
Browse content similar to Lincolnshire. Check below for episodes and series from the same categories and more!
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Today, we are in North Lincolnshire, | 0:00:07 | 0:00:09 | |
and that is the magnificent Humber Bridge. | 0:00:09 | 0:00:12 | |
That's such a spectacle. | 0:00:12 | 0:00:14 | |
It separates Yorkshire from Lincolnshire. It's the sixth-largest | 0:00:14 | 0:00:17 | |
single-suspension bridge of its type in the world. | 0:00:17 | 0:00:20 | |
Later on in the programme, I'll be sailing on that historic river. | 0:00:20 | 0:00:23 | |
But, right now, off to the valuation day, | 0:00:23 | 0:00:25 | |
and let's hope people from both sides of the Humber join us. | 0:00:25 | 0:00:28 | |
Welcome to Flog It! | 0:00:28 | 0:00:29 | |
There's been a house on the Normanby Estate since the 16th century. | 0:00:53 | 0:00:56 | |
After captaining one of the 200 ships mobilised by the English Navy | 0:00:56 | 0:01:00 | |
against the Spanish Armada, | 0:01:00 | 0:01:02 | |
in 1588, | 0:01:02 | 0:01:03 | |
Edmund Sheffield chose Lincolnshire | 0:01:03 | 0:01:05 | |
as the place to build himself | 0:01:05 | 0:01:07 | |
a country manor house. | 0:01:07 | 0:01:10 | |
But it's the gardens of Normanby Hall | 0:01:10 | 0:01:12 | |
that are all ship-shape and welcome our crowds here today. | 0:01:12 | 0:01:15 | |
All laden with antiques and collectables, hoping to make a fortune at auction. | 0:01:15 | 0:01:19 | |
Of course, there was one question they would like to ask our experts. | 0:01:19 | 0:01:22 | |
Which is...? | 0:01:22 | 0:01:23 | |
ALL: What's it worth?! | 0:01:23 | 0:01:26 | |
Our cameras and the Flog It! crew are setting up for a garden party | 0:01:26 | 0:01:30 | |
in the pretty grounds of this country house estate. | 0:01:30 | 0:01:32 | |
All we need now are the experts. | 0:01:32 | 0:01:36 | |
And keeping our new arrivals in line | 0:01:36 | 0:01:38 | |
is Michael Baggott. | 0:01:38 | 0:01:40 | |
Bag inspection. Who's next? | 0:01:40 | 0:01:42 | |
And Yorkshire lass Caroline Hawley has sailed across the border | 0:01:42 | 0:01:45 | |
to dig out some exotic treasures. | 0:01:45 | 0:01:47 | |
How have you come across these? There aren't many tribes living around these parts! | 0:01:47 | 0:01:53 | |
I've got a little Bichon. | 0:01:55 | 0:01:57 | |
-Bichon Frise? -Bichon Frise. | 0:01:57 | 0:01:59 | |
-Oh, I like! -You'd eat him for lunch. -Yeah. Oh! | 0:01:59 | 0:02:02 | |
Just look at that - what a fabulous... Oh! Sorry! | 0:02:03 | 0:02:07 | |
THEY LAUGH | 0:02:07 | 0:02:08 | |
Nearly knocked your eye out! | 0:02:08 | 0:02:10 | |
HE LAUGHS | 0:02:10 | 0:02:12 | |
And just look at that. What a fabulous queue we have here today. | 0:02:12 | 0:02:15 | |
It looks like all of Lincolnshire has turned up. | 0:02:15 | 0:02:17 | |
Are you all happy? | 0:02:17 | 0:02:19 | |
ALL: Yes! | 0:02:19 | 0:02:20 | |
Let's get inside and get on with it! | 0:02:20 | 0:02:21 | |
With people taking their seats, it's time to get started. | 0:02:21 | 0:02:25 | |
Let's hope for something that blows us out of the water today. | 0:02:25 | 0:02:29 | |
But which of these items will fetch more than £1,000 for its owner at auction, later on? | 0:02:29 | 0:02:33 | |
Will it be this pair of Georgian target pistols? | 0:02:33 | 0:02:37 | |
This collection of pocket watches? | 0:02:37 | 0:02:39 | |
Or these candlesticks, with sharkskin handles, | 0:02:39 | 0:02:42 | |
in pristine condition? | 0:02:42 | 0:02:44 | |
Our experts will be using every single part | 0:02:44 | 0:02:47 | |
of this gorgeous location today - | 0:02:47 | 0:02:48 | |
from the beautiful gardens to the Regency splendour of the manor house. | 0:02:48 | 0:02:52 | |
But first, we're going around to a quiet part of the gardens | 0:02:52 | 0:02:55 | |
where Michael Baggott is very excited | 0:02:55 | 0:02:58 | |
about what's in that box. | 0:02:58 | 0:03:00 | |
-John, this is a really lovely box that you brought in... -Thank you. | 0:03:00 | 0:03:04 | |
..because I'm familiar with these boxes | 0:03:04 | 0:03:07 | |
-and I know what should be inside them. -Yes. | 0:03:07 | 0:03:09 | |
So, with a measure of trepidation, | 0:03:09 | 0:03:12 | |
I shall open it. | 0:03:12 | 0:03:13 | |
-I'll keep the fingers crossed on that hand. -Right. | 0:03:13 | 0:03:16 | |
Oh, fantastic. Fantastic! | 0:03:18 | 0:03:21 | |
We've got a beautiful pair | 0:03:21 | 0:03:23 | |
of early pistols. | 0:03:23 | 0:03:25 | |
How did you come by these? | 0:03:27 | 0:03:28 | |
I bought them at an antiques fair | 0:03:28 | 0:03:32 | |
at Duxford Aerodrome, | 0:03:32 | 0:03:34 | |
approximately 15-17 years ago. | 0:03:34 | 0:03:37 | |
These are little works of art. | 0:03:37 | 0:03:39 | |
-They are target pistols... -Right. | 0:03:39 | 0:03:41 | |
..rather than duelling pistols. The question is, | 0:03:41 | 0:03:44 | |
-who would have commissioned them? Who would have owned them? -Right. | 0:03:44 | 0:03:47 | |
Really, every young gentleman of wealth | 0:03:47 | 0:03:50 | |
would have at least one pair of pistols. | 0:03:50 | 0:03:52 | |
I think, | 0:03:52 | 0:03:53 | |
specifically with this target grip on the sights, | 0:03:53 | 0:03:56 | |
-they might have been for a gentleman that competed in a shooting competition. -OK. | 0:03:56 | 0:04:00 | |
Duels were fought. | 0:04:00 | 0:04:02 | |
Very seldom occasions, actually life was lost. | 0:04:02 | 0:04:06 | |
It got to a point where, | 0:04:06 | 0:04:08 | |
at the beginning of the 19th century, | 0:04:08 | 0:04:10 | |
duelling was almost outlawed. | 0:04:10 | 0:04:11 | |
I think Queen Victoria frowned on it... | 0:04:11 | 0:04:13 | |
very heavily. | 0:04:13 | 0:04:15 | |
We have this beautiful handle, which is walnut. | 0:04:15 | 0:04:18 | |
And the maker's name "Kavanagh". | 0:04:18 | 0:04:21 | |
And we've got "Dublin", there. | 0:04:21 | 0:04:23 | |
I think the firm of Kavanagh in Dublin | 0:04:23 | 0:04:25 | |
were established at the end of the 18th century, in the 1790s. | 0:04:25 | 0:04:29 | |
These pistols wouldn't be this early. | 0:04:29 | 0:04:31 | |
I would have placed them, probably, at 1820s to 1830s. | 0:04:31 | 0:04:34 | |
The other one... Identical twin time, isn't it? | 0:04:34 | 0:04:39 | |
Got all the same features. | 0:04:39 | 0:04:41 | |
Dare I ask, at this antiques fair, | 0:04:41 | 0:04:43 | |
how much did you pay for them? | 0:04:43 | 0:04:45 | |
You dare ask. | 0:04:45 | 0:04:47 | |
I paid about 3,500 for them. | 0:04:47 | 0:04:49 | |
Really, at the time, | 0:04:49 | 0:04:51 | |
that was not a bad buy, and you didn't overpay at all. | 0:04:51 | 0:04:55 | |
-So you can relax. -That's a comforting thought. HE LAUGHS | 0:04:55 | 0:04:58 | |
I think we'd be sensible, even though the market | 0:04:58 | 0:05:01 | |
for target and duelling pistols | 0:05:01 | 0:05:03 | |
has risen since you bought them, | 0:05:03 | 0:05:06 | |
let's be sensible and say £3,000 to £5,000, if you're happy with that? | 0:05:06 | 0:05:09 | |
I'd be very happy with that. | 0:05:09 | 0:05:11 | |
Let's put a fixed reserve of £3,000. | 0:05:11 | 0:05:14 | |
To be honest, I wouldn't be surprised to see them touch the top end | 0:05:14 | 0:05:18 | |
-of that in there, John. -That would be excellent. | 0:05:18 | 0:05:20 | |
You'd like a little bit of return, wouldn't you? | 0:05:20 | 0:05:23 | |
I'd like to do something with the money. | 0:05:23 | 0:05:25 | |
I have three grandchildren, | 0:05:25 | 0:05:26 | |
and I always promised my grandchildren | 0:05:26 | 0:05:28 | |
they'd each have a car of their own. | 0:05:28 | 0:05:30 | |
I collect Austin Sevens. | 0:05:30 | 0:05:31 | |
I've got two Austin Sevens | 0:05:31 | 0:05:33 | |
and I'd like to put it towards getting a third, | 0:05:33 | 0:05:36 | |
so each of my grandchildren have an Austin Seven. | 0:05:36 | 0:05:39 | |
That's a wonderful ambition. Thank you very much for bringing these in. | 0:05:39 | 0:05:43 | |
-It's a pleasure, and thank YOU, sir. -It's a pleasure, John. | 0:05:43 | 0:05:45 | |
That's a high estimate. Will it pay off? | 0:05:45 | 0:05:48 | |
Or will the guns miss their mark in the saleroom? | 0:05:48 | 0:05:51 | |
The back gardens are very busy with people clutching their antiques, ready to be valued, | 0:05:51 | 0:05:56 | |
and Caroline has found something that's come along | 0:05:56 | 0:05:58 | |
for a picnic. | 0:05:58 | 0:06:00 | |
Anne, what a lovely bear! | 0:06:00 | 0:06:02 | |
The sort of bear that would have graced a nursery | 0:06:02 | 0:06:05 | |
in a beautiful house like this. | 0:06:05 | 0:06:06 | |
Tell me a little bit about him. | 0:06:06 | 0:06:09 | |
Have you had him a long time? | 0:06:09 | 0:06:10 | |
50 years, that I know of. | 0:06:10 | 0:06:12 | |
-50 years?! -Yeah. -He looks very happy sitting on your knee. -Yes. | 0:06:12 | 0:06:16 | |
-I'm sure he's done that before. -Yes. He used to growl, and he squeaks now. | 0:06:16 | 0:06:19 | |
He "used to" growl and he squeaks now?! | 0:06:19 | 0:06:22 | |
He's resigned to living in the loft, in a black bag. | 0:06:22 | 0:06:25 | |
No! | 0:06:25 | 0:06:27 | |
You can't keep him... Why is he in a black bin bag?! | 0:06:27 | 0:06:30 | |
I have three grandchildren, two under five, | 0:06:30 | 0:06:32 | |
and he'd either end up headless or legless, | 0:06:32 | 0:06:35 | |
cos they'd grab each end and pull. | 0:06:35 | 0:06:37 | |
He's eyeless now. | 0:06:37 | 0:06:38 | |
-Well, he's got one eye. -That was before the grandchildren. | 0:06:38 | 0:06:41 | |
-Is he called Nelson? -No, he's called Billy. | 0:06:41 | 0:06:44 | |
Billy Bear! | 0:06:44 | 0:06:45 | |
He's a beauty, Anne. | 0:06:45 | 0:06:47 | |
-He is. -Can I have a cuddle? | 0:06:47 | 0:06:49 | |
Well, it's not cuddly. | 0:06:49 | 0:06:51 | |
No, it's not cuddly! | 0:06:51 | 0:06:52 | |
-He's solid. -He's solid - | 0:06:52 | 0:06:53 | |
because he's stuffed with straw. | 0:06:53 | 0:06:55 | |
Right. | 0:06:55 | 0:06:57 | |
And he's all original. | 0:06:57 | 0:06:59 | |
-A lot of these bears have had replacement pads. -Yeah? | 0:06:59 | 0:07:01 | |
He's not - he's completely original. | 0:07:01 | 0:07:05 | |
There's no maker's button or label in him at all. | 0:07:05 | 0:07:09 | |
I would say he dates from about 1920-1930. | 0:07:09 | 0:07:14 | |
-So, way before your childhood. -Yeah. | 0:07:14 | 0:07:17 | |
And he's really in remarkably good condition. | 0:07:17 | 0:07:20 | |
I love him. Do you? | 0:07:20 | 0:07:22 | |
-No, it's got a nice face... -He has! | 0:07:22 | 0:07:24 | |
..but he was never a bear you could cuddle, | 0:07:24 | 0:07:26 | |
because, for one - when you're little, | 0:07:26 | 0:07:29 | |
-there's too much bear. -Yeah...? | 0:07:29 | 0:07:31 | |
And it is just so solid. | 0:07:31 | 0:07:33 | |
It's actually solid. | 0:07:33 | 0:07:35 | |
That's probably one reason why he's in such good condition. | 0:07:35 | 0:07:37 | |
Could well be. | 0:07:37 | 0:07:39 | |
Have you any idea as to the sort of value, if we can talk about value in front of him? | 0:07:39 | 0:07:44 | |
Shall we close his ears? Sorry, Billy! | 0:07:44 | 0:07:46 | |
SHE LAUGHS No, I haven't. | 0:07:46 | 0:07:47 | |
We thought we'd come for a day out... | 0:07:47 | 0:07:51 | |
And bring Billy Bear? | 0:07:51 | 0:07:53 | |
I can imagine a lot of people liking him. | 0:07:53 | 0:07:56 | |
And I think, | 0:07:56 | 0:07:57 | |
at auction, I would put | 0:07:57 | 0:07:59 | |
an estimate | 0:07:59 | 0:08:01 | |
on him of £50 to £80? | 0:08:01 | 0:08:03 | |
Yeah, that's fine. | 0:08:03 | 0:08:05 | |
And if we put a reserve of... | 0:08:05 | 0:08:09 | |
bottom end, just a bit less - about £40? Are you happy with that? | 0:08:09 | 0:08:12 | |
Definitely. | 0:08:12 | 0:08:13 | |
What would you do with the money, if I can ask you? | 0:08:13 | 0:08:16 | |
Buy my grandchildren a teddy bear each! | 0:08:16 | 0:08:18 | |
-A cuddly teddy bear? A sort teddy bear? -A soft teddy bear! | 0:08:18 | 0:08:21 | |
Can we just hear his squeak and see what he says? Hang on... | 0:08:21 | 0:08:25 | |
HE SQUEAKS | 0:08:25 | 0:08:27 | |
Oh! Yes, he squeaks! | 0:08:27 | 0:08:28 | |
THEY LAUGH | 0:08:28 | 0:08:30 | |
-He's a squeaker, not a growler any more. -Not a growl. | 0:08:30 | 0:08:32 | |
-He's lovely. Thank you very much, Anne, for bring him in. -You're welcome. | 0:08:32 | 0:08:36 | |
-Thank you, Billy Bear, for coming. -BEAR VOICE: -That's all right. Bye-bye! | 0:08:36 | 0:08:39 | |
We're not sure where Billy Bear came from, | 0:08:39 | 0:08:42 | |
but there are certain maker's marks to look out for, if you're looking to invest in something cuddly. | 0:08:42 | 0:08:47 | |
Steiff in Germany, and Ideal Novelty And Toy Co in America | 0:08:47 | 0:08:49 | |
have both been credited as inventing the first teddy bears | 0:08:49 | 0:08:52 | |
at the turn of the 20th century. | 0:08:52 | 0:08:56 | |
British bears in good condition also do well, though. | 0:08:56 | 0:08:58 | |
This bear sold on Flog It! in 2011 | 0:08:58 | 0:09:01 | |
for £1,400. | 0:09:01 | 0:09:03 | |
And, of course, | 0:09:03 | 0:09:06 | |
a cute face will also attract the bidders. | 0:09:06 | 0:09:09 | |
Back in the queue, I found something that could be the answer | 0:09:09 | 0:09:12 | |
to all my questions. | 0:09:12 | 0:09:15 | |
Kate, I've come across these before. | 0:09:15 | 0:09:18 | |
They were popular in the early 1900s - parlour games. | 0:09:18 | 0:09:20 | |
Does it still work? | 0:09:20 | 0:09:22 | |
Erm...hopefully. | 0:09:22 | 0:09:23 | |
Shall we test it out? | 0:09:23 | 0:09:25 | |
Let's try it. What shall we have as a question? | 0:09:25 | 0:09:27 | |
-Yellow. "Who was the inventor of the gramophone?" -Let's try it. | 0:09:27 | 0:09:29 | |
There. And it found Edison. | 0:09:32 | 0:09:34 | |
-Isn't that clever? -Yes, it's very good. | 0:09:34 | 0:09:36 | |
I wonder how that works. | 0:09:36 | 0:09:38 | |
-By magic. -It IS magic, isn't it? -SHE LAUGHS | 0:09:38 | 0:09:41 | |
With our crowd still enjoying the gardens, | 0:09:41 | 0:09:43 | |
our experts have moved inside the house. | 0:09:43 | 0:09:45 | |
And it's Michael who has the candlesticks in the drawing room. | 0:09:45 | 0:09:48 | |
Thank you very much for bringing these wonderful candlesticks in, Iversen. | 0:09:48 | 0:09:52 | |
I must ask, before we go any further, | 0:09:52 | 0:09:55 | |
cos I've never come across the name before, | 0:09:55 | 0:09:57 | |
"Iversen" - where does that come from? | 0:09:57 | 0:09:59 | |
My father was a trawler skipper in Grimsby. | 0:09:59 | 0:10:02 | |
He volunteered for the Navy, before the war. | 0:10:02 | 0:10:05 | |
He was on minesweeping on the corvettes, | 0:10:05 | 0:10:08 | |
and his friend was a Danish man. | 0:10:08 | 0:10:10 | |
He got killed, so he named me after him. | 0:10:10 | 0:10:13 | |
So it's a Danish name, Iversen? | 0:10:13 | 0:10:15 | |
Roughly, yeah. | 0:10:15 | 0:10:16 | |
Were these your father's at all? | 0:10:16 | 0:10:18 | |
No, me uncle's. | 0:10:18 | 0:10:19 | |
-Your uncle's? -Yes. | 0:10:19 | 0:10:21 | |
-Did he serve in the military? -In the First World War. | 0:10:21 | 0:10:23 | |
Right. | 0:10:23 | 0:10:25 | |
But he collected items. Guns, all sorts. | 0:10:25 | 0:10:29 | |
-So he had an interest...? -An interest in military, yes. | 0:10:29 | 0:10:31 | |
If you've served in the military, these will have an appeal. | 0:10:31 | 0:10:35 | |
-Mm. -What we have, quite obviously, are a pair of candlesticks. | 0:10:35 | 0:10:38 | |
-That's right. -You don't have to be a rocket scientist for this. | 0:10:38 | 0:10:41 | |
But what's very interesting is, we've got original, | 0:10:41 | 0:10:44 | |
Victorian, I think, cavalry officers' swords. | 0:10:44 | 0:10:47 | |
-Yeah. -And we can see these are original sword handles | 0:10:47 | 0:10:50 | |
because we've even got down to the shagreen fitments here, | 0:10:50 | 0:10:54 | |
which is a shark or a ray-skin... | 0:10:54 | 0:10:57 | |
which, when it's treated like this and wrought over, | 0:10:57 | 0:11:01 | |
gives you a very rough surface. | 0:11:01 | 0:11:02 | |
So, if you're in the heat of battle, | 0:11:02 | 0:11:04 | |
and - a bit grotesque - | 0:11:04 | 0:11:06 | |
but if you have blood or sweat on your hands, | 0:11:06 | 0:11:08 | |
and you find it difficult, | 0:11:08 | 0:11:09 | |
that will allow you to hold it. | 0:11:09 | 0:11:11 | |
That's actually why it's shaped like this, | 0:11:11 | 0:11:13 | |
and you have these little silver twists of wire, | 0:11:13 | 0:11:16 | |
-cos, again, that's a bit f extra grip. -Yes. | 0:11:16 | 0:11:19 | |
You wouldn't expect to see that | 0:11:19 | 0:11:20 | |
-on just something that's purely decorative. -No. | 0:11:20 | 0:11:22 | |
We have, on the top of the fitting, here, | 0:11:22 | 0:11:25 | |
-a registration number. -Yes. | 0:11:25 | 0:11:28 | |
This, number 2-7-8-7-8-8, | 0:11:28 | 0:11:32 | |
-is around the turn of the century. -Mm. | 0:11:32 | 0:11:34 | |
They're very good-looking things. | 0:11:34 | 0:11:36 | |
I used to use them in 1970, | 0:11:36 | 0:11:38 | |
-when the coalminers put in for a pay rise. -Right. | 0:11:38 | 0:11:41 | |
They all went on strike, didn't they? | 0:11:41 | 0:11:43 | |
-Right, so... -So I used to get some candles and carry them about. | 0:11:43 | 0:11:46 | |
So they came in handy in 1970. | 0:11:46 | 0:11:49 | |
I suppose, from a practical point of view, | 0:11:49 | 0:11:51 | |
you couldn't wish for better, could you? | 0:11:51 | 0:11:53 | |
THEY LAUGH | 0:11:53 | 0:11:54 | |
Value? I think these are very good-looking... | 0:11:54 | 0:11:57 | |
and I think we could... | 0:11:57 | 0:11:59 | |
say £150 to £250 for them... | 0:11:59 | 0:12:01 | |
Yeah. | 0:12:01 | 0:12:02 | |
..and put a fixed reserve of 150. | 0:12:02 | 0:12:05 | |
They might even go on from that, cos they're very quirky. | 0:12:05 | 0:12:08 | |
-You're quite happy to see them go? -Yes. | 0:12:08 | 0:12:11 | |
-Hopefully, they'll find another home at the auction. -Yeah. | 0:12:11 | 0:12:13 | |
-Thank you very much for bringing them along. -Nice speaking to you. -Bye. -Thank you. | 0:12:13 | 0:12:17 | |
Well, we are now halfway through our day. | 0:12:25 | 0:12:27 | |
Our experts have made their first choices of items | 0:12:27 | 0:12:29 | |
to take off to auction. | 0:12:29 | 0:12:31 | |
I've already got my favourites. You've probably got yours. | 0:12:31 | 0:12:34 | |
In case you've forgotten, here's a quick recap | 0:12:34 | 0:12:36 | |
on what we're taking with us to the auction room in Lincolnshire. | 0:12:36 | 0:12:40 | |
They were an expensive purchase, | 0:12:42 | 0:12:43 | |
so John hopes his pistols "hit the target" in the auction room | 0:12:43 | 0:12:46 | |
and make him a hefty profit. | 0:12:46 | 0:12:47 | |
Anne doesn't think it's cuddly, | 0:12:50 | 0:12:52 | |
but will someone fall in love with this teddy bear? | 0:12:52 | 0:12:54 | |
And will Iversen's candlesticks set the saleroom on fire? Let's find out. | 0:12:57 | 0:13:02 | |
We've journeyed south to Lincoln, | 0:13:06 | 0:13:08 | |
a city with an impressive history. | 0:13:08 | 0:13:11 | |
Its historic canal was dug by the Romans almost 2,000 years ago | 0:13:11 | 0:13:16 | |
to connect Lincoln with the mighty River Trent. | 0:13:16 | 0:13:19 | |
It's thought to be the oldest English canal still in use. | 0:13:19 | 0:13:22 | |
Sellers pay 15% commission here, so it's always worth doing your sums | 0:13:24 | 0:13:28 | |
and checking for any extra charges. | 0:13:28 | 0:13:30 | |
Conducting our auction is Colin Young, | 0:13:30 | 0:13:33 | |
and it's the pistols up first. | 0:13:33 | 0:13:35 | |
-The collectors know what they're looking for. -Yup. | 0:13:35 | 0:13:38 | |
If somebody wanted to start to collect duelling pistols, or pistols, | 0:13:38 | 0:13:41 | |
or early rifles, | 0:13:41 | 0:13:42 | |
what are the legislations? | 0:13:42 | 0:13:45 | |
Do you need an arms licence? | 0:13:45 | 0:13:47 | |
Certainly, for something that's muzzle-loading, such as this, | 0:13:47 | 0:13:50 | |
and of period, then, you don't. | 0:13:50 | 0:13:53 | |
You can collect these with pleasure, | 0:13:53 | 0:13:54 | |
enjoyment, and also have that little bit of knowledge | 0:13:54 | 0:13:57 | |
that there's not really an issue with the licensing. | 0:13:57 | 0:14:00 | |
If they were actually reproductions made today, | 0:14:00 | 0:14:03 | |
but still of that same manufacture, | 0:14:03 | 0:14:06 | |
then you would actually need a licence. | 0:14:06 | 0:14:10 | |
Because they're not decommissioned? | 0:14:10 | 0:14:11 | |
No. The decommissioning doesn't really matter. | 0:14:11 | 0:14:14 | |
OK. They're just made? | 0:14:14 | 0:14:15 | |
They are made and they are fireable, | 0:14:15 | 0:14:17 | |
and they are a weapon. | 0:14:17 | 0:14:20 | |
If you're thinking of investing in vintage firearms, | 0:14:20 | 0:14:23 | |
please do your homework | 0:14:23 | 0:14:25 | |
because you can get caught out. | 0:14:25 | 0:14:26 | |
If you're unsure about it, just get it into the auction rooms, | 0:14:26 | 0:14:29 | |
because we would always go to the Firearms Department for advice | 0:14:29 | 0:14:33 | |
before ever offering anything for sale. | 0:14:33 | 0:14:35 | |
They're quality and everything's right about it? | 0:14:35 | 0:14:37 | |
We've sent out all the reports and as much information as we can | 0:14:37 | 0:14:41 | |
to good collectors. | 0:14:41 | 0:14:42 | |
-It's all going to be down to them now. -Great. | 0:14:42 | 0:14:45 | |
The room's filling up. Colin's on the rostrum, | 0:14:46 | 0:14:49 | |
and the auction's online. | 0:14:49 | 0:14:51 | |
So we have people from all over the world ready to bid on our items. | 0:14:51 | 0:14:54 | |
Fingers crossed for the pistols. | 0:14:54 | 0:14:56 | |
-Hello, John. Good to see you again. -Thank you. | 0:14:56 | 0:14:59 | |
And Michael, our expert. I know they caught your eye. | 0:14:59 | 0:15:02 | |
It's a niche market. | 0:15:02 | 0:15:04 | |
They're the people that know what to look for, | 0:15:04 | 0:15:06 | |
and these guns are right, aren't they? | 0:15:06 | 0:15:09 | |
There's not one bit wrong with them. | 0:15:09 | 0:15:10 | |
-Excellent. -We're selling quality here. | 0:15:10 | 0:15:12 | |
I appreciate that. | 0:15:12 | 0:15:14 | |
Question is, will we get that three to five? | 0:15:14 | 0:15:16 | |
Will we get the top end? We'll find out now - they're going under the hammer | 0:15:16 | 0:15:19 | |
Let's hand over to Colin Young. | 0:15:19 | 0:15:21 | |
An original case. What shall we say for this lot? Who will start me? | 0:15:21 | 0:15:25 | |
£3,000? | 0:15:25 | 0:15:27 | |
Is that a bid, madam? 3,000? No? Just waving to your friend. | 0:15:27 | 0:15:30 | |
Not a good thing to do at auction, I'm afraid. | 0:15:30 | 0:15:33 | |
OK, 3,000. | 0:15:36 | 0:15:38 | |
Who will start me at 2,500? | 0:15:38 | 0:15:40 | |
It's a bit low. | 0:15:40 | 0:15:42 | |
2,000 bid. | 0:15:42 | 0:15:43 | |
At 2,200 now? | 0:15:43 | 0:15:45 | |
At 2,000 bid. | 0:15:45 | 0:15:46 | |
We are too far off now. | 0:15:46 | 0:15:48 | |
2,200 bid. 2,400, do I see now? | 0:15:48 | 0:15:50 | |
2,600 bid, now? | 0:15:50 | 0:15:54 | |
At 2,400 - at 2,600, surely. | 0:15:54 | 0:15:57 | |
At 2,400. There was plenty of asking for details of them. | 0:15:57 | 0:16:00 | |
It's heartbreaking. | 0:16:00 | 0:16:01 | |
Cos they're well worth it, they really are. | 0:16:01 | 0:16:04 | |
£2,400. I'm afraid at that price, | 0:16:04 | 0:16:06 | |
I do have to withdrawn them. | 0:16:06 | 0:16:08 | |
Really, they should have made the top end of that, | 0:16:08 | 0:16:11 | |
so, in a way, it's good | 0:16:11 | 0:16:13 | |
they didn't scrape away at 3,000. | 0:16:13 | 0:16:15 | |
I'm happy they didn't sell at that. | 0:16:15 | 0:16:17 | |
-That's why you protect it with a reserve. -Absolutely. | 0:16:17 | 0:16:19 | |
Michael was so right to put that reserve on. | 0:16:19 | 0:16:22 | |
Good luck, anyway. Whatever happens, good luck with the cars. | 0:16:22 | 0:16:25 | |
-Thank you. -And good luck with whatever you want to do with the pistols. | 0:16:25 | 0:16:28 | |
Thank you both very much. | 0:16:28 | 0:16:29 | |
That was a surprise, | 0:16:29 | 0:16:31 | |
but luckily, since the auction, | 0:16:31 | 0:16:33 | |
John has had interest from a dealer who couldn't make it on the sale day, | 0:16:33 | 0:16:36 | |
so he's still hopeful for a good result. | 0:16:36 | 0:16:39 | |
Surely the teddy bear is a safe bet. | 0:16:40 | 0:16:43 | |
Will someone in the auction room fall in love with him? | 0:16:43 | 0:16:45 | |
Anne, it's good to see you again. Who's this? | 0:16:45 | 0:16:48 | |
-This is Leah, my granddaughter. -Hello! School holidays, now! | 0:16:48 | 0:16:51 | |
That's right, so we thought we'd bring her along. | 0:16:51 | 0:16:53 | |
-What do you think of the auction? -Scary. | 0:16:53 | 0:16:56 | |
It is a bit intimidating, isn't it? | 0:16:56 | 0:16:58 | |
-Has the bear got a name? -Billy. | 0:16:58 | 0:17:00 | |
-Oh, Billy the bear! -It's lovely. | 0:17:00 | 0:17:03 | |
Let's find out what the bidders think. | 0:17:03 | 0:17:05 | |
Who will start me at 30? | 0:17:05 | 0:17:08 | |
£30, anybody? 20 to go, then, surely. | 0:17:08 | 0:17:10 | |
£20 bid. | 0:17:10 | 0:17:11 | |
We're in at 20. | 0:17:11 | 0:17:12 | |
We got £20. | 0:17:12 | 0:17:14 | |
I've got 32. | 0:17:14 | 0:17:16 | |
35. 38, I've got. | 0:17:16 | 0:17:17 | |
£40 bid. | 0:17:17 | 0:17:19 | |
£40 bid. 42, now? | 0:17:19 | 0:17:21 | |
At £40 bid. | 0:17:21 | 0:17:23 | |
Are we all done and finished? | 0:17:23 | 0:17:25 | |
Going then at £40... | 0:17:25 | 0:17:27 | |
Well done, Colin. | 0:17:27 | 0:17:29 | |
Colin worked some magic there. | 0:17:29 | 0:17:31 | |
Everybody loves a bear, don't they? | 0:17:31 | 0:17:32 | |
They do. I knew it'd go, even without its growler on. | 0:17:32 | 0:17:36 | |
Billy Bear has found a new home, | 0:17:36 | 0:17:38 | |
and that's our first sale of the day. | 0:17:38 | 0:17:40 | |
Onwards, and upwards, from now on. | 0:17:40 | 0:17:42 | |
Next up, the candlesticks. | 0:17:42 | 0:17:45 | |
Their shagreen handles are shark or stingray skin. | 0:17:45 | 0:17:49 | |
Because some species of these creatures appear on endangered species lists, | 0:17:49 | 0:17:52 | |
rules dictate you can't buy or sell any items made with shagreen after 1947. | 0:17:52 | 0:17:58 | |
These ones are fine, because they're made more than 100 years ago. | 0:17:58 | 0:18:01 | |
These would suit someone into militaria who throws dinner parties. | 0:18:01 | 0:18:05 | |
Absolutely. | 0:18:05 | 0:18:06 | |
A talking point. | 0:18:06 | 0:18:07 | |
Let's find out if the bidders here will buy these, | 0:18:07 | 0:18:10 | |
and use them. They're going under the hammer now. | 0:18:10 | 0:18:12 | |
£100, anybody? | 0:18:12 | 0:18:15 | |
110, 120... 120. 130. Let's get on. | 0:18:15 | 0:18:18 | |
130, 140. | 0:18:18 | 0:18:20 | |
150, 160. | 0:18:20 | 0:18:21 | |
-We've sold them. -Yes. | 0:18:21 | 0:18:23 | |
160, 170. | 0:18:23 | 0:18:24 | |
160, 170... | 0:18:24 | 0:18:26 | |
There must be someone | 0:18:26 | 0:18:27 | |
with a tethered horse outside - | 0:18:27 | 0:18:29 | |
cavalry officer(!) | 0:18:29 | 0:18:30 | |
200 bid. 220, do I see? | 0:18:30 | 0:18:32 | |
No. Are we all done, then? On my left, then, selling. | 0:18:32 | 0:18:35 | |
All done at £200. | 0:18:35 | 0:18:37 | |
£200. Yes! | 0:18:37 | 0:18:39 | |
That's good. I'm very happy with that. | 0:18:39 | 0:18:41 | |
-They'll be worth every penny. -Yes. | 0:18:41 | 0:18:43 | |
Nice meeting you two. | 0:18:43 | 0:18:45 | |
Thank you very much, Ivan. | 0:18:45 | 0:18:46 | |
-Bye-bye. -It's a pleasure. | 0:18:46 | 0:18:48 | |
That's two sales out of three. Not bad. | 0:18:48 | 0:18:51 | |
But it just goes to prove | 0:18:51 | 0:18:53 | |
you cannot predict an auction. | 0:18:53 | 0:18:55 | |
That's half the fun. | 0:18:55 | 0:18:57 | |
There you are - our first three lots put to the test. | 0:18:57 | 0:19:00 | |
Before I return to the Sheffield family estate | 0:19:00 | 0:19:02 | |
to look for more antiques to put under the hammer, | 0:19:02 | 0:19:04 | |
I'm off to the River Humber to explore a boat | 0:19:04 | 0:19:07 | |
that shares their name. | 0:19:07 | 0:19:08 | |
The Sheffield Keel is a majestic sailing barge | 0:19:08 | 0:19:11 | |
that wouldn't exist without the dedicated passion | 0:19:11 | 0:19:13 | |
of a group of enthusiasts. | 0:19:13 | 0:19:16 | |
Rivers are the lifeblood of civilisation, | 0:19:22 | 0:19:24 | |
but they have seen many changes over the years, | 0:19:24 | 0:19:27 | |
and this, the great River Humber, is no exception. | 0:19:27 | 0:19:30 | |
Before that bridge was built, | 0:19:30 | 0:19:32 | |
and the advent of rail and road, | 0:19:32 | 0:19:34 | |
the only way to get goods across the water | 0:19:34 | 0:19:37 | |
was by boat. | 0:19:37 | 0:19:38 | |
The River Humber contains | 0:19:38 | 0:19:40 | |
one of the busiest ports in Europe. | 0:19:40 | 0:19:42 | |
But it was once teeming with vessels of a different kind. | 0:19:42 | 0:19:45 | |
These boats were Humber Sloops and Keels. | 0:19:45 | 0:19:47 | |
The beautiful square-sailed vessels | 0:19:47 | 0:19:49 | |
were the waterways' work boats for 500 years. | 0:19:49 | 0:19:53 | |
The Industrial Revolution | 0:19:53 | 0:19:54 | |
gave these boats a natural home. | 0:19:54 | 0:19:56 | |
With their sails removed, | 0:19:56 | 0:19:59 | |
they could also navigate the region's canals, | 0:19:59 | 0:20:01 | |
taking their goods inland. | 0:20:01 | 0:20:03 | |
I've taken a walk up the river, where this Humber Keel is docked. | 0:20:03 | 0:20:06 | |
It's a beautiful, historic vessel, and I'm keen to explore it, | 0:20:06 | 0:20:09 | |
and find out more about the life of a Keelman. | 0:20:09 | 0:20:13 | |
Stepping on board one of these magnificent vessels | 0:20:13 | 0:20:15 | |
gives you a real sense of the history of the river here. | 0:20:15 | 0:20:19 | |
She's called Comrade, | 0:20:19 | 0:20:20 | |
and she's over 100 years old, | 0:20:20 | 0:20:22 | |
and is one of the last remaining Humber Keels. | 0:20:22 | 0:20:24 | |
I must say, | 0:20:24 | 0:20:25 | |
she is in superb condition. | 0:20:25 | 0:20:28 | |
Hopefully, later on today, when the winds drop, | 0:20:28 | 0:20:30 | |
we can get the square-rig sails up, so you can really appreciate | 0:20:30 | 0:20:33 | |
the golden age of sail. | 0:20:33 | 0:20:35 | |
That is what it was all about. | 0:20:35 | 0:20:36 | |
That's how the goods got transported. | 0:20:36 | 0:20:39 | |
Let's take a look around. | 0:20:39 | 0:20:41 | |
She was owned by Fred Schofield, | 0:20:42 | 0:20:44 | |
a Keelman's son. | 0:20:44 | 0:20:46 | |
Fred made his first journey on one of these boats | 0:20:46 | 0:20:48 | |
at just six weeks old, | 0:20:48 | 0:20:49 | |
and started work as his dad's shipmate at just 13 years old. | 0:20:49 | 0:20:52 | |
His family carried barley to Wakefield | 0:20:52 | 0:20:56 | |
and coal back to Hull, | 0:20:56 | 0:20:57 | |
so if there was black bits in the bread back then, | 0:20:57 | 0:21:00 | |
you could blame the Keel. | 0:21:00 | 0:21:03 | |
Gosh, you can see why these boats were such good cargo vessels, | 0:21:03 | 0:21:06 | |
because, right now, I've walked into the hull of the boat. | 0:21:06 | 0:21:10 | |
This whole section is called the hold, | 0:21:10 | 0:21:12 | |
and this is where the cargo was kept. | 0:21:12 | 0:21:14 | |
This vessel can hold 110 tons of cargo | 0:21:14 | 0:21:19 | |
of various things. | 0:21:19 | 0:21:21 | |
Whatever they could get their hands on to sell, they would. | 0:21:21 | 0:21:25 | |
When times were hard, | 0:21:25 | 0:21:26 | |
they even scooped up grains of sand from the riverbed, | 0:21:26 | 0:21:28 | |
and sold that, as well. | 0:21:28 | 0:21:30 | |
You can get 40,000 bricks in this hold. | 0:21:30 | 0:21:33 | |
Bearing in mind, it was a husband-and-wife team, | 0:21:33 | 0:21:36 | |
with a couple of kids, maybe, | 0:21:36 | 0:21:37 | |
loading these bricks by hand. | 0:21:37 | 0:21:41 | |
Must have taken hours. | 0:21:41 | 0:21:43 | |
Old Fred certainly earned | 0:21:43 | 0:21:45 | |
every penny he was paid. | 0:21:45 | 0:21:47 | |
For the Keelman, the boat was their home, | 0:21:50 | 0:21:52 | |
and their livelihood. | 0:21:52 | 0:21:54 | |
But Fred's generation of Keelmen | 0:21:54 | 0:21:57 | |
had to give way to opportunities for faster, cheaper transport | 0:21:57 | 0:22:00 | |
on road and rail. | 0:22:00 | 0:22:01 | |
Sail trading began to decline, | 0:22:01 | 0:22:03 | |
and many Humber Keels ended up as scrap. | 0:22:03 | 0:22:07 | |
But a group of men with a passion to preserve the history of the Humber Sloops and Keels | 0:22:07 | 0:22:13 | |
have brought two of these very special boats back to life. | 0:22:13 | 0:22:15 | |
Dave Parker is going to tell me a little bit more. | 0:22:15 | 0:22:18 | |
I'm quite jealous of you... | 0:22:20 | 0:22:21 | |
and members of the Society, | 0:22:21 | 0:22:23 | |
because you get to tinker with this boat all day long. | 0:22:23 | 0:22:25 | |
All weekend. | 0:22:25 | 0:22:27 | |
And take her out? | 0:22:27 | 0:22:28 | |
When the weather's right. | 0:22:28 | 0:22:30 | |
How important was it to rescue and restore this vessel? | 0:22:30 | 0:22:33 | |
Well, Comrade was one of the last Humber Keels ever | 0:22:33 | 0:22:36 | |
on the river. | 0:22:36 | 0:22:38 | |
We were fortunate that Fred Schofield, | 0:22:38 | 0:22:40 | |
the owner of the vessel, | 0:22:40 | 0:22:42 | |
was coming to retirement. | 0:22:42 | 0:22:45 | |
He knew that the Society had just been formed | 0:22:45 | 0:22:48 | |
for the restoration of Humber Keels. | 0:22:48 | 0:22:51 | |
Where were her routes? Where did she deliver to? | 0:22:51 | 0:22:53 | |
Mainly, she would take bulk cargo | 0:22:53 | 0:22:56 | |
from the deep-sea vessels in Hull... | 0:22:56 | 0:22:59 | |
Right. | 0:22:59 | 0:23:00 | |
..take those cargos into the West Riding | 0:23:00 | 0:23:03 | |
and then she would bring coal back. | 0:23:03 | 0:23:07 | |
Of course, if the wind was in the wrong direction, and you couldn't put her under sail, | 0:23:07 | 0:23:10 | |
it would be horse-drawn? | 0:23:10 | 0:23:12 | |
At the beginning of every canal, | 0:23:12 | 0:23:13 | |
there was a gang of guys | 0:23:13 | 0:23:16 | |
with these horses, | 0:23:16 | 0:23:17 | |
who would be there waiting for you. | 0:23:17 | 0:23:19 | |
If there was no horse available, | 0:23:19 | 0:23:21 | |
it would have to be manpower - | 0:23:21 | 0:23:23 | |
what they call hauling. | 0:23:23 | 0:23:25 | |
The owner, and probably his wife, | 0:23:25 | 0:23:27 | |
or his son, | 0:23:27 | 0:23:28 | |
would put on a leather sash - | 0:23:28 | 0:23:30 | |
they called it a seal - | 0:23:30 | 0:23:32 | |
attached to a rope | 0:23:32 | 0:23:34 | |
and they would walk down the towpath. | 0:23:34 | 0:23:36 | |
Once you got the vessel moving, | 0:23:36 | 0:23:38 | |
it was easy. | 0:23:38 | 0:23:40 | |
It was just getting it moving. | 0:23:40 | 0:23:42 | |
Why are you so personally passionate about these boats? | 0:23:42 | 0:23:45 | |
It just gets into your blood, and it's a passion...not just me, | 0:23:45 | 0:23:49 | |
but the rest of the guys at the Society, | 0:23:49 | 0:23:51 | |
just love to see these ships on the river. | 0:23:51 | 0:23:54 | |
Sadly, although the sun is shining, the winds are against us | 0:23:56 | 0:23:59 | |
on the Humber. | 0:23:59 | 0:24:00 | |
If we take this boat out today, we might never get back in. | 0:24:00 | 0:24:04 | |
Instead, I'll help the guys raise this beautiful sail. | 0:24:04 | 0:24:08 | |
-Who's doing the mainsail? -I will! | 0:24:08 | 0:24:10 | |
-Shall I? -Yep. | 0:24:10 | 0:24:12 | |
OK! | 0:24:15 | 0:24:16 | |
There, look at that. | 0:24:21 | 0:24:24 | |
It's like looking at a piece of sculpture. | 0:24:24 | 0:24:26 | |
Beautiful. | 0:24:26 | 0:24:28 | |
What we'll do now is just chop the topsail, | 0:24:28 | 0:24:30 | |
and then lift it up. | 0:24:30 | 0:24:32 | |
It'll break the sail twine, | 0:24:32 | 0:24:33 | |
and then it'll all go straight up. | 0:24:33 | 0:24:36 | |
Fingers crossed! | 0:24:38 | 0:24:39 | |
HE LAUGHS | 0:24:39 | 0:24:40 | |
-OK? -OK, sir. | 0:24:49 | 0:24:51 | |
Wow! | 0:24:51 | 0:24:53 | |
That's all there is to it. | 0:24:53 | 0:24:55 | |
That's rewarding, isn't it? | 0:24:55 | 0:24:56 | |
Can you imagine, if we'd had the engine on, | 0:24:56 | 0:24:59 | |
for half an hour or so, going out there... | 0:24:59 | 0:25:00 | |
you'd take that off... | 0:25:00 | 0:25:02 | |
The silence! | 0:25:02 | 0:25:04 | |
You can hear the silence. | 0:25:04 | 0:25:05 | |
If only we could get this | 0:25:05 | 0:25:08 | |
out in the estuary under sail, | 0:25:08 | 0:25:10 | |
but hey-ho... | 0:25:10 | 0:25:11 | |
That was worth seeing, and it's thanks to the Society, | 0:25:11 | 0:25:15 | |
their dedication and their enthusiasm, | 0:25:15 | 0:25:18 | |
that's keeping the heritage | 0:25:18 | 0:25:20 | |
of these Keel vessels well and truly alive. | 0:25:20 | 0:25:23 | |
Back inland, the valuations are in full swing. | 0:25:31 | 0:25:34 | |
Normanby Hall is enjoyed by over 150,000 people each year, | 0:25:34 | 0:25:39 | |
and was home to Samantha Cameron, wife of the Prime Minister, | 0:25:39 | 0:25:42 | |
in her early childhood. | 0:25:42 | 0:25:44 | |
It's a real local treasure, | 0:25:44 | 0:25:46 | |
and Michael has got his hands on some treasure of his own! | 0:25:46 | 0:25:51 | |
Jan, Joe...thank you. What can I say? | 0:25:51 | 0:25:55 | |
These are lovely things. | 0:25:55 | 0:25:56 | |
-They smack of being family pieces. Is that right? -Yes. | 0:25:56 | 0:26:00 | |
Where did they come from in the family? | 0:26:00 | 0:26:02 | |
My granddad, | 0:26:02 | 0:26:04 | |
but whether they're old enough to have been someone else's before that, I've no idea. | 0:26:04 | 0:26:09 | |
-I think maybe so, unless your grandfather was Methuselah(!) -SHE LAUGHS | 0:26:09 | 0:26:13 | |
I think that's probably the case. | 0:26:13 | 0:26:14 | |
He was an undertaker, | 0:26:14 | 0:26:16 | |
when he was a young man. | 0:26:16 | 0:26:18 | |
I can imagine him wearing it on his waistcoat | 0:26:18 | 0:26:21 | |
as he's walking in front of the... | 0:26:21 | 0:26:23 | |
Yes, of course, you had to be turned out immaculately. | 0:26:23 | 0:26:25 | |
-It would have been de rigueur to have a watch and chain. -Yeah. | 0:26:25 | 0:26:29 | |
What d'you think's the most interesting one? | 0:26:29 | 0:26:32 | |
That's lovely. | 0:26:32 | 0:26:34 | |
That's lovely, and that one? | 0:26:34 | 0:26:35 | |
That's a scruffy, old one I thought I might throw away! | 0:26:35 | 0:26:39 | |
-SHE LAUGHS -Hang on a minute. | 0:26:39 | 0:26:41 | |
You were going to do what with it? | 0:26:41 | 0:26:43 | |
SHE LAUGHS | 0:26:43 | 0:26:45 | |
It just looks old metal and cracked face. | 0:26:45 | 0:26:48 | |
I thought it was a load of rubbish, to be honest. | 0:26:48 | 0:26:50 | |
-Was it going in the bin? -Yeah! | 0:26:50 | 0:26:54 | |
When's your bin collected? | 0:26:54 | 0:26:55 | |
What day is it? | 0:26:55 | 0:26:57 | |
I'll be there next time. I'll take it out for you! | 0:26:57 | 0:27:00 | |
-This is actually the oldest thing on the table. -What date's that? | 0:27:00 | 0:27:04 | |
It's a pair-cased silver watch. | 0:27:04 | 0:27:07 | |
Pair-cased, cos it's got a pair, P-AIR, of cases. | 0:27:07 | 0:27:11 | |
The outer case for protection... | 0:27:11 | 0:27:13 | |
Oh, and that's lovely. | 0:27:13 | 0:27:15 | |
When you would have a watch serviced, | 0:27:15 | 0:27:17 | |
by a jeweller, | 0:27:17 | 0:27:19 | |
they would do a little bit of advertising | 0:27:19 | 0:27:21 | |
and they would sometimes put in a watch paper. | 0:27:21 | 0:27:25 | |
There are several in there, I think. | 0:27:25 | 0:27:26 | |
"J Farrer, Watch and Clock Maker, Doncaster." | 0:27:26 | 0:27:29 | |
We will have the date | 0:27:29 | 0:27:32 | |
when it was done. | 0:27:32 | 0:27:33 | |
1840. | 0:27:33 | 0:27:35 | |
Oh, really? | 0:27:35 | 0:27:37 | |
So we know it's at least as old as 1840 | 0:27:37 | 0:27:39 | |
but, if we open this case up... | 0:27:39 | 0:27:42 | |
-Have you ever had it open? -No. -There you go. -Oh, wow! | 0:27:42 | 0:27:45 | |
That's beautiful. | 0:27:45 | 0:27:46 | |
Daft, really. | 0:27:46 | 0:27:48 | |
They're miniature masterpieces, | 0:27:48 | 0:27:49 | |
-and you'd never see it unless you opened it to look at the movement. -No! | 0:27:49 | 0:27:53 | |
-It defeats me, cos look at the outer case. -Yeah! | 0:27:53 | 0:27:55 | |
-Plain as a pipe staff. -Precisely! | 0:27:55 | 0:27:57 | |
Then we have this gold one. | 0:27:57 | 0:28:00 | |
This is 18-carat gold. | 0:28:00 | 0:28:01 | |
We have the date letter there for 1829. | 0:28:01 | 0:28:05 | |
So it's still a George IV watch. | 0:28:05 | 0:28:08 | |
There are certain things about this movement | 0:28:08 | 0:28:13 | |
-that I can readily see are unusual. -Right. | 0:28:13 | 0:28:16 | |
The way this is driven - | 0:28:16 | 0:28:18 | |
we have this subsidiary little wheel here, and this bracing. | 0:28:18 | 0:28:21 | |
It's not a typical movement. | 0:28:21 | 0:28:24 | |
Which, to my mind, | 0:28:24 | 0:28:26 | |
is a little bit special. | 0:28:26 | 0:28:27 | |
Then, lastly, | 0:28:27 | 0:28:28 | |
we've got a bit of gold! | 0:28:28 | 0:28:30 | |
-Yeah! -Nine-carat gold... | 0:28:30 | 0:28:32 | |
..Albert watch chain. | 0:28:33 | 0:28:35 | |
This is, sadly, down to its gold weight, these days. | 0:28:35 | 0:28:39 | |
-But the good thing is, gold has shot up. -Yes. | 0:28:39 | 0:28:43 | |
There's a reasonable sum of money on the table. | 0:28:43 | 0:28:46 | |
That was for the bin, so that's worth nothing(!) | 0:28:46 | 0:28:48 | |
That's got a plain movement, | 0:28:48 | 0:28:51 | |
so that's not as nice as that one - that could go in the bin, as well, | 0:28:51 | 0:28:53 | |
-apart from its gold(!) -SHE LAUGHS | 0:28:53 | 0:28:56 | |
What d'you think the values are? | 0:28:56 | 0:28:58 | |
Oh, no idea. | 0:28:58 | 0:28:59 | |
Have a wild stab in the dark. | 0:28:59 | 0:29:01 | |
-Oh... -150. | 0:29:01 | 0:29:02 | |
150, the lot? | 0:29:02 | 0:29:04 | |
No, maybe... | 0:29:04 | 0:29:06 | |
a little bit more. | 0:29:06 | 0:29:08 | |
SHE LAUGHS | 0:29:08 | 0:29:09 | |
-My wallet is coming out. -150 for that one. -There are condition issues with that, | 0:29:09 | 0:29:12 | |
but it's lovely. | 0:29:12 | 0:29:14 | |
Let's put £100 to £200 on it, with a fixed reserve of £100. | 0:29:14 | 0:29:16 | |
-Ww! -Which is better than the bin. | 0:29:16 | 0:29:19 | |
Watch chain - | 0:29:19 | 0:29:20 | |
that's going to be about £300 to £500... | 0:29:20 | 0:29:23 | |
Ooh! | 0:29:23 | 0:29:24 | |
-It will probably make the thick end of the 500 on that. -Wow! | 0:29:24 | 0:29:27 | |
-Put a reserve of 300 on that. -Oh, crumbs! | 0:29:27 | 0:29:29 | |
Watch... | 0:29:29 | 0:29:31 | |
glass-less, boring, plain-movement watch. | 0:29:31 | 0:29:34 | |
Let's put... | 0:29:34 | 0:29:37 | |
£500 to £800 on it. | 0:29:37 | 0:29:39 | |
We'll put a fixed reserve of £500, | 0:29:39 | 0:29:41 | |
and we'll see where it goes. | 0:29:41 | 0:29:43 | |
-Never! -Crumbs! -Happy? | 0:29:43 | 0:29:46 | |
-Definitely. -Happy you came? | 0:29:46 | 0:29:47 | |
Oh, yeah! | 0:29:47 | 0:29:49 | |
I'm happy you came! I'm delighted! | 0:29:49 | 0:29:51 | |
It's fantastic - it's made my day, really. Wonderful things. | 0:29:51 | 0:29:55 | |
And that proves you should never throw things away. | 0:29:55 | 0:29:58 | |
Or at least, bring them to a Flog It! valuation day first. | 0:29:58 | 0:30:01 | |
In the garden, Caroline is also saving something | 0:30:01 | 0:30:03 | |
from the rubbish tip and it is a Flog It! favourite. | 0:30:03 | 0:30:06 | |
John, I am shocked to hear what you were just about to do | 0:30:06 | 0:30:12 | |
with this magnificent piece of Cornish studio pottery. | 0:30:12 | 0:30:16 | |
-Tell me. -Well, it was destined for the bin. -No! | 0:30:16 | 0:30:20 | |
Yes, that is where it was going | 0:30:20 | 0:30:22 | |
until someone said to me it was worth a little bit of money. | 0:30:22 | 0:30:27 | |
Well it is, John, how did you come by it for a start? | 0:30:27 | 0:30:31 | |
At a car boot sale at Emswell. | 0:30:31 | 0:30:35 | |
I was just looking around for something to stand some flowers in. | 0:30:35 | 0:30:38 | |
And what did you pay for it at the time? | 0:30:38 | 0:30:40 | |
About £10-£15, I can't exactly remember. It was no more than £15. | 0:30:40 | 0:30:45 | |
That is a very, very good buy. | 0:30:45 | 0:30:48 | |
-Do you know anything about Troika pottery? -Not really. | 0:30:48 | 0:30:52 | |
It was a company set up in the late '60s, in St Ives in Cornwall, | 0:30:52 | 0:30:56 | |
and it is still in existence today, the factory, | 0:30:56 | 0:31:00 | |
although it is making less pieces than it did ten years ago. | 0:31:00 | 0:31:03 | |
-I can imagine. -You really don't like this, do you? | 0:31:03 | 0:31:06 | |
You really do not like it. So really you are keen to sell it. | 0:31:06 | 0:31:13 | |
Well, it is a wheel vase. | 0:31:13 | 0:31:15 | |
It is a 15 inch one which is good. | 0:31:15 | 0:31:17 | |
It is much bigger than the run of the mill | 0:31:17 | 0:31:19 | |
which are considerably smaller than this. | 0:31:19 | 0:31:21 | |
It is covered in very stylised symbolic features. | 0:31:23 | 0:31:30 | |
If you look at it, there are parts of anatomy. | 0:31:30 | 0:31:34 | |
Various places on the front | 0:31:34 | 0:31:37 | |
you can see the shape of almost a face and a body. | 0:31:37 | 0:31:40 | |
And they are very often in muted colours. | 0:31:40 | 0:31:44 | |
As this is the sort of browns, greens, blues and greys. | 0:31:44 | 0:31:47 | |
This is in very good condition. | 0:31:47 | 0:31:50 | |
If we turn it around, | 0:31:50 | 0:31:51 | |
this is beautifully marked | 0:31:51 | 0:31:53 | |
on the bottom, as you can see, Troika, | 0:31:53 | 0:31:56 | |
Cornwall, and the monogram here, | 0:31:56 | 0:31:58 | |
very clearly written AB, which stands for Alison Brigden. | 0:31:58 | 0:32:04 | |
-That is the maker? -Yes, the designer of this piece. | 0:32:04 | 0:32:07 | |
You might be surprised to know that it does have a pretty good value. | 0:32:07 | 0:32:12 | |
Is it still going to the bin or not? | 0:32:12 | 0:32:14 | |
Not now. | 0:32:14 | 0:32:16 | |
Well, I would suggest that this, because of its size, | 0:32:16 | 0:32:21 | |
I would suggest it has a value of between £200-£300. | 0:32:21 | 0:32:24 | |
Oh, right. | 0:32:24 | 0:32:25 | |
Are you happy with that? | 0:32:25 | 0:32:27 | |
And if we put a reserve of 200, | 0:32:27 | 0:32:30 | |
perhaps a discretionary reserve, are you OK with that? | 0:32:30 | 0:32:34 | |
-Yes, absolutely. -So we shall go ahead and sell it for you. | 0:32:34 | 0:32:38 | |
Yes, that's absolutely fine. | 0:32:38 | 0:32:39 | |
With the crowd still clutching their antiques ready to be valued in the gardens, | 0:32:39 | 0:32:44 | |
I am going back inside to explore the works of art, | 0:32:44 | 0:32:46 | |
that tell us more about the Sheffield family | 0:32:46 | 0:32:48 | |
who lived in this beautiful house. | 0:32:48 | 0:32:52 | |
Now, this is a portrait of a young King Charles I | 0:32:52 | 0:32:55 | |
painted by the Royal Court artist Daniel Mytens in 1626, | 0:32:55 | 0:32:59 | |
at the start of Charles's reign when he was a young and popular king, | 0:32:59 | 0:33:03 | |
years before he was defeated in the Civil War and eventually beheaded. | 0:33:03 | 0:33:06 | |
After ten years of Parliamentary rule under Oliver Cromwell, | 0:33:06 | 0:33:09 | |
Charles I's son, Charles II, came to the throne in 1660, | 0:33:09 | 0:33:13 | |
after having spent ten years himself in exile. | 0:33:13 | 0:33:17 | |
Once King, he enjoyed life and he had several mistresses. | 0:33:17 | 0:33:21 | |
It is believed the Sheffield family are descendants of Charles II | 0:33:21 | 0:33:26 | |
and his most famous mistress, Nell Gwyn. | 0:33:26 | 0:33:30 | |
From a star of the restoration period to a star of our very own, | 0:33:30 | 0:33:34 | |
Michael Baggott is joined by Linda in the back gardens. | 0:33:34 | 0:33:38 | |
-May I open this up? -Yes, certainly. | 0:33:38 | 0:33:40 | |
We have got, that is marvellous, a drawing set. Look at that. | 0:33:40 | 0:33:45 | |
Beautiful ivory rule, | 0:33:45 | 0:33:48 | |
wonderful scales on it, | 0:33:48 | 0:33:50 | |
and we have the maker on it, E Halse & Son of London. | 0:33:50 | 0:33:53 | |
It is very contentious now to sell ivory that was made after 1947. | 0:33:53 | 0:33:56 | |
It is illegal, so we need proof that this is earlier than that. | 0:33:56 | 0:34:00 | |
This is very much the case. We have got the maker's name | 0:34:00 | 0:34:03 | |
that can date it and so this is 100-150 years | 0:34:03 | 0:34:06 | |
prior to that legislation so it is perfectly legal for us to sell. | 0:34:06 | 0:34:10 | |
This little ebony parallel rule, I don't think is original to this set. | 0:34:10 | 0:34:16 | |
What we would hope to see there is a protractor. | 0:34:16 | 0:34:19 | |
So that is not there, but we have most of the other little fittings. | 0:34:19 | 0:34:23 | |
If you're not a nautical seaman or an architectural drawer, | 0:34:23 | 0:34:27 | |
-are you a collector of scientific instruments? -Not really. | 0:34:27 | 0:34:31 | |
I am a collector of older things and about 25 years ago, | 0:34:31 | 0:34:36 | |
an old gentleman gave me this, who knew that I was collecting things | 0:34:36 | 0:34:40 | |
to go in a cottage which I had purchased, | 0:34:40 | 0:34:43 | |
which was built in about 1845. | 0:34:43 | 0:34:46 | |
It is actually not...1845 in date. | 0:34:47 | 0:34:51 | |
That is a bit of a blow, isn't it? | 0:34:51 | 0:34:53 | |
It is a bit earlier, so that is all right! But they can be dated | 0:34:53 | 0:34:58 | |
from the middle of the 18th century up to about 1820, 1830. | 0:34:58 | 0:35:01 | |
Really, yes? | 0:35:01 | 0:35:02 | |
I think this one, from the style of the instruments, | 0:35:02 | 0:35:05 | |
probably falls in about 1790 to about 1800. | 0:35:05 | 0:35:08 | |
Oh, gosh, that is interesting. | 0:35:08 | 0:35:10 | |
It is a lovely set. | 0:35:10 | 0:35:12 | |
It is incomplete and there is slight damage to the box. | 0:35:12 | 0:35:15 | |
In these instances we can't really value it as a complete set. | 0:35:16 | 0:35:21 | |
We have to look at the individual items and assess a value that way. | 0:35:21 | 0:35:25 | |
I think we would put this at £100-£150. | 0:35:25 | 0:35:29 | |
And we'll put a fixed reserve of £100 on it. | 0:35:29 | 0:35:31 | |
If it does well, what do you plan to spend the money on? | 0:35:31 | 0:35:34 | |
Well, I am quite a keen walker | 0:35:34 | 0:35:38 | |
so I think I will put that towards some walking in the Lake District. | 0:35:38 | 0:35:42 | |
That is marvellous. | 0:35:42 | 0:35:43 | |
-I am set to go trekking to Everest base camp in October. -Good grief! | 0:35:43 | 0:35:48 | |
So I need to get some practice in. | 0:35:48 | 0:35:50 | |
So we will be sending you up and round the mountain, when she comes. | 0:35:50 | 0:35:54 | |
Thank you very, indeed, Linda. | 0:35:54 | 0:35:55 | |
And let's hope we can get Linda enough money to take to the hills. | 0:35:57 | 0:36:01 | |
Right now it is time to say goodbye to Normandy Hall, | 0:36:01 | 0:36:04 | |
our magnificent host location as we head off to auction for the very | 0:36:04 | 0:36:08 | |
last time and here is a quick recap of what is going under the hammer. | 0:36:08 | 0:36:12 | |
There is a high estimate on Jan and Joe's pocket watches and chain. | 0:36:12 | 0:36:15 | |
Only time will tell if the saleroom agrees. | 0:36:15 | 0:36:17 | |
Will the Troika that was heading for the bin make John a tidy profit? | 0:36:20 | 0:36:24 | |
And will the scientific instruments help get Linda to Everest base camp? | 0:36:26 | 0:36:29 | |
Let's find out! | 0:36:29 | 0:36:31 | |
Well, the auction room in Lincoln is still bustling, | 0:36:36 | 0:36:38 | |
which is always a good sign, | 0:36:38 | 0:36:39 | |
and my favourite item is up first, the scientific instruments. | 0:36:39 | 0:36:43 | |
I have been looking forward to seeing you, Linda. | 0:36:45 | 0:36:47 | |
When I saw you back at the valuation day and I saw that little | 0:36:47 | 0:36:50 | |
set of draughtsman's instruments you had, I really wanted to do that | 0:36:50 | 0:36:53 | |
valuation and I was really annoyed that Michael grabbed it first. | 0:36:53 | 0:36:56 | |
Quality, quality. My mum was a draughtsman. | 0:36:56 | 0:36:59 | |
Yes, she worked as a technical illustrator | 0:36:59 | 0:37:01 | |
and that was the kind of thing she absolutely loved and collected. | 0:37:01 | 0:37:06 | |
She spent her life working with instruments. | 0:37:06 | 0:37:08 | |
-I feel a terrible heel now you have said that, Paul. -Yes, bully! | 0:37:08 | 0:37:12 | |
Was I pushing you out of the way as I was grabbing the set off you? | 0:37:12 | 0:37:15 | |
No, you just found it. | 0:37:15 | 0:37:16 | |
And I remember going, "Ooh, ooh, ooh," like that. It is divine. | 0:37:16 | 0:37:20 | |
We should get this away. We keep saying on the show, | 0:37:20 | 0:37:23 | |
quality always sells, we'll put it to the test right now, | 0:37:23 | 0:37:25 | |
it is going under the hammer here in Lincoln. Good luck. | 0:37:25 | 0:37:28 | |
Start me at £100. 100, 100? 80 to go then. 80? 50 if you like. | 0:37:29 | 0:37:33 | |
50 if you like, anybody. £50 bid. At 50, bid five. 55. 65, 70. | 0:37:33 | 0:37:38 | |
A bid from France. At 75 bid. | 0:37:38 | 0:37:40 | |
At 75, at 80... | 0:37:40 | 0:37:42 | |
That's interesting, wasn't it, a bid from France on the internet. | 0:37:42 | 0:37:45 | |
Surely you are going to come back. | 0:37:45 | 0:37:47 | |
At 75 bid, at 80 now do I see? At 80 now. | 0:37:47 | 0:37:51 | |
85, 90, 95, 100. | 0:37:51 | 0:37:52 | |
100 surely, sir? At 95 bid. At 95 bid. | 0:37:52 | 0:37:56 | |
-He's hoping for some more. -98 if it'll help you. At 95 bid. | 0:37:56 | 0:38:00 | |
98 now, do I see? | 0:38:00 | 0:38:01 | |
At 95 bid, are we all done? So near, yet so far. | 0:38:01 | 0:38:06 | |
At 95 bid, are we all done? 95, last call, then. 98 bid, do I see? | 0:38:06 | 0:38:10 | |
98, and £100 bid. At 100, 110 now, do I see? At 100. | 0:38:10 | 0:38:16 | |
-I would have been amazed if it hadn't sold. -At £100, any more bids? | 0:38:16 | 0:38:22 | |
The hammer's gone down. Did it! | 0:38:22 | 0:38:24 | |
Just, though, wasn't it? | 0:38:24 | 0:38:26 | |
Excellent, really pleased about that. | 0:38:26 | 0:38:28 | |
-A bit of money towards the trip. -Thank you, Michael. -It is a pleasure. | 0:38:28 | 0:38:32 | |
A great result for Linda, that was a quality item. | 0:38:33 | 0:38:35 | |
Let's hope someone likes John's Troika vase | 0:38:35 | 0:38:38 | |
a little bit more than he does. | 0:38:38 | 0:38:40 | |
A wonderful wheel vase. | 0:38:40 | 0:38:42 | |
And I know you do not like Troika, you do not like this vase. | 0:38:42 | 0:38:46 | |
A lot of people out there don't like it. I love it. I come from Troika. | 0:38:46 | 0:38:50 | |
I've been flagging it up for years and years and years. | 0:38:50 | 0:38:53 | |
And I have had the pleasure of meeting Benny Sirota, | 0:38:53 | 0:38:55 | |
one of the original three designers who formed Troika. | 0:38:55 | 0:38:59 | |
A very privileged young man. I like this kind of thing, I really do. | 0:38:59 | 0:39:03 | |
It sums up the texture of Cornwall. | 0:39:03 | 0:39:04 | |
-Let's hope it does well for you, John! -Yeah, hopefully. | 0:39:04 | 0:39:07 | |
-It is a good size. -It is. -Let's put it to the test. | 0:39:07 | 0:39:09 | |
Here we go, it is going under the hammer now. | 0:39:09 | 0:39:12 | |
Good luck, everyone, this is it. | 0:39:12 | 0:39:13 | |
Always very popular when it comes under the hammer. | 0:39:13 | 0:39:16 | |
Who is going to start at 300? £300. | 0:39:16 | 0:39:18 | |
2 to go then, surely, 200, do you have for me now? 200 straight in. | 0:39:18 | 0:39:21 | |
£200 bid. 220, 240, 260, | 0:39:21 | 0:39:24 | |
280, 280, 300, 320, 340. | 0:39:24 | 0:39:27 | |
At 320, 340 anywhere else? Surely 40? At 320 the bid is nearby. | 0:39:27 | 0:39:33 | |
At 320 bid, at 40 for my last call. No? At £320 then. | 0:39:33 | 0:39:37 | |
-340, is that a bid? -Gosh. -No. I thought I'd better ask. | 0:39:37 | 0:39:40 | |
-Selling then at £320. -Sold at £320. Well done! | 0:39:40 | 0:39:46 | |
Just over the top end of the estimate. How about that? | 0:39:46 | 0:39:48 | |
-What are you going to do with that? -Put it towards a holiday. | 0:39:48 | 0:39:52 | |
Put it towards a holiday, treat yourself. | 0:39:52 | 0:39:55 | |
-When are we going? -Oh, John! -There we go! | 0:39:55 | 0:39:57 | |
LAUGHTER | 0:39:57 | 0:39:59 | |
£320, that is not bad for a £15 investment, | 0:39:59 | 0:40:03 | |
and it just proves how subjective art is. | 0:40:03 | 0:40:05 | |
One man's trash is another man's treasure. | 0:40:05 | 0:40:08 | |
And speaking of treasure, it is the gold and silver watches and chain, up next. | 0:40:08 | 0:40:13 | |
We have got the gold watch. We have the gold chain | 0:40:13 | 0:40:16 | |
and the silver watch. | 0:40:16 | 0:40:18 | |
Played around with the 18 carat gold watch after we saw it, | 0:40:18 | 0:40:22 | |
because initially I thought I had dated it incorrectly, | 0:40:22 | 0:40:25 | |
but I found that I had actually been right in the first place. | 0:40:25 | 0:40:28 | |
But what we have done is just put the reserve down a little bit | 0:40:28 | 0:40:31 | |
to £400 which I know you have spoken to the auctioneer about | 0:40:31 | 0:40:34 | |
-and you are happy with. -Yes. -But I still think it'll make what it's going to make on the day. | 0:40:34 | 0:40:38 | |
-Have you got children? -Yes. -They don't want to inherit this? | 0:40:38 | 0:40:41 | |
-It has been in the family a long time. -Yes, it is fine. | 0:40:41 | 0:40:44 | |
-We think he inherited it. -Once it's gone, it's gone. -Yeah, well. | 0:40:44 | 0:40:49 | |
The daughter's like her mother. | 0:40:49 | 0:40:50 | |
She said, when we die, everything is going in the skip, | 0:40:50 | 0:40:53 | |
so be there, Michael, when the skip comes! | 0:40:53 | 0:40:55 | |
I am going to leave you my number. | 0:40:55 | 0:40:58 | |
I do skip hire, or at least I will on this occasion. | 0:40:58 | 0:41:02 | |
Look, whatever happens, good luck to both of you. | 0:41:02 | 0:41:04 | |
Here we go, here is the first lot going under the hammer. | 0:41:04 | 0:41:07 | |
We are looking at £500-£800 for the gold watch. | 0:41:07 | 0:41:09 | |
Who is going to start me at 500? | 0:41:09 | 0:41:12 | |
Start me at 4 to go then, surely. | 0:41:12 | 0:41:15 | |
£400. 300 if we have to. 300 anybody? | 0:41:15 | 0:41:18 | |
300 bid, thank you. | 0:41:18 | 0:41:20 | |
-He's going cautiously. -320 now, surely, 320, | 0:41:20 | 0:41:24 | |
340, I've got. 340, 360, 380. | 0:41:24 | 0:41:28 | |
-Oh, the penny has dropped. -Here we go. | 0:41:28 | 0:41:32 | |
At 400 bid, 420 surely, 420 if you like, sir? | 0:41:32 | 0:41:34 | |
No, at 400, my bid is at the door. At £400 we are on the market. | 0:41:34 | 0:41:38 | |
At 400, is anybody else going to join in? | 0:41:38 | 0:41:40 | |
-Last call, done and finished them, selling at £400. -Sold. | 0:41:40 | 0:41:45 | |
-That is brilliant. -Well, it is £400, sold on the reserve. | 0:41:45 | 0:41:48 | |
OK, we are looking at 3 to 5 for the gold chain. | 0:41:48 | 0:41:50 | |
Who is going to start me at 300 for this? £300 bid. 320, surely? | 0:41:50 | 0:41:54 | |
At £300 bid, 320 anywhere else now? At 320, I make it. 320, 340. | 0:41:54 | 0:42:01 | |
-Straight in there. -380, 400, and 20 now. 420? | 0:42:01 | 0:42:05 | |
They will have all worked it out with a calculator, the price today. | 0:42:05 | 0:42:09 | |
-480, 500. At 500. -I didn't expect it to go for so much though. | 0:42:09 | 0:42:15 | |
520, 540, 560, 570. | 0:42:15 | 0:42:18 | |
580. No? At 570 bid. | 0:42:18 | 0:42:23 | |
At 570, on the market and selling at £570. | 0:42:23 | 0:42:27 | |
-Bang, the hammer's gone down. -Lovely! -That is brilliant. -Brilliant. | 0:42:27 | 0:42:30 | |
Just the silver watch to go now. | 0:42:30 | 0:42:32 | |
Here we are, good luck, this is our last lot. | 0:42:32 | 0:42:35 | |
The Verge pocket watch, this time, start me at 100, 80? | 0:42:35 | 0:42:38 | |
At £80 bid, at 85, at 85 bid, at 90, do I see now? At 90, £90 bid. | 0:42:38 | 0:42:41 | |
Five then surely? Going, all done and finished at 95. | 0:42:41 | 0:42:45 | |
Surely a fraction more, 100, £100 bid. At 100 and 110 now. | 0:42:45 | 0:42:48 | |
There's always a watch collector in a sale. | 0:42:48 | 0:42:52 | |
Always someone who likes to tinker with the movement. | 0:42:52 | 0:42:54 | |
Are you going to come again now? | 0:42:54 | 0:42:56 | |
At £100, it is your last chance, it is going to sell. | 0:42:56 | 0:42:59 | |
Time is up. | 0:42:59 | 0:43:01 | |
Yes, the hammer's gone down, £100! | 0:43:01 | 0:43:04 | |
You've done really well, haven't you? I think that's £1070 in total. | 0:43:04 | 0:43:08 | |
-Are you saving up? -Yes, indeed. We are going on a cruise, hopefully. | 0:43:08 | 0:43:12 | |
And then we are making a donation as well to Blind Veterans UK. | 0:43:12 | 0:43:17 | |
Our son lost his sight some time ago and because he was an ex-service man, | 0:43:17 | 0:43:21 | |
they have done an awful lot to help him live independently. | 0:43:21 | 0:43:26 | |
-It is brilliant. -Good, a very good cause. | 0:43:26 | 0:43:28 | |
Well, all the better then, all the better. | 0:43:28 | 0:43:31 | |
A brilliant result for Jan and Joe and that's it for today's show. | 0:43:31 | 0:43:37 | |
And as our experts have found out, | 0:43:37 | 0:43:39 | |
it is not easy putting a value on an antique. | 0:43:39 | 0:43:41 | |
That's why these places are such good fun, so join us next time. | 0:43:41 | 0:43:45 | |
But for now, from Lincoln, it is goodbye. | 0:43:45 | 0:43:48 | |
Subtitles by Red Bee Media Ltd | 0:44:02 | 0:44:04 |