about these? | 0:10:29 | 0:10:31 | |
They are originally from my great grandparents, who owned a farm. | 0:10:31 | 0:10:35 | |
Obviously, it was a well-loved cow and they mounted two of the hooves. | 0:10:35 | 0:10:39 | |
I'm not sure whether all four were done or not but certainly the two. | 0:10:39 | 0:10:43 | |
I love the cow's hooves. | 0:10:43 | 0:10:45 | |
A great family history. | 0:10:45 | 0:10:46 | |
They were quite an unusual item. You don't very often find cow's hooves. | 0:10:46 | 0:10:51 | |
They were in place on a sideboard in my grandmother's house. | 0:10:51 | 0:10:54 | |
When she passed on and I don't think anybody else in the family wanted them, | 0:10:54 | 0:10:58 | |
we took them and we've had them in the cupboard ever since. | 0:10:58 | 0:11:01 | |
-And you don't really care for them? -No. | 0:11:01 | 0:11:03 | |
-But the nice thing is, the name is on the top of the lids. -Yes. | 0:11:04 | 0:11:08 | |
-Mulberry and her dates, as well. -Yeah. | 0:11:08 | 0:11:10 | |
They preserved the hooves as a memory of the animal. | 0:11:10 | 0:11:14 | |
It's usually horses' hooves, your favourite hunter, | 0:11:14 | 0:11:17 | |
the best racehorse you've owned. | 0:11:17 | 0:11:19 | |
But, in this instance, it was a favoured cow. | 0:11:19 | 0:11:21 | |
-And, of course, they're an inkwell. -Yes. | 0:11:21 | 0:11:24 | |
If we lift the hinged lid. | 0:11:24 | 0:11:27 | |
Erm, and then in this one we've got the little glass well, | 0:11:27 | 0:11:30 | |
which you would put the ink in. | 0:11:30 | 0:11:32 | |
It's a memorial of the cow. | 0:11:32 | 0:11:35 | |
So every time you look at the ink well, you think of Mulberry. | 0:11:35 | 0:11:38 | |
And there are collectors of all sorts of taxidermy | 0:11:39 | 0:11:43 | |
and I've always found the horses' hooves sell quite well | 0:11:43 | 0:11:46 | |
but not for a huge amount. | 0:11:46 | 0:11:48 | |
-We are probably looking in the region of 40 to £60. -Really? | 0:11:48 | 0:11:53 | |
That's surprising. I thought, maybe, the price a joint of beef | 0:11:53 | 0:11:56 | |
that we were going to buy. | 0:11:56 | 0:11:57 | |
I say, is that what you're spending the money on? | 0:11:57 | 0:12:01 | |
'Now let's see how much of a guesstimate that was, Claire.' | 0:12:01 | 0:12:04 | |
One of you start me on this, £40, for the hooves? | 0:12:04 | 0:12:06 | |
40, quickly. 40, thank you. 5 anywhere else? | 0:12:06 | 0:12:09 | |
45 and 50. And 5? | 0:12:09 | 0:12:11 | |
And 60, and 5? | 0:12:11 | 0:12:13 | |
£60 front row. 65 and 70 says "No". | 0:12:13 | 0:12:16 | |
65 a fresh bid. 70 anywhere else? | 0:12:16 | 0:12:19 | |
At £65 for the hooves. I'm selling the hooves at £65. | 0:12:19 | 0:12:21 | |
Are you sure then at £65? | 0:12:21 | 0:12:23 | |
The hammer's gone down. | 0:12:23 | 0:12:25 | |
-That's a good price for a pair. -That is. -That's really good. | 0:12:25 | 0:12:28 | |
Even with today's prices, you should get a nice joint of beef | 0:12:28 | 0:12:31 | |
for that, shouldn't you? | 0:12:31 | 0:12:32 | |
People are more concerned about bits of animals being sold | 0:12:32 | 0:12:37 | |
but where you're talking about unendangered species like this, | 0:12:37 | 0:12:40 | |
there is a strong market. There are people out there that love them! | 0:12:40 | 0:12:43 | |
'Flea markets and general auction sales are the best places to buy | 0:12:48 | 0:12:52 | |
'unusual objects but make sure it's something you genuinely love | 0:12:52 | 0:12:56 | |
'and can live with, as they won't always be great investment pieces.' | 0:12:56 | 0:13:01 | |
Quirky sales, unusual sales, | 0:13:01 | 0:13:03 | |
the salerooms are full of bland, mass-produced objects. | 0:13:03 | 0:13:08 | |
But those one-off, unique items, there is | 0:13:08 | 0:13:11 | |
a buyer out there somewhere for it. | 0:13:11 | 0:13:13 | |
The wackier the better and don't be frightened to have a go | 0:13:16 | 0:13:19 | |
if you see something cheap, pick it up, go home, | 0:13:19 | 0:13:22 | |
have a bit of fun, do some research. | 0:13:22 | 0:13:24 | |
You might find something which is valuable, you might not, | 0:13:24 | 0:13:27 | |
but it'll still be a lovely object to look at. | 0:13:27 | 0:13:30 | |
'I'm lucky enough to see some fantastically unusual antiques. | 0:13:37 | 0:13:41 | |
'Sometimes their strange shapes will have an unexpected purpose | 0:13:41 | 0:13:44 | |
'but at a valuation day in Scotland I was blown away to find | 0:13:44 | 0:13:48 | |
'an object made of something that hardly ever comes onto the market.' | 0:13:48 | 0:13:53 | |
This has to be one of the nicest things I've ever seen on "Flog It!" | 0:13:53 | 0:13:57 | |
And possibly one of the most valuable items | 0:13:57 | 0:14:00 | |
we've ever had on the show. | 0:14:00 | 0:14:01 | |
-You know what this is, don't you? -It's a libation cup. | 0:14:01 | 0:14:04 | |
It's a libation cup. It's a ceremonial drinking vessel. | 0:14:04 | 0:14:07 | |
-Do you know what it's made of? -Wood? | 0:14:09 | 0:14:11 | |
It's got a grain in, hasn't it? You can see there is a grain detail. | 0:14:11 | 0:14:15 | |
Lots of compressed hair but it's rhinoceros horn. | 0:14:15 | 0:14:18 | |
Yes. This dates back, | 0:14:18 | 0:14:21 | |
last quarter of the 18th-century. | 0:14:21 | 0:14:24 | |
We read about the visit of "Flog It!" | 0:14:24 | 0:14:28 | |
And Evelyn, my sister insisted on taking the libation cup, | 0:14:28 | 0:14:34 | |
which, I must admit, I thought was just made of ordinary wood. | 0:14:34 | 0:14:38 | |
I spotted one that was sold at Christie's so I thought | 0:14:38 | 0:14:42 | |
ours was worth something, so I took it to the valuation. | 0:14:42 | 0:14:45 | |
Let's just talk about the damage. You can see how it was used | 0:14:45 | 0:14:48 | |
-as a ceremonial drinking vessel, can't you? -Yes. | 0:14:48 | 0:14:51 | |
There are one or two chips, | 0:14:51 | 0:14:53 | |
there's bits of damage to the horn | 0:14:53 | 0:14:55 | |
and here we've got some mythical beasts climbing the side of the cup. | 0:14:55 | 0:14:59 | |
Half a head's missing there. Can you see that? | 0:14:59 | 0:15:02 | |
But, if you turn it over, you can actually see the compressed hair | 0:15:02 | 0:15:06 | |
and almost the grain of the horn. | 0:15:06 | 0:15:09 | |
Can you see that, that's definitely horn? | 0:15:09 | 0:15:13 | |
That's one of the rarest things we've ever seen on the show. | 0:15:13 | 0:15:18 | |
Mum, she inherited it from my grandfather. | 0:15:18 | 0:15:22 | |
He had travelled the world. | 0:15:22 | 0:15:24 | |
We actually thought it was African to start with | 0:15:24 | 0:15:27 | |
but it turned out to be Chinese | 0:15:27 | 0:15:29 | |
so we're not really... he dabbled in antiques, | 0:15:29 | 0:15:31 | |
so we're not really sure where he got it | 0:15:31 | 0:15:33 | |
but she obviously inherited it but she didn't realise what she had. | 0:15:33 | 0:15:37 | |
Where has it been in your house? | 0:15:37 | 0:15:39 | |
This has spent many years in a glass cabinet, | 0:15:39 | 0:15:44 | |
-kept in our living room. -So you've been looking after it. | 0:15:44 | 0:15:46 | |
How much do you think that's worth? | 0:15:46 | 0:15:48 | |
Well, listening to what you've said... | 0:15:51 | 0:15:53 | |
You've said you think it's slightly valuable? | 0:15:56 | 0:16:00 | |
A couple of hundred pounds? | 0:16:00 | 0:16:03 | |
A couple of hundred, yeah? | 0:16:03 | 0:16:05 | |
A couple of hundred pounds. | 0:16:05 | 0:16:08 | |
I've got to be so careful here. | 0:16:08 | 0:16:09 | |
We've got to do an awful lot more research. | 0:16:09 | 0:16:12 | |
OK? But do you know what my gut feeling is? | 0:16:12 | 0:16:15 | |
It's a lot more than that? | 0:16:15 | 0:16:18 | |
A heck of a lot more. | 0:16:18 | 0:16:19 | |
My gut feeling is this is worth eight... | 0:16:19 | 0:16:23 | |
..to £12,000. | 0:16:23 | 0:16:25 | |
-Oh! -Yes. | 0:16:25 | 0:16:27 | |
Then they said, how about 12,000? | 0:16:27 | 0:16:30 | |
Everybody went, "Oh," you know. | 0:16:31 | 0:16:34 | |
So that's when we discovered it was actually worth something. | 0:16:34 | 0:16:38 | |
-It could be even more than eight to £12,000. -I'm quite happy. | 0:16:38 | 0:16:42 | |
Quite happy? | 0:16:42 | 0:16:44 | |
The easiest thing to do is take it to an auction where the public | 0:16:44 | 0:16:48 | |
can bid on it because the auctioneer will get this on a website | 0:16:48 | 0:16:52 | |
that will go all over the world so people, in all countries, | 0:16:52 | 0:16:57 | |
can place their bids. | 0:16:57 | 0:16:59 | |
We won't even bother discussing a reserve | 0:16:59 | 0:17:02 | |
and putting pen to paper at the moment | 0:17:02 | 0:17:03 | |
because I do need a second opinion on this. | 0:17:03 | 0:17:07 | |
Let's wait for that, OK, | 0:17:07 | 0:17:08 | |
and we'll get on the phone to you within a couple of weeks' time. | 0:17:08 | 0:17:11 | |
Hopefully we're going to find out exactly what this is worth. | 0:17:11 | 0:17:16 | |
There's been an international ban on trading in rhino horn | 0:17:16 | 0:17:20 | |
for more than 35 years but it is legal to sell carved items | 0:17:20 | 0:17:24 | |
made before 1947. | 0:17:24 | 0:17:28 | |
Tom and Evelyn's rhino horn cup was such a rare find that we sent | 0:17:28 | 0:17:31 | |
it to Bonham's Auctioneers in London, | 0:17:31 | 0:17:34 | |
where Chinese Art Expert, Angela McAteer took a closer look. | 0:17:34 | 0:17:39 | |
It dates to the 17th/18th century, | 0:17:39 | 0:17:42 | |
most probably to the period of the Kangxi Emperor, | 0:17:42 | 0:17:45 | |
who was the first great emperor of the Qing Dynasty. | 0:17:45 | 0:17:48 | |
He reigned from 1662 to 1722 | 0:17:48 | 0:17:52 | |
and, you have on either side, | 0:17:52 | 0:17:55 | |
er, towtier masks | 0:17:55 | 0:17:58 | |
and you've got chilong dragons carved in high relief, | 0:17:58 | 0:18:01 | |
which are typified by their split tails and their single horns | 0:18:01 | 0:18:06 | |
and their heads poke up over the rim. | 0:18:06 | 0:18:10 | |
'Remember the damage when we first saw the Libation Cup. | 0:18:12 | 0:18:15 | |
'Well, the auction house recommended restoration to Tom and he agreed. | 0:18:15 | 0:18:19 | |
We've used a person who is really the top restorer | 0:18:19 | 0:18:22 | |
in the country for any sort of organic Chineseware | 0:18:22 | 0:18:25 | |
and if you were looking at it, and didn't know that it was restored, | 0:18:25 | 0:18:28 | |
then it would be very difficult to tell. The really positive thing | 0:18:28 | 0:18:32 | |
though is that the horn hasn't dried out over the years. | 0:18:32 | 0:18:34 | |
What we often see in Western collections, | 0:18:34 | 0:18:37 | |
that have rhinoceros horns, | 0:18:37 | 0:18:39 | |
is that they've been put in direct sunlight, | 0:18:39 | 0:18:41 | |
or they have been put near a radiator | 0:18:41 | 0:18:44 | |
and it really sucks the life out of them | 0:18:44 | 0:18:47 | |
and they lose their colour and their appeal. | 0:18:47 | 0:18:50 | |
This has a wonderful lustre and a wonderful texture. | 0:18:50 | 0:18:53 | |
So, it's obviously been kept in a fairly humid environment which, | 0:18:53 | 0:18:57 | |
over the years, has retained its nice qualities. | 0:18:57 | 0:19:01 | |
'So it sounds like sitting in a cabinet in Scotland for years | 0:19:01 | 0:19:04 | |
'has actually been in its favour | 0:19:04 | 0:19:06 | |
'but will this specialist work to repair it be worth it?' | 0:19:06 | 0:19:10 | |
The restoration costs were around £600 | 0:19:10 | 0:19:13 | |
and that amount is deducted from the final proceeds of the sale. | 0:19:13 | 0:19:18 | |
Really, it may sound like a lot of money | 0:19:19 | 0:19:22 | |
but when you think of the difference that it will make | 0:19:22 | 0:19:25 | |
in the final hammer price on the day, | 0:19:25 | 0:19:27 | |
I think it's a very sensible investment. | 0:19:27 | 0:19:29 | |
'Angela agrees with my valuation of eight to £12,000 | 0:19:29 | 0:19:33 | |
'and we'll see how far the bidders are prepared to go | 0:19:33 | 0:19:36 | |
'a little bit later in the programme.' | 0:19:36 | 0:19:39 | |
We do see some weird and wonderful things on "Flog It!" | 0:19:44 | 0:19:48 | |
But we don't usually get the chance to see what curiosities the experts have at home. | 0:19:48 | 0:19:53 | |
One of Will Axon's favourites is a cool piece of retro technology. | 0:19:53 | 0:19:59 | |
Well, nowadays, you don't think twice about reaching | 0:19:59 | 0:20:01 | |
into your pocket, do you, and pulling out what is, essentially, | 0:20:01 | 0:20:04 | |
a minicomputer. We've all got smartphones. | 0:20:04 | 0:20:07 | |
If you're lost, you press a button and it'll tell you where you are. | 0:20:07 | 0:20:10 | |
Imagine the high-powered business meeting in the mid-'70s | 0:20:10 | 0:20:13 | |
where you were number crunching and the chap opposite you | 0:20:13 | 0:20:16 | |
pulled out of his pocket what can only be described | 0:20:16 | 0:20:21 | |
as a very stylish pocket calculator here. You would tremble in your boots, wouldn't you? | 0:20:21 | 0:20:25 | |
You'd think I'm up against the big man here, I'm going to have to pull my game together | 0:20:25 | 0:20:30 | |
because this is a Sovereign calculator | 0:20:30 | 0:20:33 | |
made by Sir Clive Sinclair. | 0:20:33 | 0:20:36 | |
I actually went to school with Sir Clive's nephew | 0:20:36 | 0:20:39 | |
so we kind of got some early insights into the designs. | 0:20:39 | 0:20:44 | |
I remember when everyone else brought their bikes to school, | 0:20:44 | 0:20:46 | |
he turned up with a C5 and had souped it up with a couple of batteries. | 0:20:46 | 0:20:51 | |
It went some and, Sir Clive, he was obsessed | 0:20:51 | 0:20:55 | |
with miniaturisation of electronics. | 0:20:55 | 0:20:57 | |
He was very much forward thinking and how can I make things smaller | 0:20:57 | 0:21:01 | |
and slicker and more designed, more contemporary-looking? | 0:21:01 | 0:21:07 | |
It was his downfall, really, | 0:21:07 | 0:21:09 | |
because he ended up concentrating more on that | 0:21:09 | 0:21:12 | |
than he did with things such as quality control and cost | 0:21:12 | 0:21:15 | |
because this, at the time, would have cost you two weeks' wages, about £30. | 0:21:15 | 0:21:20 | |
I've just got to get a couple of batteries to replace | 0:21:20 | 0:21:22 | |
the mercury-filled ones and I think I might be pulling that out | 0:21:22 | 0:21:25 | |
at a client's house or two just to work out my commission. | 0:21:25 | 0:21:29 | |
No, Sir Clive, I love it. | 0:21:30 | 0:21:33 | |
'If you are interested in technology, | 0:21:33 | 0:21:35 | |
'look out for the early items that were trailblazers | 0:21:35 | 0:21:38 | |
'in their design and technology, if you want to make money. | 0:21:38 | 0:21:42 | |
'A rare Apple 1 computer sold recently, at auction, | 0:21:42 | 0:21:46 | |
'for £442,000.' | 0:21:46 | 0:21:49 | |
Now when you think of weird and wonderful, | 0:21:52 | 0:21:54 | |
you wouldn't necessarily think a chair fits the bill, but it does. | 0:21:54 | 0:21:58 | |
When we think of furniture construction, | 0:21:58 | 0:22:00 | |
you straightaway think of, let's say, a carpenter and a joiner, | 0:22:00 | 0:22:03 | |
somebody that assembles and makes pieces of furniture, | 0:22:03 | 0:22:06 | |
tables and chairs, hence the name joiner, | 0:22:06 | 0:22:08 | |
joining the wood together with mortise and tenon joints. | 0:22:08 | 0:22:12 | |
Then you would ask a wood turner to apply some decoration, | 0:22:12 | 0:22:15 | |
maybe in the form of some split bobbins that are applied afterwards | 0:22:15 | 0:22:19 | |
or to turn the odd leg or two. | 0:22:19 | 0:22:21 | |
Well, it wood turner obviously got frustrated in the 17th century | 0:22:21 | 0:22:25 | |
and he said, "I can make something that's practical and functional | 0:22:25 | 0:22:28 | |
"and it's not just decoration, it's a piece of furniture! | 0:22:28 | 0:22:31 | |
"It's a chair!" Here we have a wonderful, one of the best examples | 0:22:31 | 0:22:35 | |
I've ever seen in my life of a 17th-century wood turner's chair. | 0:22:35 | 0:22:40 | |
Apart from that seat, everything here has been made in the round, | 0:22:40 | 0:22:45 | |
turned on a pole lathe in the woods. | 0:22:45 | 0:22:48 | |
He's shown some great skill here because look at the ornamentation, | 0:22:48 | 0:22:52 | |
all of these turnings are slightly different. | 0:22:52 | 0:22:55 | |
It is wonderful. It would have taken hours and hours to do, | 0:22:55 | 0:22:59 | |
but it is not that comfortable. | 0:22:59 | 0:23:03 | |
It is very uncomfortable and it takes up a lot of room. | 0:23:03 | 0:23:06 | |
It's hardly surprising these turner's chairs didn't take off | 0:23:06 | 0:23:11 | |
but, nevertheless, this one is as good as it gets. | 0:23:11 | 0:23:15 | |
Now, back to the rare rhino horn cup which turned up | 0:23:21 | 0:23:25 | |
at our valuation day in Scotland. | 0:23:25 | 0:23:27 | |
Amid all the excitement of the Bonham's sale approaching, | 0:23:27 | 0:23:30 | |
brother and sister Tom and Evelyn got some devastating news. | 0:23:30 | 0:23:34 | |
Their mother, who owned the cup originally, had sadly passed away. | 0:23:34 | 0:23:38 | |
Well, we were quite upset that she didn't get to be on the TV | 0:23:38 | 0:23:43 | |
because she was a wonderful 93 years old. | 0:23:43 | 0:23:48 | |
But...she would've wanted us to go ahead, so that's what we did. | 0:23:48 | 0:23:55 | |
We went ahead with it and got the benefit. | 0:23:55 | 0:23:57 | |
Lot number 470. | 0:23:57 | 0:23:59 | |
-£5,000 for it. £5,000 is offered. Thank you, madam. -We're in. -5,500. | 0:23:59 | 0:24:05 | |
6,000. 500. 7,000. 500. | 0:24:05 | 0:24:10 | |
8,000. 500. 9,000. | 0:24:10 | 0:24:13 | |
The phones are coming in now. 9,500. 10,000. 11,000. | 0:24:13 | 0:24:19 | |
12,000. | 0:24:19 | 0:24:22 | |
13,000. New bidder. | 0:24:22 | 0:24:24 | |
14,000. 15,000. | 0:24:24 | 0:24:26 | |
Do we get a smile? Yeah, smile. | 0:24:26 | 0:24:30 | |
-18,000 against you. -'I think it's sort of surreal. | 0:24:30 | 0:24:33 | |
'You feel like you're not really there.' | 0:24:33 | 0:24:35 | |
I think it was cos it was like it wasn't really happening. | 0:24:35 | 0:24:39 | |
You know, but it did happen. | 0:24:39 | 0:24:41 | |
-20,000, new bidder. -20,000. -24,000. | 0:24:42 | 0:24:45 | |
-26,000. -26,000! I'm tingling. I am tingling! Are you tingling? -Aye! | 0:24:45 | 0:24:51 | |
The bid's at £26,000. | 0:24:51 | 0:24:53 | |
And there was a slight pause about £27,000. | 0:24:53 | 0:24:59 | |
And we thought that, naturally, that was it, finished. | 0:24:59 | 0:25:02 | |
But, no, the telephone started again! | 0:25:02 | 0:25:05 | |
Oh, come on. Take it! | 0:25:05 | 0:25:08 | |
-Two bids. -£30,000 I have behind you. | 0:25:08 | 0:25:11 | |
£30,000. | 0:25:11 | 0:25:14 | |
34,000. 36,000 over here. 38,000. | 0:25:14 | 0:25:19 | |
Astounding! £40,000! £40,000 on the left. | 0:25:19 | 0:25:24 | |
Against the phones, against both the ladies. The bid's at £40,000. | 0:25:24 | 0:25:29 | |
40 grand! | 0:25:29 | 0:25:30 | |
I actually said I can't believe that somebody would pay that much | 0:25:30 | 0:25:34 | |
money for such a small thing. | 0:25:34 | 0:25:36 | |
42,000. Just in time. | 0:25:36 | 0:25:39 | |
42,000. It's the lady's bid here. | 0:25:39 | 0:25:42 | |
Against the telephones. Against you, far left and against you standing. | 0:25:42 | 0:25:46 | |
Ladies, please, in the centre. £42,000. | 0:25:46 | 0:25:50 | |
I can't believe it. £42,000. | 0:25:50 | 0:25:52 | |
No? 42,000, I'm selling it, lady here in the Bonham's boardroom... | 0:25:52 | 0:25:57 | |
Saleroom at 44,000. With the hammer. | 0:25:57 | 0:26:02 | |
£44,000. | 0:26:04 | 0:26:06 | |
At £44,000 on the telephone, | 0:26:06 | 0:26:10 | |
selling it, then, for £44,000. | 0:26:10 | 0:26:13 | |
You're quite sure, madam? | 0:26:13 | 0:26:15 | |
I can't believe somebody wants it that badly. | 0:26:15 | 0:26:18 | |
£44,000. The auctioneer's asking... | 0:26:18 | 0:26:22 | |
On the telephone at £44,000. | 0:26:22 | 0:26:26 | |
You're all done. Sold! | 0:26:26 | 0:26:28 | |
-Thank you very much! -What's it worth? £44,000. | 0:26:28 | 0:26:33 | |
Congratulations, Tom. Congratulations, Evelyn. | 0:26:33 | 0:26:36 | |
Do I get a kiss for that? What a lovely kiss that was! | 0:26:36 | 0:26:40 | |
-Happy? -Yes. -Great surprise. | 0:26:40 | 0:26:43 | |
What an incredible result! The most valuable item ever sold on the show. | 0:26:43 | 0:26:48 | |
I think I was nearly as stunned as Tom and Evelyn. | 0:26:48 | 0:26:51 | |
So, what did they do once they got over their shock? | 0:26:57 | 0:27:00 | |
It did actually come in quite handy for me | 0:27:01 | 0:27:04 | |
because I had a couple of small debts which I paid off, | 0:27:04 | 0:27:07 | |
but I still had something left so I got my laptop | 0:27:07 | 0:27:11 | |
which I kept talking about. I kept saying, "I'm wanting a laptop." | 0:27:11 | 0:27:15 | |
And Tom was able to blow some of his windfall | 0:27:17 | 0:27:20 | |
and indulge in his love of cars. | 0:27:20 | 0:27:23 | |
I wouldn't say I'm a speed hog... | 0:27:23 | 0:27:26 | |
I actually appreciate the rumble of the engine and the sportiness. | 0:27:27 | 0:27:33 | |
He bought himself a nippy run-around. | 0:27:37 | 0:27:40 | |
Of course, I drive within the legal limit, most times! | 0:27:40 | 0:27:45 | |
And enjoyed a track day at his local circuit. | 0:27:46 | 0:27:50 | |
Selling a family heirloom that's been passed down through | 0:27:57 | 0:28:01 | |
the generations can be a tough decision to make, | 0:28:01 | 0:28:04 | |
but that libation cup was worth a fortune | 0:28:04 | 0:28:07 | |
which Tom and Evelyn have been able to enjoy to the full. | 0:28:07 | 0:28:10 | |
Well, that's it for today's show. | 0:28:10 | 0:28:12 | |
Good luck with all the buying and the selling and do join us | 0:28:12 | 0:28:15 | |
again soon for more Trade Secrets. | 0:28:15 | 0:28:18 |