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Welcome to one of my favourite places in the world.

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This is one of our oldest and most romantic manor houses,

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and one of the most perfect to survive from the Middle Ages.

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It gives me great pleasure today

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to say that this beautiful manor house is exclusively ours.

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Haddon Hall is home to Flog It!

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Haddon Hall in the heart of the Peak District National Park

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is very special, and its Grade I listed status

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reflects its historic importance.

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Haddon Hall lives and breathes history.

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It's a perfect example of why we should protect

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our heritage buildings, and later on in the programme,

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I'll be finding out why it is so well preserved.

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But first, let's meet our "Flog It!" crowd,

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who've arrived in their hundreds carrying bags and boxes

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full of antiques and treasures from their past

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and, of course, before we go inside this beautiful manor house,

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there is one question on everybody's lips, which is...?

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ALL: What's it worth?!

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Stay tuned and you'll find out.

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And responsible for uncovering today's treasures

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is our lord of the manor, Michael Baggott.

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You may pass.

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And joining Michael as our lady of the house is none other than

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Caroline Hawley.

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-You've got a big pocket in there, sir.

-I have, yeah.

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-What else is in there?

-It's not very deep! All the money's gone.

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-She's spent it all.

-Aw!

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And it's time to get everyone inside.

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Follow me!

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So, with our experts poised, our house guests filing in,

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and the Flog It! team set up in every room

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of this historic manor house, we're ready to unearth items

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fit for today's surroundings,

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and then, we'll take the best ones off to auction.

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But which of these items will fetch

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more than double our expert's valuation?

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Will it be this Victorian perfume bottle?

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This sextant, which has special historical significance?

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Or this exquisite ruby and diamond bracelet?

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Caroline's first find gives us more than a snapshot of history.

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John, what a fabulous collection of stereoscope and slides,

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-all of the First World War.

-Thank you, Caroline.

-They are fascinating.

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Before we go into further detail, tell me how you came by them.

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They belonged to my grandfather, who used to live in Sheffield

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and when I was a young lad I used to visit him and they were all

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on display in his display cabinet, and I said to him one day,

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"Do you think I might be able to have those one day, Grandad?"

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And he said, "I suppose so." So they were passed down

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to my father and then to myself and I've had them about 40 years.

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And do you look at them all?

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I've looked at them a long time ago, but, regrettably,

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I haven't looked at them recently.

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Now, this set of cards was made by Underwood & Underwood,

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a firm which set up in Kansas in 1881,

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and it went right through to 1840,

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and they were pioneers in early news photography.

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-They really are a lovely collection...

-About 200 in total.

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200 in total?

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And all in good condition and, tell me, you know how they work?

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Yes, I do. You literally put one of the slides in the viewer,

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look through the twin aperture there and you put it to your face

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and then move the viewer backwards or forwards

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until it comes into focus and you see the 3-D image.

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Thank you.

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Yes, so it starts off with the two pictures

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and as you put it to your eyes,

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-get it into focus...

-It puts them together.

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Wow. You could almost be there.

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The two pictures merge into one and you have this 3-D effect.

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It's incredible! And they're so widely varied.

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There's Her Majesty Queen Mary here, visiting the hospital in Hull,

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and then there's one, which is the super one here of the troops

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enjoying a bath after a long day's march.

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"Crocodiles made the river too dangerous."

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And they are all in these boxes here which are made to look like books

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and a lot of people would own these.

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They wouldn't be terribly expensive to buy at the time.

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Tell me, why have you decided now is the time to sell them, Tom?

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Having had them for about 40 years, I feel that it's appropriate

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-for someone else to have a look at them now...

-Yeah.

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..and maybe generate interest in schools or colleges,

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who may not have seen these before.

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To put a value on this is a difficult thing to do.

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It is difficult.

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There's a lot of interest in World War I.

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-I would put an estimate of between £100 and £150.

-Mm-hm. Mm-hm.

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-Are you happy with that?

-Yes, I am, yes.

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Right, and we'll see where they go.

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That's just over a pound a photo. Surely they've got to be worth that?

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And with finds like that, I'm taking the opportunity to see

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what else people have in their bags and boxes.

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It's all coming in today, isn't it?

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Next, Michael with a bevy of beauties.

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Charlotte, Vivienne, what can I say?

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I've got a table full of semi-clad and naked young ladies.

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Um, explain this immediately. Where did these come from?

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-Well, I've collected them over a period of 30, 35 years.

-Right.

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And so, from various places.

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And what was the appeal in collecting them?

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I just thought they were very attractive and elegant.

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Yeah, it's quite extraordinary, cos you would expect these to be

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the sort of remit of the sort of gentleman's library,

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the sort of sniggering Edwardian having those probably on a desk

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or tucked away somewhere, cos they are quite, um...

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..quite risque. I mean, Charlotte, these have been in your house

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for some time, what do you think of them?

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I did find them attractive in the house. They were cute.

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I mean, they are made by... Some of these are glazed,

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some of them are bisque.

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The bisque ones are probably by the same manufacturers

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that would make the bisque heads for dolls.

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Er, so someone like Heubach.

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Er, the glazed ones would be from any number of

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small Bohemian, Czechoslovakian potteries,

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-and they would have been imported into this country and sold.

-Right.

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Dating from around 1900 up through about 1920, 1925,

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this, probably my favourite, this large figure of a girl

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reading a book, with a bow in her hair,

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and that's probably 1910 to 1915.

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When were you collecting these...?

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Years and years ago or recently?

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About 30, 35 years ago, um, I haven't...I must have

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stopped...probably, 15 to 20 years ago.

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And were they still out in the house or where they...?

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-Um, I had several out, the rest were just in a box.

-Packed away.

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So, Flog It! is here today, you thought, "Get the box out!"

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That's right.

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I'm afraid the market for these sort of figures has sort of gone up

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and then gone down again.

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And some of these... The larger bisque ones are quite attractive.

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Some of the smaller glazed ones, '20s, '30s, not quite so commercial.

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Um, there's always going to be the naughty boy factor at auction,

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and you've got a large number of them,

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but I think, to be very cautious, one would say...

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£150 maybe up to £300 as a broad estimate

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-and fix a reserve at £150 for them.

-Thank you.

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Um, so you're going to sell them.

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What, if they make a good sum of money, are you going to spend it on?

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-I've got eight grandchildren.

-Oh, so...?

-It wouldn't take long!

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Well, we've got to at least get 160 for you to get £20 each.

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I mean, Charlotte, would you prefer the money or the figurines?

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-What's...?

-The money!

-The money! Well, there's your answer, isn't it?

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Off to auction we go.

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Well, Charlotte was clear about that.

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It's a big event here at Haddon today.

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Hundreds of people are waiting to get their antiques valued

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and whilst the experts are working away,

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I want to take a look at some of Haddon's most prized possessions,

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and these ones are priceless.

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There's a collection of five royal tapestries here in this house

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called The Five Senses, and there's three of them in this

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particular spot and, as you can see, they are incredibly detailed.

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This particular one is hearing.

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Now, the condition is exceptionally good, considering the age.

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These were made in the reign of Charles I, 1630s.

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The colour has somewhat faded.

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The black that you can see was originally gold thread,

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but it's tarnished over the years.

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It's the only surviving full set of the five senses,

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which makes them incredibly rare and incredibly valuable.

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The fires are still roaring

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and the valuations are in full swing in the Long Gallery.

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And Caroline's eye has been caught by some gleaming jewels.

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-Joy, nice to meet you.

-Nice to meet you.

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And you've brought along this delightful bangle.

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Would you like to tell me about it?

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-Um, actually, I bought this one in Jaipur in India.

-Yeah.

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In 2007. My husband proposed to me...he proposed to me in India.

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-Oh, how romantic!

-At the Taj Mahal!

-Oh, how lovely.

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And we found a nice engagement ring there and then I saw this bangle.

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-As well as your engagement ring?

-Yeah!

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-So, I thought, "OK, that's mine."

-Yeah, it's very nice.

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-But it's a little bit too dainty for me.

-It's tiny, isn't it?

-It's tiny.

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Well, I can get it on easily when I wash my hands with soap,

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-so it slides on easily.

-It's 18-carat gold.

-18-carat gold.

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-With rubies and diamond.

-55 diamonds in it.

-55 diamonds!

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-I haven't counted.

-5 times 11.

-And it's a very Art Deco style.

-It is.

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It's a modern style, and the lovely cut of the rubies.

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Why have you decided now is the time to sell it, Joy?

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Well, I don't wear it any more and I can't be bothered to...

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every time with washing my hands,

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and with swabs of soap, putting it on, taking it off again...

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-Yes, yeah.

-Um, I've got other bangles and I live in them.

-Right.

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So, this one can go and make place for the others.

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-Right, now, value-wise...

-Yes.

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This is a lovely bangle and, all things considered,

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the 18-carat gold, the rubies, the diamond...

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I think it should be worth

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-between £350 and £550 at auction.

-That's OK, yeah.

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But if we put a fixed reserve of £350, is that all right with you?

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-Yes, that's OK.

-That's brilliant. We'll hope for the best

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-and what we want is two ladies or three ladies or more...

-All bidding.

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-..all mad for it, bidding for it and then it could really soar.

-OK.

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-So, we'll hope for the best and we'll do our best.

-That's fine.

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It's a delightful bracelet with all those rubies

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and 55 brilliant-cut diamonds.

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It should do well.

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Now over to Michael, who's found something with real poignancy.

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John, thank you for bringing this lovely group of medals.

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-Are these family medals?

-No, they're not.

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My daughter found them when she was moving into a new house,

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and was clearing the attic out

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and we came across those in a box.

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-Good grief! Just left?

-Absolutely.

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-Or maybe forgotten. Who knows?

-More likely to be forgotten, I think.

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-What we've got is a standard group of First World War medals.

-Right.

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We've got the Great War Medal, the Victory Medal.

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-These are more standard. This one is normally the 1914-15 Star.

-Right.

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This is the 1914 Star on its own.

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And this is a little bit more uncommon,

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-especially with the bar.

-Right.

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And this basically means that the person

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to whom this medal was awarded, and we've got here Private F Harrison,

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the Notts & Derby Regiment,

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he was probably one of the very first soldiers to go out

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-and engage the Germans at the start of the war.

-OK.

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It also probably referred to the fact that he was,

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-before the war started, a serving British soldier.

-Right.

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Or as they were known, an Old Contemptible.

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That's where they get the name from? Right.

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So what we've got is a more interesting than standard group

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-of First World War medals.

-OK.

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They're all named, which means that people who collect medals

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can do a lot of research in them.

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This is why First World War medals, and earlier,

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-are much more popular than Second World War medals.

-I see.

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-So, they were found in the loft.

-Yeah.

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So they either cost the price of a house or they were free,

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depending on how you look at it.

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-They're not worth the price of a house so let's go with free.

-Right.

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Any idea what they might be worth?

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I've no idea at all.

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Well, I can tell you that five or six years ago,

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which isn't that long ago,

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you'd have been struggling to get £25 or £35 for them.

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-Right.

-Because you can research these officers online now,

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-through the websites.

-OK.

-The whole system of research

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has become much easier and much more accessible,

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which has made these medals more desirable.

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I think, conservatively,

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-we'll put £100 to £150 on them.

-OK.

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And on a good day, if you get two people

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particularly interested in the Notts & Derby Regiment,

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it might go on from that.

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But they're a nice group of medals. If you're happy,

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we'll put a reserve of £100 on them.

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Yes, that's absolutely OK.

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That's marvellous. You can go back home now without your medals

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-and tell your daughter the good news.

-It's been very interesting.

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Thank you. I didn't know anything about them until today.

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It's fascinating for me, as well.

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I'm not a medal expert, so whenever things like this get brought it,

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-I learn as well, and it's marvellous to find out about these things.

-OK.

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-Thank you so much indeed.

-Pleasure.

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Before we head off to auction,

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there is something I would like to show you.

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Beer!

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We drink around 22 million pints of it every day.

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It's part of our national identity and heritage.

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It remains the most popular alcoholic drink

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among British men.

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We drink it and we make it by the barrel load

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in breweries, both large and small, all over the country.

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But commercial brewing is a relatively recent part of the story.

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Home brewing goes back centuries.

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Monks had been brewing for generations,

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although it wasn't until the Middle Ages

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that ale became the most common drink of the day.

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Water was impure, so drinking it carried a high risk,

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whereas ale was boiled up as part of the brewing process,

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so it was a much safer bet. It was the obvious choice.

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And it was drunk with every meal.

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But I don't think many of us today would recognise the ale

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of the Middle Ages. It was often flavoured with herbs and spices,

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making a unique brew, and some of it was very weak,

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so everyone could drink it, even children.

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Large estates like Haddon would have been self sufficient

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and made their own in the brew house, sadly now destroyed.

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There would have been three large containers -

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one ready to drink, one half-ready

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and one at the beginning of the new brew.

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This was how they made sure there was always plenty of ale available.

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Now, Haddon Hall would have brewed up

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around 1,800 gallons of ale per month,

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and it's quite easy to imagine the great feasts

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that would have taken place here.

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After all, it was a communal space, a place of entertainment,

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but the booze wasn't always free flowing.

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Over the ages, there would have been various ways devised

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to control how much people drank. In the 10th century,

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King Edgar ordered all wooden tankards to be fitted with pegs,

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each peg marking one measure.

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When you had drunk your peg, you passed it on

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and if you drank more than your share,

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you were "taking the next man down a peg or two" -

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a phrase still used today.

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Now, Haddon Hall had its own way of rationing by virtue of this iron manacle and lock,

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which was all part of the punishment if you didn't play by the rules.

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You see, if you drank too much, or didn't drink enough,

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then your arm was locked here, behind that,

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and the rest of your ale poured down your sleeve. Let me explain.

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If you drank too much, that was looked upon as being greedy,

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more than your quota, but if you didn't drink enough,

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that looked suspicious.

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Remaining sober meant you were probably plotting

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evil acts of wrongdoings against your hosts.

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Thank goodness times have moved on.

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And so has ale, and that's largely thanks to the introduction

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of hops from Holland in the 16th century.

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We now have a more rounded flavour and the beer lasts longer.

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Haddon Hall no longer makes beer, but the Thornbridge Brewery

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a couple of miles down the road is the next best thing.

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The machinery may have changed, but brewing beer remains an ancient art.

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I caught up with brewer Keilan Vaughn

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to find out how they achieve the flavours in their beers.

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I can recognise the hops. What's that?

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OK, what we have here is roasted wheat.

0:18:100:18:13

So that's used to impart big, rich, dark-malt, roasted flavours.

0:18:130:18:18

-If you want to have a little taste, please do.

-OK.

0:18:180:18:21

So it's just going to have a nice sort of roasted, chocolate, sort of burnt flavours.

0:18:210:18:26

Ooh, that's nice.

0:18:260:18:27

So you use that in, like, just small quantities to impart large amounts of flavour into the beer.

0:18:270:18:32

And here we have pale malt, so that's the main base malt.

0:18:320:18:35

That's the food source or the sugar source we actually get the alcohol from which comes from malt.

0:18:350:18:40

So you don't want anything to be too sickly sweet

0:18:400:18:42

so you want to have a little bit of balance between the alcohol,

0:18:420:18:45

the amount of residual malt sweetness and, of course,

0:18:450:18:49

the hops, which provide that nice aroma of bitterness and flavours.

0:18:490:18:53

Beer has never tasted as good as it does today.

0:18:530:18:56

By providing a range of beers,

0:18:560:18:57

this small, modern brewery is following in the same tradition

0:18:570:19:01

as the medieval brewers of Haddon Hall

0:19:010:19:03

by producing good, local ale, and now, time to try some.

0:19:030:19:07

You've selected two beers for me to have a sip of.

0:19:070:19:09

I can clearly see the difference. Which do you want me to start with?

0:19:090:19:12

I think we should taste Jaipur first.

0:19:120:19:14

So this beer, you can see it's a lot lighter,

0:19:140:19:17

it's going to have really nice sort of citrus aromas to it,

0:19:170:19:20

nice bitterness. At 5.9%, it's a nice beer. A beautiful beer.

0:19:200:19:25

It's refreshing

0:19:250:19:26

-and it tastes like a modern beer.

-Absolutely.

-It really does.

0:19:260:19:30

A modern interpretation of a style.

0:19:300:19:33

This is beer to be sipped and savoured.

0:19:330:19:35

Very intense sort of roast malts like we saw before.

0:19:350:19:39

-Clearly a lot different.

-Very different.

0:19:390:19:42

I do prefer this, I must admit.

0:19:420:19:44

It's got a wonderful lingering taste

0:19:440:19:47

of sort of chocolates and roasts and coffees.

0:19:470:19:50

But then when it does die down,

0:19:500:19:52

you can taste the sort of... the hop in it, can't you?

0:19:520:19:55

Yeah, absolutely, once that malt sweetness dies off,

0:19:550:19:58

you get that nice sort of bitter finish towards the end.

0:19:580:20:01

It's really nice, actually, I've got to say.

0:20:010:20:04

-I'm not a big beer drinker but that's gorgeous.

-Yeah?

0:20:040:20:08

-Cor!

-I'm glad you think so.

0:20:080:20:10

Everybody is thoroughly enjoying themselves

0:20:190:20:21

here in this magnificent room, the Long Gallery.

0:20:210:20:24

It is 110 feet in length and during the Elizabethan period,

0:20:240:20:28

whole families would promenade up and down here taking exercise.

0:20:280:20:32

The children would play ball games during the winter months.

0:20:320:20:35

Right now, though, it's time for us to play a game of our very own

0:20:350:20:39

as we put our first set of valuations to the test

0:20:390:20:41

in the auction room.

0:20:410:20:43

Will they come up to the mark? Let's find out.

0:20:430:20:45

As we make our way over to the saleroom,

0:20:450:20:47

here's a quick recap of all the items we're taking with us.

0:20:470:20:50

Will the buyers snap up the stereoscopic viewer and photos?

0:20:520:20:55

It is possible they might be attracted more to

0:20:570:20:59

Vivienne's collection of semi-nude figures.

0:20:590:21:02

Or will they both be outshone by the ruby and diamond bracelet?

0:21:050:21:09

Or will Michael be right about the internet fuelling interest

0:21:110:21:15

in the WWI medals?

0:21:150:21:17

Just one mile down the road is the village of Rowsley,

0:21:210:21:24

part of the Haddon Estate until the 20th century.

0:21:240:21:29

It was transformed in the 1860s by the train line,

0:21:300:21:33

which was built through the Peak District,

0:21:330:21:36

creating one of the most spectacular railways in the country.

0:21:360:21:40

Today's sale comes from Bamfords Auction House,

0:21:410:21:44

built on the original site of Rowsley Railway Station,

0:21:440:21:47

designed by the celebrated architect Sir Joseph Paxton.

0:21:470:21:50

Sadly, the railway station is long gone, but let's hope

0:21:500:21:53

our experts are on track to hit the top end of their estimates.

0:21:530:21:57

Sellers here pay 12.5% plus VAT, so it's always worth

0:21:570:22:02

doing your sums and checking for any hidden extra charges.

0:22:020:22:06

'Conducting our auction today is Flog It! regular James Lewis

0:22:060:22:10

and we're off to a romantic start.

0:22:100:22:12

Going under the hammer right now

0:22:120:22:14

we have Joy's diamond and ruby bracelet.

0:22:140:22:17

There's a lot of love attached to this little story,

0:22:170:22:20

-the Taj Mahal as well.

-Yeah, actually, it's too dainty for me.

0:22:200:22:23

OK, and it's something you don't really wear that much.

0:22:230:22:26

-No, not at all, not at all.

-You're hoping to sell this

0:22:260:22:28

-and buy something that you will wear.

-That I will wear.

0:22:280:22:31

-OK, OK.

-With ruby and diamonds again.

0:22:310:22:33

-Let's hope we get that top end, around a £500 mark.

-Yes.

0:22:330:22:36

We've got our work cut out,

0:22:360:22:37

but anything can happen in an auction room

0:22:370:22:39

-and we're going to put it to the test. Good luck.

-Thank you.

0:22:390:22:41

Lot number 268 is this very pretty ruby and diamond hoop bangle

0:22:410:22:47

with the panels of cushion-cut rubies divided by

0:22:470:22:50

the brilliant cut diamonds. There it is and I have interest in it.

0:22:500:22:54

I can start at £300, 300, 320 now.

0:22:540:22:58

320, 350, 380, for you.

0:22:580:23:00

380 in the room seated. At 380 and 4 now. 400, sir, 420.

0:23:000:23:05

420 for you, 410 if you like. 410 bid, 420, you sure?

0:23:050:23:10

At 410, here, to the left it's against you down the centre.

0:23:100:23:13

All the bidding's stopping in exactly the same spot.

0:23:130:23:16

-Oh, don't stop.

-At 410, 420 now.

0:23:160:23:19

It's going, Joy, it's going, isn't it?

0:23:190:23:22

At 410, are your sure? Internet's out.

0:23:220:23:24

-Yours.

-It's gone mid-estimate. Good valuation, Caroline. It's gone.

0:23:250:23:29

-It's gone!

-It's OK, isn't it?

-It's OK.

-It's OK.

0:23:290:23:32

-It's on the way to buying you the next one.

-Yes.

0:23:320:23:35

Why hang onto something you don't use? Joy has the right idea.

0:23:350:23:39

She can now spend that on something she will wear.

0:23:390:23:42

At £70 standing to the left.

0:23:420:23:43

Right, this one's going to raise some eyebrows.

0:23:430:23:45

Going under the hammer right now, 17 semi-clad, nude figures

0:23:450:23:49

belonging to Vivienne and Charlotte who are right next to me.

0:23:490:23:52

-This is your collection...

-That's right.

0:23:520:23:54

-..built up over, what, 35 years?

-30, 35 years.

-Gosh!

0:23:540:23:57

Why have you decided to stop collecting and started to sell?

0:23:570:24:00

Well, actually, I stopped collecting some time ago

0:24:000:24:03

and they were just packed away in a box, like so many people do.

0:24:030:24:06

-Yeah, and you don't really want to add to this collection?

-No, no.

0:24:060:24:09

-That doesn't really interest you?

-No!

0:24:090:24:12

-You'd rather collect something else.

-Yeah.

0:24:120:24:15

I think some of them are really nice.

0:24:150:24:17

There's a couple I'm not keen on,

0:24:170:24:19

but I can understand why you're selling them in a group.

0:24:190:24:22

There's a broad mix and the good ones will help the bad ones sell.

0:24:220:24:25

-The thing you don't want to do with a collection like this is...

-Split it up.

0:24:250:24:28

..break it up, have all the good ones that you really like, sell,

0:24:280:24:31

and be left with the ones you can't sell.

0:24:310:24:33

-There's some great figures and a lot of figures.

-Exactly.

0:24:330:24:36

Right, and they're going under the hammer right now.

0:24:360:24:38

Lot number 373 are these German bisque piano ladies. There we are.

0:24:380:24:44

Some naked, some clothed, a very pretty little lot. And I have...

0:24:440:24:50

-In good shape.

-I think James is blushing, isn't he?

0:24:500:24:54

..130 now, 130, 140, 150, 150, 160, 170...

0:24:540:25:00

-We're finding a buyer.

-190. 190, 200, 220.

0:25:000:25:05

220 has it on the aisle. At 220, gentleman's bid. At 220...

0:25:050:25:09

Gentleman's bid, of course.

0:25:090:25:12

At 220, any advance? At 220...

0:25:120:25:15

£220...

0:25:170:25:18

the hammer is going down.

0:25:180:25:20

It's gone, it's sold.

0:25:200:25:22

-There's a big smile, there's a big smile, Charlotte.

-Yes.

0:25:220:25:25

Are you getting the money?

0:25:250:25:26

-Well, it's being split between eight of us...

-Is it? Gosh!

0:25:260:25:29

There's a lot of you!

0:25:290:25:30

Eight grandchildren, so they're all getting a piece.

0:25:300:25:34

And going under the hammer right now, a group of World War I medals

0:25:360:25:40

belonging to John

0:25:400:25:41

and I know you've also brought in a small little Bible.

0:25:410:25:44

Yeah, that's right. We found this Bible and it's got his name in it

0:25:440:25:47

and the date that he was in Plymouth.

0:25:470:25:50

Well, isn't that touching?

0:25:500:25:52

That just rounds the story off of a soldier's life,

0:25:520:25:54

to have his little Bible there. That's what collectors want.

0:25:540:25:58

Absolutely. Yeah, I'm glad we've brought it in.

0:25:580:26:00

It's a wonderful piece of history

0:26:000:26:02

and hopefully its going to add to the value

0:26:020:26:03

because it certainly adds to the provenance and that's what it's all about.

0:26:030:26:07

We're going to put that to the test right now.

0:26:070:26:09

It's up for sale and here it is.

0:26:090:26:10

I can start the bidding at £100, straight in.

0:26:110:26:14

At £100, 110 do I see?

0:26:140:26:16

At 100, 110 now. 110. 110 online.

0:26:160:26:20

110, 120, 130. 130, 140, 150.

0:26:200:26:24

At £140. At £140.

0:26:260:26:30

Absentee bid at £140, 150, do I see?

0:26:300:26:34

Going to keep going online.

0:26:340:26:36

All the bids, incidentally, are online

0:26:360:26:38

they're going to collectors all over the country.

0:26:380:26:40

170 for you, 180. 190 for you.

0:26:400:26:45

We're slowly, slowly creeping up.

0:26:450:26:47

190.

0:26:480:26:51

At £180, two of you hovering online.

0:26:510:26:55

It's worth an extra £10.

0:26:550:26:57

At 180, all sure?

0:26:570:26:59

Gavel's ready, it's at £180. Are we all sure?

0:26:590:27:02

-Sold, £180. Thank you so much for bringing it in.

-Thank you.

0:27:020:27:06

And what's more important is that they've gone to a collector.

0:27:060:27:09

And now for an item I have great hopes for.

0:27:140:27:17

Going under the hammer right now,

0:27:170:27:19

George V's stereoscopic viewer with 200 images belonging to John.

0:27:190:27:22

-Pleased to meet you, John.

-Pleased to meet you, Paul.

0:27:220:27:25

-And this was grandmother's?

-It was grandfather's.

-Grandfather's,

0:27:250:27:28

so you had a lot of fun as a child looking at the images.

0:27:280:27:30

-That's correct.

-I bet that was great.

0:27:300:27:32

-From a very early age, yes, I was fascinated by it.

-Wow.

0:27:320:27:35

We had a great time with the valuation, David. Looking at them.

0:27:350:27:38

These find markets all over the world, as you know,

0:27:380:27:41

being an auctioneer, and we've sold them on the show before

0:27:410:27:43

and they exceeded the top estimate by hundreds, so, hopefully,

0:27:430:27:47

we can have a surprise today.

0:27:470:27:48

We're going to find out right now here in Derbyshire. Here we go.

0:27:480:27:51

Lot 749 is the George V stereoscopic viewer and I have one, two,

0:27:510:27:56

-three bids on it at 110 to start.

-Wow, straight in.

0:27:560:28:00

-Oh, brilliant, brilliant.

-120, 130, 140, do I see?

0:28:000:28:03

140, 150, 160, 170, 180.

0:28:030:28:06

-Good, brilliant.

-Fantastic.

0:28:060:28:08

At 170, 180 now.

0:28:080:28:10

At £170, at 170, 180, do I see?

0:28:100:28:14

170...

0:28:140:28:16

-170.

-Fantastic. Thank you so much, Caroline.

0:28:160:28:18

-It's a pleasure.

-Thank you so much, Paul.

0:28:180:28:20

-Well done.

-Really delighted with the result.

-Oh, good.

0:28:200:28:22

-Thank you so much.

-There's a lot of history there.

-Thank you so much.

0:28:220:28:25

At 450.

0:28:250:28:27

There you are, the end of our first visit to the auction room today.

0:28:270:28:30

Some great results and I rather enjoyed that.

0:28:300:28:33

Now, we all know how important it is to look after

0:28:330:28:35

your antiques and collectibles, but what if

0:28:350:28:38

your most important antique happens to be your family home?

0:28:380:28:41

Well, I'm going back to Haddon Hall right now to find out

0:28:410:28:44

how this 900-year-old house was restored and rescued

0:28:440:28:47

by one man who made it his life's work to preserve its heritage.

0:28:470:28:51

Beautiful Haddon Hall has the reputation of being

0:28:570:29:00

something of a medieval Sleeping Beauty.

0:29:000:29:03

It's been a place of romantic pilgrimage for generations

0:29:050:29:08

and stepping into this magnificent courtyard,

0:29:080:29:10

it really is like stepping back in time.

0:29:100:29:13

Just take the windows, for example.

0:29:130:29:16

These Gothic pointed ones are the oldest,

0:29:170:29:19

dating this part of the hall back to the 13th century.

0:29:190:29:22

But, if you look around the courtyard, the square windows,

0:29:230:29:26

well, they're more Tudor in style, so they tell us

0:29:260:29:29

that this section of the building is a couple of hundred years younger.

0:29:290:29:32

And the journey through time continues inside.

0:29:350:29:38

And this, the banqueting hall,

0:29:410:29:43

would have housed many a great feast during the medieval period.

0:29:430:29:47

Huge, great big chunks of pork

0:29:470:29:49

and extravagantly baked pies would have lined

0:29:490:29:52

this single-plank refectory table

0:29:520:29:54

with the lord and the lady of the house sitting here

0:29:540:29:57

with this tapestry behind them, facing out into the room

0:29:570:30:00

so they could see everything coming and going.

0:30:000:30:02

There would be another refectory table lined along here and one along

0:30:020:30:06

that side where all their guests and servants would sit and dine.

0:30:060:30:09

Remember, this was a time in our history

0:30:090:30:12

before there was such a thing as upstairs and downstairs.

0:30:120:30:15

The servants dined with their masters

0:30:150:30:17

and they were all entertained here from the minstrels' gallery.

0:30:170:30:21

MINSTREL MUSIC PLAYS

0:30:210:30:23

It's so very easy to imagine the hustle and the bustle

0:30:230:30:26

of medieval life here.

0:30:260:30:27

And there's a very good reason why this magnificent building

0:30:300:30:32

is in such good condition.

0:30:320:30:34

At the early part of the 18th century, the Manners family

0:30:340:30:37

moved out of Haddon Hall, leaving it empty for more than 200 years.

0:30:370:30:42

Bizarrely, this neglect was the very thing that preserved

0:30:430:30:46

the hall's medieval and Tudor character.

0:30:460:30:49

It was as if it slept through the Georgian and Victorian eras.

0:30:490:30:52

But although the hall lay dormant for most of that time,

0:30:540:30:57

it became very much alive with the imagination of Victorian England.

0:30:570:31:01

Popular fiction was full of the story of the 16th century elopement

0:31:010:31:05

of the young Dorothy Vernon,

0:31:050:31:07

daughter of Haddon Hall with John Manners.

0:31:070:31:10

It is thought that Dorothy's father, a Catholic,

0:31:100:31:13

disapproved of John Manners because he was a Protestant.

0:31:130:31:16

Theirs was an important union,

0:31:180:31:19

because it was their direct descendant,

0:31:190:31:21

the 9th Duke of Rutland, who, at the start of the 20th century,

0:31:210:31:25

turned the fortunes of the hall around.

0:31:250:31:27

But breathing new life back into the house was easier said than done.

0:31:290:31:33

Yew trees had rerooted themselves and taken over the gardens.

0:31:330:31:37

The roof in the main hall was falling in

0:31:370:31:39

and there was very little left in the way of furniture

0:31:390:31:42

that wasn't completely rotten.

0:31:420:31:44

It was a huge undertaking and the restoration was all-encompassing.

0:31:480:31:51

And it's here, in this ancient chapel, that the most difficult

0:31:530:31:56

and delicate piece of restoration work was carried out.

0:31:560:31:59

If you look closely, you can see images of frescos

0:31:590:32:03

that adorn these wonderful walls,

0:32:030:32:05

but, like many other frescos, during the time of the Reformation,

0:32:050:32:08

they were all plastered over and whitewashed.

0:32:080:32:11

The Duke employed the foremost expert of the day

0:32:140:32:16

to restore these beautiful frescos.

0:32:160:32:19

Now, this, the three skeletons, that's a very popular

0:32:200:32:24

and poignant 15th-century fresco image.

0:32:240:32:28

It's there to remind us all of our fate.

0:32:280:32:30

The fate of Haddon Hall nowadays rests on

0:32:320:32:34

the 9th Duke of Rutland's grandson, Lord Edward Manners,

0:32:340:32:37

a great admirer of his grandfather's work.

0:32:370:32:40

Tell me about your grandfather's dreams for Haddon Hall.

0:32:410:32:44

Well, his dream was really to restore Haddon.

0:32:440:32:46

It was just at that tipping point, I think, in the 1920s.

0:32:460:32:49

The family basically kept it watertight

0:32:490:32:53

and made some repairs on the roof and on the pointing,

0:32:530:32:56

but it was basically abandoned for 200 years,

0:32:560:33:00

so, it was his life's work

0:33:000:33:02

and he started restoring this house in 1913

0:33:020:33:05

and finally completed the project in 1934.

0:33:050:33:09

He was a man of many interests

0:33:090:33:11

and one of his great interests was also archaeology.

0:33:110:33:14

He helped Lord Carnarvon excavate Tutankhamun's tombs.

0:33:140:33:18

He also recorded each stage of the restoration

0:33:180:33:22

in volumes of notebooks which have fantastic photographs in them

0:33:220:33:27

and drawings, architect's drawings as well,

0:33:270:33:29

which we use to this day for continued restoration projects here.

0:33:290:33:33

This must have been an ambitious project at the time.

0:33:330:33:37

It was a very ambitious project

0:33:370:33:39

and he brought in all sorts of experts

0:33:390:33:41

to repair and restore, for instance, these Bombay glass windows.

0:33:410:33:45

Every single window was taken out and he devised a methodology

0:33:450:33:49

for actually making the undulation in the glass on a wooden frame.

0:33:490:33:54

-What was he like as a person?

-He was known as quite a serious person.

0:33:540:33:58

Reasonably bookish and quite academic,

0:33:580:34:02

but he was a fantastic enthusiast.

0:34:020:34:04

People loved working with him, so what you see here

0:34:040:34:08

is a very authentic view of sort of Tudor and Elizabethan life.

0:34:080:34:14

-Yeah, a very honest view as well.

-Yes, quite.

0:34:140:34:16

If he hadn't done it then,

0:34:160:34:18

then Haddon would definitely be a ruin now.

0:34:180:34:20

Time has literally stood still here

0:34:260:34:28

and that's thanks to the 9th Duke and his passion for history,

0:34:280:34:32

that this place remains a window into life in medieval England

0:34:320:34:36

and a modern-day marvel.

0:34:360:34:38

It's lunch time, and we're taking a break from our valuations

0:34:450:34:48

to go back in time with some musical entertainment, renaissance-style.

0:34:480:34:52

Inspired by the professional court music that would have entertained

0:34:570:35:01

the great and the good of the 16th and 17th century,

0:35:010:35:04

local group Piva are on the bagpipes, the violin,

0:35:040:35:07

and the hurdy-gurdy and they even came dressed for the occasion.

0:35:070:35:11

From historical wooden instruments to a historical wooden box.

0:35:330:35:38

Abigail, Rod, thank you for bringing in this very intriguing box.

0:35:380:35:43

Very good.

0:35:430:35:44

I love the reveal part of this job.

0:35:440:35:47

THEY LAUGH

0:35:470:35:48

Good grief!

0:35:480:35:50

There we go. Normally, in a box like this,

0:35:500:35:52

you'll get lovely scientific instruments

0:35:520:35:55

and, of course, here we have a lovely sextant, all blacked out.

0:35:550:36:00

Usually, blacked out for military purposes, so it can be used

0:36:000:36:04

and not reflected and this in itself is a very interesting instrument.

0:36:040:36:08

Is this a family thing? Has it come down through the...?

0:36:080:36:11

No, no, I bought it 20-odd years ago

0:36:110:36:13

-at an auction in Radford, Nottinghamshire.

-Good grief.

-Yes.

0:36:130:36:17

When you bought this,

0:36:170:36:20

was there a large catalogue description about its associations?

0:36:200:36:23

None whatsoever, no,

0:36:230:36:25

-I was after it because I was doing a navigation course at college.

-Oh!

0:36:250:36:30

I thought, you know, I should get a sextant just to try it out.

0:36:300:36:34

-Good Lord!

-So, I was...you know, I bought this one.

0:36:340:36:37

This is the first one I bought and I'm very lucky to...

0:36:370:36:40

No offence, but talk about dumb luck! That's absolutely brilliant!

0:36:400:36:44

-So, you bought this purely for practical use?

-Practical use, yes.

0:36:440:36:49

Well, what makes it special is this plaque here in the top.

0:36:490:36:52

That's right.

0:36:520:36:54

"Sextant used by Lieutenant-Commander John Bowman,

0:36:540:36:59

"navigator HMS Exeter." Well, there's a familiar name.

0:36:590:37:04

"Killed in action, River Plate, 13.12.1939."

0:37:050:37:10

River Plate, to anyone that's familiar with good cinema,

0:37:100:37:13

-they will have seen The Battle Of The River Plate.

-That's right.

0:37:130:37:17

-And the re-enactment of the pursuit of the Graf Spee...

-Yes.

0:37:170:37:22

..by the various cruisers at the time, one of which was the Exeter.

0:37:220:37:26

The marvellous thing is that this sextant saw that engagement.

0:37:260:37:31

And that's incredible.

0:37:320:37:34

I mean, this is a piece of World War II history that's so important

0:37:340:37:39

-it was brought to life in cinema.

-Yes, that's right.

0:37:390:37:42

-Now, I've got one question - does it work?

-Yes.

-Yeah?

-Yes, yes, it works.

0:37:420:37:47

It's a lovely instrument, It is actually, I mean,

0:37:470:37:49

-ironically, an instrument made in Hamburg.

-Correct.

0:37:490:37:53

So, there's a touch of bitter irony there,

0:37:530:37:57

but it was retailed in Portsmouth.

0:37:570:37:59

I mean, Abigail, what does this do to you as a youngster?

0:37:590:38:03

-It's a piece of history, isn't it? Yeah.

-It's enthralling, isn't it?

0:38:030:38:07

-And it's lovely to see that people appreciate it.

-Definitely.

0:38:070:38:11

And people do appreciate it, they appreciate it for what it is

0:38:110:38:14

and for its associations and, of course, that means a value.

0:38:140:38:18

Oh, right, yes.

0:38:180:38:19

-20 years ago, was it very expensive?

-Well, I paid about £200 for it.

0:38:190:38:25

Which, at the time, was a very reasonable price

0:38:250:38:27

-to pay for a sextant.

-That's right.

0:38:270:38:29

But not with these associations, not at all. Um, that was a snip.

0:38:290:38:34

Ooh...why have you decided to sell it now?

0:38:350:38:38

-Are you not in naval training, Abigail, or anything? No?

-No!

0:38:380:38:42

Her grandfather was, though, and he was very good.

0:38:420:38:45

He taught me how to use it and...

0:38:450:38:47

-Oh, so, your grandfather taught you...

-Yeah.

-..how to use it?

0:38:470:38:50

-Yeah.

-Oh, that's marvellous. So, no pangs to hold on to it or...?

0:38:500:38:54

No, I've got another one which was her grandfather's,

0:38:540:38:58

so, I'm quite prepared to let this one go.

0:38:580:39:00

Normally, this would be two to three,

0:39:000:39:03

but this makes all the difference, it really does.

0:39:030:39:07

It's a stab in the dark, because I can't, hand on heart, tell you

0:39:070:39:11

how much difference this will make, but let's say...

0:39:110:39:14

-£500 to £800.

-Right.

0:39:140:39:17

-And a fixed reserve of £500 on this.

-Yes, I'd go along with that.

0:39:170:39:20

You know, I mean, if it goes for very much more than that,

0:39:200:39:24

I wouldn't be the least bit surprised, because it's just

0:39:240:39:26

a wonderful piece of history, more than an instrument, in fact.

0:39:260:39:31

Thank you so much for bringing along something

0:39:310:39:33

from one of my favourite films!

0:39:330:39:35

-Yes.

-If nothing else, it relates to that.

0:39:350:39:37

Well, it's marvellous to see a piece of history like that.

0:39:370:39:41

Now, Caroline has found something far more domestic.

0:39:420:39:46

-So, welcome, Ron and Liz.

-Thank you.

0:39:460:39:48

And thank you very much for bringing this fabulous thing to show me.

0:39:480:39:52

-Can you tell me anything about it?

-It was part-payment of a job.

0:39:520:39:56

Part-payment of what sort of a job?

0:39:560:39:58

-To do with farming, ploughing or something of that region.

-Yeah?

0:39:580:40:01

So, you want to know how much this is worth

0:40:010:40:03

-to know if you've got your money's worth for your job.

-True.

0:40:030:40:06

Right, OK, well, let's see if I can help you.

0:40:060:40:09

First of all, I think it's wonderful.

0:40:090:40:12

It's pottery, Staffordshire pottery, and it's encased in silver,

0:40:120:40:17

which is made by a very famous London silversmith, William Cummins.

0:40:170:40:22

Very good make, so those are all the plus points that add to it

0:40:220:40:26

beautifully, but, as in life,

0:40:260:40:28

-as always, there are some minuses.

-Yeah.

0:40:280:40:31

There's damage. You probably know there's quite a bit of damage.

0:40:320:40:36

For instance, the cup here is damaged

0:40:360:40:39

and if we look at the teapot,

0:40:390:40:41

if we lift it up, we can see, at the bottom, it's been riveted

0:40:410:40:46

and I like to see rivets, it shows how much somebody's thought about

0:40:460:40:50

-the item to rivet it.

-Yeah, yeah.

0:40:500:40:52

You don't see it being repaired like that these days, do you?

0:40:520:40:55

No, no, absolutely not.

0:40:550:40:57

It's various dates... this lovely teapot

0:40:570:41:01

with the William Cummins, London, silver-maker's marks here, 1896.

0:41:010:41:07

The various cups and jugs are later

0:41:070:41:10

and it's been a very, very smart set.

0:41:100:41:13

Your average person wouldn't own a set like this and it's all complete.

0:41:130:41:18

-Yes.

-You've got four cups, four saucers, the four plates

0:41:180:41:21

-and the two serving plates.

-Yes. What would the handle be made of?

0:41:210:41:25

Now, this is a wooden handle because it's not heat conductive,

0:41:250:41:30

so you would be able to hold it and pour without getting hot.

0:41:300:41:34

-Yes.

-Do you like it?

0:41:340:41:35

-Tell me.

-I like it, it's pretty, but I would never use it for anything.

0:41:350:41:38

It's too fragile to use, really.

0:41:380:41:40

-We don't have it out on display or anything, do we?

-It lives in there.

0:41:400:41:43

-It lives in that box?

-In the box in the loft.

-Aw!

0:41:430:41:46

Why have you decided now is the time to sell it?

0:41:460:41:49

-Well, somebody else could maybe appreciate it more.

-Yeah.

0:41:490:41:52

Well, I think somebody would really appreciate this.

0:41:520:41:56

-And as for value, do you have any idea of value?

-No.

0:41:560:42:00

Well, I would think, if we put an estimate at auction of

0:42:000:42:05

-£150 to £250 with a fixed reserve of £150.

-Yeah.

0:42:050:42:13

-If the pottery was Royal Worcester...

-Yes.

0:42:130:42:16

-..that would make a big difference to the price.

-Yes.

0:42:160:42:19

-This is just a Staffordshire potter.

-Yeah.

0:42:190:42:22

If it was in perfect condition,

0:42:220:42:23

-it would make a huge difference to the price.

-Yes.

-Yes.

0:42:230:42:26

It could do quite a lot better than that,

0:42:260:42:28

-but if we put a fixed reserve of 150, are you happy with that?

-Yes.

-Yes.

0:42:280:42:31

It's wonderful to have such a truly historic setting for our Flog It! valuation day

0:42:350:42:40

and I've found it impossible not to snoop around.

0:42:400:42:43

This house is just full of treasures.

0:42:430:42:46

And it's here in the old milk larder

0:42:470:42:49

that you'll find a collection of dole cupboards,

0:42:490:42:51

possibly the finest collection of its kind, dating back to the 1500s.

0:42:510:42:56

These cupboards you'll find in all the great houses throughout the country, houses like Haddon.

0:42:560:43:02

Particularly in the sort of jetted porches of the Elizabethan houses

0:43:020:43:06

and they were there to feed the estate workers and passing traders.

0:43:060:43:10

Loaves of bread were put in them and the bread was known as doles

0:43:100:43:14

and this is where we get the term from - "on the dole".

0:43:140:43:17

I must say, I am rather jealous of this collection.

0:43:170:43:21

There is so much history here in this room

0:43:210:43:24

and I'm in awe of it. I really am.

0:43:240:43:27

There are antiques and collectibles from all eras here, but no prizes

0:43:290:43:32

for guessing the age of the little scent bottle coming up next.

0:43:320:43:37

Oriana, thank you so much

0:43:370:43:39

for bringing this little gem along today.

0:43:390:43:42

-All right.

-Lovely little thing.

0:43:420:43:44

Before I even begin to tell you about it,

0:43:440:43:47

you tell me where it came from.

0:43:470:43:50

-My father's shed.

-Your father's shed?!

-Yes.

0:43:500:43:53

-He actually worked for the refuge...

-Yes.

0:43:530:43:56

..many, many years ago,

0:43:560:43:58

-and he would make private collections for the council.

-Right.

0:43:580:44:03

Um, and I think this is one of the items that he found in his job.

0:44:030:44:08

-What? Thrown out?

-Yeah.

-In the rubbish?

-Yeah.

0:44:080:44:12

Right, now, following it so far, someone has thrown this out.

0:44:120:44:16

-Whoever they may be, they're fools.

-Yeah.

-But your father found it.

0:44:160:44:21

Why did he then put it in his shed?

0:44:210:44:24

Overspill of things in the house, so they went in the shed.

0:44:240:44:27

-It's not very big, is it, Oriana?

-You didn't see the shed.

0:44:270:44:31

-There's not more of these in the shed, are there?

-No, no.

0:44:320:44:35

Aw! Is it something you've known then, or it is something that's...?

0:44:350:44:38

No, I found it three weeks ago.

0:44:380:44:40

-And, up until then, no idea...

-Didn't even know it existed.

0:44:400:44:44

Oh, that's fantastic.

0:44:440:44:45

So, when you discovered it three weeks ago, what did you think?

0:44:450:44:48

-Did you think...?

-I actually thought it was a bit of plastic.

0:44:480:44:50

Oh, be fair! It's got that plasticky look

0:44:500:44:54

because it's trying to imitate ivory.

0:44:540:44:57

-Right.

-It's an ivorine porcelain body.

0:44:570:45:01

-Well...

-Highlighted in gilt.

-Mm-hm.

0:45:010:45:03

And we've got... You know who she is, don't you? Cos it's written...

0:45:030:45:07

Queen Victoria, yep.

0:45:070:45:08

That's Queen Victoria's young head.

0:45:080:45:10

Right.

0:45:100:45:11

Um, and we've got the coronation date, 1837,

0:45:110:45:15

-and then we've got the Jubilee 1887.

-Right.

0:45:150:45:18

-Um, and she didn't look like that in 1887, I can promise you!

-No!

0:45:180:45:22

If we look at it, we've got the stopper.

0:45:220:45:24

-I mean, isn't that ingenious?

-It is, it's lovely.

0:45:240:45:27

Making a silver stopper look like a crown for the Jubilee,

0:45:270:45:31

and, if we turn it over...

0:45:310:45:33

..flowers, but not just flowers.

0:45:350:45:36

-The emblems of England, Scotland, Ireland and Wales.

-Yep.

0:45:360:45:40

So, the Empire, basically, and if we look at the bottom here...

0:45:400:45:46

-that's what we want to see, Royal Worcester.

-Right, OK.

0:45:460:45:50

So, I mean, really, when you see this blush ivory with gilding,

0:45:500:45:54

you think it's going to be Worcester,

0:45:540:45:56

-but to have a mark as confirmation on the base is rather great.

-Right.

0:45:560:46:00

And, surprisingly, for all the places it's been, the bin, the shed,

0:46:010:46:07

only a little bit of the gilding has worn off the edges

0:46:070:46:10

of the top of the decoration.

0:46:100:46:11

-Any idea what it's worth?

-Haven't got a clue.

0:46:110:46:14

£20 to £40, would that seem a fair...?

0:46:140:46:17

I honestly don't know, haven't got a clue.

0:46:170:46:20

We can do a little bit better than that, because it's two things.

0:46:210:46:26

-It's a royal commemorative.

-Mm-hm.

-And it's Royal Worcester.

-OK.

0:46:260:46:30

So, you get royal commemorative collectors

0:46:300:46:32

-bidding against Royal Worcester collectors.

-Right.

0:46:320:46:35

And that's not even factoring the scent bottle collectors,

0:46:350:46:39

of which there are many.

0:46:390:46:40

-Yes.

-Let's put it in at...

0:46:400:46:43

£200 to £300 and let's put a fixed reserve of £200 on it.

0:46:430:46:49

-Yes, please.

-I mean, they might have made quite a few of them,

0:46:490:46:52

-but they haven't all survived.

-No, no.

-And not in lovely condition.

0:46:520:46:57

Um, it's an absolute find, but why, after discovering it,

0:46:570:47:01

are you selling it now?

0:47:010:47:03

Whatever it raises is going towards a headstone for my mum and dad.

0:47:030:47:07

Oh, well, that's a very worthy cause, isn't it?

0:47:070:47:10

They both recently passed away.

0:47:100:47:12

Oh, that's very sad, but, hopefully that will get you some way

0:47:120:47:15

to a beautiful headstone for them.

0:47:150:47:17

-Yeah.

-If not all the way. We'll keep our fingers crossed.

-You never know.

0:47:170:47:21

It is extraordinary what people throw away.

0:47:220:47:25

Looks like Caroline has found something very special.

0:47:270:47:31

Wow, Mike, I think it's over to you to tell me a bit about this history.

0:47:310:47:37

It came from the family in Ireland

0:47:370:47:39

and I know we've had it for about 100 years.

0:47:390:47:43

It was used for christenings in the family

0:47:440:47:47

and I think I was the last person to be christened in it.

0:47:470:47:49

-Oh, were you?

-In 1940.

-So you have an attachment to this.

0:47:490:47:53

I do have an attachment to it.

0:47:530:47:55

Well, I'm sure you looked handsome and charming in this.

0:47:550:47:58

-I had more hair then.

-Did you?

0:47:580:48:00

It's the finest silk you can imagine, it's absolutely beautiful.

0:48:010:48:06

It dates from around 1900. Does that tie in with your...?

0:48:060:48:10

-That ties in, yes.

-Around 1900. So it's well over 100 years old now.

0:48:100:48:16

It's in very, very good condition.

0:48:160:48:18

There's a few tiny rust marks and a few tiny staining areas inside.

0:48:180:48:25

This is beautiful, machine-made lace all the way around it

0:48:250:48:28

and the embroidery. Beautifully, beautifully made.

0:48:280:48:32

This is obviously the christening cape.

0:48:320:48:34

Do you have a christening gown that went with it?

0:48:340:48:38

There may have been one but I've no knowledge of it.

0:48:380:48:41

-But you've kept this.

-Yes.

0:48:410:48:42

And why do you now feel the time is right to sell, Mike?

0:48:420:48:46

I'd like to see it go to somebody else and be used, really,

0:48:460:48:49

because it won't be used in our family again

0:48:490:48:52

because the family has their own traditions

0:48:520:48:55

so it won't carry on to another generation.

0:48:550:48:58

I mean, it's a family heirloom of yours

0:48:580:49:01

and the value is beyond counting, sentimental value,

0:49:010:49:05

but what sort of value would you be happy to sell it for?

0:49:050:49:09

I've no idea, I'd really just be happy with the idea that it's used.

0:49:090:49:14

Well, I would put a valuation - to me it should be worth an awful lot more, we'll start by saying that -

0:49:140:49:19

but a realistic valuation for auction I think

0:49:190:49:22

would be £40-£60,

0:49:220:49:26

-with a fixed reserve of £40.

-Yes, that's fine.

0:49:260:49:30

-And I'm sure that will go to a home and be used.

-Absolutely.

0:49:300:49:34

It would be nice to see it used in the future.

0:49:340:49:37

Well, I'm sure it will be for at least another hundred years.

0:49:370:49:40

-Thank you.

-Thank you very much, Mike.

0:49:400:49:42

I started this show by saying,

0:49:450:49:47

"Haddon Hall is one of my favourite places in the world, I love it,"

0:49:470:49:50

and now I hope you and love it too.

0:49:500:49:52

We're off to the auction room now, to put these values to the test

0:49:520:49:56

and here's a quick recap of what's coming with us.

0:49:560:49:58

What price history? It's up to the bidders to value the sextant now.

0:49:580:50:02

Caroline loved the tea set, but will she be the only one?

0:50:050:50:08

And will the little perfume bottle do its bit to help Oriana

0:50:110:50:14

with the headstone for her parents?

0:50:140:50:16

And surely someone will fall in love

0:50:180:50:20

with the exquisite hand-stitched christening gown.

0:50:200:50:23

Welcome back to Bamfords Auction Rooms,

0:50:300:50:33

where James Lewis is on the rostrum right now.

0:50:330:50:35

Let's catch up with our next owners, Ron and Liz,

0:50:350:50:38

as we're about to put the Staffordshire tea service

0:50:380:50:40

under the hammer, and here's our expert Caroline.

0:50:400:50:43

-Good to see you both again.

-Yes.

0:50:430:50:45

Now, you got this tea set as part of a part-payment,

0:50:450:50:49

-in a way, for a farming job.

-Yes, yes.

0:50:490:50:50

-Well, we got a value of £150 to £250.

-There is some damage on it.

0:50:500:50:54

There is a bit of damage, but it looks like

0:50:540:50:57

-a lot of lot for the money, doesn't it?

-It does. Yeah.

0:50:570:51:00

And the silver's beautiful, isn't it?

0:51:000:51:02

William Cummins' silver. Fabulous.

0:51:020:51:04

I think it's about time we found out what it's worth, don't you? Here it is.

0:51:040:51:08

And I can start the bidding at £140, 150 now.

0:51:080:51:12

-150, sir...

-Straightaway we're straight in there.

0:51:120:51:15

170, 180, and 190 beats it. At 180, very close, 190, now, standing.

0:51:150:51:22

At 190 standing, 200, do I see? Coming back, 200, no?

0:51:220:51:27

At 190 standing to the right, at 190 you're out online as well. At 190...

0:51:270:51:34

All sure? Gavel's raised. 190...

0:51:340:51:37

-Yours, sir.

-That was short and sweet, wasn't it!

0:51:370:51:40

That chap was determined to have it. He came to buy that.

0:51:400:51:43

-Well, someone in the room did love it.

-180, 190...

0:51:450:51:48

Now, let's see what the provenance does for the sextant.

0:51:480:51:51

Showing us the right direction now is Rob and Abigail

0:51:510:51:55

with the sextant which has been blacked out for military purposes.

0:51:550:51:58

We've got a value of £500 to £800 on this,

0:51:580:52:00

-and I know Rob has had this for around 30 years.

-That's right.

0:52:000:52:04

Why have you decided to sell now?

0:52:040:52:06

I don't think I'll be using it again, Paul,

0:52:060:52:09

so I hope it goes to somebody that will be using it.

0:52:090:52:12

-I think it's got to go to a military historian.

-Sure.

0:52:120:52:15

It is a historical piece, Abigail, what do you think of it?

0:52:150:52:17

I think it's a great piece of history,

0:52:170:52:19

and it needs to go to somebody who's going to appreciate it and enjoy it.

0:52:190:52:23

-And hopefully a collector will.

-Yeah.

0:52:230:52:25

We're going to put it to the test right now. Here we go.

0:52:250:52:27

760, this is the sextant.

0:52:270:52:30

And I can start the bidding here at...

0:52:300:52:32

well, I've got three bids,

0:52:320:52:34

all of them below estimate at £420,

0:52:340:52:38

440. 440, 460 do I see?

0:52:380:52:42

At 440, 460 now.

0:52:420:52:44

At £440, I have...

0:52:440:52:47

460. Lots of interest,

0:52:470:52:49

but all around that area. At £440...

0:52:490:52:53

-We've got a fixed reserve of 500, haven't we?

-Mm-hm.

0:52:530:52:55

No, it's too much, I think. Sorry.

0:52:550:52:59

Lots of bids in the 400s, but it needs to make 500. Not sold.

0:52:590:53:03

Oh, well, I would suggest a specialist maritime sale.

0:53:030:53:06

It's disappointing. I think all those bids were for it as a sextant.

0:53:060:53:10

-Yes.

-But not its history.

-Yes.

0:53:100:53:13

And, you know, sometimes we say specialist sales are

0:53:130:53:16

the best place to go, and this is so niche,

0:53:160:53:19

there's probably only five or ten people in the country

0:53:190:53:22

that appreciate what it is.

0:53:220:53:24

Next, something we can be certain about.

0:53:260:53:29

A Victorian christening cape belonging to Mike

0:53:300:53:33

who actually wore it, didn't you?

0:53:330:53:35

I wore it when I was christened when I was two days old.

0:53:350:53:39

Aw! Fantastic. This is incredible really,

0:53:390:53:42

-I mean, this is your own social history.

-Yes.

0:53:420:53:44

We did consider having it conserved but it would cost a fortune.

0:53:440:53:47

-How do you feel...?

-And where would it go in the future?

0:53:470:53:50

-Is this going to be a sad moment?

-No, not really.

0:53:500:53:52

I'd like to think that it was going on to somebody else.

0:53:520:53:54

-To a collection.

-Yes.

0:53:540:53:56

OK, we're going to find out right now.

0:53:560:53:57

It's now down to the bidders.

0:53:570:53:59

Lot number 561, Victorian silk christening gown.

0:53:590:54:02

There we are, and I can start the bidding here at £30.

0:54:020:54:06

30 and 5 now, 35, 40, 45.

0:54:060:54:09

At 45, 50 now.

0:54:090:54:10

At 45 and 50 anywhere?

0:54:100:54:13

At £45, do I see 50? At 45.

0:54:130:54:17

It's away.

0:54:170:54:18

-45.

-And the hammer's gone down, £45.

0:54:190:54:22

It was short and sweet.

0:54:220:54:24

Blink and you'll miss that.

0:54:240:54:26

Well done, good valuation, that was right on.

0:54:260:54:28

Hopefully it will go to a collection.

0:54:280:54:30

-Yes, or to be worn again.

-Yes.

0:54:300:54:31

Earlier, I caught up with auctioneer James Lewis to get his opinion

0:54:350:54:38

on our final item, the commemorative Royal Worcester scent bottle.

0:54:380:54:43

Will this have the sweet smell of success?

0:54:430:54:45

Do you know, actually, James, I quite like that little scent bottle.

0:54:450:54:48

-Young Queen Victoria on it, and I know you've sold these before.

-Yeah.

0:54:480:54:51

-We've got £200 to £300 on this.

-I think that is almost spot on.

-Yeah.

0:54:510:54:55

-I hope to get top end estimate.

-OK.

-They come in various colours.

0:54:550:55:00

This is quite a common colour.

0:55:000:55:01

They come in slightly brighter ones as well

0:55:010:55:04

and they also occasionally have a fleur-de-lys

0:55:040:55:07

moulded into the back, and the countries of the commonwealth

0:55:070:55:10

-around the outside.

-Right.

0:55:100:55:12

So this is one of two or three different models,

0:55:120:55:15

but still, it's a good thing.

0:55:150:55:17

And it's lovely to see that crown that hasn't been compressed,

0:55:170:55:20

-cos the reppouse is quite thin.

-Yeah, that's a nice thing.

0:55:200:55:23

-Well, good luck with that.

-Thank you.

0:55:230:55:25

Well, the condition is good, so it's got everything going for it.

0:55:250:55:29

And at £200 to £300, it's here to go.

0:55:300:55:32

Oriana, why, why, why are you selling this?

0:55:320:55:35

This should be a keeper somewhere.

0:55:350:55:36

It should be, but, at the end of the day,

0:55:360:55:39

-it belonged to my father.

-Right.

0:55:390:55:42

He recently passed away and I am left with dealing with his estate.

0:55:420:55:47

-If it sells, the money is going towards the headstone.

-OK.

0:55:470:55:52

It ticks so many boxes.

0:55:520:55:54

It does and, right now, it's going under the hammer.

0:55:540:55:56

Let's find out what the bidders of the Peak District think. Here we go.

0:55:560:56:00

318 is this Royal Worcester commemorative scent bottle.

0:56:000:56:04

Let's find out how many phone lines are booked and what's the interest.

0:56:040:56:08

1, 2, 3, 4, 5, 6, 7, 8, 9, 10 11, 12, 13 bids.

0:56:080:56:14

-I thought he wasn't going to stop for a minute!

-Two telephones...

0:56:140:56:18

This is going to be a fight. This is going to be enjoyable. Watch this.

0:56:180:56:21

This is going to be a classic auction.

0:56:210:56:23

-220? 220.

-And the phones are poised as well.

-240, 260.

0:56:230:56:28

300, 340, 400, 420. First phone at 420.

0:56:280:56:35

460. 500.

0:56:350:56:38

-540.

-Wow.

0:56:390:56:40

-580.

-Ha!

0:56:410:56:44

This is great.

0:56:440:56:46

-Hidden treasure.

-Yes.

-600. 650.

0:56:460:56:49

At £600, 620 do you want?

0:56:500:56:54

-620 second phone. 620.

-(620!)

-650.

0:56:540:56:58

680.

0:56:580:56:59

680, 700. 750.

0:57:010:57:04

750. 800.

0:57:060:57:09

850.

0:57:090:57:10

-£800.

-It's just one of those moments.

-It's fantastic.

-One more?

0:57:120:57:15

-It is amazing though.

-Yeah.

0:57:150:57:17

820. 820.

0:57:210:57:23

It worked at 820 on the phone, I'm out. 820, gavel's raised.

0:57:230:57:28

Are you sure?

0:57:280:57:29

At 820 on the telephone...

0:57:290:57:32

-820, well done.

-Yes! £820.

0:57:330:57:35

-Fantastic result. You're shaking, aren't you?

-Very good...

0:57:350:57:38

-for a bit of plastic!

-You're shaking, aren't you?

0:57:380:57:40

You thought it was plastic, but there you go. Porcelain at its best.

0:57:400:57:43

-Yeah.

-Well, look, I hope you have many more times like this.

0:57:430:57:46

It's really, really put a highlight

0:57:460:57:47

and a wonderful end spot to our show today from the Peak District.

0:57:470:57:51

I hope you've enjoyed the surprise we guaranteed.

0:57:510:57:53

You never know what's going to happen in an auction. Keep watching.

0:57:530:57:56

So, until next time, from all of us. It's goodbye.

0:57:560:57:59

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