Browse content similar to Duxford. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
MUSIC: "In the Mood" by Glenn Miller | 0:00:02 | 0:00:03 | |
Today we're in Imperial War Museum, Duxford. | 0:00:03 | 0:00:06 | |
It's perhaps best known as one of the world's leading aviation museums. | 0:00:06 | 0:00:10 | |
But today, for one day only, | 0:00:10 | 0:00:12 | |
hundreds of people have arrived, laden with unwanted antiques | 0:00:12 | 0:00:15 | |
and collectables. | 0:00:15 | 0:00:16 | |
Welcome to "Flog It!" | 0:00:16 | 0:00:18 | |
MUSIC: "Those Magnificent Men in their Flying Machines" | 0:00:39 | 0:00:43 | |
We've set up our stall in the fantastic AirSpace hangar, | 0:00:43 | 0:00:46 | |
filled with aeroplanes ranging from the very big to the very small. | 0:00:46 | 0:00:50 | |
And all of them, a unique part of our aviation history. | 0:00:50 | 0:00:56 | |
Airspace used to be known simply as "Hangar 1", | 0:00:56 | 0:00:59 | |
but in the year 2000, it was decided the building should be extended | 0:00:59 | 0:01:03 | |
by another 40%, in order to fit in even more aircraft. | 0:01:03 | 0:01:07 | |
It's absolutely packed, from floor to ceiling in here, | 0:01:08 | 0:01:12 | |
with aircraft of all shapes and sizes. | 0:01:12 | 0:01:14 | |
Even before the extension, this was called the "super hangar", | 0:01:14 | 0:01:17 | |
and you can see why. | 0:01:17 | 0:01:19 | |
Today, we'll be telling the stories | 0:01:19 | 0:01:21 | |
some of these magnificent machines. | 0:01:21 | 0:01:23 | |
The ambitions for them, and the pilots who flew them. | 0:01:23 | 0:01:26 | |
But of course, we'll be telling the stories behind the hundreds of antiques | 0:01:26 | 0:01:29 | |
that the people have brought in today. | 0:01:29 | 0:01:33 | |
MUSIC: "The Great Escape" Theme | 0:01:33 | 0:01:35 | |
Our Top Guns today are Group Captain James "Bomber" Lewis... | 0:01:35 | 0:01:38 | |
-That is a candlestick. -I realise that! | 0:01:38 | 0:01:41 | |
HE LAUGHS | 0:01:41 | 0:01:42 | |
And Lieutenant Commander Christina "Hotshot" Trevanion. Chocks away. | 0:01:42 | 0:01:46 | |
Are you thinking about splitting the profits? | 0:01:46 | 0:01:48 | |
Is it going to be a bit of a profit-share arrangement? | 0:01:48 | 0:01:50 | |
-We haven't negotiated yet! -See how much it's worth first! -Could be a bit of diesel money. | 0:01:50 | 0:01:54 | |
Everyone's here to ask our experts that all-important question, | 0:01:56 | 0:01:59 | |
which is...? | 0:01:59 | 0:02:00 | |
ALL: What's it worth? | 0:02:00 | 0:02:02 | |
And hopefully they'll make a small fortune at auction. | 0:02:02 | 0:02:06 | |
Which of these items will fetch top dollar at the sale room? | 0:02:06 | 0:02:10 | |
Is it this Mappin & Webb silver tea service, | 0:02:10 | 0:02:13 | |
from 1918? | 0:02:13 | 0:02:16 | |
Or will these World War II medals be awarded | 0:02:16 | 0:02:18 | |
the distinction of top spot? | 0:02:18 | 0:02:20 | |
Or maybe this painting by a famous British artist. | 0:02:22 | 0:02:24 | |
Or is it? | 0:02:24 | 0:02:26 | |
We've got a lot to get through today, so let's get straight on to the tables. | 0:02:28 | 0:02:32 | |
First up, it's James. | 0:02:32 | 0:02:34 | |
George and Carol, are you fans of Miss Marple? | 0:02:34 | 0:02:37 | |
It all depends! SHE LAUGHS | 0:02:37 | 0:02:40 | |
I know that was rather a strange way of starting to talk about a tea service, | 0:02:40 | 0:02:43 | |
but whenever I see a silver tea service like this, I always think about... | 0:02:43 | 0:02:47 | |
TROLLEY SQUEAKS | 0:02:47 | 0:02:48 | |
..squeaky trolleys(!) | 0:02:48 | 0:02:50 | |
THEY LAUGH | 0:02:50 | 0:02:51 | |
That's what I think about(!) | 0:02:51 | 0:02:53 | |
THEY LAUGH | 0:02:53 | 0:02:55 | |
I always think about Miss Marple, | 0:02:55 | 0:02:57 | |
when I see a little tea service like this. | 0:02:57 | 0:02:59 | |
It's just archetypal "English", isn't it? | 0:02:59 | 0:03:03 | |
It's a lovely set - a wonderful quality. | 0:03:03 | 0:03:05 | |
We've got a maker's mark for Mappin & Webb. | 0:03:05 | 0:03:09 | |
Or a retailer in this case, probably. | 0:03:09 | 0:03:12 | |
But then we've got the mark for Dublin. | 0:03:12 | 0:03:15 | |
Now, Mappin & Webb, a classic English retailer, | 0:03:15 | 0:03:20 | |
you normally see Sheffield, Birmingham or London hallmarks. | 0:03:20 | 0:03:23 | |
This is the first time I've ever seen | 0:03:23 | 0:03:26 | |
a Dublin hallmark with Mappin & Webb. | 0:03:26 | 0:03:29 | |
So it's just an interesting | 0:03:29 | 0:03:31 | |
side to it. | 0:03:31 | 0:03:34 | |
It's in the Celtic style, | 0:03:34 | 0:03:36 | |
with this wonderful strap work | 0:03:36 | 0:03:37 | |
and these great, big raised bosses. | 0:03:37 | 0:03:39 | |
And it's a really stylish set. | 0:03:39 | 0:03:42 | |
Any ideas as to value? | 0:03:42 | 0:03:44 | |
-No idea at all. -I haven't got any at all. None at all. | 0:03:44 | 0:03:47 | |
-None at all? -It's just a real pity to have it up in the loft, | 0:03:47 | 0:03:50 | |
when it's such a waste, and if someone else can appreciate it... | 0:03:50 | 0:03:53 | |
It would be nice for someone to appreciate it, but do you know what I think will happen? | 0:03:53 | 0:03:57 | |
Not melt down? | 0:03:57 | 0:03:59 | |
Oh, really?! | 0:03:59 | 0:04:01 | |
-There's a possibility that this will end up in the melting pot. -Oh! | 0:04:01 | 0:04:04 | |
For the moment, silver's on a high. | 0:04:04 | 0:04:07 | |
There's about 55, 60 ounces here, altogether. | 0:04:07 | 0:04:11 | |
Therefore, your tea service, | 0:04:11 | 0:04:12 | |
that ten years ago was unfashionable | 0:04:12 | 0:04:15 | |
and unwanted, | 0:04:15 | 0:04:17 | |
is now quite good. | 0:04:17 | 0:04:18 | |
So, estimate - | 0:04:18 | 0:04:21 | |
£700 to £1,000. | 0:04:21 | 0:04:23 | |
Gosh! | 0:04:25 | 0:04:26 | |
-More than you thought? -Yeah. | 0:04:26 | 0:04:28 | |
But fingers crossed, it'll make nine, | 0:04:28 | 0:04:30 | |
and it'll go to somebody who loves it. | 0:04:30 | 0:04:32 | |
-All right? -Very nice. | 0:04:32 | 0:04:33 | |
It would be a crime against antiques if that service | 0:04:33 | 0:04:37 | |
was melted down. | 0:04:37 | 0:04:38 | |
'Let's hope the tea drinkers are out in force at the auction | 0:04:38 | 0:04:41 | |
'to save it.' | 0:04:41 | 0:04:42 | |
'Now, what's just landed on Christina's table?! | 0:04:45 | 0:04:48 | |
So, Christine, we've gone from normal aeroplanes of flight | 0:04:49 | 0:04:53 | |
-to space travel! -I'm afraid so. -It's wonderful! I love it! | 0:04:53 | 0:04:56 | |
Now, we'll open him up, | 0:04:56 | 0:04:59 | |
and we'll show him in his glory. There he is. | 0:04:59 | 0:05:02 | |
Tell me a little bit about him. | 0:05:02 | 0:05:04 | |
Well, we bought him at a boot sale, | 0:05:04 | 0:05:06 | |
-the usual story. -Did you? | 0:05:06 | 0:05:08 | |
About 20 years ago. | 0:05:08 | 0:05:10 | |
-My husband thinks he cost about 50p. -Did he?! | 0:05:10 | 0:05:15 | |
SHE LAUGHS | 0:05:15 | 0:05:16 | |
We bought him for our eldest children, | 0:05:16 | 0:05:19 | |
who weren't that interested. | 0:05:19 | 0:05:21 | |
And he was put in the cupboard and just left until the other day. | 0:05:21 | 0:05:25 | |
We got it our for our nine-year-old daughter. | 0:05:25 | 0:05:27 | |
-She thought it was extremely freaky. -Oh, really?! | 0:05:27 | 0:05:30 | |
Wouldn't have anything to do with it. | 0:05:30 | 0:05:32 | |
So we thought we'd bring him along. | 0:05:32 | 0:05:34 | |
He does still work in a fashion, doesn't he? | 0:05:34 | 0:05:36 | |
-He can be a bit temperamental. Can he? -Shall we give him a go? | 0:05:36 | 0:05:38 | |
-Yes. -Are you feeling brave? -Yes. -OK. | 0:05:38 | 0:05:40 | |
If you're brave enough, | 0:05:40 | 0:05:42 | |
give it a go. | 0:05:42 | 0:05:44 | |
MECHANICAL WHIRRING | 0:05:44 | 0:05:46 | |
I think he's wonderful. | 0:05:46 | 0:05:47 | |
Ooh! | 0:05:47 | 0:05:50 | |
Let's turn him off. | 0:05:50 | 0:05:51 | |
-It's nice when it stops, isn't it? -It is. -He's quite noisy, bless him. -He is. Very. | 0:05:51 | 0:05:55 | |
What we've got is your tin-plate robot, | 0:05:55 | 0:05:58 | |
and you've got The Flight of Apollo? | 0:05:58 | 0:06:00 | |
He's got a film, like a reel, in it. | 0:06:00 | 0:06:02 | |
And the film should go round. | 0:06:02 | 0:06:05 | |
Flight of Apollo was, correct me if I'm wrong, around 1961. | 0:06:05 | 0:06:08 | |
That dates him to the 1960s, | 0:06:08 | 0:06:11 | |
which would be about right. | 0:06:11 | 0:06:12 | |
-Gosh, right. -It's earlier than I thought. | 0:06:12 | 0:06:14 | |
A Japanese model, he really is very representative of his time. | 0:06:14 | 0:06:17 | |
-Oh, right! -He's really quite "cosmic". -Oh, good! | 0:06:17 | 0:06:19 | |
THEY LAUGH | 0:06:19 | 0:06:21 | |
Right, | 0:06:21 | 0:06:22 | |
I think at auction, | 0:06:22 | 0:06:24 | |
if he were in excellent condition, | 0:06:24 | 0:06:26 | |
we would be looking somewhere in the region of about £150... | 0:06:26 | 0:06:28 | |
-Right. -..if he was perfect, OK? -Yes. | 0:06:28 | 0:06:32 | |
Maybe we should be looking in the region of more £60-£100? | 0:06:32 | 0:06:35 | |
Yes, yeah. | 0:06:35 | 0:06:36 | |
With a reserve at 60. | 0:06:36 | 0:06:38 | |
That's a lot of money going for that! | 0:06:38 | 0:06:40 | |
It's not bad for an investment of 50p, is it? | 0:06:40 | 0:06:42 | |
It's not bad at all. | 0:06:42 | 0:06:44 | |
I think you've probably done better with this than put it in the bank. | 0:06:44 | 0:06:47 | |
I think so. Definitely. | 0:06:47 | 0:06:48 | |
MUSIC: "Fancy Footwork" by Chromeo | 0:06:48 | 0:06:50 | |
# But if you let her see that fancy footwork | 0:06:50 | 0:06:52 | |
# Show her you're that type of guy. # | 0:06:52 | 0:06:55 | |
I've brought Susie, who I've met in the crowd, | 0:06:56 | 0:06:59 | |
holding, I know, a concertina, to my favourite aircraft, | 0:06:59 | 0:07:01 | |
which is this. | 0:07:01 | 0:07:02 | |
D'you know what that is? | 0:07:02 | 0:07:04 | |
It's an aeroplane of some sort. | 0:07:04 | 0:07:06 | |
It's a Lancaster bomber, a British heavy bomber. | 0:07:06 | 0:07:08 | |
Carried more bombs than any other British aircraft | 0:07:08 | 0:07:11 | |
during the Second World War. | 0:07:11 | 0:07:12 | |
It was famous for its raids, | 0:07:12 | 0:07:13 | |
for the Dambusters, in 1943. | 0:07:13 | 0:07:16 | |
I have made one of these as an Airfix model, and I'm very, very proud of it. | 0:07:16 | 0:07:20 | |
-Very good! -I'm here in my favourite position. Can I have a look at this, Susie? -Certainly. | 0:07:20 | 0:07:24 | |
Are you a local girl? | 0:07:24 | 0:07:25 | |
I'm from London, but I'm staying in Cambridge with my dad at the moment. | 0:07:25 | 0:07:29 | |
-Is this Dad's? -That's my mother's. | 0:07:29 | 0:07:31 | |
-It's Mum's? -Yes. -Right. Did she play? | 0:07:31 | 0:07:33 | |
She used to play that and sing folk songs. | 0:07:33 | 0:07:36 | |
-Can I take it out and have a look? -Certainly. | 0:07:36 | 0:07:38 | |
The box is marked Crabb, that is Harry Crabb & Son. | 0:07:38 | 0:07:41 | |
Concertinas. | 0:07:41 | 0:07:43 | |
Now... | 0:07:44 | 0:07:45 | |
INSTRUMENT SQUEAKS | 0:07:45 | 0:07:47 | |
The bellows are working! And the reeds! | 0:07:47 | 0:07:50 | |
There's nothing wrong with it. Have you ever tried playing this? | 0:07:50 | 0:07:53 | |
Useless! I have no talent for it. | 0:07:53 | 0:07:56 | |
So am I. Absolutely useless as well. | 0:07:56 | 0:07:59 | |
I'm just looking for a paper label. It should have a paper label but it doesn't. | 0:07:59 | 0:08:05 | |
Now, the first thing to check with a concertina is the bellows. | 0:08:05 | 0:08:09 | |
Make sure they are not ripped and torn. That is interesting. | 0:08:09 | 0:08:12 | |
Can you see on the bellows? There is an 'L'. Can you see that? | 0:08:12 | 0:08:16 | |
-Yes. -That there? That tells me one thing straight away. | 0:08:16 | 0:08:19 | |
-This is not made by Crabb & Sons. -Isn't it? -No. | 0:08:19 | 0:08:23 | |
-It is in the wrong box. -It's made by Lachenal & Co of London. | 0:08:23 | 0:08:27 | |
Circa 1900-1905. | 0:08:27 | 0:08:30 | |
Wonderful pierced fretwork. That is what you expect to see. | 0:08:30 | 0:08:33 | |
-Also, have you counted those buttons? -No. -There's 24. | 0:08:33 | 0:08:39 | |
Which tells me this is quite desirable. | 0:08:39 | 0:08:41 | |
The more buttons the better because the more it can do musically so that puts the price. | 0:08:41 | 0:08:46 | |
We've seen these on the show before, we've seen them with 12 buttons. | 0:08:46 | 0:08:50 | |
They don't fetch a lot of money. | 0:08:50 | 0:08:52 | |
24 buttons is good, 32 buttons is fantastic. | 0:08:52 | 0:08:55 | |
-How many buttons? -24. -Not 32. -Mid-range, mid-range, OK?. | 0:08:55 | 0:08:59 | |
It is not too bad. The condition is very, very good. | 0:08:59 | 0:09:03 | |
If we put this into auction I think it should do £400. | 0:09:03 | 0:09:07 | |
But in order to get it there we need to tempt people in. | 0:09:07 | 0:09:10 | |
-Could we put this in at £200-£400? -Yes. -We should watch this fly away. | 0:09:10 | 0:09:14 | |
-Good. -If you pardon the pun! | 0:09:14 | 0:09:16 | |
Let's hope our first batch of antiques takes off at auction. | 0:09:16 | 0:09:20 | |
We are now ready to go over there and here's what we're taking. | 0:09:20 | 0:09:23 | |
As a nation of tea drinkers it is our duty to save the Mappin & Webb tea service from the melting pot. | 0:09:23 | 0:09:30 | |
In good working order, | 0:09:33 | 0:09:35 | |
Susie's concertina still has plenty of music to make. | 0:09:35 | 0:09:37 | |
Christine's 1960s robot complete with box should appeal to the collectors. | 0:09:40 | 0:09:45 | |
From Duxford we've travelled a few miles east | 0:09:48 | 0:09:51 | |
to Rowley's fine art auctioneers at Tattersalls in Newmarket. | 0:09:51 | 0:09:54 | |
On the rostrum today is auctioneer Will Axon. | 0:09:57 | 0:10:00 | |
It's my turn to be the expert right now | 0:10:01 | 0:10:04 | |
and I've just been joined by Susie in the nick of time. | 0:10:04 | 0:10:06 | |
We've always sold these on the show and they normally deliver around £400 | 0:10:06 | 0:10:11 | |
for the ones that are like yours. | 0:10:11 | 0:10:13 | |
Let's see what the bidders think. It's going under the hammer right now. This is it. Good luck. | 0:10:13 | 0:10:18 | |
76 is the Lachenal concertina in a Crabb case. | 0:10:19 | 0:10:24 | |
There we are. A nice example. | 0:10:24 | 0:10:27 | |
Where do you start me? I'm bid 100, 120, 140, 160 I'm bid. | 0:10:27 | 0:10:31 | |
You're bidding 180, now. | 0:10:31 | 0:10:33 | |
In the room at 180. At 180, I have you. | 0:10:33 | 0:10:35 | |
A 180 bid now. | 0:10:35 | 0:10:36 | |
Join me? 200 now, on the telephone. | 0:10:36 | 0:10:39 | |
-It's gone. But it is struggling. -£200. | 0:10:39 | 0:10:42 | |
With you I shall sell it. Make no mistake. | 0:10:42 | 0:10:45 | |
Hammer's up this time at £200 and selling. | 0:10:45 | 0:10:49 | |
Gosh, we just got it away. | 0:10:49 | 0:10:50 | |
-That was close. -It was. -That was a lucky one. | 0:10:50 | 0:10:53 | |
I was hoping we'd make sweet music and end in a crescendo. | 0:10:53 | 0:10:56 | |
-But we are still OK. We said £200-£400. -I did want to sell it. | 0:10:56 | 0:11:00 | |
I think, I think whoever bought that wasn't pushed. | 0:11:00 | 0:11:03 | |
No-one else wanted it so it was sold on the reserve, let's face it. | 0:11:03 | 0:11:07 | |
-At least it was sold on the reserve. -Yeah. | 0:11:07 | 0:11:09 | |
Next it's Christine's toy robot. | 0:11:11 | 0:11:14 | |
'Do you know, I love this. And it still works, doesn't it?' | 0:11:14 | 0:11:19 | |
-It does work. -I think this will find its way back to Japan. -I hope so. | 0:11:19 | 0:11:22 | |
It would be nice, wouldn't it? | 0:11:22 | 0:11:24 | |
-There's such a big market for them, there really is. -Is there? -Yes. | 0:11:24 | 0:11:27 | |
It is a collectable. Let's find out what the bidders think. | 0:11:27 | 0:11:31 | |
It is going under the hammer, this is it. | 0:11:31 | 0:11:33 | |
226 now. | 0:11:33 | 0:11:35 | |
It's the new Space Explorer, black painted and lithographed robot. | 0:11:35 | 0:11:38 | |
There it is in its rather tired case but never mind. | 0:11:38 | 0:11:42 | |
It's been well loved and played with. | 0:11:42 | 0:11:45 | |
Start me at 50, 60, 70 bid here. | 0:11:45 | 0:11:48 | |
-Brilliant. -75. 80. 85 in the gods. An 85 bid now, at 85. | 0:11:48 | 0:11:53 | |
Looking for 90. At 85 I shall sell it. | 0:11:53 | 0:11:55 | |
In the gods at 85, and selling this time at 85. | 0:11:55 | 0:11:59 | |
-Brilliant. -Well done. -I am amazed. | 0:12:00 | 0:12:03 | |
That robot is going to entertain somebody now, that is for sure. | 0:12:03 | 0:12:06 | |
-That is brilliant. -That was designed to put a smile on your face. -It certainly was. | 0:12:06 | 0:12:10 | |
I'm totally amazed by that. | 0:12:10 | 0:12:12 | |
I didn't think it would sell. | 0:12:12 | 0:12:14 | |
Gosh. | 0:12:14 | 0:12:15 | |
Now it's George and Carol's Mappin & Webb silver tea service. | 0:12:17 | 0:12:20 | |
-Why are you selling this? -We never use it. | 0:12:22 | 0:12:24 | |
It sat in the loft for the last 20-odd years | 0:12:24 | 0:12:27 | |
and it is our 35th wedding anniversary coming up. | 0:12:27 | 0:12:30 | |
We shall use the money towards that. | 0:12:30 | 0:12:32 | |
You've brought along James. | 0:12:32 | 0:12:34 | |
-Here we are in the auction. Doesn't it go quickly? -It goes very quickly. | 0:12:34 | 0:12:38 | |
Have you been thinking about the valuation, thinking, I hope it doubles that? | 0:12:38 | 0:12:42 | |
It would be very nice but it will be nice to see what happens. | 0:12:42 | 0:12:45 | |
-It is exciting. -This is such wonderful quality. | 0:12:45 | 0:12:49 | |
I'm just hoping that it will go for above the scrap value. | 0:12:49 | 0:12:54 | |
-There are a couple of silver... -I've seen them, I have seen them. | 0:12:54 | 0:12:57 | |
..they were viewing earlier and I said, | 0:12:57 | 0:12:59 | |
"What do you think to that?" and they said, "Oh, it is beyond scrap." | 0:12:59 | 0:13:02 | |
So it has an intrinsic value? Above the value of the weight of the metal. | 0:13:02 | 0:13:07 | |
Let's find out what the bidders think, that's what it's about, it's down to them. | 0:13:07 | 0:13:11 | |
-Ready for this? -Yes. -Here we go. | 0:13:11 | 0:13:12 | |
So, we move onto the silver section of today's sale. | 0:13:12 | 0:13:16 | |
The first lot of which is the George V tea and coffee set. | 0:13:16 | 0:13:21 | |
I've got interest here starting me where? I'm bid 1,000 with me. | 0:13:21 | 0:13:24 | |
At £1,000 on commission. | 0:13:24 | 0:13:26 | |
1,100. 1,200. | 0:13:26 | 0:13:28 | |
1,250, 1,300. | 0:13:28 | 0:13:30 | |
50 again, if it helps you. It's 1,300 here. Shakes the head. | 0:13:30 | 0:13:34 | |
At £1,300, I'm bid. All done. | 0:13:34 | 0:13:37 | |
Last chance at £1,300 and selling. | 0:13:37 | 0:13:40 | |
-50... -There, late legs. | 0:13:40 | 0:13:43 | |
-Almost missed it. -He did, didn't he. | 0:13:43 | 0:13:45 | |
At 1,400, 1,500. You're in by 20. | 0:13:45 | 0:13:48 | |
At 1,500, it's on the telephone. At £1,500 bid. | 0:13:48 | 0:13:52 | |
All done at 1,500. | 0:13:52 | 0:13:54 | |
-Yes! -Fantastic. -Result. | 0:13:54 | 0:13:57 | |
Well above the melt value. | 0:13:57 | 0:13:59 | |
Silver has gone slightly since the valuation. | 0:13:59 | 0:14:02 | |
The guy on the line said it was £1,300 scrap. | 0:14:02 | 0:14:06 | |
Including premium, it's well above. | 0:14:06 | 0:14:09 | |
That's fantastic. That's brilliant. | 0:14:09 | 0:14:12 | |
-Happy customers? -Definitely. | 0:14:12 | 0:14:14 | |
Patrick, whenever I see anything like this it reminds me | 0:14:18 | 0:14:22 | |
of tales of childhood, a little boy reading Biggles, Douglas Bader, | 0:14:22 | 0:14:26 | |
learning about the Dambusters and the bouncing bomb. | 0:14:26 | 0:14:29 | |
All those guys were awarded this. | 0:14:29 | 0:14:32 | |
The Distinguished Flying Medal. | 0:14:32 | 0:14:34 | |
The Distinguished Flying Medal, what an amazing thing. | 0:14:34 | 0:14:37 | |
What a fantastic place to discover it - here. | 0:14:37 | 0:14:41 | |
Tell me about the medal and tell me about who it was awarded to. | 0:14:41 | 0:14:45 | |
It was my stepfather, Ronan Allen, he was a wonderful guy. | 0:14:45 | 0:14:48 | |
He was an air gunner in the Royal Air Force but previous to the war | 0:14:48 | 0:14:52 | |
he'd been in the Royal Air Force Volunteer Reserve | 0:14:52 | 0:14:54 | |
which meant he learned how to fly a plane. | 0:14:54 | 0:14:57 | |
Although he wasn't a pilot, they attacked the Philips factory in Eindhoven in Holland | 0:14:57 | 0:15:02 | |
where they made radar and radios for German aircraft and the German war industry. | 0:15:02 | 0:15:09 | |
The plane was hit by anti-aircraft fire and the pilot was injured. | 0:15:09 | 0:15:15 | |
He wanted the guys to bail out and Ronan said, no, I can fly. | 0:15:15 | 0:15:19 | |
They pulled the pilot out of the seat and he flew the plane | 0:15:19 | 0:15:23 | |
bringing back a valuable plane and a valuable crew as well. | 0:15:23 | 0:15:26 | |
-Gosh. -There's the pilot who he saved. | 0:15:26 | 0:15:30 | |
All those men have died of old age. | 0:15:30 | 0:15:33 | |
The reason they died of old age was he brought the plane back. | 0:15:33 | 0:15:35 | |
-That is a true hero. -He was indeed. | 0:15:35 | 0:15:38 | |
There's a letter from the king, King George. | 0:15:38 | 0:15:41 | |
Unfortunately, a facsimile signature which you always got on these things. | 0:15:41 | 0:15:46 | |
-They are never genuine. -No. | 0:15:46 | 0:15:48 | |
What we have here, we have the three straightforward Second World War medals. | 0:15:48 | 0:15:53 | |
We have got the France and Germany Star, the 1939 and 1945 star. | 0:15:53 | 0:15:59 | |
A Victory Medal and the Distinguished Flying Medal. | 0:15:59 | 0:16:02 | |
That is the Air Efficiency Medal but I'm not too sure about it. | 0:16:02 | 0:16:05 | |
Very late, probably 53/54. Something like that. | 0:16:05 | 0:16:09 | |
One of the questions that I am sure so many people are thinking, | 0:16:09 | 0:16:13 | |
why do you want to sell them? | 0:16:13 | 0:16:15 | |
You're obviously very proud of him as family history. | 0:16:15 | 0:16:21 | |
He would've wanted them to go to my daughter who is 29. | 0:16:21 | 0:16:24 | |
She's got two grandchildren but they never knew him. | 0:16:24 | 0:16:28 | |
She knew him as her grandad. | 0:16:28 | 0:16:30 | |
I think it is quite possible they could disappear into a drawer | 0:16:30 | 0:16:34 | |
and they may be discarded. | 0:16:34 | 0:16:36 | |
If we can pass them on with all the memorabilia to somebody | 0:16:36 | 0:16:40 | |
who would do something good with them, | 0:16:40 | 0:16:43 | |
we'll make some money out of it. | 0:16:43 | 0:16:45 | |
I was thinking in terms of an estimate of £1,000-£1,500. | 0:16:45 | 0:16:48 | |
I would recommend a reserve of £1,000. | 0:16:48 | 0:16:51 | |
If it doesn't make that, have it home. | 0:16:51 | 0:16:53 | |
-But you know, I've got no doubts whatsoever, it's going to sell. -OK. | 0:16:53 | 0:16:58 | |
-I think, pardon the pun, they're going to fly. -OK! | 0:16:58 | 0:17:01 | |
Thank you very much. | 0:17:01 | 0:17:03 | |
You're nicking one of my lines there, James! | 0:17:04 | 0:17:07 | |
But seriously, those medals represent true heroism. | 0:17:07 | 0:17:10 | |
# Adolf, you've bitten off | 0:17:10 | 0:17:14 | |
# Much more than you can chew... # | 0:17:14 | 0:17:18 | |
We all know Christina's partial to a bit of glitter | 0:17:18 | 0:17:21 | |
and here she's struck gold with Sandra and Roger's bracelet. | 0:17:21 | 0:17:25 | |
-Tell me a bit about it. Where's it come from? -I was given it about 15 years ago but to be honest with you | 0:17:27 | 0:17:31 | |
I don't like bracelets, and they don't like me. | 0:17:31 | 0:17:34 | |
I catch them all the time. I've probably only worn it about twice. | 0:17:34 | 0:17:38 | |
-Oh, right. -It's been stuck in a drawer for years. | 0:17:38 | 0:17:42 | |
-I thought I would just bring it and see. -What a shame. | 0:17:42 | 0:17:44 | |
It dates to the Victorian period. Probably about 1880/1890. | 0:17:44 | 0:17:49 | |
We've got this wonderful garnet set in the middle. | 0:17:49 | 0:17:53 | |
Inset into that is a little gold star with a little sea pearl. | 0:17:53 | 0:17:58 | |
Really great quality workmanship. | 0:17:58 | 0:18:00 | |
Then, just set to the sides we've got this sea pearl here and here | 0:18:00 | 0:18:05 | |
and we've got a lovely little curved link chain around the outside. | 0:18:05 | 0:18:09 | |
We know it's a good quality piece because of the workmanship at the front | 0:18:09 | 0:18:12 | |
and the clasp at the back is pretty much totally invisible. | 0:18:12 | 0:18:17 | |
It's actually been illusion-set so when you wear it | 0:18:17 | 0:18:19 | |
it's not obvious where the clasp is which is always a good sign of workmanship. | 0:18:19 | 0:18:24 | |
We know that it's good quality because it is 15 carat gold | 0:18:24 | 0:18:28 | |
which is obviously a better and higher standard of gold. | 0:18:28 | 0:18:32 | |
Very lovely and I am sad you don't wear it | 0:18:32 | 0:18:35 | |
because I think there will be quite a few ladies out there | 0:18:35 | 0:18:38 | |
who would wear it pretty much every day. | 0:18:38 | 0:18:42 | |
At auction I think we're looking somewhere in the region of £200-£300. | 0:18:43 | 0:18:48 | |
Something like that. | 0:18:48 | 0:18:49 | |
-How does that sound? -Sounds fantastic. | 0:18:49 | 0:18:52 | |
-Are you happy with that? -Absolutely. | 0:18:52 | 0:18:54 | |
-I don't know why I'm asking Roger, it's your bracelet! -I will enjoy her spending it! | 0:18:54 | 0:18:58 | |
Finally, James sticks his neck out with this portrait. | 0:19:01 | 0:19:05 | |
Well, Tebor, this is a first for me. | 0:19:07 | 0:19:10 | |
I have to say I have never had something signed Lowry | 0:19:10 | 0:19:13 | |
on the Flog It! tables before. | 0:19:13 | 0:19:15 | |
What an interesting picture. | 0:19:15 | 0:19:17 | |
How on earth did it come to be in your hands? | 0:19:17 | 0:19:21 | |
-I bought it with others about 40 years ago at auction. -At auction? | 0:19:21 | 0:19:27 | |
I've had it ever since. | 0:19:27 | 0:19:29 | |
Lowry is, without question, one of the most famous British painters of the 20th century. | 0:19:29 | 0:19:35 | |
He is of course famous for those sketches and oils | 0:19:35 | 0:19:37 | |
of those matchstick men and cats and dogs that everybody even sings about. | 0:19:37 | 0:19:43 | |
But here, we're looking at a portrait | 0:19:43 | 0:19:47 | |
that is totally different to the style of Lowry. | 0:19:47 | 0:19:53 | |
I have to tell you that we all went, oh yes, Lowry, not a chance. | 0:19:53 | 0:19:58 | |
Then you start to think, OK, it is dated 1911. | 0:19:58 | 0:20:02 | |
If you're going to fake a Lowry, | 0:20:02 | 0:20:05 | |
would you fake a portrait of an elderly man? | 0:20:05 | 0:20:08 | |
-I wouldn't if I was going to fake a Lowry. -He was possibly unknown in those days. | 0:20:08 | 0:20:13 | |
In 1911, we're looking at a portrait that certainly has age to it. | 0:20:13 | 0:20:17 | |
It's certainly of the period | 0:20:17 | 0:20:19 | |
and in 1911, that's when Lowry was at Manchester School of Art | 0:20:19 | 0:20:24 | |
before Lowry started to paint in his well-known style. | 0:20:24 | 0:20:30 | |
So, the massive question, is it a Lowry or isn't a Lowry? | 0:20:30 | 0:20:35 | |
None of us know. That is the honest answer. | 0:20:36 | 0:20:40 | |
The pencil sketches that I have sold in the past, | 0:20:40 | 0:20:44 | |
they are worth £1,500-£2,000 for a little pencil sketch | 0:20:44 | 0:20:49 | |
or figures before a cottage. | 0:20:49 | 0:20:51 | |
I sold two pen and ink sketches of figures in bowler hats | 0:20:51 | 0:20:57 | |
and they made £19,000 and £20,000 each. | 0:20:57 | 0:21:01 | |
-A lot of money. -An awful lot of money. | 0:21:01 | 0:21:04 | |
But all of those had one key word that is so important | 0:21:04 | 0:21:09 | |
when it comes to Lowry and that is provenance. | 0:21:09 | 0:21:12 | |
-It hasn't come from a famous collection. -No, exactly. | 0:21:12 | 0:21:16 | |
Give us a chance with it. | 0:21:16 | 0:21:18 | |
Take it to Will, Will Axon, who is a Flog It! valuer as well, | 0:21:18 | 0:21:23 | |
he knows what needs to be done with this. | 0:21:23 | 0:21:27 | |
Let's just see what it might be. | 0:21:27 | 0:21:29 | |
-Yes. -It might be £10,000. | 0:21:29 | 0:21:32 | |
It might be ten quid. | 0:21:32 | 0:21:36 | |
If it is a complete fake. Let's just find out. | 0:21:36 | 0:21:39 | |
'That's it, our experts have made their final choices | 0:21:42 | 0:21:45 | |
'and we've found some gems here today. | 0:21:45 | 0:21:48 | |
'I've got my favourites and you've probably got yours' | 0:21:48 | 0:21:50 | |
but watch out, there could be a big surprise in the auction room. | 0:21:50 | 0:21:53 | |
We've had a marvellous time here at Duxford. | 0:21:53 | 0:21:56 | |
Everyone's enjoyed themselves and we have learnt a lot about aviation history. | 0:21:56 | 0:22:00 | |
As the GIs would say, it's been a swell day. | 0:22:00 | 0:22:04 | |
Right now it is time to put those valuations | 0:22:04 | 0:22:06 | |
to the test as we head off to the auction room for the last time. | 0:22:06 | 0:22:10 | |
Here's what we're taking with us. | 0:22:10 | 0:22:12 | |
Patrick's medals and his stepfather's story bring the past alive | 0:22:12 | 0:22:17 | |
and are worth every penny of James's estimate. | 0:22:17 | 0:22:20 | |
Sandra's gold bracelet is a shining example of late Victorian jewellery. | 0:22:22 | 0:22:26 | |
And finally, Tebor's portrait signed Lowry. | 0:22:28 | 0:22:31 | |
Now, is it a fake or is it real? | 0:22:31 | 0:22:34 | |
# You and I | 0:22:36 | 0:22:38 | |
# Baby we go side by side... # | 0:22:38 | 0:22:41 | |
Before we get started, let's hear what Will Axon has to say on Tebor's alleged Lowry. | 0:22:41 | 0:22:46 | |
# Tell me what we're going to do. # | 0:22:46 | 0:22:49 | |
'I've seen and handled enough Lowrys' | 0:22:49 | 0:22:51 | |
to know that my gut feeling is this is not right. | 0:22:51 | 0:22:55 | |
It's not like Lowry's work. | 0:22:55 | 0:22:57 | |
That's my opinion and that's my first gut reaction. | 0:22:57 | 0:23:00 | |
I've actually sent a few images of it | 0:23:00 | 0:23:02 | |
to one of the main dealers in Lowry works in the country. | 0:23:02 | 0:23:06 | |
He just had to have one look at it and he could tell it's not right. | 0:23:06 | 0:23:10 | |
I would be as keen as mustard to sell the first Lowry to appear on Flog It! | 0:23:10 | 0:23:15 | |
-We'd all be happy. -What value have you put on that? | 0:23:15 | 0:23:19 | |
-I've put it in at £100-£150. -Just as a bit of wallpaper. | 0:23:19 | 0:23:22 | |
It's almost got a curio appeal. It's got value at that. | 0:23:22 | 0:23:26 | |
-But I think James deep down knew it was not going to be right. -Sure. | 0:23:26 | 0:23:31 | |
-Thank you very much, Will. -Not at all. | 0:23:31 | 0:23:34 | |
Will's convinced it is fake | 0:23:34 | 0:23:35 | |
but I think James is still holding out hope that it might be the genuine article. | 0:23:35 | 0:23:40 | |
'We're looking at £100, maybe £150.' | 0:23:40 | 0:23:44 | |
It's a bit of wallpaper in its own right. | 0:23:44 | 0:23:46 | |
-It's lovely. -It's a nice picture. -It's caused a good talking point. | 0:23:46 | 0:23:50 | |
We've all enjoyed discussing this and musing over it. | 0:23:50 | 0:23:53 | |
Let's find out what the bidders think. Let's put it to the test. | 0:23:53 | 0:23:57 | |
-See if we can get that hundred pounds. -Do you think we will? -No. | 0:23:57 | 0:24:00 | |
No, I don't either. I don't think it is going to sell. | 0:24:00 | 0:24:03 | |
We'll find out what the bidders think. | 0:24:03 | 0:24:06 | |
Let's hope it is. | 0:24:06 | 0:24:07 | |
A speculative lot for you here, ladies and judgement. | 0:24:07 | 0:24:11 | |
Circle of LS Lowry. | 0:24:11 | 0:24:13 | |
I'm reliably informed he didn't have a circle because he was a miserable old git | 0:24:13 | 0:24:16 | |
and he didn't have any friends. | 0:24:16 | 0:24:17 | |
People copying him of course in his style. | 0:24:17 | 0:24:20 | |
Make your own mind up on this. | 0:24:20 | 0:24:22 | |
I have got interest starting here at 90, 100, I'm bid. | 0:24:22 | 0:24:24 | |
At 110, I have. | 0:24:24 | 0:24:26 | |
At 120, 130. I have a bid at 130 here. | 0:24:26 | 0:24:29 | |
At 130 now. 140, 150. | 0:24:29 | 0:24:32 | |
My bidder at £150. | 0:24:32 | 0:24:34 | |
60, the nod. At £160. | 0:24:34 | 0:24:36 | |
Join me now at 160. | 0:24:36 | 0:24:38 | |
Speculative lot. 170. | 0:24:38 | 0:24:41 | |
At 170. 180. At £180. 190. | 0:24:41 | 0:24:44 | |
200 bid me now. 200, yes? At 190 behind me. At 200 bid. | 0:24:44 | 0:24:49 | |
At 220 now. 220 now, 220 behind me. | 0:24:49 | 0:24:53 | |
240. At 240 it is with Tess. | 0:24:53 | 0:24:55 | |
A 240 bid. Yes? 260. At 260 behind me. Yes? | 0:24:55 | 0:25:00 | |
280. At £280, behind me at 280. 300 if you want. | 0:25:00 | 0:25:05 | |
At £280. Three bid. | 0:25:05 | 0:25:06 | |
At 300, I am bid 320. | 0:25:06 | 0:25:10 | |
At 320 now. At £320. I am bid 340. | 0:25:10 | 0:25:13 | |
-At 340. -Some interest. | 0:25:13 | 0:25:16 | |
Some interest is good interest. | 0:25:16 | 0:25:18 | |
At £360, it is behind. At the 380 bid me now. Yes? | 0:25:18 | 0:25:22 | |
At 360 now. No? | 0:25:22 | 0:25:24 | |
At £360, thank you for your help. It is £360. | 0:25:24 | 0:25:27 | |
Last look round for you ladies and gents. At £360 all done. | 0:25:28 | 0:25:32 | |
-As a decorative painting, £360. -Very good. -So you are happy. | 0:25:34 | 0:25:38 | |
-Very much, yes. -A strange result. | 0:25:38 | 0:25:40 | |
-Yes. -Really weird. -Yeah, yeah. | 0:25:40 | 0:25:44 | |
It's far more than it's worth for an oil sketch. | 0:25:44 | 0:25:47 | |
Nowhere near what it's worth for a Lowry. | 0:25:47 | 0:25:50 | |
That's auctions for you. | 0:25:50 | 0:25:53 | |
At the end of the day, two people really liked looking at the subject matter. | 0:25:53 | 0:25:57 | |
-Maybe it reminded them of somebody they know. -Lowry! -Maybe. | 0:25:57 | 0:26:01 | |
It's nothing like Lowry. | 0:26:01 | 0:26:03 | |
The jury's out on that but at least Tebor's happy. | 0:26:03 | 0:26:07 | |
Next up, it's Sandra and Roger's gold bracelet. | 0:26:10 | 0:26:14 | |
-You've got security with you? -Absolutely. | 0:26:14 | 0:26:18 | |
-You never know what it's going to go for. -You've only worn this twice. | 0:26:18 | 0:26:22 | |
-I know. I just don't do bracelets. -You don't do bracelets. | 0:26:22 | 0:26:24 | |
No, unfortunately they catch on things. | 0:26:24 | 0:26:27 | |
This one is very Victorian. | 0:26:27 | 0:26:28 | |
I like the little star on it but it's not my kind of thing. | 0:26:28 | 0:26:33 | |
I love it. I think it's lovely. | 0:26:33 | 0:26:36 | |
It's pretty but it needs to go where somebody's going to wear it. | 0:26:36 | 0:26:40 | |
What are we going to get today? | 0:26:40 | 0:26:42 | |
-I don't think it's going to be huge amount. -£100? £150? | 0:26:42 | 0:26:45 | |
£150, I would hope. | 0:26:45 | 0:26:46 | |
As long as there's enough for the TV licence next year. | 0:26:46 | 0:26:50 | |
So you can carry on watching Flog It! | 0:26:50 | 0:26:53 | |
Let's find out what the bidders think. | 0:26:53 | 0:26:55 | |
It's going under the hammer right now. | 0:26:55 | 0:26:57 | |
Lot 430 now is the 15-carat gold | 0:26:57 | 0:27:00 | |
sea pearl and semiprecious stone-set bracelet. | 0:27:00 | 0:27:03 | |
There we are. Nicely in its fitted case. | 0:27:03 | 0:27:07 | |
I'm bid 120,40. I'm bid 160. | 0:27:07 | 0:27:09 | |
Have you? At 180 bid. | 0:27:09 | 0:27:11 | |
At 200, 220, 240, 260... | 0:27:11 | 0:27:14 | |
God, it's jumping ahead. Leaps and bounds. | 0:27:14 | 0:27:17 | |
At 280 here. Bid me one more at 280, 300, | 0:27:17 | 0:27:20 | |
320, at 320. Gentleman's bid. | 0:27:20 | 0:27:22 | |
40. Will it help? At 320 here. Look at me again. | 0:27:22 | 0:27:27 | |
At £320. 40, fresh blood. | 0:27:27 | 0:27:28 | |
There's 40, at 340 in the gods. | 0:27:28 | 0:27:31 | |
£340, right up there on the back row. | 0:27:31 | 0:27:35 | |
The hammer's up this time at 340. | 0:27:35 | 0:27:36 | |
-Yes! -Fantastic. -£340. | 0:27:36 | 0:27:39 | |
With the workmanship on it, that's brilliant. | 0:27:39 | 0:27:42 | |
-Super. -Good. We like that. | 0:27:42 | 0:27:45 | |
-Well over the top end. -Straight down the pub. | 0:27:45 | 0:27:47 | |
Next up is Patrick's medals. | 0:27:51 | 0:27:53 | |
Always difficult to value as each one represents an individual act of heroism. | 0:27:53 | 0:27:57 | |
Why are you selling them? | 0:27:59 | 0:28:01 | |
They won't mean anything to my daughter or my grandchildren. | 0:28:01 | 0:28:04 | |
We're taking a chance to come to Flog It! | 0:28:04 | 0:28:06 | |
because we are all Flog It-ers. | 0:28:06 | 0:28:08 | |
I am going to give the money, provided they sell, | 0:28:08 | 0:28:11 | |
to my daughter for her wedding next month. | 0:28:11 | 0:28:13 | |
Congratulations. | 0:28:13 | 0:28:15 | |
Wow. Every penny helps. James, I like the lot. I think you're right on the money there. | 0:28:15 | 0:28:20 | |
-Good, nothing like pressure, is there. -No. There isn't. -A wedding resting on this! | 0:28:20 | 0:28:24 | |
It's going right under the hammer right now. Take a look at this. | 0:28:24 | 0:28:27 | |
Lot number 11 is the World War II DFM group of five. | 0:28:28 | 0:28:33 | |
There we are. Interesting lot this. | 0:28:33 | 0:28:35 | |
Some history about it as well and some nice photos for you. | 0:28:35 | 0:28:39 | |
I've got interest here starting me where? | 0:28:39 | 0:28:41 | |
800, 850. 900. 1,000. | 0:28:41 | 0:28:43 | |
Gone. | 0:28:43 | 0:28:45 | |
1,400. | 0:28:45 | 0:28:47 | |
1,400 here. 50 where? At 1,450. | 0:28:47 | 0:28:50 | |
50. 1,500. My bidder. | 0:28:50 | 0:28:54 | |
At 1,500. I will come to you all. 1,600. Bid me now. | 0:28:54 | 0:28:57 | |
Wow. | 0:28:57 | 0:28:59 | |
Fabulous. I can hear wedding bells. | 0:28:59 | 0:29:02 | |
At 1,800 bid. Left handed at 1,900. Round it up? | 0:29:02 | 0:29:06 | |
At 1,900. Two bid. | 0:29:06 | 0:29:08 | |
-At 2,000 bid now. -Wow. -At 2,000. 22? | 0:29:08 | 0:29:11 | |
At 22 bid. At 2,200 bid. At 22. | 0:29:11 | 0:29:13 | |
24. At 2,400. 24. 26. | 0:29:13 | 0:29:17 | |
At 2,600 bid. | 0:29:17 | 0:29:19 | |
At 26. 28 At 28 now. | 0:29:19 | 0:29:21 | |
Round it up. At 2,800. Three? At 28. | 0:29:21 | 0:29:25 | |
Coming to you all now. | 0:29:25 | 0:29:27 | |
At £2,800, on the telephone. | 0:29:27 | 0:29:29 | |
-£2,800, Patrick. -Wow. | 0:29:29 | 0:29:33 | |
Well done, Will Axon, great auctioneering. | 0:29:33 | 0:29:36 | |
Things are flying out today. | 0:29:36 | 0:29:38 | |
£2,800. I'm tingling. You've got to be shaking. | 0:29:38 | 0:29:42 | |
I am, I am. I can't believe it. Absolutely unbelievable. | 0:29:42 | 0:29:45 | |
Search a big interest in militaria at the moment. | 0:29:45 | 0:29:48 | |
What you're investing in is pieces of history, not just medals but real history. | 0:29:48 | 0:29:53 | |
-James, that flew. -That was a great result. A good price for that. -Very good. | 0:29:53 | 0:29:57 | |
-It's going to a great cause as well. -It is, thank you. | 0:29:57 | 0:29:59 | |
# Bells will ring | 0:29:59 | 0:30:02 | |
# The sun will shine, woah... # | 0:30:02 | 0:30:07 | |
Well, that's it, it's all over. Another day in another saleroom. | 0:30:07 | 0:30:11 | |
Just like the aircraft at Duxford, we certainly had our high-flyers | 0:30:11 | 0:30:15 | |
and some very happy owners. | 0:30:15 | 0:30:16 | |
I told you there'd be one or two big surprises and we certainly delivered. | 0:30:16 | 0:30:20 | |
That's it. Sadly, we've run out of time. | 0:30:20 | 0:30:22 | |
Until the next time, from Newmarket, from all of us, it's goodbye. | 0:30:22 | 0:30:27 | |
Subtitles by Red Bee Media Ltd | 0:30:34 | 0:30:37 |