Alnwick Castle 26 Flog It!


Alnwick Castle 26

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The Percy family have owned their home for over 700 years.

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But this isn't just any old house.

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They've welcomed us into the grounds of Alnwick Castle in Northumberland.

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It doesn't get much grander than this. Welcome to Flog It!

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'It wasn't until the 18th century that Alnwick Castle

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'was transformed from a derelict building

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'into a grand and comfortable home worthy of showing off to society.

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'I'll be going inside later on in the programme

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'to see what priceless treasures are on show in the state rooms.

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'But there's also plenty of people and activity

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'outside the castle walls.'

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Somebody here in this marvellous queue

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has got something that is worth a small fortune

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and they don't know it yet, but it's our job to find it.

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They've all turned up here today to ask our experts

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that all-important question which everybody wants to know, which is...

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ALL: What's it worth?

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-And what are you going to do when you've found out?

-ALL: Flog it!

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'The auction comes later in the show.

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'Our experts have to find the things they want to value first.

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'And heading up the team today are the dashing David Fletcher...'

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Right. Oh, yeah, yeah, yeah.

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'..and the one and only Anita Manning.'

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Let's see what we can catch.

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'You can't get a better setting than this.

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'And coming up on the show, we've got a whole host of fantastic items

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'and some really lovely owners.

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'And for all you Flog It! fans at home,

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'can you guess which item makes ten times its estimate?

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'Is it a shipyard visitors book?'

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I must say, I think it's the best thing I've ever seen on Flog It!

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'A collection of woven pictures?'

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They were woven with such accuracy.

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-'Or could it be a brass carriage clock?'

-Late 19th century.

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-I should think about 1890.

-As old as that?

-Yep.

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'Well, you'll just have to wait and see.'

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Everybody's safely seated inside now,

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and as you can see, it is lights, camera, action.

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It's about time we pushed a few buttons and recorded some antiques.

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It looks like Anita Manning is our first expert

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to the Flog It! blue tablecloth.

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Let's take a closer look at what she's spotted.

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'And Anita's with Anne,

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'who is on a flying visit from her adopted home of Australia.'

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Thank you for bringing these crazy characters along.

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They are crazy!

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Give me the background. Where did you get them?

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Well, my friend bought them, I'm guessing 30 years ago.

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And when she died in May, she left me these

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with some little small ornaments which I'll take back,

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but they're too big and heavy to take to Australia

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and I would hate them to get broken after she had them so long.

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-They're better going to a collector.

-Yes.

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Um, they're wonderful Murano glass.

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Now, do you know anything about them?

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I didn't even know they were Murano glass, to be truthful.

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THEY LAUGH

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Murano is an island off Venice.

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And Venice was a famous centre

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for glass-making since medieval times.

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But in the process of glass-making,

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you have great heat and great fire.

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And Venice, at that time, the buildings were made of wood,

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so they wanted to take the glass-making away from Venice,

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onto one of the islands.

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And this is where these came from.

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These are from the 1950s, or the '60s.

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But if you consider the workmanship or the craftsmanship

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that's involved in making all these intricate frills.

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And the Italians were master glass-blowers and glass-makers.

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And they've carried these traditions into today,

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although these ones are from the 1950s.

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Now, there is no marking on them.

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-What they would have had at one time was a paper label.

-Yes.

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But, obviously, no more.

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So, er, value on them, £50-80.

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Uh-huh.

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-Would you be happy to sell them at that price?

-Yeah.

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-Well, I just don't want to take them to Australia.

-You can't.

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-It would cost more than that for you to send them across.

-It would.

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-We'll put a reserve price, just in case.

-Yes.

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-A reserve price around £40.

-Mm-hm.

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-Would you be happy with that?

-Yes, I think so.

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-Can you come to the auction?

-No. I'll be back in Australia.

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I'll be cheering them along on the day.

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You should be trying to sell them.

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THEY LAUGH

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'Anita's not got her auctioneer's hat on today.

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'Out in the courtyard, a bit of pottery has caught my eye.'

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-Karen, I'm a big fan of Slipware.

-Right.

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This, to me, is proper country pottery and folk art.

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It's something you could still use today,

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but it is incredibly decorative.

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So, how did you come by these two pieces?

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I bought them at the market at Hexham on a Sunday morning.

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-How long ago?

-I would say about ten years ago.

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OK. And how much did you pay for them?

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It's a while. I can't remember.

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-I probably would've paid £20 or £30.

-For the two of them?

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-Something like that, yeah.

-Gosh! No! Really?

-Yes.

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-The pie dish could be worth that alone.

-Could it? Right.

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-That is a nice pie dish, isn't it?

-Yes, it is.

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This would have been made around

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the northern part of Staffordshire, in the potteries.

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Slipware like this dates back to the 17th century.

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Thomas Toft, people like that, you know.

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Very, very collectable pieces.

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Also, you can get pieces that are dated in Slip, as well.

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And they are so desirable. Oh, they really are.

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This looks like a marriage piece.

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Two hearts joining, saying, "I love you. Here's the key to my heart."

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Yes. That's what I thought.

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Isn't that nice? I love this. You know what the Slip is, don't you?

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It's a coloured liquid clay which is trailed on afterwards.

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I'm pretty sure this is a one-off.

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It's just such a shame that it's not dated, it really is.

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-Because that would tell a whole story of social history.

-Yes.

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I like this pinchwork around the top.

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That tells you it's a proper pie dish.

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It reminds me of me mam.

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Me mam used to make plate pies for me dad

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and she used to crimp the pastry around the edge of the plate.

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And that reminded us a lot of that.

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And when you pull it out of the oven, it's all crumbly on the edge.

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-They are the best bits, aren't they?

-Yes.

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Very, very nice.

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I'd say they're sort of circa 1880, late Victorian.

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-Right.

-So that kind of rules the purest collectors out.

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But there's still plenty of people at entry level

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and folk art collectors and country pottery collectors

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-that will just die for these.

-Right.

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Well, I think we'll put them in as one lot

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because they belong together. They shouldn't be separated.

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How about if I said, let's put them into auction

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with a price guide of £300-500?

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-That would be brilliant.

-Yeah?

-Yeah.

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'David is with Trevor and a piece of local maritime history.'

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This is more than just a visitors book. What can you tell me about it?

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I believe it's from the Swan Hunter's

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Wigham and Richardson shipyard on the Tyne.

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And it lists all the ships that were built

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during the period of that shipyard's life, I believe.

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At each launch, all the visitors, dignitaries,

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captains, admirals,

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both local and national,

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signed the book at the launching of the ship.

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It's amazing.

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These superbly illuminated pages.

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Each one with a flag or a spray of flags.

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HMS AS Natal.

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Presumably Her Majesty's South African ship, Natal.

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And there's a South African flag

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and some signatures beneath that,

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one of whom is the High Commissioner of South Africa.

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And then it's interesting to note that in the early days,

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we really just had signatures.

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And we go back to 1911, is the first entry.

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Um, it tells a tale of the splendour, really,

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that was British industry

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in the middle years of the 20th century.

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And I must say,

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I think it's the best thing I've ever seen on Flog It!

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I'm very grateful to you for bringing it in.

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The social significance of this, I think, is enormous.

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How did you come by it?

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Well, I believe it was found in a skip

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down in the area where the shipyards were

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at a clearing-out of the shipyards.

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It was given to me a few years later by the person who found it.

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And I've had it for at least 15, 16, 17 years.

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I can't remember how long now.

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It's just staggering that things like this

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have somehow slipped through the net.

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-Um, I mean, you're obviously happy to sell it.

-Yes.

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It's lying on a bookcase, it has done for a lot of years.

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And I think now's the time

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perhaps somebody should have it who will appreciate it more than I will.

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-Someone must get their teeth into it.

-There's a lot of research.

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I'm sure the auctioneers will help us with that.

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It's practically impossible to value something like this.

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As I say, there's homework yet to be done,

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but I would be inclined to come up with an estimate

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in the region of £300-500.

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Um, and suggest a reserve of £300.

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But I must say, I hope it makes quite a bit more than that.

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And I'm confident that it will.

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-Um, is that OK by you?

-That's fine, yeah.

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Anita is with Dick and his trains are certainly not just for boys.

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When I was a wee girl, my dad bought me train sets for Christmas. Not dolls. I'm always pleased

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to see this type of thing. Tell me, where did you get these?

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They were my dad's. And he, I think, bought some of them

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in the 1940s. Probably when he came out of the RAF. And he was a railway engineer on steam trains.

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-So I think this is where the interest came.

-Oh, right.

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-Did he play with these?

-Yes, he did.

-And when you were a wee boy?

-Yes!

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I was never allowed to touch them!

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-Did your dad get dressed up in his uniform?

-No, no.

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No, no!

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-It wasn't as bad as that?

-No, it wisnae as bad as that.

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This one here is possibly the earliest one.

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This is a German locomotive made by Bing.

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From about the mid-1920s, I would say.

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-This one here is our dear old Hornby.

-Yes, clockwork.

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Probably the most popular company for making trains or locomotives ever.

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And this one here is Bassett-Lowke, which were a Northampton company

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and, of course, Northampton's a very famous place for railways, railway memorabilia.

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Now do you have the other pieces of this?

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-We have various tracks and goods stock to go with them all.

-Right, OK.

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-Now these are steam-driven.

-Yes.

-When you were a wee laddie, were you allowed to do any of that?

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-No, no.

-No?

-Actually, one time they had it going in the living room.

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I think this one caught fire and my dad threw it in the sink and it set the curtains on fire...!

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He wasn't really allowed to run them in the house after that.

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-Your mum said, "Enough's enough."

-They're very difficult to regulate.

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You had to put a load of coaches on to slow them down on corners.

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-I used to like when they fell off.

-You must have been a wee devil!

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-Aye.

-All right. I notice on the Hornby one

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that they're all zero gauge and this has been a replacement.

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-Yes, my dad made the replacement.

-That probably didn't affect the performance.

-No.

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-But...

-The price.

-It will affect the price a wee bit.

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I think probably putting them in, maybe 150-250, would you be happy to put them in at that?

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-Yes, aye.

-We'll put them in with a reserve of maybe round about 130 on them.

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But what I would like you to do if you have the other pieces and carriages

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-is to bring them to the auctioneer. The auctioneer may amend the valuation on it.

-Right.

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I'd rather somebody got the enjoyment out of using them. That's where they should be.

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-Played with again. That's the important thing.

-Aye.

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Let's hope whoever buys them doesn't set fire to their mum's curtains!

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'And moving on, I'm with Irene and the most bizarre inkwell I have ever seen.'

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-It's been kicking around my loft for 30 years.

-Has it? What was it doing up there?

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-I have no idea. It's my husband's.

-Oh, right. OK.

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-I think he got it from his father.

-Strange thing.

-You like it or you don't.

-Yeah, I know.

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-I don't really like it.

-No! Neither do I.

-I'm a horse lover

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-and it's something that I would never do.

-No.

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-Never.

-It looks better on the horse.

-It looks much better on the horse. The horse was called Duckling.

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-We know that as it's engraved "Duckling, 1908".

-Yeah.

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-This is silver. Did you know that?

-I saw the...

-The hallmarks.

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-It was black this morning!

-You polished this?

-My husband did.

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-Bless him!

-It was black.

-"It might make more money! Give it a quick polish!"

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It doesn't really matter if you don't polish silver.

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I like my silver unpolished. Maker's name - M&C. The silversmith Macey and Chisholm.

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They were working from 1834 to around about 1957.

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-Somewhere around there.

-Right.

-So it was a good span, over 100 years.

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-That thistle, what does that tell you?

-Scotland?

-Exactly.

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So the assay office was in Edinburgh.

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-If this horse had had a racing pedigree, then it might be worth quite a bit of money.

-Yeah.

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But I think it was just a trusty steed, a family pet.

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This kind of thing was fashionable back in 1908.

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-At auction, I imagine this would fetch £60-£80.

-Right.

-Are you happy with that?

-Fine.

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-Let's stick it in with that valuation. Do you want a reserve?

-No.

-Shall we say no reserve?

-Yeah.

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-Just get rid.

-OK.

-I've never been to an auction before.

-Well, you'll enjoy yourself!

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You'll enjoy yourself.

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'Here's what's going under the hammer.

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'Anita and Anne both loved the Murano glass figures

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'and they do have their collectors.

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'I absolutely loved Karen's Slipware plate and pie dish.

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'And she only paid £20 or £30 for the pair.

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'Trevor's important shipyard visitors book

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'was saved from being lost forever.

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'But will it stay in the local area?

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'Dick's selling his collection of trains along with more track that he's added to the lot.

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'Irene's horse's hoof inkwell is a curious item,

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'but it does have a silver lid.'

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This is where we're putting our valuations to the test -

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the Boldon Auction Galleries,

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on the north-east coast, just outside Sunderland.

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The room is filling up full of bidders

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hopefully wanting to buy our lot.

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Will anything fly away? Fingers crossed. I hope so.

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'The standard seller's commission here is 17.5% plus VAT.

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'And our auctioneer is Giles Hodges.'

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Going under the hammer now, Italian Murano glass from the 1950s.

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It's stunning. Hopefully, we'll get the top end.

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It was brought in by Anne,

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-who has gone back to Australia.

-She's gone back.

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-But she stayed at your house while we were filming in Alnwick.

-Yes.

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-Right. OK. Do you like this piece of glass?

-Yes.

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We should get that top end, because glass is the flavour of the month.

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Well, it's retro, it's vintage,

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it's the type of thing that the young kids are buying at the moment.

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We could do £80, hopefully, on a good day, maybe a bit more.

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-We could.

-Let's find out what the bidders think. Here we go.

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We've got a pair of Murano Italian glass carnival figures

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with the amber and black white piping.

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And I'm bid £20 to start them. At £20. Straight in on commission.

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Good. There's someone else here in the room.

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£30, £35,

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£40, £45,

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£50, £55.

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£60. Gentleman's bid in the middle.

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-Come on, squeeze a bit more.

-At £60. Have I missed anybody?

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At £60. £65. Lady downstairs. £70 now.

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No, he's out. At £65, lady to the left.

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At £65 for the last time.

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Top end of the estimate. A bit over. Well done. Well done.

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-Anne will be pleased.

-You've got to phone her.

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-She's going to ring me later.

-You've got it sussed out!

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-She's going to ring you.

-To see how it's gone on.

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'Well, I'm sure that long-distance phone call will be a happy one.

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'My turn to be the expert now.'

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Good luck. It's the moment you've been waiting for.

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-Yes.

-The Slipware is going under the hammer.

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We've got two lovely items with a value of £300-£500.

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What have you been up to since I last saw you?

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-Nothing as exciting as seeing you the other week.

-Oh, bless!

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-Nothing as exciting as this!

-I've been looking forward to today.

0:18:550:18:59

I might ruin the moment now with my valuation, if it doesn't sell.

0:18:590:19:03

You're happy if it doesn't sell, aren't you?

0:19:030:19:05

I'll be happy. I'm happy just to be here, really.

0:19:050:19:07

Lot number 30.

0:19:070:19:09

We've got the 19th-century Slipware

0:19:090:19:11

and earthenware oval platter

0:19:110:19:13

and the matching dish.

0:19:130:19:15

And I'm bid £100 to start it.

0:19:150:19:18

At £100. £110, anybody now?

0:19:180:19:20

At £100. £110.

0:19:200:19:23

£120, £130, £140, £150.

0:19:230:19:28

At £150. £160 now.

0:19:280:19:31

This is going to struggle.

0:19:310:19:33

All done at £150?

0:19:330:19:35

Not sold.

0:19:350:19:37

-That's all right.

-I'm pleased in a way we put a reserve on it.

0:19:370:19:40

Each item should have been worth £150.

0:19:400:19:42

And that's what we were hoping for, £300 for the two.

0:19:420:19:45

I'll just have to hang onto them.

0:19:450:19:47

-I like them, so I'll take them home.

-Are you sure?

0:19:470:19:49

-Still been a good experience?

-Lovely, yes.

0:19:490:19:51

-Not annoyed with me?

-No.

0:19:510:19:53

-Who's this?

-Joan, my friend. The reason I came.

-The reason you came? Why?

0:19:560:20:01

-She wanted to come.

-Ah, I see!

-And I didn't have anything!

0:20:010:20:06

-You haven't got anything in your house?

-It wasn't worth anything.

0:20:060:20:10

OK, well, hopefully it's the little bit of silver that gets this away.

0:20:100:20:15

I'm not sure about the name Duckling, but somebody loved it and this was the fashion.

0:20:150:20:20

-Let's see what the bidders think. Happy?

-Absolutely.

-Here we go.

0:20:200:20:25

A silver-mounted hoof inkwell. Edinburgh, 1908.

0:20:250:20:30

Engraved "Duckling". And I have a £50 bid for it. At 50.

0:20:300:20:37

5, anybody? 55. 60.

0:20:370:20:40

65. 70.

0:20:400:20:42

75. 80. At £80. It's on commission.

0:20:420:20:47

At £80, are we all done?

0:20:470:20:50

At £80. It's the commission bidder. There's nobody on the net.

0:20:500:20:55

At £80, are we all done? At 80.

0:20:550:21:00

-Yes! £80. That's not bad, is it?

-It's all right.

-I was a bit worried.

0:21:000:21:05

-Kind of what I said in a way.

-Yeah, it was. 60-80.

0:21:050:21:09

-It was nice and quick!

-Yeah. In and out.

-Lovely. Yeah.

0:21:090:21:15

Top end of the estimate for lovely Irene. Now it's time for Dick to say goodbye to his trains,

0:21:150:21:21

which used to belong to his dad.

0:21:210:21:24

-Did he let you play with them?

-Not often! Not at all, in fact!

0:21:240:21:29

-"You can't play with them, but I can!"

-They're a wee bit dangerous at times!

0:21:290:21:34

-And you brought some other bits and pieces.

-Rails and carriages.

0:21:340:21:39

-It's a nice package.

-A nice group.

-Well, we could have a big surprise.

-Let's hope so.

-You never know.

0:21:390:21:45

This is what happens in an auction. Cheeky "come-and-buy-me"s.

0:21:450:21:49

-Good luck, Dick.

-Right.

-Here we go.

0:21:490:21:53

A large collection of Bingham, 0-gauge, Hornby, locomotives,

0:21:530:21:57

track, rolling stock.

0:21:570:21:59

Plenty of interest again. I'm bid 100 to start it. 100.

0:21:590:22:04

120. 140. 160.

0:22:040:22:07

At 160. 180 now?

0:22:070:22:10

At 160. 180. Back of the hall.

0:22:100:22:14

At £180. 200 now? At £180. Are you all done?

0:22:140:22:19

At £180 and we're away.

0:22:190:22:22

-Sold. 180. It's gone.

-Right. Good, good.

0:22:220:22:27

I don't need to take it back!

0:22:270:22:29

Trevor, why are you selling this?

0:22:330:22:35

I've had it in my possession for some time now and I've enjoyed it

0:22:350:22:38

and I just think it's time it should move on to somebody else

0:22:380:22:41

who enjoys maritime history or social history of the area.

0:22:410:22:46

It is maritime heritage at its very best.

0:22:460:22:49

It's an important thing, Paul, isn't it? It speaks of a bygone age.

0:22:490:22:52

Sadly, you go to the docks these days,

0:22:520:22:55

and the shipbuilding yards in Newcastle,

0:22:550:22:57

and nothing much is happening.

0:22:570:22:59

Let's find out what the bidders think, shall we? It's going under the hammer.

0:22:590:23:02

Lot 110. One of my favourite lots.

0:23:020:23:05

The leather-bound visitors' book from the Swan Hunter

0:23:050:23:07

and Wigham and Richardsons of Wallsend shipyards.

0:23:070:23:11

I have one commission bid. I start at £300.

0:23:110:23:16

-It's sold.

-Ten, anybody now? At 300. 310.

0:23:160:23:19

To my right in the room at 310.

0:23:190:23:22

320, anybody?

0:23:220:23:24

At £310. 20, yes or no?

0:23:240:23:28

At £310. Are we all done?

0:23:280:23:32

-At the lower end, unfortunately. It's gone.

-It's fine.

0:23:320:23:36

I had hoped it would make more.

0:23:360:23:38

Hopefully, it has gone to a museum, where it can be put on display so people can appreciate it.

0:23:380:23:42

Thank you so much for bringing that in. That's a lovely bit of heritage.

0:23:420:23:46

Thank you very much.

0:23:460:23:48

'And I am delighted to say

0:23:480:23:49

'Trevor's shipyard book was bought by Tyne and Wear Archives and Museums

0:23:490:23:54

'to join their maritime history archives.

0:23:540:23:57

'What a great result for all concerned!'

0:23:570:24:00

All the antiques we're selling here today

0:24:010:24:04

we found in the grounds of Alnwick Castle.

0:24:040:24:06

While I was up here filming,

0:24:060:24:08

I had the opportunity to go inside the castle

0:24:080:24:10

to discover what antiques were on display there

0:24:100:24:12

and see the changing tastes of the dukes and duchesses of Northumberland.

0:24:120:24:17

Take a look at this.

0:24:170:24:19

I'm here to explore how the generations of one family

0:24:270:24:30

have filled this magnificent architectural delight

0:24:300:24:33

with the most exquisite fine art and antiques.

0:24:330:24:37

'The Percy family's connection with the castle began in 1309,

0:24:380:24:44

'when the first Lord Percy of Alnwick bought it.

0:24:440:24:46

'Wars and reversals of fortune over the years led to the castle falling into disrepair,

0:24:460:24:51

'so let's start our story with its reinvention

0:24:510:24:54

'in 1750 with the arrival of the first Duke and Duchess of Northumberland.'

0:24:540:25:00

Elizabeth Seymour, a Percy by blood, inherited the castle

0:25:020:25:05

and set about transforming this sorry-looking building

0:25:050:25:09

into a home worthy of entertaining society.

0:25:090:25:12

Along with her husband,

0:25:120:25:13

Sir Hugh Smithson,

0:25:130:25:15

they slowly rose up the aristocratic ladder,

0:25:150:25:17

receiving the title of Duke and Duchess

0:25:170:25:19

and enjoying those social privileges you might expect,

0:25:190:25:23

like the Grand Tour, entertaining royalty.

0:25:230:25:26

The Duchess had great delight in collecting fine art and antiques

0:25:260:25:29

and, of course, novelties, including one of her purchases,

0:25:290:25:33

those stone figures up there on the top of the tower.

0:25:330:25:36

They are quite amusing, aren't they?

0:25:360:25:38

The couple clearly enjoyed living in the castle

0:25:420:25:44

and furnishing it was one of the Duchess's main passions.

0:25:440:25:47

She had an incredible eye and she sourced many items

0:25:470:25:50

from renowned dealers and auction rooms all over the country.

0:25:500:25:54

To give you a good example of her exquisite taste and sense of humour,

0:25:540:25:58

take a look at these ivories.

0:25:580:25:59

They're tavern scenes and hunting scenes, people having fun.

0:25:590:26:04

Enjoying themselves.

0:26:040:26:05

I like this one in particular.

0:26:050:26:08

There's a chap relieving himself in the corner of the tavern.

0:26:080:26:11

'Everywhere you look, there are magnificent pieces,

0:26:150:26:18

'with some items coming from inheritances and stately residences.

0:26:180:26:23

'Each generation like to make their mark

0:26:240:26:27

'and it wasn't just through auctions and antique dealers that this couple acquired fine things.'

0:26:270:26:32

It's believed that in 1756, the first Duke entered a porcelain lottery,

0:26:320:26:36

something like a high-class raffle, and won this incredible collection of Meissen I'm surrounded by, here.

0:26:360:26:42

Now, if that's true, back in the 18th century,

0:26:420:26:45

then that is an incredible thing.

0:26:450:26:48

There are over 100 pieces of Meissen here,

0:26:480:26:51

all dating from 1746 to 1751.

0:26:510:26:54

What's incredible is there aren't that many other known pieces

0:26:540:26:57

in the world outside of this collection.

0:26:570:27:00

Back in the 18th century, this hard-paste porcelain

0:27:000:27:04

was known as white gold because it was so expensive

0:27:040:27:07

and it was only really given, sets like this, to people that moved in diplomatic circles.

0:27:070:27:12

The Duke was rubbing shoulders with the right people,

0:27:120:27:14

because a service of this size would have normally been reserved for ruling monarchy.

0:27:140:27:20

'The first Duke clearly had an appreciation for talent.

0:27:230:27:28

'He was a patron of Canaletto, owning eight paintings in total,

0:27:280:27:32

'including one of Alnwick Castle and one of

0:27:320:27:34

'their past London residences, Northumberland House.

0:27:340:27:37

'The third Duke also had an eye for quality,

0:27:390:27:42

'and bought two grand Cucci cabinets from a dealer

0:27:420:27:44

'which were originally made for Louis XIV of France,

0:27:440:27:48

'for the Palace of Versailles.'

0:27:480:27:50

Moving on to the fourth Duke, Algernon.

0:27:560:27:58

By the time he came to live in the castle,

0:27:580:28:01

he had mature and confident views on how he wanted to use his inheritance.

0:28:010:28:05

He set about remodelling the complete interior of the castle

0:28:050:28:08

and was extremely passionate about the Italianate style.

0:28:080:28:12

So he set about ripping out all of the earlier 18th century

0:28:120:28:15

Robert Adam restoration from the first Duke and Duchess's time.

0:28:150:28:18

As well as adding towers, enlarging the size of the castle,

0:28:220:28:25

Algernon the Good, as he became known,

0:28:250:28:28

was responsible for the beautiful and intricate carving throughout the state rooms.

0:28:280:28:32

He brought over skilled craftsmen from Italy

0:28:320:28:36

and they taught the local carpenters and joiners how to carve this beautiful Italianate style,

0:28:360:28:41

and it became known as the Alnwick School of Carving,

0:28:410:28:44

and it kept skilled labour employed for a good 11 years.

0:28:440:28:48

There is a lot of it. We are surrounded by it.

0:28:480:28:52

'There's so much more to mention, but sadly, not enough time today.'

0:28:550:28:58

This place was in a sorry state back in the 18th century

0:29:030:29:07

when the first Duke and Duchess took it on,

0:29:070:29:10

but over the years, with each generation,

0:29:100:29:12

they've put love and passion and splendour back into this magnificent building.

0:29:120:29:16

The exquisite taste of the Percy family is evident

0:29:160:29:19

in every corner of this magnificent building,

0:29:190:29:23

and for those of us who love antiques, it's a joy to see.

0:29:230:29:27

'There's more valuations to get under way

0:29:370:29:40

'and Anita's in the outer bailey of the castle, getting the full story on her next lot.'

0:29:400:29:46

I'm Anita. What are your names?

0:29:460:29:48

I'm Eric from Berwick.

0:29:480:29:50

-And I'm Jimmy, also from Berwick.

-It's a pleasure to meet you, Anita.

0:29:500:29:55

It's a pleasure to meet you, too.

0:29:550:29:56

You guys are Borderers.

0:29:560:29:59

I believe the men from the Borders are wild men.

0:29:590:30:01

-Do you think so?

-He's a wild man.

-LAUGHTER

0:30:010:30:05

You've brought us through a lovely wee lot here.

0:30:050:30:10

These little woven pictures.

0:30:100:30:12

Can you tell me, where did you get them?

0:30:120:30:14

In amongst the rubbish in a house we were working on.

0:30:140:30:18

-Were these being thrown out?

-Yes.

0:30:180:30:21

What attracted you to them?

0:30:210:30:22

It's the colours.

0:30:220:30:24

I think they're brilliant.

0:30:240:30:26

I mean, I've had them for about 30-odd years now.

0:30:260:30:32

They've just been hidden away in a cupboard.

0:30:320:30:35

Jimmy, do you like them?

0:30:350:30:38

I like them. If we weren't coming here, I would have bought them.

0:30:380:30:41

Would you have made him a good offer?

0:30:410:30:44

I would have made him an excellent offer, but he thinks you're going to do better here.

0:30:440:30:48

Let's hope I do.

0:30:480:30:49

We've got 10 or 11 here.

0:30:490:30:53

11.

0:30:530:30:55

They're what are called Stevengraphs.

0:30:550:30:57

They're little woven pictures.

0:30:570:31:00

-They're not hand-done, they're made by a machine.

-Ah, right.

0:31:000:31:03

And they were made by Thomas Stevens.

0:31:030:31:07

He was an inventor who invented this process of woven pictures.

0:31:070:31:14

He lived in Coventry and this was a centre of this type of thing.

0:31:140:31:19

These things were made late 19th, early 20th century.

0:31:190:31:23

If we look at the subjects here, we have quite a wide variety.

0:31:230:31:27

I find these two on the little easels especially interesting.

0:31:270:31:33

Here we have Lady Godiva.

0:31:340:31:37

Lady Godiva is associated with Coventry,

0:31:370:31:40

so we have a tale of that town.

0:31:400:31:44

And we have dear old Dick Turpin

0:31:440:31:46

in his last ride on his bonny Black Bess.

0:31:460:31:49

They're all coloured and everything about them is nice and fresh.

0:31:510:31:56

Eric, from Berwick, do you have a favourite?

0:31:560:31:59

-I quite like the one with the rescue.

-The lifeboat. That's a lovely one.

0:32:010:32:06

Jimmy, what about you? Is Lady Godiva your favourite?

0:32:060:32:10

Yes, indeed, Lady Godiva.

0:32:100:32:12

You look like a bit of a ladies' man.

0:32:120:32:14

There is another one there, Anita, with the fire brigade.

0:32:140:32:17

You see the flames coming from the building.

0:32:170:32:20

That's right.

0:32:200:32:22

The thing about these was that they were woven with such accuracy.

0:32:220:32:26

Now, you've got 11 of them here.

0:32:270:32:30

They are in good condition.

0:32:300:32:33

They generally are framed and if they were framed,

0:32:330:32:36

that would make a wee bit of a difference.

0:32:360:32:39

We sell them as one lot.

0:32:390:32:41

If we put a conservative estimate of £10-15.

0:32:410:32:45

So that will be... Say we put £120-180.

0:32:450:32:50

Would you be satisfied with that?

0:32:500:32:53

I mean, we would hope that they would go further,

0:32:530:32:56

but we have to take into consideration that they're unframed.

0:32:560:33:00

-120 to 180.

-Yeah.

-What do you think, Jimmy?

0:33:000:33:05

I suggested, before we sat here, we should be looking at £10 plus each.

0:33:050:33:09

Yep. He's not bad.

0:33:090:33:11

-He's quite good.

-Are you looking for a job?

0:33:110:33:13

LAUGHTER

0:33:130:33:16

So, say we put a reserve price of £110,

0:33:160:33:19

which means you are getting at least a tenner apiece.

0:33:190:33:22

It's inviting the bidding,

0:33:220:33:25

a wee bit of auction psychology, guys.

0:33:250:33:28

-I'll be there to hold your hand.

-Good!

0:33:280:33:31

And to cheer them on.

0:33:310:33:33

Right. Thank you.

0:33:330:33:34

'The Northumberland sunshine is proving elusive on valuation day,

0:33:360:33:39

'so we've headed inside to escape the rain,

0:33:390:33:43

'where David and Lance are talking timepieces.'

0:33:430:33:45

A late 19th century French carriage clock.

0:33:450:33:49

They were used by people who were going on journeys in a carriage,

0:33:490:33:55

and the reason why a clock like this was able to carry on

0:33:550:33:59

working as you trotted along in your carriage

0:33:590:34:02

was because the escapement is moved...in this design,

0:34:020:34:06

to the top of the clock,

0:34:060:34:08

and the designer was able to do away with the pendulum itself.

0:34:080:34:13

Made in France in the late 19th century, I should think about 1890.

0:34:150:34:18

As old as that?

0:34:180:34:20

It might possibly be a little bit later, about 1900.

0:34:200:34:24

The face is enamelled and the secondary dial beneath

0:34:240:34:30

is a dial which you would set at the time you wished to wake up.

0:34:300:34:36

You would move the hand and by winding it at the back,

0:34:360:34:39

the mechanism would strike a little beater on this bell.

0:34:390:34:45

There's the beater and there's the bell, which would wake you up.

0:34:450:34:50

I mean, is it something you like, or something you particularly treasure?

0:34:500:34:54

Well, my father died, so it was passed on to me.

0:34:540:34:58

Did he collect clocks himself?

0:34:580:35:01

He liked carriage clocks, but he only had two,

0:35:010:35:03

and this one was still on the mantelpiece and didn't work and the other one did.

0:35:030:35:08

OK, right. So he collected them, but it wasn't a big collection.

0:35:080:35:13

He just had a thing about carriage clocks.

0:35:130:35:15

-A punctual man, your dad?

-Very.

0:35:150:35:18

He was ready half an hour before he was due for anything.

0:35:180:35:20

-And are you punctual yourself?

-I'm afraid not!

-OK, right!

0:35:200:35:24

We need to discuss what I think it might be worth.

0:35:240:35:30

In the auction market, we can expect this to make between 120 and 150.

0:35:310:35:35

-As much as that?

-Yeah. It's quite a saleable thing.

0:35:350:35:39

If you're happy with that, I think we should put it to auction with a reserve of £120 on it.

0:35:410:35:46

-Seems good.

-And hope that it makes 160.

0:35:460:35:49

-You are happy with that?

-Yes, very happy.

0:35:490:35:52

I'll see you at the sale. Make sure you're on time.

0:35:520:35:54

-OK, promise!

-I'll look forward to that.

0:35:540:35:58

Susan, Gill, welcome to Flog It!

0:36:030:36:05

It's lovely to have you along and thank you so much for bringing this lovely vase.

0:36:050:36:10

Tell me, who does it belong to and tell me where you got it?

0:36:100:36:14

Originally, it belonged to my nana

0:36:140:36:16

and it always used to stand at the top of the stairs on the windowsill.

0:36:160:36:20

I don't know where it came from,

0:36:200:36:22

it has just been in the family for years.

0:36:220:36:25

You've got it now. You don't look very enthusiastic about it.

0:36:250:36:28

It's not a piece that I can say I've really been keen on.

0:36:290:36:33

It's just been there. What about you? What do you think about it?

0:36:330:36:36

I've never been struck on it.

0:36:360:36:39

I used to look at it at the top of the stairs and think, "Hmm."

0:36:390:36:42

-"It's that old vase."

-Yeah. It was just a bit odd.

0:36:420:36:45

When I look at it now, it is quite nice, you know,

0:36:450:36:48

but it's not something that I would...

0:36:480:36:50

I couldn't place it anywhere.

0:36:500:36:51

It's not your own taste.

0:36:510:36:53

Probably sell it on and let someone who does like it have the pleasure of it.

0:36:530:36:58

Well, this vase was made in Hungary.

0:36:580:37:02

It's called Zsolnay Pecs and it was made in the factory of Nikos Zsolnay.

0:37:020:37:09

That factory started in about the 1850s, on to 1920s and 1930s.

0:37:090:37:15

Now, their wares were always a wee bit exotic

0:37:150:37:22

and they'd look to the Middle East for inspiration, often Persia,

0:37:220:37:27

and often in the decoration in their vases,

0:37:270:37:30

you had wonderful pierced work.

0:37:300:37:33

They were masters of making these pierced vases.

0:37:330:37:38

It was an art at that time.

0:37:380:37:41

This one doesn't have any piercings in it,

0:37:410:37:44

but the decoration makes us think that it has.

0:37:440:37:48

Very pretty. It has that exotic shape, almost Persian.

0:37:500:37:55

Value on it?

0:37:550:37:58

No idea!

0:37:580:37:59

-What do you want me to say?

-Something nice!

-Something nice.

0:37:590:38:04

Something nice.

0:38:040:38:06

These were not rare. They weren't rare.

0:38:060:38:09

If it was coming into auction, I would say £40 to £60.

0:38:090:38:13

Would you be happy to sell it at that?

0:38:130:38:17

Yes, I wouldn't mind selling it at that.

0:38:170:38:20

It wasn't your favourite thing, anyway.

0:38:200:38:22

We could put it in with a reserve price of £40, if you wish?

0:38:220:38:26

-Are you happy with that?

-That's fine.

0:38:260:38:29

-Let's hope we get a wee surprise.

-Thank you.

0:38:290:38:32

'The rain hasn't dampened any spirits.

0:38:320:38:34

'David is with Marie and Michelle,

0:38:340:38:37

'who are in Alnwick shopping for Michelle's 40th birthday.'

0:38:370:38:41

-Where have you come from?

-Newcastle.

-OK.

0:38:410:38:45

That's interesting because

0:38:450:38:46

one of these jewellery boxes is marked Newcastle.

0:38:460:38:49

It has the name of a jeweller.

0:38:490:38:52

The Northern Goldsmiths, they called themselves.

0:38:520:38:55

Two lovely brooches.

0:38:550:38:57

Really pretty. Each in their own different way.

0:38:570:39:01

-Are they family pieces?

-No.

0:39:020:39:06

My son saw a rocking chair in a skip

0:39:060:39:09

and he decided he was going to get this.

0:39:090:39:12

While he was in there, he saw the two boxes and brought them home,

0:39:120:39:16

and it wasn't until he came home, we had a look,

0:39:160:39:18

and the brooches were in there.

0:39:180:39:20

What happened to the rocking chair?

0:39:200:39:23

-He left it in the skip?

-No! Sold it!

0:39:230:39:25

LAUGHTER

0:39:250:39:27

He had a jolly good little foray into that skip, didn't he?

0:39:270:39:30

That was a very profitable half hour or so.

0:39:300:39:34

Anyway, the first of these, let's talk about the top one first.

0:39:340:39:37

It is gold. I will just check that.

0:39:370:39:40

My eyesight isn't very good.

0:39:400:39:43

It's actually marked 15 carat.

0:39:430:39:46

And it's set with turquoise stones and seed pearls.

0:39:460:39:52

It's in the form of a floral spray.

0:39:520:39:55

Very popular at the time this brooch was made, in about 1900.

0:39:550:40:00

So that's a really pretty, very saleable little item, really.

0:40:020:40:06

I must say, it is nice to see it in its original box,

0:40:060:40:10

and it does add a bit to the value.

0:40:100:40:12

Probably made in Birmingham.

0:40:140:40:16

The second brooch dates from about the same period

0:40:160:40:18

and it's a little sweetheart brooch.

0:40:180:40:21

It would have been a Valentine's Day present, I suppose,

0:40:210:40:25

from a suitor to his girlfriend, or possibly a wife.

0:40:250:40:28

As I say, it's also Edwardian,

0:40:280:40:31

early 20th century.

0:40:310:40:33

-And you've no desire to keep them?

-No.

0:40:340:40:38

How long have you had them?

0:40:380:40:40

-For about seven years now.

-Right.

0:40:400:40:44

They are very commercial. By commercial, I mean saleable.

0:40:440:40:47

I reckon they are worth between £60 and £80 each.

0:40:470:40:51

I'd be inclined to put an estimate of 100 to 150 on them.

0:40:510:40:57

And a reserve of £100, if you're happy with that?

0:40:570:41:01

-That's fine.

-Have a great 40th, won't you?

0:41:010:41:03

-I will.

-Life begins at 40. And make sure you behave yourself.

0:41:030:41:07

Not sure about that!

0:41:070:41:09

-And make sure your mum behaves herself, too.

-No way!

0:41:090:41:13

'What a smoothie you are, David!

0:41:130:41:15

'Those brooches were the third treasure today rescued from a skip.

0:41:150:41:20

'Sadly, it's goodbye to Alnwick Castle and time for a reminder

0:41:230:41:26

'of the final four items chosen to go off to auction.

0:41:260:41:30

'Lance's French carriage clock is older than it looks,

0:41:320:41:35

'as David thinks it's from the late 19th century.

0:41:350:41:37

'Susan's Hungarian vase isn't valued very highly,

0:41:370:41:41

'but hopefully, it will find a new home with the auction crowd.

0:41:410:41:45

'Marie and Michelle were charmed by David,

0:41:470:41:49

'but will their two gold brooches charm the bidders?

0:41:490:41:52

'And finally, Eric's collection of 11 woven silk pictures

0:41:530:41:58

'gave Anita a giggle,

0:41:580:41:59

'but they are an interesting lot.

0:41:590:42:01

'What's going to happen when they all go under the hammer?

0:42:020:42:05

'In Boldon, South Tyneside, we have high hopes the packed saleroom

0:42:110:42:14

'will mean good results for our owners,

0:42:140:42:17

'and auctioneer Giles' gavel has already been put to good use.

0:42:170:42:22

'Lance and his carriage clock are waiting in the wings.'

0:42:220:42:26

Why are you selling the clock?

0:42:260:42:28

Just one of those knick-knacks that should go to a better home.

0:42:280:42:31

-And it's not working at all, is it?

-Apparently not.

0:42:310:42:36

The buyer will soon get it working, that's not a problem.

0:42:360:42:39

It's one of these timelessly elegant pieces.

0:42:390:42:42

A good carriage clock looks good in any environment.

0:42:420:42:45

It will look great on anyone's mantelpiece.

0:42:450:42:47

Let's find out what the bidders think. Good luck, Lance.

0:42:470:42:50

Carriage clock. Reserve price of 100 starting.

0:42:520:42:57

100. 120. 140. 160.

0:42:570:43:00

180.

0:43:000:43:01

190. 200. 210.

0:43:010:43:04

Bid is with Caroline at £210.

0:43:040:43:07

All done? 210.

0:43:070:43:11

The hammer's gone down. Quick competition.

0:43:130:43:15

-It got there quickly.

-It certainly did.

0:43:150:43:17

-I'm happy with 210. Are you?

-Very happy, yes.

-Good.

0:43:170:43:20

It's a good thing.

0:43:200:43:22

-Paul talks about quality and that had quality.

-It did.

0:43:220:43:24

-I'm really pleased.

-Good.

-Good.

0:43:240:43:28

Going under the hammer, we've got a Hungarian Zsolnay vase that belongs to Susan,

0:43:320:43:36

who is right next to me. Hello.

0:43:360:43:38

-Is this your first auction?

-Yes, it is. I've never been to one before.

0:43:380:43:41

-Have you registered? Have you picked up a bidding card?

-No.

0:43:410:43:44

I thought I'd go and have a look.

0:43:440:43:46

You've got to do that, if you want to buy something.

0:43:460:43:48

You're not allowed to just go like that.

0:43:480:43:50

Good luck.

0:43:500:43:52

Hopefully, this is going to be a good day and we should sell this.

0:43:520:43:55

£40 to £60. I think we will.

0:43:550:43:58

We've got the Zsolnay Hungarian vase.

0:43:580:44:02

Middle Eastern in design.

0:44:020:44:04

And starting at £40 straight in on commission.

0:44:040:44:07

That's good. Straight in, it's sold.

0:44:070:44:10

Right at the back at 45. 50.

0:44:100:44:13

£50 your bid.

0:44:130:44:15

Can you see Giles is looking

0:44:150:44:17

really hard to find bidders,

0:44:170:44:18

because the room is so packed?

0:44:180:44:20

65, 70.

0:44:200:44:24

At 75.

0:44:240:44:26

-This is very good.

-On the internet, 75.

0:44:260:44:29

80. Fresh place. 95.

0:44:290:44:32

100.

0:44:320:44:34

110. 120.

0:44:340:44:37

At 120. It's in the room.

0:44:370:44:39

130. 140. Still in the room at 140.

0:44:390:44:44

150. It is on the net at £150. Are you all done, ladies and gents?

0:44:460:44:51

For the last time, at 150.

0:44:510:44:53

And it's gone! What a great result!

0:44:550:44:57

Still amazed she's still at the top of the stairs!

0:44:570:45:01

'More than three times the bottom estimate! Well done, Sue.

0:45:030:45:07

'Marie and Michelle are next for the nervous wait.'

0:45:070:45:10

Two boxed brooches going under the hammer, belonging to Marie and Michelle.

0:45:100:45:13

Lovely to see you. I know these were found in a skip by your son.

0:45:130:45:17

Two really pretty little items.

0:45:170:45:20

The market is there for things like this.

0:45:200:45:23

-Did you wear these?

-Once. One of them.

0:45:230:45:25

-The heart one.

-Did you like them?

-I didn't.

0:45:250:45:29

I've looked at it on the internet and I'm beginning to like it!

0:45:290:45:32

If they don't sell, we know where it's going.

0:45:320:45:35

Good luck. They're going under the hammer right now.

0:45:350:45:38

The Victorian 15-carat gold heart-shaped seed pearl brooch

0:45:390:45:43

and another set with turquoise and seed pearls.

0:45:430:45:47

I'm bid 80 to start it.

0:45:470:45:49

90. 100.

0:45:490:45:51

At £100. 110.

0:45:510:45:53

120.

0:45:530:45:55

125, 130.

0:45:550:45:58

135. The bid is upstairs at £135.

0:45:580:46:02

140, now. At £135.

0:46:020:46:06

And we're away at 135.

0:46:060:46:08

Yes! The hammer's gone down. £135.

0:46:080:46:11

-That's really good.

-That's OK, isn't it? For a skip find?

0:46:110:46:15

-Excellent.

-Anything's a bonus.

0:46:150:46:17

'Our Flog It! finds are doing so well today.

0:46:170:46:21

'Will our final owner, Eric,

0:46:210:46:22

'be as lucky as everyone else with his pictures?'

0:46:220:46:25

I've been waiting for this one right now.

0:46:270:46:29

We've got those 11 silk Stevengraphs from Coventry.

0:46:290:46:32

They belong to Eric and his next-door neighbour, Jimmy, who's your mate as well.

0:46:320:46:37

You're going to get all the money, aren't you, Eric?

0:46:370:46:39

Jimmy will be all right. Jimmy's going to be all right.

0:46:390:46:43

I think we could be in for a lot of money, you know that?

0:46:430:46:46

-Do you know something we don't?

-Not really.

0:46:460:46:48

Had a chat with the auctioneer?

0:46:480:46:50

I had a chat with the auctioneer.

0:46:500:46:52

He was quite excited about these because the content is so right.

0:46:520:46:55

There's a lot of sporting things.

0:46:550:46:57

I love the rowers, particularly the rowers.

0:46:570:46:59

Let's find out what the bidders think.

0:46:590:47:01

Good luck, guys.

0:47:010:47:04

The pure silk work by Thomas Stevens.

0:47:040:47:07

A variety of them, the sporting ones.

0:47:070:47:10

I've got two commission bids, and 400 starts me. At 400.

0:47:100:47:14

-That's good!

-450, 500, 550.

0:47:150:47:19

600, 650, 700.

0:47:190:47:24

750, 800, 850,

0:47:240:47:26

900, 950, 1,000,

0:47:260:47:29

1,050, 1,100.

0:47:290:47:31

1,150. 1,200,

0:47:310:47:34

1,250.

0:47:340:47:35

In the room at 1,250.

0:47:350:47:38

1,300, now.

0:47:380:47:40

At 1,250. 1,300, anybody?

0:47:400:47:44

At £1,250 for the first time.

0:47:440:47:47

£1,250 for the second time.

0:47:470:47:49

The final time at 1,250.

0:47:490:47:53

-Absolutely delighted.

-Those rare ones made the difference.

0:47:530:47:58

Those rare ones made the difference.

0:47:580:48:00

Quality always sells. That's the main thing.

0:48:000:48:03

That had it in abundance. It really did.

0:48:030:48:05

Thank you so much for bringing that in today.

0:48:050:48:07

You've really made our day.

0:48:070:48:09

And what a wonderful way to end today's show.

0:48:090:48:11

-I hope you've enjoyed it.

-It's lovely!

0:48:110:48:13

Join us again for many more surprises to come,

0:48:130:48:15

but for now, from the Boldon Auction Galleries,

0:48:150:48:17

it's goodbye from all of us.

0:48:170:48:19

Two very happy men!

0:48:190:48:21

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