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To the north of me is Cardigan and to the south is Carmarthen

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but where I am right now just happens to be Pembrokeshire.

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Welcome to Flog It, from glorious west Wales!

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Rhosygilwen Mansion is not only a beautiful historic house,

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it's one of west Wales's most up-to-the-moment music and arts venues.

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So many people, which means so many antiques for our experts to look at.

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We've got our work cut out! We brought the queue in because it was raining earlier

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but that hasn't dampened anybody's spirits.

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This is the orangery, adjacent to the oak hall, our magnificent venue for today.

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Hopefully, we're going to make a few people very happy.

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They could go home with a lot of money. Stay tuned to find out.

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It may even be Chris and Mervyn, first in the queue. When did you get here?

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-Around 8.00am.

-In the pouring rain.

-Yes.

-Poor things.

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Let's get you in to the blue tablecloths and get the show on the road! I'll give you a hand.

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We have a selection of experts on hand to make sure everyone gets the valuations they need.

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The team is headed up by Charlie Ross...

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Do you want me out the way?

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..who can pop up in the most unexpected places!

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Sent packing!

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-But always comes up with the goods.

-What have we here?

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Everybody knows what this is!

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There isn't a person in the country who doesn't know who made that.

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So I'm not going to tell you!

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And auctioneer Christina Trevanion, who has a keen eye for jewellery.

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That's rather gorgeous as well, isn't it?

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I love that!

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-What do we think?

-It's lovely!

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-And enjoys a little speculation!

-Ooh, that's lovely.

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-Wouldn't it be nice if that was diamonds!

-Wouldn't it? Wouldn't it just?

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Goodness me.

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Later in the show, Christina comes across some real diamonds that the owner has a good reason to sell.

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-We've got a parrot that dismantles anything with stones in!

-Really?

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-He takes the stones out of everything.

-You let him out and he pecks the gems?

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Anything you're wearing, he takes the stones out!

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No! He's a diamond thief!

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And Charlie's guilty of an old auctioneer's trick.

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I think my valuation was a bit conservative, wasn't it?

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-Slap my wrist for this one!

-It was "come and buy me", as we say!

-It was.

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Christina is first at the table with Corale, and a real dazzler!

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Corale, when I saw this in the queue, my eyes lit up.

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It must have done when you first saw it. Where's it from?

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I don't know a lot about it. I picked it up at a car boot sale!

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-A car boot sale?!

-Yes, it was in amongst some junk jewellery.

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-Right.

-It just seemed to stand out.

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So I picked it up from there.

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-You saw it sparkling and thought, "That looks nice!"

-It's different.

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-It looked a different class to the other stuff.

-How much did you pay for it?

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-75 pence.

-You didn't!

-I did, yeah.

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That is amazing! That is truly amazing. I'll tell you why.

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This little piece here is, to me, just fantastic.

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It's everything that the Art Deco period was.

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It's diamond set. Did you know it was diamond set?

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-I did have it tested.

-Wonderful.

-In a jeweller's.

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They told me it was diamonds, but the valuer wasn't there.

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-So I just left it at that.

-OK.

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It has wonderful linear lines.

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It really evokes the 1920s, 1930s. What's more unusual

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is that it's actually a hair slide. It's not a brooch, which is what you'd expect it to be.

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A brooch, at this sort of period. To have a hair slide is so decadent.

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It reminds me of cocktails at The Ritz in the 1920s.

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"Just going for cocktails, darling, with my diamond pin in my hair"!

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So when we look at it, we've got the diamonds here in a flaming-torch style.

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We've got eight-cut diamonds and baguette-cut diamonds,

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which again evokes the Art Deco period.

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It's probably set in platinum with an 18-carat gold back

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although it's not marked.

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I'd like to think this sort of style is French.

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But sadly again not marked, we can't tell.

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I think this sort of style and period, it's probably a French piece.

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OK? The diamond weight isn't huge.

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But because it's so stylish, it doesn't really matter.

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It's just a really nice-looking piece.

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Corale, is it the type of thing you'd wear?

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Not really, because I've got a parrot at home that takes the stones out of everything that sparkles,

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-even slightly.

-A parrot with taste?

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Yes, very good taste, but unfortunately destroys every piece of jewellery.

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So you cannot wear it because of your naughty parrot?

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-I couldn't wear it. There'd be nothing left of it!

-Oh, dear! Well,

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if we're going to sell it at auction, valuation-wise, if you want to sell it at auction,

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we're looking in the region of 200 to £300.

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Which is a fantastic profit on your 75p, isn't it?

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Big percentage profit, I have to say.

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-It's a good morning's work, isn't it?

-Yes.

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-So shall we flog it?

-Yes, flog it!

-Brilliant!

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Let's save it from Corale's parrot and get it off to auction!

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Hello. Ooh, well-behaved!

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The one at the back's well-behaved!

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The one at the front...

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The one at the front is thinking, "Mummy, get the valuation done!"

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The earlier rain has now cleared up

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so I'm popping outside to enjoy the sun with Terry who has a couple of very rare items.

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Two fine African carvings depicting figures from the slave trade.

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Look at what's going on here. Look at this lady.

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Child on her back, legs shackled together.

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Still being made to work with a pestle and mortar, grinding corn.

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Sad, isn't it? What could be a family member trusted with a gun to go out hunting.

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Again, he can't run away, he can't do anything. His foot is clamped.

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All this is done from one solid piece of wood.

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There's nothing added to it, nothing applied afterwards.

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So this is cut from the wood in the round, typical of an African hardwood.

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Very, very dense grain.

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-You can tell how hard and heavy that wood is.

-It's quite heavy.

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It's such a difficult thing to have in your house, Terry. Why did you buy these? What's the attraction?

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I thought they were unusual. I've seen plenty of African carvings.

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-But nothing like with the slave trade.

-No. How long ago was that?

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-A couple of years ago now.

-How much did you pay for the two?

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-Around 350.

-There's a big market for this kind of thing in America. There really is.

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The museums are buying up all this slave memorabilia and it's fetching good money.

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I do know that Michelle Obama, the president's wife, collects slavery artefacts like this

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-because she's the ambassador of a museum that wants subject matter like this.

-Yes.

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Let's talk about value. You paid 350 for the pair.

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Can we put these into auction with a valuation of 350 to £450?

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-Can we keep the estimate that low so it doesn't frighten anybody off?

-Fine.

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We'll put a reserve on at £350 so you don't lose any money.

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-Are you happy with that?

-Yeah, fine.

-Good.

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OK. Done.

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Terry's carvings will do well if the right people see them on the internet.

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Now, something more local. Helen has a lovely Welsh medal to show Charlie.

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-Helen, have you won this medal?

-No, I haven't.

-No?

-No,

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this is a medal I bought in a second-hand shop about five years ago.

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-Why did you buy it?

-I bought it because of my interest in Welsh mountain ponies.

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For the past 20 years it's been my interest to breed and show them.

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-Right.

-That's really why I bought it.

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-It strikes me as being of fantastic quality.

-I think it is.

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-Wonderful quality. It's got a huge weight of silver, it is silver, dating from 1911.

-Yes.

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-And you've won a few of these?

-I have won a few, yes.

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-Have you? You can't just engrave that with something?

-No!

-It would be fraudulent!

-Yes, indeed.

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-Is that why you're selling it?

-It is. Since I've had it, I've never displayed it.

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-No.

-Because it's one my ponies didn't win,

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-I'm quite happy to sell it, really.

-Yes.

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-Yeah. Well, you knew it was silver, presumably?

-I thought it was silver,

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but I didn't know how old it was until today.

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You're absolutely right it is silver because it has the traditional hallmark.

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It has a lion passant, which tells us it's silver.

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It has a little anchor, which tells us it was made in Birmingham,

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and it's got a date mark there for 1911.

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-And here it's got the makers. Mappin & Webb mean anything to you?

-No.

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Mappin & Webb, very, very famous silversmiths in Birmingham.

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-Probably most famous for making cutlery.

-Right.

-They make a lot of cutlery,

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silver and silver-plated cutlery. Mappin & Webb were everywhere in the early 20th century.

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I'm not surprised that the Welsh Pony and Cob Society used Mappin & Webb to make them

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-because they made the best quality. The quality of the horseshoe is fabulous.

-It's lovely.

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Tell me, how often do you have a show?

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In this part of the world, this part of Wales, there's lots of shows.

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In the summer you could have two or three shows a week.

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Really? Gosh!

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-How many do you have?

-I've got eight ponies at the moment.

-Eight?!

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So you need a few acres to keep them.

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What about the value of this if you don't want it? What did you pay?

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-I paid £30 for it.

-How long ago?

-About five years.

-I think you did pretty well.

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-It's probably worth about £50.

-All right.

-How does that fit?

-That sounds fine.

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Yeah. I would hope it would make that.

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-I would say if we put an estimate of 40 to £60 on it.

-Yes, that's fine.

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-All right with you?

-Fine.

-We'll put a reserve at 40.

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-Thank you very much for giving me an education.

-Thank you.

-Thank you.

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Fingers crossed for Helen. With her love of horses, she's a woman after my own heart.

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Before we head off to the auction, let's take another look at our lots.

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They say diamonds are a girl's best friend. Let's hope that's true for Corale, with her Art Deco hairpin.

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Terry's slavery figures will appeal to a niche market.

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But they could make a good price.

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Mappin & Webb is a top name, so Helen's Welsh Pony and Cob Society medal

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has quality as well as local interest.

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I like to see a jam-packed auction room.

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Today we're guests of Peter Francis Auctioneers and Valuers in Carmarthen.

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This is where we put our experts' valuations to the test.

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So don't go away because hopefully someone will go home with a lot of money

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and let's hope these people put their hands up and bid on our lots.

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Nigel Hodgson is our auctioneer for today. First up,

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it's Helen's silver medal. Let's see how it does.

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We're holding the reins tightly because it's just about to go under the hammer, the medal.

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The Welsh Pony and Cob Society.

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What are we looking at? Originally it was 40 to £60.

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I know you've since changed the valuation. You've done some research

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and the auctioneer says it's now 80 to 120, with a fixed reserve of £70, Charlie.

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-It's a cracking thing. Lots of local interest.

-It's fabulous quality.

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I think my valuation was a bit conservative. Slap my wrist for this one!

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It was a "come buy me", as we normally say.

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Let's see what the bidders think.

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The interesting Welsh silver Pony and Cob Society medallion.

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Made by Mappin & Webb, 1911.

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Some interest in this.

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Quite a collectable item.

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Lots of interest!

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I have a number of commission bids which allow me to start the bidding

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at 70, 80, 90, £100.

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That's what I have on the book. Three bidders. At £100.

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At £100. On the book at £100. May I say 110 now?

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At £100. £100 is on the book.

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At £100.

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-Selling on the book at 100. All happy?

-£100. The hammer's going down.

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-Bang in the middle of your valuation. Well done.

-Thank you very much.

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Twice my valuation!

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Yours would have had a nice surprise. Building up. What a lovely end.

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-That's good news!

-Thank you very much.

-Happy?

-Yes, thank you.

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-I bet all the money's going on pony feed!

-Yes, it is!

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It sold for less than £150, so Helen will pay 17.5% commission

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plus VAT.

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Next up, it's Terry with his carved figures.

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Revised valuation which we discussed with the auctioneer at the preview day.

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It's now 450 to £550 is the valuation.

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Fixed reserve at 450.

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Fingers crossed. Fingers crossed, that's all I can say!

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These are a pair of carved African ebony figures.

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Very unusually, they feature figures who are, in fact, slaves.

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Surely must be of some academic interest, these, I'd have thought.

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-Yeah, precisely.

-Very much rarer than the usual carved figures we see regularly in sales.

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What do I say for those? What are they worth to you?

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Interesting pair of figures. £500 for them?

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500?

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Surely on the pair of figures there?

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300. 300. 320, may I say? At 300.

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300. 320, may I say?

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300 on the carved figures.

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300 only. May I say 320 now?

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At 300. No more interest at £300 only.

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320, may I say? All quiet. 300.

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Any more?

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No?

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Can't be sold, I'm afraid.

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They didn't go. They didn't go.

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The interest was bubbling just over 300. Just shy of the 350 I'd said.

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But you put it up to 450.

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I think that killed it off, really.

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They're going home now. Another auction room, another day?

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-Another auction, probably.

-OK.

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-Good luck with that.

-Thanks.

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Sometimes it's wise not to frighten the bidders off with too high an estimate.

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Next, a good Flog It story.

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Corale is selling her diamond pin bought for 75 pence!

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These are stories I like. This is what Flog It's all about. Corale was car-booting amongst all that junk.

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And came up with something for 75p

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which hopefully Christina is going to turn into 200 to £300.

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-That's what we like about antiques and collectables!

-Absolutely.

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-It would be nice.

-You've got a keen eye. Did you know what you'd found?

-I knew it wasn't junk.

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Very nice thing. Like a torch, is it?

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It's very Art Deco, my favourite piece from the valuation day.

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-It's fantastic.

-Because it's so stunning and everybody likes it,

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why are you selling it?

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-I can't wear anything that sparkles.

-You'd look fabulous!

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-I've got a parrot that dismantles anything with stones in.

-That sparkles?

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-Takes the stones out of everything.

-He flies round pecking gems?

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Anything you're wearing, he takes the stones.

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No! He's a diamond thief!

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Good luck, anyway. This is unique. Let's see what they think.

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Let's find out what it's worth. Here we go.

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The white metal diamond set hair clip.

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Brilliant and baguette-cut diamonds.

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What's it worth? £200 away for that to put me in?

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-200 for the pretty brooch.

-Come on. Come on.

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150 to go, then. There it is.

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150.

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150. 160, only, may I say?

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160. 160.

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-160. At 160. 190. Two bidders online now.

-190.

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Fit it up. 200. 200, may I say?

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At 190 online. 200, may I say? Selling it on the internet.

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£200 on the phone now, at 200.

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-220 may I say? £200. 220. Online at 220.

-Ooh!

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220 online. 240. 240. 260, may I say?

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240 on the phone. At 240. 260. 260.

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280, may I say?

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260 online. 280.

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This is fantastic. £280.

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£300 I'm bid. 300. 320, may I say? At £300.

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Online. 320 on the phone. 320.

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340, can I say?

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320. At 320.

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340, may I say? 340.

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340. 360 do you want now? 340.

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Online at 340. 360 if you want.

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Selling online, then, at £340.

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-£340!

-All done at 340?

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£340.

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-Yes!

-Marvellous!

-340 quid! Well done, you two!

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-That's fantastic!

-That's good!

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All for 75p!

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-It's still out there. Just get out early and hunt for it!

-Absolutely!

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-I was so nervous. It started off so slowly!

-Yeah.

-Fantastic. Well done.

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There is commission to pay. It's a sliding scale here. It'll be a 15% commission.

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-Yeah.

-What will you put that towards?

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-More car booting?

-Probably, yes!

-I don't blame you!

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Fabulous. That's what we like to see.

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I'm on my way to meet a local artist, and as you may know by now, I'm a real art enthusiast.

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So it's always a great treat for me to meet painters in person and visit them in their studios.

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But in this case, it's a double treat

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because her studio is in the heart of this beautiful Welsh countryside.

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Look at that, it doesn't get any better for a source of inspiration.

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I'm particularly intrigued about the artist I'm going to see, Eloise Govier,

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because in my opinion, she's immensely talented.

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Her work is intelligent, sophisticated and very powerful.

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Yet she's still only in her mid-20s.

0:19:160:19:19

-I love your studio space.

-Thank you.

-I'm jealous! What a location! How long have you been here?

0:19:330:19:38

I grew up here. We moved when I was about five. Over the years, I've been away, but always come home.

0:19:380:19:45

A great inspiration for you in your work.

0:19:450:19:48

That's where I started, painting the landscape, because it's so beautiful.

0:19:480:19:53

-What age did you start painting?

-Professionally, only the last two to three years.

0:19:530:19:58

-As recent as that?

-Yes, but I've always painted, right from this high, a little girl.

0:19:580:20:03

I was always encouraged to express myself through painting and drawing.

0:20:030:20:07

How would you describe your work? It's very bold.

0:20:070:20:11

I describe myself as an expressionist painter. There's lots of emotional content in the work.

0:20:110:20:17

Lots of texture, bright colours. So a new expressionist is where I'd put myself.

0:20:170:20:22

-You've studied the history of art, as well.

-Yes.

-So you know exactly what's going on.

0:20:220:20:27

I know exactly what I respond to and which direction I wanted to go.

0:20:270:20:31

-Thanks to the art history background.

-Yeah.

-Yeah.

0:20:310:20:34

Any names that you aspire to, or that you've taken influences from?

0:20:340:20:38

I've always admired Alexey von Jawlensky, a Russian painter.

0:20:380:20:44

He's used some very interesting colours.

0:20:440:20:46

There's a particular painting I like that he's done called Portrait of Alexander Sakharoff.

0:20:460:20:51

-Bright colours.

-Bright colours.

-So it's a combination of those colours

0:20:560:21:01

-against this wonderful Welsh landscape that's given you what you've got.

-Exactly.

0:21:010:21:06

I always paint from instinct.

0:21:200:21:22

Although I'm aware of what's out there,

0:21:220:21:24

I want it to come from the right place.

0:21:240:21:28

-From the gut and the heart.

-From the heart, yeah!

0:21:280:21:30

But with thought behind it.

0:21:300:21:32

Absolutely. There's a lot of emotional content in the work.

0:21:320:21:36

But I try not to labour too much over it. Then it starts becoming a bit fake.

0:21:360:21:41

The way you apply the paint with the palette knife, everything is really textured.

0:21:410:21:46

It's exceptionally bold and thick. That takes a long, long time to dry.

0:21:460:21:50

It takes forever.

0:21:500:21:53

The paint is so thick, I have a storage space upstairs

0:21:530:21:56

where we leave the paintings. I have to paint a year in advance.

0:21:560:22:00

-That's your biggest nightmare.

-The drying process. Absolutely. It's different in summer than winter.

0:22:000:22:06

-You're having exhibitions. You've just had one in Scotland.

-St Andrew's.

-A five-star event.

0:22:060:22:11

-Yes, it's still there, going really well.

-How are you being received?

0:22:110:22:15

The new work is different from my landscapes. It's all figurative.

0:22:150:22:19

So it's extreme.

0:22:190:22:21

It's very dynamic, very colourful. A lot of people find the colours inspiring.

0:22:210:22:26

-So people are responding well.

-It's a kaleidoscope of colour.

0:22:260:22:30

A sweety shop!

0:22:300:22:32

When I was growing up, I did lots of dancing. So I'm into trying to capture movement on canvas.

0:22:320:22:37

So these are some of the models. Twisting forms, like yoga.

0:22:490:22:54

Yeah, but that's nice interesting shapes.

0:22:540:22:57

It's a kinetic form of energy you're trying to capture within the pose itself.

0:22:570:23:01

Twisting forms, knotted bodies.

0:23:010:23:03

-Let's talk about how you put a picture together.

-OK.

0:23:110:23:15

-I'll keep a sketch book, a bit like a diary.

-All artists have these!

-Exactly.

0:23:150:23:19

This was a trip in France.

0:23:190:23:21

So we've got the hills and trees.

0:23:210:23:23

Then we've also got some bar scenes.

0:23:230:23:26

-Cafe society.

-Cafe scenes.

0:23:260:23:29

Things like that.

0:23:290:23:31

I'll then come home, analyse what I've been doing in the sketches,

0:23:310:23:35

then I'll approach the canvas with something like this.

0:23:350:23:39

-I paint it a fluorescent colour to start.

-Why do you do that?

0:23:390:23:44

Some artists will start with a brown or an ochre.

0:23:440:23:47

That's fine if you're doing landscapes because there's nothing worse than having bits of white.

0:23:470:23:53

But I wanted a fluorescent colour because of the contrast and because it's a phenomenal colour.

0:23:530:23:58

-The first bit of pink you put on the canvas...

-It makes you alert! It's like "Doi-ing!"

0:23:580:24:03

Yeah! The first bit of pink you put on is going to be a massive contrast.

0:24:030:24:08

-Show me some of your palette knife technique.

-OK.

0:24:150:24:19

-I have tried this before! I'm absolutely rubbish at it!

-A nice blue.

0:24:190:24:24

I love using palette knives because you can get interesting thick textures.

0:24:240:24:29

Well, I find that pretty impressive,

0:24:530:24:56

to meet somebody as young as Eloise who's so focused and committed to her art.

0:24:560:25:00

It's a real inspiration to all of us.

0:25:000:25:02

That's not the last time we'll hear that name. Eloise Govier. Watch out for it!

0:25:020:25:06

At Rhosygilwen Mansion, the team are in the thick of it!

0:25:130:25:17

Christina is enjoying Pam's collection of miniature figures and pin-head dolls.

0:25:260:25:32

-Tell me about them. Where are they from?

-They belonged to a friend's mother.

0:25:320:25:37

-Right.

-Who does a lot of knitting and peg dolls and sewing and things.

0:25:370:25:44

-Right.

-After she passed away, he didn't know what to do with them so he gave them to me.

0:25:440:25:49

So that would tie in, because we're only seeing half the article here.

0:25:490:25:55

Because these were made to have skirts on them, like this.

0:25:550:25:59

So it's possible she could have collected them with the intention of one day

0:25:590:26:04

making skirts for them. That's what they were,

0:26:040:26:07

pin-head dollies. So they'd have had a pin cushion on the bottom

0:26:070:26:10

so you could keep your pins, maybe some brooches, to pin into the skirt.

0:26:100:26:16

You have quite an array here.

0:26:160:26:18

-Do you know when she collected them?

-No, I don't.

0:26:180:26:21

They date to probably the 1930s, 1940s, something like that.

0:26:210:26:27

Some slightly earlier.

0:26:270:26:30

The most collectable ones are the Art Deco flapper ladies.

0:26:300:26:34

We've got one of those here.

0:26:340:26:37

That's fantastic that we've got one there.

0:26:370:26:40

The whole idea was that you should collect different styles of ladies.

0:26:400:26:45

We've got some Georgian ladies with their flamboyant hair

0:26:450:26:49

and flamboyant and ostentatious hats.

0:26:490:26:52

Then we've got right to the simple little Dutch girl here.

0:26:520:26:56

So they did a huge range.

0:26:560:26:59

If we look at this one, we can see the construction of it.

0:26:590:27:04

It was made in a mould. You can see it was hollow.

0:27:040:27:08

And we can see it's stamped Germany on there.

0:27:080:27:11

So they're German porcelain.

0:27:110:27:14

So I think, if we were to sell them at auction,

0:27:140:27:18

we are looking at putting them as one lot.

0:27:180:27:21

Individually, they haven't got huge value.

0:27:210:27:25

I think as a nice little collection,

0:27:250:27:28

we're probably looking somewhere in the region of maybe about £50. 50 to £70, something like that.

0:27:280:27:34

-How does that sound?

-That's nice. Sounds good, yeah.

0:27:340:27:37

OK. I know you're going to put the money towards something special,

0:27:370:27:43

as a reminder of the gentleman that gave you them.

0:27:430:27:45

Unfortunately, Brian passed away a couple of months ago

0:27:450:27:49

and he wanted some money to go to the local hospital that looked after him.

0:27:490:27:56

So I'll put the money to that.

0:27:560:27:57

That's really generous. I hope they make a lot more because that's a wonderful cause.

0:27:570:28:02

What a nice idea of Pam's.

0:28:020:28:04

I like what I see at the bottom of the bag. Look at that!

0:28:060:28:09

-Look at that. It's a gentleman's ink stand.

-Yes.

0:28:090:28:13

-Made of horn.

-It was given to me when I passed my O levels.

0:28:130:28:17

-That's an unusual present to have when you pass your O levels!

-I hate it!

0:28:170:28:22

-Who gave that to you? Dad?

-No, an aunt.

0:28:220:28:26

An aunt. And what have you done with it?

0:28:260:28:28

Nothing, really. Half-heartedly polished it, as you can see!

0:28:280:28:33

Isn't that bizarre! What a lovely present to have!

0:28:350:28:38

I enjoy looking at what people bring in. You never know what you'll find!

0:28:380:28:42

As you'll see, Charlie's found something unusual.

0:28:420:28:46

Richard, you can explain to me exactly what this is, although I think I know.

0:28:460:28:51

A pretty straightforward vertical standing boiler.

0:28:510:28:54

-Or steam engine.

-Or steam engine.

0:28:540:28:57

-It isn't a home-made object?

-I don't think so.

-It's beautifully made.

0:28:570:29:01

-I believe it's made by Bing. German.

-A German manufacturer, right.

0:29:010:29:05

Bing, Marklin, all the great names. Have you had it working?

0:29:050:29:09

It worked up until about eight years ago. I haven't started it up recently.

0:29:090:29:14

-But then it worked quite well, yeah.

-Yeah.

0:29:140:29:17

It's pretty simple. There's not much to go wrong, actually.

0:29:170:29:20

-It's complete.

-You fill it up with water. There's a water gauge on the front.

0:29:200:29:25

Yes. The burner, to me, doesn't look original.

0:29:250:29:28

No. My grandfather was a tool maker for a helicopter company.

0:29:280:29:34

-Yes.

-And he made this from a tin that was used for polishing brass.

0:29:340:29:40

-Yep. Shortened it. Cut the bottom off.

-Put a wick in it.

0:29:400:29:44

-Yes.

-And did that.

-It's ideal.

0:29:440:29:46

And he also made the safety valve because there wasn't a safety valve.

0:29:460:29:51

-Really?

-So this part here, which unscrews...

-Yes.

-If I unscrew it.

0:29:510:29:57

As I said, he was a tool maker.

0:29:570:30:00

But that's fantastically well-made.

0:30:000:30:03

He popped out into his workshop in his garage, where he had a lathe and all sorts of tools.

0:30:030:30:08

In half an hour or so, he came back and he'd made that.

0:30:080:30:12

-Filled it with water...

-I could not tell that that wasn't original.

0:30:120:30:17

-No.

-To the steam engine.

-He was a very clever man.

0:30:170:30:20

You could run all sorts of things with that.

0:30:200:30:22

-You could run a grinder, a polisher...

-Yes.

0:30:220:30:25

Fill it with water. Once the steam gets up,

0:30:250:30:29

you've got a little whistle on the side here, which you could use.

0:30:290:30:32

-May I just look at the bottom of it?

-Sure.

0:30:320:30:36

Yes, there's the date. 1916.

0:30:370:30:39

That's quite interesting that there was still time,

0:30:390:30:43

materials and inclination

0:30:430:30:46

to make something like this while the world was at war.

0:30:460:30:50

-Fighting each other.

-It's quite a statement, isn't it?

-It is.

-Are you bored with it now?

0:30:500:30:55

-No, not really, it's just that my sons...

-I don't want you to change your mind! No, no!

0:30:550:31:00

My sons are growing up. I've got a grandchild due in a week.

0:31:000:31:06

-Ooh. Good luck with that!

-Thank you.

0:31:060:31:09

So they're not interested in it.

0:31:090:31:12

Really, the only part that interests me is that little bit there.

0:31:120:31:17

-Which isn't original.

-Isn't original.

-It's interesting.

0:31:170:31:21

-What about the value of this? I was thinking it would be worth £100.

-Yes.

0:31:210:31:25

100 to £150. That's where I'd like to see the sale room estimate.

0:31:250:31:29

-Yes.

-Are you happy with that?

-I'm happy with that.

0:31:290:31:32

Yes.

0:31:320:31:33

I love that sort of thing. A real boy's toy!

0:31:330:31:37

Christina has come across a real treasure trove.

0:31:420:31:45

So, Serena, all that glitters, in this case, is actually gold!

0:31:450:31:49

-Yes!

-Fantastic. You've brought some wonderful things in to show us.

0:31:490:31:54

Let's start over here. Tell me about this bracelet here.

0:31:540:31:58

That one was my grandmother's.

0:31:580:32:00

She gave me that when I was 21.

0:32:000:32:04

I'd always admired it as a child.

0:32:040:32:07

I wore it to death.

0:32:070:32:09

Jewellery was made to be worn, so you should wear it. Wonderful.

0:32:090:32:13

It's an absolute firecracker of a pendant.

0:32:130:32:16

We've got amethysts, we've got garnets, we've got turquoise, coral, all sorts of nice things.

0:32:160:32:22

A nice smoky quartz there.

0:32:220:32:23

So it really is the firework of the jewellery world. It's magic.

0:32:230:32:28

It's got a mark on the clasp which says 750.

0:32:280:32:31

So we know it's 18-carat gold.

0:32:310:32:34

That's interesting, cos I thought it was nine.

0:32:340:32:37

Somebody said it was nine carat.

0:32:370:32:39

Well, they were fobbing you off, because it's definitely 18.

0:32:390:32:42

We know it's a quality piece because when we close it,

0:32:420:32:45

close the clasp, see how it just disappears into the link.

0:32:450:32:49

You can see it's absolutely wonderful. It melts into that link. Fantastic.

0:32:490:32:54

When did you say you had it? What date would it be?

0:32:540:32:57

-Well, that would be the '70s.

-'70s.

-That was my question. How old is it?

0:32:570:33:03

I think it's slightly older. I think probably more '60s, by the style of the chain.

0:33:030:33:08

Probably late '60s. Maybe even slightly earlier.

0:33:080:33:12

Talk me through this ring, here.

0:33:120:33:14

That is Italian.

0:33:140:33:16

That was actually made in Florence, in a gold factory in Florence.

0:33:160:33:20

-So did you choose it?

-Yes, I did.

-You did.

0:33:200:33:22

Because we've got the wonderful combination here of this yellow gold loop

0:33:220:33:28

intertwined with this white gold hoop here.

0:33:280:33:30

Typically Italian. Very stylish.

0:33:300:33:33

It's 18-carat gold. We've got 18-carat white and 18-carat yellow.

0:33:330:33:37

Which is fantastic. It just oozes style. It's wonderful.

0:33:370:33:41

OK, now, we've got these two items here. Tell me about these.

0:33:410:33:47

This one, according to my grandmother, this was her mother's.

0:33:470:33:51

Right. OK. That would make sense. Do you know what it was used for?

0:33:510:33:55

I'm not sure whether it was to do with you had things hanging off it.

0:33:550:33:59

I can't imagine hanging anything off there.

0:33:590:34:02

Well, actually, it would have been originally what we call a muff or a guard chain.

0:34:020:34:07

As a Victorian lady, you had your muff to keep your hands warm.

0:34:070:34:10

It would go through the muff and round your neck. It looks so delicate, doesn't it?

0:34:100:34:14

A nice decorative link there.

0:34:140:34:16

And the pearl-set necklace? What about that?

0:34:160:34:19

That was given to me also for my 21st by a great friend of my mother's.

0:34:190:34:24

OK. I like the way this is designed as tiny little harebells

0:34:240:34:28

with pearls issuing from the flower heads.

0:34:280:34:30

Again, it's gold. It's nine-carat gold.

0:34:300:34:34

So going over to this little lot. Talk me through these.

0:34:340:34:37

We girls in the '60s used to be given charm bracelets.

0:34:370:34:40

-Right.

-So that was from my uncle.

0:34:400:34:44

Once again, the best friend of my mother's gave me the knickers!

0:34:440:34:48

Why would your mother's best friend be giving you a pair of knickers?

0:34:480:34:53

-She had a wicked sense of humour.

-Wonderful! Let's move on to value.

0:34:530:34:57

Starting over here, your bracelet, we're looking in the region of 400 to £600 for the bracelet.

0:34:590:35:06

-Is that because it's 18 carat?

-Yes.

0:35:060:35:09

The ring, I think we're looking somewhere in the region of 200 to £300.

0:35:100:35:15

OK?

0:35:150:35:17

Then we've got this little lot here.

0:35:170:35:19

At auction we're going to be looking in the region of 250 to £300.

0:35:190:35:24

Then I would put this little lot together, on the end, as a group lot here.

0:35:240:35:30

Again, I think we're looking 500 to £700 there.

0:35:300:35:34

-Whoa!

-OK? So I think your bottom estimate

0:35:340:35:37

is about 1,300 to £1,400.

0:35:370:35:40

-All right?

-I'm amazed!

0:35:400:35:43

Pardon me while I faint!

0:35:430:35:46

So we've got quite a lot of money's-worth of gold here.

0:35:470:35:50

-We've got rather a lot!

-We have!

0:35:500:35:52

-I'm amazed! Thank you!

-You're welcome!

0:35:520:35:56

Oh, gosh! I'm overcome!

0:35:560:35:59

That lot is going to keep our auctioneer busy!

0:35:590:36:01

But before we get to the sale room, let's have another quick look

0:36:010:36:05

at what we're taking with us.

0:36:050:36:06

First, Pam's interesting and varied collection of pin-head dolls and figurines,

0:36:060:36:12

24 in total.

0:36:120:36:14

Next, we'll hope for a build-up of steam on the day for Richard's German engine.

0:36:160:36:20

And finally, Serena has brought us a cornucopia of gold.

0:36:220:36:26

Pam is up now with her little dolls.

0:36:380:36:42

-How are you feeling?

-Very nervous!

0:36:420:36:44

It's a packed sale room. Quite exciting.

0:36:440:36:46

Things have been flying out. Hopefully it's our Flog It owners' turn for things to fly out.

0:36:460:36:52

-You're selling and giving the money to charity.

-I am.

0:36:520:36:55

It's going to Cardigan Memorial Hospital.

0:36:550:36:58

OK. We've got a valuation of 50 to £70 and a fixed reserve at 40.

0:36:580:37:03

Absolutely. It gives the auctioneer a bit of discretion if he needs it.

0:37:030:37:07

But hopefully, there are so many things there it'll make it and better.

0:37:070:37:12

Let's leave it up to the bidders here in Carmarthen. Here we go.

0:37:120:37:16

You've viewed them, I'm sure. The little mixed bag. What are they worth?

0:37:170:37:21

What do you say? Interest with me. £80 away for those?

0:37:210:37:24

80? 50 to get on, then.

0:37:250:37:27

-Come on!

-30. 40.

0:37:270:37:30

-Bidding, sir? 50 now. Fresh blood.

-Great!

-60

0:37:300:37:33

on the book. 70. 80.

0:37:330:37:36

-90.

-We're back up there.

-100.

0:37:360:37:38

110. 120. 130.

0:37:380:37:41

In the room now, seated. 130.

0:37:410:37:42

140?

0:37:420:37:44

In the room. £130.

0:37:440:37:47

What a surprise!

0:37:470:37:50

He was calling for 80. They went down to 30. Back up to 50. Like a yo-yo!

0:37:500:37:55

All the money is going to the hospital. Wonderful cause.

0:37:550:37:58

Thank you, Pam.

0:37:580:37:59

Well, that one really kept us on our toes!

0:37:590:38:02

Now for that little steam engine.

0:38:020:38:05

I've been joined by Richard in the nick of time in this packed room.

0:38:050:38:09

And our expert, Charlie. Something for the boys.

0:38:090:38:12

It's a vertical steam engine which is lots of fun.

0:38:120:38:16

-Let's see what it does.

-Yes.

-Full steam ahead!

0:38:160:38:19

Early 20th-century brass and cast metal model

0:38:190:38:23

of a single-cylinder live steam stationary engine.

0:38:230:38:27

£100 for it?

0:38:270:38:29

80? At 80.

0:38:290:38:31

90. At 90. 100 in the room.

0:38:310:38:34

At 100. 110 with me. 120.

0:38:340:38:36

-130.

-This chap's here to buy it!

-Yes!

-He wants it.

0:38:360:38:40

140. At £140 I'm bid in the room. Quiet online. I sell in the room.

0:38:400:38:44

At £140.

0:38:440:38:47

-Good price. Good price. Well done.

-Good.

0:38:470:38:50

-Thank you both.

-That's OK.

-Thanks, Charlie.

-Thank you.

0:38:500:38:53

That looks like it's gone to a new home where it will be really appreciated.

0:38:530:38:59

Serena has brought in a whole jewellery box-worth of gold items.

0:38:590:39:03

Serena, you've hit the market at the right time.

0:39:040:39:07

Did you know gold is at an all-time high?

0:39:070:39:10

I knew it was doing well.

0:39:100:39:12

-But I'm not thinking how well.

-You thought you'd cash in on this?

0:39:120:39:16

No, I didn't. It was a flier.

0:39:160:39:19

Did you go round the house thinking, "That's gold!"

0:39:190:39:22

We've got a lot here. Four lots. All valued separately.

0:39:220:39:25

-I thought, "Let's see if it's worth anything."

-First lot

0:39:250:39:29

is the bracelet. 400 to 600? Let's find out what the bidders think.

0:39:290:39:33

Here goes the bracelet. We're looking at 400 to £600.

0:39:330:39:36

The 18-carat gold reeded double-link chain bracelet

0:39:380:39:41

with the ball pendant set with semi-precious stones.

0:39:410:39:45

Fingers crossed! Everything crossed!

0:39:450:39:48

34 grams altogether with the stones.

0:39:480:39:51

What do we say? 400 away.

0:39:510:39:52

400?

0:39:520:39:54

300 to start me, then.

0:39:560:39:58

300 for that. At three. 300 I've got.

0:39:580:40:00

300. 320 sitting here. All in the room.

0:40:000:40:03

340. 360.

0:40:030:40:04

380. 400.

0:40:040:40:06

-Brilliant.

-420. 440. 460.

0:40:060:40:09

480. 500.

0:40:090:40:12

520, is it? 520.

0:40:120:40:14

550. 550 standing bid. 550.

0:40:140:40:17

580, may I say? 550 in the room. Against you online.

0:40:170:40:21

-Someone else?

-Standing in the room. £550.

0:40:210:40:25

-We'll take that!

-Well done!

-£550. One down, three to go.

0:40:250:40:29

The next item is the necklace, possibly the prettiest of the lots.

0:40:290:40:33

250 to 300, or thereabouts.

0:40:330:40:37

There are two in the lot, so hopefully that'll boost it a bit.

0:40:370:40:40

-Let's see. Here we go.

-Here we go.

0:40:400:40:42

The little yellow bell flower design necklace

0:40:430:40:47

together with a box link guard chain.

0:40:470:40:51

What do you say for those? £300 for the two?

0:40:510:40:55

300 I'm bid straight away. At 300. 320.

0:40:560:40:59

340. 360.

0:40:590:41:02

-380. 380.

-£380.

-380 on the front here.

0:41:020:41:06

380. Against you online.

0:41:060:41:08

-At 380.

-Brilliant. That's over the top estimate.

-£380.

0:41:080:41:12

Yes! 380! Two down. Two more to go. Here's the next.

0:41:120:41:16

We've got this Italian ring here.

0:41:160:41:18

The heavy white and yellow gold knot ring.

0:41:180:41:22

What's that worth? Again, what do we say? 200? £200 I'm bid.

0:41:220:41:28

At 200. 220, may I say?

0:41:280:41:30

At £200. 20? Yes, at 220.

0:41:300:41:33

-240 for it?

-230.

-Bad as that!

0:41:330:41:37

240?

0:41:370:41:39

240 I've got online. Beaten you both now.

0:41:390:41:42

240. You're both out. Online at 240.

0:41:420:41:45

-While you make up your minds, it's online at 240.

-Come on.

0:41:450:41:48

250? At £240.

0:41:480:41:50

-Online and selling.

-That's mid-estimate.

0:41:500:41:53

At £240.

0:41:530:41:55

Hammer's gone down. Now the fourth item. The bracelets.

0:41:550:41:58

-There's a lot here. We're looking 500 to £700 for this lot.

-Yes.

0:41:580:42:02

-This is a bit of everything.

-Are you keeping a total?

0:42:020:42:05

Don't ask me about maths!

0:42:050:42:06

A collection of nine-carat gold and other jewellery.

0:42:060:42:11

A gate bracelet, a chain bracelet, a dress ring, a rope-twist necklace.

0:42:110:42:18

Bracelets and another necklace set with pearls.

0:42:180:42:22

What have we got?

0:42:220:42:23

£500, surely. Yes, at 500.

0:42:230:42:26

520?

0:42:260:42:27

£500 I'm bid. 520, may I say?

0:42:270:42:30

At 500. The bid is in the room at £500.

0:42:300:42:33

Any more? At 500. Is it a maiden bid?

0:42:330:42:36

First and last at £500. We're here to sell.

0:42:360:42:39

Any more?

0:42:390:42:40

Just here at £500.

0:42:400:42:43

That is absolutely fabulous! Four out of four. That's £1,670!

0:42:430:42:49

I'm going to need support!

0:42:490:42:51

Brilliant. Well done.

0:42:540:42:55

How about that? Well done, you, as well. Spot-on valuations.

0:42:550:42:59

15% commission to pay, don't forget. What are you going to do with the money?

0:42:590:43:03

-We had a big discussion.

-Who's "we"?

-My husband and I.

0:43:030:43:07

We said, "Do we go for one week in the Red Sea,

0:43:070:43:10

"or if we're really good we can go for two weeks in Crete."

0:43:100:43:13

-Ooh.

-So I think it's two weeks in Crete!

0:43:130:43:16

Brilliant. Absolutely brilliant.

0:43:160:43:19

-Enjoy it, won't you?

-We will.

0:43:190:43:21

I hope you've enjoyed today's show. We're run out of time here in Carmarthen.

0:43:210:43:25

We knew somebody was going home with a lot of money. Congratulations.

0:43:250:43:29

See you next time for many more surprises!

0:43:290:43:32

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