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Today's show comes from just outside Manchester, | 0:00:03 | 0:00:06 | |
a vibrant region, synonymous with two great football teams. | 0:00:06 | 0:00:10 | |
And for today only, it's hosting our valuation day. | 0:00:10 | 0:00:13 | |
Welcome to Flog It! | 0:00:13 | 0:00:16 | |
We're kicking off proceedings in Stockport, | 0:00:38 | 0:00:40 | |
just south-east of Manchester itself. | 0:00:40 | 0:00:43 | |
Today we're in the Premier League venue of the splendid town hall, | 0:00:43 | 0:00:47 | |
opened in 1908 by none other than the Prince and Princess of Wales, | 0:00:47 | 0:00:53 | |
creating a fabulous fanfare. | 0:00:53 | 0:00:55 | |
And there are many reasons to celebrate here today. | 0:01:00 | 0:01:03 | |
We have the most marvellous queue, and they're all laden | 0:01:03 | 0:01:05 | |
with unwanted antiques | 0:01:05 | 0:01:07 | |
and collectables, ready to put our experts through their paces. | 0:01:07 | 0:01:10 | |
"Flog It!" veteran Mark Stacey has a sporting chance | 0:01:13 | 0:01:16 | |
at finding some treasure. | 0:01:16 | 0:01:18 | |
Something from Philip's childhood, he's older than me. | 0:01:18 | 0:01:23 | |
Auctioneer Philip Serrell is already on the attack. | 0:01:23 | 0:01:27 | |
And that's where you come in. | 0:01:27 | 0:01:29 | |
-Is that you? -No, it's not me! | 0:01:29 | 0:01:34 | |
I mean, it is! | 0:01:34 | 0:01:36 | |
Kettle and black, I think! | 0:01:36 | 0:01:39 | |
Everybody is here to get a valuation. | 0:01:40 | 0:01:42 | |
But they're all interested in just one question, which is... | 0:01:42 | 0:01:45 | |
ALL: What's it worth? | 0:01:45 | 0:01:47 | |
Stay tuned and you'll find out. | 0:01:47 | 0:01:49 | |
We're getting ready for some big results today, | 0:01:59 | 0:02:01 | |
but can you guess which of these items scores a belter | 0:02:01 | 0:02:05 | |
and goes over four times its estimate? | 0:02:05 | 0:02:08 | |
Is it the Victorian inkwell, shaped like a policeman's helmet? | 0:02:08 | 0:02:11 | |
The Italian shell cameo brooch? | 0:02:11 | 0:02:14 | |
Or this walking cane, with Oriental white metal detail? | 0:02:15 | 0:02:19 | |
Let's get the gameplay under way and Mark's joined by John and Doreen, | 0:02:20 | 0:02:24 | |
who've brought along a beautiful little vase. | 0:02:24 | 0:02:27 | |
What do you know about it? | 0:02:28 | 0:02:30 | |
Only that it came from my grandmother. | 0:02:30 | 0:02:32 | |
And is your grandmother Japanese? | 0:02:32 | 0:02:34 | |
No, no, no. | 0:02:34 | 0:02:36 | |
She was actually born in Longside, | 0:02:36 | 0:02:38 | |
and she used to work in Victoria Park... | 0:02:38 | 0:02:42 | |
Oh, yes. ..for several Jewish families, | 0:02:42 | 0:02:45 | |
as a cleaner. And this was one of the things she was given. | 0:02:45 | 0:02:50 | |
Well, she was given a very nice gift. | 0:02:50 | 0:02:53 | |
What we're looking at is generally referred to as "earthenware", | 0:02:53 | 0:02:58 | |
Japanese earthenware or Japanese pottery. | 0:02:58 | 0:03:00 | |
Sometimes "Satsuma", because underneath, when we look at it, | 0:03:00 | 0:03:04 | |
it's got that creamy tinge to it. | 0:03:04 | 0:03:06 | |
It's quite late, it's from the Meiji period, | 0:03:06 | 0:03:09 | |
which roughly started about 1868 | 0:03:09 | 0:03:12 | |
and finished about 1912. | 0:03:12 | 0:03:14 | |
So this dates to 1900 to 1920. | 0:03:14 | 0:03:18 | |
It's hand-painted, with this cobalt-blue ground | 0:03:18 | 0:03:23 | |
and then these lovely little gilding...in gilt and in silver decoration. | 0:03:23 | 0:03:28 | |
It's decorated, or painted, with beautiful panels of cockerels, | 0:03:28 | 0:03:33 | |
which are very physically appealing, aren't they? | 0:03:33 | 0:03:36 | |
-They're very colourful, they're very vibrant. -Yes. | 0:03:36 | 0:03:39 | |
In terms of value, what are you hoping for? | 0:03:39 | 0:03:42 | |
As much as possible. | 0:03:42 | 0:03:44 | |
What do you think it might be worth? | 0:03:46 | 0:03:48 | |
-It's got to be worth at least 100, I'd have thought. -Yes. -At least. | 0:03:48 | 0:03:52 | |
I think so, I think so. | 0:03:52 | 0:03:54 | |
It is difficult, cos Satsuma goes up and down. | 0:03:54 | 0:03:57 | |
If you've got the right signature, like Yabu Meizan, who's a very good Japanese painter, | 0:03:57 | 0:04:03 | |
that can add zeros to things. | 0:04:03 | 0:04:05 | |
This one hasn't got that mark, I don't think, | 0:04:05 | 0:04:09 | |
but it is nice quality. | 0:04:09 | 0:04:10 | |
I would...I would be a bit cautious | 0:04:10 | 0:04:14 | |
and put maybe 120-180 on it. | 0:04:14 | 0:04:17 | |
-Yeah. -With 120 reserve. | 0:04:17 | 0:04:20 | |
-Yes. -What would you feel about that? -That would be fine. -That's fine. | 0:04:20 | 0:04:23 | |
And hopefully, with the wind behind it, we might push towards the 200, | 0:04:23 | 0:04:28 | |
-which would be rather nice, wouldn't it? -It would. -It would. | 0:04:28 | 0:04:31 | |
If we did get 200, we could all "crow" about it, couldn't we? | 0:04:31 | 0:04:33 | |
-Yes, certainly. -God, yeah! | 0:04:33 | 0:04:36 | |
-That was a real good pun, that! -I know, I know. I do try! | 0:04:37 | 0:04:42 | |
Yeah, we know. | 0:04:42 | 0:04:43 | |
We'll have to wait and see if Mark's right about that one. | 0:04:44 | 0:04:47 | |
Over on Philip's table, he's making a lot of noise about something, | 0:04:47 | 0:04:51 | |
but what on earth is it? | 0:04:51 | 0:04:53 | |
-Ian. -Hello, Paul. -Call me Phil. | 0:04:53 | 0:04:57 | |
-Phil's better than Paul, you can call me Paul if you like, I don't mind. -I'm sorry. | 0:04:57 | 0:05:00 | |
You're not as good-looking! | 0:05:00 | 0:05:02 | |
-Ian, I have been dying to do this. Are you ready for this? -Yes. | 0:05:03 | 0:05:08 | |
HORN HONKS LOUDLY | 0:05:08 | 0:05:10 | |
It's fantastic. I love that to bits. | 0:05:10 | 0:05:12 | |
-It's an old car klaxon, isn't it? -Used to belong to my father. | 0:05:12 | 0:05:16 | |
-Sadly... -Was it off one of his cars? | 0:05:16 | 0:05:18 | |
No, no, he had motorbikes. | 0:05:18 | 0:05:20 | |
I don't know where it originated from. | 0:05:21 | 0:05:23 | |
This is a Cowey, C-O-W-E-Y, motor horn. | 0:05:23 | 0:05:28 | |
I would guess that's somewhere between about... | 0:05:28 | 0:05:31 | |
1905 and 1930, as a guess. | 0:05:31 | 0:05:35 | |
This would have sat on probably the right-hand side of the dashboard. | 0:05:35 | 0:05:39 | |
And when the driver was going along and he gave it the old "ergh"... | 0:05:39 | 0:05:44 | |
The Cowey motor horn company is either going to be English or American. | 0:05:44 | 0:05:49 | |
I'd very much like it to be English, | 0:05:49 | 0:05:50 | |
but I haven't got a clue, to be really truthful with you. | 0:05:50 | 0:05:52 | |
But it's something the auction house will pick up | 0:05:52 | 0:05:55 | |
and hopefully get it in their catalogue. | 0:05:55 | 0:05:57 | |
-So this was your dad's? -It was, yes. | 0:05:57 | 0:06:00 | |
As far as I know, in the '50s, he went with his three other brothers | 0:06:00 | 0:06:03 | |
to watch Stockport County and they used to take that with them, | 0:06:03 | 0:06:07 | |
as a klaxon for cheering the team on, | 0:06:07 | 0:06:10 | |
when they scored or whatever. | 0:06:10 | 0:06:12 | |
This is like one of those...this is like a football rattle, really. | 0:06:12 | 0:06:15 | |
Can you imagine going into a football ground with that today? | 0:06:15 | 0:06:18 | |
-They'd throw you out, an offensive weapon! -Yeah. | 0:06:18 | 0:06:21 | |
It's going to appeal to someone who's got a vintage or veteran car. | 0:06:21 | 0:06:24 | |
It's also going to appeal to a lunatic like me, | 0:06:24 | 0:06:27 | |
-who just thinks that's the best fun thing in the world, isn't it? -Yeah. | 0:06:27 | 0:06:30 | |
-I was never allowed to play with it as a kid. -Why? | 0:06:30 | 0:06:32 | |
Cos it made a racket. | 0:06:32 | 0:06:34 | |
I can understand that, after a time, | 0:06:34 | 0:06:38 | |
it sort of gets on everybody else's nerves. | 0:06:38 | 0:06:40 | |
LOUD HONK | 0:06:40 | 0:06:42 | |
LOUD HONK | 0:06:42 | 0:06:43 | |
All the time, you know. | 0:06:43 | 0:06:44 | |
Can fetch around 3... | 0:06:44 | 0:06:46 | |
HONKING CONTINUES | 0:06:46 | 0:06:48 | |
It would drive you...round the bend, wouldn't it? | 0:06:48 | 0:06:51 | |
Ready? There we go. | 0:06:51 | 0:06:54 | |
HONKING CONTINUES | 0:06:54 | 0:06:56 | |
-What's it worth? -I've no idea. | 0:06:56 | 0:06:58 | |
No, Phil, no idea. | 0:06:58 | 0:07:01 | |
I think that we can put this into the sale | 0:07:01 | 0:07:05 | |
with a sensible estimate, not too wild on it, | 0:07:05 | 0:07:08 | |
and I think that people will pick it up. | 0:07:08 | 0:07:12 | |
I would put on it, as an estimate, | 0:07:12 | 0:07:13 | |
-I think I'd probably put £50-£80. -Yes. | 0:07:13 | 0:07:18 | |
-And I'd reserve it at £40. -Yes. | 0:07:18 | 0:07:21 | |
And I think it'll do rather well. | 0:07:21 | 0:07:24 | |
-Are you happy with that? -I'm happy with that, yeah. | 0:07:24 | 0:07:26 | |
-Can I just have one more go? -Of course you can. -Are you ready? | 0:07:26 | 0:07:28 | |
HORN HONKS | 0:07:28 | 0:07:30 | |
-It's fantastic, isn't it? -Yeah. | 0:07:30 | 0:07:32 | |
Fingers crossed some collectors of automobile memorabilia | 0:07:34 | 0:07:37 | |
spot that one. | 0:07:37 | 0:07:38 | |
These are the moments I enjoy at our valuation day, | 0:07:38 | 0:07:41 | |
saying hello to all the people and shaking their hands, | 0:07:41 | 0:07:43 | |
but also having a dip in and out of all these bags and boxes, | 0:07:43 | 0:07:46 | |
having a look at what they've brought along, | 0:07:46 | 0:07:49 | |
beating our experts to all the finds. | 0:07:49 | 0:07:50 | |
I've just come across this book. What's unusual about it? | 0:07:50 | 0:07:53 | |
Well, it's been signed by the Manchester United football squad | 0:07:53 | 0:07:57 | |
that won the League Championship in 1967. | 0:07:57 | 0:08:01 | |
If I look inside here, I can see all the names of the past, | 0:08:01 | 0:08:05 | |
guys I grew up watching when I was a kid playing, | 0:08:05 | 0:08:08 | |
trying to copy Bobby Charlton scoring a goal, | 0:08:08 | 0:08:11 | |
or dribbling like Georgie Best, or tackling like Nobby Stiles. | 0:08:11 | 0:08:15 | |
Football memorabilia is big business. | 0:08:15 | 0:08:17 | |
If this went under the hammer tomorrow at auction, | 0:08:17 | 0:08:20 | |
it would command a price of around £100-£150. | 0:08:20 | 0:08:24 | |
Back of the net. | 0:08:24 | 0:08:26 | |
Well, not surprisingly, the owner of that fantastic book | 0:08:26 | 0:08:30 | |
decided it was too precious to sell. | 0:08:30 | 0:08:32 | |
But I'm so pleased they brought it in to share with us. | 0:08:32 | 0:08:36 | |
We've still got a healthy team of supporters waiting for their items to be valued, | 0:08:36 | 0:08:39 | |
so we'd better crack on. | 0:08:39 | 0:08:41 | |
Jane, I love boxes. | 0:08:43 | 0:08:46 | |
I love seeing a box like this and thinking, "Now, what is inside?" | 0:08:46 | 0:08:51 | |
You just don't know. Could it be a lovely suite of jewellery? | 0:08:51 | 0:08:56 | |
Could it be some gold items? | 0:08:56 | 0:08:58 | |
-Could be. -Shall we have a look? | 0:08:58 | 0:09:01 | |
-Open the box. -Well, we've got a bit of silver and a bit of gold. | 0:09:01 | 0:09:05 | |
But we haven't really, have we, because they're silver-plated. | 0:09:05 | 0:09:09 | |
-Yes. -But aren't they cracking quality? -Absolutely beautiful. | 0:09:09 | 0:09:13 | |
Wonderful quality. | 0:09:13 | 0:09:14 | |
And the other thing I love is these boxes here. | 0:09:14 | 0:09:16 | |
We've got...is it Ollivant? | 0:09:16 | 0:09:20 | |
Ollivant & Botsford, who are now Mappin & Webb. | 0:09:20 | 0:09:22 | |
-Aren't they lovely names? -Gorgeous. -Ollivant & Botsford. | 0:09:22 | 0:09:26 | |
-Yes. -Sounds like a detective agency! -It does, doesn't it? | 0:09:26 | 0:09:29 | |
I just love it. We do have marks on here for... | 0:09:29 | 0:09:33 | |
-Martin, Hall & Co, Sheffield. -Sheffield. | 0:09:33 | 0:09:36 | |
I'm looking at the type of decoration and the shape. | 0:09:36 | 0:09:40 | |
I think we're looking at around 1870, that sort of period. | 0:09:40 | 0:09:43 | |
We've got something which is completely and utterly useless | 0:09:43 | 0:09:47 | |
-in the 21st century. -Yes. | 0:09:47 | 0:09:50 | |
You've got a pair of serving spoons, a cream ladle, | 0:09:50 | 0:09:54 | |
and a strawberry sugar-sifting spoon, | 0:09:54 | 0:09:57 | |
so when you're having your tea, you can sprinkle your sugar. | 0:09:57 | 0:10:00 | |
Use them every afternoon in the summer. | 0:10:00 | 0:10:02 | |
-Absolutely, we all do, in the grounds. -On the balcony! | 0:10:02 | 0:10:07 | |
-Jeeves comes over and serves us, doesn't he? -Yes. | 0:10:07 | 0:10:10 | |
Everything about them screams quality. | 0:10:10 | 0:10:13 | |
The problem is... | 0:10:13 | 0:10:15 | |
..they're not terribly desirable to use. | 0:10:16 | 0:10:20 | |
I love them, but I think I would have them - | 0:10:20 | 0:10:22 | |
and I suspect you've had them - in the box, in a drawer tucked away for donkey's years. | 0:10:22 | 0:10:27 | |
-Absolutely. -If I had them, they'd be exactly the same. | 0:10:27 | 0:10:30 | |
What are you hoping they'll be worth? | 0:10:31 | 0:10:33 | |
I would not want to see them go for less than £50, probably. | 0:10:33 | 0:10:40 | |
I think they're worth at least that. | 0:10:40 | 0:10:42 | |
I think they should be worth a heck of a lot more than that. | 0:10:42 | 0:10:45 | |
But I think you're right. Unfortunately, | 0:10:45 | 0:10:47 | |
I think, in auction, I would want to put £50-£80 on them. | 0:10:47 | 0:10:54 | |
-On a good day, I'd love to see them make in excess of £100. -Really? | 0:10:54 | 0:10:57 | |
-We'll keep our fingers crossed. -Yes. | 0:10:57 | 0:10:59 | |
But they really should be worth that. But if you're happy, | 0:10:59 | 0:11:02 | |
we'll put a fixed reserve of £50 on them. | 0:11:02 | 0:11:05 | |
I would be very happy with that, yes. | 0:11:05 | 0:11:06 | |
Let's hope the people of Cheshire, where we're going - they've got a bit of money in Cheshire - | 0:11:06 | 0:11:11 | |
-let's hope they're ready to part with it. -Good. Yes. | 0:11:11 | 0:11:14 | |
-Thank you for bringing them in. -Thank you. | 0:11:14 | 0:11:16 | |
It's time to say goodbye to our valuation-day venue for now, | 0:11:17 | 0:11:20 | |
as we head off to auction for the very first time. | 0:11:20 | 0:11:23 | |
Here's what we're taking with us. | 0:11:23 | 0:11:25 | |
Mark's Oriental vase adds a real touch of class. | 0:11:25 | 0:11:29 | |
Philip is hoping this Cowey motor horn will make a blast in the saleroom. | 0:11:31 | 0:11:36 | |
Finally, Mark's fallen for these super silver-plated spoons. | 0:11:41 | 0:11:45 | |
Flog It's auction venue is just outside Congleton, near Macclesfield, | 0:11:48 | 0:11:52 | |
at Adam Partridge's saleroom. There's over 1,000 lots | 0:11:52 | 0:11:55 | |
getting sold here today, so Adam does have his work cut out. | 0:11:55 | 0:11:59 | |
And it looks like our first lot is up any second. | 0:11:59 | 0:12:03 | |
There we go! | 0:12:04 | 0:12:06 | |
Going under the hammer right now, there's a family heirloom | 0:12:09 | 0:12:12 | |
up for grabs. Yes. And it belongs to Jane, who's with me right now. | 0:12:12 | 0:12:16 | |
A set of spoons in a box, possibly great-grandfather's? | 0:12:16 | 0:12:20 | |
They might have been a wedding present to my great-grandparents. | 0:12:20 | 0:12:23 | |
-OK, and the date being what, around 1870? -Around 1870. | 0:12:23 | 0:12:26 | |
I'm sure that's right, the design fits in very well with that. | 0:12:26 | 0:12:30 | |
Martin, Hall & Co Limited, which is the mark on them, | 0:12:30 | 0:12:33 | |
didn't start until 1866. | 0:12:33 | 0:12:35 | |
And they went out of business in 1936, so we've got a fairly short time span. | 0:12:35 | 0:12:41 | |
It's lovely when people come with their own information! | 0:12:41 | 0:12:43 | |
-Exactly. -We can just sit back and put a figure on! | 0:12:43 | 0:12:46 | |
Well, and learn something as well! | 0:12:46 | 0:12:47 | |
-Yes. -Good for you, good for you. | 0:12:47 | 0:12:50 | |
It's been really interesting, researching them. | 0:12:50 | 0:12:52 | |
I love the quality and just that lovely fitted box. | 0:12:52 | 0:12:56 | |
-Yes. -We've only put £50-£80 on them, | 0:12:56 | 0:12:59 | |
-which I think reflects... -Well, they're only plate, anyway, | 0:12:59 | 0:13:02 | |
so there's no value in terms of silver. | 0:13:02 | 0:13:05 | |
-So, er... -Nevertheless, a very nice thing. | 0:13:05 | 0:13:09 | |
And, at £50-£80, great value for money. | 0:13:09 | 0:13:12 | |
Let's find out what the bidders think, shall we? | 0:13:12 | 0:13:14 | |
They're going under the hammer right now. | 0:13:14 | 0:13:16 | |
825's a fine set here. | 0:13:16 | 0:13:18 | |
The electroplated dessert set... | 0:13:18 | 0:13:20 | |
Very nice. | 0:13:20 | 0:13:22 | |
..and a ladle with the gilt-embossed bowls, | 0:13:22 | 0:13:24 | |
by Ollivant & Botsford. Super set, this lot, 825. | 0:13:24 | 0:13:28 | |
£50, start me 50. | 0:13:28 | 0:13:31 | |
£50, surely? | 0:13:31 | 0:13:33 | |
50's bid. At 50, I'll take 5, at 50's bid. | 0:13:33 | 0:13:36 | |
At 5, and 60, and 5... £60. | 0:13:36 | 0:13:41 | |
At £60, any more now? | 0:13:41 | 0:13:43 | |
At £60. Are you done? | 0:13:43 | 0:13:47 | |
£60, he's putting the hammer down. | 0:13:47 | 0:13:50 | |
We're selling at £60 in the room now. | 0:13:50 | 0:13:52 | |
-That's good. Well done. -Happy? -Absolutely. | 0:13:55 | 0:13:57 | |
-I didn't expect much more, so... -You were right, silver-plate. | 0:13:57 | 0:14:02 | |
Well done, thank you for bringing them in. | 0:14:02 | 0:14:04 | |
We've done some more research on that horn and discovered | 0:14:06 | 0:14:09 | |
it hails from London. | 0:14:09 | 0:14:10 | |
So let's hope its British roots will make it even more appealing. | 0:14:10 | 0:14:14 | |
HORN HONKS | 0:14:14 | 0:14:15 | |
Going under the hammer right now, we've got a bit of automobile memorabilia, | 0:14:15 | 0:14:19 | |
-it's that brass klaxon horn. -The noisy one. -The noisy one, yes! | 0:14:19 | 0:14:24 | |
At the valuation day, all you heard was, "Onk! Onk!" | 0:14:24 | 0:14:26 | |
-That was me. -Through everybody else's valuations. -I'm sorry. | 0:14:26 | 0:14:29 | |
We'd look up and go, "Yep, that's Philip!" | 0:14:29 | 0:14:33 | |
I'd love to see it make £100 and I'd love to see it on an old car. | 0:14:33 | 0:14:35 | |
-So would I. -That would be really lovely, wouldn't it? In use, London to Brighton. | 0:14:35 | 0:14:39 | |
Or even in a new car! Wind the window down, "Onk! Onk!" | 0:14:39 | 0:14:42 | |
Let's find out what the bidders think. It's going under the hammer right now. | 0:14:44 | 0:14:47 | |
190, the car klaxon, the Cowey motor horn, | 0:14:47 | 0:14:51 | |
we've seen these before. Bid me £50 for the klaxon, | 0:14:51 | 0:14:55 | |
-bid me £50. -Come on. | 0:14:55 | 0:14:57 | |
Start me £40, then, 40. | 0:14:57 | 0:15:00 | |
40's at the back of the room, 40. | 0:15:00 | 0:15:02 | |
At £40, it's here in the air, at £40, it's at the back of the room, | 0:15:02 | 0:15:06 | |
I take 5 online, 50... | 0:15:06 | 0:15:07 | |
Come on, bit more. | 0:15:07 | 0:15:09 | |
50 in the room. At £50, 5 now, at £50, 5, and 60. | 0:15:09 | 0:15:12 | |
No? 55, thanks for coming. 55 online. | 0:15:12 | 0:15:15 | |
Well, it's selling, isn't it? | 0:15:15 | 0:15:16 | |
Anyone else now? £55 on the internet. | 0:15:16 | 0:15:20 | |
I was just about to say, can we hear it one more time! | 0:15:20 | 0:15:23 | |
I have another bid if you sound it, 55. | 0:15:23 | 0:15:25 | |
Are you all done, then? | 0:15:25 | 0:15:26 | |
Internet bid 60, there you go, 60. | 0:15:26 | 0:15:28 | |
A bit more. | 0:15:28 | 0:15:29 | |
At £60, always squeeze another one out, I take 5 there, 65, | 0:15:29 | 0:15:32 | |
70, sir? Don't miss it for a bid. | 0:15:32 | 0:15:35 | |
65 online. 65, selling now, mid-estimate, | 0:15:35 | 0:15:39 | |
£65. | 0:15:39 | 0:15:41 | |
-Yes, well done. -Nice, right. | 0:15:41 | 0:15:44 | |
-Yeah. -Put it there. -Thank you very much. -Well done, Philip, good estimate. | 0:15:44 | 0:15:48 | |
If you live in Cheshire, listen out for that klaxon horn | 0:15:48 | 0:15:51 | |
blasting out on the roads. | 0:15:51 | 0:15:53 | |
The day before the auction, on the preview, | 0:15:53 | 0:15:55 | |
Adam took time out from last-minute preparations | 0:15:55 | 0:15:58 | |
to have a quick chat about that Japanese vase. | 0:15:58 | 0:16:00 | |
John and Doreen's Japanese Satsuma vase, that is very, very nice. | 0:16:00 | 0:16:05 | |
We're looking at £120-£180. | 0:16:05 | 0:16:08 | |
Yes, sensible estimate, I think. | 0:16:08 | 0:16:11 | |
It's a lovely vase. | 0:16:11 | 0:16:12 | |
You see a lot of Japanese stuff come through the salerooms, | 0:16:12 | 0:16:15 | |
and it varies in quality massively. | 0:16:15 | 0:16:17 | |
That's really nice, the detail in the cobalt blue, it's beautiful. | 0:16:17 | 0:16:20 | |
May not see it with the naked eye, but if you look under an eyeglass | 0:16:20 | 0:16:23 | |
at these little dots, they're insects, | 0:16:23 | 0:16:25 | |
they're actually not just little speckles. | 0:16:25 | 0:16:27 | |
The detail of the cocks also is very, very good. | 0:16:27 | 0:16:32 | |
Cockerel is a sacred symbol in Japanese culture. | 0:16:32 | 0:16:35 | |
I'm pretty sure it's from the Kinkozan factory, | 0:16:35 | 0:16:38 | |
which is one of the major makers of Satsuma pottery, | 0:16:38 | 0:16:42 | |
the Meiji period, end of the 19th century. | 0:16:42 | 0:16:44 | |
I think that should go on and do a little bit more. | 0:16:44 | 0:16:47 | |
-400-600? -That might be pushing it, | 0:16:47 | 0:16:50 | |
but certainly two to three? | 0:16:50 | 0:16:52 | |
-Good luck with that. -I really like it. -Hopefully you will get £400. | 0:16:52 | 0:16:55 | |
-It's got poultry on it, you know me. -That's you. | 0:16:55 | 0:16:57 | |
So, let's find out now how that vase fares in the sale. | 0:16:59 | 0:17:03 | |
We loved your Japanese vase, this lovely bulbous shape. | 0:17:03 | 0:17:06 | |
It's beautifully decorated. Mark has waxed lyrical about it. | 0:17:06 | 0:17:09 | |
Adam's done a bit more research, he's found out it's from Kinkozan, | 0:17:09 | 0:17:12 | |
-which is a good maker in Japan. -Very, very decorative. | 0:17:12 | 0:17:16 | |
Really good family of makers. OK? Which does affect the value slightly, | 0:17:16 | 0:17:19 | |
as Mark would know. He says you can add a nought on. | 0:17:19 | 0:17:22 | |
The more you look at it, the more you look at those cockerels, | 0:17:22 | 0:17:25 | |
that cobalt blue with that lovely gilt work, it's exquisite. | 0:17:25 | 0:17:29 | |
-It is exquisite. -Hopefully we'll double its estimate, | 0:17:29 | 0:17:32 | |
-that would be nice. -It would be! -Very nice indeed. | 0:17:32 | 0:17:34 | |
Anything else, big bonus. | 0:17:34 | 0:17:37 | |
We love surprises, get ready for this one, | 0:17:37 | 0:17:39 | |
it's going under the hammer! | 0:17:39 | 0:17:41 | |
Lot 450, the Kinkozan vase, the Satsuma vase, | 0:17:41 | 0:17:43 | |
120 for it, bid me 120. | 0:17:43 | 0:17:46 | |
Straight in, I'll take 130. | 0:17:46 | 0:17:47 | |
At 130, 140, 150, | 0:17:47 | 0:17:50 | |
160, 160 this side, | 0:17:50 | 0:17:52 | |
at 160, I'll take 170, | 0:17:52 | 0:17:55 | |
at 160, any advance on 160? | 0:17:55 | 0:17:58 | |
70, 180, 190 back in the room. | 0:17:58 | 0:18:01 | |
-Ooh. -See, Adam's got excited now. | 0:18:01 | 0:18:03 | |
200, 210, 220 in the room, 220 in the room, 220. | 0:18:03 | 0:18:08 | |
At 220, 230, 240, bid, | 0:18:08 | 0:18:10 | |
at 240 in the room, 240... | 0:18:10 | 0:18:13 | |
This has given us a lot of energy. | 0:18:13 | 0:18:16 | |
250, 260, 260 here. | 0:18:16 | 0:18:18 | |
At 260, we're in the room again. 70, 280, | 0:18:18 | 0:18:22 | |
280, still going. At £280, 290, 300, | 0:18:22 | 0:18:27 | |
300 in the room, take 20, at £300, at £320. | 0:18:27 | 0:18:32 | |
340 is bid, 340, 340, 360, | 0:18:32 | 0:18:37 | |
380, 380 bid, | 0:18:37 | 0:18:40 | |
at 380, super vase, 400, and 20... | 0:18:40 | 0:18:44 | |
-Well done, Adam. Good work. -Wow! -He's teasing it up, isn't he? | 0:18:44 | 0:18:49 | |
Are you all done now? The final warning here at 420. | 0:18:49 | 0:18:52 | |
Any more on this one at £420? | 0:18:52 | 0:18:56 | |
-It's gone. -Great! -Brilliant. | 0:18:56 | 0:18:59 | |
-That was a nice surprise for you, wasn't it? -Excellent. -It was. | 0:18:59 | 0:19:01 | |
-Cock-a-doodle-do! -Cock-a-doodle-do! | 0:19:01 | 0:19:04 | |
Welcome back to Stockport's town hall. | 0:19:13 | 0:19:15 | |
As you know, this is a programme of two halves. | 0:19:15 | 0:19:18 | |
We need some more antiques to take off to auction, | 0:19:18 | 0:19:20 | |
so let's get busy. Let's join up with our experts | 0:19:20 | 0:19:22 | |
and see what else they've found. | 0:19:22 | 0:19:24 | |
-Ian. -Hello, Mark. | 0:19:26 | 0:19:28 | |
-We're in a fabulous location, aren't we? -We are. | 0:19:28 | 0:19:30 | |
I've never been here before, have you? | 0:19:30 | 0:19:32 | |
The last time I was here was when we got married last year. | 0:19:32 | 0:19:35 | |
21st July, Stockport town hall. | 0:19:35 | 0:19:37 | |
You got married here last year? Well, what a lovely venue for it. | 0:19:37 | 0:19:41 | |
-Yes. -And you've brought this lovely cameo brooch in. -I have, yes. | 0:19:41 | 0:19:45 | |
It belonged to my mum, who I lost two years ago. | 0:19:45 | 0:19:48 | |
I remember her wearing it when I was very young. | 0:19:48 | 0:19:51 | |
It was one of her favourite pieces of jewellery. | 0:19:51 | 0:19:53 | |
But it's been in a box for a while. | 0:19:53 | 0:19:55 | |
It's been in a box, I found it last year in a box. | 0:19:55 | 0:19:57 | |
-And your wife doesn't like it? -My wife doesn't want to wear it, no. | 0:19:57 | 0:20:01 | |
They are considered, that's the problem, a little old-fashioned. | 0:20:01 | 0:20:04 | |
They're the sort of things you expect your grandmother to be wearing. | 0:20:04 | 0:20:08 | |
You know a little bit about it, I suppose. | 0:20:08 | 0:20:11 | |
It's Victorian, it goes back quite a long way. | 0:20:11 | 0:20:14 | |
-Right. -I would say it's the end of Victorian period, 1890s. | 0:20:14 | 0:20:19 | |
It's not, to my eye - and I'm not an expert in these - | 0:20:19 | 0:20:22 | |
but to my eye, it hasn't got the quality of the carvings | 0:20:22 | 0:20:26 | |
-that were done in the 1840s, the 1860s. -Yep. | 0:20:26 | 0:20:28 | |
It's based on a classical subject. | 0:20:28 | 0:20:31 | |
It's carved shell, of course. You take the shell and carve it out, | 0:20:31 | 0:20:36 | |
where you get all this lovely white of the figure. | 0:20:36 | 0:20:40 | |
And then that lovely sort of mottled creamy brown as the backdrop. | 0:20:40 | 0:20:44 | |
You're happy to sell it, it's not got any sentimental... | 0:20:44 | 0:20:47 | |
-No, no sentimental value in it. -Wonderful. | 0:20:47 | 0:20:49 | |
I'd love to be able to say it's worth a couple of hundred pounds, | 0:20:49 | 0:20:52 | |
but we've got to be realistic in today's market. | 0:20:52 | 0:20:56 | |
I think a sensible auction estimate, | 0:20:56 | 0:20:59 | |
to get a little bit of a nibble on it, | 0:20:59 | 0:21:01 | |
-we need to put around £50-£80 on it. -OK, yes. | 0:21:01 | 0:21:06 | |
Because I don't know if there'll be a lot of jewellery in the sale, | 0:21:06 | 0:21:09 | |
we should protect it with a reserve of around £50 | 0:21:09 | 0:21:11 | |
-with a 10% discretion. -Yes. | 0:21:11 | 0:21:13 | |
-Is that all right? -Very happy, yes. | 0:21:13 | 0:21:14 | |
-Let's hope we make a few bucks on it. -I hope so. | 0:21:14 | 0:21:17 | |
-Thanks a lot, Ian. -It's a pleasure, nice to meet you. -And you. | 0:21:17 | 0:21:21 | |
Moving over to Philip's table, | 0:21:26 | 0:21:28 | |
mother and daughter Isabel and Suzanne | 0:21:28 | 0:21:30 | |
have brought along an inherited curiosity. | 0:21:30 | 0:21:33 | |
-Your dad, he's still around? -No, he passed away last year. | 0:21:34 | 0:21:40 | |
-He passed away last year, but he was a massive hoarder? -Yes. | 0:21:40 | 0:21:43 | |
How did you decide what to bring and what not to bring? | 0:21:43 | 0:21:45 | |
We brought quite a few things. | 0:21:45 | 0:21:48 | |
But I always felt that was something that stood out. | 0:21:48 | 0:21:51 | |
Let's try and date it first. How old do you think it is? | 0:21:51 | 0:21:53 | |
I've no idea. I know it came from my grandfather. | 0:21:53 | 0:21:58 | |
You do this programme, right, and it's always, "How old is it?" | 0:21:58 | 0:22:03 | |
"Well, it was my grandfather's." | 0:22:03 | 0:22:05 | |
That's a key of age, that is. | 0:22:05 | 0:22:08 | |
I think that that dates...back end of the 19th century. | 0:22:08 | 0:22:13 | |
Er, and I love it, because it's just a pure, pure novelty. | 0:22:13 | 0:22:18 | |
Whether it's a policeman's helmet - I'd think that's what it was, | 0:22:18 | 0:22:23 | |
possibly a fireman's helmet - | 0:22:23 | 0:22:24 | |
but what's just brilliant is you press that there, | 0:22:24 | 0:22:28 | |
and lo and behold, there's our little inkwell. | 0:22:28 | 0:22:31 | |
-That's right. -And it's just such a cool thing. | 0:22:31 | 0:22:33 | |
And these were designed almost to be travelling inkwells, | 0:22:33 | 0:22:37 | |
because once you press that down like that, | 0:22:37 | 0:22:40 | |
it becomes self-sealing. | 0:22:40 | 0:22:41 | |
There are people who collect inkwells. | 0:22:41 | 0:22:45 | |
There are people who collect helmets like this. | 0:22:45 | 0:22:47 | |
There are people who collect novelties. | 0:22:47 | 0:22:49 | |
-You know the little Gladstone bags? -Yes. -Yes. | 0:22:49 | 0:22:53 | |
I saw a little Gladstone bag inkwell about that big, | 0:22:53 | 0:22:57 | |
just the same period as this, | 0:22:57 | 0:22:59 | |
er, earlier in the year, in an antiques shop, | 0:22:59 | 0:23:03 | |
priced at £150. Now, that was mint condition. | 0:23:03 | 0:23:08 | |
-This has seen a life, hasn't it? -It certainly has. | 0:23:08 | 0:23:11 | |
At some point in time, it may have been covered. | 0:23:11 | 0:23:14 | |
Or it may have been decorated. But it's just a fun thing. | 0:23:14 | 0:23:17 | |
I think it's quite honest for what it is. | 0:23:17 | 0:23:20 | |
I think in auction, I would put a 30-50 estimate on it. | 0:23:20 | 0:23:24 | |
I'd probably put a £30 fixed reserve on it. | 0:23:24 | 0:23:29 | |
If anybody didn't give 30 quid, they'd be mean. | 0:23:29 | 0:23:31 | |
And if you have a real good day... | 0:23:31 | 0:23:36 | |
it might go and make anywhere between £60 and perhaps £120. | 0:23:36 | 0:23:42 | |
If you have the joy of the internet in the saleroom, | 0:23:42 | 0:23:46 | |
someone's just got to sit at home and click that mouse, | 0:23:46 | 0:23:50 | |
and £60 can very quickly become £130. | 0:23:50 | 0:23:54 | |
But...think 30-50. | 0:23:54 | 0:23:57 | |
-Thank you for bringing it along. -Thank you very much. -Thank you. | 0:23:57 | 0:24:00 | |
So, a very cautious estimate there from Philip. | 0:24:01 | 0:24:04 | |
I've managed to have a rummage around all those antiques | 0:24:04 | 0:24:06 | |
and I've found something special I want to share with you. | 0:24:06 | 0:24:09 | |
Here we go, Elaine, come up here, follow me. | 0:24:10 | 0:24:12 | |
I tell you what... In a few years' time, | 0:24:12 | 0:24:16 | |
this will come in quite handy for me! | 0:24:16 | 0:24:19 | |
Everyone needs a good walking cane, | 0:24:19 | 0:24:21 | |
and they say you can tell a gentleman's profession by the cane he carries. | 0:24:21 | 0:24:25 | |
-Did you know that? -No. | 0:24:25 | 0:24:27 | |
Doctors and physicians, lawyers, | 0:24:27 | 0:24:30 | |
they'd all have a different type of cane | 0:24:30 | 0:24:32 | |
which would be instantly recognisable. | 0:24:32 | 0:24:34 | |
We're talking circa 1815, you know, the dandy time, | 0:24:34 | 0:24:37 | |
the Regency period. | 0:24:37 | 0:24:39 | |
Everyone had a walking cane. | 0:24:39 | 0:24:40 | |
This is absolutely stunning. | 0:24:40 | 0:24:42 | |
How did you come by this? | 0:24:42 | 0:24:43 | |
We just used to go around the car-boot sales, antique fairs, | 0:24:43 | 0:24:47 | |
buy things if they looked nice, and that was where it came from. | 0:24:47 | 0:24:50 | |
-I don't know anything about it. -How long ago? | 0:24:50 | 0:24:53 | |
Oh, I can't remember. Quite a few years. | 0:24:53 | 0:24:56 | |
-10 years? -Yeah, probably. | 0:24:56 | 0:24:58 | |
Did you start to collect walking sticks and canes? | 0:24:58 | 0:25:00 | |
No, not really, it was just... | 0:25:00 | 0:25:01 | |
I mean, my husband used to like military items. | 0:25:01 | 0:25:04 | |
We actually thought it was, at the time. | 0:25:04 | 0:25:07 | |
I think it was just that it was written there... | 0:25:07 | 0:25:09 | |
-Look, there's an inscription, isn't there? -Yeah. | 0:25:09 | 0:25:11 | |
-What does it say? -I think it says "Colour Sergeant Major Stanley". | 0:25:11 | 0:25:15 | |
"Colour Sergeant Major..." It does, actually, doesn't it? | 0:25:15 | 0:25:17 | |
And then it says "RA", which could be Royal Artillery. | 0:25:17 | 0:25:21 | |
But then it says "and M". I've not come across that before. | 0:25:21 | 0:25:26 | |
-No. -But looking at this, this looks to be... | 0:25:26 | 0:25:30 | |
-..I would say around about 1850, 1860. -Right. | 0:25:31 | 0:25:35 | |
This is what we call a white metal. | 0:25:35 | 0:25:37 | |
It is silver, but unfortunately it's not English and not hallmarked. | 0:25:37 | 0:25:41 | |
If it's hallmarked, you can call it sterling silver. | 0:25:41 | 0:25:44 | |
This is from the Far East - I would say mainland China. | 0:25:44 | 0:25:47 | |
-Isn't that lovely, with these little Chinese figures? -It is. | 0:25:47 | 0:25:49 | |
That's called a repousse work | 0:25:49 | 0:25:51 | |
and it's actually beaten out with a very fine hammer. | 0:25:51 | 0:25:54 | |
That's carved in wood first, before the silver's beaten into it. | 0:25:54 | 0:25:58 | |
Here, you've got this lovely collar wrapped round it, | 0:25:58 | 0:26:00 | |
in the form of a tiny little belt. Isn't that gorgeous? | 0:26:00 | 0:26:04 | |
This is definitely an expat, living overseas in the Far East. | 0:26:04 | 0:26:09 | |
Anybody that collects walking sticks, walking canes, | 0:26:09 | 0:26:11 | |
anything like this, will love to add that to their collection. | 0:26:11 | 0:26:15 | |
-Do you want to sell this? -Yes. | 0:26:15 | 0:26:18 | |
OK. Shall we put it into auction with a value of... | 0:26:20 | 0:26:24 | |
-£80-£120? -That's fine. -Happy? -Yes. -Reserve at £80. | 0:26:24 | 0:26:28 | |
-That's fine. -OK. Thank you very much for showing that to me. | 0:26:28 | 0:26:30 | |
-You're welcome. -I can now walk across the stage like this. | 0:26:30 | 0:26:35 | |
HE LAUGHS | 0:26:35 | 0:26:36 | |
That is our final item here from Stockport. | 0:26:39 | 0:26:42 | |
Before we travel back to the saleroom, | 0:26:42 | 0:26:44 | |
here's a quick recap of what we're taking with us. | 0:26:44 | 0:26:47 | |
Ian's brooch may be old-fashioned, but Mark's hopeful | 0:26:47 | 0:26:50 | |
a couple of bidders will fall for its traditional charm. | 0:26:50 | 0:26:54 | |
Philip's enthralled by that unusual inkwell, | 0:26:56 | 0:26:59 | |
shaped like a policeman's helmet. | 0:26:59 | 0:27:01 | |
And I think someone will walk away with a great little find | 0:27:05 | 0:27:08 | |
if they pick up that cane at auction. | 0:27:08 | 0:27:11 | |
The auction's in full flow, and Adam's been doing a sterling job | 0:27:16 | 0:27:19 | |
of selling our items. | 0:27:19 | 0:27:22 | |
Going under the hammer right now, something you rabologists will love. | 0:27:22 | 0:27:25 | |
You'll want to get one of these, won't you? | 0:27:25 | 0:27:27 | |
Do you know what I'm talking about? Well, if I introduce you to Elaine, | 0:27:27 | 0:27:30 | |
you just might remember what she brought along. | 0:27:30 | 0:27:33 | |
It's that walking stick. Do you know, collectors of walking sticks are called rabologists? | 0:27:33 | 0:27:37 | |
-I never knew. -There's a couple of other walking sticks here, | 0:27:37 | 0:27:40 | |
so it's in good company. It's packed, isn't it? | 0:27:40 | 0:27:42 | |
-Yes. -It is a bit of a bun-fight. | 0:27:42 | 0:27:43 | |
There are so many bidders and items all over the place, | 0:27:43 | 0:27:45 | |
but hopefully we'll get top end of the estimate. | 0:27:45 | 0:27:48 | |
-We're looking at 80-120, it's a nice thing. -Yeah. | 0:27:48 | 0:27:50 | |
-It's a nice thing. Ready to sell it? -Yes, I'm ready. | 0:27:50 | 0:27:54 | |
Let's do it, here we go. | 0:27:54 | 0:27:55 | |
Next lot is a Malacca-shafted walking cane, | 0:27:55 | 0:27:58 | |
with the Chinese white metal mounts and a buckle band stripe, | 0:27:58 | 0:28:01 | |
CSM Stanley. And I'm bid 50 and 5 in one place here, | 0:28:01 | 0:28:05 | |
take 60, at 55, where's 60 now? | 0:28:05 | 0:28:08 | |
£55, who's going on? At 55, 60, 5, 70... | 0:28:08 | 0:28:12 | |
He's got a commission bid - can you see he keeps looking on the book? | 0:28:12 | 0:28:16 | |
I'll take 80. At 70, 80 here in front. | 0:28:16 | 0:28:18 | |
I'm out already. £80 on the front, is there 5 anyway? | 0:28:18 | 0:28:22 | |
At £80, going to be sold at 80, are you all done? | 0:28:22 | 0:28:25 | |
£80, with a cap, at £80, selling now. | 0:28:25 | 0:28:28 | |
At £80. | 0:28:28 | 0:28:30 | |
Thank you. | 0:28:30 | 0:28:32 | |
-It's gone. -That's good. -Happy? -Very, yeah. | 0:28:32 | 0:28:34 | |
-We got it within estimate anyway. -That's very good. | 0:28:34 | 0:28:36 | |
It's something that was in a cupboard, doing nothing. | 0:28:36 | 0:28:39 | |
-Doing nothing. -Turned into money, lovely. | 0:28:39 | 0:28:41 | |
You got it. | 0:28:41 | 0:28:43 | |
Next up, it's Ian's cameo brooch. | 0:28:47 | 0:28:50 | |
He's on holiday, so he's entrusted me and Mark to oversee the sale. | 0:28:50 | 0:28:54 | |
-They're slightly out of fashion. -Not a lot of money, though. | 0:28:56 | 0:28:58 | |
No, because it's quite small, it's not the best quality, | 0:28:58 | 0:29:01 | |
but it's of a nice Roman goddess, whatever, | 0:29:01 | 0:29:03 | |
and it has got a bit of gold on it, so it should make 50 quid. | 0:29:03 | 0:29:06 | |
Let's see what the bidders think, shall we? | 0:29:06 | 0:29:08 | |
Let's put it to the test. It's going under the hammer right now. | 0:29:08 | 0:29:11 | |
705 is a 19th-century, nine-carat gold...er, cameo again. | 0:29:11 | 0:29:15 | |
This time, the bust of a maiden. 50 for this one. | 0:29:15 | 0:29:18 | |
£50, start me £50 on the cameo. Come along, you miserable lot. | 0:29:18 | 0:29:21 | |
£50 for it. 30? 30 bid, 5, | 0:29:21 | 0:29:25 | |
and 40, and 5, and 50, and 5, | 0:29:25 | 0:29:28 | |
and 60. 55, this time. | 0:29:28 | 0:29:30 | |
At least it's sold. | 0:29:30 | 0:29:32 | |
Anyone else? At £55, all done, then. | 0:29:32 | 0:29:35 | |
55. | 0:29:35 | 0:29:37 | |
Bang, the hammer's gone down. That was short and sweet. | 0:29:37 | 0:29:40 | |
-It wasn't very much. -No, it wasn't. | 0:29:40 | 0:29:44 | |
I was rather hoping for the top end - there was a bit of gold there. | 0:29:44 | 0:29:47 | |
You're always hoping for the top end. | 0:29:47 | 0:29:49 | |
-I'm an optimist... -And I'm a realist! | 0:29:49 | 0:29:52 | |
Let's call the whole thing off! | 0:29:54 | 0:29:56 | |
Let's hope Philip's put a realistic estimate on that inkwell. | 0:29:59 | 0:30:03 | |
Going under the hammer right now, we've got a novelty inkwell | 0:30:03 | 0:30:06 | |
in the form of a policeman's helmet - absolutely love this lot. | 0:30:06 | 0:30:09 | |
Isabel and Suzanne, mum and daughter. | 0:30:09 | 0:30:11 | |
Whose was this, was it yours? | 0:30:11 | 0:30:13 | |
-It was my late husband's. -Was he a bit of a collector? | 0:30:13 | 0:30:17 | |
Yeah, he collected anything. | 0:30:17 | 0:30:18 | |
It puts a smile on your face, doesn't it? | 0:30:18 | 0:30:20 | |
It really does make you laugh. | 0:30:20 | 0:30:22 | |
If you were a policeman or an ex-policeman, | 0:30:22 | 0:30:24 | |
you would love to own this. It's a little desktop toy. | 0:30:24 | 0:30:27 | |
-Sweet thing, isn't it? -Yeah, yeah. | 0:30:27 | 0:30:29 | |
If ever there was a come-buy-me estimate, this is it. | 0:30:29 | 0:30:31 | |
I think this will fly away, because where will you see another one of these? | 0:30:31 | 0:30:35 | |
-You won't, will you? Have you ever seen another one? -No, I haven't. | 0:30:35 | 0:30:39 | |
Good luck, both of you. Good luck, Philip. Here we go, it's going under the hammer right now. | 0:30:39 | 0:30:43 | |
Lot 40, lovely helmet there. | 0:30:43 | 0:30:45 | |
The travelling inkwell in the form of a policeman's helmet. | 0:30:45 | 0:30:48 | |
Lot number 40. | 0:30:48 | 0:30:50 | |
Start me in the room, £30. | 0:30:50 | 0:30:53 | |
30 on line 5, 40, 5, 50, 5, | 0:30:53 | 0:30:55 | |
60, 5, 70, 5, 80, 5, 90. | 0:30:55 | 0:30:58 | |
Quick as that. It's on fire. | 0:30:58 | 0:31:01 | |
90, 5, 100, 110... 110, I'm bid. | 0:31:01 | 0:31:05 | |
At 110, any more? | 0:31:05 | 0:31:06 | |
Oh, that's good! | 0:31:06 | 0:31:08 | |
130, I'm bid. At 130, have another one, 140, 150, I'm bid. | 0:31:08 | 0:31:12 | |
Keep going, online. | 0:31:12 | 0:31:15 | |
160, 170, I'm bid. | 0:31:15 | 0:31:17 | |
Get me my new cooker! | 0:31:17 | 0:31:18 | |
This is the beauty of an auction. | 0:31:18 | 0:31:22 | |
If two people want something, the sky's the limit. | 0:31:22 | 0:31:24 | |
At 210, 210, is it time for the sleeper bell? | 0:31:24 | 0:31:27 | |
220 bid, 230, I have. At 230, | 0:31:27 | 0:31:30 | |
230, still going. | 0:31:30 | 0:31:32 | |
On my books here, £230 for the inkwell. | 0:31:32 | 0:31:36 | |
All done? 230, last chance, selling on my books here | 0:31:36 | 0:31:40 | |
at 230. You're out online. | 0:31:40 | 0:31:42 | |
-Absolutely lovely, yes! -230. | 0:31:42 | 0:31:44 | |
-The hammer's gone down. -Really good! -Hats off to you two. | 0:31:44 | 0:31:48 | |
Wow, what a lovely surprise. | 0:31:48 | 0:31:51 | |
I told you there was going to be a surprise. | 0:31:51 | 0:31:52 | |
You just will not find another one. | 0:31:52 | 0:31:54 | |
Unless you've got one at home! If you have, bring it in! | 0:31:54 | 0:31:56 | |
-We want to see it. -No, I've not got another one. | 0:31:56 | 0:32:00 | |
There you are, it's all over for our owners. | 0:32:04 | 0:32:07 | |
I must say, what a fabulous day we have had here. | 0:32:07 | 0:32:09 | |
All credit to Adam Partridge on the rostrum, | 0:32:09 | 0:32:12 | |
because everyone's gone home happy, and that's what it's all about. | 0:32:12 | 0:32:15 | |
We've all learnt something. We've experienced the highs and lows. | 0:32:15 | 0:32:18 | |
It could be your turn next time. Come and join us. | 0:32:18 | 0:32:20 | |
But until then, it's goodbye from all of us here in Cheshire. | 0:32:20 | 0:32:24 | |
Subtitles by Red Bee Media Ltd | 0:32:35 | 0:32:37 |