Leicester 17 Flog It!


Leicester 17

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Welcome to the De Montfort Hall, Leicester's largest concert venue.

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Over the years, this building has played host to

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some of the greatest entertainers in the world,

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from the funniest comedians to the finest orchestras,

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from the smoothest crooners to the wildest of rockers.

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Let's hope our experts can entertain us today. Welcome to "Flog It!"

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De Montfort Hall was built in 1913.

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In 100 years, the venue has put on around 10,000 shows

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and entertained hundreds of thousands of people.

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Almost 60 years ago, the legendary Louis Armstrong performed here.

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And the list of incredible stars just goes on and on,

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as does our queue.

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# Let me entertain you... #

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If these walls could talk, the stories they would tell

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of this hall's history would be mind-blowing.

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So, which of our singing or dancing experts will take centre stage?

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Catherine Southon and Claire Rawle

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are already squabbling to be our leading lady.

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-You don't fancy that?

-I thought I might keep it.

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I know, I told her to keep it!

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Thank you, thank you for that. That was really helpful.

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I'm standing here on stage, where Buddy Holly, the Beatles

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and David Bowie performed to thousands of people.

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I just wish I had a drum kit so I could rock out.

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Anyway, while I fantasise about being Charlie Watts in the Rolling Stones,

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here is what is coming up in today's show.

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Which of these entertaining items will steal the show as we put them

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under the auctioneer's hammer?

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Will it be Jimi Hendrix who rocks the sale room?

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Or a bit of old-fashioned recreation which takes the limelight?

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But before we find out, first up,

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Catherine has set her sights on a very fitting item.

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So, Pam, you're at home here, in these wonderful surroundings.

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Is this somewhere where you actually worked once upon a time?

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Only sort of temporarily.

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-My grandmother used to sell all the sweet and pops...

-Right.

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..at night, when the shows were on.

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And when I got old enough, I used to come and help her.

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So, what sort of period are we talking that you were here?

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Mid to late '50s.

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So you were running around, helping her out, with your autograph book.

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-Yes.

-You collected all the main stars, I suppose,

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-who were appearing at the time.

-A lot of them, yes.

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Let's have a look, who were you collecting the autographs of?

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-Oh, Tommy Steele.

-Oh, there is Tommy Steele. There is Tommy Steele.

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-And he has put a little heart in.

-A little heart.

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-Were you a big fan of his?

-Oh, I liked Tommy Steele.

-Did you?

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Much better than Elvis.

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And who else have we got? Let's have a little look here.

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Beryl Reid. "Good luck, Beryl Reid."

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And she has put the name Monica,

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so she must have been playing a part in a play or something.

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Beryl Reid was always known in her comedy shows as Monica.

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-It was her alter ego.

-Oh, right! Oh, I see.

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I've got Alicia Markova in there,

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-who was a famous ballerina at the time.

-Very famous ballerina.

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Oh, yes. I've got Beniamino Gigli, who was an opera singer.

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-Oh, right.

-I cut out a piece from the Mercury.

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That's wonderful!

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It's a really lovely piece of sort of social history.

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-It's nice for you to remember.

-Yes.

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I like it because it's not just pop stars.

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-No.

-It's across the board.

-You've got across the board.

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Did you actually watch the performances as well?

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-Some of them, but not all of them.

-No.

-I watched Cliff Richard.

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Cliff Richard, there he is.

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-Was he any good?

-Brilliant.

-Was he?

-Oh, yes.

-Of course.

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We all sat there, the normal... "Ah!"

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Were you? You probably slept with this under your pillow, didn't you?

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Cliff Richard, Cliff Richard! How wonderful.

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-And now you're just wanting to sell it?

-Yes.

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Well, it is been sitting on the...in the bookshelf.

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-I am trying to have a clear-out.

-Time to go.

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And being at the De Montfort Hall, I thought it was the perfect...

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-Absolutely.

-Because they were all collected here.

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And it's lovely that you have come along with it today.

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Honestly, you've really made my day.

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The only problem is, it's not going to be hugely valuable,

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simply because of the names of the people in there.

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-I mean, had you had the Stones or...

-Yes.

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..the Beatles or something like that, then obviously,

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their autographs are a lot more desirable.

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You've still got some interesting names there.

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But really, we are looking at more like £40 to £60,

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-that sort of price. Is that all right?

-Yes, that's fine.

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I hope it sells well. Perhaps we can go and buy ourselves some popcorn.

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-Yes.

-Or some pop.

-Mm-hm.

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-Or maybe even a glass of champagne.

-Sounds good.

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# The stage is a world of entertainment... #

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On "Flog It!", the fun and the excitement never end.

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Next up, Pam has an outdated but enchanting form of entertainment.

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You brought along this... Well, it's a toy, basically, isn't it?

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-Yes, I suppose it is.

-So, tell me a bit about it.

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Is it something you've had for a long time?

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Yes, it was my late husband's grandfather's,

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obviously in the days before there was radio and television.

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It was a home toy that they played with and watched.

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Yeah, absolutely.

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Yeah, it is known as a nursery lantern, as it was a child's toy.

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Have you thought much about where it came from?

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-I do believe it came from Germany originally.

-Yeah, absolutely spot on.

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It is by a maker called Ernst Plank,

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-and they made a lot of tin toys, a lot of lanterns.

-Yeah.

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They started off in about 1866

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and made right the way through the 19th century

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-into the early 20th century.

-Right.

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And then if we look inside, it has got its original burner.

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-So it was oil-fired.

-It was.

-So there was a flame in there.

-Yeah.

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-Can you imagine leaving children with that?

-Not today.

-No, no.

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And then it...

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Nice, it has its little funnel that goes on top, obviously,

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of the burner.

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And then, basically, you put the little slides through here

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and then the light shines through and you've got a good lens

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and you'd project that onto a wall, usually.

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You didn't have a screen or anything, just a white wall.

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And then these little slides, which are showing in here.

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You've got a selection of sort of nursery ones.

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And we've also got some dating from the Boer War period...

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-That's right.

-..with the soldiers.

-Yeah.

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You can actually see them there, on horseback.

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Of course, horses were used by the officers in those days.

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Of course, it is South Africa as well,

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which was foreign to everybody in those days.

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They didn't travel to places like that.

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As they say, it is early telly, really. Have you ever used it?

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When we first got it, we did set it up and have the slides going through.

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-Yeah.

-Whether it would ever get used again, I don't know,

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but it might be of interest to somebody.

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Oh, definitely, definitely. There are good collectors for these items.

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And it is all in its original box, which is lovely.

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Label inside here with the basic instructions on it.

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It's just in lovely, original condition, but not worth huge money.

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No.

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-So... Had you had any idea at all in your thoughts?

-Not really, no.

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It's just sitting in a cupboard these days.

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Well, my feeling is that at auction,

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-you are looking at between £50 and £80.

-Right.

-OK?

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I would put a £50 reserve on it,

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because I wouldn't like to see it go for any less than that.

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-No, I wouldn't let it go for less than that.

-No.

-Brilliant.

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-Somebody will enjoy it.

-Oh, I think so.

-Yeah.

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Let's hope so.

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But if something is worth its money and you don't want it to

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sell for peanuts, it is always sensible to fix your reserve.

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This great concert hall has a history of over 100 years.

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It was built in 1913 at a cost of £22,000.

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And its enviable acoustics in its day made it one of the best

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concert venues that any band or act could play in.

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Now, these ledgers go back to 1956 and they are a record

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of all the artists and acts that have played on that stage.

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And I've had a flick through

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and I've spotted a few of my favourite bands.

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We are starting off with Black Sabbath -

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Paranoid, can you remember that one?

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Look, they played here on the 17th of the first, 1972.

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And remarks... Here, in the remarks column,

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they needed a Steinway piano.

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I wonder what Ozzy Osbourne was going to do with a Steinway piano.

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Anyway, my favourite band of all time, Pink Floyd, played here!

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On the 15th December, 1971.

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And the great thing is, more and more bands,

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more and more acts are coming here - stand-up comedians, orchestras...

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They are still playing here

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because it is still one of the greatest venues in the country.

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It's just history in the making. And today, we are a part of it as well.

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Hopefully, we can have our name in here.

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And the lady with her name in lights right now is Catherine.

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-Jill, welcome to "Flog It!"

-Thank you.

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And thank you for bringing along

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your lovely enamelled cigarette case.

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-Where did you get this from?

-It was a present from my husband.

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-Right. Birthday present?

-No, just a love-me present.

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-Aw, just a love-me present, what a lovely husband.

-He is.

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And you are flogging it? Do you not love him any more?

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-I don't need anything to show me he loves me.

-Aw.

-But we need it.

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I've been made redundant, so we thought, it's got to go.

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-It's got to go.

-Yeah.

-It's a lovely colour.

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Really nice vibrant blue, and that is what attracted me to it.

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It has also got this lovely sunburst shape.

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It is very typical of the 1930s period.

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You find the sunburst, and you can see that coming up

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here in the lovely guilloche, engine-turned enamelled.

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Does he often buy you antiques, your husband?

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Um, I just have a little, small silver collection,

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but it is all tiny little pillboxes, vestas and things like that.

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-This was the nicest one.

-This is the nicest piece.

-Yeah.

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And this is the one you're selling?

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-I've sold a few of the others already.

-Oh.

-I know.

-OK.

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All right, well, let's just open it up and have a look inside.

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We can see that it is quite clearly hallmarked there.

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And this was made in 1935. And it is so typical of the Deco period.

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The only thing that worries me about it is the damage.

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It is a little bit damaged.

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There is a tiny bit of enamel missing on the corner there.

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-And also, these sort of silver edges are a little bit worn.

-Yeah.

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-Was it like that when you got it?

-Pretty much, yes.

-Right.

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And have you ever used it?

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Because they're not the most commercial things now, are they?

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I mean, I am a smoker, but they are too small for cigarettes

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and I don't have calling cards or anything like that.

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You don't have a calling card. With this name "Hottie", I don't know.

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-What is Hottie all about?

-Hottie...

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There is a whole group of us girls, there's about 50 of us and a

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couple of honorary boys as well, but they have to wear girls' clothes.

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And we are called the Flotties.

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-What's a Flotty?

-A Flotty is a Foxy Lady On Tour.

-Ah!

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There is a gang of about 50 of us and we all go out partying together.

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-And when we have a birthday, we all do fancy dress.

-Lovely.

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So, it wouldn't be the done thing for a Foxy Lady On Tour to be

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carrying along a guilloche enamel cigarette case.

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-There's nowhere to put it.

-Not quite the right thing.

-No.

-Right.

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-So it is time to sell it, to move on.

-Yes, definitely.

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They are not the most commercial things, being cigarette cases,

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-however, people do use them as card cases these days.

-Yeah.

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And it is a lovely, bright colour, and it is attractive.

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But I would probably only put an estimate on of about £40 to £60.

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That is about what I thought.

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-And you can put it towards one of your other trips.

-Yeah.

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-Where's next?

-Couple of weeks' time, I've got another birthday party,

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and the theme is military.

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In a local pub. We've got a disco and everything.

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Well, listen, have a fantastic time

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and I'll see you at the auction in a couple of weeks.

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-Hi, Sylvia.

-Hello.

-Good to see you.

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Glad you came along today with your pencil box. What do you know?

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Have you just dug this out the back of a drawer?

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Yes, it's been in my cupboard a little while.

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We've had it in the family for at least 70 years.

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You didn't use it, then?

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-No.

-Didn't keep your pencils in it?

-No. No, I didn't.

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You just thought, "Flog It! is in town..."

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Yes, cos my granddaughter is hoping to go off to college soon,

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and I thought it if makes any money it'd help with her fees for

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the equine course she is taking.

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Oh, right. So, do you know where it came from?

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No, I've no idea where it came from. It's always been around.

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-It's probably about 1910, 1915 something like that.

-Yes.

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It's actually made of papier mache, and then it was lacquered

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to give it this black finish, and then originally you would have had

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some lovely, bright gilt paintwork around the side.

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And then this wonderful chromo-lithographic

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panel in the centre,

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of the flight of the zeppelin.

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Being hailed as flying.

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-It was the new thing, they must've been fantastic things to see.

-Yes.

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There are some really enthusiastic collectors of airships and

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all things zeppelin out there,

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because there are all sorts of bits of memorabilia with them on.

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So this, I think, will appeal.

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It adds to somebody's collection.

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It is one of those quirky objects that if you put

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a sensible estimate on it,

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especially with online bidding,

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it'll get picked up and I think do quite well.

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-My feeling is you should look between £40-60. OK?

-Right.

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And I'd put a discretionary reserve of 40, the lower estimate.

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-Does that sound right?

-Yes, yes.

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I think it might go higher.

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I have seen items with zeppelin on go higher,

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-but there's no point frightening everyone else off.

-No.

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-So if you're happy with that...

-Yes, I'm happy.

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-..we'll go forward, and hopefully help towards the equine studies.

-Yes, right.

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Fingers crossed we'll get a sky-high price for this quirky little item.

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'Queen of the skies, seen here from a Universal newsreel

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'camera plane as it sped over New York.'

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The zeppelin became the cutting-edge form of air travel at the end

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of the 19th century.

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Passengers were transported under an enormous rigid balloon-like

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structure full of highly flammable hydrogen gas.

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The space-age looks and the excitement of the new

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made this form of transport highly popular.

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But in 1937, the German airship Hindenburg

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made a transatlantic flight which was to hasten the demise of the airship.

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Due to land in Lakehurst, New Jersey,

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the voyage ended in disaster.

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'The Hindenburg appeared a conquering giant of the skies,

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'but she proved a puny plaything in the mighty grip of fate.'

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As she attempted to dock, the airship burst into flames,

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and 35 people lost their lives.

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This tragedy quickly changed people's opinions of these giants of the sky,

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and in a few years, the zeppelin's glory days were a distant memory.

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Before we head off to auction,

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there is something I would like to show you.

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In the early 1970s, Leicester was much like any other city

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in the Midlands.

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But in 1972, some 6,000 miles away, in Uganda,

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a landlocked country in East Africa,

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one man's political beliefs were about to have

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a lasting affect on this city.

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Idi Amin was the president of Uganda from 1971 to 1979.

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He was a ruthless dictator.

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And in 1972, he announced a shocking policy -

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Africanisation of the country.

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Asians made up only 1% of Uganda's population,

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but controlled 90% of its wealth.

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So, Amin wanted them out, to return the country

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and its economy to the Africans.

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Amin ordered the expulsion of a staggering 80,000 Asians

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from the country that they called home.

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He believed that they were Britain's responsibility, as Uganda

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had been ruled by the British.

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And that is why I said that the responsibility of Asians

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in Uganda, it is the responsibility of Great Britain.

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The Asian community was given just 90 days to leave Uganda

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and were only allowed to take one 30kg suitcase

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and £55 in their pocket.

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All of their other belongings they had to leave behind,

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from homes to businesses, jewellery to graves.

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Jafar was expelled from Uganda

0:16:200:16:23

when he was a young man of just 21.

0:16:230:16:25

Today, he is a prominent businessman.

0:16:250:16:27

But his memories of Uganda are still vivid.

0:16:270:16:31

I remember Uganda as a beautiful country.

0:16:310:16:34

I lived in a small village called Masindi.

0:16:340:16:36

My father had built up over, sort of, 30 years a very thriving

0:16:360:16:41

hardware, DIY, building materials business.

0:16:410:16:45

And in first week in September, Idi Amin announced from

0:16:450:16:49

the barracks that he had a dream

0:16:490:16:52

and that he has been asked to expel all the Asians from the country.

0:16:520:16:56

When we heard this, we thought this was simply a joke

0:16:560:17:00

and we started laughing. How will this country survive without us?

0:17:000:17:04

The professionals, the doctors, lawyers, accountants.

0:17:040:17:07

But as the days went by, you know, he became very serious.

0:17:070:17:11

So we started thinking,

0:17:110:17:12

"Look, let's prepare for our departure from the country."

0:17:120:17:16

We had so much to bring and we could only bring what we could carry -

0:17:160:17:21

clothing, some photographs.

0:17:210:17:24

My mother had a lot of china, cutlery and crockery

0:17:240:17:28

and so on, very expensive items there.

0:17:280:17:30

But in the back of our minds, we were saying,

0:17:300:17:32

"Look, does it matter what we carry?"

0:17:320:17:35

All we cared for was our lives, really. Because it was so bad.

0:17:350:17:40

Now, imagine having to pack all the important and sentimental things

0:17:460:17:50

that you have gathered throughout your entire life into one suitcase.

0:17:500:17:55

How impossible would that be to choose?

0:17:550:17:57

I'd find that extremely difficult.

0:17:570:17:59

Not only would you have to put in sentimental things that give

0:17:590:18:01

you a sense of connection to your past and your homeland,

0:18:010:18:05

but also things for the future to prepare you for this new life

0:18:050:18:07

in the UK. A lot of people had preconceived ideas

0:18:070:18:10

about what it would be like here.

0:18:100:18:13

So, not only would you put something in that is a family heirloom,

0:18:130:18:15

but also something practical, to keep you warm

0:18:150:18:18

in the freezing cold winters here.

0:18:180:18:20

Something like a blanket.

0:18:200:18:22

Almost a third of those expelled from Uganda came to Leicester.

0:18:230:18:27

And 40 years on, the city has collected together

0:18:270:18:29

some of those precious items that they brought with them.

0:18:290:18:33

These two gold pendants just there - that horse and that elephant -

0:18:340:18:37

and that tiny little carved wooden giraffe belong to Nisha,

0:18:370:18:41

who was a young girl, aged just nine,

0:18:410:18:43

when her parents were expelled from Uganda.

0:18:430:18:46

Nisha is very passionate about her heritage and that inspired

0:18:460:18:49

her to set up this expedition here at the museum, which she works at.

0:18:490:18:53

-And she is with me right now. Pleased to meet you.

-Hi.

0:18:530:18:56

It must have been such an emotional thing to do, put this together.

0:18:560:19:00

I think, yes, it was.

0:19:000:19:01

And it is quite a big story for Leicester, so it was important to us.

0:19:010:19:04

But once I got into it, it became very emotional because,

0:19:040:19:08

you know, the story is about yourself.

0:19:080:19:10

And how did other people in he community feel?

0:19:100:19:12

Were they forthright in coming forth and saying,

0:19:120:19:14

"Yes, you can have this?"

0:19:140:19:16

I think they were forthright in wanting to talk to us,

0:19:160:19:18

and there were very, very excited about it.

0:19:180:19:21

But, I think, 40 years on, memories fade.

0:19:210:19:24

And somehow, they wanted to glorify what had happened

0:19:240:19:27

when they came here, so they wanted just the good memories,

0:19:270:19:30

none of the sort of hardships they experienced when they came here.

0:19:300:19:34

And how did you go about selecting which items you would use?

0:19:340:19:38

Obviously, that was a hard decision by you, not just by the owners.

0:19:380:19:41

I think it was difficult to get objects, because what people

0:19:410:19:45

brought with them was very, very little.

0:19:450:19:48

They weren't sure about giving it to us because...or lending it to us

0:19:480:19:51

either, because these are things that were very precious to them.

0:19:510:19:54

I can imagine you had to be quite selective.

0:19:540:19:56

Can you pick on one or two?

0:19:560:19:58

Um, I think the Katanga shirt behind you.

0:19:580:20:02

And that brought back a lot of memories about people

0:20:020:20:06

wearing them, people going to events with them,

0:20:060:20:09

something that was quite meaningful and special to them.

0:20:090:20:11

And then, the other thing is this, sort of, Ugandan passport,

0:20:110:20:15

because you always link passports and things to identity.

0:20:150:20:18

-Yes.

-And this is about you.

0:20:180:20:20

And, actually, looking at that, the stir of emotions you felt

0:20:200:20:24

and people felt, as well.

0:20:240:20:25

-You went through that as a young girl.

-That's right.

0:20:250:20:27

At nine. What were your particular memories?

0:20:270:20:29

My parents, kind of, disguised it as, "We're going to go to London,

0:20:290:20:32

"we're going to go on a holiday."

0:20:320:20:34

So, when we got here, I think, initially, the first week,

0:20:340:20:36

was fascinating.

0:20:360:20:38

You know, just going round London on the tube with my older sister.

0:20:380:20:40

We spent a few days in London and then we moved to Leicester,

0:20:400:20:43

because we have some family here.

0:20:430:20:45

Nisha's world was turned upside down by the expulsion from Uganda.

0:20:450:20:49

But for her family, Leicester soon became home

0:20:490:20:52

and they thrived and prospered here, just as Jafar did.

0:20:520:20:55

The picture which I had of England in my mind,

0:20:570:20:59

cos I was still very young,

0:20:590:21:00

was that it was a very wealthy country and I expected

0:21:000:21:05

gold-plated buildings and, you know, a land of milk and honey.

0:21:050:21:11

We all lived in one house, three-bedroom house,

0:21:110:21:15

with five brothers, two sisters, mother and father.

0:21:150:21:20

My father, he had to bring all the groceries, everything on the bus.

0:21:200:21:24

When I used to see him standing at the bus stop,

0:21:240:21:27

it used to make me cry because I used to see him

0:21:270:21:31

in a chauffeur-driven car back at home.

0:21:310:21:33

So we had some very difficult times the beginning.

0:21:330:21:36

As we went along, we found jobs and made some money.

0:21:360:21:40

Then we had cars and our houses and so on.

0:21:400:21:44

But that was a long way away.

0:21:440:21:46

Now, who would've thought some 40 years ago, one man's action,

0:21:520:21:55

and thus the arrival of the Ugandan Asian community here in Leicester,

0:21:550:22:00

would change this city into the vibrant,

0:22:000:22:03

multicultural place that it is today -

0:22:030:22:06

a city that can rival any other in the UK.

0:22:060:22:08

And right now, the excitement for us continues over at the auction house.

0:22:170:22:21

Let's remind ourselves of the items that are going under the hammer.

0:22:210:22:25

The autographs have a lovely local connection,

0:22:250:22:28

so I have no doubt someone's going to snap them up.

0:22:280:22:31

Such a nostalgic thing,

0:22:310:22:32

the magic lantern is the entertainment of a bygone era.

0:22:320:22:36

But will anyone want it today?

0:22:360:22:38

And smoking is out of favour,

0:22:390:22:40

but who could resist this charming cigarette case?

0:22:400:22:43

Will Sylvia's zeppelin pencil box soar,

0:22:440:22:47

or will it leave the bidders deflated?

0:22:470:22:49

So, what's going to be top of the bill and what's going to flop

0:22:520:22:56

as we put these items under the hammer?

0:22:560:22:58

Today's auction comes from Gildings,

0:22:580:23:01

based in the historic market town of Market Harborough.

0:23:010:23:04

The town dates back to the 12th century

0:23:040:23:06

and has a long history with trade.

0:23:060:23:08

Hopefully, we can continue that success with auctioneer

0:23:080:23:11

Mark Gilding.

0:23:110:23:12

It's curtains up as he takes the rostrum.

0:23:120:23:15

The commission here at Gildings is...

0:23:160:23:18

It does vary from sale room to sale room, but it is how auction houses

0:23:200:23:23

make their money, so expect to pay it wherever you go.

0:23:230:23:27

Going under the hammer right now, we've got an album

0:23:280:23:31

of autographs of artists that have played at the De Montfort Hall.

0:23:310:23:33

That is where we did our gig.

0:23:330:23:35

That is where we found all the items here today.

0:23:350:23:37

-I've got no idea what this is going to make.

-No.

0:23:370:23:40

-It is a bit of fun.

-We've got a bit...

0:23:400:23:42

What have we got, £40 to £50? Somewhere around there.

0:23:420:23:44

-£30 reserve, so...

-Yes.

-OK.

-It should sell, shouldn't it?

0:23:440:23:48

-Yes.

-They are just interesting names.

-I hope so.

-Yeah.

0:23:480:23:51

There is a good variety of people in there.

0:23:510:23:53

-And that was what it was all about, great variety.

-That's it, yes.

0:23:530:23:55

Well, fingers crossed anyway.

0:23:550:23:57

It's going under the hammer right now, so let's see if it flies away.

0:23:570:24:01

And on to lots number 387 -

0:24:010:24:04

the autograph album, 1950s,

0:24:040:24:07

starting at £22.

0:24:070:24:09

25. 28. 30.

0:24:090:24:11

-Good.

-30 on bid, at 32.

0:24:110:24:14

35. 38.

0:24:140:24:16

40. 42.

0:24:160:24:18

45.

0:24:180:24:19

45 on the right-hand side, at 45...

0:24:200:24:24

-Hammer has gone down. That was short and sweet.

-Aw, all those memories!

0:24:240:24:27

But they will come flooding back though, right here.

0:24:270:24:29

Oh, yes! Yes, it's nice.

0:24:290:24:33

-Oh, thank you for bringing them in.

-You're more than welcome.

0:24:330:24:35

And I'm sure members of the audience watching this at home would

0:24:350:24:38

enjoy listening to Cliff Richard and Tommy Steele

0:24:380:24:42

and many of the other great names that were in that album.

0:24:420:24:45

Pam, fingers crossed.

0:24:510:24:52

This is it. It's your lot going under the hammer.

0:24:520:24:55

We're just about to sell some early TV.

0:24:550:24:57

Everybody in the family gathered around

0:24:570:24:59

and watched a magic lantern show, with all the glass slides.

0:24:590:25:03

Fantastic things, though.

0:25:030:25:04

I mean, there are some slides I've seen of a man snoring like that,

0:25:040:25:07

and you slide the slide through, and this mouse drops in his mouth,

0:25:070:25:10

and as he is snoring, he eats it.

0:25:100:25:12

Love it to bits. Absolutely love it to bits.

0:25:120:25:14

We've had some good surprises in the past with things like this.

0:25:140:25:17

Fingers crossed we get the top end and a bit more.

0:25:170:25:19

Let's do it, this is it. Good luck.

0:25:190:25:21

Lantern, a magic lantern, with slides and the original box.

0:25:230:25:26

Bidding here opens with me on 234 for £38.

0:25:260:25:30

£38 I bid now, 38.

0:25:300:25:32

40. 42.

0:25:320:25:34

42 on bid now. 42.

0:25:340:25:36

At £42. Five do I see?

0:25:360:25:38

At £42, bid.

0:25:380:25:40

42, then, and away at £42...

0:25:400:25:43

-Did he sell? No, he didn't, he passed on that.

-Oh, you're joking!

0:25:430:25:47

Thank goodness we protected that with a reserve.

0:25:470:25:49

-Yeah.

-Nobody here today wanted such entertainment.

0:25:490:25:53

-They don't know how to use them, do they?

-No. No.

0:25:530:25:56

-Look, there is another day, another sale room.

-Yeah.

-OK?

0:25:560:25:59

-But we tried our best.

-Yes, you did, yeah.

-That's auctions for you.

0:25:590:26:03

Well, I've just been joined by Sylvia and Claire, our expert.

0:26:030:26:07

-This is for the granddaughter?

-Yes, that's it.

0:26:070:26:09

-So she's going off to study at college?

-Yes.

-An equine course?

0:26:090:26:12

Yes, that's it.

0:26:120:26:13

-Does she have horses herself?

-She has got one, yes.

0:26:130:26:16

I blame the parents.

0:26:160:26:18

-That's an expensive hobby, that one.

-It is.

0:26:180:26:20

We need top end of the estimate. Let's put it to the test.

0:26:200:26:24

What is it worth? We are going to find out.

0:26:240:26:26

Here's a papier-mache pen box with a printed design of an airship.

0:26:260:26:31

There we go, showing with Gary.

0:26:310:26:32

Interesting little box, this one.

0:26:320:26:34

A lot of interest on the book here.

0:26:340:26:36

So, starting with me at £40.

0:26:360:26:38

-£40, I'm bid.

-We are in, Sylvia, we are in.

-£40 bid. To 45.

0:26:380:26:44

At £45?

0:26:440:26:46

At 45. Now, £50, I'm bid. 50 on my book.

0:26:460:26:50

Five, I will take.

0:26:500:26:51

50 bid, then. The bid is with me still and selling at £50.

0:26:510:26:55

-It's gone, £50.

-Lovely.

-Can I honestly say?

0:26:560:26:59

Congratulations, anyway.

0:26:590:27:01

And thank you for bringing that in. But it just sparked a little memory.

0:27:010:27:05

One of the main reasons why I got into the antiques trade

0:27:050:27:07

was my uncle was an antique dealer. He had a shop and, in his shop,

0:27:070:27:10

he had a grand piano.

0:27:100:27:13

But underneath the piano,

0:27:130:27:15

he had one of the wheels from one of the zeppelin airships.

0:27:150:27:20

And it was like a ship's wheel, it was massive thing.

0:27:200:27:23

And I, accidentally, when I was a little young kiddie

0:27:230:27:25

of about six or seven, walked over and I trod on it, and he said,

0:27:250:27:28

"Don't touch that, that's from one of the zeppelins that flew over."

0:27:280:27:32

He gave me this big lecture and,

0:27:320:27:34

"Oh, that is a bit of history there."

0:27:340:27:37

And, you know, in a way, he inspired me to get into this business,

0:27:370:27:40

and it was all because the zeppelin and standing on that ship's wheel.

0:27:400:27:44

-So, there you go.

-Yeah, lovely.

0:27:440:27:45

I've just been joined by Jill and our expert, Catherine.

0:27:500:27:53

We're putting under the hammer a silver-enamelled cigarette case.

0:27:530:27:56

Now, we are putting £40 to £60 on this, and I totally agree

0:27:560:27:58

with that valuation, because we have seen them before on this show.

0:27:580:28:01

And what is this all about? Southside Rebellion.

0:28:010:28:03

-That's what my local...

-Do you play in a band?

0:28:030:28:05

-No, friends of ours.

-You're supporting them.

-Yes.

0:28:050:28:08

That's what they're called? Good luck to them.

0:28:080:28:10

-A Leicester-based band?

-Yes.

-Covers or original material?

0:28:100:28:12

It's all covers of old punk songs.

0:28:120:28:14

-And for one night only we feel about 18 again.

-OK, right.

0:28:140:28:18

Well, let's move along, get back to the antiques

0:28:180:28:20

and put your cigarette case under the hammer.

0:28:200:28:22

The silver-enamelled cigarette case, Birmingham, 1935.

0:28:220:28:25

And lots of interest on my book here.

0:28:250:28:28

I'm going to open the bidding at £40.

0:28:280:28:31

42. 45. 48. 50. Five. 60.

0:28:310:28:34

Five. 70. Five. 80. Five.

0:28:340:28:37

90. Five. 100. 110. 120.

0:28:370:28:40

-130.

-How much?

0:28:400:28:42

140 with me. At 140. A big shake of the head.

0:28:420:28:45

You are all out in the room, then. Last chance at £140.

0:28:450:28:49

-There you go, £140.

-That's quite a lot!

0:28:490:28:51

That will cover the bar bill. I've already spent it.

0:28:510:28:54

Hey, that's punk rock for you.

0:28:550:28:57

It just goes to show, if two people want something badly enough,

0:28:580:29:02

the unexpected can happen.

0:29:020:29:03

Things can fly at auction.

0:29:030:29:06

Well, there you are, one or two happy owners there.

0:29:060:29:08

That concludes our first visit to the sale room.

0:29:080:29:11

Don't go away, we are coming back here later on in the programme.

0:29:110:29:14

We have wonderful turnouts in our valuation days,

0:29:140:29:16

but we do need publicity, that's what gets people through the door.

0:29:160:29:20

One of the biggest draws is a plug from local radio.

0:29:200:29:23

Everyone listens to it.

0:29:230:29:25

And without BBC Radio Leicester, things wouldn't be the same.

0:29:250:29:28

And so before the valuation day, I went to find out more.

0:29:280:29:32

And the story starts back in 1967.

0:29:370:29:41

The head of BBC Radio back then was a chap called Frank Gillard.

0:29:410:29:45

He had a grand master plan to satisfy the public needs -

0:29:450:29:49

local radio.

0:29:490:29:50

We are quite certain that local life

0:29:500:29:52

is something very important.

0:29:520:29:54

Most people are just as interested in what goes on in their own

0:29:540:29:57

communities as they are in national or even international affairs.

0:29:570:30:01

His dream was to deliver modern journalism

0:30:010:30:04

centred around the interests of the local communities.

0:30:040:30:06

It was simple, it was brilliant. There was just one problem.

0:30:060:30:10

With an estimated yearly running cost of £50,000 each,

0:30:100:30:14

where would the money come from?

0:30:140:30:16

The BBC was in no position to fund this venture with the licence fee,

0:30:160:30:20

so money had to be sought further afield.

0:30:200:30:22

And eight local authorities from Sheffield to Merseyside came

0:30:220:30:26

up trumps. They offered to fund this experimental radio

0:30:260:30:29

in their areas for a trial period of two years.

0:30:290:30:32

So, the race was on - which would be the first station to

0:30:330:30:36

get on air and set the benchmark for others?

0:30:360:30:40

BBC Radio Leicester hit the airwaves on 8th November, 1967,

0:30:400:30:45

making a bit of history there -

0:30:450:30:47

Britain's first mainland, local radio station.

0:30:470:30:50

And what a day! We've had the Postmaster General

0:30:500:30:53

to open the station, the Lord Mayor of Leicester had a say

0:30:530:30:55

and we've got more visitors in the studio this afternoon.

0:30:550:30:59

During the next 50-odd minutes or so,

0:30:590:31:01

we will be hearing from some of our opening-day personalities.

0:31:010:31:04

Ken Warburton was a programme assistant at BBC Radio Leicester,

0:31:040:31:08

and was there as it made its first broadcasts.

0:31:080:31:11

It was an exciting day.

0:31:110:31:13

It was the combination of a lot of preparation,

0:31:130:31:15

-quite a lot of hard work...

-Yeah.

0:31:150:31:17

..from months before. And finally, we were there.

0:31:170:31:20

Britain's first experimental local radio station, Radio Leicester,

0:31:200:31:25

went on the air about a quarter of an hour ago.

0:31:250:31:27

I had a double learning curve - I had to learn not only all

0:31:270:31:31

the techniques of radio but just basically talking on the wireless.

0:31:310:31:34

-Sure, but it is also the technical skills.

-We did it all, yes.

0:31:340:31:37

There were no producers, there were no technicians, you drove a desk,

0:31:370:31:42

you opened up controls, you set up the microphones, you did everything.

0:31:420:31:46

But you'd also have individual commitments,

0:31:460:31:48

and I had to produce a countryside programme, a programme for the blind,

0:31:480:31:53

for the visually impaired, and also a gardening programme.

0:31:530:31:56

-So it was a complete mixed bag for everybody.

-Yeah.

0:31:560:31:58

My budget for the gardening programme was, I think, £3.10.

0:31:580:32:03

And that was considered quite good, actually.

0:32:030:32:06

You've got to be creative with a budget like that.

0:32:060:32:08

To be honest, a lot of people came in and did stuff

0:32:080:32:11

-because they were local and had a commitment to the area.

-Yes.

0:32:110:32:14

And just as well they did,

0:32:140:32:15

because there's no way we could have afforded to have paid contributors.

0:32:150:32:19

Well, I'll flash right around my next request, which is

0:32:190:32:21

from Julie Howard of 18 Foss Road, North Leicester.

0:32:210:32:24

She says, "Dear Mr Warburton,"

0:32:240:32:25

very formal, "My parents celebrate their 25th wedding anniversary,

0:32:250:32:28

"will you please play The Seekers singing Island Of Dreams for them?"

0:32:280:32:31

Well, all our congratulations from here at Radio Leicester,

0:32:310:32:34

and here are The Seekers with Island Of Dreams.

0:32:340:32:37

With the best will in the world, it would have been

0:32:380:32:41

a very small audience.

0:32:410:32:42

It could be a little more professional, I think, you know,

0:32:420:32:45

we get the odd, you know, faux pas on the radio,

0:32:450:32:49

you know, going through.

0:32:490:32:50

I don't think it's very good, all that good. Not as good as Radio 1.

0:32:500:32:53

Nothing wrong with it as far as I'm concerned. I just don't want it.

0:32:530:32:57

The initial response to the local radio stations

0:33:000:33:03

was a little bit mixed.

0:33:030:33:04

BBC London seemed a little cynical about the project.

0:33:040:33:07

And at the same time,

0:33:070:33:09

commercial radio stations were really taking off.

0:33:090:33:11

And the staff in all the regional outlets feared

0:33:110:33:14

that the government may lose interest in the whole scheme.

0:33:140:33:17

The pressure was on. This was a race against time.

0:33:190:33:21

Local radio only had two years to prove itself

0:33:210:33:24

and a huge amount was riding on this.

0:33:240:33:27

Station manager Owen Bentley knows all too well the challenges

0:33:270:33:31

faced by the eight experimental stations in the early days.

0:33:310:33:35

When we started,

0:33:350:33:37

we were probably not the most wanted child within the BBC.

0:33:370:33:41

Um, obviously Frank Gillard, who was the founder of local radio,

0:33:410:33:46

had a vision of it, but there was a lot of opposition.

0:33:460:33:48

People were trying to do us down, calling us Toytown Radio

0:33:480:33:52

and so on because we were all learning on the job.

0:33:520:33:55

We had a basic vision of local radio,

0:33:550:33:57

and the vision was, you know,

0:33:570:33:59

essentially that the BBC would supply the skeleton

0:33:590:34:03

and the community would provide all the flesh and the programming

0:34:030:34:06

on it and so on.

0:34:060:34:08

In the evening, we had a host of programmes,

0:34:080:34:11

little 15-minute programmes,

0:34:110:34:13

which have been made by members of the community.

0:34:130:34:15

These were people that we trained who came in

0:34:150:34:18

and did their own thing, a programme on steam, for example,

0:34:180:34:21

here at Leicester, which ran for years and years with volunteers.

0:34:210:34:24

A youth programme. Music programmes and so on.

0:34:240:34:28

And maybe a local DJ coming in.

0:34:280:34:30

So you might run a schedule up to about nine o'clock,

0:34:300:34:32

but huge gaps in the day where we took Radio 2.

0:34:320:34:35

The hard work, creativity and dedication of the radio crew and the

0:34:370:34:41

local community began to pay off and the station's popularity increased.

0:34:410:34:45

There was every chance that we wouldn't get a big enough audience

0:34:460:34:49

to make an impact. Luckily, we did.

0:34:490:34:52

And I suppose by the end of the two years,

0:34:520:34:55

we felt it was going to be secure.

0:34:550:34:57

If you say that in the whole range

0:34:570:34:59

of newspaper journalism there is

0:34:590:35:01

room for the local newspaper, and there certainly is,

0:35:010:35:03

I read mine every week from cover to cover,

0:35:030:35:05

you must also admit that there is a place in the whole

0:35:050:35:10

span of broadcasting for the local radio station.

0:35:100:35:13

I think it's very good because it gives you information on what's

0:35:130:35:16

happening and where you can go to be entertained.

0:35:160:35:19

And it gives you the local news.

0:35:190:35:21

I really enjoy listening to it. I listen to it, really, every morning.

0:35:210:35:25

So, two years on, the experiment was finally deemed a success and the

0:35:290:35:33

government gave the BBC the go-ahead for a further 20 radio stations.

0:35:330:35:37

This time, funded with the licence fee.

0:35:370:35:40

BBC Radio Leicester. It is 10:10, then, Friday morning.

0:35:400:35:44

Jim Davis with you through until midday today.

0:35:440:35:48

46 years on, the radio station is a true success story.

0:35:480:35:52

It now has 15 presenters.

0:35:520:35:54

It broadcasts 52 different shows, covering various topics each week,

0:35:540:35:58

which delights around 175,000 listeners.

0:35:580:36:02

It's absolutely brilliant.

0:36:020:36:03

So thank you very much, BBC Radio Leicester,

0:36:030:36:05

"Flog It!" would not be the same without you.

0:36:050:36:07

Right, it is time for me to plug the show. Here goes.

0:36:070:36:11

And look, it works!

0:36:260:36:27

Back at our valuation day, the crowds are still streaming in.

0:36:270:36:30

And Claire is about to go rock and roll on us.

0:36:300:36:33

Hi, Mary.

0:36:330:36:35

It is great of you to come along to the De Montfort Hall,

0:36:350:36:37

which is where we are.

0:36:370:36:39

And of course, it is where this gentleman played, didn't he,

0:36:390:36:42

back in the '60s.

0:36:420:36:44

The great, the legend that is Jimi Hendrix.

0:36:440:36:46

And he was a supporting act, would you believe,

0:36:460:36:49

for Engelbert Humperdinck, which shows how early it was in them days.

0:36:490:36:54

-Yeah.

-But the potential was there and we loved his music.

0:36:540:36:57

And we have got a few of his in our collection.

0:36:570:37:00

-Oh, right. I think it was his second studio album.

-Yes.

0:37:000:37:03

-It was cut in '67.

-Yes.

0:37:030:37:05

-The same year as he was here?

-Yes.

-So it all ties in very nicely.

0:37:050:37:09

-Yes, it does.

-Did you see him play live?

-No.

0:37:090:37:11

-Unfortunately, the tickets were all sold out very quickly.

-Yeah.

0:37:110:37:15

And so I've never been able to see him live, which is a disappointment.

0:37:150:37:19

Yeah, it must've been amazing.

0:37:190:37:20

So, you were having a good time in the '60s, were you?

0:37:200:37:23

Well, I had met Ray, we had no responsibilities.

0:37:230:37:26

Oh, those were the days, weren't they?

0:37:260:37:28

We had a lovely flat,

0:37:280:37:29

-but the children had not come along yet.

-Yeah.

0:37:290:37:32

And music was very much a part of our lives.

0:37:320:37:35

-So buying LPs was where our money went.

-Yeah.

0:37:350:37:39

But as well as the music, of course, when you had vinyl records,

0:37:390:37:42

it was the artwork on the covers that also attracted you.

0:37:420:37:46

That's where a lot of people collect, it's for the artwork.

0:37:460:37:49

Through the '60s and '70s, you have these iconic LPs.

0:37:490:37:51

They don't know what they're about these days,

0:37:510:37:54

do they, downloading off the internet.

0:37:540:37:55

-You miss this, don't you?

-You've got no feel.

-No.

0:37:550:37:58

-You've got no looking through the catalogue...

-No.

0:37:580:38:01

..picking out the actual artwork.

0:38:010:38:03

But the good news is there are a lot of people that are very

0:38:030:38:05

-interested in collecting, but it does get very specialised.

-Yes.

0:38:050:38:09

And they are very fussy, so condition is everything.

0:38:090:38:12

-Obviously, you played this LP.

-Yes, we have.

0:38:120:38:14

So it has a bit of wear on it. So that does count against it a bit.

0:38:140:38:18

But the most important thing with this particular LP is that

0:38:180:38:22

-you have the insert song sheet.

-Yes, we do.

0:38:220:38:24

-That makes a lot of difference to its value.

-Oh, right, yeah.

0:38:240:38:27

You've also taken the decision to sell.

0:38:270:38:29

You just culling your collection a bit, are you, at the moment?

0:38:290:38:31

Well, we've still got our vinyl collection.

0:38:310:38:33

We've got our tape collection. We've got our CD collection.

0:38:330:38:37

-And you haven't got room at the end of the day.

-Yeah.

0:38:370:38:40

So we thought we'd test the water.

0:38:400:38:42

-Well, we need to talk values. My feeling is 50 to 80.

-Yeah.

0:38:420:38:45

-Does that sound about right?

-Yes.

0:38:450:38:47

Maybe just put the reserve just under the 50, say sort of 45?

0:38:470:38:52

-We don't mind 20.

-20? Oh, that's even better.

0:38:520:38:55

You are an auctioneer's dream, you really are.

0:38:550:38:57

That's lovely. Well, thanks so much for bringing it along today.

0:38:570:38:59

-It's lovely that it ties in as well with this wonderful building.

-Yes.

0:38:590:39:03

-And this amazing artist.

-Thank you very much.

-Thank you, Mary.

0:39:030:39:06

Margaret, we're a rather long way from Tunbridge Wells,

0:39:210:39:24

but you have brought in some delightful pieces of Tunbridge Ware.

0:39:240:39:27

Tell me a little bit about them. Where did you get them from?

0:39:270:39:31

Well, my father had them, and he lived in Hertfordshire.

0:39:310:39:34

-A bit closer.

-It's a bit closer, yeah. But he liked wood.

0:39:340:39:38

He liked to collect wooden things.

0:39:380:39:41

-He had various ornaments and he had made some carvings.

-Oh, right.

0:39:410:39:45

So he had quite a few pieces?

0:39:450:39:47

Yeah, a few pieces he had made himself as well.

0:39:470:39:50

They were made, once upon a time, probably in the late 19th century,

0:39:500:39:54

as almost like tourist ware,

0:39:540:39:56

-so pieces that people would have taken away from the area.

-Yeah.

0:39:560:40:00

They are really nicely made.

0:40:000:40:02

And we'll go into them and have a look at them in a bit more detail.

0:40:020:40:04

First of all, with this piece.

0:40:040:40:06

This looks to me like a trinket box made predominantly...

0:40:060:40:09

The wood is walnut. And then on the top,

0:40:090:40:12

we have all these little mosaics made up of single pieces

0:40:120:40:16

of different coloured words, so boxwood and other types of wood.

0:40:160:40:21

And then moving on to this item,

0:40:210:40:22

this is like a miniature chest of drawers.

0:40:220:40:25

And you've got these different drawers there.

0:40:250:40:27

And you've also got the mosaic Tunbridge Ware on the drawers.

0:40:270:40:31

Do you like them?

0:40:310:40:33

I like them cos I admire the work that went into them, yes.

0:40:330:40:37

But not something that you would have in your home?

0:40:370:40:39

Not something I feel I want to keep.

0:40:390:40:42

This to me is one of the most interesting pieces.

0:40:420:40:45

I think this was probably once upon a time a snuff box,

0:40:450:40:49

late 19th century. But a nice little domestic sort of scene on the top.

0:40:490:40:53

And then you have got the Tunbridge Ware

0:40:530:40:56

around the outside.

0:40:560:40:57

And I think those three pieces together are quite delightful.

0:40:570:41:01

-Have you any idea of how much they're worth together?

-No.

0:41:010:41:04

So, if I were to say to you £150 to £250 for the three,

0:41:040:41:08

-how does that sound?

-Quite reasonable, yes.

-Yes?

0:41:080:41:12

-Would you be happy to sell at that?

-Yes.

0:41:120:41:15

So, what would you do with the money if they do make top end?

0:41:150:41:18

I'd like to go on a trip to Cappadocia, in Turkey.

0:41:180:41:22

-To where?

-Cappadocia.

0:41:220:41:24

It is famous for the rock formations,

0:41:240:41:27

and people live inside the rock, in rock houses.

0:41:270:41:30

-Wow.

-So even further away from Tunbridge Wells.

-It is, yeah.

0:41:300:41:34

Whilst I was plugging the show on BBC Radio Leicester,

0:41:380:41:41

I spoke to were very nice lady called Jane.

0:41:410:41:44

Good morning, Jane.

0:41:440:41:45

-Hi, good morning.

-What was your question for him about the show?

0:41:450:41:48

I found a chair that is canvas-based.

0:41:480:41:52

The original canvas, nice soft seat, fancy, decorative. But...

0:41:520:41:57

And it has been in my wardrobe for about 25, 30 years.

0:41:570:42:01

And I was wondering if it was worth anything.

0:42:010:42:04

We need to see it, so any chance of bringing it in tomorrow?

0:42:040:42:08

-Jane took me up on my offer, and she is right here. Hello.

-Hello.

0:42:110:42:15

-Great to talk to you again.

-Great to talk to you again.

0:42:150:42:17

-Now, this is the chair.

-This is my chair, yeah.

-Was it part of a set?

0:42:170:42:20

I have no idea. All I know is that it was one of my grandparent's chairs.

0:42:200:42:25

And we were debating if it was before the war or after the war.

0:42:250:42:29

To me, this looks late Edwardian, sort of 1930s.

0:42:290:42:34

And it would have been part of a set of six or eight.

0:42:340:42:37

-It has not got a drop-in cushion seat.

-It's a spring.

0:42:370:42:41

It has got a sprung seat,

0:42:410:42:42

which is typical sort of war years, transition period,

0:42:420:42:46

with these little Hepplewhite legs.

0:42:460:42:47

It has got a lot of little things going for it,

0:42:470:42:50

but unfortunately, it's seen better days, hasn't it?

0:42:500:42:53

It has had a lot of love, I bet.

0:42:530:42:54

All three of us were fighting over it, cos we have metal furniture.

0:42:540:42:57

And every time we got up in the morning, me and my brother or sister,

0:42:570:43:01

whoever's up first, got to sit on it for the breakfast

0:43:010:43:03

before we went to school. And then we'd fight for it again,

0:43:030:43:06

when we got back to sit on it at tea time or dinner time.

0:43:060:43:09

Sadly, looking at the condition of this, I think it is

0:43:090:43:12

worth around about £15 to £20.

0:43:120:43:14

Yeah, well, I thought £10.

0:43:140:43:18

It is worth £10 to me any day of the week.

0:43:180:43:20

-But you can't just sell it for £10 or chuck it away.

-No.

0:43:200:43:23

It's a chair at the end of the day.

0:43:230:43:24

Cover that with something a bit brighter, put it in the bedroom

0:43:240:43:27

and chuck your clothes on it.

0:43:270:43:29

Jane, thank you so much for turning up.

0:43:290:43:31

-You're welcome.

-And thank you for talking to me on the phone as well.

0:43:310:43:34

Sometimes the sentimental value

0:43:340:43:36

of an item outweighs its monetary worth.

0:43:360:43:38

Hang on to it and enjoy it, I say.

0:43:380:43:40

And now it is over to Claire for a real treat.

0:43:410:43:44

-Hello, Susan.

-Hi.

-It is a pleasure to meet you.

0:43:440:43:46

Thanks for coming along today with some glorious things here.

0:43:460:43:49

-They were all left to my mother. They were her grandmother's.

-Right.

0:43:490:43:53

They're all about 100 years old.

0:43:530:43:54

So, yeah, they've been in the family for a while.

0:43:540:43:57

-Yeah, so passed down.

-Yeah.

-And did she wear them?

0:43:570:43:59

My mother didn't but her mother did.

0:43:590:44:01

I think it is either something you do or you don't, isn't it?

0:44:010:44:04

You don't go out to the supermarket shopping

0:44:040:44:06

-in something like that, do you?

-No, no, no.

0:44:060:44:07

And so you have decided now is the time to...?

0:44:070:44:10

-Yeah, my mum is not very well. She has got MS.

-Oh, yeah.

0:44:100:44:13

We've hit quite sort of hard times at the moment,

0:44:130:44:16

so I think it would help her

0:44:160:44:18

get about and better life, really, so...

0:44:180:44:21

We've four quite different items here, really, in styles and periods.

0:44:210:44:26

So if we start off here with this lovely green stone

0:44:260:44:30

and pearl... The green stone, I'm fairly sure, is a peridot.

0:44:300:44:33

It was very, very popular with the Victorians and the Edwardians.

0:44:330:44:36

I'm sure they believed it had all sorts of properties,

0:44:360:44:38

but it is a wonderful colour, isn't it?

0:44:380:44:40

And it's a really, really clear stone. And combined with the gold...

0:44:400:44:44

Now, I couldn't see a hallmark on the gold.

0:44:440:44:46

I would've thought it would've been 14 carat, but possibly nine.

0:44:460:44:50

But it is definitely gold.

0:44:500:44:52

And you've still got this sort of Art Nouveau

0:44:520:44:55

influence of the lovely organic mounts to the pendant there.

0:44:550:44:59

And of course, pearls were used a lot.

0:44:590:45:02

This lovely sort of, you know, natural look to it.

0:45:020:45:04

And then as you move down, you've got the big cluster ring there.

0:45:040:45:08

Cluster rings are not quite so popular these days,

0:45:080:45:10

especially if they look like flower heads.

0:45:100:45:12

It was a big fashion of the 1980s. But you get away with that

0:45:120:45:15

because it's actually quite a big stone in the middle there.

0:45:150:45:18

And then this lovely emerald set within diamonds.

0:45:180:45:22

Now, the great thing about emeralds is,

0:45:220:45:24

you will rarely ever find one without basically muck in it.

0:45:240:45:28

As a stone, it has all sorts of like bits of carbon

0:45:280:45:33

and fractures in it. It is quite a delicate stone.

0:45:330:45:37

-And that is a lovely colour, isn't it?

-Mm.

0:45:370:45:39

Nice, and it's a good size stone as well.

0:45:390:45:41

And then you come along to this lovely, delicate little pendant.

0:45:410:45:45

And there is sort of a little flower head design with the diamonds.

0:45:450:45:48

And again, a very delicate item that would look just charming.

0:45:480:45:52

We will value them individually.

0:45:520:45:54

-OK.

-Because they should be sold individually.

0:45:540:45:56

They don't hang together as a group,

0:45:560:45:57

they will appeal to different buyers.

0:45:570:45:59

So, I think, starting off with the peridot necklace.

0:45:590:46:02

I hadn't pointed out, it has got little matching earrings.

0:46:020:46:04

So I think probably we are going to be

0:46:040:46:06

-looking at about sort of £400 to £600 on that one.

-Wow, yeah.

0:46:060:46:10

And then moving on to the diamond cluster. I think...

0:46:100:46:14

My feeling is on that one, probably about 800 to 1,200,

0:46:140:46:17

something like that.

0:46:170:46:18

OK? And then coming to the emerald and diamonds.

0:46:180:46:23

Again, it is a nice ring, it is a good colour.

0:46:230:46:25

Not quite such a big weight of stones in there,

0:46:250:46:27

so possibly going to be round about the sort of £400 to £600 mark.

0:46:270:46:31

Yep? And then finally, we come to the pretty little pendant,

0:46:310:46:34

-which I think is going to be nearer to sort of 200 to 250.

-Wow.

0:46:340:46:37

So, with all those prices,

0:46:370:46:39

what I'd suggest doing is using the lowest estimate as the reserve.

0:46:390:46:42

-Sound good to you?

-Yeah, brilliant.

-Excellent.

0:46:420:46:44

And then it will actually end up to quite a reasonable sum of money.

0:46:440:46:47

-Yeah.

-It will make a lot of difference to your mum.

-It will.

0:46:470:46:50

Bev, good to meet you.

0:46:530:46:56

Nice little cardboard box you've brought here.

0:46:560:46:59

-Shall we have a look inside?

-Yep.

0:46:590:47:01

Dougal! Little Dougal from The Magic Roundabout.

0:47:010:47:06

Although I remember him being more...

0:47:060:47:09

-sort of a yellowy colour...

-That's right.

-..rather than sort of white.

0:47:090:47:13

So, where did you get him from?

0:47:130:47:14

My mum bought it from a white elephant sale.

0:47:140:47:18

What had drawn her to it was the fact it was French.

0:47:180:47:21

-It was written in French.

-Right.

0:47:210:47:23

Because the lid of the box is all in French.

0:47:230:47:25

I mean, it's a little bit worn.

0:47:250:47:27

And here, it just does say the equivalent of The Magic Roundabout.

0:47:270:47:31

And you have got the pictures there of the roundabout.

0:47:310:47:33

And on the top, the name Pollux, which I think is Dougal.

0:47:330:47:37

I think that actually was Dougal, which is lovely.

0:47:370:47:40

But generally speaking, he's not in bad condition.

0:47:400:47:43

I mean, the thing is, with this,

0:47:430:47:45

because it has been in its original box, this rubber

0:47:450:47:48

is all in lovely condition, cos it does, sort of, tend to...

0:47:480:47:52

Break up a little bit and it does tend to tear.

0:47:520:47:55

Now, it was actually produced...

0:47:550:47:56

The Magic Roundabout was produced in England

0:47:560:47:59

and in France in the '60s, so, sort of, mid-'60s, 1965,

0:47:590:48:03

but the fact that it is from France, it just makes it, to me,

0:48:030:48:08

-it makes it a bit more interesting.

-Yeah.

0:48:080:48:11

And the fact that it is white, as well...

0:48:110:48:13

What are your thoughts on it being white?

0:48:130:48:15

Um, I did my own research and, apparently,

0:48:150:48:19

it started in France, The Magic Roundabout,

0:48:190:48:22

-and Dougal was white.

-Right, OK.

0:48:220:48:24

So, he could be an early Dougal.

0:48:240:48:26

-It could be.

-You don't have a soft spot for old Dougal?

0:48:260:48:29

No, because I think

0:48:290:48:31

someone who collects Magic Roundabout toys,

0:48:310:48:36

it would be nice for them to have something a bit different.

0:48:360:48:39

Where does he live at home?

0:48:390:48:41

-In the loft. With the spiders.

-No. It is time to move you on, Dougal.

0:48:410:48:45

It is time to move you on to happier places.

0:48:450:48:48

I'm not going to give you a big estimate on this, I'm afraid,

0:48:480:48:51

Beverly. Um...

0:48:510:48:53

-It's only going to be about £40 to £60.

-That's fine, yeah.

0:48:530:48:56

-With a £30 reserve, is that all right?

-That that's absolutely fine.

0:48:560:49:00

Do we know what your mum paid for it?

0:49:000:49:02

-I doubt...

-Probably only a few pounds.

-I imagine it was pence.

0:49:020:49:05

-Thanks, Bev, for coming along.

-That's OK. Thank you.

0:49:050:49:08

-And I'll see you at the auction. Thank you.

-Thanks.

0:49:080:49:11

What a brilliant day we've had here at De Montfort Hall,

0:49:140:49:17

our magnificent host location.

0:49:170:49:19

Everybody has thoroughly enjoyed themselves.

0:49:190:49:21

We found some real gems, but sadly it's time to say goodbye,

0:49:210:49:23

as we have unfinished business in the auction room.

0:49:230:49:26

We're going over to Gildings for the last time

0:49:260:49:28

and here's what's coming with us.

0:49:280:49:31

Bev's French Dougal might not be the right colour,

0:49:310:49:34

but Catherine's hoping this makes him rare,

0:49:340:49:36

and thus a must-have for collectors.

0:49:360:49:38

The Jimi Hendrix album - will it raise the roof in the saleroom?

0:49:410:49:45

Margaret's Tunbridge Ware,

0:49:460:49:48

which I hope will be traded in for a trip to the rock houses in Turkey.

0:49:480:49:52

And the stunning collection of jewellery

0:49:540:49:56

which has a staggering total estimate.

0:49:560:49:58

Let's put our experts' valuations under the spotlight as we return

0:50:030:50:07

to Gilding's Auctions.

0:50:070:50:09

And first up...

0:50:090:50:11

Yes, The Magic Roundabout. Beverly, you have put a smile on everybody's

0:50:110:50:14

-face at the valuation day.

-Yes.

-You did.

0:50:140:50:17

With your white Dougal.

0:50:170:50:19

I didn't think Dougal was white, though.

0:50:190:50:20

-No, we thought he was yellow.

-I thought he was yellow.

0:50:200:50:23

-This one is white.

-Golden colour.

-This one is special.

0:50:230:50:25

-Well, I like his little face.

-He's nice.

0:50:250:50:27

He has got character, hasn't he?

0:50:270:50:29

Grew up watching that, Magic Roundabout. It was great fun.

0:50:290:50:32

Right, we're going to see what he is worth. And here we go.

0:50:320:50:34

Good luck, Beverly.

0:50:340:50:35

So what do we say for this, then? Well, you tell me.

0:50:350:50:38

I'm going to start at £5 and you tell me what you want to pay.

0:50:380:50:42

At £5. I'm bid only at five. Eight. Ten.

0:50:420:50:44

12. 15. 18. 20. 22.

0:50:440:50:48

£22, I'm bid now. 22. At 22. 25 do I see?

0:50:490:50:53

Watching all carefully, make no mistake. 22.

0:50:530:50:56

-And away, then, at 22.

-We're not selling, are we?

-They were mean.

0:50:560:51:00

We were barking up the wrong tree.

0:51:000:51:03

We didn't get that reserve.

0:51:030:51:05

Never mind.

0:51:050:51:06

Such a shame, but sometimes you can only find out how desirable

0:51:060:51:10

something is by putting it under the hammer.

0:51:100:51:12

Next up, it is the Hendrix LP.

0:51:120:51:15

Right now we are getting in the groove!

0:51:150:51:17

So to speak. We are selling some Hendrix.

0:51:170:51:20

Wonderful album going under the hammer right now, belongs to Mary.

0:51:200:51:23

I am pleased you brought this on,

0:51:230:51:24

-cos I know you are Hendrix fan, aren't you?

-Very much so.

0:51:240:51:27

-I've got quite a collection.

-Oh, it's going back quite a bit.

0:51:270:51:30

-It is all a Purple Haze...

-It is.

0:51:300:51:32

-Did you like that line? All Along The Watchtower.

-That's right.

0:51:320:51:35

Do you know, I love Hendrix. Cos...

0:51:350:51:36

I grew up listening to Hendrix cos I loved his drummer, Mitch Mitchell.

0:51:360:51:39

I used to copy all the licks and play along.

0:51:390:51:42

I used to like how he played the guitar

0:51:420:51:44

cos it was so different, wasn't it?

0:51:440:51:46

-And the hair.

-Set fire to it.

-Yeah.

0:51:460:51:48

A legend, the man was a legend!

0:51:480:51:49

-Yeah.

-Right, well, good luck, Claire.

0:51:490:51:52

I don't see many rock fans here.

0:51:520:51:55

You never know. You never know.

0:51:550:51:57

You shouldn't generalise these things, you don't

0:51:570:51:59

know what is out there on the internet, do you?

0:51:590:52:01

No, not really. I think this will sell.

0:52:010:52:03

I think this will sell over the phone or online.

0:52:030:52:05

I don't think it'll go in the room, that's for sure.

0:52:050:52:07

No, I'm with you there, I think. It is quite a specialised item.

0:52:070:52:11

Jimi Hendrix Experience.

0:52:110:52:13

-We need £50.

-That would be nice.

0:52:130:52:16

£5 on bid, then.

0:52:160:52:18

£5 on bid only.

0:52:180:52:19

At £5, at £5, a bid of £5 only...

0:52:190:52:22

Up to £8, £10, £12.

0:52:220:52:25

£12 on bid. 15. 18.

0:52:250:52:26

At 18, bid of 18.

0:52:260:52:29

20. 22 online. 22. 25.

0:52:290:52:31

28. 30.

0:52:310:52:34

Five we bid now. At 35. 38.

0:52:340:52:37

38. 40.

0:52:370:52:39

42.

0:52:390:52:40

45.

0:52:400:52:41

-It's getting there.

-48, 50.

0:52:410:52:43

Yes!

0:52:430:52:45

55. 60. 65.

0:52:450:52:48

70.

0:52:480:52:50

All online bids. At 75.

0:52:500:52:52

80.

0:52:520:52:53

-Have you got many more?

-200.

0:52:530:52:55

-Oh!

-95.

0:52:550:52:57

100. I knew we'd get there.

0:52:570:53:00

110.

0:53:000:53:01

-Over 100.

-120.

-120.

0:53:010:53:04

120...130.

0:53:040:53:06

140.

0:53:070:53:09

Blimey!

0:53:090:53:10

150 now online. At 150.

0:53:110:53:13

-160.

-Oh!

0:53:150:53:17

-Wow, £160!

-160, bid, then.

0:53:170:53:20

You're all definitely out in the room, then.

0:53:200:53:22

We're online bidding, then.

0:53:220:53:24

At £160...

0:53:240:53:25

-Bang! Hammer's gone down, £160.

-Wow.

-Brilliant!

-Well done!

-Gosh!

0:53:250:53:29

-That was good.

-How fabulous is that?

0:53:290:53:31

Fabulous, yeah.

0:53:310:53:33

I'm ever so pleased. I'm excited for you!

0:53:330:53:36

That's fantastic. Have you got more at home?

0:53:360:53:39

-Hopefully, you're going to start selling those off.

-Well, yes,

0:53:390:53:42

now we've actually been to an auction.

0:53:420:53:44

-You've tested the market, yeah.

-It worked well, didn't it?

0:53:440:53:47

-I think that's a fabulous start.

-That went great.

0:53:470:53:50

Well, there is a cracking atmosphere here in the sale room.

0:53:550:53:57

Everybody's enjoying themselves. We're getting good results.

0:53:570:53:59

But sadly, Margaret, our next owner, cannot be with us.

0:53:590:54:02

But we do have her item -

0:54:020:54:04

those wonderful items of Tunbridge Ware,

0:54:040:54:07

valued by our beautiful Catherine here.

0:54:070:54:09

And I'll tell you what, this was made as tourist ware, wasn't it?

0:54:090:54:12

So everybody went to Royal Tunbridge Wells to take the water back then.

0:54:120:54:16

-Absolutely.

-And came home with something.

0:54:160:54:18

The question is, is it worth more here then down in Tunbridge Wells?

0:54:180:54:22

I think we might be all right.

0:54:220:54:24

I was slightly worried that I might have put too much on it,

0:54:240:54:26

but there's a lot of people here today. What do you think?

0:54:260:54:29

-And there is a lot of work in those micro mosaics.

-I know.

0:54:290:54:32

It's beautifully done.

0:54:320:54:33

Lovely little pieces of Victorian Tunbridge Ware.

0:54:350:54:37

Bidding opens here with me at £50.

0:54:370:54:41

60. 70. 80. 90.

0:54:410:54:43

-100. 110.

-Oh, we've sold.

-Yes.

0:54:430:54:45

-140. 150.

-It's doing really well.

-Good, good.

-180.

-Oh, brilliant!

0:54:450:54:50

£180 on bid now, at 180.

0:54:500:54:52

190 online. 200. 210.

0:54:520:54:55

220. 220 in the room now, at 220.

0:54:550:54:59

240 online.

0:54:590:55:01

250 online, new bidding.

0:55:010:55:03

250... We're on 260 online.

0:55:030:55:06

Oh, I'm pleased. She will be pleased.

0:55:060:55:08

She can go on holiday now.

0:55:080:55:10

At 260, you're all out in the room?

0:55:100:55:12

We're online bidding, then, and selling at £260.

0:55:120:55:15

-And the hammer has gone down!

-Yes!

0:55:150:55:16

-That is a great result, well done.

-Excellent, she'll be pleased.

0:55:160:55:19

Top end of the estimate and I know she'll be very pleased.

0:55:190:55:22

And hopefully, you're watching this and having a smile.

0:55:220:55:26

And finally, it is time to sell that gorgeous jewellery.

0:55:260:55:29

Fingers crossed we'll raise a good sum to help out Susan's mummy.

0:55:290:55:33

-There is a lot of it, isn't there?

-I know.

-Stashes of it.

0:55:330:55:35

Thank you so much for turning up at the valuation day

0:55:350:55:38

-because you really did bring some treasure in, didn't you?

-Yeah.

0:55:380:55:41

We are looking right now at that emerald and diamond ring,

0:55:410:55:45

which is a little sparkler.

0:55:450:55:46

Did you not want to hang onto this?

0:55:460:55:48

I'm a gardener. No, not good for me.

0:55:480:55:51

Hey, gardeners have green fingers, that's got a green rock on it.

0:55:520:55:56

-It's a whopper.

-It's nice. It's a nice colour, isn't it?

0:55:560:55:59

-Would you wear this?

-Yeah.

-Yeah, you could. It matches the eyes.

0:55:590:56:02

Absolutely, yeah.

0:56:020:56:04

Green, yeah. But no, it's a lovely thing. It is a good emerald.

0:56:040:56:07

-I think it is.

-It's a good size as well.

0:56:070:56:09

-I think we should find out what the bidders think, don't you?

-OK.

0:56:090:56:12

Yeah, here we go. This is it.

0:56:120:56:14

The Art-Deco-style, white metal, diamond cluster and emerald

0:56:140:56:16

dress ring. Bids here start with me

0:56:160:56:19

at 500. And 50.

0:56:190:56:21

600.

0:56:210:56:23

And 50.

0:56:230:56:24

-Good.

-700.

0:56:240:56:26

I have to say 20.

0:56:260:56:27

750.

0:56:270:56:29

-800.

-£800!

0:56:290:56:31

Say in tens, I don't mind.

0:56:310:56:33

810, thank you very much. At 820.

0:56:330:56:36

Selling to the room at £820...

0:56:360:56:40

Crack! Wait for that sound. And it has gone down. £820.

0:56:400:56:44

-We're happy, aren't we?

-Yeah.

0:56:440:56:46

Yellow metal, peridot,

0:56:460:56:48

half pearl faced necklet with matching screw rings.

0:56:480:56:51

The bidding opens here at 300. 320.

0:56:510:56:53

340. 360.

0:56:530:56:55

-380. 400. 420.

-Done it.

0:56:550:56:59

460. 480. 500.

0:56:590:57:01

-£500 on bid in the room.

-Yes.

-At 500.

0:57:010:57:04

550, new bidding online.

0:57:040:57:06

-Good.

-Fair warning, then, and selling them at £550...

0:57:060:57:11

So far, so good. And here's the third.

0:57:110:57:14

-Good luck with this one, both of you.

-Thank you.

0:57:140:57:16

Lovely 18-carat white gold and platinum, nine-stone diamond ring.

0:57:160:57:19

500, 550, 600.

0:57:190:57:21

-Come on.

-And 50, 700.

0:57:210:57:23

-Yes.

-And 50.

0:57:230:57:25

-800, new bidder.

-We've done it.

0:57:250:57:27

-We are there.

-850.

0:57:270:57:29

900. 950, fresh bidder again.

0:57:290:57:32

975 I'll take.

0:57:320:57:34

Well, that's finished them off. Then at 975, in the room

0:57:340:57:36

and selling at £975...

0:57:360:57:40

£975!

0:57:400:57:43

-Fabulous, though.

-Yeah.

-Yeah?

0:57:430:57:45

Good, good.

0:57:450:57:46

491.

0:57:460:57:47

Lovely quality Edwardian, diamond-set pendant, this one.

0:57:470:57:50

200. 300. 400.

0:57:500:57:53

420. 430.

0:57:530:57:55

440.

0:57:550:57:57

Thank you very much, new bidding. At 440 online. 450.

0:57:580:58:01

460. 470.

0:58:010:58:05

480 online.

0:58:050:58:06

490 in the room, thank you, at 490.

0:58:060:58:09

500.

0:58:090:58:11

-That's fabulous.

-Oh, God.

0:58:110:58:12

£500, I'll take 20 if you want to bid.

0:58:120:58:14

Last look around the room, then.

0:58:140:58:16

We are online at £500.

0:58:160:58:19

Well, the hammer has gone down at £500,

0:58:190:58:21

and I think that's a cracking result. £2,845.

0:58:210:58:25

-Wow. Yeah, that's amazing.

-£2,845, wow!

0:58:250:58:29

-That is a big wow, isn't it?

-That is a big wow.

0:58:290:58:31

Thank you so much for coming along. Look after your mum as well.

0:58:310:58:33

I hope you've enjoyed today's show.

0:58:330:58:35

I told you there'd be surprises, and we certainly delivered.

0:58:350:58:38

Thank you, Claire. If you've got anything like that,

0:58:380:58:40

bring it into one of our valuation days.

0:58:400:58:42

But right now, from Market Harborough,

0:58:420:58:44

it is goodbye from all of us.

0:58:440:58:46

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