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This is the show on which YOU can make money from Aunt Edna's vase into a holiday in the sun. | 0:00:03 | 0:00:07 | |
When you sell your own antiques at auction, the tension can be unbearable. | 0:00:37 | 0:00:42 | |
It's like starring in a suspense movie. If you like to take risks, "Flog It!" is the show for you. | 0:00:42 | 0:00:49 | |
We invite people to bring their antiques for our experts to value. | 0:00:49 | 0:00:54 | |
A handful will be picked to go under the hammer. Will our owners get more than they'd bargained for? | 0:00:54 | 0:01:01 | |
We'll be finding out later. | 0:01:01 | 0:01:04 | |
Any bids? Don't be shy. | 0:01:04 | 0:01:07 | |
That's Seville. | 0:01:07 | 0:01:09 | |
You can thank BBC "Flog It!" for this one. | 0:01:09 | 0:01:12 | |
I left 50 on it. Guess what... Did you really? I did! | 0:01:13 | 0:01:18 | |
Today we're in Folkestone, Kent, at the Grand Hotel, | 0:01:21 | 0:01:26 | |
and the atmosphere is electric. | 0:01:26 | 0:01:28 | |
People have turned up from miles around with their antiques | 0:01:28 | 0:01:33 | |
which they hope will make a pretty penny at auction. | 0:01:33 | 0:01:37 | |
Our experts are on hand to help them. Let's hope they give them optimistic valuations. | 0:01:37 | 0:01:44 | |
Philip Serell will be on the lookout for the unusual. | 0:01:46 | 0:01:52 | |
The newspaper comes off and it can be worth ?5 or ?5,000. | 0:01:52 | 0:01:56 | |
It's fascinating to see what comes out of the package. | 0:01:56 | 0:02:00 | |
Nigel Smith has over 20 years of experience in the antiques business. | 0:02:00 | 0:02:06 | |
He starts with a real heavyweight. | 0:02:06 | 0:02:08 | |
Thanks for struggling in with these. | 0:02:08 | 0:02:11 | |
What's the story? They belonged to my grandparents. | 0:02:11 | 0:02:15 | |
My grandmother died in the early '50s. She was about 98 years of age, | 0:02:15 | 0:02:21 | |
so we know that they're old. She may have had them when she was married. | 0:02:21 | 0:02:26 | |
This is quite a lump, isn't it? It is. | 0:02:26 | 0:02:30 | |
It's quite a lump. It's 19C Japanese. It's Kutani ware. | 0:02:30 | 0:02:35 | |
The value is probably around ?100. I see. Not a staggering amount. No. | 0:02:35 | 0:02:40 | |
You might find somebody who really likes it, it's in good condition. | 0:02:40 | 0:02:46 | |
They're popular as umbrella stands, so I'd be surprised if somebody didn't give you towards ?100 for it, | 0:02:46 | 0:02:53 | |
but it's not a lot for a big pot like that. | 0:02:53 | 0:02:57 | |
Has it always been on this base? It fits, but it's the bottom of a 19C cheese dish. | 0:02:57 | 0:03:03 | |
A wacky idea, isn't it? Crazy. | 0:03:03 | 0:03:06 | |
What about this one? Same source? Yes. | 0:03:06 | 0:03:10 | |
This is a similar sort of age. It's a copy of a Meissen centrepiece. | 0:03:10 | 0:03:16 | |
It was made around the middle of the 19C. Not the quality you would expect to see of Meissen. | 0:03:16 | 0:03:23 | |
This is made by one of the other Dresden factories... | 0:03:23 | 0:03:28 | |
round about 1890, 1890. | 0:03:28 | 0:03:30 | |
It's a good lump, really, and they do sell now. | 0:03:30 | 0:03:34 | |
Made for a table decoration, really. | 0:03:34 | 0:03:37 | |
She's looking quite forlorn with her lamb there. | 0:03:37 | 0:03:41 | |
I suspect there was a shepherd involved, so it's one of a pair, probably. | 0:03:41 | 0:03:47 | |
Not great quality, but it's a good decorative item. | 0:03:47 | 0:03:51 | |
Give me a valuation on that, then. I suppose about the same. | 0:03:51 | 0:03:56 | |
Yeah. I think we'll do better with this. Probably at least that, maybe nearer three. | 0:03:56 | 0:04:03 | |
Fine. So, you're willing to get rid of them now? Yes. | 0:04:03 | 0:04:08 | |
I'm sure they'll sell. Thanks very much. Save you carrying them home. You can take the cheese dish! | 0:04:08 | 0:04:15 | |
Who does the decorating in your house? Her more than me. | 0:04:15 | 0:04:20 | |
Try to be much more careful with your paintbrush. | 0:04:20 | 0:04:24 | |
You've flicked it over here. It's not a major problem, | 0:04:24 | 0:04:29 | |
but you've got bits of paint on there. | 0:04:29 | 0:04:32 | |
We've got a mother-of-pearl escutcheon on the front that's broken off. | 0:04:32 | 0:04:39 | |
That's not a major problem. You can buy Victorian/Edwardian counters that you can cut and reshape. | 0:04:39 | 0:04:46 | |
I'm not worried about that... or that, but can you see this timber's really dried out? | 0:04:46 | 0:04:53 | |
Yes. I don't know how high you have your central heating. It stood on the fire surround. | 0:04:53 | 0:05:00 | |
That's probably why. At her dad's place first. I wouldn't want your coal bill! | 0:05:00 | 0:05:07 | |
The hotter you have your room, you draw the moisture... It's dried out. | 0:05:07 | 0:05:13 | |
What I would recommend you to do is put a bowl of water under the radiator. | 0:05:13 | 0:05:19 | |
It just keeps the timber in a better condition than it is. | 0:05:19 | 0:05:25 | |
But we can put some wax on that. | 0:05:25 | 0:05:27 | |
It's a lovely little Coramandel wood box. It's an exotic hardwood. | 0:05:27 | 0:05:33 | |
It's almost signified by these yellow and brown stripes. | 0:05:33 | 0:05:39 | |
It's a nice box. Has it been in the family? Yeah. Quite a long time. It was my nan's. | 0:05:39 | 0:05:45 | |
Your nan's. My dad's 88. It was his mother's, so it's quite a long time. | 0:05:45 | 0:05:51 | |
I think that will make ?50-80, put a reserve on it of ?40. I think it's lovely and it'll sell well. | 0:05:51 | 0:05:59 | |
Are you happy with that? Yes. Thank you. Let's keep our fingers crossed. Thank you very much. | 0:05:59 | 0:06:07 | |
Thank you. | 0:06:07 | 0:06:08 | |
John's decided to off-load his Japanese vase and centrepiece and his family are right behind him. | 0:06:09 | 0:06:15 | |
John, Tracy and June? Yes. You brought in a huge vase. That's right. | 0:06:15 | 0:06:22 | |
What did Nigel value it at? Only about 100. He said the value hasn't changed much in the last ten years. | 0:06:22 | 0:06:29 | |
And you bought them ten years ago! No, they were left recently to my son who lives in Australia. | 0:06:29 | 0:06:37 | |
So he's cleared off. I don't blame him, taking that big thing. | 0:06:37 | 0:06:42 | |
He probably didn't like it. I don't think so. | 0:06:42 | 0:06:45 | |
Will you send the money to your son in Australia? No, he's too wealthy. | 0:06:47 | 0:06:53 | |
We're going over to see him in a month or so's time, so that'll help us. It's quite pricey. It is. | 0:06:53 | 0:07:00 | |
Have you been over before? Yes, ten years ago. So he's been making the effort to visit you? Yes. | 0:07:00 | 0:07:07 | |
I hope you enjoy the holiday in Australia. Thanks very much. | 0:07:07 | 0:07:13 | |
You've brought this wonderful object. I want this. My wife will kill me if I buy it. | 0:07:14 | 0:07:20 | |
Where did it come from? It was on my grandmother's wall until two years ago when she died. | 0:07:20 | 0:07:28 | |
I was enlisted to sell it. Feeling guilty at the thought of selling it? | 0:07:28 | 0:07:33 | |
Unfortunately, it's got to be split three ways. Might be a small split. | 0:07:33 | 0:07:38 | |
It appeals to a certain market. This sort of thing in the right environment is quite fashionable. | 0:07:41 | 0:07:48 | |
This 1950s, early '60s kitsch stuff. Guitar players would want it, too. | 0:07:48 | 0:07:53 | |
What do you think it's worth? | 0:07:53 | 0:07:55 | |
I don't know. I haven't got much idea, either, but I would think somebody would pay ?50-?70 for it. | 0:07:55 | 0:08:03 | |
It's survived all in one piece. I mean, it's a two-piece mirror. | 0:08:03 | 0:08:08 | |
It's just on plywood. Very low-budget, but you might do better if you get a guitar nut! Right. | 0:08:08 | 0:08:15 | |
It's always worth hoping! Yeah! I'll have a little practice on it. | 0:08:15 | 0:08:21 | |
Make sure it's in tune. Yeah. | 0:08:21 | 0:08:24 | |
I play in the local pub once a week with a friend of mine who's a pilot | 0:08:24 | 0:08:30 | |
and we go under the title of MT Skull, because that's his name, and Bluesboy Smith - that's me. | 0:08:30 | 0:08:37 | |
Oh, dear. Sad, isn't it? My fee is normally three pints. I'd love to have that. | 0:08:37 | 0:08:44 | |
That's in amazing condition. That's... This is the original, but I sat on it and it tore. | 0:08:51 | 0:08:59 | |
You know what it is, don't you? A World War I campaign bed. | 0:08:59 | 0:09:03 | |
It's made of oak. Yes. It's really, really nice. | 0:09:04 | 0:09:08 | |
A sail-maker has remade this for you, hasn't he? That's right. You can tell by his stitching. | 0:09:08 | 0:09:15 | |
With the pillow up that end. | 0:09:15 | 0:09:17 | |
It's fantastic because it concertinas up... | 0:09:17 | 0:09:21 | |
into this little, tiny... | 0:09:21 | 0:09:23 | |
portable stool, which I think is quite amazing. | 0:09:23 | 0:09:27 | |
I use it as a bedside table. Why not? It's really lovely. | 0:09:27 | 0:09:32 | |
How long have you had this? Eight or ten years. Where did you find it? | 0:09:32 | 0:09:37 | |
In a little local auction. It cost me ?4. I think you got a good deal. Yes. | 0:09:37 | 0:09:43 | |
Chris, this is "In memory of my dear Sam who fell fighting for his King and Country." Where did you get it? | 0:09:43 | 0:09:51 | |
A junk shop 15 years ago. | 0:09:51 | 0:09:53 | |
Why did you buy it? My wife wanted a picture frame. And this was in it? That was in the frame. It cost ?2. | 0:09:53 | 0:10:01 | |
It's quite sad, isn't it? It is sad. | 0:10:01 | 0:10:04 | |
If you turn it over, we've got... After me own heart, I'm a cricket fan. | 0:10:04 | 0:10:10 | |
The MCC 1890 Devonshire tour. | 0:10:10 | 0:10:12 | |
Presumably that's the Marylebone Cricket Club, not Middleham or wherever! | 0:10:12 | 0:10:18 | |
Looking at the names, I don't think we've got any famous cricketers. | 0:10:18 | 0:10:23 | |
I think it's a nice late-19C photograph. | 0:10:23 | 0:10:27 | |
Sporting stuff's quite sought-after and collectible. Are you a cricket fan? No, I'm a football fan. | 0:10:27 | 0:10:35 | |
Looking at some of these boots, they could have played football! | 0:10:35 | 0:10:40 | |
Looks like they had a good time. Yeah, on the pitch and off it. | 0:10:40 | 0:10:45 | |
If you look at some of the scores here, all out for 38, I think they've had a very good time. | 0:10:45 | 0:10:52 | |
Yeah. | 0:10:52 | 0:10:53 | |
But I think this'll do OK. It's not gonna make big bucks, but I think someone might find it interesting. | 0:10:53 | 0:11:00 | |
It's certainly interesting. Probably going to be worth ?10-20. Yeah. | 0:11:00 | 0:11:05 | |
We'll put a reserve on of ?10 and see how we get on. OK? Yeah. Thanks very much. | 0:11:05 | 0:11:11 | |
Let's see what's going into auction so far. | 0:11:14 | 0:11:17 | |
Sam hopes someone will buy her funky guitar mirror. Hope it's not Nigel. | 0:11:17 | 0:11:23 | |
John can't wait to get rid of this vase and basket centrepiece. | 0:11:23 | 0:11:27 | |
Margaret and Phil hope to sell their stationery casket to someone who has time to look after it. | 0:11:29 | 0:11:36 | |
Chris wants to get rid of his old cricket photo. The MCC on tour. | 0:11:36 | 0:11:41 | |
They look like they've had a hard time, don't they? On the pitch as well as off. | 0:11:41 | 0:11:48 | |
Let's hope it's not so hard to sell. | 0:11:48 | 0:11:51 | |
In a few minutes, we'll find out what our first items are worth at our auction in Tunbridge Wells. | 0:11:56 | 0:12:03 | |
In charge today is auctioneer James Braxton. | 0:12:03 | 0:12:07 | |
Does he think Nigel and Philip got it right, or have they gone overboard? | 0:12:07 | 0:12:14 | |
Nigel fell in love with this, James. He's a bit of a guitar fanatic. | 0:12:14 | 0:12:19 | |
Either that or he owns a tapas bar somewhere. | 0:12:19 | 0:12:23 | |
Samantha brought this in. It was on the mantelpiece in her grandfather's house. He's sadly died. Yeah. | 0:12:23 | 0:12:31 | |
So she's going to sell it and split the money three ways. There may not be a lot to split. 1950s kitsch. | 0:12:31 | 0:12:38 | |
Who knows? Somebody may have a sense of humour out there. I think Nigel has. | 0:12:38 | 0:12:45 | |
Well, he ought to jolly well buy it, then. | 0:12:45 | 0:12:49 | |
We had a wonderful family in on valuation day. John, June and Tracy. | 0:12:49 | 0:12:54 | |
They brought both items in. It's quite fun. Shepherdess and her sheep, a good German figural stand. | 0:12:54 | 0:13:01 | |
That has been valued at ?200-?300. No reserve. | 0:13:01 | 0:13:06 | |
Yeah, I'm sure it should do it. It's a big piece of porcelain. | 0:13:06 | 0:13:11 | |
And intact. Still ringing nicely. | 0:13:11 | 0:13:13 | |
An impressive-looking piece and a great dust trap! We don't like it, do we?! | 0:13:13 | 0:13:20 | |
Looking at your catalogue, your photography does that justice. | 0:13:20 | 0:13:24 | |
You'd want to buy it from that photograph. | 0:13:24 | 0:13:28 | |
Buy it from the photograph. Don't come and see it! | 0:13:28 | 0:13:32 | |
Great catalogue. This - ?100, no reserve. | 0:13:32 | 0:13:36 | |
It's a big piece, a floor vase. Normally stood on the floor. Huge all-over decoration. | 0:13:36 | 0:13:44 | |
It shouldn't really be in this cheese dish. | 0:13:44 | 0:13:48 | |
It came in this dish and they thought that it belonged to it. No. | 0:13:48 | 0:13:53 | |
This is the difference. Porcelain and pottery. | 0:13:53 | 0:13:56 | |
How much will that go for? It's a big piece. I think it should do ?100, ?200. That's great. | 0:13:56 | 0:14:03 | |
Hopefully, they'll get to Australia and see their son. | 0:14:03 | 0:14:07 | |
It's a full house and the place is buzzing. How are our owners? | 0:14:07 | 0:14:13 | |
These lovely people were so nervous, you did a dummy run from Harlow in Essex. We had to negotiate the M25 | 0:14:13 | 0:14:20 | |
and we thought we'd have to be up at dawn to get here. | 0:14:20 | 0:14:25 | |
You're not nervous now? No, no. You'll enjoy the day? Yes. | 0:14:25 | 0:14:29 | |
Looking forward to going to Australia, Tracy? They're not taking me. That's a bit mean! | 0:14:29 | 0:14:36 | |
You've got to take your daughter! I've got two sons as well. There's a bit of a problem there. Yes. | 0:14:36 | 0:14:43 | |
Let's see how it goes later. Yeah. | 0:14:45 | 0:14:48 | |
Why doesn't one of you buy it and settle up with the other two? | 0:14:48 | 0:14:53 | |
It wouldn't fit into my scheme in the house. Is that a polite way of saying you do not like it? I do like it. | 0:14:53 | 0:15:00 | |
It's part of the family life. | 0:15:00 | 0:15:03 | |
Hopefully we'll get you ?25 each. That's if it reaches top money! | 0:15:03 | 0:15:09 | |
What would you spend the money on? We're going to have a fish and chip lunch at Easter. On Good Friday. | 0:15:09 | 0:15:16 | |
A toast to Granddad. We always had fish and chips with him on Good Friday. | 0:15:16 | 0:15:22 | |
It's a way of thinking him. Lovely. | 0:15:22 | 0:15:25 | |
The auction is under way. First up is John's basket centrepiece. | 0:15:25 | 0:15:30 | |
Will he make enough dollars to take him to the Antipodes? | 0:15:30 | 0:15:35 | |
John, it's not far to go now. No. Getting excited? I am, but china apparently is not making high prices | 0:15:37 | 0:15:44 | |
and has been a bit disappointing. | 0:15:44 | 0:15:46 | |
Hope you don't have to take it back home. I'd find someplace to leave it! Dump it in Tunbridge Wells! | 0:15:46 | 0:15:54 | |
The figural centrepiece. | 0:15:54 | 0:15:57 | |
We'll keep an eye who's bidding. | 0:15:59 | 0:16:02 | |
I have ?200. | 0:16:02 | 0:16:05 | |
200? That's brilliant. | 0:16:05 | 0:16:07 | |
At 200, anybody? 100, then? | 0:16:07 | 0:16:10 | |
100? | 0:16:10 | 0:16:11 | |
Thank you, 100. At least it's gone. | 0:16:13 | 0:16:16 | |
A lot for your money. 100. Anybody at 110? 100, very back. | 0:16:16 | 0:16:21 | |
110, thank you. 120. | 0:16:21 | 0:16:23 | |
130...140. | 0:16:23 | 0:16:26 | |
140, very top there. | 0:16:26 | 0:16:28 | |
No money. No. Any advance on 140? | 0:16:28 | 0:16:31 | |
It'll sell. 140 at the top. | 0:16:31 | 0:16:34 | |
It's got you to France, not Australia. That's a poor price. Yes. | 0:16:36 | 0:16:41 | |
He's not getting the money for porcelain today. | 0:16:41 | 0:16:45 | |
We'll be going to France! We'll see if we can make it up on the next lot. Of course, yes. | 0:16:45 | 0:16:51 | |
John will see how his vase sells before he decides about Australia. | 0:16:51 | 0:16:56 | |
Will anybody spot the specks of paint on Philip's stationery box? | 0:16:56 | 0:17:01 | |
Two Philips! | 0:17:01 | 0:17:03 | |
What are you expecting on this box? I don't know if it'll go. What'll you spend the money on? | 0:17:03 | 0:17:10 | |
I'll probably give it to the father-in-law. It's his money. | 0:17:10 | 0:17:15 | |
He needs a fridge. He needs a fridge? Look. | 0:17:15 | 0:17:19 | |
Who'll start me on this one? | 0:17:21 | 0:17:24 | |
Start me at 40, please. At ?40? | 0:17:24 | 0:17:27 | |
20. At ?20. 20 I'm bid. | 0:17:27 | 0:17:30 | |
25...30...35. | 0:17:30 | 0:17:33 | |
40...45. He's got some bids left on the book. | 0:17:33 | 0:17:36 | |
55, all finished at 55. Anybody at 60? | 0:17:36 | 0:17:40 | |
?55, it's here at 55. | 0:17:40 | 0:17:43 | |
There you go, 55 quid. That's brilliant. It'll be a small fridge. | 0:17:44 | 0:17:49 | |
As small as it can be! A little icebox! | 0:17:49 | 0:17:53 | |
You won't buy a joint of beef to put in it! No. Thanks. Thank you. | 0:17:53 | 0:17:58 | |
So, will John's Japanese vase do any better than his centrepiece? | 0:17:58 | 0:18:03 | |
I'm just thinking of the sunshine down under for you. If we get there. | 0:18:03 | 0:18:09 | |
You'll get there. You can put it towards it. Oh, yes. | 0:18:09 | 0:18:14 | |
Japanese porcelain floor vase, showing now, | 0:18:14 | 0:18:18 | |
with the unassociated pottery stand. | 0:18:18 | 0:18:21 | |
No reserve. It's going to sell. | 0:18:23 | 0:18:25 | |
100, please. Impressive-looking fellow. ?100. | 0:18:25 | 0:18:29 | |
50, then. At 50? Someone, come in. | 0:18:29 | 0:18:32 | |
Anybody at 50? | 0:18:32 | 0:18:35 | |
For the floor vase, at 50? | 0:18:35 | 0:18:37 | |
Oh, John! This is desperate. 30? | 0:18:37 | 0:18:40 | |
?30? Anybody at ?30? | 0:18:42 | 0:18:45 | |
Surely somebody should have a go. | 0:18:45 | 0:18:48 | |
Come on, Nigel. | 0:18:48 | 0:18:51 | |
30 is bid. ?30. I'm not going to bid for it! | 0:18:51 | 0:18:55 | |
35. | 0:18:55 | 0:18:56 | |
You've started something. 40. 45? | 0:18:56 | 0:18:59 | |
You don't need to do it now. It's with you at ?40. | 0:18:59 | 0:19:04 | |
Well done, Nigel. That is desperate. | 0:19:04 | 0:19:07 | |
That was desperate. A desperate price. Mid-Channel, I think! | 0:19:07 | 0:19:13 | |
We're swimming! | 0:19:13 | 0:19:15 | |
Chris is hoping for a big score with his cricket photo. | 0:19:15 | 0:19:20 | |
Poor old Chris can't be here today. It's a pity, isn't it? Yes, but I think, Chris, it's a smart move. | 0:19:20 | 0:19:27 | |
If it only goes for a tenner, it'll cost him that in petrol to get here! | 0:19:27 | 0:19:32 | |
He's had a result already. I think it'll fly. Might get a 0 on the end. | 0:19:32 | 0:19:37 | |
THAT sort of fly? I hope so. Hope we're on a good wicket! | 0:19:37 | 0:19:43 | |
..with the printed scores around the mount. Where will you start me? | 0:19:43 | 0:19:49 | |
It's my double here, 35. | 0:19:49 | 0:19:51 | |
Excellent. He's filled his tank full of petrol! | 0:19:51 | 0:19:55 | |
40's bid. 45. 50. 55. | 0:19:55 | 0:19:58 | |
60. 65. 70. | 0:19:58 | 0:20:00 | |
75. Quite amazing! | 0:20:00 | 0:20:02 | |
85? 85. It's with me. On commission. | 0:20:02 | 0:20:06 | |
?85. Brilliant. I'm really pleased. | 0:20:06 | 0:20:09 | |
I hope he'll be pleased. | 0:20:09 | 0:20:11 | |
You had a hunch, but you didn't say just in case! I'm really pleased! | 0:20:11 | 0:20:18 | |
We'll go and give him a phone call. I'll go now. | 0:20:18 | 0:20:22 | |
Last on the list is the guitar mirror that Nigel's fallen for. | 0:20:22 | 0:20:27 | |
Was he a guitar man? No. | 0:20:27 | 0:20:29 | |
Was he into Duane Eddy or someone? No, he just used to go out and buy things, to my grandmother's disgust. | 0:20:29 | 0:20:37 | |
This is a way of checking if there's any musos in the room! | 0:20:37 | 0:20:41 | |
Obviously not. Here we go. | 0:20:41 | 0:20:44 | |
How are you feeling right now? Right here, right now? | 0:20:44 | 0:20:49 | |
Hmm...! SHE LAUGHS | 0:20:49 | 0:20:52 | |
No comment. No. This is "Flog It!" | 0:20:52 | 0:20:54 | |
The novelty wall mirror, modelled as a six-string guitar. | 0:20:56 | 0:21:01 | |
You can thank BBC "Flog It!" for this one. | 0:21:01 | 0:21:05 | |
Unfortunately, we have a commission double here. 55? ?55. Yes, we're in! | 0:21:05 | 0:21:11 | |
Anybody at 60? 60 at the back. 70? | 0:21:11 | 0:21:15 | |
75? | 0:21:15 | 0:21:16 | |
It's doing well. 75. Here it is at ?75. | 0:21:16 | 0:21:20 | |
Any advance... I said yesterday I'm hoping for ?75. | 0:21:20 | 0:21:24 | |
That's a good price. I'm very pleased. I didn't buy it. | 0:21:24 | 0:21:28 | |
I left 50 on it. Did you really? I did. | 0:21:28 | 0:21:33 | |
They're all going off for fish and chips. Yeah. Well done. Thank you very much. | 0:21:33 | 0:21:39 | |
Well, Sam's made money on her guitar mirror. | 0:21:45 | 0:21:49 | |
Philip's father-in-law can enjoy a chilled beer from his new fridge. | 0:21:49 | 0:21:53 | |
Let's hope our experts can turn up a few more gems in the valuation room later. | 0:21:53 | 0:21:59 | |
Meanwhile, I'm off for a walk. | 0:21:59 | 0:22:02 | |
Today, we're in for a real treat. | 0:22:04 | 0:22:07 | |
I'm in deepest Kent and I've come to visit a friend of mine that has a barn full of wonderful antiques. | 0:22:07 | 0:22:14 | |
She'll give me some tips on styling and on living with those antiques. | 0:22:14 | 0:22:19 | |
Wow! | 0:22:27 | 0:22:28 | |
What a wonderful setting for an antiques shop. High, vaulted ceilings, inglenook fireplace. | 0:22:28 | 0:22:35 | |
I'm so jealous of Gabrielle. | 0:22:35 | 0:22:38 | |
You have a wonderful eye. You manage to articulate all this together so easily. How's it done? | 0:22:42 | 0:22:49 | |
You go to a fair and you see different things. | 0:22:49 | 0:22:53 | |
For example, for the baby's cradle downstairs, you think, "What use is a baby's cradle?" | 0:22:53 | 0:23:01 | |
"Perhaps we could put magazines in it." Buy it, take it home. | 0:23:01 | 0:23:06 | |
Most antiques do have a duality. You can find another use. I think you've got to find another use, | 0:23:06 | 0:23:13 | |
an alternative use, yes, like the Victorian cot here. | 0:23:13 | 0:23:17 | |
When it's finished being a cot, you can fold the side down to make a little settee for the children. | 0:23:17 | 0:23:24 | |
A little day bed. Or a day bed. | 0:23:24 | 0:23:27 | |
A good starting point in collecting antiques is to buy a dining table. | 0:23:34 | 0:23:40 | |
Your dining room is probably your sparsest room. | 0:23:40 | 0:23:44 | |
Start with a big table. | 0:23:44 | 0:23:46 | |
French dining tables are affordable. | 0:23:46 | 0:23:49 | |
English ones hard to come by, especially anything over 3' wide. | 0:23:49 | 0:23:54 | |
But they do exist, so keep looking for them. | 0:23:54 | 0:23:59 | |
This is lovely. This has got a great patination. | 0:23:59 | 0:24:03 | |
It's an early 19C one and it's a pine top, but look at the length. | 0:24:03 | 0:24:08 | |
You could get at least 12 people around this. Just imagine the amount of wine that it's seen | 0:24:08 | 0:24:15 | |
and the interesting stories that have happened around it. | 0:24:15 | 0:24:19 | |
People say, "Should we get those marks out?" I wouldn't because that's the history of the table. | 0:24:19 | 0:24:26 | |
Each little mark could tell a story. | 0:24:26 | 0:24:29 | |
Very definitely. VERY definitely! Yes. | 0:24:29 | 0:24:32 | |
Being creative with antiques is important, especially if your rooms are dark or small. | 0:24:40 | 0:24:46 | |
Get some mirrors, they make the room look spacious and elegant. | 0:24:46 | 0:24:51 | |
In the valuation room, Philip and Nigel are pulling out all the stops to find one final corker. | 0:24:57 | 0:25:04 | |
This is lovely. It's Judy and Brian, isn't it? Mm-hm. Red or white wine? | 0:25:04 | 0:25:10 | |
White. Red? Red. I'm a teetotaller, so we've got one of every mix here. | 0:25:10 | 0:25:15 | |
I would think it's probably a boar's tusk or something. | 0:25:15 | 0:25:19 | |
It's silver-mounted. The hallmark tells us that this tip is silver. | 0:25:19 | 0:25:25 | |
It fits the hand really well. You can get a good purchase when you're pulling your cork out. | 0:25:26 | 0:25:33 | |
There are avid collectors of corkscrews. They can make ?2,000-?5,000. | 0:25:33 | 0:25:39 | |
They can also make a fiver. How did you come by this? It belonged to my great-grandfather | 0:25:39 | 0:25:46 | |
and it's been handed down. That would take us back to the 19C? Was he a collector? No. It was used. | 0:25:46 | 0:25:53 | |
Whether he was a wine buff, I don't know. It's been bought to assist in his imbibing? I think so. | 0:25:53 | 0:26:01 | |
I think it's lovely. Have you used it? No. I think it would be a good corkscrew. | 0:26:01 | 0:26:08 | |
You have to be a bit careful because the screw part can snap off. | 0:26:08 | 0:26:13 | |
I think at auction that's going to make ?50-?80-?100. | 0:26:13 | 0:26:19 | |
We'd put a reserve on it of ?50, so that if it didn't make that money, you would have it back. | 0:26:19 | 0:26:26 | |
I think it's lovely. You told me earlier why you want to sell it. Yes. I am vegetarian, | 0:26:26 | 0:26:33 | |
so it doesn't please me in that respect. Fashions change with the way society looks at things. | 0:26:33 | 0:26:41 | |
Fur coats now, very unfashionable. And ivories, as well. | 0:26:41 | 0:26:46 | |
People look at them and think, "No, that's not a good thing." But it gives someone the chance to buy it | 0:26:46 | 0:26:53 | |
and hopefully use it as well. Yes. Shall we put it in the sale for you? Yes, please. | 0:26:53 | 0:27:00 | |
Excellent. | 0:27:00 | 0:27:01 | |
You've brought this rather nice watercolour. It is a watercolour, not a print. | 0:27:01 | 0:27:07 | |
Where did it come from? I bought it in Michigan about 20 years ago. | 0:27:07 | 0:27:12 | |
Michigan? I lived there for many years. | 0:27:12 | 0:27:15 | |
Dare I ask how much you paid for it? $15. Well, it could prove, I think, to be a good investment. | 0:27:15 | 0:27:23 | |
Why do you want to sell it? I'm not too keen on hunting. | 0:27:23 | 0:27:27 | |
20 years ago, horses and dogs and things, probably I liked it because of that. Right. | 0:27:27 | 0:27:34 | |
We find there's a mixed reaction to hunting things. | 0:27:34 | 0:27:37 | |
At auction, they're very commercial. | 0:27:37 | 0:27:39 | |
I'm not too sure whether the frame's original or not. | 0:27:39 | 0:27:42 | |
It's a Detroit frame. Hudson's - a large department store. Did you frame it? No. | 0:27:42 | 0:27:49 | |
Signed "H Murray". I had a look and I never did see him. | 0:27:49 | 0:27:55 | |
I cheated. I looked him up in our sales index. He is here. | 0:27:55 | 0:28:00 | |
He was working around the middle of the 19C, 1850-60. There are a number of listings for him there. | 0:28:01 | 0:28:08 | |
He seemed to specialise in hunting. They're all hunting subjects. | 0:28:08 | 0:28:14 | |
Have you got any idea of value? No, not at all. Have a guess. | 0:28:14 | 0:28:19 | |
All right. ?300 was what... I mean, ?200-?300, I think it would walk out, as we say. | 0:28:19 | 0:28:26 | |
I think we could probably estimate it at ?300-?500. | 0:28:26 | 0:28:30 | |
You ought to put a reserve around three. It should make nearer ?500. | 0:28:30 | 0:28:35 | |
If it didn't, it wouldn't be making its right price. OK. | 0:28:35 | 0:28:40 | |
You could put a reserve of three and I should think it'll make nearer five. Wonderful. OK. | 0:28:40 | 0:28:46 | |
Good saleable thing. Thank you. | 0:28:46 | 0:28:49 | |
Hello. Is this your chair? | 0:28:49 | 0:28:51 | |
What's your name? Jane. Hi, Jane. Hi. | 0:28:51 | 0:28:55 | |
You've managed to struggle in with this? Yes. Lovely chair. | 0:28:55 | 0:29:00 | |
It's meant to have a link... It's called Napoleon's chair. | 0:29:00 | 0:29:04 | |
It's got Napoleon eagles on it. Uh-huh. Can I sit on it? Be careful. | 0:29:04 | 0:29:10 | |
Oh, yes! | 0:29:10 | 0:29:12 | |
About time I put my feet up. | 0:29:12 | 0:29:15 | |
Isn't that nice? It's very nice. | 0:29:15 | 0:29:18 | |
I love the claw and ball feet on that. | 0:29:18 | 0:29:22 | |
Isn't that a super chair? The tale is that it was made wider because of this thing about Napoleon... | 0:29:22 | 0:29:29 | |
..being a little fatty. How long have you had it? My father had it, so just recently, since he died. | 0:29:29 | 0:29:37 | |
I'd be interested to know if the upholstery could be... | 0:29:37 | 0:29:42 | |
That needs padding out again. It needs the webbing done underneath. A cat has sat on it. | 0:29:42 | 0:29:49 | |
Speaking of Napoleon... 20C... | 0:29:49 | 0:29:52 | |
I'm just looking up to see if we can find the sculptor of this Napoleon bronze. | 0:29:52 | 0:29:59 | |
What can you tell me about it? | 0:29:59 | 0:30:02 | |
I know very little about it. | 0:30:02 | 0:30:04 | |
I acquired from an uncle who dabbled for a few years in antiques, then went off and did other things. | 0:30:04 | 0:30:11 | |
It was acquired by my uncle in the late '60s. | 0:30:11 | 0:30:15 | |
I know very little about its age. I wish I'd been around in the '60s. | 0:30:15 | 0:30:20 | |
That's when you could really buy antiques. | 0:30:20 | 0:30:25 | |
I've looked the signature up. It is a French bronze. I can't find it, but I don't think that matters. | 0:30:26 | 0:30:33 | |
I don't think it need worry us. | 0:30:33 | 0:30:36 | |
It's late 19th early 20th century. | 0:30:36 | 0:30:39 | |
so it's commemorating Bonaparte, really. It's not a period thing. | 0:30:39 | 0:30:45 | |
The only thing I don't particularly like is the very dark patination. | 0:30:45 | 0:30:50 | |
It's not got a great deal of life to it. | 0:30:50 | 0:30:54 | |
It's a bit flat, a bit dark. Doesn't do any harm to handle bronzes. | 0:30:54 | 0:30:59 | |
You should rub your hands all over them. | 0:30:59 | 0:31:02 | |
There are natural acids in the sweat that help bring on the patination. I didn't realise that. | 0:31:02 | 0:31:09 | |
What do you think it's worth? At a guess, I would have thought perhaps ?50. | 0:31:09 | 0:31:16 | |
I've no real idea. At that price, you're tempted to get the chequebook out. It's probably worth more. | 0:31:16 | 0:31:23 | |
I think between ?100-?200 would be my guesstimate. | 0:31:23 | 0:31:28 | |
I should think it would sell quite easily. Are you happy for us to take it away? Yes. Flog it? Yes. | 0:31:28 | 0:31:36 | |
Excellent. | 0:31:36 | 0:31:38 | |
Kelly and Ben, so who's the proud owner? My mother. | 0:31:38 | 0:31:42 | |
Does Mum know you've brought this here? She does. Are you sure? Yeah. | 0:31:42 | 0:31:47 | |
How far do you think you'd get on the proceeds? Back to Barnet, I think. Do you know what they are? | 0:31:47 | 0:31:54 | |
I thought they were egg cups. What sort of eggs do you eat? They're salt cellars. | 0:31:54 | 0:32:01 | |
They're a very good make. Walker and Hall of Sheffield. How do I know? Go on. | 0:32:01 | 0:32:08 | |
It's written there. | 0:32:08 | 0:32:11 | |
One spoon is missing, which is a bit crucial. | 0:32:12 | 0:32:16 | |
The little crown there for Sheffield, that's their assay mark. Birmingham had an anchor. | 0:32:16 | 0:32:23 | |
The story is that when they were discussing assay mark to have, they were in a Crown And Anchor. | 0:32:23 | 0:32:30 | |
That's why Sheffield has a crown and Birmingham has an anchor! | 0:32:30 | 0:32:36 | |
What do you think they're worth? No idea. Ben? I haven't got a clue. | 0:32:36 | 0:32:42 | |
Would you take a fiver for them? No chance. | 0:32:42 | 0:32:45 | |
Ten? I'd say yes, but Kelly would say no. OK, where's my wallet?! | 0:32:45 | 0:32:50 | |
I think they'll make ?80-?120. I think we put a reserve on them at about the ?70 mark. | 0:32:50 | 0:32:57 | |
Happy with that? Very. Will that get you back to Barnet? I think so. Mum'll be pleased. That's a relief! | 0:32:57 | 0:33:05 | |
Well done. Thanks for bringing them. | 0:33:05 | 0:33:08 | |
My name is Ben. And? Kelly. You're soon to be husband and wife? Yes. Did you fight over what you brought? | 0:33:08 | 0:33:16 | |
We brought in a load of stuff, but what we're selling is my mum's. So we fought with her. | 0:33:16 | 0:33:22 | |
I hope you get a decent price. Persuade your mum to put it towards the wedding. I'm sure she will. | 0:33:22 | 0:33:29 | |
Where are you going on honeymoon? We're getting married in Jamaica. All the family are coming. | 0:33:29 | 0:33:36 | |
How sweet. So Mum could pay for her plane ticket with the proceeds? Just a small percentage of it! | 0:33:36 | 0:33:43 | |
You never know! Congratulations. Thank you. | 0:33:43 | 0:33:46 | |
What can you tell me about this? Not a lot. What do you think it is? | 0:33:46 | 0:33:50 | |
As far as I know, we think it's Japanese early Satsuma. | 0:33:50 | 0:33:55 | |
Looking at pictures on the net, it's the closest I can see. | 0:33:55 | 0:34:00 | |
It was given to me by an aunt who had it for 40-50 years. | 0:34:00 | 0:34:06 | |
So it's been in the family. Yes. | 0:34:06 | 0:34:09 | |
I think they got it from a house clearance sale. That's what everybody wants to hear. | 0:34:09 | 0:34:14 | |
Provenance is a great thing. If they came through a family source, it adds interest. | 0:34:14 | 0:34:20 | |
Things that are fresh to the market always seem to do quite well. | 0:34:20 | 0:34:27 | |
I don't know how, but buyers seem to be able to sniff out fresh things. | 0:34:27 | 0:34:34 | |
A lot of the better Satsuma ware was made in the middle of the 19C. | 0:34:34 | 0:34:39 | |
It can be quite early, as early as 1840-50. | 0:34:39 | 0:34:44 | |
It's certainly of that type of pottery. | 0:34:44 | 0:34:48 | |
It's good quality. It varies enormously. | 0:34:48 | 0:34:52 | |
The later in the 19C it gets, it gets completely dreadful. | 0:34:52 | 0:34:57 | |
You get this very late stuff with piping almost piped on enamel. | 0:34:57 | 0:35:02 | |
That's how I couldn't quite tell because I saw some Satsuma pottery that looked very orange and gaudy, | 0:35:02 | 0:35:09 | |
which didn't look anything like what we've got. | 0:35:09 | 0:35:13 | |
The nice thing about is the variety of decoration on the panels. | 0:35:13 | 0:35:18 | |
You've got the garden scene with the lady with the broom, | 0:35:18 | 0:35:23 | |
which is quite nice, and then you've got finches and wisteria, | 0:35:23 | 0:35:29 | |
little Japanese theme, | 0:35:29 | 0:35:31 | |
and then a sort of Samurai battle going on. | 0:35:31 | 0:35:35 | |
Then you've just got a serene scene with a pagoda. | 0:35:35 | 0:35:39 | |
It's lovely. | 0:35:39 | 0:35:42 | |
It's made purely for the European market. These were made for export. | 0:35:42 | 0:35:47 | |
They were made to appeal to Western buyers. How much do you think it's worth? I don't know. | 0:35:47 | 0:35:54 | |
A couple of hundred quid? Can I write you a cheque now? | 0:35:54 | 0:35:59 | |
I think it's worth more than a couple of hundred pounds. | 0:35:59 | 0:36:04 | |
It's sort of Meiji period, second half of the 19C. | 0:36:04 | 0:36:09 | |
It's going to be worth middle to high hundreds. Wow! | 0:36:09 | 0:36:13 | |
If you put it in with something like a ?500-?800 estimate, I think it would fly. | 0:36:13 | 0:36:20 | |
Right. Auction estimates tend to be conservative. Yeah. We're looking to attract buyers. | 0:36:20 | 0:36:27 | |
The worth thing you can do is put something in with a really high estimate in the catalogue. | 0:36:27 | 0:36:34 | |
People think they can't afford it. | 0:36:34 | 0:36:36 | |
In spite of Nigel's valuation, they decide not to sell. | 0:36:36 | 0:36:41 | |
It's quite nice, so we're unsure. | 0:36:41 | 0:36:43 | |
Just wanted some information, to find out exactly what it was. Excellent. Thank you. | 0:36:43 | 0:36:50 | |
How did this come into your family? | 0:36:50 | 0:36:53 | |
I think my father acquired it. Quite how, I don't know. | 0:36:53 | 0:36:58 | |
It was probably in payment for some work he'd done. How much do you think he was owed? Back in 1940... | 0:36:58 | 0:37:05 | |
..perhaps about ?100. | 0:37:06 | 0:37:09 | |
So, he was owed ?100 in 1940. | 0:37:09 | 0:37:12 | |
Yes. And he had this table. | 0:37:12 | 0:37:14 | |
So, in 1940, I guess, could you have bought a house for ?100? | 0:37:14 | 0:37:19 | |
Yes. | 0:37:20 | 0:37:22 | |
So, on that basis, we ought to be looking at a ?80,000-?90,000 table. | 0:37:22 | 0:37:27 | |
That's right. We're not, are we? No. | 0:37:27 | 0:37:30 | |
When we turn a table like this over, we look for various things. | 0:37:31 | 0:37:36 | |
The first think you look for is, when you've got a circular table, | 0:37:36 | 0:37:42 | |
you'll have fingermarks all the way round the edge because that's where fingers have picked the table up. | 0:37:42 | 0:37:49 | |
Dirty fingers underneath the table, and if you don't see that type of mark, you get suspicious. | 0:37:49 | 0:37:56 | |
If it's only in one part, you think, "Has this been cut down?" | 0:37:56 | 0:38:01 | |
Next, this is called the block. | 0:38:01 | 0:38:04 | |
It covers up the timber that's underneath, | 0:38:04 | 0:38:08 | |
so when we pull this catch and put the legs back, we want to see a lighter shadow there. | 0:38:08 | 0:38:15 | |
Lo and behold, there we are. | 0:38:17 | 0:38:19 | |
You can see that that block is original. | 0:38:19 | 0:38:23 | |
If you get a block that ends there and a shadow line that ends there, | 0:38:23 | 0:38:28 | |
you get suspicious and think, "Has this top come off another table?" | 0:38:28 | 0:38:33 | |
If you see screw holes here, you'd suspect that these stretchers | 0:38:33 | 0:38:39 | |
might have been altered, | 0:38:39 | 0:38:42 | |
or the top doesn't belong to the bottom. | 0:38:42 | 0:38:46 | |
So, this looks honest. If we tip him back up again, | 0:38:46 | 0:38:50 | |
the next thing we're going to look at... Imagine back in 1800 or whatever, | 0:38:50 | 0:38:56 | |
this is on a stone floor, water thrown on the floor, | 0:38:56 | 0:39:01 | |
rot, all the rest of it. | 0:39:01 | 0:39:03 | |
A lot of these tables lose the tips of these toes, or it breaks off here. | 0:39:03 | 0:39:09 | |
And if you look at these, I think this is absolutely fine. | 0:39:09 | 0:39:14 | |
It doesn't look like there's been any damage. | 0:39:16 | 0:39:20 | |
So, let's get it back, restore the dignity and put it the right way up. | 0:39:20 | 0:39:25 | |
You've got a lovely 18C, Georgian, mahogany, circular, snap-top table. | 0:39:27 | 0:39:32 | |
I think that that at auction will do ?500-800. | 0:39:32 | 0:39:37 | |
Gosh. So, you were right in your valuation. | 0:39:37 | 0:39:41 | |
I think you need to put it into auction with a reserve on it of around ?450. Right. | 0:39:41 | 0:39:48 | |
But I think it'll go well and it's a lovely thing to put in the sale. I'll be sad to part with it. | 0:39:48 | 0:39:55 | |
It's a bit disappointing from the initial value, the price we swapped it for in 1940. Mmm. | 0:39:55 | 0:40:03 | |
But it's a handsome table. Yes. Very nice. Keep our fingers crossed, shall we? Indeed. | 0:40:03 | 0:40:09 | |
PETER SELLERS: It has been a hard day's night | 0:40:15 | 0:40:19 | |
And I have been working like a dog | 0:40:19 | 0:40:22 | |
It's been a hard day's night | 0:40:22 | 0:40:26 | |
I should be sleeping like a log. | 0:40:26 | 0:40:29 | |
Ringo would have done something like that. I used to do something like that. I played in a band. | 0:40:40 | 0:40:47 | |
Pop memorabilia is worth a fortune, especially Beatles memorabilia. | 0:40:47 | 0:40:52 | |
I'm here to meet Darren who'll tell us all about it. | 0:40:52 | 0:40:56 | |
Darren, it's great to meet another Beatles fan. | 0:40:59 | 0:41:04 | |
You look far too young to be a Beatles fan. A lot of people say that. | 0:41:04 | 0:41:10 | |
Unfortunately, I was born a little bit too late to actually see the Beatles, | 0:41:10 | 0:41:17 | |
so... Your parents obviously influenced you. | 0:41:17 | 0:41:21 | |
They got me into it, especially my mum, listening to the music. | 0:41:21 | 0:41:26 | |
How did you make the transition from collector to dealer? This looks like a successful business. | 0:41:26 | 0:41:33 | |
That was by pure chance, really. | 0:41:33 | 0:41:35 | |
When you collect a certain subject, you get in with the in crowd, | 0:41:35 | 0:41:40 | |
and people want to buy stuff from you, and it escalated from there. | 0:41:40 | 0:41:45 | |
You had a shop? We had two shops in the end, but the internet side is so huge, we've run the shops down | 0:41:45 | 0:41:53 | |
and now we've just got the internet mail order service and it's just gone mad, really. | 0:41:53 | 0:42:00 | |
Darren, this looks interesting. This is a 1964 Weekend magazine. | 0:42:00 | 0:42:05 | |
What would this be worth? | 0:42:05 | 0:42:08 | |
That's about ?40, maybe ?45. It is quite a rare magazine... | 0:42:08 | 0:42:13 | |
..especially being complete. | 0:42:14 | 0:42:17 | |
That's the most important thing with magazines. | 0:42:17 | 0:42:21 | |
It hasn't been creased and all the pages are there. | 0:42:21 | 0:42:25 | |
These look like little trolls. Real hair! | 0:42:25 | 0:42:29 | |
The nice thing about these is... Normally the little instruments are missing and you can't replace them. | 0:42:29 | 0:42:37 | |
Again, made in the '60s, in the States. | 0:42:37 | 0:42:41 | |
These are in quite nice condition. | 0:42:41 | 0:42:43 | |
As you can see, the start of the rubbing of the gold. But about ?50-?60 each. | 0:42:43 | 0:42:50 | |
The internet is becoming a popular way to buy and sell antiques and memorabilia. How is it done? | 0:42:50 | 0:42:57 | |
Ringo used to use Ludwig drums. | 0:42:57 | 0:43:00 | |
Good American drums. How am I gonna buy an authentic Ringo snare drum? | 0:43:00 | 0:43:06 | |
If you could find one! That's the difficult part. | 0:43:06 | 0:43:09 | |
There's many different ways you can go about it. | 0:43:09 | 0:43:14 | |
The easiest way is go into a search engine. | 0:43:14 | 0:43:18 | |
Type in whatever you're collecting. | 0:43:18 | 0:43:21 | |
"Beatles". | 0:43:21 | 0:43:23 | |
You go onto the website, you find the company. We're on our site now. | 0:43:25 | 0:43:31 | |
We're just beatcity.co.uk | 0:43:31 | 0:43:34 | |
There's tons of merchandise on there and you can choose a category... | 0:43:34 | 0:43:39 | |
..like "concert programmes". We don't just do Beatles memorabilia. | 0:43:41 | 0:43:46 | |
Will I get that Ludwig snare drum? I'll have to wait and see. | 0:43:51 | 0:43:56 | |
Philip and Nigel have been valuing left, right and centre. | 0:44:09 | 0:44:15 | |
Let's find out what the owners have decided to sell. Will there be a hidden gem in our selection? | 0:44:15 | 0:44:22 | |
Judy's not sentimental about her ivory corkscrew. | 0:44:22 | 0:44:26 | |
Probably ?50-?100. Yes. I think we ought to put a reserve on of about ?50. Yes. | 0:44:26 | 0:44:33 | |
Susan is offended by the subject of her painting. | 0:44:33 | 0:44:40 | |
David is selling the bronze of Napoleon. | 0:44:40 | 0:44:44 | |
Is the dark patination a problem? | 0:44:44 | 0:44:47 | |
Quite happy for us to sell it? Yes. Why not? Flog it? Flog it. | 0:44:47 | 0:44:52 | |
Jean's table has been in the family for 60 years, | 0:44:52 | 0:44:56 | |
but now she has no room for it. | 0:44:56 | 0:44:58 | |
A holiday. I could do with one. | 0:44:58 | 0:45:01 | |
And Kelly's hoping her mum June will buy a new hat for the wedding | 0:45:01 | 0:45:06 | |
from the sale of the salt cellars. | 0:45:06 | 0:45:10 | |
My mum will be pleased. That's a relief to all of us! Thanks for bringing them. Thank you. | 0:45:10 | 0:45:16 | |
The tension is rising. Will our experts' estimates be on the nose? | 0:45:21 | 0:45:27 | |
Most first-time sellers don't have the luxury of knowing what the auctioneer thinks of the piece. | 0:45:27 | 0:45:34 | |
We do. Let's see what James Braxton thinks of our owners' items. | 0:45:34 | 0:45:38 | |
Sue brought this painting in and I think it's going to show a good healthy return. | 0:45:38 | 0:45:42 | |
She bought it in Michigan, 20 years ago for $15. She could do well! | 0:45:42 | 0:45:50 | |
It's not PC but it is collectible, isn't it, hunting? It is. | 0:45:50 | 0:45:55 | |
We looked up Mr H Murray | 0:45:55 | 0:45:58 | |
and it's a pseudonym for a Birmingham-based artist and illustrator called Horace Hammond. | 0:45:58 | 0:46:04 | |
Horace Hammond had three pseudonyms. | 0:46:04 | 0:46:07 | |
He was also AD Bell and J Barclay. | 0:46:07 | 0:46:09 | |
Why would he do that? He tended to use H Murray when he did hunting and coaching inn scenes. | 0:46:09 | 0:46:17 | |
Maybe he, even in the '20s and '30s, was politically sensitive. Yes. | 0:46:17 | 0:46:23 | |
Everyone is falling off, so they don't catch the fox. | 0:46:23 | 0:46:27 | |
They never do. They don't, do they? | 0:46:27 | 0:46:30 | |
Nigel has put on this ?300-?500, with a reserve of ?300. | 0:46:31 | 0:46:37 | |
We've looked him up in the art sales index. They tend to make ?300-?350. | 0:46:37 | 0:46:42 | |
So he's bang on. Yeah. | 0:46:42 | 0:46:45 | |
Jean's brought this lovely flame mahogany table in. | 0:46:52 | 0:46:55 | |
Philip's valued this at ?500-?800. There is a reserve of ?450. | 0:46:55 | 0:47:00 | |
Yeah. I think it's going to be around that ?500. It's an honest table. | 0:47:00 | 0:47:05 | |
The toes are missing, aren't they? Yeah. When one toe wears down, | 0:47:05 | 0:47:11 | |
rather than have a carpenter or furniture restorer make one up, they knock the other two off. | 0:47:11 | 0:47:17 | |
It doesn't quite stand so well. They are worn. | 0:47:17 | 0:47:21 | |
Something like that. Yeah, although it has the added advantage of having casters. | 0:47:21 | 0:47:28 | |
But you can see the difference. It just finishes it off. | 0:47:28 | 0:47:34 | |
So, what are we looking for? Around ?500. It will get five. I think we'll struggle around 500. | 0:47:34 | 0:47:40 | |
This is it. There's a packed house. How are our owners feeling? | 0:47:45 | 0:47:51 | |
First up is Napoleon's bust. David seems quite happy to let it go. | 0:47:51 | 0:47:56 | |
What will you spend the money on? I've got my eye on a map over there of my namesake county. | 0:47:57 | 0:48:04 | |
What county's that? Norfolk. Norfolk. | 0:48:04 | 0:48:08 | |
There we go. OK, David, this is our lot. Right. Lot 88 now. | 0:48:08 | 0:48:13 | |
Bronze bust... What will it make? | 0:48:13 | 0:48:16 | |
I'll say it might just get to 100. | 0:48:16 | 0:48:19 | |
I think he'll pip the estimate. Napoleon Bonaparte, | 0:48:19 | 0:48:24 | |
looking very splendid. | 0:48:24 | 0:48:26 | |
I want to see you go home with your namesake map. | 0:48:26 | 0:48:30 | |
?50, nice bronze here. | 0:48:30 | 0:48:32 | |
50, thank you. 60, I have. | 0:48:34 | 0:48:36 | |
At 60...70...80. | 0:48:36 | 0:48:39 | |
There's a bid left on the book. That's encouraging. | 0:48:39 | 0:48:44 | |
..and 40. 140. With me at 140. | 0:48:44 | 0:48:49 | |
Any advance on 140? | 0:48:49 | 0:48:51 | |
Sold! Are you happy with that? | 0:48:52 | 0:48:55 | |
That's useful, yes. I can use the money. | 0:48:55 | 0:48:59 | |
I hope you get the map of Norfolk. | 0:48:59 | 0:49:01 | |
Yes, that'll be an excellent thing to take home...in place of Napoleon. | 0:49:01 | 0:49:08 | |
Won't be TOO sorry to see him go. | 0:49:08 | 0:49:10 | |
75. | 0:49:14 | 0:49:15 | |
We've met before, haven't we? Yes. We were bidding against each other in a sale room. I was the lucky one. | 0:49:17 | 0:49:24 | |
Yes. I hope you get lucky here today. I hope so. | 0:49:24 | 0:49:28 | |
You bought this watercolour in Michigan for $15. | 0:49:28 | 0:49:32 | |
That's a hell of a buy. We think it's going to reach, what? ?300-?400? | 0:49:32 | 0:49:38 | |
I think at least that. | 0:49:38 | 0:49:40 | |
Here we go. | 0:49:40 | 0:49:43 | |
A watercolour drawing, the hunting scene... I hope it does well. | 0:49:44 | 0:49:48 | |
It would be nice. | 0:49:48 | 0:49:51 | |
?200. | 0:49:51 | 0:49:53 | |
I like it because they're all falling off! | 0:49:53 | 0:49:57 | |
100 is bid. Thank you. 100. | 0:49:58 | 0:50:01 | |
Where's the 110? | 0:50:01 | 0:50:04 | |
110 against you. | 0:50:04 | 0:50:06 | |
120, 130... Great. He's got something on the book. | 0:50:06 | 0:50:11 | |
160...170. | 0:50:11 | 0:50:13 | |
180...190. | 0:50:13 | 0:50:15 | |
200...220... It's climbing well. Yes. | 0:50:15 | 0:50:19 | |
250...280. One more. | 0:50:19 | 0:50:21 | |
Brilliant. 280 against you. | 0:50:21 | 0:50:24 | |
At 280... | 0:50:24 | 0:50:26 | |
Not expensive. Not expensive. | 0:50:26 | 0:50:29 | |
Didn't sell. | 0:50:29 | 0:50:31 | |
Well... 280. | 0:50:31 | 0:50:33 | |
I mean, I've still got it. | 0:50:33 | 0:50:36 | |
Or you could have a word with the auctioneer, if you want to let it go at 280. Well... If you want rid. | 0:50:36 | 0:50:44 | |
I would have thought that was worth ?300 any day of the week. | 0:50:44 | 0:50:49 | |
I wouldn't be tempted. All right. Hang onto it, then. Disappointing. | 0:50:49 | 0:50:54 | |
Oh, well. OK. | 0:50:54 | 0:50:57 | |
Susan's fox painting didn't find a new home. Maybe the buyers are too politically correct today. | 0:50:57 | 0:51:05 | |
Wonder what they'll make of Judy's corkscrew. This is my partner Brian. Is he vegetarian? When he's with me. | 0:51:05 | 0:51:12 | |
Hopefully you're off to Spain with the proceeds of this corkscrew. | 0:51:12 | 0:51:18 | |
We may make it to Victoria on the proceeds! | 0:51:18 | 0:51:21 | |
Lot 210A, the novelty corkscrew. | 0:51:21 | 0:51:25 | |
75... | 0:51:25 | 0:51:27 | |
Brilliant. Good start. | 0:51:27 | 0:51:29 | |
Anybody else in the room? 80, I have. He's got a bid in the book. | 0:51:29 | 0:51:35 | |
95...100...110. | 0:51:35 | 0:51:38 | |
120...130. He can keep it going much faster and people get excited. | 0:51:38 | 0:51:44 | |
170. It's with you at 170. | 0:51:44 | 0:51:46 | |
Any further bidding? At 170. Brilliant. Further than Victoria! | 0:51:46 | 0:51:51 | |
That's Seville. Excellent. A return to Seville for one of you! | 0:51:51 | 0:51:56 | |
I hope you enjoy the holiday. Thank you very much. | 0:51:56 | 0:52:00 | |
Will Kelly's mum make enough from the salt cellars to buy a hat? | 0:52:03 | 0:52:07 | |
Kelly, who have you got with you? | 0:52:07 | 0:52:09 | |
This is my mum. What's your name? | 0:52:09 | 0:52:12 | |
Julie. They're yours? Yes. You'll put the money towards the wedding. | 0:52:12 | 0:52:18 | |
Yeah, hopefully. What did you pay for them? I didn't. Someone gave them to me. | 0:52:18 | 0:52:25 | |
You don't feel guilty about selling a present? We've all done it! Haven't sold them yet! | 0:52:25 | 0:52:31 | |
Lot 200 now. Here we go. Off to the races. | 0:52:31 | 0:52:36 | |
Are you shaking? Just a bit. | 0:52:36 | 0:52:38 | |
..Sheffield, 1904, | 0:52:38 | 0:52:40 | |
by the maker Walker and Hall. Despite commission double, at ?90. | 0:52:40 | 0:52:46 | |
90. | 0:52:46 | 0:52:47 | |
Anybody at 95? | 0:52:47 | 0:52:50 | |
95, thank you. | 0:52:50 | 0:52:52 | |
100. | 0:52:52 | 0:52:53 | |
?100. | 0:52:53 | 0:52:55 | |
Any advance on this at 100? | 0:52:55 | 0:52:58 | |
110. Thank you. There it is on my left there. 110. | 0:52:58 | 0:53:03 | |
120. Oh, yeah! At the back, 120 it is. | 0:53:03 | 0:53:08 | |
There you go! | 0:53:08 | 0:53:11 | |
Are you happy with that? One bikini. | 0:53:11 | 0:53:13 | |
Yeah, that's good! | 0:53:14 | 0:53:17 | |
Several, I'd have thought. | 0:53:17 | 0:53:20 | |
Hope you enjoy the wedding. Thank you. And good luck for the future. | 0:53:20 | 0:53:26 | |
The last lot of the day is Jean's dad's table. | 0:53:26 | 0:53:31 | |
It's been in the family for a long time, so it'll be hard to see it go. | 0:53:31 | 0:53:36 | |
I love this little table of yours. It's a shame you have to sell it. It is a bit. | 0:53:36 | 0:53:43 | |
I reckon this should go for around ?700. Let's hope so. | 0:53:43 | 0:53:47 | |
It's honest. I like the top. It is honest. Yes. | 0:53:47 | 0:53:51 | |
Are you still going to put the money towards a holiday? | 0:53:51 | 0:53:56 | |
I've had a change of heart. What's that? I think my grandchildren might benefit. Ah! | 0:53:56 | 0:54:03 | |
I've got five grandchildren. Five? Yes. You'll need to get over ?500 for it! I need as much as possible! | 0:54:03 | 0:54:10 | |
A simple figure cos our maths are useless. Absolutely. | 0:54:10 | 0:54:14 | |
This is ours. Fingers crossed. Feeling nervous? | 0:54:14 | 0:54:20 | |
Not really. | 0:54:20 | 0:54:23 | |
Nick, you wouldn't mind holding it up, would you? | 0:54:23 | 0:54:27 | |
Hold it up, Nick. Coax the bids out of them! It does help, though. | 0:54:28 | 0:54:33 | |
And it's a lovely column. | 0:54:33 | 0:54:36 | |
That's my double at 420...420. | 0:54:36 | 0:54:40 | |
450...480. | 0:54:40 | 0:54:42 | |
Great. We've sold it. 500. 550. | 0:54:42 | 0:54:44 | |
600. | 0:54:44 | 0:54:46 | |
650. Brilliant. | 0:54:46 | 0:54:48 | |
700...750...800. | 0:54:48 | 0:54:50 | |
850. | 0:54:50 | 0:54:52 | |
Top money. 880's taken. 900. | 0:54:52 | 0:54:55 | |
950 now. | 0:54:55 | 0:54:57 | |
950's bid. Anybody at 1,000? | 0:54:58 | 0:55:02 | |
Make the maths easier. It would, wouldn't it? Round it up. | 0:55:02 | 0:55:06 | |
950. It's in the room at 950. Any advance on ?950? | 0:55:06 | 0:55:12 | |
Jean, that's great. It's absolutely wonderful. Well done, Philip. | 0:55:12 | 0:55:18 | |
What a great sale for Jean. | 0:55:18 | 0:55:21 | |
Sam's delighted her guitar mirror made a profit of ?75, even though she's got to split it three ways. | 0:55:21 | 0:55:29 | |
I'm quite pleased with that actually, yeah. | 0:55:29 | 0:55:32 | |
It's gone now. No-one can say I didn't do my best to get rid of it. | 0:55:32 | 0:55:38 | |
It was a struggle to sell John's Japanese vase, but somebody bought it in the end. | 0:55:38 | 0:55:45 | |
Disappointed, but the china wasn't fetching the prices we'd hoped. | 0:55:45 | 0:55:51 | |
At least we got rid of them. | 0:55:51 | 0:55:53 | |
Julie will be the envy of the beach in her new bikini, paid for by her silver salt cellars. | 0:55:53 | 0:55:59 | |
We thought we'd get the reserve. | 0:55:59 | 0:56:03 | |
So we're not embarrassed. No. | 0:56:03 | 0:56:06 | |
And Jean's grandchildren will be delighted with the windfall of ?950. | 0:56:06 | 0:56:12 | |
I think it's absolutely wonderful. I'm amazed! Well done, Philip, too. | 0:56:12 | 0:56:17 | |
Every auction room is full of surprises. We've had some wonderful ones here. See you next time. | 0:56:19 | 0:56:26 | |
Subtitles by Red Bee Media Ltd | 0:56:56 | 0:56:59 | |
This is Malcolm. He owns Iceland. | 0:57:09 | 0:57:11 | |
He's the one that's going to present us with the ten grand WHEN we win it. | 0:57:11 | 0:57:14 | |
You've just got to make it as bearable | 0:57:14 | 0:57:16 | |
or as pleasurable as possible. | 0:57:16 | 0:57:18 | |
Well, here we are in the PR nerve centre of Iceland, | 0:57:18 | 0:57:21 | |
at the end of 96 hours of total hell. | 0:57:21 | 0:57:24 | |
Did we test for horse? No. | 0:57:24 | 0:57:26 |