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Welcome to Flog It! - the show where you can make a tidy sum from antiques you don't want any more. | 0:00:31 | 0:00:38 | |
Instead of them gathering dust, you could be raking it in at auction, after our experts have seen them. | 0:00:38 | 0:00:45 | |
They'll help you decide which ones to sell. If they're right, you could coin it in. If they're wrong, | 0:00:45 | 0:00:52 | |
they'll be eating humble pie! Let's see what happens to this lot. | 0:00:52 | 0:00:57 | |
?140. That's not bad! Result, David! | 0:00:57 | 0:01:00 | |
160... | 0:01:00 | 0:01:02 | |
Fantastic. | 0:01:02 | 0:01:03 | |
Never sold anything at auction before? No, might be hooked now! ..That's got to be a world record! | 0:01:03 | 0:01:10 | |
Today on Flog It! our valuation day comes from Leeds, a city with great Victorian heritage. | 0:01:14 | 0:01:21 | |
Everybody has the chance to make money from their antiques, but they must choose which valuables to sell. | 0:01:21 | 0:01:26 | |
Our experts will help them make up their minds. | 0:01:26 | 0:01:30 | |
The adorable Kate Alcock has travelled all the way from Herefordshire. | 0:01:30 | 0:01:37 | |
I love early English porcelain. With Leeds pottery here, I'm hoping to see some 18th-century porcelain. | 0:01:37 | 0:01:43 | |
And the debonair David Barby. | 0:01:43 | 0:01:46 | |
I hope to see Victorian artefacts, a plethora of Burmantofts pottery, and Leeds fabric-related items. | 0:01:46 | 0:01:54 | |
Hundreds of people have brought all sorts of antiques to be valued. | 0:01:54 | 0:01:59 | |
I've heard of "almost the kitchen sink...!" I hope you've got a car! | 0:01:59 | 0:02:04 | |
Certainly an Art-Deco style, but I wonder if it's real! | 0:02:04 | 0:02:08 | |
We'll soon find out as our experts get to work. | 0:02:08 | 0:02:12 | |
Kate's imagination has been fired by John's grandparents' projector! | 0:02:12 | 0:02:18 | |
How long have you had it for? It's been in my family for generations. | 0:02:18 | 0:02:23 | |
Right. And I can remember my grandma and grandfather showing us how it worked and everything. | 0:02:23 | 0:02:31 | |
We used to have little shows in the evening. It then passed down to my father and, again, it was used, | 0:02:31 | 0:02:37 | |
and even I have used it. How interesting! How wonderful! | 0:02:37 | 0:02:42 | |
The thing I love about it is that it's got its original box, | 0:02:42 | 0:02:47 | |
and the label on the front, which is still quite readable. | 0:02:47 | 0:02:51 | |
And obviously made in Germany - "Laterne Magika" we have on top - | 0:02:51 | 0:02:56 | |
The instructions on the lid have been scratched out - I wonder why. | 0:02:56 | 0:03:01 | |
Well, it's a family story, actually. | 0:03:01 | 0:03:04 | |
Grandmother, during the war, thought that the police might knock on the door and find that she had something | 0:03:04 | 0:03:12 | |
with "Germany" on it, and we'd be arrested for being on the other side! | 0:03:12 | 0:03:17 | |
So she scratched it off. That's how people thought at the time. Apart from the scratching, | 0:03:17 | 0:03:24 | |
it's in lovely condition. It fits neatly in there, | 0:03:24 | 0:03:28 | |
and if we look inside the lantern, we've got the burner in here, | 0:03:28 | 0:03:33 | |
and the reflector at the back, to reflect the light, and the slides... | 0:03:33 | 0:03:38 | |
would just slot in there. | 0:03:38 | 0:03:41 | |
The actual lantern itself is in super condition. | 0:03:41 | 0:03:45 | |
The glass is complete. I thought it was a bit distressed, actually! | 0:03:45 | 0:03:49 | |
Well, if you think... it's about 100 years old, it's not in bad condition at all. | 0:03:49 | 0:03:56 | |
We've got some great subjects here. We've got all the war heroes and generals, | 0:03:56 | 0:04:02 | |
some action shots of the Transvaal War, and this one I've picked out | 0:04:02 | 0:04:06 | |
looks like a sort of fairy-tale story. We've got a landscape... | 0:04:06 | 0:04:12 | |
And this is an extra set of slides, I see. | 0:04:12 | 0:04:16 | |
Have those always been with the lantern? | 0:04:16 | 0:04:19 | |
Well, they were available as an accessory. Right. | 0:04:19 | 0:04:23 | |
We had more, but I can't think where they are. | 0:04:23 | 0:04:27 | |
Well, I think that, at auction, | 0:04:27 | 0:04:30 | |
a collector would really go for something like this. | 0:04:30 | 0:04:34 | |
It's in its original box with the slides. I can see it making ?150, or ?200, if two people like it. | 0:04:34 | 0:04:41 | |
That's a surprise! Is it? Yes! Would you like to get rid of it, or has it got a sentimental attachment? | 0:04:41 | 0:04:48 | |
I'd rather it went to somebody who'd appreciate it, as opposed to me putting it back in the drawer again | 0:04:48 | 0:04:55 | |
and forgetting about it. Thank you for bringing it. | 0:04:55 | 0:04:59 | |
Thank you for filling me in on it, cos I was completely beaten on it! | 0:04:59 | 0:05:04 | |
If I was advise anyone what to collect now from the present era, it would be things like this, | 0:05:04 | 0:05:12 | |
the National Westminster piggy banks! They're superb. | 0:05:12 | 0:05:16 | |
How did you get them? They were my eldest son's. He's 20 now. | 0:05:16 | 0:05:20 | |
When he left home, he said I could give them to my twins. You've got a 20-year-old son? I have. Goodness! | 0:05:20 | 0:05:27 | |
I thought these belonged to you! I should have said that, shouldn't I? | 0:05:27 | 0:05:32 | |
So you acquired them for your son? Yes, his grandparents put money in the bank. Right. | 0:05:32 | 0:05:38 | |
Did they start off with Daddy or Baby? Baby. How much do you need in your account for Baby? I'm not sure. | 0:05:38 | 0:05:45 | |
At the end, when he got the daddy one, it was ?1,000. That's a lot of money 20 years ago, for a youngster! | 0:05:45 | 0:05:52 | |
That's probably why there's few complete sets. | 0:05:52 | 0:05:56 | |
I think they're great fun. They're of no age, but they are collectable things from the present era. | 0:05:56 | 0:06:03 | |
They fall into two categories - Wade collectors, people who collect Wade whimsies, | 0:06:03 | 0:06:09 | |
and collectors of commercial items, who collect advertising items, | 0:06:09 | 0:06:14 | |
because these are advertising the National Westminster Bank. Have they all got original plugs? Yes. | 0:06:14 | 0:06:21 | |
Let's look at Daddy. There's the National Westminster logo on the metal plug, and the "Wade, England". | 0:06:21 | 0:06:28 | |
Wade has been going for almost a century and they produce novelty items in porcelain, | 0:06:28 | 0:06:35 | |
of very good quality. These are excellent quality. I love the expressions on the faces. Yeah! | 0:06:35 | 0:06:41 | |
I like this baby one with the huge nappy pin. They're such fun. | 0:06:41 | 0:06:46 | |
I'm going to give you a wide margin. Some of these in the past have gone for ?350, ?400. | 0:06:46 | 0:06:53 | |
I think we have to be a little conservative going out to auction, | 0:06:53 | 0:06:58 | |
and I'd say a wide margin of about ?200 to ?300, but hope it'll hit about ?250. | 0:06:58 | 0:07:04 | |
Can we flog them for you? Yes. What will your son say? I'm not sure, cos he doesn't know I'm here! | 0:07:04 | 0:07:11 | |
But he left them in our hands quite a few years ago, so... He won't be bereft if they go up for sale? | 0:07:11 | 0:07:18 | |
He wasn't too unhappy to leave them behind when he left home, so... Super. Thank you for bringing them! | 0:07:18 | 0:07:26 | |
Tell me about the doll's history. It belonged to my great-aunt Gladys, | 0:07:26 | 0:07:32 | |
who used to keep it in a bottom drawer. She actually lost a child, | 0:07:32 | 0:07:37 | |
and she kept dolls and used them as a replacement for children. That's a really sad story. It is. | 0:07:37 | 0:07:44 | |
But it explains why she's so well-preserved. Do you like dolls? | 0:07:44 | 0:07:49 | |
No, I'm more of a teddy-bear person. You and me both! | 0:07:49 | 0:07:54 | |
I think she's in absolutely super condition, | 0:07:54 | 0:07:57 | |
and what looks like original costume. | 0:07:57 | 0:08:01 | |
If we lift her, we see her sleeping eyes open - lovely brown eyes - | 0:08:01 | 0:08:06 | |
and her mouth with the lovely teeth. Her face is beautifully preserved. | 0:08:06 | 0:08:11 | |
If we turn her over... They're often marked on the back of the head. | 0:08:11 | 0:08:16 | |
She's continental, and has a bisque porcelain head, | 0:08:16 | 0:08:20 | |
but the only mark you can see on the back is just a little letter. | 0:08:20 | 0:08:25 | |
Some of the marks can be A and M, for Armand Marseille, a well-known firm, and Kammer Reinhardt, | 0:08:25 | 0:08:32 | |
but we only have a letter, so it's hard to pinpoint. She may be marked under this, but I won't remove it. | 0:08:32 | 0:08:39 | |
But I would think German. At auction, | 0:08:39 | 0:08:43 | |
she's the sort of thing that collectors and specialists love. All original condition. | 0:08:43 | 0:08:49 | |
A conservative figure would be ?100, ?150. If two people liked her, I'd see her making more. Right, thanks! | 0:08:49 | 0:08:57 | |
Next, Chris Sykes crosses David's palm with silver. | 0:08:57 | 0:09:01 | |
What can you tell me about this? I inherited it from my father, who bought it in the mid-'60s. | 0:09:01 | 0:09:08 | |
It's fairly recent. Yes. He bought it as an investment, hoping the value of silver would increase, | 0:09:08 | 0:09:15 | |
but I understand it hasn't, so it's a bit of a disappointment, | 0:09:15 | 0:09:20 | |
but I have no idea of its current value and would like to see what we could do with it. Right. | 0:09:20 | 0:09:26 | |
He bought it in the 1960s, and silver was at a high price. So I understand. What did he pay for it? | 0:09:26 | 0:09:34 | |
He paid about ?2,000. Goodness me! You could have bought a house for that in the '60s! Not HIS house. | 0:09:34 | 0:09:41 | |
This is a superb piece of silver. It's so very plain and simple, with a lovely beaded edge | 0:09:41 | 0:09:47 | |
all the way round, and I like the simplicity of the three feet here, | 0:09:47 | 0:09:53 | |
ball-and-claw feet, and you feel as though the claws grip the balls. | 0:09:53 | 0:09:58 | |
And the mark, which is here, is so wonderfully distinct. It's not rubbed or polished out. | 0:09:58 | 0:10:05 | |
I note, with interest, the mark, which is for Hester Bateman, | 0:10:05 | 0:10:10 | |
is upside down, and the date letter is for 1789. | 0:10:10 | 0:10:14 | |
So it's quite an early piece, and you associate Hester Bateman with those delightful pierced pieces, | 0:10:14 | 0:10:21 | |
and she was often said to create pierced work to save silver! | 0:10:21 | 0:10:26 | |
It has great charisma and it's plain, so it reflects the period it was made - the neoclassical period. | 0:10:26 | 0:10:33 | |
Yes. It would be interesting to see what it weighs, so let's do that. | 0:10:33 | 0:10:38 | |
Well, it's 31 ounces... | 0:10:46 | 0:10:49 | |
which is a good weight, 31 ounces. | 0:10:49 | 0:10:52 | |
You normally multiply the ounces | 0:10:52 | 0:10:55 | |
by so much unit of pound for the silver. | 0:10:55 | 0:10:59 | |
For Hester Bateman, I'd say that we'll get somewhere in the region of about ?2,500, | 0:10:59 | 0:11:06 | |
but please can we have the estimate about ?1,800 to ?2,500? | 0:11:06 | 0:11:10 | |
Would that be acceptable? Yes, it would indeed. | 0:11:10 | 0:11:14 | |
We're aware that silver hasn't gone up as much as we'd expect it to do. | 0:11:14 | 0:11:20 | |
We've had the pleasure of using it, it's been a lovely thing to have around in the family home, | 0:11:20 | 0:11:27 | |
but I don't think I wish the responsibility of keeping such a lovely piece. | 0:11:27 | 0:11:33 | |
I'd like someone else to enjoy it. A lovely sentiment. Without being rude, what'll you do with the money? | 0:11:33 | 0:11:40 | |
Buy something else. Thank you for bringing it! | 0:11:40 | 0:11:44 | |
This little fellow looks as if he's been much loved. Did this also belong to your great-aunt? No. | 0:11:44 | 0:11:50 | |
This belonged to my aunt, then it was passed to my mum, and it's been to both my brothers and me! | 0:11:50 | 0:11:57 | |
He's been through the wars. He's got lovely long legs. His paws have shrunk a bit - | 0:11:57 | 0:12:03 | |
he's lost a bit of stuffing, but someone's done a good patching job. | 0:12:03 | 0:12:08 | |
And he's got quite a pronounced snout. Originally, I think he'd have had black boot-button eyes, | 0:12:08 | 0:12:15 | |
and he's been replaced with these rather later pink ones - makes him look starry-eyed! | 0:12:15 | 0:12:22 | |
I think, again, we're talking early 20th century, 1910, perhaps. About the same as the doll. | 0:12:22 | 0:12:28 | |
Value at auction - because he's so worn, that'll bring the value down quite a bit, | 0:12:28 | 0:12:34 | |
but I think he ought to make ?30 to ?40 still. Right. | 0:12:34 | 0:12:39 | |
I think he's got a lovely face. ..I'm surprised about that! That surprises you? It does. | 0:12:39 | 0:12:46 | |
He's past his sell-by date now. Would you like to sell them, or have they got family connections? | 0:12:46 | 0:12:52 | |
Yes, I would be interested in selling them. Both of them? Yes. We can put them in an auction for you, | 0:12:52 | 0:12:59 | |
and with those sorts of estimates... Have you ever sold at auction before? No. I've never been to one. | 0:12:59 | 0:13:06 | |
We'll explain everything for you. OK, thanks! | 0:13:06 | 0:13:10 | |
We've seen a real cross-section of pieces. Let's see what's going to be flogged at auction. | 0:13:14 | 0:13:21 | |
Kate's under no illusions about the magic lantern. It could fetch ?200. | 0:13:21 | 0:13:26 | |
Can Jill Heath bank on a windfall from her NatWest piggies? | 0:13:26 | 0:13:32 | |
Deborah Lee's doll may be spooky, and her teddy tatty, | 0:13:32 | 0:13:36 | |
but can she make a tidy sum? | 0:13:36 | 0:13:39 | |
Chris Sykes' Hester Bateman tray - he'll do well to make a profit! | 0:13:39 | 0:13:43 | |
Our sale is in Tennants Auction House in Leyburn, where 1,000 lots go under the hammer every week. | 0:13:48 | 0:13:55 | |
Our owners' items are attracting the attention of Yorkshire buyers. | 0:13:55 | 0:14:00 | |
Auctioneer Rodney Tennant will also take a close look. Although our experts have loads of experience, | 0:14:00 | 0:14:06 | |
it's good to get a second opinion, and Rodney knows his buyers' taste. | 0:14:06 | 0:14:11 | |
Kate got pretty excited about this magic lantern from John Gregson, so she put ?100 to ?150 on it. | 0:14:11 | 0:14:19 | |
Ooh...I think that's high. | 0:14:19 | 0:14:22 | |
I think that's very high. It's a novelty thing, and it seems | 0:14:22 | 0:14:26 | |
to be complete, in good order, | 0:14:26 | 0:14:29 | |
but I think, for my money, half that. A bit ambitious. | 0:14:29 | 0:14:33 | |
Hope I'm wrong, but my valuation would have been half. | 0:14:33 | 0:14:36 | |
Jill Heath brought along a recent family of pigs with a NatWest bung on the bottom. | 0:14:36 | 0:14:42 | |
Rodney, these look recent, and David's put them at ?200 to ?300. | 0:14:42 | 0:14:47 | |
Phew! You see quite a lot of these about. Nowadays, | 0:14:47 | 0:14:52 | |
we would estimate those at, um...?140, ?180. | 0:14:52 | 0:14:57 | |
?200 would be a very strong price. | 0:14:57 | 0:15:00 | |
One of the best finds was this Hester Bateman silver platter. | 0:15:00 | 0:15:04 | |
Chris Sykes brought it, and David's put ?2,500 to ?3,000 on it. Seems a lot of money for a silver tray. | 0:15:04 | 0:15:11 | |
For a Hester Bateman tray of this size and quality, one would expect to pay between ?2,000 and ?3,000. | 0:15:11 | 0:15:18 | |
But, a tray of this period, you'd expect to find an armorial. It'd belong to an important house? Yes. | 0:15:18 | 0:15:25 | |
Indeed it would. And...WAS there an armorial on it? That's the first question. | 0:15:25 | 0:15:32 | |
So look to see if there's any sign of an armorial being rubbed out. | 0:15:32 | 0:15:37 | |
When you rub your finger in the middle, it is slightly dished, as though somebody's polished... | 0:15:37 | 0:15:43 | |
Yes, I can feel it. The silver is thinner there than on the rest of the tray, | 0:15:43 | 0:15:50 | |
so I think that is the truth of the matter. Will that affect the value dramatically? Yes, it will. | 0:15:50 | 0:15:56 | |
I think it'll be less than ?1,000. That much difference? | 0:15:56 | 0:16:01 | |
A true saleroom estimate now would be ?800 to ?1,000. ?700 to ?1,000. | 0:16:01 | 0:16:07 | |
Our owners are all here and are bracing themselves for their five minutes of fame. | 0:16:07 | 0:16:13 | |
There's a potpourri of porcelain, pottery and glass. Could it be a bumper day for Jill's NatWest pigs? | 0:16:13 | 0:16:21 | |
We took them down to see what they were worth, we thought it'd be fun. | 0:16:21 | 0:16:26 | |
John is feeling a bit more reserved. | 0:16:26 | 0:16:29 | |
Kate reckoned your magic lantern was worth ?100 to ?150. Yeah, she did. I'd be surprised. | 0:16:29 | 0:16:35 | |
But she's the expert, I'm not. So you're not that confident? No, personally, I don't think so. | 0:16:35 | 0:16:42 | |
Let's hope John's being overcautious. There are plenty of people ready to place a bid. | 0:16:42 | 0:16:49 | |
First up are Jill's piggy banks. | 0:16:49 | 0:16:51 | |
?100? ?100. | 0:16:51 | 0:16:54 | |
We're coming to your NatWest piggy banks. You were nervous earlier. How are you now? Even worse! | 0:16:54 | 0:17:01 | |
David, confident with these? Rodney's not! It's very difficult. They're modern collectors' items. | 0:17:01 | 0:17:08 | |
They are popular. This auction room holds the record for the highest price for them, ?280, two years ago. | 0:17:08 | 0:17:15 | |
Let's see whether they're holding their price. I think they're a modern collector's investment. | 0:17:15 | 0:17:22 | |
They could do well. Will ?280 do you? Oh, fine! It's the children's birthday tomorrow. | 0:17:22 | 0:17:28 | |
A nice birthday present! It isn't so much price, it's the excitement. They were sat on a shelf anyway. | 0:17:28 | 0:17:35 | |
Have you never sold anything at auction before? No, might be hooked now! I hope so! This is yours now. | 0:17:35 | 0:17:43 | |
Family of NatWest banks, Series 2. | 0:17:43 | 0:17:46 | |
NatWest banks there. ?100? ?100? | 0:17:46 | 0:17:50 | |
It's a complete set of five. I have ?100 bid. | 0:17:50 | 0:17:53 | |
?110. At ?110. ?120. | 0:17:53 | 0:17:57 | |
?130. ?140. | 0:17:57 | 0:18:00 | |
You've got your reserve. I daren't look! On my left, at ?140... | 0:18:00 | 0:18:05 | |
All done this time at ?140? | 0:18:05 | 0:18:08 | |
?140 was your reserve price. Well, they sold! You weren't quite on it. | 0:18:08 | 0:18:13 | |
A little bit short there. No need to rub it in! Jill, you're happy with that? We're fine with that. | 0:18:13 | 0:18:19 | |
That'll go to the kids' birthday? Yeah, we're having a big party. Thanks very much. Thank you. | 0:18:19 | 0:18:26 | |
John, how do you think it's going so far? | 0:18:29 | 0:18:32 | |
It's interesting. I'm interested in what my item might produce. | 0:18:32 | 0:18:38 | |
Rodney wasn't keen on the lantern. He thought it wouldn't get the lower end of your estimate. Right. | 0:18:38 | 0:18:44 | |
It is a specialist thing. We've got different items from David, which appeal to specialist collectors, | 0:18:44 | 0:18:52 | |
so I hope it'll make towards the ?100, but we'll have to wait and see if the right person is here. | 0:18:52 | 0:18:58 | |
The tension is building. It IS unusual to find a magic lantern... In such good condition. Yes. | 0:18:58 | 0:19:06 | |
Lot 330...a small magic lantern in its original box. Excellent condition, with an additional set | 0:19:06 | 0:19:13 | |
of Transvaal slides with it. Who will start me at ?100? ..Well, ?50. | 0:19:13 | 0:19:19 | |
?40, then? ?40 bid, thank you. | 0:19:19 | 0:19:22 | |
At ?50? ?60? At ?60... | 0:19:22 | 0:19:25 | |
?70. ?80. Getting up there. | 0:19:25 | 0:19:27 | |
That's not bad. ?100. At ?100. ?110. | 0:19:27 | 0:19:31 | |
?120. ?120. At ?120. It's still going! | 0:19:31 | 0:19:34 | |
?130, ?140... | 0:19:34 | 0:19:37 | |
Wow! What do you think? ?150? | 0:19:37 | 0:19:40 | |
You're out there. The bid's in the doorway at ?140. All in at ?140? | 0:19:40 | 0:19:46 | |
The auctioneer's estimate was very down, wasn't it? It certainly was. | 0:19:46 | 0:19:51 | |
Rodney reckoned that would only be ?65, ?75. A nice surprise! We got ?140! Yeah, I'm quite pleased. | 0:19:51 | 0:19:58 | |
Good. Where are you going to put that money? I'll go and have a meal. A slap-up? Really splash out. | 0:19:58 | 0:20:05 | |
You can have champagne, too. I don't know - bubbles get up me nose! | 0:20:05 | 0:20:11 | |
It seems the buyers at Tennants are a lot more gung ho than Rodney! | 0:20:11 | 0:20:16 | |
Now, Rodney has found a flaw in Chris Sykes's silver platter that David didn't spot. | 0:20:16 | 0:20:21 | |
Your silver platter's about to sell. Very collectable. How are you feeling? I'm very interested to see | 0:20:21 | 0:20:29 | |
what it'll get. The auction's been good, but it's been mostly ceramics. One or two bits of silver. | 0:20:29 | 0:20:36 | |
One or two bits, some silver plates, some solid silver. | 0:20:36 | 0:20:40 | |
Nothing as to the value of the Hester Bateman that we're expecting, so... Or its age. Or its age. | 0:20:40 | 0:20:47 | |
It'll be interesting to see if the right people are here. Rodney, our auctioneer, wasn't too keen on it. | 0:20:47 | 0:20:54 | |
He feels that there's been a shield in the middle that's been ground out, polished out. Really? Yes. | 0:20:54 | 0:21:01 | |
He thinks it might affect the price. We'll see what happens. Having said that, he has been contacted | 0:21:01 | 0:21:08 | |
by two good silver dealers, so they know it's here. Good. Hope I've not upset you! No! | 0:21:08 | 0:21:14 | |
?30. In the middle, ?40. ?50. | 0:21:14 | 0:21:17 | |
?50. Anybody at the back? No? Right over there... | 0:21:17 | 0:21:21 | |
Your bid. | 0:21:21 | 0:21:24 | |
Lot 235. The Hester Bateman silver salver, regrettably with the armorial removed. | 0:21:29 | 0:21:36 | |
It's a piece of Hester Bateman, a circular silver salver. | 0:21:36 | 0:21:40 | |
You can see in the light... like a saucer in the middle. | 0:21:40 | 0:21:45 | |
?500? ?500. He's struggling to get it going at ?500. | 0:21:45 | 0:21:49 | |
?500. ?600. | 0:21:49 | 0:21:51 | |
?700. ?800. ?900. Rodney reckoned it might get ?1,000. | 0:21:51 | 0:21:56 | |
?1,000 over there now. ?1,100? | 0:21:56 | 0:21:58 | |
No? At ?1,100? No? | 0:21:58 | 0:22:02 | |
At ?1,100. We're out there at ?1,100. All done at ?1,100? | 0:22:02 | 0:22:06 | |
No-one else? | 0:22:06 | 0:22:08 | |
The removal of the armorial has affected that badly, | 0:22:08 | 0:22:12 | |
as Rodney said it would. | 0:22:12 | 0:22:15 | |
Well, he knows what to look for. I had no idea. Did you miss that? We didn't spot it. I didn't spot it, no. | 0:22:15 | 0:22:22 | |
Does that disappoint you, not selling it? Well, yes, it does, but this won't be the last auction. | 0:22:22 | 0:22:29 | |
That's true. Better luck next time! Yes, indeed. | 0:22:29 | 0:22:32 | |
That's the great thing about antiques. When you're not earning, you're quite often learning. | 0:22:32 | 0:22:39 | |
Debbie, you're looking excited. I am. It's the first auction I've ever been to! How do you feel about it? | 0:22:41 | 0:22:48 | |
Very excited. I'm hoping to do well with the doll. The doll's up second. We've got your teddy bear first. | 0:22:48 | 0:22:56 | |
Kate, you've put 30, 40 quid on it, despite its state. It might be all its money. We'll have to see. | 0:22:56 | 0:23:03 | |
This is us now. Look at him! What a poor old fellow. He must have been thrown around the bedroom! He has. | 0:23:03 | 0:23:11 | |
There we are, a nice early teddy bear. Start me at ?100? | 0:23:11 | 0:23:16 | |
Well, ?50, then. ?40, for this good teddy bear. | 0:23:16 | 0:23:20 | |
I've ?40 bid. Thank you, madam. We're in already. | 0:23:20 | 0:23:24 | |
..?70. ?80. ?90. | 0:23:24 | 0:23:27 | |
?100. ?110. | 0:23:27 | 0:23:29 | |
At ?110, the lady's bid over there... | 0:23:29 | 0:23:33 | |
He's not even got his right eyes! He hasn't! | 0:23:33 | 0:23:36 | |
At ?110... | 0:23:36 | 0:23:38 | |
110 quid! | 0:23:38 | 0:23:41 | |
Goodness me! What do you think? | 0:23:41 | 0:23:43 | |
It's unbelievable! Where's that 110 quid going to go? I'm going to pay for a scuba-diving trip to Malta! | 0:23:43 | 0:23:50 | |
I hope your doll does well as well. Oh, so do I! That'll be the whole trip paid for! Yeah! | 0:23:50 | 0:23:57 | |
?80. ?90. ?100. | 0:23:57 | 0:24:00 | |
?110. 120. | 0:24:00 | 0:24:03 | |
Three lots to go now. | 0:24:05 | 0:24:06 | |
I'm looking forward to this. Heart rate going up? Yeah, it is! | 0:24:06 | 0:24:12 | |
So, no regrets about selling family things? No. At first, I had a twinge of guilt about it, but... | 0:24:12 | 0:24:19 | |
Not any more! No! ?110 in the pocket! | 0:24:19 | 0:24:22 | |
We have this bisque-head doll, | 0:24:22 | 0:24:25 | |
with the open mouth, open-and-closed eyes. | 0:24:25 | 0:24:29 | |
That's your holiday! Even from this distance, she looks good. | 0:24:29 | 0:24:33 | |
She's in lovely condition. At ?100, then. | 0:24:33 | 0:24:36 | |
?100. I have ?100 bid. At ?110? | 0:24:36 | 0:24:40 | |
At ?110. ?120. We're at ?120 already. ?140. | 0:24:40 | 0:24:44 | |
?150. ?160. ?170. ?180. | 0:24:44 | 0:24:47 | |
?190. ?200. ?220. | 0:24:47 | 0:24:50 | |
?230... | 0:24:50 | 0:24:53 | |
?240, ?250... | 0:24:53 | 0:24:56 | |
No? ?250 over there. He's trying to get a few extra pounds! | 0:24:56 | 0:25:01 | |
Are you all done this time at ?250? | 0:25:01 | 0:25:03 | |
Brilliant! That's great. Really pleased with that. That's ?360 quid. | 0:25:03 | 0:25:08 | |
In fact, that just covers it! Great! That's your holiday paid? It's paid! | 0:25:08 | 0:25:15 | |
While Kate and David rummage around for more antiques, I went for a rummage, too! In some antique shops, | 0:25:19 | 0:25:25 | |
you know what you're going to get. I prefer places with a surprise round every corner, | 0:25:25 | 0:25:31 | |
like Swiss Cottage Antiques, Leeds. John and Sandy Howarth have created a world bordering on the surreal! | 0:25:31 | 0:25:39 | |
We love EVERYTHING about this business. It doesn't matter if it's brass, or pots, or furniture. | 0:25:39 | 0:25:45 | |
Everything's just...new. I can see that, yeah! Things come in really dirty, and you just clean them, | 0:25:45 | 0:25:52 | |
and they come back to life. It's a recycling business! It must give you a tremendous amount of pleasure. | 0:25:52 | 0:26:00 | |
Yeah. And we don't want people to feel intimidated when they come in. Quite often you go to antique shops, | 0:26:00 | 0:26:08 | |
and you're scared to ask questions, cos you think, "I can't afford it, I don't know what I'm talking about!" | 0:26:08 | 0:26:16 | |
Frightened to touch anything. Yes! We wanted to take all that stuffiness out of the antique trade. | 0:26:16 | 0:26:22 | |
And bring on a new generation of collectors. It's for everybody. | 0:26:22 | 0:26:27 | |
I'm getting a buzz just from you talking! | 0:26:27 | 0:26:30 | |
This is an absolutely genuine original soap box, that politicians used to stand on. | 0:26:43 | 0:26:48 | |
There shall be no more stuffiness in the antiques business. Thank you! | 0:26:51 | 0:26:56 | |
In the town hall, David is onto his favourite subject. | 0:27:01 | 0:27:04 | |
This is a fascinating collection you have, ranging from fish-bait boxes to these marvellous teapots. | 0:27:04 | 0:27:11 | |
Where did you get them? I picked them up at auctions and fairs, car-boot sales. | 0:27:11 | 0:27:17 | |
Why did you start collecting ceramics, in particular teapots? I once saw a teapot in an antique shop, | 0:27:18 | 0:27:25 | |
and I liked it so much, I went in and bought it for ?11, then later sold it for ?175. | 0:27:25 | 0:27:32 | |
Within the same week?! No, a few years later. The one I like is this one here, | 0:27:32 | 0:27:39 | |
which I noticed from a distance. | 0:27:39 | 0:27:42 | |
This is a beautiful teapot, based on Chinese and Japanese lines. | 0:27:42 | 0:27:47 | |
I like the wonderful glaze, rich turquoise glaze, a Chinese colour, | 0:27:47 | 0:27:52 | |
and the shape is very good, with this square handle. I'll have a look at the base... | 0:27:52 | 0:27:59 | |
Oh, that's interesting. It's a Linthorpe, patent number 1562. | 0:28:01 | 0:28:06 | |
I can't be certain whether that is a design by Christopher Dresser, | 0:28:06 | 0:28:11 | |
who was one of the most influential of the Anglo-Japanese style. | 0:28:11 | 0:28:16 | |
It could well be by him, but normally, pieces associated with him have a signature - | 0:28:16 | 0:28:22 | |
"CH" - for Christopher, and then "Dresser". We haven't got that here, | 0:28:22 | 0:28:27 | |
but his designs went on beyond the time he left, so I think we're probably looking at about 1885. | 0:28:27 | 0:28:35 | |
So this is an important piece. | 0:28:35 | 0:28:37 | |
We sold a coal box in our last home for ?3,500. Oh! | 0:28:37 | 0:28:42 | |
I'm not saying this is worth ?3,500, but that was a signpost at least. | 0:28:42 | 0:28:47 | |
This one, I think, has influenced design by Christopher Dresser. I'll research the patent number. | 0:28:47 | 0:28:54 | |
If we prove it's Christopher Dresser, it'll be more, but for now, around ?120 to ?200. Yes. | 0:28:54 | 0:29:01 | |
Do you want to sell it? Yes, please. We can flog it? Yes! Thank you! | 0:29:01 | 0:29:06 | |
We've got some Beatrix Potter items. I love Beatrix Potter. So you're an enthusiast? I'm a fanatic! | 0:29:10 | 0:29:17 | |
I'm a member of the Beatrix Potter Society, so anything Beatrix Potter, I've got to have it. | 0:29:17 | 0:29:23 | |
I collected this service in bits and pieces. It's very rare you get the whole set complete. | 0:29:23 | 0:29:30 | |
This is Peter Rabbit. It's a part child's tea service, | 0:29:30 | 0:29:34 | |
with the Peter Rabbit pattern, and it's marked "Grimwades". | 0:29:34 | 0:29:39 | |
I think it's dated from 1920s, possibly '30s. | 0:29:39 | 0:29:43 | |
All colour-transfer printed, but in lovely condition. | 0:29:43 | 0:29:47 | |
If I look at the jug, we've got Peter chased by Mr McGregor. | 0:29:47 | 0:29:52 | |
Lovely little scene. | 0:29:52 | 0:29:55 | |
All in super condition, just a little bit of wear on the gilt. | 0:29:55 | 0:29:59 | |
I think it's super, but it's a part set. If you were to go to auction, a complete set would go better. | 0:29:59 | 0:30:07 | |
You told me you'd seen a complete set go under the hammer a while back. That was "Peter's Friends", | 0:30:07 | 0:30:14 | |
which are different pictures to this one. And that sold for...? ?1,500. For the whole set? | 0:30:14 | 0:30:21 | |
For the whole set. Well, we've got a part set here, so we're not talking that amount, | 0:30:21 | 0:30:27 | |
but I could see it at auction, with a Beatrix Potter enthusiast, making ?250, ?300, possibly more. | 0:30:27 | 0:30:34 | |
For the whole thing? The whole lot, yes. Because it's been put together, and it's in lovely condition... | 0:30:34 | 0:30:41 | |
It depends if there's an enthusiast there on the day. It could make more, but for a caution estimate, | 0:30:41 | 0:30:48 | |
around the ?300 mark. I see. Something even more interesting | 0:30:48 | 0:30:53 | |
is a greetings card associated with Beatrix Potter herself. I got it about 12 years ago, | 0:30:53 | 0:31:00 | |
at an auction in Edinburgh. It's Beatrix Potter, so I had to go... | 0:31:00 | 0:31:06 | |
So you source things from all over? If it's Beatrix Potter, I'm there! | 0:31:06 | 0:31:11 | |
I think you've found a really rare thing. We've got the Flopsy bunnies on the front of this greetings card. | 0:31:11 | 0:31:18 | |
I love the Flopsy bunnies. If we turn it over, it's got, "From Uncle Will and Aunt Beatrice." | 0:31:18 | 0:31:24 | |
Beatrix Potter herself. To, I think it says, "Ben, Isabel, Barbara and Rosemary, a merry Christmas," | 0:31:24 | 0:31:31 | |
and it's dated 1938. | 0:31:31 | 0:31:34 | |
Obviously in her hand. Yes, her writing's very distinctive. Yes, that sloping hand, | 0:31:34 | 0:31:41 | |
which you've recognised. Just a little bit of foxing, | 0:31:41 | 0:31:45 | |
which is only to be expected. But you've kept it well in this wallet. | 0:31:45 | 0:31:50 | |
What did you pay for it at auction, 12 years ago? I think it was a couple of hundred pounds. | 0:31:50 | 0:31:57 | |
I can't remember! I think it's very rare today, and I can see it's almost doubled its money today. | 0:31:57 | 0:32:04 | |
Oh, right! In the right sale, and marketed to the right people, I can see it making ?400, maybe ?500. | 0:32:04 | 0:32:11 | |
Oh! It's a rare thing, and I think it's lovely. | 0:32:11 | 0:32:15 | |
So, are you interested in selling these items? Yes! And you can get something else for your collection? | 0:32:15 | 0:32:22 | |
Always on the lookout for that! Thank you very much for bringing them. Thank you for your interest! | 0:32:22 | 0:32:29 | |
David thinks Mr Bentley may make a few quid from his other teapots. | 0:32:29 | 0:32:34 | |
I note that you've collected cosy teapots. Why? | 0:32:34 | 0:32:38 | |
I thought they were an interesting design, but I've never seen any more. | 0:32:38 | 0:32:43 | |
They were popular for a limited period, and these were made by Wood Sons | 0:32:43 | 0:32:49 | |
at the start of the 20th century. I think this is the principal one. | 0:32:49 | 0:32:55 | |
Why it's fascinating is because of the decoration, which we term "tube lining", rather like Charlotte Reed, | 0:32:55 | 0:33:02 | |
rather like Moorcroft, and, from a distance, with the powder blue, you might think it was Moorcroft. | 0:33:02 | 0:33:09 | |
A stylised design, called secessionist, after the Vienna secessionist movement. | 0:33:09 | 0:33:14 | |
It's SUCH an attractive teapot, | 0:33:14 | 0:33:17 | |
and I like the way that the lid just closes in there quite cosily. | 0:33:17 | 0:33:22 | |
But it was so good because, when you tipped it, the lid didn't fall out. | 0:33:22 | 0:33:27 | |
The other thing is this section which gets broken away so often. | 0:33:27 | 0:33:32 | |
That's the filtering section. Yes. | 0:33:32 | 0:33:35 | |
So we have a filter for tea leaves and a lid that won't move around. | 0:33:35 | 0:33:41 | |
Cosy-fit teapot. | 0:33:41 | 0:33:43 | |
I would suggest all three of them be sold. | 0:33:43 | 0:33:47 | |
I'd look for a price in the region of ?120, ?200, that price range. | 0:33:47 | 0:33:53 | |
Yes. And you want us to flog those? Yes, please! Thank you! | 0:33:53 | 0:33:56 | |
Susan, you've brought quite a few things along, but I've picked this one out, which is a lovely shape. | 0:33:56 | 0:34:02 | |
Have you had it for a long time? Yes, it was my husband's mother's. It's been in the family. | 0:34:02 | 0:34:09 | |
It's a water jug. We thought it was a coffee pot, but apparently not. | 0:34:09 | 0:34:14 | |
It's Art Nouveau, made in Birmingham, | 0:34:14 | 0:34:17 | |
and the mark is, um...1916, which I think is unusual, because that would have been during the war. | 0:34:17 | 0:34:24 | |
Strange... It would have been during the First World War, yes. | 0:34:24 | 0:34:29 | |
It IS a hot-water jug. A coffee jug would have a more pronounced spout. | 0:34:29 | 0:34:35 | |
And it is Art Nouveau in shape and style. I love these leafage capitals to the handle. | 0:34:35 | 0:34:42 | |
If we look at the mark here, it's Birmingham, and "R", and 1916, | 0:34:42 | 0:34:47 | |
so George V, you're right. | 0:34:47 | 0:34:50 | |
At auction, I think the value is going to be between ?100 and ?150. It's a stylish piece. | 0:34:50 | 0:34:56 | |
Originally, it was part of a tea or coffee set, but as a one-off, it's perfectly saleable. I like it! | 0:34:56 | 0:35:03 | |
I think it's really attractive and I do like the Art Nouveau period, but it's just a one-off, | 0:35:03 | 0:35:09 | |
and it's been in the trunk, so...flog it! | 0:35:09 | 0:35:13 | |
Well, we'd be delighted to sell it for you. Thank you for bringing it. | 0:35:13 | 0:35:18 | |
Where did you get these? They belonged to my mother and father, | 0:35:22 | 0:35:26 | |
who collected them in about the 1940s, '50s. Right. | 0:35:26 | 0:35:30 | |
Did they go to Japan to buy these? No, I think they were bought mainly in the Lake District, where we lived. | 0:35:30 | 0:35:37 | |
They were brave to buy these just after WWII! Yeah, maybe they were cheap! And they were very astute. | 0:35:37 | 0:35:44 | |
Could be, could be! These date from the late-19th, early-20th century. | 0:35:44 | 0:35:50 | |
We can tell they're Japanese because they are pegged figures. | 0:35:50 | 0:35:55 | |
In other words, if you look very carefully at the back, | 0:35:55 | 0:35:59 | |
you see pegs keeping the sections together. They're not solid? They are not carved out of solid ivory. | 0:35:59 | 0:36:07 | |
We call these figures okimono, which basically is "genre subjects", that's everyday subjects. | 0:36:07 | 0:36:14 | |
Right. And the Japanese loved this idea of decoration. They carved things out of nature, | 0:36:14 | 0:36:21 | |
and these were the things they saw about them - people working, playing with children, fishing... | 0:36:21 | 0:36:28 | |
So you've got a huge variety of Japanese life, dating from the early 20th century. | 0:36:28 | 0:36:35 | |
I like these immensely. I have looked at these carefully, | 0:36:35 | 0:36:39 | |
and there is some damage on each one. I've indicated here | 0:36:39 | 0:36:44 | |
that the basket is missing, and you can see the dowelled section. | 0:36:44 | 0:36:49 | |
And, on this figure, which also has its stand, | 0:36:49 | 0:36:53 | |
we are missing a section of spade handle. | 0:36:53 | 0:36:56 | |
I think that was down to one of my cleaning ladies. Was she insured? I didn't check! | 0:36:56 | 0:37:02 | |
And this glorious piece here, which is a wonderful example, beautifully carved. | 0:37:02 | 0:37:09 | |
It's a crayfisher, and we're missing the lantern from the top. | 0:37:09 | 0:37:14 | |
That would have been knocked off, and it could have been another 1? inches high. | 0:37:14 | 0:37:21 | |
It would put balance in. | 0:37:21 | 0:37:23 | |
So we haven't got the full compliment in each piece. | 0:37:23 | 0:37:28 | |
I would therefore advise that, if you want to sell them, we put them in as a collection of three. | 0:37:28 | 0:37:35 | |
Have you had these looked at before? That one, I was told it was worth about ?800. | 0:37:35 | 0:37:41 | |
Well, yes, it would be worth about ?800 for insurance purposes. | 0:37:41 | 0:37:46 | |
When we come to auction, we have to look at these and accept that they're all slightly damaged. | 0:37:46 | 0:37:52 | |
In a catalogue description, you'll see "A/F", which means "at fault" or "as found". Right. | 0:37:52 | 0:37:59 | |
So, if these go up for sale, I'd like to see a price to encourage people to buy, | 0:37:59 | 0:38:05 | |
in the region of about ?300 to ?500. For the three? For the three. | 0:38:05 | 0:38:10 | |
Hope to get something in the region of ?650, ?700. Well, that's fair. | 0:38:10 | 0:38:16 | |
Happy with that? Yeah! Thank you for being so sensible! | 0:38:16 | 0:38:20 | |
We'll see what else is going forward to auction in a few moments. | 0:38:27 | 0:38:30 | |
Not far from the town hall is the Kirkstall Abbey Museum. I went for a snoop around Victorian Leeds. | 0:38:30 | 0:38:36 | |
I actually feel like we've stepped back in time, about 100 years or so. | 0:38:40 | 0:38:43 | |
Yes, it's meant to look like 1880s Leeds, based on photos of the period. | 0:38:43 | 0:38:51 | |
What have you tried to recreate in this area of the museum? We've got a widow washerwoman's house, | 0:38:51 | 0:38:58 | |
to show how life was if you didn't have money. Like a laundry? Yes, the only way she could make a living, | 0:38:58 | 0:39:04 | |
cos there were no benefits, and she also did other things like tarot cards and telling fortunes, | 0:39:04 | 0:39:10 | |
which she could do while things were boiling in the washer. | 0:39:10 | 0:39:15 | |
And this looks like an ordinary house here. This is going up in the world. This is an artisan's cottage. | 0:39:15 | 0:39:22 | |
He's basically a skilled workman, so he's got a bit more money, so they have ornaments as well as the basics. | 0:39:22 | 0:39:29 | |
Is a lot of this stuff Leeds-based, or is this general Victorian? More of the stuff we have in this house | 0:39:29 | 0:39:36 | |
is general Victoriana, but in the main street is an art furniture shop, | 0:39:36 | 0:39:41 | |
with pottery from the area, called Burmantofts pottery. | 0:39:41 | 0:39:45 | |
Burmantofts is inspired by what we call the aesthetic movement. | 0:39:50 | 0:39:55 | |
It's people like Ruskin, Pugin, William Morris, | 0:39:55 | 0:39:59 | |
and their ideas that even household objects should have beauty in their form. | 0:39:59 | 0:40:05 | |
And they have. The stuff here is fantastically ornate and attractive. | 0:40:05 | 0:40:09 | |
Yeah, they're heavily influenced by Persian art forms, other Eastern art forms, like Japan. | 0:40:09 | 0:40:15 | |
Some of these are fantastically... Grotesque? Weird! | 0:40:15 | 0:40:19 | |
Grotesque is a better word for it! | 0:40:19 | 0:40:22 | |
This is an example of the early stuff Bermantofts did. It's French-influenced. | 0:40:22 | 0:40:29 | |
It features a heavy glaze at the back with heavy relief round it, | 0:40:29 | 0:40:34 | |
in this case, a crocodile chasing a monkey. A lot of the fussy stuff, you wouldn't want in your house. | 0:40:34 | 0:40:41 | |
And not so much fussy stuff was made, was it? More plain, everyday stuff. They made a lot of both! | 0:40:41 | 0:40:49 | |
With valuation day over, let's see what the people of Leeds are taking to auction. | 0:40:53 | 0:40:59 | |
Mr Bentley brought his teapots. The Linthorpe should do well. You can flog it! | 0:40:59 | 0:41:05 | |
Margaret Boston has high hopes for her Beatrix Potter card and tea set. | 0:41:05 | 0:41:10 | |
Anything Beatrix Potter, that's it, I've got to have it! | 0:41:10 | 0:41:15 | |
Cliff Barton's figures have seen better days, but should do well. | 0:41:15 | 0:41:19 | |
Let's hope there are Art Nouveau collectors for Susan Duke's jug. | 0:41:19 | 0:41:25 | |
In Tennants Auction Room, Leyburn, the eclectic mix of antiques is keeping the browsers busy. | 0:41:29 | 0:41:35 | |
Beatrix Potter aficionados have been alerted, so we hope Margaret's collectables will do well. | 0:41:35 | 0:41:42 | |
Auctioneer Rodney Tennant will tell us what he thinks of our lots. | 0:41:42 | 0:41:47 | |
Rodney, we'll talk first about Mr Bentley's cosy pots. Yes. David's valued them at ?120 to ?140, | 0:41:47 | 0:41:54 | |
but then changed his mind and upped it. What do you think? | 0:41:54 | 0:41:58 | |
?120 to ?140, and changed his mind? | 0:41:58 | 0:42:02 | |
He then said ?120 to ?200. I think I'd have changed my mind the other way. I think slightly less. | 0:42:02 | 0:42:09 | |
I hope I'm wrong! Mr Bentley's got a Linthorpe teapot over here. | 0:42:09 | 0:42:14 | |
This is a rare object. It's almost certainly designed by Dr Christopher Dresser, | 0:42:14 | 0:42:21 | |
one of the greatest of the period. Again, he's said ?120 to ?200. I'd be surprised if it didn't make that. | 0:42:21 | 0:42:27 | |
It's a good thing to buy, and it's in good condition, lovely glaze, | 0:42:27 | 0:42:32 | |
and I wouldn't be surprised if it makes that and more. | 0:42:32 | 0:42:36 | |
Mrs Duke brought that in, and Kate put ?150 on it. Lovely silver jug. | 0:42:36 | 0:42:42 | |
Silver tea and coffee services of this period have gone out of fashion faster than anything else | 0:42:42 | 0:42:49 | |
in the whole antique market. They really have, and a very unfashionable thing now. | 0:42:49 | 0:42:55 | |
It might struggle to make ?100. David also chose Cliff Barton's three ivory figurines. | 0:42:55 | 0:43:02 | |
Does ivory still sell well? Very good quality ivory does, yes. | 0:43:02 | 0:43:07 | |
These are Japanese ivory figures, and they have a commercial value. | 0:43:07 | 0:43:12 | |
I think they were more collectable in the '50s, '60s, '70s, than now. David's put ?300 to ?500 on them. | 0:43:12 | 0:43:19 | |
With that damage, will we get close? If he reckons they're worth ?100 each, that's fair. | 0:43:19 | 0:43:25 | |
Anything to do with Beatrix Potter or Peter Rabbit is very collectable. | 0:43:25 | 0:43:31 | |
Margaret Boston has a lovely tea set with Peter Rabbit all over it. Valued at ?250 to ?300. | 0:43:31 | 0:43:37 | |
It seems a lot for a small tea set. I think you're absolutely right. | 0:43:37 | 0:43:43 | |
I think it... It's a Grimwades one... It's jolly high - how much? ?250 to ?300. | 0:43:43 | 0:43:49 | |
?250 to ?300. | 0:43:49 | 0:43:51 | |
And... I would think ?150 to ?200, maybe. | 0:43:51 | 0:43:55 | |
And Margaret has disagreed with our experts, and she's put a reserve of ?700 on it! | 0:43:55 | 0:44:01 | |
No. Put a mattress by the rostrum! If it makes ?700, I'll fall on it! She's a Beatrix Potter collector - | 0:44:01 | 0:44:08 | |
she SHOULD know what she's talking about. Well, I'll bow to her greater judgment. I hope I'm wrong! | 0:44:08 | 0:44:15 | |
This is Margaret's lovely little Peter Rabbit greetings card. | 0:44:15 | 0:44:20 | |
This will appeal to many collectors, cos we've got Beatrix Potter, Peter Rabbit AND the signature. | 0:44:20 | 0:44:27 | |
Mmm, quite a scarce thing. Kate's been pretty hefty on this. What's she said? ?400 to ?500. | 0:44:27 | 0:44:33 | |
In the right market, it's worth it, but whether we have the right buyer here today... Word may have spread, | 0:44:33 | 0:44:40 | |
somebody could have got on the phone, "Get down to Tennants - there is a Beatrix Potter card." | 0:44:40 | 0:44:47 | |
But, normally, we'd put it into a catalogue where it's on the internet and everything. | 0:44:47 | 0:44:53 | |
The grapevine DOES work quickly - let's hope this one's on it. | 0:44:53 | 0:44:57 | |
There's a great atmosphere today, with a packed saleroom. Let's hope Yorkshire people have deep pockets! | 0:44:57 | 0:45:04 | |
Mr Bentley doesn't want to miss his teapots going under the hammer. | 0:45:04 | 0:45:09 | |
How are you feeling? Your teapots are about to go. Not too confident. | 0:45:09 | 0:45:14 | |
My experiences of auctions have not been good. This is a good one. Hope so! | 0:45:14 | 0:45:20 | |
First up are Cliff Barton's ivory figurines. | 0:45:20 | 0:45:24 | |
Rodney reckons bottom end of your estimate - ?300 to ?500. Right. It might creep towards the bottom, | 0:45:24 | 0:45:31 | |
100 quid apiece. I think that's good, although there's a particular piece which is better quality. | 0:45:31 | 0:45:38 | |
How are you feeling? Philosophical, really. I didn't collect them - my father and mother did - | 0:45:38 | 0:45:45 | |
so they've had them since about 1950, and they died not so long ago. | 0:45:45 | 0:45:51 | |
They're no good to my children - they'd just sell them - so I may as well, and spend the money! | 0:45:51 | 0:45:57 | |
Lot 315... Here we go, this is you. Three ivory figures. | 0:45:57 | 0:46:02 | |
Two large ones and a smaller one. | 0:46:02 | 0:46:05 | |
Start me at ?300. ?200? Well, ?100, surely, for three figures. | 0:46:05 | 0:46:10 | |
?100. ?120. ?140. ?160. | 0:46:10 | 0:46:13 | |
?180. ?200. ?220. ?240. ?260... It's rattling fast! | 0:46:13 | 0:46:17 | |
?280. ?300... At ?300, right over there at ?300... | 0:46:17 | 0:46:22 | |
Anyone else? Are you all done? ..?310. ?320. No? | 0:46:22 | 0:46:27 | |
At ?320... Take another ?10 if you want. ..?330. | 0:46:27 | 0:46:31 | |
?340. Rodney's giving them a chance. He's helping them along. ..?370. | 0:46:31 | 0:46:37 | |
?380. They're at ?380. Are you sure? Give you all the time! It's ?380! | 0:46:37 | 0:46:42 | |
You're hesitant! At ?380, over there, give you time... Your bid! | 0:46:42 | 0:46:47 | |
That's good. David, I can't believe it! | 0:46:47 | 0:46:51 | |
In the middle of your valuation again! I'm delighted! Cliff, does that please you? I'm happy, yeah. | 0:46:51 | 0:46:58 | |
Just goes to show, the auctioneer isn't always right. | 0:46:58 | 0:47:03 | |
Silver water jugs are not de rigueur, but Susan is confident. | 0:47:03 | 0:47:08 | |
We've had a couple of silver water jugs already that haven't done well. I know, but mine's Art Nouveau. | 0:47:08 | 0:47:15 | |
I put a lot of strength on that. Without a doubt. It is a nice shape. | 0:47:15 | 0:47:20 | |
Rodney, our auctioneer, wasn't that keen on it, and he thought it would fetch maybe ?80. | 0:47:20 | 0:47:27 | |
It'll maybe touch the ?100 if we're lucky, but he didn't think we'd do too well. Hmm. | 0:47:27 | 0:47:33 | |
Well, he IS the expert, isn't he? AN expert. We've had some good prices today. | 0:47:33 | 0:47:39 | |
A lot of things he thought would do ?100 have done much more. Yes. | 0:47:39 | 0:47:43 | |
Kate, you reckoned ?100 to ?150. Was it because it's Art Nouveau? Yes, it's a nice decorative piece, | 0:47:43 | 0:47:50 | |
which I hope is a selling point, | 0:47:50 | 0:47:52 | |
because hot water jugs aren't doing well, and they have been a little under par. | 0:47:52 | 0:47:58 | |
A water jug... Start me at ?100? It looks very good. | 0:47:58 | 0:48:03 | |
I did clean it, with tender loving care. ?100 I'm bid, thank you! | 0:48:03 | 0:48:08 | |
?100 already! ?110. ?120. ?130. | 0:48:08 | 0:48:12 | |
?140. ?150... ?150. | 0:48:12 | 0:48:15 | |
?160. ?170. ?180... ?180! ?180. | 0:48:15 | 0:48:20 | |
All done at ?180? At ?180? My Art Nouveau buyer at ?180. | 0:48:20 | 0:48:25 | |
That is fantastic. 180 quid. That's an excellent price. | 0:48:25 | 0:48:29 | |
It may well be that somebody... Collects Art Nouveau. And went for it as a decorative piece. | 0:48:29 | 0:48:36 | |
Rodney said that's his Art Nouveau buyer, so he came in for that piece. Thank you, whoever you are! ?180! | 0:48:36 | 0:48:44 | |
Now, let's hope we can put an end to Mr Bentley's bad run at auctions. | 0:48:44 | 0:48:49 | |
The ceramics have been going well. Some have, but a cosy teapot is not everybody's...cup of tea! Very good! | 0:48:49 | 0:48:56 | |
Rodney wasn't keen, but he thought they might get towards it. | 0:48:56 | 0:49:00 | |
I think they'll do well. This is us - we're on! | 0:49:00 | 0:49:04 | |
Three nice cosy teapots there. May I say ?100? | 0:49:04 | 0:49:08 | |
I've ?50 bid. ?60. ?70. ?80... Going up quickly already. | 0:49:08 | 0:49:13 | |
..At ?110. | 0:49:13 | 0:49:15 | |
?120. ?130. At ?130. Your estimate, David. | 0:49:15 | 0:49:19 | |
At ?140. No? | 0:49:19 | 0:49:22 | |
?140, selling at ?140... | 0:49:22 | 0:49:25 | |
?140. That's not bad! Result, David! Well done! | 0:49:26 | 0:49:30 | |
Vindicates my opinion. That's a good sign for the Linthorpe. I think that'll go really high. | 0:49:30 | 0:49:36 | |
I think so. Linthorpe, Christopher Dresser... Even if it's only ?120 to ?200. We're in the right area. | 0:49:36 | 0:49:43 | |
That's right, very local. That's true. I thought it'd go for between ?180 and ?200, that sort of price. | 0:49:43 | 0:49:50 | |
Lot 205... We're on. The Linthorpe glazed teapot. | 0:49:50 | 0:49:55 | |
Almost certainly a design by Dr Christopher Dresser, in good order. | 0:49:55 | 0:50:00 | |
What will you start me at? Start me at ?200? Well, ?100, may I say? | 0:50:00 | 0:50:05 | |
I've ?100 bid. ?120. ?140. | 0:50:05 | 0:50:07 | |
?160. ?180. ?200. | 0:50:07 | 0:50:10 | |
At ?200. ?220. ?240. ?260. | 0:50:10 | 0:50:14 | |
?260. | 0:50:14 | 0:50:15 | |
At ?260, an unusual teapot here. 260 quid! At ?260, anyone else? | 0:50:15 | 0:50:21 | |
Are you all done at ?260? | 0:50:21 | 0:50:24 | |
?260! That's good. That's a profit for me at least! Great! Well done. | 0:50:24 | 0:50:29 | |
Congratulations. | 0:50:29 | 0:50:31 | |
Can Margaret and her Beatrix Potter collectables crown a good day? Rodney had best get that mattress! | 0:50:31 | 0:50:39 | |
I think you're an expert on Beatrix Potter. Just a bit! You have a greetings card with the signature, | 0:50:39 | 0:50:46 | |
and the tea service. Yeah. You think it's worth a lot of money? It should be - fingers crossed. | 0:50:46 | 0:50:53 | |
Do you think the buyers will be here? If they're not here, they'll know about it, | 0:50:53 | 0:50:59 | |
and they'll make bids by phone, or something, hopefully. | 0:50:59 | 0:51:03 | |
Rodney has told me that they have phone bids on both of them. Lovely! | 0:51:03 | 0:51:08 | |
Kate, on the card, you've put ?400 to ?500. A lot of money, but it IS important. It is important. | 0:51:08 | 0:51:16 | |
It's a genuine signature. For Beatrix Potter collectors, that's great. It's also on the internet, | 0:51:16 | 0:51:23 | |
which is great, as we have a global market and anybody can pick it up. | 0:51:23 | 0:51:28 | |
Yeah. .. You told me earlier, are you going to buy more Beatrix Potter stuff? I'd love a watercolour, | 0:51:28 | 0:51:35 | |
but they're into the thousands. A Beatrix Potter one? I'd love one. | 0:51:35 | 0:51:40 | |
Here we go. This is you now. Lovely little picture on the front. Yes. | 0:51:40 | 0:51:47 | |
Signed, "Uncle Willie and Auntie Beatrix" - Beatrix Potter. | 0:51:47 | 0:51:51 | |
What will it be for this? Several phone bids. Start me at ?200? | 0:51:51 | 0:51:56 | |
I've ?200 bid, thank you. | 0:51:56 | 0:51:58 | |
At ?200. At ?220? | 0:51:58 | 0:52:02 | |
At ?220? | 0:52:02 | 0:52:04 | |
?220. ?250. At ?250, on the telephone. ?280. | 0:52:04 | 0:52:08 | |
?280. At ?280. It makes it a little bit slower on the telephone. It is! | 0:52:08 | 0:52:13 | |
But it's creeping up there. ..?350. ?380. | 0:52:13 | 0:52:18 | |
?400. It's at ?400. ?420. ?450. | 0:52:18 | 0:52:22 | |
?480. ?500. ?550... | 0:52:22 | 0:52:26 | |
?600. ?600! ?650. Maybe you'll get your watercolour before you think! | 0:52:28 | 0:52:34 | |
Sure? ?700 here. You won't get the chance again. | 0:52:34 | 0:52:38 | |
Once-in-a-lifetime chance, at ?700. Anyone else in the room? | 0:52:38 | 0:52:43 | |
The bid is on the telephone, at ?700. All done at ?700? | 0:52:43 | 0:52:48 | |
On the phone. | 0:52:48 | 0:52:50 | |
?700! That is just brilliant! | 0:52:50 | 0:52:53 | |
Lovely. I can't believe it! Way above what they thought. | 0:52:53 | 0:52:57 | |
It was more than anybody expected. You must be getting excited about the tea set. Not TOO excited. | 0:52:57 | 0:53:04 | |
I don't want to raise me hopes too high! I think that bodes well. | 0:53:04 | 0:53:09 | |
It was estimated at ?250 to ?300. That's right. Rodney had a look and thought that was a bit high. | 0:53:09 | 0:53:16 | |
Yet you think it's worth a lot more. | 0:53:16 | 0:53:19 | |
Well, I've been told that it could be. | 0:53:19 | 0:53:22 | |
What reserve have you put on it? About ?700! | 0:53:22 | 0:53:26 | |
So I'm either going to go home with egg on my face, or what! | 0:53:26 | 0:53:31 | |
But you're still confident it's worth that? | 0:53:31 | 0:53:34 | |
Given the right market and the right people and publicity, definitely. | 0:53:34 | 0:53:40 | |
Kate, are you still sticking with your valuation? I am, yes. | 0:53:40 | 0:53:45 | |
I would think it's worth between ?200 and ?300, but I really hope you'll prove me wrong! We'll see. | 0:53:45 | 0:53:52 | |
Lot 415... It seems that we have Beatrix Potter buyers here today, so this should get a good price. | 0:53:52 | 0:53:59 | |
The Peter Rabbit part tea service, the Grimwade one. Start at ?500? | 0:53:59 | 0:54:05 | |
?500? A rare item. ?500? | 0:54:05 | 0:54:08 | |
?400, then. Well, ?300. Thank you, I have ?300 bid. | 0:54:08 | 0:54:12 | |
Good start - that's above your estimate already. At ?320. | 0:54:12 | 0:54:17 | |
At ?320. ?350. | 0:54:17 | 0:54:20 | |
Creeping up! ?380. New bidder. At ?380. ?400. | 0:54:20 | 0:54:25 | |
?450. ?500. They're on the telephone. ?550. | 0:54:25 | 0:54:31 | |
At ?550. At ?550. ?580. | 0:54:31 | 0:54:35 | |
?600. At ?600. ?600. ?600?! | 0:54:35 | 0:54:40 | |
At ?620. On the phone now, at ?620. | 0:54:40 | 0:54:43 | |
At ?640. | 0:54:43 | 0:54:45 | |
He's on the book now. ?660. ?680. ?700. | 0:54:45 | 0:54:51 | |
(I can't believe it!) At ?700. We're at ?700! | 0:54:51 | 0:54:55 | |
The bid's on the telephone at ?700. Anyone? | 0:54:55 | 0:54:58 | |
Fantastic price! All done at ?700? Well done! | 0:54:58 | 0:55:03 | |
That's got to be a world record! I don't know about that, | 0:55:03 | 0:55:07 | |
but I'm very pleased! Sorry to prove you wrong, Kate. That's excellent! She was right. You got the buyers! | 0:55:07 | 0:55:14 | |
In Yorkshire, you know what to expect. 20 years' experience of Beatrix Potter paid off! | 0:55:14 | 0:55:21 | |
I'm a fanatic and a member of the society, so, you know... I know all about her. | 0:55:21 | 0:55:27 | |
Well over ?1,000 towards your watercolour! Yes, it's about 1/20th of what I want! | 0:55:27 | 0:55:33 | |
It's a start. It's a start. | 0:55:33 | 0:55:36 | |
An excellent day at auction. John Gregson was pleasantly surprised by the ?140 for his magic lantern. | 0:55:36 | 0:55:44 | |
The missing armorial on Chris Sykes' platter shows that original condition is crucial to the value. | 0:55:44 | 0:55:52 | |
Outside Leeds Town Hall, Deborah Lee never imagined that her toys would be paying for her holiday! | 0:55:52 | 0:55:59 | |
I couldn't believe it. ?110 for the teddy! I didn't expect to make ?40, | 0:55:59 | 0:56:04 | |
he was in such poor condition. Totally shocked. | 0:56:04 | 0:56:08 | |
And Margaret Bolton proved that sometimes YOU really do know best! | 0:56:08 | 0:56:13 | |
?700! Excellent! That is brilliant! | 0:56:13 | 0:56:16 | |
If that's the kind of surprise YOU would like, come to a valuation day, or join us again on Flog It! | 0:56:16 | 0:56:24 | |
Have you never sold anything at auction? No, might be hooked now! | 0:56:24 | 0:56:28 | |
You can have champagne, too. I don't know - bubbles get up me nose! | 0:56:28 | 0:56:34 | |
?140. That's not bad! Result, David! Good one! | 0:56:34 | 0:56:38 | |
Subtitles by Red Bee Media Ltd | 0:56:48 | 0:56:51 |