Cheltenham Flog It!


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Cheltenham in Gloucestershire is all about festivals,

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from horseracing, with the Cheltenham Gold Cup,

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to literature, science, and of course jazz.

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Today, though, it's all about antiques.

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Welcome to "Flog It!"

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This is the Pittville Pump Room in Cheltenham,

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an important example of the town's Regency architecture,

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and it was completed in 1830.

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Its beautiful hall is now used for performances,

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and for the Cheltenham Music Festival.

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And Cheltenham has had many famous visitors over the years,

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such as Jane Austen and Charles Dickens,

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but today I'm happy to welcome hundreds of "Flog It!" fans

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who have turned up to have their antiques valued

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by our team of experts, who are led by Mr Adam Partridge

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and David Fletcher.

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Adam Partridge's day job is as an auctioneer in Cheshire,

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but it looks like he's found some quirky items today.

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-Morning!

-THEY LAUGH

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Who's next? Ladies first.

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David Fletcher is based down south in Bedford.

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He's an auctioneer, and he's always looking for decorative items

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amongst the crowd.

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And of course they come here to ask that all-important question,

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-which is...

-What's it worth?

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HE LAUGHS

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We should get on with the show, as there's a queue of people

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waiting patiently.

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Coming up, Adam gets nosy.

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What would you do with the £100 it makes?

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-Just mind your own business!

-Thank you!

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Who do you think David's referring to?

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He's not old in the great scheme of things, but he's a period piece.

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And I learn all about the amazing life and work

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of a polar explorer from Cheltenham.

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First, in the beautiful surroundings of this pump room,

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David's at his table with Margaret and her friend.

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I saw you in the queue outside. You had a suitcase under your arm,

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-and you told me that you had a body in there.

-That's right, yes.

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I thought you'd got your mother-in-law in there,

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but it turned out to be this little chap.

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What can you tell me about him? Are you a ventriloquist yourself?

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No, I'm not a ventriloquist myself.

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We bought him in Evesham in a little antiques shop.

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-Right.

-I think they'd had him in a museum prior to that.

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-Right.

-I hadn't learnt my skills

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in being able to haggle for things back then.

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I just decided to go with the price that they said,

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-and bought it for that.

-We'll come to that later.

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My girlfriend's got a little grandson called Finley,

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and he would die for this. He's got a ventriloquist's dummy

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of his own, and it's nothing like as sophisticated as this.

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-Oh, right.

-You do that to turn his head,

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and there's a little lever in here that you pull, and he does that,

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and you can operate that arm with a little lever at the back.

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And he does open and close his hand.

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-So he might have smoked.

-We think so.

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Very politically incorrect, but people did that in those days.

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-That's it.

-Now, I think he's great.

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I love his suit. I mean, it's fantastic, isn't it?

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-There's aspirations of grandeur with this suit.

-Definitely.

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-Best Harris tweed, I'm sure.

-Yes.

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Very 1930s, and a typical collar of the period,

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lovely tie all sort of flowing from his neck,

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so I think he's got to have been made about 70 or 80 years ago.

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-Right.

-I've tried to teach Finley, with his ventriloquist dummy,

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how to say, "Bottle of beer,"

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and it always comes out as, "Gottle o' geer."

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-SHE LAUGHS

-Gottle o' geer.

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I can't say "bottle of beer" without moving my lips,

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so I'm no ventriloquist. And I've just noticed,

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he has little tear ducts beside his eyes.

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-What do they mean?

-There's a little pump at the back.

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The pump's missing and there's just a tube,

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and we think he probably cried. HE LAUGHS

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So, he cried, he smoked, he laughed, he moved his head back and forth.

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What a character, eh? Now, tell me what you paid for him.

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-I paid £300 for him.

-£300?

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Yeah. That seems a bit hot to me,

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-but you said you hadn't developed your haggling skills.

-No, I hadn't.

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You probably fell for him a bit. He's got a cheeky little face,

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-hasn't he? Will you miss him?

-We will,

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but he just comes out of the box to scare the family

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-and goes back in again.

-High days and holidays.

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-That's right.

-I think he's got to be worth £100,

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-so can I suggest £100 to £150?

-Yes, yes.

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Um...we need to put a reserve on.

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Perhaps just tuck it under the £100. £90.

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-No?

-Yeah.

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-SHE LAUGHS

-£100?

-£100.

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-OK. You're a hard bargainer.

-Oh, I've learnt something, then!

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We'll go for £100. Estimate of 100 to 150,

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-reserve of £100.

-OK. That's lovely.

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And I look forward to seeing you and him at the sale.

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I bet that dummy's got some real stories to tell!

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What a great start! Over with Adam now,

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and Molly has brought in a bit of a mystery bronze.

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So, Molly, this is a really curious thing,

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and I was really drawn to it when I saw you with it.

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I'm interested in Jewish objects anyway,

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-and it clearly has some Jewish symbolism there...

-It has.

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..with the Star of David there. What can you tell me about it?

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Well, I think it was given to Dad from his uncle -

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-his brother, rather, I think.

-Right.

-That's what I believe,

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-but whether that's...

-But how they came to own it...

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I haven't got a clue. But my uncle actually was a prisoner of war.

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-Ah!

-So whether he'd found it in Germany

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when he was over there or what happened, I don't know.

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It's not exactly a pretty thing. Just different.

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It's just unusual, you know. So it's always intrigued me.

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I think it was probably a table-top cigarette box

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or table snuff or something like that,

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but it's a curious thing indeed,

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with its symbolism, with this Star of David here,

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the number 23, and the whole thing is made to look like a packing case.

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-Yes, it is.

-With the anchor on the top.

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-It says "piano" here.

-I know!

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-Is it a packing case that's meant to contain a piano?

-Strange.

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It looks as though it's made from bronze, possibly from cast iron.

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To actually verify that we'd have to give it a bit of a scrape

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and see what it's like.

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We'll see what the auction house comes to say.

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We've got here "verlag", "produced by", EG Zimmermann

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of Hanau in Germany.

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They were a firm that produced objects in bronze and cast iron.

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My thoughts are, it's worth about £50, really.

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-Yeah.

-But it's a speculative thing,

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-and it may just go on from there a little bit.

-Oh, right!

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-How do you feel about that value?

-Oh, yes.

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It's better to get it to somebody who would actually really like it

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and want to put it in their collection.

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I think that's what will happen, and I'd be interested to see

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what level of enquiries they'll get out of it.

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-But you've got no trouble selling it?

-No, no trouble at all.

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-What about a reserve price? £50?

-50, I think, really.

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-Shall we put a £50 reserve?

-£50. Yeah, I think so.

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-Estimate 50 to 80?

-Yeah. Yeah.

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Bit of that. See what happens. It's not a lot of money,

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but if it makes £100, anything specific you'd do with that?

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-Put it towards a holiday or something like that.

-Really?

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I'm dying for the moment when I ask that question

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-and they say, "Mind your own business."

-Oh, no!

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Let me ask you again. What would you do with the £100 it makes?

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-Just mind your own business!

-Thank you!

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HE LAUGHS

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Well, that's Adam told. Back to business now,

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and I'm sweeping through the queue.

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-There's a signed one, look.

-Oh, lovely. Thank you.

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I got one from Cirencester a few years ago.

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-Did you? You were in Cirencester? Did you get on the telly?

-No.

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-Yes, in the background.

-See, this is the great thing.

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Hundreds of people turn up to our valuation days.

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This is where it starts. This is where the action happens.

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There's a lot of excitement, because everybody's hoping they'll go through to the auction.

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Sadly it wasn't you last time, but it might be you this time.

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Well, I'm quite happy to be in the background.

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-Ahh!

-I had a bright-pink jacket on.

-A bright-pink jacket!

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One more item to find, and it's a traditional and familiar collectable,

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over with David.

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-Hello, Rosemary.

-Hello.

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Now, everyone knows that this is a piece of Clarice Cliff,

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one of the most instantly recognisable of all objects,

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and I must say I like it.

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-Do you like it?

-It's very pretty. It is a nice vase.

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-And how long have you owned it?

-About five years, roughly.

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My mother-in-law gave it me.

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-The pattern is Capri.

-Right.

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A rare-ish pattern, but not the rarest,

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and to start, really, on the down side,

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I suppose the object itself is not terribly prepossessing.

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-It's smallish, isn't it?

-Yes, it is small.

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-And it's not really an eye-catcher.

-No.

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I suspect it's probably a spill vase.

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You know, you'd have used it to put cardboard spills in.

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I do remember spills being in.

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And I think you used them to light your cigarette.

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You put the spill in the fire. By the 1930s,

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they were going out of fashion, really,

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but that's how I would describe it. It has a slightly ribbed body,

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which just gives it a bit of added interest,

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but what people do look for, and this has got plenty of it,

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is colour. You've got orange and yellow,

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bit of brown as well. It's brightly decorated.

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Typical Clarice Cliff. Have you got a figure in mind?

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-Not really, no.

-OK.

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-I think that this should make three figures, certainly.

-Good.

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-So I would be inclined to go for an estimate of 100 to 150.

-Right.

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-Shall we say £90 as a reserve?

-Fine.

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-Thank you.

-What do you think you might spend the lolly on?

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Well, I might help my grandson with his driving lessons.

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-Expensive things, driving lessons.

-Oh, definitely.

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Let's hope we sell it. I'm sure we will,

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-and we'll get him driving.

-Thank you very much.

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-Thank you so much.

-Thank you very much.

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Fingers crossed for Rosemary and for Clarice at the auction.

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As you can see, it is really busy in here,

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which means hundreds of antiques to value,

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but our experts have been working flat-out

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and it's time to put our first batch of items under the hammer at Philip Serrell's saleroom in Malvern.

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Here's a quick recap of what we're taking

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and the reason why we are taking them.

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I've never valued a ventriloquist's dummy before.

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Have you ever been valued before?

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No.

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Who knows what you're worth? I hope you're worth £100.

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You should be worth more, really. And I'll be sorry to lose you.

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Well, I must admit I really didn't know what to make of this,

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but something really drew me to it, and I'm very curious

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to see what's going to happen when it comes up at the auction.

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We see an awful lot of Clarice Cliff.

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People tell me that one day the bubble's going to burst.

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I hope not, and certainly not before the auction.

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So it's judgement time for our Cheltenham items in Malvern.

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This is a good sign! The car park is absolutely jam-packed.

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Cars are parked all along the road here outside the auction room,

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which means the saleroom hopefully is full of people.

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Fingers crossed they're all here to bid on our lots.

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On the preview day, I caught up with the man himself,

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Philip Serrell, to see what he thought

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of Margaret's ventriloquist's dummy. Cue the bad cabaret!

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Well, we just have to talk about this!

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-Eerie, isn't he?

-He's from the 1930s. Yes!

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Definitely, with that top lip curling up.

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He seems to have a mind of his own, doesn't he? He just...

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-Philip, that's you doing that.

-What?

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-Where's your other hand?

-What?

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THEY LAUGH

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I think he is a bit scary, but he's absolutely brilliant.

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And I know we've only got a value of around £100 to £150.

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He's worth every penny of 200 quid, surely.

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It's articulated, but it's all papier mache,

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painted, with glass eyes with tear ducts as well.

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-Would you want to make this for £90?

-No.

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-I'd be disappointed if it didn't make close to 200.

-Yeah.

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-I bet he can tell a few stories.

-Get him on the rostrum with you.

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-No chance!

-PAUL LAUGHS

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It's sale day, and with the auction room packed,

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it's time to get cracking. Clarice Cliff is up for scrutiny

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in front of the bidders.

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-Good to see you, Rosemary.

-Thank you.

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I like the colour. That's this year's colour.

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You've even got matching eye-shadow. Oh, very, very trendy!

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-You're such a smoothie!

-And Clarice Cliff...

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This is a spill vase from the Bizarre range.

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Why are you selling this? Do you like it?

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Well, yes, but my mother-in-law gave me it a long time ago.

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I did a swap for some... I had a lot of Delft.

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-Did you?

-I gave it to her, and she insisted I have that.

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-We're looking at £100 to £150 on this. Happy with that?

-Hopefully.

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-There are plenty of collectors.

-And prices are holding up.

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694,

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the Clarice Cliff vase from the Bizarre range,

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decorated with the Capri pattern.

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100. 50 I'm bid. At 50. Five.

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60. Five. 70. Five.

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80 I've got here. At 80. Five.

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-Come on...

-At 85. £90 bid.

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At 90. 90 bid. Is there any more at all?

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At £90 only. Here's the bid.

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And done. Thank you.

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-He's sold it.

-It squeaked past.

-Just, just!

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That was close, wasn't it?

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But it's gone. Clarice has done the business once again.

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-Thank you for bringing that in.

-Thank you so much.

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Well, the vase certainly held its own,

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and that's a decent result for Rosemary.

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Molly's curiosity is up next. But is it bronze?

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We're looking for the top end because we want to send you off to Jersey,

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or the money towards the air fare. Why Jersey? Have you been before?

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-No, never.

-You'll enjoy it. You really will.

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Let's hope we get the top end for it. It's not bronze.

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No, it's cast iron, but that's what they did.

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It's a curious thing. They worked in bronze and cast iron.

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-They did both, didn't they?

-It is a strange object, isn't it?

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-Yes, yes. Why are you selling it?

-I don't really need it.

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-Here it is.

-It's going under the hammer now. Here we go.

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Lot number 429 is the Zimmermann box.

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There we are. Interesting lot, this,

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with the impress marks, and I am bid £35 only.

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At 35. 35 for the Zimmermann box.

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35. 45.

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One more. At 45.

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45. At 50. 50 bid.

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50. We're in. We're selling.

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At 50. Who's got another fiver, someone?

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-It's not expensive.

-It's not expensive,

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-but it's not for everyone, is it?

-No, it's not.

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-At £50, and done. Thank you.

-And it's sold. £50.

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-Ah, well.

-That's something towards it, isn't it?

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-It's something.

-Yeah. Thank you for bringing it in.

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That's not enough for Molly's Jersey flight,

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but maybe it'll pay for the car-parking.

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If you're buying or selling at auction, there is commission to pay.

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Here, the seller's commission is 16.5 percent plus the dreaded VAT.

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And if you're buying something, you must add 18 percent plus VAT

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to the hammer price, so do factor those costs into your sums.

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Margaret's ventriloquist's dummy is ready

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and bringing out everyone's cheeky side.

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He certainly put a smile on everybody's face at the valuation day.

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You know what we're talking about - that little chap,

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the ventriloquist's dummy. I do find them a little bit scary.

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I was a bit spooked by it to start with,

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but the better I got to know him, the more I liked him.

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He's not the great scheme of things, but he's a period piece.

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And somebody made a living from this dummy.

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They took him around all the town halls and concert venues

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and entertained people. Yes.

0:16:180:16:22

Wonderful, wonderful. And it's a quirky thing.

0:16:220:16:25

Lot number 326 is the ventriloquist's dummy.

0:16:260:16:30

I won't say who he looks like, but if you take some of the hair out,

0:16:300:16:34

he's got a striking resemblance to one of today's experts.

0:16:340:16:38

-Not you, David.

-Thank you very much.

-Lot number 326

0:16:400:16:43

is the vent's dummy. These things are really collectable.

0:16:430:16:46

Bid me £100 to start. I'm bid £100 on the net.

0:16:460:16:48

100. 100. You're not allowed to buy this.

0:16:480:16:50

-Straight in.

-140, I am bid on the net.

0:16:500:16:52

150 on the net. 160 on the net. 170 on the net.

0:16:520:16:55

-180 on the net.

-It's all online, isn't it?

0:16:550:16:58

They run on, these online bids. They come up very quickly.

0:16:580:17:02

That's 210. 220.

0:17:020:17:04

230. 240.

0:17:050:17:07

On the internet at £240.

0:17:070:17:09

Any more?

0:17:090:17:11

At £240 and I sell, then,

0:17:110:17:14

and done at 240. And done. Thank you.

0:17:140:17:17

There you go. £240.

0:17:170:17:19

That's kind of what we were all thinking.

0:17:190:17:22

-240. Yeah. Happy?

-Yes, I am. Better than I thought.

0:17:220:17:26

Well, I'm here in the centre of Cheltenham

0:17:350:17:37

to introduce you to the inspiring story

0:17:370:17:40

of one of its former residents. His name is Edward Wilson,

0:17:400:17:43

and he was a polar explorer who's left an indelible mark

0:17:430:17:47

on science and natural history. Now, you may not have heard of him,

0:17:470:17:51

but you would have heard of his colleagues,

0:17:510:17:53

Captain Robert Falcon Scott and Ernest Shackleton.

0:17:530:17:56

But I want to tell you about what we owe to Edward Wilson's hard work

0:17:560:18:01

and his accomplishments.

0:18:010:18:03

Edward Wilson was born in 1872 and grew up here,

0:18:050:18:09

so to set off on his story, I've come to Cheltenham's art gallery

0:18:090:18:13

and museum, which Edward's father co-founded,

0:18:130:18:16

and which holds the Wilson family archives.

0:18:160:18:19

Edward achieved so much in his life.

0:18:190:18:22

I guess we should just start at the beginning, really.

0:18:220:18:25

His family lived in Cheltenham at Montpellier Terrace.

0:18:250:18:28

They also rented a nearby farm called the Crippetts,

0:18:280:18:31

where they spent a lot of time enjoying the country,

0:18:310:18:33

and whenever Edward was at home, he was always encouraged to draw and paint.

0:18:330:18:38

He loved school, as well.

0:18:380:18:40

He excelled and revelled at scientific learning.

0:18:400:18:43

He studied biology by dissecting animals,

0:18:430:18:45

drawing them and making observations.

0:18:450:18:47

He went to school at Cheltenham College,

0:18:470:18:50

and he had fond memories of his time there.

0:18:500:18:52

Whilst qualifying as a doctor, he met his future wife Oriana,

0:18:520:18:56

known as Ori. When they eventually married,

0:18:560:18:59

they only had three weeks together

0:18:590:19:02

before Wilson was to depart on his first trip to the Antarctic.

0:19:020:19:06

It was a huge honour to go on a polar expedition,

0:19:060:19:09

but also a massive commitment,

0:19:090:19:12

as the team would be away for years at a time.

0:19:120:19:15

Wilson's first polar role was as assistant surgeon,

0:19:160:19:20

artist and zoologist on the Discovery

0:19:200:19:23

from 1901 to 1904.

0:19:230:19:26

The museum has a wonderful archive collection

0:19:260:19:29

from Wilson's childhood right up until his final days,

0:19:290:19:33

and the exhibit shows equipment and possessions he would have taken

0:19:330:19:36

on his expeditions - things like this wonderful fur suit.

0:19:360:19:40

He used that on his first trip to the Antarctic in 1901.

0:19:400:19:44

'Ann-Rachel is the history curator here at the museum,

0:19:460:19:49

'and she's picked out some of the highlights

0:19:490:19:51

'of the Edward Wilson archive collection to show me.'

0:19:510:19:55

You must be delighted with the wealth of information there is here on Edward Wilson.

0:19:550:19:59

What was his job on board Captain Scott's ship, the Discovery?

0:19:590:20:03

Well, he was a scientist primarily.

0:20:030:20:05

He was there to observe weather conditions,

0:20:050:20:07

to observe the natural landscape,

0:20:070:20:09

to record fish they had not seen before,

0:20:090:20:12

birds, invertebrates... We've got 24 of his lovely sketches

0:20:120:20:15

and watercolours, and they show the enormous detail

0:20:150:20:18

of the icebergs and the shadows, the colours and the skills,

0:20:180:20:22

and the wonderful thing is, people wouldn't have known about them

0:20:220:20:26

in Britain, because no-one had ever seen these things.

0:20:260:20:30

How did he manage to achieve such high quality work

0:20:300:20:33

in such extreme conditions?

0:20:330:20:35

I understand he took the gloves off for about ten seconds,

0:20:350:20:38

did his bit of drawing, then had to put them back on. Took them off, did his bit of drawing.

0:20:380:20:44

But he also constructed a wonderful box.

0:20:440:20:46

It was on a string round his neck,

0:20:460:20:48

and it was a kind of compartment, so the wind whipped up over the top,

0:20:480:20:53

and he put his hands in and drew inside.

0:20:530:20:56

That's caught my eye. There's so much movement and passion

0:20:560:20:59

-in that pencil sketch.

-That's my absolutely favourite picture,

0:20:590:21:03

because you can just feel the wind whistling past them

0:21:030:21:06

as they had to stagger out through the blizzard

0:21:060:21:09

to take these scientific weather observations.

0:21:090:21:11

-He could have made his living as an artist.

-Oh, yes,

0:21:110:21:14

but he saw himself primarily as a scientist

0:21:140:21:17

and second, really, as an artist. Art was a means to record the science.

0:21:170:21:22

Between expeditions, he was heavily in demand.

0:21:240:21:27

Wilson illustrated books, and was celebrated for his research

0:21:270:21:30

into animals, in particular the emperor penguin.

0:21:300:21:33

His return journey to the South Pole was on the Terra Nova,

0:21:350:21:39

again under Captain Scott, which sailed out in 1910.

0:21:390:21:43

Why did he go back a second time?

0:21:430:21:45

-I think there's something about the lure of the Antarctic.

-Yes.

0:21:450:21:50

Some people have to go back. But also there was unfinished business.

0:21:500:21:54

There was so much science there waiting to be discovered.

0:21:540:21:57

He was absolutely fascinated by penguins,

0:21:570:22:00

partly because he thought there could be a link

0:22:000:22:02

between them and dinosaurs,

0:22:020:22:04

because again people hadn't seen emperor penguins

0:22:040:22:07

before these visits to the Antarctic,

0:22:070:22:09

and he went on this very special kind of sub-journey

0:22:090:22:13

off that second expedition, to find out more about penguins,

0:22:130:22:16

and it nearly was the end of them. It was terrible weather,

0:22:160:22:19

terrible blizzards, and it was known as the worst journey in the world.

0:22:190:22:23

-Really?

-Because of that and other factors,

0:22:230:22:26

they were late setting off for the journey to the South Pole

0:22:260:22:29

when Scott set off with Wilson and Bowers

0:22:290:22:32

and Oates and Evans on this trip

0:22:320:22:34

to see if they could get to the South Pole,

0:22:340:22:37

see what it was like, and hopefully beat the Norwegians,

0:22:370:22:40

though of course, when they got there,

0:22:400:22:42

the Norwegians had been there already, and there was the flag.

0:22:420:22:46

Their South Pole adventure ended tragically in 1912.

0:22:470:22:51

Beaten by the Norwegians, too late to claim the Pole as their own,

0:22:510:22:54

the return journey back to base camp was treacherous.

0:22:540:22:58

Physically unable to withstand a long blizzard,

0:22:580:23:01

the three remaining men, Wilson, Scott and Henry Bowers,

0:23:010:23:05

were eventually found frozen in their tent by a search party.

0:23:050:23:08

They were blessed and buried where they died.

0:23:080:23:12

The whole nation was fascinated by this race to the South Pole.

0:23:150:23:19

Yes. People were following it. Of course there was a huge delay.

0:23:190:23:22

It was months before they got the news, and before they heard

0:23:220:23:26

-that Wilson and Scott had perished.

-Must have been so sad. So sad!

0:23:260:23:30

I think it was very, very tragic. There was a great outpouring

0:23:300:23:33

of national and, of course, local grief.

0:23:330:23:36

Why do the people of Cheltenham hold Wilson close to their hearts?

0:23:360:23:39

Well, he was a very likeable person,

0:23:390:23:42

but they were an important local family.

0:23:420:23:44

They were involved in many community events and activities,

0:23:440:23:48

and Cheltenham, I suppose, led the mourning for Wilson himself.

0:23:480:23:53

Is that a photo of the whole team before they set off?

0:23:530:23:56

That's correct, yes. You can see Edward himself is sat on the sledge,

0:23:560:24:00

and the other members of the team and some of the backup team

0:24:000:24:04

are shown all lined up and ready to go, in front of Mount Erebus,

0:24:040:24:07

-so that's the start point.

-Once you're aware of Wilson,

0:24:070:24:10

it's impossible to forget what a brave man he was,

0:24:100:24:13

and there's a statue in the town to remind you daily, isn't there?

0:24:130:24:17

That was commissioned by the people of Cheltenham,

0:24:170:24:20

-by public subscription.

-Good.

-It was made by Lady Scott,

0:24:200:24:23

so even the artist has a connection with the expedition.

0:24:230:24:26

Thank you so much for showing me these.

0:24:260:24:29

-Anybody can come here and look at these, can't they?

-They can.

0:24:290:24:32

They're not all out all the time, but there's always a selection.

0:24:320:24:37

And this is the statue that stands proud in modern Cheltenham,

0:24:370:24:41

reminding each generation of their town's famous son, Edward Wilson.

0:24:410:24:45

And there's an inscription carved in stone on the column of the statue,

0:24:450:24:49

and it's taken from one of Captain Scott's last letters,

0:24:490:24:52

talking about Wilson. And it reads,

0:24:520:24:54

"He died as he lived, a brave true man,

0:24:540:24:57

the best of comrades and the staunchest of friends."

0:24:570:25:00

Cheltenham is "Flog It!"'s host today,

0:25:090:25:11

and the Pittville Pump Room is proving a popular venue.

0:25:110:25:15

Adam's found a really beautiful collection of miniatures, brought in by Sue.

0:25:160:25:20

I'm delighted to see these miniatures.

0:25:200:25:23

-They're quite special, aren't they?

-Really special.

0:25:230:25:26

It's so exciting when wonderful things like this

0:25:260:25:29

come into the programme.

0:25:290:25:30

Well, I was delving through a tin, large tin,

0:25:300:25:34

full of miniature paintings done by my mother,

0:25:340:25:37

and suddenly at the bottom, I came across these paintings.

0:25:370:25:41

So these were lying at the bottom of a tin

0:25:410:25:44

full of your mother's miniatures? Was she a keen painter?

0:25:440:25:47

-Just miniatures, or...

-She started off doing various things,

0:25:470:25:50

like flower painting, which is quite precise,

0:25:500:25:53

and then she did a course at West Dean College in Chichester...

0:25:530:25:57

-In Sussex, yeah.

-..on miniatures.

0:25:570:26:00

I'm not sure if she'd started collecting these before that,

0:26:000:26:04

or whether that then triggered this.

0:26:040:26:07

Yes. And this was one of your mother's own ones?

0:26:070:26:09

-That's right.

-She's lovely, isn't she?

0:26:090:26:11

Yes. That was exhibited in the Society of Miniaturists...

0:26:110:26:15

-Oh, was it?

-..in 1990.

-Gosh!

0:26:150:26:18

They're nearly, almost always, painted on ivory.

0:26:180:26:21

We'll go through them individually.

0:26:210:26:23

The one painted by your mother, of course, is going back with you,

0:26:230:26:27

-and in your eyes is priceless.

-Yes.

0:26:270:26:29

The next one here, this is a sort of early 19th-century gentleman,

0:26:290:26:33

probably the sort of chap that might have frequented a building

0:26:330:26:37

such as this, when it first opened in the early 19th century.

0:26:370:26:40

-He'd have looked in place here.

-The next one here,

0:26:400:26:43

she's dressed up in a Japanese fashion, isn't she?

0:26:430:26:46

Yes. The colours on that are so beautiful, aren't they?

0:26:460:26:49

-Really lovely.

-I think she's my favourite, to be honest.

0:26:490:26:53

She's probably my favourite. Really lovely.

0:26:530:26:56

We have got tiny evidence of a signature down there,

0:26:560:26:58

Miller, of the Miniature Society as well,

0:26:580:27:01

so I'm going to ask the saleroom to research all of these,

0:27:010:27:05

but particularly this one with the signed name,

0:27:050:27:07

-so we can publish his dates and look into him more.

-Right.

0:27:070:27:11

Then we've got these, possibly the most impressive looking

0:27:110:27:14

because they're in this substantial yellow-metal frame,

0:27:140:27:17

which is probably nine-carat gold, and it's a double-sided one -

0:27:170:27:21

Queen Anne here,

0:27:210:27:23

and on the other side, Queen Mary II here.

0:27:230:27:27

-What sort of dates are they?

-Early to mid-19th century,

0:27:280:27:31

that would have been painted.

0:27:310:27:33

They're all early, mid- to late 19th century

0:27:330:27:36

and then either side of here,

0:27:360:27:38

-they are from the same sort of school, aren't they?

-Yes.

0:27:380:27:41

They're very glamorous maidens.

0:27:410:27:44

Generally as a rule with miniatures,

0:27:440:27:47

it's said that pretty ladies are the best sellers.

0:27:470:27:50

-The way those painters did their faces, the actual complexion...

-Yes.

0:27:500:27:54

-..is just magnificent.

-And then you've got this other one here,

0:27:540:27:57

also in a pierced yellow-metal surround.

0:27:570:28:01

-That's done as a brooch, isn't it?

-That's right.

0:28:010:28:04

-And it's got a...

-It's been mounted as a brooch there.

0:28:040:28:07

-Or it could be on a chain.

-It could be a pendant or a brooch.

0:28:070:28:10

Now, down to values. I've already given you a bit of a clue

0:28:110:28:15

that they're quite valuable.

0:28:150:28:17

I would suggest they're sold separately.

0:28:170:28:19

I don't think it will do them justice

0:28:190:28:22

-to sell them as one lot.

-Mmm. No.

0:28:220:28:25

But to break them down, we've got the gentleman here.

0:28:250:28:28

-He looks like £200 to £300.

-Mm-hm.

0:28:280:28:31

-Perhaps a reserve of 150.

-Mm-hm.

0:28:310:28:34

She looks easily £200 to £300, maybe £300 to £500.

0:28:340:28:38

I would put a reserve of 200 on that one.

0:28:380:28:40

-Mm-hm.

-I would also put 200 to 300 on that one.

0:28:400:28:43

These two, they must be again 200 to 300 each,

0:28:430:28:48

perhaps with a reserve of 150 again. I would be slightly less on her.

0:28:480:28:52

I'd go 150, 200 on her, and put a reserve slightly below that as well.

0:28:520:28:57

-That's fine.

-Does that sound all right?

0:28:570:28:59

-Yes.

-You're selling them because there's no sentiment involved,

0:28:590:29:03

and because you've got plenty of miniatures.

0:29:030:29:06

Is there any plan of where the proceeds -

0:29:060:29:09

Because they're owned by my brother, my sister and myself,

0:29:090:29:12

-we'll be splitting it three ways anyway.

-Right.

0:29:120:29:14

And half of my share I will donate to the Alzheimer's Society.

0:29:140:29:20

Oh, good. That's a very worthy...

0:29:200:29:23

And the other half, my grandson will benefit from.

0:29:230:29:26

-Oh, well, that's lovely.

-He's only six months old,

0:29:260:29:28

-so that would be nice.

-Well, that's excellent reasons,

0:29:280:29:32

and I'm just so pleased you've brought them in.

0:29:320:29:34

That split lot of pretty little miniatures

0:29:340:29:37

should cause a scene at the saleroom,

0:29:370:29:39

but first it's time for a sing-along!

0:29:390:29:41

-High-five!

-High-five!

-Yeah! How about...

0:29:410:29:44

# If you're happy and you know it clap your hands...

0:29:440:29:47

-Clap your hands!

-He knows it.

0:29:470:29:50

Are you happy? Yeah! Hundreds of happy people here.

0:29:500:29:54

Jim's with David, and he's brought along a nice piece of silver.

0:29:540:29:58

You've brought this lovely little vinaigrette in.

0:29:590:30:01

-You know what it is, I'm sure.

-I do, yes.

0:30:010:30:03

-Only by watching your programme.

-By watching "Flog It!"?

0:30:030:30:06

OK. If you open the lid, you find this little grille,

0:30:060:30:11

which is hinged, and opens like that.

0:30:110:30:15

A little piece of sponge was inserted in there,

0:30:150:30:17

which was soaked in some sweet-smelling liquid,

0:30:170:30:21

and if you were walking down the high street

0:30:210:30:24

and you felt overcome by the smell of drains or whatever,

0:30:240:30:28

you would just lift it to your nose, and in theory at least,

0:30:280:30:33

it would revive you. I don't know whether that did the trick

0:30:330:30:36

or not, but... I don't have to tell you that it's silver, Jim.

0:30:360:30:39

-No.

-You know that, don't you, because it's hallmarked.

0:30:390:30:42

-Yeah.

-You've looked at the hallmark, presumably.

0:30:420:30:45

I tried to figure out... I know it's Birmingham.

0:30:450:30:48

-It is, yeah.

-I saw the J, but I couldn't make out the second letter.

0:30:480:30:51

Yeah. Well, the J, I think, is 1858.

0:30:510:30:56

That's rather confirmed by the fact that we have Queen Victoria's head,

0:30:560:31:00

which in the great scheme of things is quite late for vinaigrettes.

0:31:000:31:04

They tend to date from the early 19th century.

0:31:040:31:07

What I particularly like about this is the malachite-inset top.

0:31:070:31:13

It's got a little chip, which is a bit of a problem,

0:31:130:31:16

but malachite is a hard stone. It's not a precious stone,

0:31:160:31:20

-but it is rare, and just lifts it out of the ordinary, really.

-Yes.

0:31:200:31:24

I rather like these scrolls, which have been beautifully chased, too.

0:31:240:31:27

So all in all, a very nice little thing.

0:31:270:31:30

-How did you come by it?

-Well, I go to car-boot all the time.

0:31:300:31:33

-Oh, you're a car-booter?

-I'm a collector of everything.

0:31:330:31:36

And you're going to tell me you paid...

0:31:360:31:39

-£12.

-£12. OK.

0:31:390:31:41

Well, it never ceases to amaze me, really,

0:31:410:31:43

how many bargains we do hear of being picked up at car-boot sales.

0:31:430:31:46

I would say that this is worth about £80 or £90.

0:31:460:31:50

-Oh, nice!

-I would like to suggest an estimate

0:31:500:31:53

of, say, 60 to 80.

0:31:530:31:55

-Yes.

-And a reserve of 60.

-That's fine.

0:31:550:31:58

-And it'll go towards the grandson's trust fund.

-Oh, good. OK.

0:31:580:32:02

We started one the day he was born, and he's nine now.

0:32:020:32:04

-He can't get it till he's 18.

-Right.

0:32:040:32:07

And does he go to car-boot sales?

0:32:070:32:09

Sometimes he comes, when he's staying overnight with us.

0:32:090:32:12

OK. But when he's 18, he'll have that little bit of dosh

0:32:120:32:16

-in his back pocket.

-He certainly will.

-He'll be off.

0:32:160:32:19

Great. I hope he finds a bargain like this.

0:32:190:32:22

-I hope he does.

-OK. All the best, Jim,

0:32:220:32:24

-and I'll see you at the sale.

-See you at the show.

0:32:240:32:27

Well, Jim's off, so he must be pleased with David's valuation.

0:32:270:32:30

Adam's got an unusual patterned vase on his table

0:32:310:32:34

that's caused a difference of opinion.

0:32:340:32:36

Volkan and Cheryl, very nice to see you here at "Flog It!" today.

0:32:370:32:41

-You too.

-And you've brought along this vase.

0:32:410:32:44

Where did you get it from? Volkan, you go first.

0:32:440:32:47

We actually bought a pine cupboard from a house clearance,

0:32:470:32:50

probably about six months ago, and it was just full of plant pots

0:32:500:32:54

and just junk, and in amongst that was that, basically.

0:32:540:32:57

I wonder why it had been disregarded, Cheryl!

0:32:570:33:00

Because it's very, very ugly.

0:33:000:33:02

Do you know, it's funny - I haven't talked to you before this,

0:33:020:33:05

but I already knew you didn't like it.

0:33:050:33:08

I have a feeling that you don't mind it.

0:33:080:33:10

I actually quite like it. We don't have it out in the house.

0:33:100:33:13

-It sits covered up in a box.

-I wouldn't give it house-room.

0:33:130:33:17

-Right.

-But every time I've got it out to show friends,

0:33:170:33:19

said, "Have a look at this," I... I do like it.

0:33:190:33:24

-Do you?

-I just like its ugliness, really.

0:33:240:33:26

Well, sometimes things are so ugly, they're good.

0:33:260:33:30

I don't mind it. What do you think? Come on, Cheryl.

0:33:300:33:34

Let's hear what you really think.

0:33:340:33:36

I actually thought twice about bringing it into the house,

0:33:360:33:39

because it's that bad, and it looks like somebody's had a go at it with gold spray paint at Christmas.

0:33:390:33:44

Right. And what about the birds? Aren't they quite nice?

0:33:440:33:47

-They look like they've been done over with marker pen.

-OK.

0:33:470:33:51

-So it's got to go, has it?

-Definitely.

0:33:510:33:55

So you're selling it because you don't mind it,

0:33:550:33:58

you can't stand it. It's not going in your house, so you win.

0:33:580:34:01

-It's out of the door.

-I know that situation.

0:34:010:34:04

-HE LAUGHS

-Cheryl always wins anyway.

0:34:040:34:06

I bet you're used to that already, aren't you?

0:34:060:34:09

-Absolutely.

-It's by the Austrian firm of Amphora.

0:34:090:34:12

It's marked on the bottom. Quite a well known factory

0:34:120:34:15

of art pottery, Art Nouveau and later wares,

0:34:150:34:17

-quite distinctive. It's quite a wacky shape, isn't it?

-Yeah.

0:34:170:34:21

And it's mildly collectable. It's not going to make you a fortune.

0:34:210:34:25

-How much was the pine cupboard?

-About 50 quid.

-About 50.

0:34:250:34:28

-Yeah.

-And that was in it?

0:34:280:34:31

Well, it's going to pay for your pine cupboard.

0:34:310:34:33

-Great.

-I think it will make £50 to £80 at auction, typically,

0:34:330:34:36

for something like that. Provided we can find someone that wants it,

0:34:360:34:40

it's worth that. A reserve price we should probably consider,

0:34:400:34:44

because you don't want it under-selling, either.

0:34:440:34:47

-You don't want it coming home, but -

-No.

0:34:470:34:49

You don't want it going for 20 quid, or Volkan forever will say,

0:34:490:34:52

-"We shouldn't have sold that vase."

-I'll give you 20 quid to keep it.

0:34:520:34:56

Let's put 40 reserve, with a fixed reserve of 40.

0:34:560:34:59

If it doesn't make it, then, it does go home.

0:34:590:35:01

-You'll have to hide it in the shed or something.

-Yeah.

0:35:010:35:05

That's what I do when I buy things and I don't want to show my wife.

0:35:050:35:08

-Sounds like a good idea.

-Yeah. I'm giving him ideas here.

0:35:080:35:12

Sorry, Cheryl. Well, thanks for bringing it.

0:35:120:35:14

There's not much more to tell you about it.

0:35:140:35:16

It is what it is, and we'll see how it gets on.

0:35:160:35:19

-Let's get rid.

-Let's get rid.

-THEY LAUGH

0:35:190:35:22

Cheryl and Volkan look set to disagree,

0:35:220:35:25

so one of them will be disappointed at the auction.

0:35:250:35:28

We'll see who it is shortly.

0:35:280:35:30

That makes the final item ready for the saleroom,

0:35:300:35:33

but first let's see why they all appeal to Adam and David.

0:35:330:35:37

What a fantastic collection!

0:35:390:35:41

I'm so excited to see how these are going to sell at the auction.

0:35:410:35:45

For as long as I've been valuing antiques,

0:35:450:35:48

people have been collecting vinaigrettes -

0:35:480:35:50

in fact, for much longer. They always sell well,

0:35:500:35:53

and at £60 to £100, who's going to turn this one down?

0:35:530:35:55

Well, there's no middle ground with this vase.

0:35:550:35:58

You're either going to love it like Volkan did,

0:35:580:36:00

or hate it like Cheryl did. I'm just hoping

0:36:000:36:03

that we can find at least two people that love it enough

0:36:030:36:06

to bid for it in the auction.

0:36:060:36:08

We're at Philip Serrell's auction room in Malvern to watch how our items fare.

0:36:090:36:13

Let's see how Sue's miniatures go,

0:36:140:36:16

especially as they're all separate lots, with slightly lower reserves

0:36:160:36:20

after more research from the auction house.

0:36:200:36:22

You valued them separately. The majority are 200 to 300.

0:36:220:36:25

There's one at three to five, the lady.

0:36:250:36:28

I really like that. Quality, absolute quality.

0:36:280:36:31

The skill of the miniaturist is quite to be admired, isn't it?

0:36:310:36:34

Yes, and having seen my mother poring over miniatures

0:36:340:36:37

that she did, you realise the amount of effort and time.

0:36:370:36:41

-It's amazing.

-Incredible eyesight, and technique as well,

0:36:410:36:44

with the tiniest of brushes with about four hairs on.

0:36:440:36:47

To get the skin pigments and the eyes...

0:36:470:36:49

When you look at them under magnification, they're amazing.

0:36:490:36:52

Yeah. Let's find out what the bidders think,

0:36:520:36:55

because it is down to them. We can talk till we're blue in the face,

0:36:550:36:58

and sort of speculate about valuations,

0:36:580:37:01

but it's down to that lot. They're going under the hammer right now.

0:37:010:37:05

Let's find out what they do.

0:37:050:37:07

Now we've got a really lovely collection of miniatures on offer.

0:37:070:37:10

The first lot, number 248, the oval miniature on ivory

0:37:100:37:14

of the gentleman, and I'm bid 65 for that.

0:37:140:37:16

At 65. At 70. Five. 80. Five.

0:37:160:37:19

90. Five. 100.

0:37:190:37:21

110, 120, 130. I'll take five to help you.

0:37:210:37:25

At 130. Five?

0:37:250:37:28

Might not get the chance again. At £135.

0:37:280:37:31

Any more at all? At £135,

0:37:310:37:34

and done, then, at 135. And done.

0:37:340:37:37

-Sold. 135.

-On reserve.

0:37:370:37:40

Lot number 249 is this lovely Japanese-dressed lady.

0:37:400:37:47

I'm bid 110. 110, 110. 120. 130.

0:37:470:37:50

-140. And 50.

-Come on. Up, up, up.

0:37:500:37:53

-Is there any more? At £150.

-That's cheap, isn't it?

0:37:530:37:57

Any more? At 170. Any more? I'm sorry, I haven't done that one.

0:37:580:38:03

Didn't reach the reserve.

0:38:030:38:06

-I'm surprised.

-So am I.

0:38:060:38:08

-That was the best one.

-The double-sided miniature,

0:38:080:38:11

Queen Mary and Queen Anne. 100. 110.

0:38:110:38:14

120. 130. 140.

0:38:140:38:17

150. 160. 170.

0:38:170:38:21

180. 190.

0:38:210:38:23

-200.

-This is selling.

0:38:230:38:25

230. 240.

0:38:260:38:28

-250.

-It's the frame.

0:38:280:38:31

It's the double-sided one, isn't it?

0:38:310:38:34

300.

0:38:340:38:36

310.

0:38:360:38:37

320.

0:38:370:38:39

This is more like it.

0:38:390:38:41

Done, then. At 320 and done.

0:38:410:38:44

That's good. Here's the fourth one. We're halfway through.

0:38:440:38:47

They got about £455.

0:38:470:38:49

Lot number 251. There we are. 95.

0:38:490:38:53

At 95. 100.

0:38:530:38:55

Any more at all? At £100. Any more?

0:38:550:38:58

-No, I'm sorry. That hasn't gone.

-That one didn't sell either.

0:38:580:39:02

I don't think they should have gone for that.

0:39:020:39:04

-That would have been underselling them.

-Lot number 252

0:39:040:39:08

is the 20th-century miniature of a girl wearing a headscarf.

0:39:080:39:11

At 100. At £100.

0:39:110:39:13

She's really nice.

0:39:130:39:15

110. 120. 130.

0:39:150:39:18

140. Here's the bid. At £140 only. It's your bid.

0:39:180:39:22

-Just, isn't it?

-Yeah. Disappointed with that.

0:39:220:39:26

-Done. Thank you.

-This is the last one.

-The brooch.

0:39:260:39:30

Lot number 253 is the early bust-portrait brooch miniature.

0:39:300:39:34

I'm bid 55. At 55, 55, 55.

0:39:340:39:37

60. And five.

0:39:370:39:38

65. Any more?

0:39:380:39:40

I'm normally used to miniatures going very well!

0:39:400:39:43

Any more? No, I'm sorry. I can't do that one either.

0:39:430:39:47

That one didn't sell either. So we've sold half. We've sold three,

0:39:470:39:51

and I think that's a grand total of around £595.

0:39:510:39:54

I'm pleased with what we've achieved.

0:39:540:39:56

That's a bonus, because you didn't know they were in there

0:39:560:40:00

-in that drawer, did you?

-No.

-Thank you for bringing them.

0:40:000:40:03

It was lovely to see them, and I hope you're not disappointed,

0:40:030:40:06

but I'd rather they weren't undersold.

0:40:060:40:09

I think it's right that we just hold them back

0:40:090:40:12

and see what happens for the future.

0:40:120:40:14

That's why we have reserves - to protect the value of treasured items.

0:40:160:40:20

It's time for Volkan and Cheryl to see their vase go under the hammer.

0:40:210:40:24

Who will get their own way when it comes to the end result?

0:40:240:40:27

Let's see.

0:40:270:40:29

-Why are you selling this?

-Because it's very ugly.

0:40:290:40:32

I don't find that ugly at all.

0:40:320:40:35

I find that quite attractive in a strange way.

0:40:350:40:38

-I really do.

-Very strange way.

0:40:380:40:40

-I like it.

-I quite liked it too, but we mustn't tell Volkan,

0:40:400:40:43

-because he didn't want to sell it.

-I didn't want to sell it.

0:40:430:40:46

-Oh, I see.

-And I won't give it house-room.

0:40:460:40:48

Got you! Know where you're coming from, Volkan!

0:40:480:40:52

-I didn't get a say in the matter.

-Let's just be quiet

0:40:520:40:54

-and watch it sell, shall we?

-Exactly.

0:40:540:40:57

Lot number 743 is the Amphora vase,

0:40:570:41:02

and I am bid £20 for that lot. At five. 25,

0:41:020:41:05

the Amphora vase. At 25. 25.

0:41:050:41:08

And 30. And five.

0:41:080:41:10

And 40. 40 bid.

0:41:100:41:12

At £40 only. 40. I'll take five anywhere.

0:41:120:41:16

Any more? At £45, and I sell, then, at £45.

0:41:160:41:20

And done. Thank you.

0:41:200:41:21

It's £45. We sold it.

0:41:210:41:23

You see, someone found the beauty in it.

0:41:230:41:26

-It's gone to a different house.

-Yes.

0:41:260:41:28

-Thank goodness for that.

-Never mind.

-Thanks for bringing it in.

0:41:280:41:32

-"Never mind, never mind"!

-THEY LAUGH

0:41:320:41:36

Poor Volkan's lost his vase,

0:41:360:41:38

but at least Cheryl's got rid of it.

0:41:380:41:41

Jim's silver vinaigrette is next to face the bidders.

0:41:410:41:44

-Why are you selling this?

-I've had it for a long time,

0:41:450:41:48

-and we have a trust fund for my grandson.

-OK.

0:41:480:41:50

-So it's all going into that.

-By the time he's 18,

0:41:500:41:53

he'll have enough for a car, so let's get enough for a gallon of petrol.

0:41:530:41:57

Preparing for the future! That's what it's all about.

0:41:570:42:00

-It's not a lot of money, this, and there's a lot of lot there.

-Yeah.

0:42:000:42:03

It's quite late for a vinaigrette,

0:42:030:42:05

-but I love the stone setting.

-Yes, so do I.

0:42:050:42:08

-The malachite is fantastic.

-It looks good, doesn't it?

0:42:080:42:11

-It looks 150 quid.

-It does. It's a real swanky thing.

0:42:110:42:15

We're going to find out what this lot think.

0:42:150:42:18

It's going under the hammer right now.

0:42:180:42:21

Here's a nice lot. 55 I have. At 55.

0:42:230:42:26

55. 60. 60 bid. Five.

0:42:260:42:28

70. Five. 80. Five. 90. Five.

0:42:280:42:31

100. 110. 120.

0:42:310:42:33

130. 140. 150.

0:42:330:42:36

160. 170.

0:42:360:42:39

180. 190. It's the lady's bid.

0:42:390:42:42

At £190 and done, then. At 190 and done.

0:42:420:42:45

Yes! Sold! £190! I knew it looked like a good 150 quid, didn't I?

0:42:450:42:51

-You've got to be happy with that.

-I am.

0:42:510:42:54

It'll buy a couple of gallons of petrol when he's 18.

0:42:540:42:57

-I wouldn't bank on it!

-Not the way it's going up.

0:42:570:43:00

-There'll be electric cars by then. We'll all have them.

-Yes.

0:43:000:43:04

I love hearing what people plan to do with the proceeds,

0:43:040:43:07

and what a great result for Jim.

0:43:070:43:10

I thoroughly enjoyed that. What a marvellous day we've had!

0:43:120:43:15

Another day in another saleroom - that's what it's all about.

0:43:150:43:18

Keep watching. There'll be more surprises to come.

0:43:180:43:21

But until then, goodbye.

0:43:210:43:23

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0:43:230:43:27

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0:43:270:43:31

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