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We're in the tranquil city of Winchester, but it's not all peace and quiet. | 0:00:03 | 0:00:07 | |
Just look at that fabulous queue! Hundreds of people have turned up to the Guildhall, | 0:00:07 | 0:00:11 | |
all hoping to put their antiques and collectibles into auction and go home with a small fortune. | 0:00:11 | 0:00:17 | |
Welcome to Flog It! | 0:00:17 | 0:00:19 | |
Winchester's Guildhall is playing host to Flog It today. | 0:00:41 | 0:00:44 | |
This is where the tension starts to build. | 0:00:44 | 0:00:47 | |
Even if the weather is a bit inclement, here are our experts, | 0:00:47 | 0:00:50 | |
already working, Christina Trevanion and James Lewis, the founts of knowledge. | 0:00:50 | 0:00:55 | |
Of course, they've all come here to ask that all-important question, which is, "What's it worth?" | 0:00:55 | 0:01:02 | |
Exactly! And what are you going to do when you've found out? Flog it! | 0:01:02 | 0:01:06 | |
If our experts see an item they like, they put a sticker on the owner, | 0:01:06 | 0:01:10 | |
and while Christina's found loads, James is still struggling. | 0:01:10 | 0:01:13 | |
Oh, that's going to take a bit of work! | 0:01:13 | 0:01:16 | |
-Do we get a sticker? -Not yet. | 0:01:16 | 0:01:18 | |
-Why? -Because it's not something that we probably want to film. | 0:01:18 | 0:01:21 | |
-My! -Hands off, James, play fair now. | 0:01:21 | 0:01:25 | |
-They've got a green sticker on. -I know, yeah, I know! | 0:01:25 | 0:01:29 | |
Competition to find the best items is already mounting, but they are friends, really. | 0:01:29 | 0:01:34 | |
It's now time to get the doors open and get the show on the road. | 0:01:34 | 0:01:36 | |
-Are you ready, everyone? -Yes! | 0:01:36 | 0:01:38 | |
Come on, then. | 0:01:38 | 0:01:39 | |
Look at that, teddy! | 0:01:43 | 0:01:45 | |
'And on today's show, one of my idols makes an appearance.' | 0:01:45 | 0:01:49 | |
Hands up, Rolling Stones fans. | 0:01:49 | 0:01:50 | |
'Unfortunately, James, well, he can't get no satisfaction.' | 0:01:50 | 0:01:54 | |
-40, then, £40. -Oh, come on. | 0:01:54 | 0:01:56 | |
£30, £30, thank you. | 0:01:56 | 0:01:57 | |
'Christina is more than satisfied with this cute bear.' | 0:01:57 | 0:02:02 | |
I've rather taken to him, I have to say. I think he's absolutely wonderful. | 0:02:02 | 0:02:06 | |
If you go down to Itchen Stoke, you're sure to have a big surprise! | 0:02:06 | 0:02:10 | |
-'But how much will he fetch at auction?' -Oh! | 0:02:10 | 0:02:13 | |
Fantastic, wow! | 0:02:14 | 0:02:15 | |
Well, there's certainly a buzz in the room. | 0:02:20 | 0:02:23 | |
Everybody is now safely seated, and we've got a full house. | 0:02:23 | 0:02:26 | |
And it looks like James Lewis is our first expert to the table, | 0:02:26 | 0:02:29 | |
so let's take a closer look at what he's spotted. | 0:02:29 | 0:02:31 | |
And he's over there. | 0:02:31 | 0:02:33 | |
Ashley, Maureen, thank you so much for bringing in something that reminds me of home. | 0:02:33 | 0:02:39 | |
Right down in the south of England, and what have you brought to me? | 0:02:39 | 0:02:42 | |
Something from Derbyshire. | 0:02:42 | 0:02:44 | |
So how did they come into your hands? | 0:02:44 | 0:02:46 | |
Well, to the best of my knowledge, they were a wedding present to my parents. | 0:02:46 | 0:02:50 | |
-OK. When were they married? -1943. | 0:02:50 | 0:02:53 | |
So that would figure, OK. | 0:02:53 | 0:02:55 | |
Well, what you're looking at are two of probably a set of three lambs | 0:02:55 | 0:02:59 | |
-made at the Denby factory just outside Derby. -Right. | 0:02:59 | 0:03:04 | |
These were produced in the 1930s. | 0:03:04 | 0:03:06 | |
They were made for children's nurseries, really, but a lot of them | 0:03:06 | 0:03:10 | |
were put out as garden ornaments, because they are, | 0:03:10 | 0:03:12 | |
at the end of the day, quite plain, quite robust, and people think, "Oh, I'll stick them outside." | 0:03:12 | 0:03:19 | |
-They look a little bit like lambs out of some sort of horror movie, don't they? -I don't like them. | 0:03:19 | 0:03:24 | |
The black eyes, evil! | 0:03:24 | 0:03:27 | |
But they are still very popular. | 0:03:27 | 0:03:29 | |
So do they live in pride of place at home? | 0:03:29 | 0:03:33 | |
-No. -No. -In the drawer? -In the drawer. | 0:03:33 | 0:03:36 | |
Oh, no! You don't like them? | 0:03:36 | 0:03:38 | |
No, I don't like the eyes. | 0:03:38 | 0:03:41 | |
Do you know? I think that's it. I think if they'd actually done something different for the eyes, | 0:03:41 | 0:03:45 | |
they would have been a lot better sellers. | 0:03:45 | 0:03:48 | |
Mwah-ha-ha! Flames! | 0:03:48 | 0:03:51 | |
So childhood memories, do you remember these and play with them as a kid? | 0:03:51 | 0:03:54 | |
Yes, I did play with them, along with a few other things that | 0:03:54 | 0:03:58 | |
tended to get broken, but they survived. | 0:03:58 | 0:04:01 | |
Denby's good and solid. | 0:04:01 | 0:04:02 | |
And my mother always had them out on the sideboard, pride of place. | 0:04:02 | 0:04:06 | |
She loved them. They've been around as long as I can remember. | 0:04:06 | 0:04:09 | |
So why get rid of them with all those memories? | 0:04:09 | 0:04:11 | |
Well, as we've said, they sit in the cupboard. | 0:04:11 | 0:04:15 | |
Maureen doesn't particularly like them. I'm not that keen on them, you know. | 0:04:15 | 0:04:19 | |
We've gone for the minimalist look now so... | 0:04:19 | 0:04:22 | |
You see, I'm a great one for mix and match. | 0:04:22 | 0:04:25 | |
Mind you, maybe it's because I have no style. | 0:04:25 | 0:04:28 | |
No, it's because you're an antique dealer. | 0:04:28 | 0:04:31 | |
I think that sort of shape, because it's quite plain, goes well | 0:04:31 | 0:04:34 | |
with a minimalist interior, goes well with a Deco interior as well. They should certainly sell. | 0:04:34 | 0:04:39 | |
-I would put, say, 50-80 as an estimate. If it makes 100, then we've really done well. -Right. | 0:04:39 | 0:04:45 | |
If we get sort of 50 plus for them... | 0:04:45 | 0:04:47 | |
-Yeah? -..I'd be quite happy, yes. -You just don't like them, do you? | 0:04:47 | 0:04:50 | |
-No, I don't. -No, that's the real reason! | 0:04:50 | 0:04:52 | |
Oh, poor little lambs. I'm sure someone out there will love them. | 0:04:52 | 0:04:57 | |
Now, over at Christina's table, Ruth has brought in a gold watch for her to value. | 0:05:00 | 0:05:06 | |
So, Ruth, they say that time flies. | 0:05:06 | 0:05:08 | |
Let's hope it does in this case. | 0:05:08 | 0:05:10 | |
Tell me a little bit about this little watch that you've brought in. | 0:05:10 | 0:05:12 | |
It just came into the possession of my husband the year before we married. | 0:05:12 | 0:05:16 | |
-Right. -And it's been sat in a drawer ever since. -Right. | 0:05:16 | 0:05:20 | |
-Just the occasional look at, put back. -So you don't wear it? -No. | 0:05:20 | 0:05:23 | |
-Well, it started life, actually, as a little lady's fob watch. -Oh. | 0:05:23 | 0:05:28 | |
Rather than a wristwatch. | 0:05:28 | 0:05:29 | |
Wristwatches were developed by a nanny, funnily enough, in the early 1900s. | 0:05:29 | 0:05:35 | |
She was so fed up of having it dangling, because they used to wear them on here... | 0:05:35 | 0:05:39 | |
She was so fed up of the children grabbing for it, | 0:05:39 | 0:05:40 | |
-she actually put some cord around it and wore it as a wristwatch. -Right. | 0:05:40 | 0:05:44 | |
So a complete accident, but that's how we get wristwatches today. | 0:05:44 | 0:05:48 | |
On this one, these two little arms, | 0:05:48 | 0:05:50 | |
where the strap is attached to it, have actually been soldered on at a later date. | 0:05:50 | 0:05:54 | |
So we've got this really pretty face, but it's got an equally decorative back, hasn't it? | 0:05:54 | 0:05:58 | |
Which would explain why it was a fob watch originally. | 0:05:58 | 0:06:02 | |
You see, looking at the back, we've got this wonderful engraving and a vacant cartouche, where | 0:06:02 | 0:06:06 | |
usually you would have had your initials engraved, but in this case it's vacant. | 0:06:06 | 0:06:10 | |
If we open up the back, | 0:06:10 | 0:06:12 | |
we've got the 18ct gold hallmark in the back cover, and we've also got | 0:06:12 | 0:06:16 | |
-an inscription here, "To Emmanuel, Southampton." -All right. | 0:06:16 | 0:06:20 | |
So it's been here since 1917 in the Hampshire area, which is quite nice. | 0:06:20 | 0:06:24 | |
Nice local watch. | 0:06:24 | 0:06:26 | |
And then if we open up the inside back cover again, | 0:06:26 | 0:06:30 | |
we've got, in here, | 0:06:30 | 0:06:33 | |
another 18ct gold mark on there. | 0:06:33 | 0:06:36 | |
We've also got this movement here, which is quite a modern movement, | 0:06:36 | 0:06:39 | |
so it ties in with the date of about 1915. | 0:06:39 | 0:06:42 | |
Unfortunately, I'm slightly concerned that it's now a wristwatch. | 0:06:42 | 0:06:46 | |
-Yes. -Because it will put watch collectors off, there's no denying that, sadly. | 0:06:46 | 0:06:51 | |
-But I still think, at auction, we might be looking somewhere in the region of £50-70. -Oh, right. | 0:06:51 | 0:06:58 | |
-Maybe slightly more on a good day, because there's quite a lot of gold to it. -Yes. | 0:06:58 | 0:07:02 | |
-So is that acceptable? -Oh, I think so, yes. | 0:07:02 | 0:07:04 | |
-OK, what do we think, ladies? -Yes. | 0:07:04 | 0:07:07 | |
-Should she flog it? -Yes. | 0:07:07 | 0:07:09 | |
Good! | 0:07:09 | 0:07:10 | |
'Well, I'm searching the queue looking for items that might catch my eye.' | 0:07:13 | 0:07:17 | |
It's not marked, | 0:07:17 | 0:07:19 | |
but we've got an engraving of an elephant and a palm tree on the back. It tests as 22ct. | 0:07:19 | 0:07:23 | |
-Oh! -Feel the weight of it. | 0:07:23 | 0:07:26 | |
That's beautiful. | 0:07:26 | 0:07:27 | |
I think this is absolutely fascinating. | 0:07:27 | 0:07:30 | |
-Have you come all the way up today? -Yes. | 0:07:30 | 0:07:31 | |
Ah... Well, this could be your lucky day! | 0:07:31 | 0:07:34 | |
Now, while I'm looking at this map, this is quite interesting, | 0:07:34 | 0:07:37 | |
-can you see this little village called Chawton? -Yes. | 0:07:37 | 0:07:39 | |
-Later on, I'm going to go off and visit that village. -Right. | 0:07:39 | 0:07:42 | |
-And it's Jane Austen's village, isn't it? -Yes. | 0:07:42 | 0:07:45 | |
I'm going to learn all about the history of women's literature. | 0:07:45 | 0:07:48 | |
-Thank you very much for showing me that. -OK. | 0:07:48 | 0:07:50 | |
Now to my first item of the day, some rock and roll memorabilia. | 0:07:50 | 0:07:56 | |
Maureen, thank you for bringing these autographs. | 0:07:56 | 0:07:59 | |
Now, you were either a Beatles fan or a Rolling Stones fan, | 0:07:59 | 0:08:02 | |
and this applies to you at home as well. | 0:08:02 | 0:08:04 | |
OK, hands up, Beatles fans. | 0:08:04 | 0:08:06 | |
Oh, there's quite a lot, isn't there? Most of you. | 0:08:06 | 0:08:08 | |
Hands up, Rolling Stones fans. | 0:08:08 | 0:08:10 | |
Yeah, we won! | 0:08:10 | 0:08:11 | |
Well, it's a nation divided. But both bands contribute so much to rock and pop history worldwide. | 0:08:14 | 0:08:20 | |
-Great rock and roll bands. Were you lucky enough to see the Rolling Stones? -No. | 0:08:20 | 0:08:25 | |
No... Oh, dear! | 0:08:25 | 0:08:26 | |
-I never did get to see them. -How did you come by their autographs? | 0:08:26 | 0:08:28 | |
My pen friend, Nicki, who lives in America, | 0:08:28 | 0:08:32 | |
she sent them to me because she knew I liked the Rolling Stones. | 0:08:32 | 0:08:36 | |
Wow... Pen friends, I mean, that was the thing, wasn't it? | 0:08:36 | 0:08:38 | |
Yes, she was president of the Californian Rolling Stones branch. | 0:08:38 | 0:08:43 | |
-She would have access to the Stones when they toured there. -That's right. | 0:08:43 | 0:08:47 | |
I love it to bits, and I think Mick Jagger is a great-looking guy, don't you? | 0:08:47 | 0:08:50 | |
I mean, he is, isn't he? Beautiful man. | 0:08:50 | 0:08:52 | |
You've got Keith Richards' signature there, Bill Wyman, bass guitarist, | 0:08:52 | 0:08:56 | |
-Charlie Watts, Mick Jagger and Brian Jones on lead guitar, who tragically died. -Yes. | 0:08:56 | 0:09:01 | |
The condition is not brilliant. The paper's getting a bit tatty. | 0:09:01 | 0:09:05 | |
You could double the value of these signatures | 0:09:05 | 0:09:08 | |
if they were on a photograph so you could see all their faces. | 0:09:08 | 0:09:11 | |
Even better, if it was, let's say, | 0:09:11 | 0:09:13 | |
a promotional poster with the date and the venue. | 0:09:13 | 0:09:17 | |
But we've got something because we've got the photographs from your pen friend, which is fabulous. | 0:09:17 | 0:09:21 | |
I'm taking your word for it that these are genuine. | 0:09:21 | 0:09:24 | |
With the surrounding photographs, the whole thing looks presentable | 0:09:24 | 0:09:27 | |
and genuine so I'm confident they are. | 0:09:27 | 0:09:29 | |
I'd like the auction room just to do a bit of research themselves, OK? | 0:09:29 | 0:09:34 | |
If they're right, I think we're looking at a value of around... | 0:09:34 | 0:09:37 | |
£250-350. | 0:09:39 | 0:09:41 | |
-Ooh, very nice. -Is that all right? | 0:09:43 | 0:09:45 | |
-Yes, I wasn't expecting that much. -Happy? -Yes, very happy. | 0:09:45 | 0:09:49 | |
Somebody's trash is somebody else's treasure, | 0:09:55 | 0:09:57 | |
that's what we keep saying but let's put that maxim to the test. | 0:09:57 | 0:10:01 | |
Let's get over to the auction room. We've got our first batch to sell. | 0:10:01 | 0:10:04 | |
Let's find out what the auctioneer thinks. Here's a quick recap | 0:10:04 | 0:10:07 | |
from our experts of what we're taking and why. | 0:10:07 | 0:10:09 | |
These aren't the finest antiques in the world | 0:10:09 | 0:10:12 | |
but they've got character and I love them. | 0:10:12 | 0:10:15 | |
What's more, they remind me of home. | 0:10:15 | 0:10:16 | |
The Rolling Stones, one of the greatest | 0:10:16 | 0:10:19 | |
rock and roll bands in history. | 0:10:19 | 0:10:20 | |
Let's put the autographs into auction. Hopefully we'll get some satisfaction. | 0:10:20 | 0:10:25 | |
This wrist watch used to be a fob watch but let's hope | 0:10:25 | 0:10:28 | |
that doesn't put too many of the purists off in the auction room. | 0:10:28 | 0:10:31 | |
At £180. | 0:10:31 | 0:10:33 | |
Our sale today is just down the road from Winchester. | 0:10:33 | 0:10:36 | |
We're at Andrew Smith and Sons. | 0:10:36 | 0:10:38 | |
I'm looking forward to this moment. | 0:10:41 | 0:10:43 | |
It's auction time, where we put our valuations to the test. | 0:10:43 | 0:10:46 | |
We'll do it in this gorgeous sale room. | 0:10:46 | 0:10:47 | |
What a wonderful setting, a perfect place to sell antiques | 0:10:47 | 0:10:51 | |
in a little village called Itchen Stoke. | 0:10:51 | 0:10:53 | |
Every time I say that, it puts a big smile on my face. It's such a lovely name. | 0:10:53 | 0:10:57 | |
We have two auctioneers on the rostrum today, Nick Jarrett and Andrew Smith. | 0:10:57 | 0:11:01 | |
Yesterday I caught up with Andrew Smith | 0:11:01 | 0:11:03 | |
and this is what he said about one of our items. | 0:11:03 | 0:11:06 | |
It's that rocking collection of autographs and photos. | 0:11:07 | 0:11:11 | |
Who were you listening to as you were growing up | 0:11:11 | 0:11:14 | |
or still listening to now? | 0:11:14 | 0:11:15 | |
Either Beatles, Rolling Stones, Led Zep or Genesis... | 0:11:15 | 0:11:18 | |
-It was the Beatles. -I had a hunch it might be, I had a hunch. | 0:11:18 | 0:11:22 | |
I grew up listening to the Rolling Stones, I'm still a big fan. | 0:11:22 | 0:11:26 | |
I've seen them many times live. I had to take these on the show. | 0:11:26 | 0:11:29 | |
They belong to Maureen. | 0:11:29 | 0:11:30 | |
Her pen friend in the States | 0:11:30 | 0:11:31 | |
was a member of the Rolling Stones fan club. | 0:11:31 | 0:11:34 | |
In fact she helped organise many events. | 0:11:34 | 0:11:36 | |
She got behind the scenes. This is her there. | 0:11:36 | 0:11:39 | |
Provenance will make the difference. In fact, it has. | 0:11:39 | 0:11:42 | |
We have a lot of interest on the internet already. | 0:11:42 | 0:11:44 | |
Yeah, hopefully a lot of satisfaction. | 0:11:44 | 0:11:47 | |
Boom, boom! | 0:11:47 | 0:11:48 | |
'Well, enough of my bad jokes. On with the sale.' | 0:11:48 | 0:11:52 | |
-At £35 then, any more? -'First up, those two ceramic lambs.' | 0:11:52 | 0:11:56 | |
Going under the hammer now, | 0:11:57 | 0:11:59 | |
we have two Denby lambs that belong to Maureen and Ashley here. | 0:11:59 | 0:12:02 | |
-They were your parents'? -They were. | 0:12:02 | 0:12:04 | |
-Wedding present. They don't do a lot for you. -No. | 0:12:04 | 0:12:07 | |
-It's the eyes, isn't it? -That's right. -There are so spooky. | 0:12:07 | 0:12:10 | |
Do you like these? | 0:12:10 | 0:12:12 | |
I have to say yes because they're Denby, it's close to home. | 0:12:12 | 0:12:16 | |
Somebody'll love them, you know who they are. | 0:12:16 | 0:12:18 | |
Always a market for something. | 0:12:18 | 0:12:19 | |
-I'm going to buy a small tree with the money. -Are you? Plant a tree? | 0:12:19 | 0:12:24 | |
-We're keen gardeners. -A fruit tree. Fruit tree? -Yeah. -Good for you. | 0:12:24 | 0:12:29 | |
Let's find out what the bidders think of these lambs. | 0:12:29 | 0:12:32 | |
They're going under the hammer now. | 0:12:32 | 0:12:33 | |
There's a set of two Bourne Derby pale-green lambs. | 0:12:33 | 0:12:39 | |
Start me at £50. £50. £40. | 0:12:39 | 0:12:41 | |
-Oh, come on. -£40. 30 to get it going. | 0:12:41 | 0:12:44 | |
-£30, surely. £30, thank you and two. -It's going the wrong way. | 0:12:44 | 0:12:49 | |
I can get a small tree. | 0:12:49 | 0:12:51 | |
At £37, any more? At 40, 42. | 0:12:51 | 0:12:54 | |
45? 47? 47 down here. 50, and five. | 0:12:54 | 0:13:00 | |
-60... -It's reached the reserve. | 0:13:00 | 0:13:02 | |
55 at the front here. Is there 60? | 0:13:02 | 0:13:05 | |
-At £55. -Go on. -One more. Yes, there's fresh legs there. | 0:13:05 | 0:13:10 | |
70, you sure? | 0:13:10 | 0:13:12 | |
-One more, go on. -Make it 70? At £65, at the front and selling, | 0:13:12 | 0:13:18 | |
at £65 for the very last time... | 0:13:18 | 0:13:21 | |
-That's good. -That's all right. | 0:13:21 | 0:13:23 | |
You'll get yourself two or three decent fruit trees for that. | 0:13:23 | 0:13:27 | |
-Yes, indeed. -Won't you? | 0:13:27 | 0:13:29 | |
Because we enjoy the garden more than the lambs so... | 0:13:29 | 0:13:32 | |
Yes, I'm with you on that one. Do you know that? | 0:13:32 | 0:13:36 | |
Baa-ye baa-ye, sheep. | 0:13:36 | 0:13:39 | |
Not a fortune but enough for Maureen and Ashley to buy a few trees. | 0:13:39 | 0:13:43 | |
It's my favourite item of the show so far, the Rolling Stones autographs. | 0:13:43 | 0:13:47 | |
I'm relying on Mick Jagger and all the boys to help me out now. | 0:13:47 | 0:13:50 | |
You know what I'm talking about - the Rolling Stones autographs. | 0:13:50 | 0:13:53 | |
They belong to Maureen who's right next to me. | 0:13:53 | 0:13:56 | |
You're looking for £250-350. I'm pretty sure we'll get the top end. | 0:13:56 | 0:13:59 | |
-Yes. -Shame about the tatty paper. | 0:13:59 | 0:14:02 | |
But nevertheless, it's still great and Brian Jones' signature there, which is really good. | 0:14:02 | 0:14:07 | |
-Nice touch. -Yes. | 0:14:07 | 0:14:08 | |
So it's time to wave goodbye. It could be a sentimental journey | 0:14:08 | 0:14:13 | |
of rock-and-roll going on right now, couldn't it? | 0:14:13 | 0:14:16 | |
The Rolling Stones autographs, various here. Now, I've got | 0:14:17 | 0:14:21 | |
several bids here. | 0:14:21 | 0:14:22 | |
# Hey, hey, you, you, get off my cloud. # | 0:14:22 | 0:14:25 | |
-Four bids at 320. -Straight in at the top end, virtually. | 0:14:25 | 0:14:30 | |
320, 340 I'm looking for. | 0:14:30 | 0:14:32 | |
At 320 with me and make no mistake, I'm selling it at that. At £320. | 0:14:32 | 0:14:37 | |
340, is it? At £320. All done at 320, then? | 0:14:37 | 0:14:43 | |
Straight in, straight out. There you go, it's gone. | 0:14:43 | 0:14:46 | |
Wow, that was quick! | 0:14:46 | 0:14:47 | |
It was, wasn't it? That's it, it's all over and done with. | 0:14:47 | 0:14:51 | |
-Have you had a good time? -Yes, lovely. -Did you come by yourself? | 0:14:51 | 0:14:54 | |
-No, I came with my husband over there. -That's him? | 0:14:54 | 0:14:57 | |
-What's his name? -Barry. | 0:14:57 | 0:14:58 | |
He's got a big grin on his face, there he is. | 0:14:58 | 0:15:00 | |
-Look, enjoy the rest of the day. -OK, thank you. | 0:15:00 | 0:15:04 | |
Don't we all wish we had pen friends like Maureen's? | 0:15:04 | 0:15:07 | |
From rockers to rock solid, our third lot today | 0:15:07 | 0:15:11 | |
is Ruth's 18ct gold watch | 0:15:11 | 0:15:13 | |
and she's selling it to pay for her hobby - sailing. | 0:15:13 | 0:15:17 | |
-So you have a yacht somewhere? -Yes. | 0:15:17 | 0:15:19 | |
Peace and tranquillity, no road rage at sea, nothing like that. | 0:15:19 | 0:15:23 | |
No, only my husband keeping me on the tiller. | 0:15:23 | 0:15:26 | |
With a gin and tonic in hand! Look, enjoy those sunny evenings. | 0:15:27 | 0:15:32 | |
They're coming up soon. Here we go, going under the hammer. Good luck. | 0:15:32 | 0:15:35 | |
The 18ct wrist watch here. Emanuel of Southampton. | 0:15:35 | 0:15:40 | |
-I have several bids as you might imagine. -Excellent news. | 0:15:40 | 0:15:44 | |
I'm going to start you, declared bids at 140. | 0:15:44 | 0:15:47 | |
-Oh, brilliant! -£140. -It is a good time to sell gold. | 0:15:47 | 0:15:52 | |
180, 190? No? At 180 with me, then. | 0:15:52 | 0:15:55 | |
That's a longer holiday than you expected. | 0:15:55 | 0:15:59 | |
190, new bidder. 220? | 0:15:59 | 0:16:01 | |
At 220. Towards the back at 220. Gentlemen's bid at £220, are you in? | 0:16:01 | 0:16:07 | |
They're still going. | 0:16:07 | 0:16:08 | |
At £220 then, anybody else in at 220, | 0:16:08 | 0:16:10 | |
-last chance at £220... -It's gone. | 0:16:10 | 0:16:14 | |
-Under the hammer, there we go, £220. -Well done, that's brilliant! | 0:16:14 | 0:16:17 | |
I thought I'd be taking it home. | 0:16:17 | 0:16:19 | |
-That's a good result, that's a surprise. -Yes. -Well done. | 0:16:19 | 0:16:23 | |
I think the Southampton connection | 0:16:23 | 0:16:25 | |
and the fact that gold is so high... | 0:16:25 | 0:16:27 | |
-Oh, are you OK? -I want to be off-camera. No, please! | 0:16:27 | 0:16:29 | |
-Brilliant news, I'm really pleased for you. -Thank you very, very much. | 0:16:32 | 0:16:34 | |
-You're more than welcome. -Lovely. -Great. Get on that yacht. | 0:16:34 | 0:16:39 | |
Well over estimate and that leaves Ruth sailing away with a tidy sum. | 0:16:39 | 0:16:42 | |
We'll be back at the auction room a little later on | 0:16:42 | 0:16:46 | |
with more items to sell and hopefully more happy owners. | 0:16:46 | 0:16:49 | |
OK, here's a question for you. | 0:16:54 | 0:16:56 | |
What connects one of Britain's most famous authors, | 0:16:56 | 0:16:58 | |
Jane Austen, from about 200 years ago, to the modern day, the present | 0:16:58 | 0:17:02 | |
phenomena of the internet, e-mails, computers, laptops? | 0:17:02 | 0:17:06 | |
Well, I can tell you. It's this place, Chawton House. | 0:17:06 | 0:17:10 | |
Once her brother's home. Now owned by a Silicon Valley millionairess. | 0:17:10 | 0:17:15 | |
You probably haven't heard of her but American computer expert | 0:17:17 | 0:17:20 | |
and entrepreneur, Sandy Lerner, | 0:17:20 | 0:17:22 | |
bought Chawton House in Hampshire in 1992. | 0:17:22 | 0:17:25 | |
Although she's never lived here, she's spent eight years | 0:17:25 | 0:17:28 | |
and £10 million turning this rundown shell... | 0:17:28 | 0:17:32 | |
..into this restored architectural delight. | 0:17:34 | 0:17:37 | |
Looking at the house today, it's a labour of love | 0:17:39 | 0:17:41 | |
and love is how it started. | 0:17:41 | 0:17:43 | |
The legend is that Sandy Lerner made her money by inventing a new | 0:17:43 | 0:17:48 | |
computer system so she could send her boyfriend romantic messages. | 0:17:48 | 0:17:53 | |
Now, that story was just clever PR, really. | 0:17:55 | 0:17:57 | |
But the work was a huge leap forward in computer development | 0:17:57 | 0:18:01 | |
and it made Sandy Lerner a multi-millionaire. | 0:18:01 | 0:18:04 | |
So what's that got to do with Jane Austen? | 0:18:04 | 0:18:06 | |
If you've got millions of pounds to spend, disposable cash, | 0:18:06 | 0:18:09 | |
you spend it on your passion. | 0:18:09 | 0:18:11 | |
Sandy's passion is women's literature. | 0:18:11 | 0:18:14 | |
Just look at this incredible collection. | 0:18:14 | 0:18:17 | |
Many of them are first editions or early ones | 0:18:18 | 0:18:20 | |
and the condition is incredible. | 0:18:20 | 0:18:23 | |
Such a sense of history in this room. | 0:18:23 | 0:18:25 | |
Sandy Lerner donated her personal collection | 0:18:28 | 0:18:31 | |
and built an international study centre for women's literature | 0:18:31 | 0:18:35 | |
from the 1600s to the 19th century and now it numbers 9,000 books. | 0:18:35 | 0:18:41 | |
Jane Austen lived nearby in a cottage in the village but she often | 0:18:42 | 0:18:46 | |
visited Chawton House because this was her brother Edward's home. | 0:18:46 | 0:18:50 | |
While she was living in the village she finished Sense And Sensibility | 0:18:50 | 0:18:54 | |
and Pride And Prejudice and started Emma. | 0:18:54 | 0:18:56 | |
And here is a wonderful edition printed in Philadelphia in 1833. | 0:18:57 | 0:19:02 | |
It just goes to show the worldwide appeal of her work. | 0:19:02 | 0:19:05 | |
What an accolade for an author, even by today's standards | 0:19:05 | 0:19:08 | |
to have your work published overseas, around the globe. | 0:19:08 | 0:19:11 | |
But back then, in 1833... | 0:19:11 | 0:19:13 | |
Emma has descriptions which reflect Chawton House | 0:19:20 | 0:19:23 | |
and the landscape here is said to have inspired some of the passages. | 0:19:23 | 0:19:27 | |
Some of the characters may even have been based on | 0:19:27 | 0:19:30 | |
the owners of the House, the Knight family. | 0:19:30 | 0:19:32 | |
"Dear Diary, | 0:19:34 | 0:19:36 | |
"I tried not to think about Mr Knightley. | 0:19:36 | 0:19:39 | |
"I tried not to think about him when I discussed the menu with the cook, | 0:19:39 | 0:19:43 | |
"I tried not to think of him in the garden, | 0:19:43 | 0:19:45 | |
"where I thrice plucked the petals of a daisy | 0:19:45 | 0:19:48 | |
"to ascertain his feelings for Harriet. | 0:19:48 | 0:19:50 | |
"I don't think we should keep daisies in the garden, | 0:19:50 | 0:19:53 | |
"they really are such a drab little flower." | 0:19:53 | 0:19:55 | |
"And I tried not to think about him when I went to bed. | 0:19:56 | 0:20:00 | |
"But something had to be done." | 0:20:00 | 0:20:02 | |
Now, we've all heard of Jane Austen, but even before her | 0:20:03 | 0:20:05 | |
there were many women making their mark | 0:20:05 | 0:20:08 | |
in a male-dominated world, through writing. | 0:20:08 | 0:20:10 | |
This beautiful portrait is of Mary Robinson. | 0:20:10 | 0:20:13 | |
She was an actress who became the mistress to the Prince Regent | 0:20:13 | 0:20:16 | |
in 1779. | 0:20:16 | 0:20:17 | |
He later went on to become George IV. | 0:20:17 | 0:20:19 | |
And Mary Robinson later went on to champion women's rights. | 0:20:19 | 0:20:24 | |
Beautiful woman! | 0:20:24 | 0:20:26 | |
She led somewhat of a scandalous life, yet wrote romantic poetry. | 0:20:26 | 0:20:30 | |
In the collection there's a wonderful first edition, | 0:20:30 | 0:20:33 | |
first printed in 1791, of her works. | 0:20:33 | 0:20:36 | |
And there's a gorgeous steel engraving of her, | 0:20:36 | 0:20:39 | |
yet, looking up on a profile sideways, rather than straight on, | 0:20:39 | 0:20:42 | |
which is rather unusual. | 0:20:42 | 0:20:44 | |
Superb. | 0:20:44 | 0:20:46 | |
"Shedding soft lustre on the rosy hours, | 0:20:46 | 0:20:49 | |
"when the dawn unfolds its purple splendours amid the dappled clouds | 0:20:49 | 0:20:53 | |
"of heaven's own radiance with one vast light, | 0:20:53 | 0:20:56 | |
"thou smilest triumphant." | 0:20:56 | 0:20:59 | |
Now, even earlier than that, | 0:20:59 | 0:21:01 | |
Aphra Benn was one of the first professional female writers | 0:21:01 | 0:21:04 | |
and this one is titled Love Letters Between A Nobleman And His Sister. | 0:21:04 | 0:21:08 | |
It was an incestuous story, a love story between a brother | 0:21:08 | 0:21:11 | |
and a sister. | 0:21:11 | 0:21:12 | |
So it was incredibly scandalous in its day. | 0:21:12 | 0:21:15 | |
Benn was born in 1640 and, like most women of her day, | 0:21:15 | 0:21:17 | |
she had no formal education. | 0:21:17 | 0:21:20 | |
She travelled the globe. | 0:21:20 | 0:21:21 | |
Basically, she enjoyed life to the full, she did what she wanted to do. | 0:21:21 | 0:21:26 | |
"Her rising breasts with nimble emotions pant. | 0:21:28 | 0:21:33 | |
"Her dying eyes assume new fires. | 0:21:33 | 0:21:35 | |
"Now, to the height of languishment, she grows. | 0:21:35 | 0:21:40 | |
"We sigh and kiss." | 0:21:40 | 0:21:41 | |
"Twas but a dream but in my heart I knew." | 0:21:42 | 0:21:46 | |
So much romance in such a romantic setting | 0:21:46 | 0:21:49 | |
and it's all down to one free-spirited woman on a mission. | 0:21:49 | 0:21:52 | |
It's a great place being Jane Austen's village, | 0:21:52 | 0:21:55 | |
it's just such a wonderful place to come and to decompress | 0:21:55 | 0:21:58 | |
and find kind of a quiet corner and immerse yourself. | 0:21:58 | 0:22:01 | |
The Library needed a home, it's a wonderful home. | 0:22:01 | 0:22:04 | |
It's a good thing to have done. | 0:22:04 | 0:22:06 | |
Sandy Lerner still comes here regularly. | 0:22:08 | 0:22:11 | |
She's a chairman of the trustees, she's still passionate | 0:22:11 | 0:22:13 | |
and dedicated about the place. | 0:22:13 | 0:22:15 | |
She's hands-on, very enthusiastic | 0:22:15 | 0:22:17 | |
and it's thanks to her dedication and her passion that | 0:22:17 | 0:22:21 | |
members of the general public can come here, look at the collection, | 0:22:21 | 0:22:24 | |
read the books and learn more about early women's literature. | 0:22:24 | 0:22:28 | |
And, well, if I had loads of money, | 0:22:28 | 0:22:30 | |
this would be something I would love to do as well. | 0:22:30 | 0:22:32 | |
It's well worth a visit, so please do check it out. | 0:22:32 | 0:22:36 | |
We're in Winchester, | 0:22:42 | 0:22:44 | |
where we're hoping for some fairy-tale endings of our own. | 0:22:44 | 0:22:47 | |
# If you go down to the woods today | 0:22:47 | 0:22:49 | |
# You're sure of a big surprise | 0:22:49 | 0:22:51 | |
# If you go down to the woods today | 0:22:51 | 0:22:52 | |
# You better go in disguise | 0:22:52 | 0:22:54 | |
# For every bear there ever was | 0:22:54 | 0:22:56 | |
# Will gather there for certain cos today's the day | 0:22:56 | 0:22:58 | |
# The teddy bears have their picnic. # | 0:22:58 | 0:23:01 | |
Aw, teddy bear, look at that. Teddy! | 0:23:01 | 0:23:04 | |
Have you given your teddy bear a name? | 0:23:04 | 0:23:06 | |
Yes, he's called Albert. | 0:23:06 | 0:23:08 | |
-He's not for sale, is he? -No. | 0:23:08 | 0:23:09 | |
No. You just want an evaluation. | 0:23:09 | 0:23:12 | |
Albert's not for sale, but these two are. | 0:23:12 | 0:23:15 | |
They've been brought in by Kenneth and his daughter Gail. | 0:23:15 | 0:23:18 | |
They're with Christina Trevanion. | 0:23:18 | 0:23:20 | |
-You've brought in today with you these wonderful bears. -Yes. | 0:23:20 | 0:23:24 | |
Tell me where they've come from. | 0:23:24 | 0:23:26 | |
They've been passed down through my wife's side of the family. | 0:23:26 | 0:23:29 | |
Was she allowed to play with them as a child? | 0:23:29 | 0:23:32 | |
As a child she was allowed to play with them | 0:23:32 | 0:23:34 | |
at the bottom of the stairs because Granny didn't like noisy children. | 0:23:34 | 0:23:38 | |
-She'd be seen and not heard. -That's right. | 0:23:38 | 0:23:42 | |
-Were you allowed to play with them? -I was allowed to hold them, | 0:23:42 | 0:23:45 | |
but my brother and me were never allowed to play with them. | 0:23:45 | 0:23:48 | |
I think the fact that you weren't allowed to play with them, | 0:23:48 | 0:23:51 | |
that your wife was obviously very careful with them, | 0:23:51 | 0:23:54 | |
has meant that they are in excellent condition. | 0:23:54 | 0:23:56 | |
The wonderful thing about this one is he's still got his growler, | 0:23:56 | 0:24:00 | |
-hasn't he? -Yes. | 0:24:00 | 0:24:01 | |
Can you make him growl for me? | 0:24:01 | 0:24:03 | |
THE BEAR GROWLS | 0:24:06 | 0:24:09 | |
There we go, that was it. | 0:24:09 | 0:24:10 | |
It's very difficult to hear cos it's quite noisy here. | 0:24:10 | 0:24:13 | |
-But it's definitely there. -In a quiet room it is, yeah. | 0:24:13 | 0:24:16 | |
-Yeah, I imagine he's quite sort-of, "Grr." -Oh, yeah. | 0:24:16 | 0:24:19 | |
Run a mile. | 0:24:19 | 0:24:21 | |
-He's terrifying, wouldn't want to meet him in the woods, would you? -No! | 0:24:21 | 0:24:24 | |
I've rather taken to him, I think he's absolutely wonderful. | 0:24:24 | 0:24:28 | |
And he's got this lovely label on the bottom which tells us | 0:24:28 | 0:24:31 | |
that he's actually a Farnell bear. | 0:24:31 | 0:24:33 | |
Now, Farnell's was basically the English equivalent of Steiff, | 0:24:33 | 0:24:38 | |
which is obviously the German factory. | 0:24:38 | 0:24:40 | |
Farnell is really sought after as a British made bear. | 0:24:40 | 0:24:44 | |
And he's quite an early chap, | 0:24:44 | 0:24:46 | |
we've got these wonderful glass eyes, | 0:24:46 | 0:24:47 | |
later they were plastic. | 0:24:47 | 0:24:49 | |
And if we knock them against our teeth, we can tell they're glass. | 0:24:49 | 0:24:53 | |
Nice felt pad, there. Original stitching. | 0:24:53 | 0:24:56 | |
So, I would date him to around the 1930s, 1940s. | 0:24:56 | 0:25:01 | |
He's got the most wonderful expression on his face. | 0:25:01 | 0:25:04 | |
It must have been so tempting to play with him when you were younger | 0:25:04 | 0:25:06 | |
and not be allowed. | 0:25:06 | 0:25:08 | |
-My grandma was always stood guard over Tony and me. -Oh, was she? -Yeah. | 0:25:08 | 0:25:11 | |
And then this little chappie, | 0:25:13 | 0:25:15 | |
unfortunately, we can't attribute him to any particular factory. | 0:25:15 | 0:25:18 | |
But he looks like he's the same sort of date. | 0:25:18 | 0:25:21 | |
-So he was Granny's bear as well, wasn't he? -Yeah. | 0:25:21 | 0:25:24 | |
-He's very much a Winnie the Pooh looking bear, isn't he? -Yeah. | 0:25:24 | 0:25:27 | |
He's got the nice glass eyes that you would expect of an early bear | 0:25:27 | 0:25:31 | |
and if we go down to the paws, we can see it looks as if | 0:25:31 | 0:25:35 | |
it's got the original linen this time, rather than felt. | 0:25:35 | 0:25:38 | |
We've got the linen pads, there. | 0:25:38 | 0:25:40 | |
With the stitching which looks to be original. | 0:25:40 | 0:25:43 | |
And I think as a nice, 1930s, 1940s bear, | 0:25:43 | 0:25:46 | |
we're looking somewhere, probably in the region of about £100-150. | 0:25:46 | 0:25:51 | |
-Purely because we can't attribute him to a particular factory. -Yeah. | 0:25:51 | 0:25:55 | |
The Farnell's Alpha Bear, I think he is gorgeous. | 0:25:55 | 0:26:00 | |
-We're probably looking somewhere in the region of maybe £300-500. -OK. | 0:26:00 | 0:26:05 | |
And I think with internet exposure and that Farnell name, | 0:26:05 | 0:26:09 | |
we might do better. But I would like to think that the same buyer would buy both. | 0:26:09 | 0:26:13 | |
-Yes. -Because it would be nice for them to go to the same home. -Yes. | 0:26:13 | 0:26:16 | |
But you never know. | 0:26:16 | 0:26:17 | |
-As long as they go to someone who looks after them, that's really what I'd like. -Yes, exactly. | 0:26:17 | 0:26:22 | |
I think that's the most important thing | 0:26:22 | 0:26:24 | |
and I'm sure we'll find a very keen home for them at the auction room. Thank you. | 0:26:24 | 0:26:27 | |
-OK, thank you. -Thank you. | 0:26:27 | 0:26:29 | |
Two bears, ready to be sent off to auction. | 0:26:29 | 0:26:33 | |
James is with Trish, | 0:26:33 | 0:26:34 | |
and about to make a confession about his misspent youth. | 0:26:34 | 0:26:38 | |
Trish, I can just imagine you sitting at home | 0:26:38 | 0:26:41 | |
in front of the fire, rolling your roll-ups. | 0:26:41 | 0:26:44 | |
Where's your pipe gone? Do you smoke the pipe? | 0:26:44 | 0:26:46 | |
They're wonderful aren't they? No, they belong to my father. | 0:26:46 | 0:26:49 | |
He died ten years ago and he spent his last days with me. | 0:26:49 | 0:26:53 | |
And I was having a look the other day and found these. | 0:26:53 | 0:26:56 | |
And I thought, I will take them to "Flog It!" | 0:26:56 | 0:26:58 | |
Do you know, I've never seen one of those? | 0:26:58 | 0:27:03 | |
A wonderful little slide for cigarette papers. | 0:27:03 | 0:27:06 | |
-Yes. -Little Rizlas. | 0:27:06 | 0:27:08 | |
I had a cat called Rizla, you know. | 0:27:08 | 0:27:10 | |
-Did you? -Yeah, I did. Not very classy, me. | 0:27:10 | 0:27:14 | |
I was a rough student. | 0:27:14 | 0:27:15 | |
-And you know, I actually used to use these. -Did you? | 0:27:15 | 0:27:19 | |
But whoever had this, could afford a silver case for his papers. | 0:27:19 | 0:27:23 | |
I'm surprised they ever made anything like that. | 0:27:23 | 0:27:25 | |
No, I've never seen one. Really unusual. | 0:27:25 | 0:27:28 | |
And then the piece in the centre is a visiting card case. | 0:27:28 | 0:27:31 | |
It's curved because it sits in the waistcoat pocket. | 0:27:31 | 0:27:34 | |
-Oh, lovely. -Sometimes they have covers, sometimes they're open. | 0:27:34 | 0:27:38 | |
A very practical, but a very common piece of silver. | 0:27:38 | 0:27:41 | |
And the one at the end, I mean, really, that is what you have | 0:27:41 | 0:27:44 | |
if you've got everything else a pipe smoker needs. | 0:27:44 | 0:27:47 | |
"I've got one of those, one of those | 0:27:47 | 0:27:49 | |
"but I haven't got a solid silver case for my pipe." | 0:27:49 | 0:27:52 | |
And really, just look at it. | 0:27:52 | 0:27:54 | |
Solid silver, wonderful quality, little suspension ring on the end. | 0:27:54 | 0:27:58 | |
Gilded interior so that the tobacco didn't attack the silver. | 0:27:58 | 0:28:03 | |
But, you know, I don't think it's been used. | 0:28:03 | 0:28:06 | |
-It's not the most practical of things. -No. | 0:28:06 | 0:28:08 | |
Again, wonderful little hallmark, | 0:28:08 | 0:28:10 | |
Chester hallmark in there. | 0:28:10 | 0:28:12 | |
So, all together we've got a successful businessman who has his | 0:28:12 | 0:28:16 | |
business cards, who likes roll-ups and pipes. | 0:28:16 | 0:28:19 | |
Probably late Victorian, you can imagine one of those great big | 0:28:19 | 0:28:22 | |
curly moustached men, with their hair greased down, | 0:28:22 | 0:28:26 | |
with their waistcoat on for that, | 0:28:26 | 0:28:29 | |
and rolling up their cigarettes. | 0:28:29 | 0:28:31 | |
You can imagine who used these. | 0:28:31 | 0:28:32 | |
Value, | 0:28:32 | 0:28:34 | |
we've got to have probably 80-120 for the three. | 0:28:34 | 0:28:37 | |
Is that all right? | 0:28:37 | 0:28:38 | |
Oh, lovely. Yes, fine. | 0:28:38 | 0:28:39 | |
Have you got stacks more stuff belonging to your father? | 0:28:39 | 0:28:42 | |
I've still got Pa's ashes in my wardrobe. | 0:28:42 | 0:28:45 | |
Oh, no! | 0:28:45 | 0:28:46 | |
-Bless him, yes. -You sleep with your father's ashes in the wardrobe? In your bedroom? | 0:28:46 | 0:28:49 | |
So, I did think that if this made any money, that there'd be | 0:28:49 | 0:28:55 | |
a family treat and we'd scatter his ashes at sea. | 0:28:55 | 0:28:58 | |
-Wonderful! -That's what we're going to do. | 0:28:58 | 0:29:00 | |
It's funny, my grandfather always wanted that to happen and it didn't for some reason. | 0:29:00 | 0:29:05 | |
They buried his ashes with my grandmother. | 0:29:05 | 0:29:08 | |
-But that would've been nice. -My father had asked me to do that. | 0:29:08 | 0:29:11 | |
It's my fault, I never got round to doing it, | 0:29:11 | 0:29:14 | |
-so that's why he's still with me. -It doesn't matter when, does it? -No. | 0:29:14 | 0:29:18 | |
Well, really great story and I hope we raise a bit of money for you. | 0:29:18 | 0:29:22 | |
-Thank you very much, James. -I'll see you at the auction. | 0:29:22 | 0:29:24 | |
I shall look forward to it. | 0:29:24 | 0:29:26 | |
-Reg, is that from the Isle of Wight? -Yes. | 0:29:31 | 0:29:33 | |
I had the pleasure of filming on the Isle of Wight. | 0:29:33 | 0:29:36 | |
I got to play on the sand in Alum Bay and | 0:29:36 | 0:29:40 | |
I made one of these, | 0:29:40 | 0:29:44 | |
but nowhere as good as that. | 0:29:44 | 0:29:46 | |
That is beautiful! | 0:29:46 | 0:29:47 | |
-There you go, there's the needles. -Needles. -Aww. | 0:29:47 | 0:29:50 | |
I thoroughly enjoyed that day, the sun was shining, it was a beautiful day. | 0:29:50 | 0:29:54 | |
Is this a Victorian piece, do you think? | 0:29:54 | 0:29:57 | |
-Or yes, my father bought it before the Second World War. -Did he? | 0:29:57 | 0:30:01 | |
On a trip to the Isle of Wight? He brought it back as a souvenir. | 0:30:01 | 0:30:05 | |
Let's get it into auction, | 0:30:05 | 0:30:07 | |
we'll put an estimate of £90-120 on this. | 0:30:07 | 0:30:10 | |
Hopefully, it might fly away. | 0:30:10 | 0:30:12 | |
-Can you trust us with that? -Yes, course I can. | 0:30:12 | 0:30:14 | |
Do you know what you should do with the money? Take a trip back | 0:30:14 | 0:30:17 | |
-to the Isle of Wight. Get over there on the ferry. -Yes. | 0:30:17 | 0:30:19 | |
Good luck to Reg, | 0:30:22 | 0:30:23 | |
that one really will depend on the right people turning up on the day. | 0:30:23 | 0:30:27 | |
We've got time for one more item and Christina is with Bert. | 0:30:27 | 0:30:31 | |
-So, Bert, you've bought this in to me today. -Yes. | 0:30:31 | 0:30:33 | |
-Did you carry it in? -Yes. -It's jolly heavy. | 0:30:33 | 0:30:35 | |
In a plastic bag. | 0:30:35 | 0:30:37 | |
In a plastic bag? | 0:30:37 | 0:30:39 | |
The handle broke off, so I had to carry it under my arm. | 0:30:39 | 0:30:41 | |
Thank you for struggling in with it, | 0:30:43 | 0:30:44 | |
because it really is the most wonderful, wonderful jardiniere. | 0:30:44 | 0:30:48 | |
What did you use it for? | 0:30:48 | 0:30:50 | |
We kept kindling and coal in it. | 0:30:50 | 0:30:53 | |
-So this has been your coal bin. -Yes. -Was it covered in dust? | 0:30:53 | 0:30:57 | |
Because it looks pretty clean to me. | 0:30:57 | 0:30:59 | |
Well I did it myself, I cleaned it all up | 0:30:59 | 0:31:01 | |
and each panel took me four hours to clean. | 0:31:01 | 0:31:03 | |
Four hours to clean! | 0:31:03 | 0:31:05 | |
-So it's been a labour of love for you, hasn't it? -Oh, yes. | 0:31:05 | 0:31:08 | |
It's come up beautifully | 0:31:08 | 0:31:09 | |
and I'm glad that you went to the effort of giving it a good clean | 0:31:09 | 0:31:12 | |
cos we can really see in detail exactly what we've got on here. | 0:31:12 | 0:31:16 | |
We've got some rather typical cranes here, | 0:31:16 | 0:31:19 | |
which is a very Japanese emblem to use, a water crane. | 0:31:19 | 0:31:23 | |
And some more birds, and also some bamboo. | 0:31:23 | 0:31:26 | |
-We've got... -What would the flower, what would the blossom be? | 0:31:27 | 0:31:30 | |
Well, this particular flower here is a chrysanthemum, which was | 0:31:30 | 0:31:34 | |
considered to be one of the national flowers. | 0:31:34 | 0:31:36 | |
So it really is all quite symbolic. | 0:31:36 | 0:31:39 | |
-Will you be a gentleman and see if you can pick it up for me? -Yes. | 0:31:39 | 0:31:43 | |
See if we can find a mark there. | 0:31:43 | 0:31:44 | |
Yes, we've got a nice clear mark on the bottom. | 0:31:44 | 0:31:46 | |
Unfortunately, we haven't been able to decipher it | 0:31:46 | 0:31:49 | |
but I would imagine it would be a metal worker. | 0:31:49 | 0:31:52 | |
It is fairly crude, so I think possibly not an expert metalworker, | 0:31:52 | 0:31:57 | |
but I still think a very talented person in his own right. | 0:31:57 | 0:32:00 | |
I don't know about you but I can see daylight down there. | 0:32:00 | 0:32:03 | |
Yes, I know. I think it must be a fault in the casting. | 0:32:03 | 0:32:06 | |
-Nothing to do with you keeping it as a coal bin? -No. -Are you sure? -Yes. -OK. | 0:32:06 | 0:32:10 | |
Because of the damage, and because it's quite large and heavy, | 0:32:10 | 0:32:14 | |
we might be looking at, putting a conservative estimate, | 0:32:14 | 0:32:17 | |
-£100 to £200, perhaps with a discretionary reserve of £100. -Yes. | 0:32:17 | 0:32:22 | |
I would hope, though, that the oriental market at the moment is quite buoyant, | 0:32:22 | 0:32:26 | |
and it really is a beautiful piece. | 0:32:26 | 0:32:29 | |
Fingers crossed, we'll find it a good new home. | 0:32:29 | 0:32:32 | |
-And it could make more. -And it could make more. Exactly, you never know. | 0:32:32 | 0:32:36 | |
-Thanks so much for bringing it in. -That's all right. Thank you very much. | 0:32:36 | 0:32:40 | |
That's it, our experts have now made their final choices, | 0:32:41 | 0:32:44 | |
so it's over to the auction room. | 0:32:44 | 0:32:47 | |
Before we go, here's a quick recap of what we're taking | 0:32:47 | 0:32:49 | |
and why we've chosen it. | 0:32:49 | 0:32:51 | |
I think these are two of the nicest examples of bears I've seen, | 0:32:51 | 0:32:55 | |
especially this one. I've got a feeling they could fly at auction. | 0:32:55 | 0:32:58 | |
You can just imagine the sort of man that would have worn these | 0:32:58 | 0:33:01 | |
way back over hundred years ago. | 0:33:01 | 0:33:04 | |
Just need to wait and see which sort of man is going to buy them. | 0:33:04 | 0:33:07 | |
How incredible is that? Look at that. | 0:33:07 | 0:33:12 | |
I never really did master the technique. | 0:33:12 | 0:33:14 | |
I had a go but I've got to say I don't think there's anybody alive | 0:33:14 | 0:33:19 | |
that could do something like this now. | 0:33:19 | 0:33:21 | |
I love the work that's gone into this jardiniere, | 0:33:21 | 0:33:23 | |
not only the maker, in making all these wonderful birds and animals, | 0:33:23 | 0:33:26 | |
but also Bert, who's spent hours cleaning it. | 0:33:26 | 0:33:29 | |
I think it has the potential to be a sleeper at auction | 0:33:29 | 0:33:31 | |
and I hope it makes him lots of money. | 0:33:31 | 0:33:33 | |
£40, thank you. And five. We can do it in twos if you want. | 0:33:33 | 0:33:38 | |
This is our auction house today - | 0:33:38 | 0:33:39 | |
Andrew Smith and Sons in Itchen Stoke. | 0:33:39 | 0:33:43 | |
Yesterday was auction preview day. | 0:33:43 | 0:33:45 | |
I had a chat with one of the auctioneers, Andrew Smith, | 0:33:45 | 0:33:47 | |
about one of our items, and this is what he said. | 0:33:47 | 0:33:50 | |
And it's Kenneth and Gail's teddy bears up for discussion. | 0:33:50 | 0:33:53 | |
# If you go down to Itchen Stoke, | 0:33:53 | 0:33:55 | |
# You're sure to have a big surprise! # | 0:33:55 | 0:33:57 | |
-Because there's teddy bears everywhere here, Andrew. -Yeah. | 0:33:57 | 0:34:01 | |
-What you think of these fellas? -I think they're great. | 0:34:01 | 0:34:03 | |
They're both in good condition, and the Farnell | 0:34:03 | 0:34:07 | |
on the far side is a particularly good one. | 0:34:07 | 0:34:09 | |
Totally agree with you, that's the big money earner. | 0:34:09 | 0:34:12 | |
But do you know which one I prefer? | 0:34:12 | 0:34:13 | |
Probably the well loved one here. | 0:34:13 | 0:34:15 | |
I do, because he's got the character. | 0:34:15 | 0:34:17 | |
He's worn, slightly tatty and he's the one that you feel sorry for, | 0:34:17 | 0:34:20 | |
you fall in love with and say, "I want to give him a home." | 0:34:20 | 0:34:23 | |
He's got the look, hasn't he? | 0:34:23 | 0:34:25 | |
I'd still put the safe money on the Farnell. | 0:34:25 | 0:34:28 | |
Has there been much interest? | 0:34:28 | 0:34:29 | |
Yes, both during the viewing and on the internet. | 0:34:29 | 0:34:31 | |
I can't wait to see them go under the hammer. | 0:34:31 | 0:34:34 | |
Also there's something sitting right above my head. | 0:34:34 | 0:34:36 | |
You haven't seen it yet, but if you look up there | 0:34:36 | 0:34:39 | |
you'll have a big, big surprise. | 0:34:39 | 0:34:41 | |
Look at that! | 0:34:41 | 0:34:42 | |
Before we take off with the bears, | 0:34:45 | 0:34:47 | |
we're selling a down-to-earth item spotted by Christina. | 0:34:47 | 0:34:51 | |
Andrew's colleague, Nick Jarrett, is on the rostrum. | 0:34:51 | 0:34:54 | |
Our next lot is a Japanese jardiniere, just about to go under the hammer. | 0:34:54 | 0:34:57 | |
It belongs to Bert and, I would think, not for much longer, | 0:34:57 | 0:35:01 | |
-because we talk about the oriental market being so strong, don't we? -Very buoyant. | 0:35:01 | 0:35:05 | |
I know that you have spent a lot of time polishing this as well. | 0:35:05 | 0:35:08 | |
-It was really in a filthy state. -I bet it was. | 0:35:08 | 0:35:11 | |
Good luck with this, good luck both of you. | 0:35:11 | 0:35:13 | |
It's going under the hammer right now. | 0:35:13 | 0:35:15 | |
Let's find out what the bidders think. | 0:35:15 | 0:35:17 | |
The Japanese bronze jardiniere, their we are. | 0:35:17 | 0:35:20 | |
-It looks great, doesn't it? -Doesn't it, in the photograph? | 0:35:20 | 0:35:23 | |
Nice quality. | 0:35:23 | 0:35:24 | |
I've to start you, to clear all bids, at 110. | 0:35:24 | 0:35:27 | |
-Oh! -120, can I say? -It's gone, hasn't it? -Yeah. -120, is it? | 0:35:27 | 0:35:32 | |
At £110, anybody in? | 0:35:32 | 0:35:34 | |
No? At £110, I'm selling. All finished at 110. | 0:35:34 | 0:35:39 | |
-That was quick - straight in and straight out. -That was quick. | 0:35:41 | 0:35:44 | |
-Nobody bidding against each other. A commission bid, you're right. -Yeah. | 0:35:44 | 0:35:48 | |
-Bert, thank you very much. I hope you're happy with that. -Yes, thank you. | 0:35:48 | 0:35:52 | |
Bert, thanks so much for bringing it in. | 0:35:52 | 0:35:53 | |
Always glad to see a happy customer. | 0:35:53 | 0:35:57 | |
Next, James is in position, | 0:35:57 | 0:35:59 | |
selling the trio of silver items brought in by Tricia. | 0:35:59 | 0:36:03 | |
Fingers crossed we get the top end of this next lot | 0:36:03 | 0:36:06 | |
and a little bit more, cos it's a great time to sell silver, Tricia. Why are you selling all these items? | 0:36:06 | 0:36:11 | |
Well, I found them in the wardrobe when I was clearing out | 0:36:11 | 0:36:15 | |
and they belonged to my father - and, I assume, his father. | 0:36:15 | 0:36:19 | |
-Been in the family a bit of time but you're not really interested in them? -No. | 0:36:19 | 0:36:23 | |
That little silver case for the papers. I like that. | 0:36:23 | 0:36:26 | |
Never seen one, so hopefully it'll do well. | 0:36:26 | 0:36:29 | |
-That's the novelty item amongst the three things, isn't it? -Yes. -Yes. | 0:36:29 | 0:36:32 | |
Let's hope we get the top end. | 0:36:32 | 0:36:35 | |
They're going under the hammer now. | 0:36:35 | 0:36:36 | |
The unusual pipe case here. Silver. It is unusual. | 0:36:36 | 0:36:40 | |
And the other bits there - the cigarette paper holder | 0:36:40 | 0:36:43 | |
and the visiting card slip. | 0:36:43 | 0:36:45 | |
There we are, interesting little lot. To clear bids, I'm starting you | 0:36:45 | 0:36:48 | |
at £70. I'll take five on it. | 0:36:48 | 0:36:51 | |
75, 80, five. | 0:36:51 | 0:36:53 | |
New bidder, 90, five, 100, 10, 120, 130, 140. 140. | 0:36:53 | 0:36:59 | |
Gentleman bid at 140. Still not expensive at 140. | 0:36:59 | 0:37:03 | |
Anybody else in at 140? All done at 140. | 0:37:03 | 0:37:06 | |
You're wincing slightly like you think it is expensive. | 0:37:06 | 0:37:08 | |
150, 160? | 0:37:08 | 0:37:10 | |
150, lady's bid at £150. Any more? | 0:37:10 | 0:37:14 | |
At £150, you're done. All done. | 0:37:14 | 0:37:17 | |
Such a good time to sell silver, isn't it? | 0:37:17 | 0:37:19 | |
The scrap value, the melt value is so high, it's nearly £20 an ounce. | 0:37:19 | 0:37:24 | |
-Goodness! -Yeah. But those won't be melted, though. -No, they made more. | 0:37:24 | 0:37:28 | |
-How exciting. -Isn't that good? -I didn't think it would make that, but that's good. | 0:37:28 | 0:37:32 | |
-I'm really pleased, thank you very much. -Enjoy the money. -Thank you. | 0:37:32 | 0:37:36 | |
This next item's not about the money, it's about nostalgia | 0:37:36 | 0:37:39 | |
and childhood memories. It's the sand picture belonging to Reg. | 0:37:39 | 0:37:43 | |
I tell you what, I've had a few sleepless nights over this next lot. | 0:37:43 | 0:37:47 | |
The last time I saw it was at the valuation day a few weeks ago, | 0:37:47 | 0:37:50 | |
and I was thinking, "If this gets bubble-wrapped and then put in a bag | 0:37:50 | 0:37:54 | |
"it's going to get tipped upside down." | 0:37:54 | 0:37:56 | |
The first thing I did when I got here was ran straight to it | 0:37:56 | 0:37:58 | |
to see if the picture was intact. | 0:37:58 | 0:38:01 | |
I bet you'll be sad to see this go, won't you? | 0:38:01 | 0:38:03 | |
Yeah, I will, in a way, cos it's a family heirloom, really. | 0:38:03 | 0:38:06 | |
Let's find out what the bidders think, shall we? Here we go. | 0:38:06 | 0:38:10 | |
Victorian, sand-filled glass bell. Alum Bay, Isle of Wight. | 0:38:10 | 0:38:16 | |
Start me at £100. £100. 80, then. £80, surely. | 0:38:16 | 0:38:20 | |
60, then, if you like. £60. £60, thank you, and five. | 0:38:20 | 0:38:23 | |
£60, 65, 70, and five, 80. | 0:38:23 | 0:38:27 | |
At £75, any more? | 0:38:27 | 0:38:29 | |
At £75, no? | 0:38:29 | 0:38:32 | |
At £75 I'm afraid we're not quite there. | 0:38:32 | 0:38:36 | |
Tantalising, in quotes, but we can't sell at that level. | 0:38:36 | 0:38:38 | |
I'm surprised that didn't sell. | 0:38:38 | 0:38:40 | |
-You know, it was there, a come-and-buy-me. -Yeah. | 0:38:40 | 0:38:42 | |
I guess nobody's into sand pictures, really. | 0:38:42 | 0:38:45 | |
-You know where you should go, don't you? -Yeah. | 0:38:45 | 0:38:48 | |
Get your granddaughter to drive you to the Isle of Wight and put it in an auction there. | 0:38:48 | 0:38:51 | |
I can almost swim over there cos I'm only nine miles away from The Needles. | 0:38:51 | 0:38:56 | |
-Yeah, but you can't swim with the sand picture. -I know. | 0:38:56 | 0:38:59 | |
Reg seems to have taken that one on the chin. | 0:38:59 | 0:39:01 | |
So will our last sale of the day sink or swim? | 0:39:01 | 0:39:04 | |
It's those two teddy bears. Let's find out. Kenneth and Gail, | 0:39:04 | 0:39:08 | |
we've got two, haven't we? We split the lot, | 0:39:08 | 0:39:10 | |
-so we've got the Farnell's one going first. -Yep. -300-500. And my favourite, the little 1940s one. | 0:39:10 | 0:39:15 | |
I think he's been duffed up a bit and he needs a lot of love. | 0:39:15 | 0:39:18 | |
-Aw! -He's the cheaper of the two but I think... | 0:39:18 | 0:39:21 | |
I think he looks more expensive, put it that way. That's just my opinion. | 0:39:21 | 0:39:25 | |
They're both in such immaculate condition so, hopefully, | 0:39:25 | 0:39:28 | |
having not played with them for all your lifetimes, it will pay off. | 0:39:28 | 0:39:34 | |
And we've seen on the show before there's plenty of collectors for teddy bears out there. | 0:39:34 | 0:39:38 | |
Hopefully they've spotted these two. | 0:39:38 | 0:39:40 | |
-Fingers crossed. -I know, yeah. | 0:39:40 | 0:39:42 | |
Let's see who's going to put their paws up. Here we go. | 0:39:42 | 0:39:44 | |
The Alpha Toys teddy bear there, the Farnell's. | 0:39:44 | 0:39:48 | |
One, two, three, four telephone bids. One, two, three, four. | 0:39:48 | 0:39:52 | |
This one's going to fly. | 0:39:52 | 0:39:54 | |
Where will you start me, then? I've got 320 on the net. | 0:39:54 | 0:39:59 | |
390, 410, 430, 450, 470, 530, | 0:39:59 | 0:40:06 | |
-550 now. -Already it's eclipsed the top end. -550 on the net. | 0:40:07 | 0:40:10 | |
-I'll take 580 in the room. -Brilliant. | 0:40:10 | 0:40:13 | |
I've got 570 now on the net. | 0:40:13 | 0:40:15 | |
600 now. | 0:40:15 | 0:40:17 | |
So it's gone to a telephone bid. | 0:40:17 | 0:40:20 | |
620, 650. 650 on Catherine's phone. | 0:40:20 | 0:40:23 | |
650, 670. 700? 700 I have on Adam's phone. 720 now on this phone. | 0:40:23 | 0:40:31 | |
At 720, 750. 780. | 0:40:31 | 0:40:35 | |
800. | 0:40:36 | 0:40:39 | |
And 20. | 0:40:39 | 0:40:40 | |
850, 880. | 0:40:40 | 0:40:43 | |
I can see you both willing this on, nodding your heads, | 0:40:43 | 0:40:47 | |
nodding with the bidders, going, "Yes, one more, one more." | 0:40:47 | 0:40:50 | |
-980. -I wonder if it'll make 1,000. | 0:40:50 | 0:40:54 | |
£1,000? 1,050. 1,100? | 0:40:54 | 0:40:57 | |
-Kenneth, this is very good, isn't it? -It is, yes. -1,150. | 0:40:57 | 0:41:01 | |
-1,200. -What's going through your mind, Gail? -Money. | 0:41:01 | 0:41:04 | |
-"Don't stop, don't stop." -The cheque. -The cheque, yeah. | 0:41:04 | 0:41:07 | |
-1,300. -Fantastic. Wow! | 0:41:07 | 0:41:10 | |
-1,350. -Gosh! | 0:41:10 | 0:41:12 | |
It's a bit special. | 0:41:12 | 0:41:15 | |
1,350, back in. 1,400? | 0:41:15 | 0:41:16 | |
1,400. 1,450. | 0:41:19 | 0:41:23 | |
One more, 1,450. No? At 1,400, then. On the steps at 1,400. | 0:41:23 | 0:41:27 | |
Selling, then, at 1,400. | 0:41:27 | 0:41:29 | |
-Fantastic! -Well that's one down, one to go. My favourite next. | 0:41:31 | 0:41:34 | |
THEY LAUGH | 0:41:34 | 0:41:36 | |
Let's see if we can beat that. | 0:41:36 | 0:41:38 | |
-The mohair teddy bear. -Here we go. -Someone's got good taste out there. | 0:41:39 | 0:41:44 | |
At £65. 70, can I say now? 65 with me, 70 is it? | 0:41:44 | 0:41:48 | |
At £65. | 0:41:48 | 0:41:49 | |
70, can I say now? £70. 75. 80, and five, 90, and five. | 0:41:49 | 0:41:56 | |
£100? Got 100 on the net, 110, can I say? £100. And 10 anywhere? | 0:41:56 | 0:42:01 | |
£100, finished? | 0:42:01 | 0:42:04 | |
Well, I still prefer that one. | 0:42:05 | 0:42:07 | |
That was the right money - £100. | 0:42:07 | 0:42:09 | |
That's a grand total of £1,500. | 0:42:09 | 0:42:10 | |
I think that's just marvellous, more than we expected. | 0:42:10 | 0:42:14 | |
What a lovely surprise. Happy? Got to be happy with that. | 0:42:14 | 0:42:17 | |
-Very happy, yes. -What are you going to do with the money? | 0:42:17 | 0:42:20 | |
Take Mum on holiday, I think. And the wife on holiday - it's her mum. | 0:42:20 | 0:42:23 | |
-Abroad somewhere? -Yes, definitely. Yeah. | 0:42:23 | 0:42:25 | |
-Get the sunshine, put your feet up. That's what it's all about. -Yeah. | 0:42:25 | 0:42:28 | |
-Thank you so much. -OK. -Thank you. -Thank you for everything. | 0:42:28 | 0:42:33 | |
# For every bear that ever there was | 0:42:33 | 0:42:36 | |
# Will gather there for certain because | 0:42:36 | 0:42:38 | |
# Today's the day the teddy bears have their picnic. # | 0:42:38 | 0:42:43 | |
Well, that is it - another day in another sale room. | 0:42:43 | 0:42:46 | |
Our owners have gone home happy, I've had a marvellous time | 0:42:46 | 0:42:49 | |
here in Itchen Stoke, I have to say. But the highlight for me | 0:42:49 | 0:42:52 | |
had to be selling those two teddy bears for a whopping £1,500, well above estimate. | 0:42:52 | 0:42:58 | |
I hope Kenneth and Gail are very, very happy. | 0:42:58 | 0:43:00 | |
And I hope you've enjoyed the show, too. Join me again for many more surprises. | 0:43:00 | 0:43:04 | |
Until the next time, from Itchen Stoke, it's goodbye. | 0:43:04 | 0:43:07 | |
Subtitles by Red Bee Media Ltd | 0:43:18 | 0:43:20 | |
E-mail [email protected] | 0:43:20 | 0:43:22 |