Oxford 16 Flog It!


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Today, we are at the Oxford Union,

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one of the oldest debating chambers in the world.

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It occupies a unique place in world politics.

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It was here in 1979

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that Richard Nixon gave his first speech after Watergate.

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He admitted, "I screwed up and I've paid the price."

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Let's hope our experts are on the game today. Welcome to Flog It!

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The Oxford Union was created in 1823

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in response to the University's ban

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on any discussion of politics or religion.

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And since then, the union has gained a worldwide reputation

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as a place where no topic is out of bounds, no matter how controversial.

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One of the most famous names to address the chamber is Malcolm X.

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When a black man strikes back, he's an extremist.

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He's supposed to sit passively and have no feelings,

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be non-violent and love his enemy.

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No matter what kind of attack,

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be it verbal or otherwise, he is supposed to take it.

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The union has also played host to the likes of

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the then President of the USA, Ronald Reagan,

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the Dalai Lama and even Mother Teresa - hark at us,

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rubbing shoulders with the great and the good!

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It all starts right here, the door to the famous chamber.

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Many debates have been won or lost over this threshold

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and debates are decided by ayes to the left and noes to the right.

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Now, I wonder if our experts will be using this as a system

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to decide what goes off to auction?

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Stimulating the debate today are two people hoping to

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outdo each other on the antiques front. Mr Will Axon...

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-What have you brought along today?

-A bracelet.

-She brought you along?

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-Oi!

-Thank you.

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-..and Christina Trevanion.

-They are gorgeous.

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-And where did they come from?

-Admirers in the past.

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Oh, I wish I had admirers like that, who'd shower me with opals.

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A long time ago now.

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They're trawling the queue for antiques, unusual and elaborate.

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-Oh, that's rather pretty.

-Christina, what have you found there?

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-It's mine!

-Where's my stickers?

-No, I've already done it.

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Oh, look, she's already been marked.

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So, without further ado, let's get everybody in.

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I'm standing in the same spot where famous names such as Malcolm X

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and Winston Churchill addressed this chamber.

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We've got a packed show ahead, so...let the debate commence.

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And coming up on today's show...

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Who have I discovered behind-the-scenes?

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He's instantly recognisable because of his mop of mad hair.

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I love that photograph.

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And whose salacious etchings has Will uncovered?

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It's basically a report on his life of vice and self-destruction

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after inheriting a fortune from his father.

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Now, I'm up here in what's known as the Strangers' Gallery.

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This would have been as far as non-members and ladies

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would have been allowed to go in the old days.

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Talking of ladies, we have the gorgeous Christina,

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who's just below me there.

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And it looks like she's found something incredibly interesting.

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Let's take a closer look.

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So, Tracey, we're in one of the most famous debating chambers

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in the world, which has seen so many famous faces,

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-and you've brought some more in to us here.

-Yes.

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-Tell me about this - this is your autograph book?

-Yes.

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It came down from my great-uncle, who died a couple of years ago.

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He did all the lighting in the New Theatre round the corner,

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-which is the oldest theatre in Oxford.

-In Oxford? Oh, wow.

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And he worked on a lot of the big productions, setting up

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the lighting for them, for operas and musicals and ballet, you name it.

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He worked long hours.

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Like, eight o'clock in the morning till midnight.

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-So it was more of a lifestyle?

-It was, yeah.

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And this is one of his autograph albums?

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-Yeah.

-I'd imagine you're quite familiar with it.

-Yes.

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-So, this is Ray? That's your uncle?

-That's my great-uncle, yes.

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-And New Theatre, Oxford.

-New Theatre, Oxford, yes.

-Brilliant.

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So, who have we got here?

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That's Coral Browne, who was a famous film star in the '50s.

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-And then we've got...?

-Vincent Price, who she was married to.

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And Vincent Price was in the famous horror films.

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Looking very dapper there, isn't he? Very, very dapper.

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-At the back here, we've got Rex Harrison.

-My Fair Lady, of course.

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And we've got Sean Connery and his first wife, Diane Cilento.

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-And I think she died two years ago.

-Oh, right. Oh, gosh.

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-Oh, gosh, who's this?

-That's Marlene Dietrich.

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Goodness me, that's a good one. That's a very good one.

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-So, really, these look like '60s.

-'60s, '70s, '80s, '90s.

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So, how long was he working there?

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-A long time - 40 years, something like that.

-Goodness me. Wow.

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I have to say, autographs are a bit of a tricky subject to value

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because unless they are really, really big names

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like the Beatles, they don't command huge prices at auction.

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But it is quite important in the history of the New Theatre.

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This is a record of these people that came and performed.

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Really, I would be looking at offering it somewhere

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-maybe in the region of £60-£100.

-OK.

-Something like that.

-That sounds OK.

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I mean, that would be brilliant, because I wouldn't expect, you know...

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It's very difficult.

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-I know it's packed full of all these wonderful people.

-No, that's brilliant.

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But you have to think, well,

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how much of a market would there be for it?

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So, I think if we put it at £60-£100,

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-it gives it a fighting chance.

-That sounds brilliant.

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I have a feeling that that Bond one, the Sean Connery one, might...

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-Especially since it's 50 years of Bond this year.

-Exactly, yes, exactly.

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This building is no stranger to the A-list.

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Alongside the great and the good, expounding their theories,

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there have been plenty of guests to please the paparazzi.

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Reality TV stars like Katie Price and Kerry Katona,

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right through to amphibians, like Kermit the Frog, who proclaimed

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"If Ronald Reagan can do it, then so can I."

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There's certainly been an eclectic mix here.

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Our very own matinee idol, Will Axon,

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has managed to give the paparazzi the slip

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to meet another Christina in the courtyard.

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From the nice, warm golden plover of the winter sun behind us

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to this nice, warm golden glow on the table.

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It really caught my eye when this came out of your bag.

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Christina, is this something that belongs to you?

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-Or Lydia, is this yours?

-No, it's mine.

-Is it?

-Yes.

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Lydia's just come along for a bit of moral support, has she?

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She has, yes.

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Well, it's a charm bracelet, in gold, of course.

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Mainly nine carat gold, as is common with charms and charm bracelets.

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Does every charm tell a story?

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Do you remember where each one came from?

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Not particularly each one, but a lot of them came from Cornwall.

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-As souvenirs?

-We had holidays there, yes.

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Or, perhaps the odd birthday present, or a Christmas present.

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I always thought that if you know someone who wore a charm bracelet

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you knew what to get them for their birthday or Christmas.

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-Exactly, yes.

-But of course, the trouble nowadays is,

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who do you know who does wear a charm bracelet?

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That's it, not very often these days.

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I mean, Lydia, is that something that catches your eye?

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Would you like to wear that?

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-No.

-No?

-Maybe.

-There's some fun charms on here, aren't there?

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-There's a little steam train.

-And then Aladdin.

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-You're right, and Aladdin's lamp.

-And I like the little fishy thing.

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Oh, yes, look here, you've got little fish there as well.

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-And Noah's ark.

-And it opens and you see some things.

-Yeah?

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-The spaceman's legs move.

-Do they?

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-The pump moves.

-The little bellows, you're right.

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Look, they work, the little bellows are working.

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I mean, great fun, really, but in a practical sense,

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it's just not very wearable any more.

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So, you've brought it to Flog It!,

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you obviously want to sell the piece,

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and it's all going to be down to what it weighs.

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It's that sort of scenario, I'm afraid.

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Nine carat as well,

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so it's not going to be as much as if it were a higher grade of gold,

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but I still think you should be looking somewhere in the

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region of say £600-£800,

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which, for a little bracelet that probably sits in a drawer

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-not doing a lot, it's a good amount of cash, isn't it?

-It is.

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So, what's the money going to go towards?

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Divided up between the children and grandchildren.

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-Everyone's going to get a little slice of it?

-Yes.

-Well, I think that's rather nice.

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They'd rather nowadays probably prefer the cash than

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-they would an old charm, wouldn't they?

-Exactly, yeah.

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Will you be able to make the auction, do you think, Lydia?

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-No, because I will be at school.

-Oh, that's true.

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-We'll give you a wave, how's that, when we're at an auction?

-OK.

-OK.

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-It's been a pleasure meeting you both.

-Thank you very much.

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-I'm sure we'll get this away for you.

-OK, thank you.

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# Oxford town, Oxford town

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# Everybody's got their heads bowed down

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# The sun don't shine above the ground

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# Ain't a-going down to Oxford town. #

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And back inside, our very own Christina

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is slightly confused by her next item.

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-So, Hilary?

-Yes, Christina.

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-You've brought us an egg.

-I have. It's a nutmeg grater.

-Ah!

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-Yes.

-So, not an egg.

-It's not an egg from the golden goose.

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-It would be nice, wouldn't it?

-It's a nutmeg grater.

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It's a nutmeg grater. And where's it come from?

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It came from my uncle, and he's quite well known. Well, he was.

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His name is Hubert Noel Charles

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and he designed the very first MG motor car.

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Oh, wow! That's quite exciting.

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-Very exciting, yes.

-So, do you have a large collection of MGs at home?

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No, unfortunately. That's one thing I ought to have.

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-Gosh. Wow-ee. Was this his?

-That was his, yes.

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And I don't know whether it belonged to his parents,

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because it is fairly old, I believe.

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-And it's come through the family?

-Come through the family.

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Well, we can tell it's a nutmeg grater, obviously,

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because if we have a little look on the inside,

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we've got this wonderful grate in here.

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Now, nutmeg graters are quite collectable

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and I believe you've already done quite a lot of research on this?

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-Yes, I have.

-And you know it's by Samuel Meriton.

-Yes.

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Unfortunately, we don't know the actual date that it was made.

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Often, small silver didn't have any duty payable on it,

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-so he didn't actually put the date mark.

-Oh, I see.

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So, we've got this wonderful maker's stamp in the bottom, here,

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but sadly, no date.

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But we know that he was working in the 1800s, the late 19th century.

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After the establishment of the East India Company,

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spices and nutmeg were much more readily available,

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so you would grate your nutmeg into your wine

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to make it taste slightly more palatable.

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So, they weren't carried by the very most affluent members of society

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because if you were affluent, frankly, you could afford good wine.

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They didn't put it on food, then, the nutmeg on food?

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-Sometimes, but more commonly it was in wine.

-Oh, right.

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So, very, very pretty. Very collectable.

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-And I love the fact that it is just so simple.

-Yes.

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And like you say, it's lovely and warm, because you've been holding it.

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I've been holding it - it's very tactile, isn't it?

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-You've kept it really toasty!

-It's lovely, yes.

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It is hollow, so you would expect some sort of damage

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and sadly, this happened.

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It's only a slight one.

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Only a slight dent, we'll just gloss over that.

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Yes, but they can be...

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Value wise, what are you expecting?

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Well, yes, I know a couple of years ago I was offered about £230 for it.

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-Oh, my goodness.

-So, I should have sold it then, really. But never mind.

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They tend to be fetching in the region of £120-£180.

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So, I would hope that it would make in the middle of that at least.

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I would be comfortable at putting a firm reserve of 120.

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I think you'd be very disappointed if it went for any less than that.

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-If it went less than 150, really.

-Oh, really?

-Yes, I would.

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OK. If we put the reserve at 150 we'd have to put it at £150-£200.

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That sounds good, Christina. And keep our fingers crossed.

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-Keep our fingers very crossed!

-Yes!

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Are you going to put the proceeds towards an MG?

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-No, I think a nice long holiday.

-Oh, that sounds good!

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Well, we've got some interesting items boxed and ready to dispatch

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so I think it's time for a cup of coffee, don't you?

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Before we head off to auction for the first time today,

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I want to show you the union cafe.

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Behind me are hundreds of photographs of

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some of the famous people who've spoken in the debating chamber.

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Up there, you can see Pierce Brosnan, 007.

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The Labour MP, Tony Benn.

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Up there, one of my favourite actors, Bill Nighy.

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And of course, Shakira. But I wonder what she had to say?

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Anyway, I'm digressing right now.

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It's time to put those valuations to the test.

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And no doubt, there's going to be another debate in the auction room.

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Here's a quick recap of what's going under the hammer.

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We have Tracey's autograph book, jam-packed with famous faces.

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-Oh, gosh, who's this?

-That's Marlene Dietrich.

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Christina and Lydia's charm bracelet, complete with 24 charms.

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Will they be lucky in the saleroom?

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And of course, Hilary's unusual nutmeg grater.

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Will she get the high price she wants for it?

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-A couple of years ago I was offered about £230 for it.

-Oh, my goodness!

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Yes!

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So, who's going to reach for the stars

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and who's going to be bottom of the bill?

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Our auction today comes from Newbury, near Reading.

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Among the famous names who hail from Newbury

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are Sebastian Faulks, author of Birdsong.

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And musical impresario, Andrew Lloyd Webber,

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both of whom have spoken at Oxford Union.

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In charge of today's proceedings

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is our all-singing, all-dancing auctioneer, Thomas Plant.

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Go on! 80, he says. Yes! £80.

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And the house is absolutely packed.

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And our own star turn's first lot is that nutmeg grater,

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handy for 19th-century wine.

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Hilary, sadly, cannot be with us today

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but I'm joined by Christina, our lovely expert.

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And we're just about to put that silver nutmeg grater under the hammer. Aren't we?

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-Hilary was offered £230 for this not so long ago.

-Yeah, no pressure!

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-No pressure!

-Thanks!

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It's a different kettle of fish in an auction.

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It can either go higher and hit that result,

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or it can go slightly lower. That's the fun of the auction.

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In the market that we're in, nutmeg graters are very easy to collect.

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They're small, you can collect a lot of them.

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-So, hopefully...

-It's stamped SM, isn't it?

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So, we know who the maker is, Samuel Menton or Meriton.

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But there's those dents, which worry me.

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It's going to have to have a little bit of work, but...

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-Right.

-OK.

-Here we go then. Ready? Good luck, this is it.

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The 19th-century silver nutmeg grater.

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And I can start the bidding with me here at £150, with me.

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160, 170, 180, 190. 200, and ten.

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220, and I'm out. At 220, it is. At 220, and I'm out.

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It's in the room at 220. Any advance at 220?

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Selling, then, 220 it is.

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-Well, that was a good result. I'm happy with that.

-I hope Hilary is.

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I'm sure she is. Hilary, if you're watching this,

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-I know there's a big smile on your face and that's what it's all about.

-Yes, exactly, yes.

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If you've got anything like that at home, we'd love to see it.

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Bring it into one of our valuation days.

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It's a cracking start and Thomas has more good news for our next item.

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Five, 60, five...

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There are a few keen jewellery buffs in the room today,

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so he has high hopes

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that Christina's bracelet will charm them.

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He's even upped the reserve.

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We've been talking about this bracelet which is just about to go under the hammer.

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There's all sorts of things going on.

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-There's the little church, isn't there?

-Yes.

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-There's a £5 note.

-Yes.

-There's an oil lamp.

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Yeah. The spaceman, that was my favourite.

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Was that Lydia's favourite as well? On the valuation day, little Lydia.

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And it is a shame, because you think,

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the work that goes into making these little charms.

0:15:440:15:46

You were mentioning the church and the steeple,

0:15:460:15:48

the doors that open and all the people inside.

0:15:480:15:51

It's unfortunate that I don't think they're going to last very long.

0:15:510:15:54

Shame, really, isn't it?

0:15:540:15:57

The other good thing about gold is, of course, that it is recycled.

0:15:570:16:00

Those will be melted down and they'll be made into another

0:16:000:16:03

piece of jewellery that someone else is going to wear for years,

0:16:030:16:06

-so it's a sort of cyclic notion, isn't it?

-It is, really.

0:16:060:16:09

Anyway, let's put it to the test. What's it worth?

0:16:090:16:12

Thomas is going to tell us. Here we go.

0:16:120:16:15

And this is the impressive nine carat gold charm bracelet.

0:16:150:16:18

There we are, lots of charms on this one.

0:16:180:16:20

I will start the bidding with me here, straight in at £600 with me.

0:16:200:16:24

At £600, I have. 600...and 20. 650?

0:16:240:16:29

680, if you want to. 680, and I'm out. At 680, it's in the room. 700.

0:16:290:16:34

At £700 in the room. Is there any advance at £700?

0:16:340:16:39

Very last chance at 700 and I sell.

0:16:390:16:42

-Thank you very much.

-I'm happy with that.

0:16:420:16:44

-You're happy with that as well, aren't you?

-Yes.

0:16:440:16:46

The children will be happy.

0:16:460:16:47

Oh, right - are they going to benefit?

0:16:470:16:49

It's their inheritance.

0:16:490:16:51

Well, give our best to Lydia as well.

0:16:510:16:53

I'm sorry she couldn't make it.

0:16:530:16:55

Lydia will be pleased.

0:16:550:16:56

Now it's time to auction that jam-packed autograph book,

0:16:560:16:59

brought in by Tracey and compiled by her great-uncle, Ray.

0:16:590:17:04

You've got some top names there,

0:17:040:17:06

and collected at the New Oxford Theatre from the 1950s onwards.

0:17:060:17:10

And in fact, Thomas is on the rostrum announcing them now.

0:17:100:17:12

Bernard Cribbins, Jon Pertwee, Tommy Steele, Vincent Price.

0:17:120:17:16

Well, there's some wonderful names here.

0:17:160:17:19

-What was your favourite one?

-Sean Connery.

-James Bond!

-Yes!

0:17:190:17:25

This is a comprehensive and well presented collection of autographs.

0:17:250:17:29

Plenty of interest.

0:17:290:17:32

I can start this one at 130, 140, 150, 160 with me.

0:17:320:17:38

-£160 against you. 160...

-£160!

-Is there any advance at £160?

0:17:380:17:45

-At 160, I have.

-Fantastic.

-Against you all, 160.

0:17:450:17:50

Hammer's gone down, straight in, straight out. £160.

0:17:500:17:54

He was a great man.

0:17:540:17:56

-Up there, he's probably quite pleased.

-I hope so.

0:17:560:18:01

-Thank you very much.

-What a great ending. That was a big surprise.

0:18:010:18:04

That IS a big surprise.

0:18:040:18:06

Many famous debates have been delivered at the Oxford Union,

0:18:110:18:14

but what do the words we write say about us?

0:18:140:18:16

Not the words themselves, but the text they're written in.

0:18:160:18:19

We can all use the computer these days and we can choose whether

0:18:190:18:22

our letters look better in Arial or classic Times New Roman,

0:18:220:18:25

but who designs these fonts?

0:18:250:18:27

Well, while we're filming in the area, I went off to investigate.

0:18:270:18:31

# A, B, C

0:18:350:18:37

# Easy as one, two, three

0:18:370:18:40

# As simple as do, re, mi

0:18:400:18:41

# A, B, C

0:18:410:18:43

# One, to, three

0:18:430:18:44

# Baby, you and me, girl... #

0:18:440:18:46

Fonts - they are everywhere. We're surrounded by them.

0:18:460:18:50

I've come to the Type Museum here in Stockwell to find out a bit more.

0:18:510:18:56

Fonts are basically clothes that words are dressed up in.

0:18:570:19:01

And I, for one, well, I'm quite particular about my choice of font.

0:19:010:19:05

I am a Calibri man. I love my beloved Calibri.

0:19:050:19:09

That is my type.

0:19:090:19:11

Not so long ago, we all used to write letters by hand.

0:19:170:19:20

Some people's handwriting is like scribbles,

0:19:200:19:22

others is as neat as printed text.

0:19:220:19:25

Everybody's different and everybody's unique.

0:19:250:19:28

But few of us write letters nowadays.

0:19:280:19:30

We all text each other or send e-mails.

0:19:300:19:32

So, what does our font choice say about us?

0:19:320:19:35

Because, basically,

0:19:350:19:36

fonts are the computer's version of our handwriting style.

0:19:360:19:40

It's all down to taste.

0:19:420:19:44

I think Times New Roman is a bit too classic.

0:19:440:19:46

Arial is a bit overused.

0:19:460:19:48

And Comic Sans polarises opinion.

0:19:480:19:50

It looks like it was created by my four-year-old!

0:19:500:19:53

But what do the experts think?

0:19:530:19:56

Neville Brody is a typographer

0:19:560:19:57

and is the brainchild behind several fonts we use on a daily basis.

0:19:570:20:03

Your choice of typeface says quite a lot about you.

0:20:030:20:06

The way you dress describes your personality,

0:20:060:20:09

the fonts you use are the same.

0:20:090:20:11

I think most people today just buy a computer

0:20:110:20:15

and typefaces are just in there.

0:20:150:20:17

No-one ever contributed to them or designed them,

0:20:170:20:20

they just came from somewhere out in the universe.

0:20:200:20:23

Actually, they came on a spaceship called Microsoft.

0:20:230:20:27

Most people will use Times, or Arial.

0:20:270:20:30

You wouldn't go out every day wearing exactly the same uniform

0:20:320:20:36

that some big corporation had told you to wear,

0:20:360:20:39

you'd go out and choose something different from your wardrobe.

0:20:390:20:43

But in typography, we don't tend to think like that.

0:20:430:20:47

This is a fraction of the amount of typefaces for your computer

0:20:470:20:53

that you can get hold of.

0:20:530:20:55

It's extraordinary and growing exponentially every year,

0:20:550:20:59

and it's almost a bit like the record industry in a way.

0:20:590:21:02

You know, each week you might have another hit single.

0:21:020:21:05

Just look around us -

0:21:090:21:11

we don't notice how many fonts we are subjected to every day.

0:21:110:21:15

But imagine if those fonts were suddenly altered.

0:21:150:21:19

We'd notice that something wasn't right.

0:21:190:21:22

Hang on, what's different about the telephone box?

0:21:220:21:25

But fancy font work is nothing new.

0:21:280:21:31

Oxford University Press is the largest university press in the world

0:21:310:21:35

and it printed its first book way back in 1478.

0:21:350:21:39

Martin Moore is the archivist here and a self-confessed font fan.

0:21:410:21:46

Type design goes back to the Roman or Greek models.

0:21:460:21:49

Early printers would look at inscriptions

0:21:490:21:51

on Greek monuments or buildings.

0:21:510:21:53

They'd take that as being the classical idea of beauty

0:21:530:21:57

and they'd try to reproduce those proportions in their own letters.

0:21:570:22:00

Who has the editorial decision

0:22:000:22:02

to choose what font is used for what text?

0:22:020:22:05

I mean, giving an example,

0:22:050:22:06

the Bible wouldn't be printed and published in Comic Sans.

0:22:060:22:09

I mean, that's just ridiculous. But, who actually has that say?

0:22:090:22:13

Usually it's an editorial decision

0:22:130:22:15

in somewhere like Oxford University Press.

0:22:150:22:18

But as you look through printing history,

0:22:180:22:20

you'll find that the printers themselves decided on this

0:22:200:22:23

and in some cases, you'll see that

0:22:230:22:24

they would do really elaborate pieces of printing

0:22:240:22:27

to show off what they were capable of

0:22:270:22:29

or to show customers what they were capable of.

0:22:290:22:31

Especially some of the very early illuminated manuscripts.

0:22:310:22:34

-I mean, the printing there is just superb.

-Absolutely.

0:22:340:22:37

And as we can see from this copy of Clarendon's

0:22:370:22:39

History Of The English Civil War,

0:22:390:22:41

which Oxford printed at the beginning of the 18th century,

0:22:410:22:44

here you have a title page

0:22:440:22:46

which is a great stew of different typefaces and designs.

0:22:460:22:50

It's really designed, in those days' terms, to catch the eye,

0:22:500:22:53

to draw people to Oxford to get their work printed from us.

0:22:530:22:57

Type was very elaborate, it was very floral,

0:22:570:23:00

it was very full of bling, in fact.

0:23:000:23:03

So, being creative with your font choice is not a new idea.

0:23:060:23:10

But constructing a font was laborious.

0:23:100:23:13

Everything was done by hand.

0:23:130:23:14

The design was carved out of steel,

0:23:180:23:20

then punched into softer copper to create a mould

0:23:200:23:25

tiny letter by tiny letter.

0:23:250:23:28

These moulds were often filled individually with liquid metal.

0:23:280:23:32

It often took weeks to create an elaborate font.

0:23:320:23:36

It's a very, very skilled business. It's almost a dead trade today.

0:23:380:23:42

There are very few people in the world who can still do this.

0:23:420:23:45

But something happened in the 1860s

0:23:500:23:52

which would drastically limit our font choice.

0:23:520:23:55

MUSIC: "The Typewriter" by Leroy Anderson

0:23:550:24:00

The typewriter arrived.

0:24:000:24:03

This invention standardised the look of almost all professional correspondence,

0:24:030:24:07

as the typewriter was limited to varieties of one font.

0:24:070:24:11

We know it today as Courier.

0:24:110:24:13

But, of course, its days of dominance were numbered.

0:24:130:24:16

-NEWSREEL:

-'The new keyboard controls a word processor -

0:24:200:24:23

'the microchip controlled office machine of the future.

0:24:230:24:26

'That's what the extra keys are for and that's why

0:24:260:24:28

'it could have a big future.'

0:24:280:24:30

The rise of the computer in the 1970s

0:24:300:24:33

and the demise of the typewriter

0:24:330:24:35

meant that fonts had to look good on screen as well as in print.

0:24:350:24:39

And some have even become default choices.

0:24:390:24:42

Nowadays, Verdana is currently the most popular typeface on the internet.

0:24:420:24:46

But it's the ubiquity of Comic Sans

0:24:460:24:48

which confounds typographers like Neville Brody.

0:24:480:24:52

Using Comic Sans to make you look kind of slightly light and jolly

0:24:520:24:57

and informal, for me, it's the equivalent of getting

0:24:570:25:01

Ronald McDonald to deliver your messages to friends.

0:25:010:25:04

It's not serious and is used far too often, but I quite like it for that.

0:25:040:25:09

From the comic to the uber cool,

0:25:120:25:13

with a myriad of fonts now available to us

0:25:130:25:16

it's about choosing the right font for the right context

0:25:160:25:19

and being more bold with our choices.

0:25:190:25:22

For Neville, there's no end to the fun you can have with fonts.

0:25:220:25:26

Here is the number three, but it becomes graphic form again,

0:25:270:25:34

and I love the idea that it can become more sculptural, more modern.

0:25:340:25:38

This is actually an S.

0:25:390:25:41

It's quite experimental.

0:25:410:25:43

But the typeface itself is still quite readable.

0:25:430:25:47

We took what was a designed for a boxing poster and then redesigned it

0:25:470:25:52

to make it look a lot more feminine and poetic and graceful.

0:25:520:25:56

So, typefaces can have different kinds of lives now.

0:25:560:26:00

I couldn't imagine this being at all possible using metal lettering.

0:26:000:26:03

So, how does the outside world look now that I'm more aware of fonts?

0:26:060:26:10

Fonts are basically the tone of voice we hear when we read

0:26:100:26:13

and, indeed, the Guardian newspaper - look, this one here -

0:26:130:26:16

has its own font, Guardian Egyptian,

0:26:160:26:18

which brands the newspaper throughout.

0:26:180:26:21

And so does the Times. But, what does my favourite font say about me?

0:26:210:26:26

Kind of warm and cuddly and slightly classical,

0:26:260:26:29

yearning for some great old days, in a way.

0:26:290:26:35

Warm and cuddly? Thanks a lot! Time for a new font?

0:26:350:26:38

Welcome back to our valuation day venue, the Oxford Union.

0:26:450:26:48

There's still a great buzz in the room

0:26:480:26:50

and plenty more antiques to find to take off to auction.

0:26:500:26:53

But we start outside,

0:26:530:26:54

where Will is perusing some prints by a very famous artist.

0:26:540:26:58

I couldn't find a table in there big enough to house your folio.

0:26:580:27:02

Tell me, where's this come from?

0:27:020:27:04

It was just a purchase at a local antiques fair about five years ago

0:27:040:27:08

-over in Woodstock.

-OK.

-A bit of an impulse buy.

0:27:080:27:10

You're a keen antique buyer, are you?

0:27:100:27:12

I pick up the odd bit here and there.

0:27:120:27:14

-Pictures aren't normally my thing, but...

-You mentioned pictures,

0:27:140:27:17

because that's exactly what we've got, isn't it? Let's have a look.

0:27:170:27:20

First of all, I notice here, R Wimbush Esq.

0:27:200:27:23

That, to me, makes me think, this is going to be something quite special,

0:27:230:27:27

surely, being a personalised folio.

0:27:270:27:29

Indeed, "12 stipple engravings of Hogarth."

0:27:290:27:33

The Rake's Progress and The Election.

0:27:330:27:35

And here, look, is the original receipt. 1947, £126.

0:27:350:27:40

That seems to me like a lot of money in those days.

0:27:400:27:42

The Rake's Progress is obviously

0:27:420:27:44

the one that everyone's going to have heard of, by Hogarth.

0:27:440:27:47

It is Tom Rakewell

0:27:470:27:48

and it's basically a report on his life of vice and self-destruction

0:27:480:27:54

after inheriting a fortune from his father.

0:27:540:27:56

Let's just open up.

0:27:560:27:58

We've got here, at the top, actually, this is the first one.

0:27:580:28:01

This is when he's inheriting his fortune.

0:28:010:28:03

You can see here, his miserly father has died.

0:28:030:28:07

He's getting measured up for a new suit.

0:28:070:28:09

You've got the lawyer at the back and, interestingly,

0:28:090:28:11

he's got his finger in the gold coins - he's pinching a few coins.

0:28:110:28:15

He's already being taken advantage of here.

0:28:150:28:17

And this figure here, actually, she's Sarah Young.

0:28:170:28:19

She's actually quite an important figure in the whole series.

0:28:190:28:22

She sort of devoted herself to Tom.

0:28:220:28:25

He's trying to pay her off now that he's found his new wealth.

0:28:250:28:28

He wants to go and play the field, as it were.

0:28:280:28:30

She's holding the ring that he promised her

0:28:300:28:33

and, later on in the story, she keeps popping up

0:28:330:28:35

and she's still in love with him, but he's rejecting her.

0:28:350:28:39

You know, it's a sad side of a sad story - someone's demise.

0:28:390:28:43

So, that's the first in the series.

0:28:430:28:44

I thought it would be quite interesting to then make

0:28:440:28:47

a leap to the last in the series, and this one's entitled "Bedlam."

0:28:470:28:53

And there he is, completely mad, having lost all his money,

0:28:530:28:57

all his friends and his marbles, as such.

0:28:570:29:00

You can see various figures here and, of course,

0:29:000:29:02

Bedlam being open to the public,

0:29:020:29:04

these are two fashionable ladies who have come.

0:29:040:29:06

And there's Sarah Young, again, who's come to visit him when he's mad.

0:29:060:29:11

And it's a sad story, but it really caught the attention at the time.

0:29:110:29:14

You know, Hogarth,

0:29:140:29:15

these are obviously from original paintings by Hogarth.

0:29:150:29:18

They hang in the Soane's Museum.

0:29:180:29:20

But Hogarth was a commercial minded man,

0:29:200:29:23

so people would come to his studio, see the original paintings

0:29:230:29:26

and he'd say, "Would you like to order a series of prints?"

0:29:260:29:28

And he produced some original prints himself.

0:29:280:29:30

These aren't by him,

0:29:300:29:31

these are by Jackson Stodart "from the original painting by Hogarth."

0:29:310:29:35

It's also got The Election, which is another series of four, I think.

0:29:350:29:39

And London, The Museum Galleries -

0:29:390:29:40

they're the people who have published these, produced these.

0:29:400:29:43

Super quality. I mean, you know, the cost to produce these is quite high.

0:29:430:29:50

So, good quality items, hence why they're in this personalised folio.

0:29:500:29:54

You say you bought them at an antiques fair,

0:29:540:29:56

-what sort of money did you have to pay for them?

-It was about £50.

0:29:560:29:59

OK, so not bad, really, when you break it down,

0:29:590:30:01

and certainly considering what they cost originally.

0:30:010:30:04

But the way we furnish our homes nowadays,

0:30:040:30:07

-they're not hugely fashionable, I'm afraid.

-No, I agree.

0:30:070:30:09

Different if you're talking about period 18th-century ones.

0:30:090:30:13

You say you paid £50 for it.

0:30:130:30:14

I'm going to try and get away with getting your money back.

0:30:140:30:17

-How do you feel about that?

-OK, I am happy with that.

-Yeah, you happy?

0:30:170:30:19

-Let's put 'em in at say £50-100...

-OK.

-..and we'll reserve them at £50.

0:30:190:30:24

-Yeah?

-Sounds great.

-Yeah.

0:30:240:30:25

And they might even make a little bit more.

0:30:250:30:27

-You never can tell.

-Lovely.

0:30:270:30:29

From the "Bedlam" of Hogarth

0:30:290:30:31

to the well-oiled machine that is our "Flog It!" team,

0:30:310:30:34

we're back inside the debating hall with Christina,

0:30:340:30:37

who's on familiar territory with our next item.

0:30:370:30:40

Pauline, my golden girl,

0:30:410:30:42

you've brought me some beautiful jewellery in today.

0:30:420:30:45

Tell me a little bit about it. Where has it come from?

0:30:450:30:47

-Well, it belonged to my grandmother.

-Right.

0:30:470:30:50

Obviously came down from my grandmother to my mum

0:30:500:30:52

and my mum gave it to me some time ago.

0:30:520:30:55

And it's probably sat for the last 20 or 30 years in the cupboard.

0:30:550:30:59

Oh, no! Oh, what a shame.

0:30:590:31:00

I don't really wear yellow gold so...

0:31:000:31:03

-So you wear white gold or silver?

-Yes.

-So it's just not really...

0:31:030:31:06

-It's not something that I would wear, really.

-Right.

0:31:060:31:09

Well, it's a 15 carat yellow gold chain,

0:31:090:31:13

what we call a curb link chain.

0:31:130:31:15

And it's stamped 15 carat just on here

0:31:150:31:18

with a nine carat gold clasp.

0:31:180:31:20

A very traditional padlock, heart-shaped padlock, clasp,

0:31:200:31:23

-which is stamped nine carat on the back.

-Mm-hm.

0:31:230:31:26

It's really very lovely and quite easy to wear

0:31:260:31:28

cos the curb links do roll around on your wrist.

0:31:280:31:31

But why don't you wear it? Cos you...

0:31:310:31:34

It's not something that I like particularly.

0:31:340:31:36

-Did your grandmother wear it?

-I believe my grandmother wore it.

0:31:360:31:39

My grandmother died when I was fairly young

0:31:390:31:42

so I don't ever remember seeing her wearing it.

0:31:420:31:44

Certainly don't ever remember seeing my mum wear it.

0:31:440:31:47

-So it's a shame.

-Well, that would explain

0:31:470:31:49

why there's so little wear on it cos for 15 carat,

0:31:490:31:51

really, you would expect to see a few more scratches,

0:31:510:31:54

especially with a hollow link chain.

0:31:540:31:56

-Not being solid, obviously it would get quite a few dents.

-Yeah.

0:31:560:31:59

And it just is in brilliant condition, which is fantastic.

0:31:590:32:03

But also quite sad because you would hope that

0:32:030:32:05

-we would be able to find somebody that will wear it.

-Yeah,

0:32:050:32:07

well, that's what I was hoping.

0:32:070:32:08

-You know, someone would wear it and enjoy it and...

-Absolutely.

0:32:080:32:11

Well, let's see if we can find her.

0:32:110:32:12

But we need to agree on an auction estimate.

0:32:120:32:14

-OK.

-I think at auction... They're not rare.

0:32:140:32:17

They were fairly standard pieces of jewellery

0:32:170:32:20

in the late 19th, early 20th century.

0:32:200:32:22

-But it has got quite a lot of gold content to it.

-Yes.

0:32:220:32:25

Do you have any sort of value expectations for it?

0:32:250:32:28

Obviously as much as it could go for, really!

0:32:280:32:30

-Well, we'll keep our fingers crossed.

-OK.

0:32:300:32:32

But at auction, I think we're probably looking for

0:32:320:32:34

something in the region of £150-200. How would you feel about that?

0:32:340:32:38

-I would then like to put some kind of a reserve on it.

-Yes, of course.

0:32:380:32:42

-We wouldn't want it to go underneath £150, really.

-No.

0:32:420:32:45

No, I think that would be OK.

0:32:450:32:47

So if we put an auction estimate of 150-200...

0:32:470:32:50

-Yeah.

-..with a reserve of 150 firm.

0:32:500:32:53

-Yes.

-And let's just hope the gold price doubles...trebles

0:32:530:32:56

-between now and the auction!

-That would be very nice, yeah!

0:32:560:33:00

-It would, wouldn't it?!

-OK!

0:33:000:33:02

And later on, we'll find out from our auctioneer, Thomas Plant,

0:33:020:33:05

just how strong the gold market is.

0:33:050:33:07

Now, we all know the Oxford Union has gained a worldwide reputation

0:33:090:33:13

for the cut and thrust of its debate.

0:33:130:33:15

But it's also proved a valuable training ground

0:33:150:33:18

for future British Prime Ministers.

0:33:180:33:20

Harold Macmillan.

0:33:200:33:21

Ted Heath is here, as well.

0:33:210:33:22

But it's not just Prime Ministers.

0:33:220:33:24

The union also boasts some eminent members.

0:33:240:33:27

And up there, just there, that's Albert Einstein,

0:33:270:33:30

famous for his theory of relativity.

0:33:300:33:32

And he's instantly recognisable because of his mop of mad hair.

0:33:320:33:36

And this photograph was taken in 1933

0:33:360:33:38

and the rest of his year

0:33:380:33:40

have the most beautiful, slick, tidy haircuts

0:33:400:33:44

and there's Albert Einstein, looking as mad as ever.

0:33:440:33:48

I love that photograph. What a character!

0:33:480:33:51

This place has seen its fair share of famous faces

0:34:000:34:02

-and you've brought another one along today.

-Certainly.

0:34:020:34:05

Tell me, where has this come from?

0:34:050:34:06

Well, I work for a local charity.

0:34:060:34:08

-People come along and donate goods to us.

-Yes?

0:34:080:34:10

-I happened to notice the mask, loved the face...

-Yeah.

0:34:100:34:13

-And I thought, "That's worth going on Flog It!"

-Ah, good idea.

0:34:130:34:16

That's what we're here for.

0:34:160:34:18

Well, she's certainly beautiful, isn't she? Stunning.

0:34:180:34:20

I mean, really catches the eye.

0:34:200:34:22

-It's lovely.

-Yeah.

-Yeah, I'd love it myself

0:34:220:34:24

but it wasn't donated to me!

0:34:240:34:26

Well, as with all pottery and porcelain,

0:34:260:34:28

-let's have a look at the back, cos that'll give us some clues.

-OK.

0:34:280:34:31

And sure enough, there we are,

0:34:310:34:32

we've got a nice, clear mark there, haven't we?

0:34:320:34:34

Now, when you think of Austrian Art Deco,

0:34:370:34:39

cos that's what she is, Art Deco pottery,

0:34:390:34:41

you almost immediately think of Goldscheider.

0:34:410:34:44

That's the first name that really jumps into your mind.

0:34:440:34:47

Keramos, I think,

0:34:470:34:48

were a factory that were producing wares alongside Goldscheider

0:34:480:34:53

and I do believe, actually,

0:34:530:34:54

that some of the painters and modellers worked for both.

0:34:540:34:58

Keramos as well, I think, is the Greek...

0:34:580:35:00

My Greek's not what it used to be.

0:35:000:35:01

Maybe here at the Oxford Union,

0:35:010:35:03

I'm sure they debate in Greek here, or something!

0:35:030:35:05

-Well, it's all Greek to me, but carry on!

-But I think

0:35:050:35:07

-Keramos means pottery...

-Oh, right.

-..or clay.

0:35:070:35:10

So that might be where the name's come from.

0:35:100:35:13

But you know, you can look at the back there

0:35:130:35:15

and you can tell, almost, that it's nice quality

0:35:150:35:17

just from the back, can't you?

0:35:170:35:18

Let's turn her back over cos that's her best side, shall we say?!

0:35:180:35:22

We've got this all over crackled glaze on her face.

0:35:220:35:25

I think that's deliberate. I think they've gone for that look.

0:35:250:35:29

On some pieces, you get it with age and so on.

0:35:290:35:32

But also, with a certain glaze that you use

0:35:320:35:35

or a certain finish or the firing,

0:35:350:35:37

you can actually create that.

0:35:370:35:39

If you look at ancient Chinese ceramics,

0:35:390:35:42

they often have that crackled finish.

0:35:420:35:44

Yeah.

0:35:440:35:45

So it's come into the shop, caught your eye.

0:35:450:35:48

Have you got any sort of idea what you think it might be worth?

0:35:480:35:52

-I would like it to achieve around about £50, £60.

-OK.

0:35:520:35:57

Well, I think you're in the right sort of ballpark figure.

0:35:570:35:59

It's not going to make the same sort of money

0:35:590:36:01

that a Goldscheider one would,

0:36:010:36:03

or, say, a Clarice Cliff wall mask, you know.

0:36:030:36:05

-I understand that, yes.

-That's the Premier League.

0:36:050:36:08

This, because the whole Deco movement was so popular,

0:36:080:36:11

let's put it in with an estimate of 50-80.

0:36:110:36:14

-Wonderful.

-And where should we reserve it?

0:36:140:36:16

Shall we just tuck it in under that £50 mark?

0:36:160:36:19

-I think 30.

-Ooh!

-Anything, you know, we'd be grateful for anything.

-Anything helps.

0:36:190:36:23

It's great work that you're doing.

0:36:230:36:25

-I'm just glad that we can help you.

-Fabulous, thank you. Thank you.

0:36:250:36:28

I've been told the people of Oxford love a good debate

0:36:350:36:37

and are not afraid to speak their mind.

0:36:370:36:39

And that certainly seems true of some of the people

0:36:390:36:42

who've been given valuations by Christina and Will.

0:36:420:36:45

Let's just hope when we get to the auction room

0:36:450:36:48

there's more ayes than noes.

0:36:480:36:49

And that's exactly where we're going right now.

0:36:490:36:52

And here's a quick recap of what we're taking with us.

0:36:520:36:55

Depending on the gold price, Pauline's bracelet could sparkle.

0:36:570:37:00

So I'll be asking Thomas

0:37:000:37:01

if Christina's valuation may need an alteration.

0:37:010:37:05

Or maybe the bidders will be captivated

0:37:070:37:09

by Jade's Art Deco face mask, which dates back to the 1920s.

0:37:090:37:14

-It's lovely.

-Yeah.

-I'd love it myself but it wasn't donated to me!

0:37:140:37:18

But first up, will the Hogarth prints make progress

0:37:190:37:22

or will they fall from grace?

0:37:220:37:24

It's time to find out as the bedlam of the auction gets underway.

0:37:270:37:30

When you talk about prints or etchings,

0:37:310:37:33

you cannot help but mention Hogarth.

0:37:330:37:35

We've got a set going under the hammer right now, in folio,

0:37:350:37:38

belonging to Rachel. I do like these.

0:37:380:37:40

These should be on the wall. Why aren't they on your wall?

0:37:400:37:42

Well, my house isn't big enough and I don't actually like them...

0:37:420:37:45

You don't like them?!

0:37:450:37:46

-No.

-The Rake's Progress!

0:37:460:37:48

-I think these are wonderful.

-Aren't they?

0:37:480:37:50

-I mean, they are a great observation on social behaviour.

-Yeah.

0:37:500:37:53

That's what it was all about.

0:37:530:37:55

And it makes me laugh when I look at them.

0:37:550:37:56

There's always something to notice.

0:37:560:37:58

-I mean, he was a fascinating character.

-Incredible.

-Yeah.

0:37:580:38:01

-Incredible.

-Good advice.

-He brought art to the masses.

0:38:010:38:03

People that could not afford oil paintings, this was the market.

0:38:030:38:07

-Yeah.

-He was the first person on the planet

0:38:070:38:09

to produce this kind of work.

0:38:090:38:11

Well, let's see who wants The Rake's Progress, shall we?

0:38:110:38:13

It's going under the hammer now.

0:38:130:38:15

Next lot is 270,

0:38:160:38:18

a set of 12 Hogarth stipple engravings

0:38:180:38:20

from The Rake's Progress.

0:38:200:38:21

These are in marvellous condition.

0:38:210:38:23

Well, I can start the bidding with me, here,

0:38:230:38:25

straight in at £35 with me.

0:38:250:38:26

-It's nothing.

-We need a bit of action.

0:38:260:38:30

Any advance of 35? At £35.

0:38:300:38:32

-If I was allowed to put my hand up, I would!

-Aw-w!

0:38:320:38:35

At 45 against you all.

0:38:360:38:38

At 45, looking for 50 to sell it.

0:38:380:38:40

At £45 against you all.

0:38:400:38:43

A good lot, these ones.

0:38:430:38:45

-He's trying, isn't he?

-Mm.

0:38:450:38:47

At 45. If you are interested, see us afterwards.

0:38:470:38:51

-Not quite enough.

-Oh, OK. That's...

0:38:510:38:54

I mean, it's a real shame cos they're super quality.

0:38:540:38:56

-But a sign of the times.

-You're stuck with them at the moment!

0:38:560:39:00

Maybe I'll have another look at them,

0:39:000:39:02

based on what you've told me today, actually.

0:39:020:39:04

-Maybe I didn't love them enough!

-Go and have another look.

0:39:040:39:07

-I mean, he was a canny businessman as well.

-He was.

0:39:070:39:09

He would display his prints and you'd pay £1 to go and see them.

0:39:090:39:12

Maybe that's what you should do at home. £1 a view!

0:39:120:39:15

-£1 a visit!

-I'll open the front door!

-Yeah.

0:39:150:39:17

-Knock-knock-knock.

-Open studio, all round Rachel's.

0:39:170:39:21

-Discount for you two, OK?!

-Oh, we're in!

-Special entry.

0:39:210:39:24

Well, you don't get an offer like that every day.

0:39:240:39:26

Here's hoping Rachel does learn to love them.

0:39:260:39:29

Now, we're all on tenterhooks

0:39:290:39:30

to find out how the gold price is doing.

0:39:300:39:33

Pauline's gold bracelet.

0:39:330:39:34

Let's talk about the ever-changing values of bullion

0:39:340:39:37

because it does fluctuate, this market.

0:39:370:39:39

It does and there's many things which make it fluctuate.

0:39:390:39:42

-One of those things, strangely, is the stock market.

-Sure.

0:39:420:39:44

If the stock market's having a really bad day, gold goes up.

0:39:440:39:47

-Everyone invests in gold.

-Absolutely.

0:39:470:39:49

And also the other thing which changes with gold price

0:39:490:39:52

is our exchange rate with the dollar

0:39:520:39:54

-because gold is valued in dollars.

-Sure, yeah.

0:39:540:39:56

And so, if the pound is strong against the dollar,

0:39:560:39:59

the gold price is low, vice versa.

0:39:590:40:00

You can see what happens.

0:40:000:40:02

Here, this is valued at £20 a gram,

0:40:020:40:05

where the little clasp is valued at 12.

0:40:050:40:07

So instantly it's worth an awful lot more money.

0:40:070:40:09

We've put it in at £300-500,

0:40:090:40:11

-with a reserve of 300.

-OK.

0:40:110:40:13

-But actually, it's a very wearable piece.

-That is, isn't it?

0:40:130:40:16

And I'm sure that will not go to melt.

0:40:160:40:18

-No.

-That's a nice thing.

0:40:180:40:20

-Fingers crossed we get the top end of the estimate.

-I hope so.

0:40:200:40:23

Well, that's good news

0:40:230:40:25

and Pauline's brought along her daughter Zoe

0:40:250:40:27

for moral support.

0:40:270:40:29

Here's hoping she gets top dollar for that bracelet.

0:40:290:40:32

-I've probably worn it twice...

-Is that all?

-..which is why it's sat in the cupboard for years and years.

0:40:320:40:37

Well now, let me work out who's next in line.

0:40:370:40:39

It's you, Zoe. Right?

0:40:390:40:40

And this is your inheritance Mum's flogging!

0:40:400:40:43

-Yeah. She just...

-Do you want it at all?

0:40:430:40:45

Not really. I think I'd prefer the money.

0:40:450:40:49

You don't like gold, obviously.

0:40:490:40:50

-No.

-No, we normally wear white gold or silver.

0:40:500:40:53

OK. Here we go, let's put it to the test.

0:40:530:40:55

It's going under the hammer now.

0:40:550:40:57

Lot 45 and this is this gold curb link bracelet.

0:40:570:41:00

I can start the bidding with me, here.

0:41:000:41:02

Straight in at 240 with me.

0:41:020:41:03

240, 240 I have.

0:41:030:41:05

At 240, 260, 280 with me.

0:41:050:41:08

300 and I'm out.

0:41:080:41:10

At 300, I have here.

0:41:100:41:11

At 300, it's in the room. Against you all at £300.

0:41:110:41:14

Selling then, at £300...

0:41:140:41:17

-Yes!

-Brilliant.

-That's good, isn't it?

0:41:170:41:19

-You're happy?

-Yeah, it's good news.

0:41:190:41:20

-Both of you.

-Absolutely, yes.

0:41:200:41:22

Zoe's working it out!

0:41:220:41:23

"Will Mum really let me have a share in that?!"

0:41:230:41:29

-It'll be shared, it'll be shared!

-Brilliant.

0:41:290:41:31

One woman who is keen to share her auction spoils is Jade.

0:41:320:41:37

Going under the hammer right now

0:41:370:41:39

an Art Deco, Austrian gypsy face mask belonging to Jade.

0:41:390:41:42

And all the money is going to charity.

0:41:420:41:44

Tell us about it, Jade.

0:41:440:41:45

OK, I work for a local charity shop, a cancer shop.

0:41:450:41:48

-Luckily you were in town.

-Good opportunity.

0:41:480:41:50

We brought along and it seems it's a nice item. Let's hope it does well.

0:41:500:41:53

-Yeah, let's hope it gets top dollar.

-Yeah.

0:41:530:41:55

It's an interesting looking, unusual item.

0:41:550:41:57

-You're not going to see another one tomorrow.

-No, exactly.

0:41:570:42:00

I mean, with these sort of face masks...

0:42:000:42:02

very sort of Art Deco, that sort of thing.

0:42:020:42:04

So, you know, very on trend, hopefully.

0:42:040:42:06

So I'm hoping we get some good money for you.

0:42:060:42:09

Let's hope Thomas can help us out right now.

0:42:090:42:11

Here we go, here we go!

0:42:110:42:12

Very Goldscheider, lovely looking thing.

0:42:120:42:15

I can start the bidding with me, here,

0:42:150:42:17

straight in at £35. 40...5.

0:42:170:42:19

50...5. 65. I end up at 65.

0:42:190:42:23

-The room comes in, here.

-One more, one more!

0:42:230:42:25

70...5, 80...5, 90...5.

0:42:250:42:29

Look, he's got a bid on the books, a commission bid.

0:42:290:42:32

-He keeps working that book.

-120, 130.

0:42:320:42:34

-Good auctioneering.

-Come on, tell them it's for charity.

0:42:340:42:37

130 against you all.

0:42:370:42:39

On the book, here, at 130. At 130.

0:42:390:42:42

A good result. £130!

0:42:420:42:45

-What a result!

-The hammer's gone down

0:42:450:42:46

-and that money goes to charity.

-Brilliant.

-Isn't that good?

0:42:460:42:49

Fantastic. And we've got Gift Aid

0:42:490:42:50

-which gives 28% on top. It's fantastic.

-Exactly,

0:42:500:42:52

so it's really even more than £130.

0:42:520:42:54

-Yeah, so...wow.

-Brilliant.

-150 quid we've got for it.

-Aw-w!

0:42:540:42:57

-Well, look, keep your eyes peeled, won't you?

-I'm all emotional!

0:42:570:43:00

It's brilliant!

0:43:000:43:01

-Thank you so much.

-If you want to have something valued,

0:43:010:43:04

bring it along to one of our valuation days.

0:43:040:43:06

I'm sure our experts will help you out.

0:43:060:43:07

Who knows, you could make a small fortune at auction as well.

0:43:070:43:10

We will be coming to a town close to you shortly,

0:43:100:43:13

so keep an eye out for us.

0:43:130:43:14

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