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Our valuation day is at Lulworth Castle, | 0:00:21 | 0:00:23 | |
which includes five miles of this magnificent Jurassic coastline. | 0:00:23 | 0:00:28 | |
But, while the estate might date back 350 years, | 0:00:28 | 0:00:31 | |
that's nothing compared to the rocks beneath, | 0:00:31 | 0:00:34 | |
which hold the remains of fossils dating back 250 million years. | 0:00:34 | 0:00:40 | |
It's a fossil-hunter's dream | 0:00:40 | 0:00:42 | |
and why this coast was made one of only two | 0:00:42 | 0:00:44 | |
natural World Heritage Sites in the United Kingdom. | 0:00:44 | 0:00:48 | |
Today, at the castle, | 0:00:49 | 0:00:51 | |
the rains have brought our antique hunters indoors. | 0:00:51 | 0:00:54 | |
And what a setting it is. | 0:00:54 | 0:00:55 | |
There are differently no old fossils here. | 0:00:55 | 0:00:57 | |
But hundreds of people have turned up to see our experts, | 0:00:57 | 0:01:00 | |
to ask that all-important question, which is... | 0:01:00 | 0:01:04 | |
What's it worth? | 0:01:04 | 0:01:05 | |
Stay tuned and you'll find out. | 0:01:05 | 0:01:07 | |
Today, our experts are flying off the racing line. | 0:01:08 | 0:01:11 | |
Catherine Southon is flogging her objects | 0:01:11 | 0:01:13 | |
before she's even valued them. | 0:01:13 | 0:01:15 | |
I think you've got a potential buyer here. | 0:01:15 | 0:01:18 | |
-Well, if we don't flog them... -Someone else will buy them. | 0:01:18 | 0:01:20 | |
-I think we've got a buyer there. -Thank you. | 0:01:20 | 0:01:22 | |
And David Fletcher is testing his knowledge of cars. | 0:01:22 | 0:01:26 | |
It doesn't look like a jaguar to me. It looks more like a leopard. | 0:01:26 | 0:01:29 | |
But he's got some way to go. | 0:01:29 | 0:01:32 | |
Some of them are modern. Some of them are old. | 0:01:32 | 0:01:34 | |
I think you'd better brush up on your knowledge of cars. | 0:01:34 | 0:01:37 | |
-OK, I'll try and do that, Catherine. -Good luck. | 0:01:37 | 0:01:40 | |
I'm sure he'll know his models before he hits the tables. | 0:01:41 | 0:01:44 | |
And on the programme today, Catherine likes what she sees | 0:01:46 | 0:01:49 | |
and is coveting a very unique scarf. | 0:01:49 | 0:01:52 | |
Where did you get this from? Because this is a bit special. | 0:01:53 | 0:01:57 | |
While David's found some old cartoons, which paid for a bar bill. | 0:01:57 | 0:02:01 | |
Would I rather have these four cartoons or 20 pints of beer? | 0:02:01 | 0:02:06 | |
I'll have to think about that one. | 0:02:06 | 0:02:08 | |
60. 70. 80. 90. 100. | 0:02:09 | 0:02:11 | |
But at auction, we'll be paying the conventional way | 0:02:11 | 0:02:13 | |
as one of these breaks its top estimate. | 0:02:13 | 0:02:16 | |
Can I sell? | 0:02:19 | 0:02:20 | |
Our crowds have been bringing in the items they've unearthed. | 0:02:24 | 0:02:28 | |
But just before we get cracking, a question... | 0:02:28 | 0:02:31 | |
Now, here's a little test for you, OK? | 0:02:31 | 0:02:33 | |
Listen to this. | 0:02:33 | 0:02:34 | |
Where'd you think the word Jurassic came from? | 0:02:34 | 0:02:37 | |
-We're talking about dinosaurs now. Hollywood? -Could be. | 0:02:37 | 0:02:40 | |
Could be, couldn't it? Well, you're wrong. | 0:02:40 | 0:02:43 | |
Because the phrase wasn't even coined until the 19th century. | 0:02:43 | 0:02:46 | |
Jurassic was named after the Jura Mountains in France, | 0:02:46 | 0:02:49 | |
which contain all of those ancient rocks. | 0:02:49 | 0:02:51 | |
So there you go. It's all down to the French! | 0:02:51 | 0:02:55 | |
Right. Now, it's time for our experts to unearth | 0:02:55 | 0:02:57 | |
their first treasure to take off to auction. | 0:02:57 | 0:02:59 | |
Let's hand the proceedings over to David Fletcher. | 0:02:59 | 0:03:03 | |
David might not be sure about his car mascots, | 0:03:03 | 0:03:05 | |
but he definitely knows his goods trains. | 0:03:05 | 0:03:08 | |
-Ann and Steve, good to see you both. -David. | 0:03:08 | 0:03:11 | |
I had an horrendous drive down here yesterday. | 0:03:11 | 0:03:15 | |
I was going to come by train | 0:03:15 | 0:03:17 | |
but there isn't a station very close to Lulworth, unfortunately. | 0:03:17 | 0:03:21 | |
-But, at least we have a train here. -We do. | 0:03:21 | 0:03:23 | |
So it's good to see one. Albeit rather small. | 0:03:23 | 0:03:26 | |
And interestingly enough, | 0:03:26 | 0:03:28 | |
I notice that it's illustrated on the lid | 0:03:28 | 0:03:30 | |
as being a passenger train set. | 0:03:30 | 0:03:34 | |
Described as "mixed goods" train | 0:03:34 | 0:03:35 | |
and, clearly, the actual train itself is goods. | 0:03:35 | 0:03:39 | |
-So I wouldn't have got a seat on it anyway. -No. | 0:03:39 | 0:03:41 | |
This has to be yours, Steve. I can't believe this is yours, Ann. | 0:03:41 | 0:03:44 | |
It belongs to both of us. | 0:03:44 | 0:03:45 | |
-It's jointly owned? OK. -Yes. | 0:03:45 | 0:03:47 | |
When you're married, everything is jointly owned. | 0:03:48 | 0:03:51 | |
You see, you even have to hand over your miniature train sets. | 0:03:51 | 0:03:55 | |
Life's not fair, is it? | 0:03:55 | 0:03:57 | |
The Dinky brand, or the Dinky name, | 0:03:57 | 0:03:59 | |
was first used by Frank Hornby in the mid-1930s. | 0:03:59 | 0:04:04 | |
Right. | 0:04:04 | 0:04:05 | |
And this little train set dates from that period. | 0:04:05 | 0:04:09 | |
The condition's great. | 0:04:09 | 0:04:10 | |
The box is also, more or less, in 100% condition. | 0:04:10 | 0:04:14 | |
And someone has written on it. | 0:04:14 | 0:04:16 | |
-I know. -I don't think it matters too much. | 0:04:16 | 0:04:19 | |
Because it's not as if it was scribbled on yesterday. | 0:04:19 | 0:04:22 | |
It's been there a long time. | 0:04:22 | 0:04:23 | |
I'm a little bit concerned | 0:04:23 | 0:04:24 | |
that the contents don't quite match the box, | 0:04:24 | 0:04:27 | |
but I'm sure that's just something that's, perhaps, | 0:04:27 | 0:04:29 | |
slipped through quality control. | 0:04:29 | 0:04:31 | |
There's no question about it having the wrong box for the set. | 0:04:31 | 0:04:34 | |
Do you own other items like this? | 0:04:34 | 0:04:37 | |
Not the same as this, no. | 0:04:37 | 0:04:38 | |
It's just something that we picked out because we like the look of it. | 0:04:38 | 0:04:42 | |
Yeah. I'm frightened to ask, but what did you pay for it? | 0:04:42 | 0:04:45 | |
We're trying to think. Probably about £50. | 0:04:45 | 0:04:49 | |
I think we can show you a turn on it. | 0:04:49 | 0:04:51 | |
There are lots of people out there keen to buy boys' toys. | 0:04:51 | 0:04:54 | |
And this is a boy's toy. | 0:04:54 | 0:04:56 | |
Even though you jointly own it, it's still a boy's toy. | 0:04:56 | 0:05:00 | |
I would be inclined to think in terms of an estimate of 180 to 220. | 0:05:00 | 0:05:03 | |
Right. | 0:05:03 | 0:05:05 | |
And a reserve of 170. | 0:05:05 | 0:05:07 | |
OK. | 0:05:07 | 0:05:08 | |
-You're a star. -We'll go with that. | 0:05:08 | 0:05:10 | |
-See you on the day. -I look forward to it, David. | 0:05:10 | 0:05:12 | |
Thank you. | 0:05:12 | 0:05:13 | |
As David says, boys' toys are very collectable. | 0:05:13 | 0:05:16 | |
The founder of Meccano Dinky Toys, Frank Hornby, | 0:05:16 | 0:05:19 | |
also created the construction kit Meccano in 1901. | 0:05:19 | 0:05:24 | |
It took off and it had its heyday for little boys in the 1930s. | 0:05:24 | 0:05:28 | |
TV NARRATOR: Complicated and intricate toys | 0:05:29 | 0:05:31 | |
do begin to appeal to some children at seven or eight years of age. | 0:05:31 | 0:05:34 | |
Today, it's built up a real following, | 0:05:35 | 0:05:37 | |
so you could look out for the rare and early pieces | 0:05:37 | 0:05:40 | |
in immaculate condition. | 0:05:40 | 0:05:43 | |
This set was recently sold for an astonishing £15,000, | 0:05:43 | 0:05:46 | |
when it went under the hammer. | 0:05:46 | 0:05:49 | |
Now that's an expensive hobby. | 0:05:49 | 0:05:52 | |
And Catherine has found something | 0:05:56 | 0:05:58 | |
that appeals to those of us who still love to play. | 0:05:58 | 0:06:00 | |
In front of us, we've got a mahogany box. | 0:06:00 | 0:06:03 | |
-But it's not an ordinary mahogany box, is it? -No. | 0:06:03 | 0:06:06 | |
-Shall we have a little look inside? -Yes. | 0:06:06 | 0:06:09 | |
I love it when we get things like this | 0:06:09 | 0:06:11 | |
and we don't know what's inside. | 0:06:11 | 0:06:14 | |
There we are. | 0:06:14 | 0:06:16 | |
Lovely little travelling chess set. | 0:06:16 | 0:06:21 | |
And what is nice to see is it's all there and it's all complete. | 0:06:21 | 0:06:25 | |
-And, actually, in rather nice condition. -Oh, good. | 0:06:25 | 0:06:28 | |
Where's it come from, Leslie? | 0:06:28 | 0:06:29 | |
Well, I inherited it from my late husband in about 1991. | 0:06:29 | 0:06:34 | |
Right. | 0:06:34 | 0:06:35 | |
And he had it for many years. | 0:06:35 | 0:06:37 | |
But I don't know anything about it, really, apart from that. | 0:06:37 | 0:06:40 | |
The date of it is about 1900, maybe slightly earlier. | 0:06:40 | 0:06:45 | |
So late 19th century, early 20th century. | 0:06:45 | 0:06:47 | |
It's interesting to see whether these are ivory | 0:06:47 | 0:06:50 | |
or whether they're actually bone. | 0:06:50 | 0:06:51 | |
Oh, yes. | 0:06:51 | 0:06:53 | |
Now, if you pick it up, you can see there are some little flecks in it. | 0:06:53 | 0:06:56 | |
-Can you see there? -Yes. | 0:06:56 | 0:06:57 | |
These little flecks. | 0:06:57 | 0:06:59 | |
-And that tells us that it's bone, rather than ivory. -Oh, I see, yes. | 0:06:59 | 0:07:01 | |
This is a nice set. | 0:07:01 | 0:07:03 | |
More importantly, that it's perfect, that it's all there. | 0:07:03 | 0:07:05 | |
Because you do sometimes get these little bits breaking off. | 0:07:05 | 0:07:09 | |
And it doesn't look like | 0:07:09 | 0:07:10 | |
it's been played with a huge amount, to be honest. | 0:07:10 | 0:07:13 | |
But I love travelling things like this. | 0:07:13 | 0:07:15 | |
I love the fact that you can just fold it all up, put it in a bag, | 0:07:15 | 0:07:19 | |
and play with it another time. | 0:07:19 | 0:07:21 | |
-Nothing you ever played with? -No. | 0:07:21 | 0:07:23 | |
-My daughter likes chess. -Right. | 0:07:23 | 0:07:25 | |
She played with it occasionally. | 0:07:25 | 0:07:27 | |
But they've got their own chess set now. | 0:07:27 | 0:07:30 | |
She got married two years ago, | 0:07:30 | 0:07:32 | |
so we thought it would be nice to find out anything else about it. | 0:07:32 | 0:07:36 | |
It's a nice example and it's quite a good piece, | 0:07:36 | 0:07:39 | |
-but it's not of any huge value. -No. | 0:07:39 | 0:07:42 | |
We'd be looking at about £40 to £60, maybe 50 to 70 at auction. | 0:07:42 | 0:07:45 | |
That's wonderful. | 0:07:45 | 0:07:46 | |
-How does that sound to you? -Everything helps, yes. -It all helps. | 0:07:46 | 0:07:49 | |
-You had a big wedding, did you? -A big wedding, two years ago. | 0:07:49 | 0:07:52 | |
-We're still paying for it. -Are you? | 0:07:52 | 0:07:53 | |
Right. I'm going to do my best for you. | 0:07:53 | 0:07:56 | |
-I think we should put £50 to £70 on it. -Yes. | 0:07:56 | 0:07:58 | |
-With a £40 reserve. -Oh, that's wonderful. | 0:07:58 | 0:08:01 | |
-Does that sound all right? -Oh, yes. | 0:08:01 | 0:08:02 | |
Do you fancy a game of chess before we go? | 0:08:02 | 0:08:04 | |
I'm not very good at chess, actually. | 0:08:04 | 0:08:06 | |
Right, we'll give that a miss, then. | 0:08:06 | 0:08:08 | |
-We'll fold it up and we'll take it to auction. -Oh, lovely. Thank you. | 0:08:08 | 0:08:11 | |
Perfect. Thank you very much indeed. Thanks, Leslie. | 0:08:11 | 0:08:14 | |
David's come across another curiosity | 0:08:16 | 0:08:18 | |
you definitely wouldn't wish to play with. | 0:08:18 | 0:08:20 | |
Stephan, welcome. | 0:08:20 | 0:08:23 | |
Now, I know very little about these items. | 0:08:23 | 0:08:27 | |
So, I'm hoping you're going to enlighten me. | 0:08:27 | 0:08:29 | |
Well, I believe it's Burmese. | 0:08:29 | 0:08:31 | |
My great-grandfather, who is a colonel in the Indian Army, | 0:08:31 | 0:08:36 | |
was in the Third Burma Campaign. | 0:08:36 | 0:08:39 | |
Right. | 0:08:39 | 0:08:40 | |
And so, this originates from that campaign. | 0:08:40 | 0:08:43 | |
OK. | 0:08:43 | 0:08:44 | |
Now, the Third Burmese War | 0:08:44 | 0:08:47 | |
took place between 1885 and 1886. | 0:08:47 | 0:08:50 | |
Do you happen to know | 0:08:50 | 0:08:52 | |
when your great-grandfather was originally posted there? | 0:08:52 | 0:08:56 | |
Well, he was certainly out there at that time, | 0:08:56 | 0:08:59 | |
because my grandmother was born in Madras in 1880. | 0:08:59 | 0:09:03 | |
Was she? Right. | 0:09:03 | 0:09:04 | |
How fantastic to have this as a souvenir, if you like, | 0:09:04 | 0:09:09 | |
of his time there. | 0:09:09 | 0:09:10 | |
-But it has seen better days, hasn't it? -It has, I'm afraid. | 0:09:10 | 0:09:14 | |
And, on that note, | 0:09:14 | 0:09:15 | |
I'm going to ask you to withdraw the blade from the scabbard. | 0:09:15 | 0:09:18 | |
Can just about manage it. | 0:09:18 | 0:09:20 | |
Right. Well done. | 0:09:20 | 0:09:21 | |
Unfortunately, the tip is gone. | 0:09:21 | 0:09:24 | |
The tip's gone, hasn't it? | 0:09:24 | 0:09:25 | |
What interests me in objects of this type | 0:09:25 | 0:09:29 | |
is the fact that, by its very nature, | 0:09:29 | 0:09:32 | |
it's a functional piece of kit, isn't it? | 0:09:32 | 0:09:35 | |
So not just ceremonial? | 0:09:35 | 0:09:36 | |
I think it had a functional purpose as well. | 0:09:36 | 0:09:39 | |
I mean, it has that sharp edge. The blade is steel. | 0:09:39 | 0:09:42 | |
And the blade isn't decorated. | 0:09:42 | 0:09:44 | |
But, having said that, the handle is decorated and so is the pommel. | 0:09:44 | 0:09:49 | |
You have almost like a sort of melon-shaped terminal. | 0:09:49 | 0:09:52 | |
Yes, the handle is lovely. | 0:09:52 | 0:09:54 | |
I am concerned, really, by the condition. | 0:09:54 | 0:09:56 | |
I mean, it really is now in three pieces, isn't it? | 0:09:56 | 0:10:00 | |
And the end of the scabbard is missing. | 0:10:00 | 0:10:04 | |
As is the end of the blade itself. | 0:10:04 | 0:10:06 | |
I think, if it were as it should be, we'd be talking £200, £300. | 0:10:06 | 0:10:12 | |
Perhaps even more. | 0:10:12 | 0:10:13 | |
But I think we have to make an allowance for the damage. | 0:10:13 | 0:10:16 | |
And I think, as a result, I would estimate it at 100 to 150. | 0:10:16 | 0:10:20 | |
Does that sound all right to you? | 0:10:20 | 0:10:22 | |
-That would be OK. Can we make a reserve, though? -You can. | 0:10:22 | 0:10:25 | |
I think I'd be happy to put a reserve of £100 on it. | 0:10:25 | 0:10:29 | |
And, you know, one can rest assured | 0:10:29 | 0:10:31 | |
that this is the sort of item that will go to a good home. | 0:10:31 | 0:10:34 | |
It will go to a collector. | 0:10:34 | 0:10:36 | |
Someone who is aware, interested in British history, | 0:10:36 | 0:10:40 | |
-is interested in the history of Burma as well. -Good. | 0:10:40 | 0:10:42 | |
-OK? -Yep. | 0:10:42 | 0:10:43 | |
I'll look forward to seeing you, then, at the sale. | 0:10:43 | 0:10:47 | |
And we'll keep our fingers crossed. I'm standing well clear. | 0:10:47 | 0:10:51 | |
-Urgh! -In. | 0:10:51 | 0:10:52 | |
That sword is a really precious piece of Stephan's family history. | 0:10:53 | 0:10:58 | |
And I think the buyers will like it, too. | 0:10:58 | 0:11:01 | |
Lulworth Castle could be said to mirror the Jurassic coastline. | 0:11:03 | 0:11:07 | |
Because the building is made up of Portland stone, | 0:11:07 | 0:11:10 | |
which is locally sourced. | 0:11:10 | 0:11:12 | |
But astonishingly, 70% of this is chalk, | 0:11:12 | 0:11:15 | |
which could wash away. | 0:11:15 | 0:11:16 | |
But thankfully, the limestone's holding it all together. | 0:11:16 | 0:11:19 | |
But there is something that I love and I want to show you | 0:11:19 | 0:11:21 | |
and it's on these steps here. | 0:11:21 | 0:11:23 | |
And here it is, look. | 0:11:25 | 0:11:27 | |
A little oyster fossil buried deep into the step, | 0:11:27 | 0:11:30 | |
which I think the builder put there to pay homage to the past. | 0:11:30 | 0:11:33 | |
I like that. That's a great touch. | 0:11:33 | 0:11:35 | |
It puts a smile on your face every time you walk up into the building. | 0:11:35 | 0:11:38 | |
Well, you've just seen our experts. | 0:11:38 | 0:11:39 | |
They've made their choices of items to take off to auction. | 0:11:39 | 0:11:42 | |
So, let's have a recap of what's going under the hammer. | 0:11:42 | 0:11:45 | |
No fossils, but plenty of history amongst our finds. | 0:11:46 | 0:11:50 | |
We've got Ann and Steve's 1930s Dinky toy train, | 0:11:50 | 0:11:54 | |
which might have an oddly miss-matched box | 0:11:54 | 0:11:57 | |
but, otherwise, it's in pristine condition. | 0:11:57 | 0:12:01 | |
Leslie's brought us a lovely travelling chess set, | 0:12:01 | 0:12:03 | |
but can it win checkmate at auction | 0:12:03 | 0:12:06 | |
and contribute to the cost of her daughter's wedding? | 0:12:06 | 0:12:10 | |
And then there's that late 19th-century Burmese sword | 0:12:10 | 0:12:13 | |
that is the worse for wear, | 0:12:13 | 0:12:15 | |
but should still command interest from the collectors. | 0:12:15 | 0:12:18 | |
We're heading to Sherborne, 30 miles from the coast, | 0:12:20 | 0:12:23 | |
home of one of the oldest public schools in Britain, | 0:12:23 | 0:12:26 | |
Sherborne School. | 0:12:26 | 0:12:28 | |
Old boys who attended at one time include, | 0:12:28 | 0:12:31 | |
Doctor Who actor Jon Pertwee, | 0:12:31 | 0:12:33 | |
Hugh Bonneville from Downton Abbey, | 0:12:33 | 0:12:35 | |
and the lead singer of Coldplay, Chris Martin. | 0:12:35 | 0:12:38 | |
Now, that would have made an interesting classroom. | 0:12:38 | 0:12:41 | |
Well, I think it's time we joined up with our old boys, | 0:12:42 | 0:12:45 | |
our familiar faces, the experts regularly on the show, | 0:12:45 | 0:12:48 | |
courtesy of Charterhouse Auction Rooms. | 0:12:48 | 0:12:50 | |
Let's get inside and catch up with them. | 0:12:50 | 0:12:52 | |
And, today, our man on the rostrum is auctioneer Richard Bromell. | 0:12:54 | 0:12:57 | |
£280 is bid. | 0:12:57 | 0:12:59 | |
Left selling at 280. | 0:12:59 | 0:13:01 | |
Remember, if you're buying or selling at auction, | 0:13:01 | 0:13:03 | |
there is commission to pay. | 0:13:03 | 0:13:05 | |
Now, it does vary from saleroom to saleroom. | 0:13:05 | 0:13:07 | |
Check the details. It's all printed in the catalogue, OK? | 0:13:07 | 0:13:11 | |
If you don't buy a catalogue, ask a member of staff, | 0:13:11 | 0:13:13 | |
because it does vary. | 0:13:13 | 0:13:15 | |
Here today, it's 15% plus VAT. | 0:13:15 | 0:13:17 | |
So, factor that in because it can add up. | 0:13:17 | 0:13:20 | |
First under the hammer is Stephan's battle-weary Burmese sword. | 0:13:22 | 0:13:26 | |
This is kind of like a really rare family heirloom, isn't it, in a way? | 0:13:27 | 0:13:30 | |
-It is. -Is it something that you don't mind parting with? | 0:13:30 | 0:13:33 | |
No, because we don't have it out on display. | 0:13:33 | 0:13:36 | |
And I don't have kids of my own. | 0:13:36 | 0:13:38 | |
Right. | 0:13:38 | 0:13:39 | |
-I have stepchildren and it won't mean a lot to them. -No. | 0:13:39 | 0:13:43 | |
It's quite an important thing, in its own right. | 0:13:43 | 0:13:46 | |
It's silver, or very largely silver, which is great. | 0:13:46 | 0:13:50 | |
But it is damaged. | 0:13:50 | 0:13:52 | |
So, you know, I think I've put a fairly realistic valuation on it | 0:13:52 | 0:13:56 | |
to reflect all that. | 0:13:56 | 0:13:57 | |
I think this is like a little window into your family's social history. | 0:13:57 | 0:14:01 | |
It's a cliche, but it will go to someone who will value it, | 0:14:01 | 0:14:04 | |
who will treasure it. And, clearly, Stephan doesn't. | 0:14:04 | 0:14:07 | |
So it'll go to a good home. It'll be all right, Paul. Don't worry. | 0:14:07 | 0:14:10 | |
OK. OK. I know. I just think the sentimental value | 0:14:10 | 0:14:13 | |
is greater than the military value. | 0:14:13 | 0:14:15 | |
It's too late now. I'll report that to my wife. | 0:14:15 | 0:14:18 | |
Here we go. | 0:14:19 | 0:14:20 | |
Lot number 713 now is a Burmese sword. | 0:14:20 | 0:14:22 | |
Bit of damage to the end, which is a great shame. | 0:14:22 | 0:14:25 | |
And £50 is bid. Here with me at £50. | 0:14:25 | 0:14:27 | |
50. 60. 70. | 0:14:27 | 0:14:28 | |
We're in. We're in. | 0:14:28 | 0:14:29 | |
90. 100. At £100 I have. | 0:14:29 | 0:14:32 | |
The bid is in the room. £100 I have. | 0:14:32 | 0:14:34 | |
At 100. And 10. So 110. 120. | 0:14:34 | 0:14:37 | |
130. On the internet at 130. | 0:14:37 | 0:14:39 | |
At £130 I have. It's an internet bid at £130. | 0:14:39 | 0:14:42 | |
And I sell. Last chance. Fair warning. Selling online at 130. | 0:14:42 | 0:14:45 | |
-Well, it's gone. Spot on valuation. £130. -Thank you very much. | 0:14:47 | 0:14:50 | |
Well, you boys must be very happy. | 0:14:50 | 0:14:52 | |
Even if you're not, Paul. | 0:14:52 | 0:14:55 | |
-You spoilsport, you. -No, I'm pleased it's gone. | 0:14:55 | 0:14:58 | |
-And thank you for bringing it in. -It was only sitting in a drawer. -Yes. | 0:14:58 | 0:15:01 | |
Thank you so much. | 0:15:01 | 0:15:02 | |
David's right. It's surely gone to a good home. | 0:15:02 | 0:15:06 | |
And Stephan's wife will be happy. | 0:15:06 | 0:15:09 | |
Now it's time for our sale of the travelling chess set, | 0:15:09 | 0:15:11 | |
brought in by Leslie. | 0:15:11 | 0:15:14 | |
-Who've you brought with you? -My daughter, Catherine. | 0:15:14 | 0:15:16 | |
Catherine, pleased to meet you. I'm surrounded by Catherines. | 0:15:16 | 0:15:19 | |
-Good name. -It's a good name, isn't it? | 0:15:19 | 0:15:21 | |
-I'd keep this chess set. Would you keep it? -Well, I would. | 0:15:21 | 0:15:24 | |
What's nice about this is all the little pawns are there. | 0:15:24 | 0:15:26 | |
Because, so often, the little ones are missing | 0:15:26 | 0:15:29 | |
and people replace them with matchsticks or whatever. | 0:15:29 | 0:15:31 | |
But it's complete. So, it should do well. | 0:15:31 | 0:15:34 | |
So, the big question. Why are we selling it? | 0:15:34 | 0:15:36 | |
Oh, because it's my daughter's wedding two years ago, | 0:15:36 | 0:15:39 | |
but we're still paying for it, so... | 0:15:39 | 0:15:41 | |
-They are expensive. They add up, don't they? -Yes. | 0:15:41 | 0:15:44 | |
-Whatever you budget for, you always go over. -Yeah, you do. | 0:15:44 | 0:15:47 | |
-You do. -Yeah. Oh, absolutely. | 0:15:47 | 0:15:48 | |
Because it's a special day. | 0:15:48 | 0:15:50 | |
Let's see if we can get this away at the top end, shall we? | 0:15:50 | 0:15:52 | |
It's going under the hammer right now. | 0:15:52 | 0:15:54 | |
A rather sweet little travelling chess set here in a mahogany box. | 0:15:54 | 0:15:57 | |
And I'm straight in at 25. | 0:15:57 | 0:15:59 | |
30. 35. 40. 45. £45 I have now. | 0:15:59 | 0:16:01 | |
At 45. | 0:16:01 | 0:16:02 | |
At £45 now. | 0:16:02 | 0:16:03 | |
I sell. Selling at 45. | 0:16:03 | 0:16:06 | |
-Well, it's gone. -Mid-estimate. | 0:16:07 | 0:16:09 | |
Short and sweet, wasn't it? 45. | 0:16:09 | 0:16:10 | |
Every penny helps. | 0:16:10 | 0:16:12 | |
-Every penny helps to get that debt down. -Yes. | 0:16:12 | 0:16:14 | |
And we love coming here as well. | 0:16:14 | 0:16:16 | |
-Was this your first auction? -Yes. | 0:16:16 | 0:16:18 | |
-And what did you think? -It was brilliant. Really interesting. | 0:16:18 | 0:16:21 | |
It's great, isn't it? It's a feast for the eyes. | 0:16:21 | 0:16:23 | |
Well, I'm glad Leslie and daughter, Catherine, | 0:16:23 | 0:16:25 | |
still enjoyed the day here, | 0:16:25 | 0:16:27 | |
even if it might not make much of a dent in the wedding bill. | 0:16:27 | 0:16:31 | |
Now, will someone want to have fun with Steve and Ann's Dinky toy train | 0:16:31 | 0:16:34 | |
that brings out the child in all of us? | 0:16:34 | 0:16:38 | |
-It is absolutely lovely and it's in mint condition. -Yes. | 0:16:38 | 0:16:41 | |
-Never played with. -Looks like it, no. | 0:16:41 | 0:16:43 | |
-And boxed. -And boxed, yes. | 0:16:43 | 0:16:45 | |
Gosh. | 0:16:45 | 0:16:46 | |
-It's got a lot going for it, hasn't it? -It has. Yeah. | 0:16:46 | 0:16:48 | |
Are we on the right tracks at 180 to 220? | 0:16:48 | 0:16:51 | |
We've got a packed saleroom. It's rather exciting. | 0:16:51 | 0:16:53 | |
Things are going well. | 0:16:53 | 0:16:54 | |
I think it's got everything going for it. | 0:16:54 | 0:16:56 | |
And we've got lots of toys and models here today, too. | 0:16:56 | 0:16:59 | |
Let's find out what the bidders think. | 0:16:59 | 0:17:00 | |
Over to Richard on the rostrum. | 0:17:00 | 0:17:02 | |
£100 is bid here. At £100 I have. | 0:17:02 | 0:17:04 | |
With me at £100. | 0:17:04 | 0:17:05 | |
110. 120. 130. | 0:17:05 | 0:17:07 | |
140. 150. 160. 170. | 0:17:07 | 0:17:10 | |
At £170. It's in the room at 170. | 0:17:10 | 0:17:13 | |
On the aisle and on the right, at £170 I have seated. | 0:17:13 | 0:17:16 | |
And selling at 170. | 0:17:16 | 0:17:17 | |
Well, it's gone on the fixed reserve of £170. | 0:17:18 | 0:17:21 | |
He's sold at 170, just under the lower end. | 0:17:21 | 0:17:23 | |
-Yes. -Yes, that's good. | 0:17:23 | 0:17:25 | |
-We'd hoped it might make more. -We did. -But it's gone. | 0:17:25 | 0:17:28 | |
But that's auctions for you. | 0:17:28 | 0:17:29 | |
Welcome back to our valuation day venue, Lulworth Castle. | 0:17:40 | 0:17:43 | |
Right now, it's time to hand the proceedings over to our experts | 0:17:43 | 0:17:46 | |
to see what else we can dig up to take off to auction. | 0:17:46 | 0:17:50 | |
Catherine Southon's found something that looks like | 0:17:53 | 0:17:55 | |
it could have been taken from a buried treasure chest. | 0:17:55 | 0:17:59 | |
We've certainly got a rather chunky charm bracelet here, Sue, | 0:17:59 | 0:18:02 | |
with an awful lot of charms on it. | 0:18:02 | 0:18:04 | |
Where did it come from? | 0:18:04 | 0:18:05 | |
It came from my husband's great aunt. | 0:18:05 | 0:18:08 | |
It was passed down to my daughter. | 0:18:08 | 0:18:10 | |
-So it's quite sentimental, then? -It is. I like it. | 0:18:10 | 0:18:13 | |
But it's not in fashion for my daughter, so... | 0:18:13 | 0:18:16 | |
Well, it's not, sadly, is it? | 0:18:16 | 0:18:17 | |
You do see quite a lot of these now being sold and, | 0:18:17 | 0:18:20 | |
often just being sold on their scrap value. | 0:18:20 | 0:18:23 | |
What's nice about this example, | 0:18:23 | 0:18:26 | |
is we've got a rather large number of charms. | 0:18:26 | 0:18:29 | |
Some of them are fairly standard, | 0:18:29 | 0:18:33 | |
like this little spinning penny here, which says, "I love you". | 0:18:33 | 0:18:36 | |
But some of them are slightly more unusual, like this little hedgehog. | 0:18:36 | 0:18:42 | |
I must say, I haven't seen that so often. | 0:18:42 | 0:18:45 | |
And the horseshoe. | 0:18:45 | 0:18:47 | |
Which makes it a little bit more interesting. | 0:18:47 | 0:18:49 | |
These are often sold on weight | 0:18:49 | 0:18:52 | |
but, then, people do pay additional prices for more unusual charms. | 0:18:52 | 0:18:56 | |
OK. | 0:18:56 | 0:18:57 | |
Was this given as a birthday present? | 0:18:57 | 0:18:59 | |
Because I can see there, we've got the key for 18. | 0:18:59 | 0:19:02 | |
What I remember is that her husband | 0:19:02 | 0:19:04 | |
used to buy her a charm for every occasion, for weddings, birthdays... | 0:19:04 | 0:19:08 | |
Oh, how lovely. | 0:19:08 | 0:19:09 | |
And they lived in London, | 0:19:09 | 0:19:10 | |
-so I know he most probably bought a lot of them in London. -Right. Right. | 0:19:10 | 0:19:13 | |
And I suspect that a lot of them are nine-carat gold. | 0:19:13 | 0:19:16 | |
But he must have been buying them over a number of years, | 0:19:16 | 0:19:19 | |
because there's a lot of charms there. | 0:19:19 | 0:19:21 | |
There's 31 altogether. | 0:19:21 | 0:19:23 | |
31 charms? Well, that's fantastic. | 0:19:23 | 0:19:25 | |
Because, normally, you sort of get around eight to ten | 0:19:25 | 0:19:28 | |
or something like that. | 0:19:28 | 0:19:29 | |
So, to have that amount of charms, is really quite special. | 0:19:29 | 0:19:32 | |
-You don't want to sell this, do you? -I know. I don't. | 0:19:32 | 0:19:34 | |
But it's been handed down to your daughter. | 0:19:34 | 0:19:37 | |
What's she going to do, buy a nice piece of fashionable jewellery? | 0:19:37 | 0:19:41 | |
No, she wants to redesign her bedroom. | 0:19:41 | 0:19:43 | |
Oh, how lovely. | 0:19:43 | 0:19:45 | |
Well, let's have a look at it. Let's weigh it. | 0:19:45 | 0:19:48 | |
Now, there is quite a bit of weight there. This is quite chunky. | 0:19:48 | 0:19:51 | |
But I'm going to look at it more closely to see carat, | 0:19:51 | 0:19:54 | |
because that's quite important. | 0:19:54 | 0:19:56 | |
OK, well, it's stamped 375. | 0:19:58 | 0:20:01 | |
So that tells us that it's nine-carat gold. | 0:20:01 | 0:20:03 | |
I would say you'd probably be looking at | 0:20:03 | 0:20:05 | |
somewhere between £500 to £600 in value. | 0:20:05 | 0:20:08 | |
-How does that sound for you? -Sounds great. | 0:20:08 | 0:20:11 | |
To be honest, I wouldn't sell that for any less than about £480. | 0:20:11 | 0:20:15 | |
Because, really, you've got to think about the scrap value. | 0:20:15 | 0:20:17 | |
You've got to put a reserve on this. | 0:20:17 | 0:20:19 | |
So put £480 on it. | 0:20:19 | 0:20:21 | |
And let's put £500 to £600. | 0:20:21 | 0:20:23 | |
-We'll try and get your daughter as much as we can. -Brilliant. | 0:20:23 | 0:20:26 | |
And let's hope she can have a fantastic room | 0:20:26 | 0:20:28 | |
for all her friends to drool over. | 0:20:28 | 0:20:30 | |
Yes. | 0:20:30 | 0:20:31 | |
I think those really sweet charms could attract the collectors, | 0:20:33 | 0:20:36 | |
even if they're not to our taste. | 0:20:36 | 0:20:39 | |
David's found the early 20th-century version | 0:20:39 | 0:20:41 | |
of satirical comedy for his next set of objects. | 0:20:41 | 0:20:45 | |
-Hello, Susan. -Hello. | 0:20:45 | 0:20:46 | |
Now, are you interested in horses? Are you a horsey person? | 0:20:46 | 0:20:49 | |
-No, I'm not at all. No. -Right. OK. | 0:20:49 | 0:20:51 | |
-So, you drove here today. You didn't ride? -No, I didn't. -OK. | 0:20:51 | 0:20:54 | |
Now, what I really love about things like this | 0:20:56 | 0:20:59 | |
is that they preserve a way of life that is gone, really, | 0:20:59 | 0:21:04 | |
to all intents and purposes. | 0:21:04 | 0:21:06 | |
We can look back at these images | 0:21:06 | 0:21:08 | |
and we can see what life was like in the early 20th century. | 0:21:08 | 0:21:11 | |
How did you come to own them? | 0:21:11 | 0:21:14 | |
Well, these were given to my parents by my uncle. | 0:21:14 | 0:21:17 | |
He was a publican in London. | 0:21:17 | 0:21:21 | |
And the family rumour always was | 0:21:21 | 0:21:24 | |
that he accepted them in lieu of a bar bill. | 0:21:24 | 0:21:26 | |
OK. | 0:21:26 | 0:21:28 | |
They're drawn in pen and ink. | 0:21:28 | 0:21:30 | |
And they are the original artwork for a series of Punch cartoons. | 0:21:30 | 0:21:36 | |
The artist, George Denholm Armour, | 0:21:37 | 0:21:40 | |
was well-known for depicting equestrian subjects. | 0:21:40 | 0:21:43 | |
And really quite well-known as a cartoonist. | 0:21:43 | 0:21:46 | |
They are beautifully drawn. | 0:21:46 | 0:21:48 | |
Punch magazine, now sadly defunct, I remember it very well, | 0:21:48 | 0:21:53 | |
-as I'm sure you do... -I do, yes. | 0:21:53 | 0:21:55 | |
..devoted itself, really, to humour. | 0:21:55 | 0:21:58 | |
Now, you're familiar with these. | 0:21:58 | 0:22:00 | |
You must've read that inscription 100 times. Tell me what it says. | 0:22:00 | 0:22:03 | |
It says, "Common objects of the field or who's who in hunting." | 0:22:03 | 0:22:07 | |
"Captain Flatcatcher, gentleman dealer, | 0:22:07 | 0:22:10 | |
"family motto, | 0:22:10 | 0:22:12 | |
"pro lusu et praeda." | 0:22:12 | 0:22:14 | |
But I don't know what that means. | 0:22:14 | 0:22:15 | |
Well, my Latin isn't very good, either. | 0:22:15 | 0:22:18 | |
But I think the point it's making is that Captain Flatcatcher | 0:22:18 | 0:22:21 | |
was a gentleman and a dealer. | 0:22:21 | 0:22:22 | |
So he hunted for fun. | 0:22:22 | 0:22:24 | |
But as well as hunting for fun, he also dealt, presumably, in game. | 0:22:24 | 0:22:28 | |
I suspect that's what it means. | 0:22:28 | 0:22:30 | |
I mean, I must say, I think to today's eyes, | 0:22:30 | 0:22:32 | |
today's sense of humour, | 0:22:32 | 0:22:33 | |
some of this, it's a bit leaden, isn't it, really? | 0:22:33 | 0:22:36 | |
It is, yes. | 0:22:36 | 0:22:37 | |
But in the high-Edwardian period, | 0:22:37 | 0:22:39 | |
the early 20th century, | 0:22:39 | 0:22:42 | |
it was a very, very important medium, really, | 0:22:42 | 0:22:45 | |
for, you know, conveying, as we can see in these pictures, really, | 0:22:45 | 0:22:50 | |
the way life was lived at that time. | 0:22:50 | 0:22:53 | |
It was a social document, really. | 0:22:53 | 0:22:54 | |
I feel these are worth somewhere around about £100. £25 each. | 0:22:54 | 0:22:59 | |
-I'd like to suggest 80 to 120. -Right. | 0:22:59 | 0:23:01 | |
I mean, it's a familiar estimate, | 0:23:01 | 0:23:03 | |
but I think, in this case, it's about right, really. | 0:23:03 | 0:23:06 | |
I'm just trying to think how many pints of beer you could get for £80. | 0:23:06 | 0:23:11 | |
It's about what? | 0:23:11 | 0:23:12 | |
Say it's £4 a pint, that's 20... | 0:23:12 | 0:23:13 | |
It's slightly less than that, isn't it? | 0:23:13 | 0:23:15 | |
-But that's about 20 pints of beer. -Yes. | 0:23:15 | 0:23:17 | |
Now, today, would I rather have these four cartoons | 0:23:17 | 0:23:21 | |
or 20 pints of beer? | 0:23:21 | 0:23:23 | |
I'd have to think about that one. | 0:23:23 | 0:23:25 | |
Well, I think the cartoons would be better for your liver. | 0:23:25 | 0:23:29 | |
Yes. And they'll last longer. | 0:23:29 | 0:23:30 | |
We'll include them in the sale, if we may, at an estimate of 80 to 120. | 0:23:30 | 0:23:35 | |
Now, I mean, personally, | 0:23:35 | 0:23:36 | |
I would think they're going to make their money. | 0:23:36 | 0:23:39 | |
And I would be inclined to say let's not bother about a reserve. | 0:23:39 | 0:23:43 | |
Are you happy with that? | 0:23:43 | 0:23:44 | |
No. | 0:23:44 | 0:23:45 | |
-Let's have a covering reserve on them at £60. -Yes. | 0:23:45 | 0:23:48 | |
OK. OK. Then we'll make sure there isn't a disaster on the day. | 0:23:48 | 0:23:51 | |
Yes. | 0:23:51 | 0:23:52 | |
We'll see who has the last laugh when they go under the hammer. | 0:23:54 | 0:23:56 | |
On Catherine's table, | 0:23:58 | 0:24:00 | |
she's found something that has put a big smile on her face. | 0:24:00 | 0:24:04 | |
Gay, when I saw this in the queue, | 0:24:04 | 0:24:07 | |
what I loved about it first of all, | 0:24:07 | 0:24:09 | |
before I even looked at it properly, were the colours. | 0:24:09 | 0:24:12 | |
It's so vibrant, isn't it? | 0:24:12 | 0:24:14 | |
You've got these wonderful reds and greens, | 0:24:14 | 0:24:16 | |
which really jump out at you. | 0:24:16 | 0:24:18 | |
But then, as I looked more closely, | 0:24:18 | 0:24:21 | |
I could see that this scarf was intended, really, | 0:24:21 | 0:24:27 | |
as a souvenir, I guess, for this exhibition. | 0:24:27 | 0:24:31 | |
So this is an exhibition | 0:24:31 | 0:24:33 | |
that was supposed to be taking place in Italy in 1942. | 0:24:33 | 0:24:37 | |
And it never happened, presumably, because of the war. | 0:24:37 | 0:24:42 | |
But isn't it wonderful that they had this, probably, as a souvenir, | 0:24:42 | 0:24:45 | |
something that they produced. | 0:24:45 | 0:24:46 | |
And it shows all the transport, everyone, the whole world | 0:24:46 | 0:24:50 | |
coming to the centre. | 0:24:50 | 0:24:52 | |
Where did you get this from? Because this is a bit special. | 0:24:52 | 0:24:55 | |
Well, I actually bought it from a jumble sale for five pence. | 0:24:55 | 0:24:59 | |
-Five pence? -Yes. | 0:24:59 | 0:25:01 | |
But did you buy it when you saw it, like me, because you saw the colours | 0:25:01 | 0:25:04 | |
and thought this is a nice, bright scarf? | 0:25:04 | 0:25:06 | |
Yes. Although they're bright, they're very subtle | 0:25:06 | 0:25:08 | |
and it's typical of that era. | 0:25:08 | 0:25:10 | |
So you bought it quite recently? | 0:25:10 | 0:25:12 | |
No, no, it must be, maybe, nine or ten years ago now. | 0:25:12 | 0:25:16 | |
Right. And then, at what stage did you really have a good look at it | 0:25:16 | 0:25:20 | |
and see there was actually more to this scarf? | 0:25:20 | 0:25:22 | |
Probably straightaway. | 0:25:22 | 0:25:23 | |
While I was checking it through, I realised it had the 1942. | 0:25:23 | 0:25:28 | |
And then I thought it had more significance | 0:25:28 | 0:25:31 | |
and decided to just, really, keep it rather than wear it. | 0:25:31 | 0:25:35 | |
I wonder how many of these were actually produced? | 0:25:35 | 0:25:39 | |
I think there are other posters and things that come up on the market. | 0:25:39 | 0:25:42 | |
But not so much a scarf. | 0:25:42 | 0:25:44 | |
It's a difficult thing, Gay, to put a value on, to be honest. | 0:25:44 | 0:25:47 | |
I mean, it's in lovely condition. | 0:25:47 | 0:25:49 | |
Can you imagine this framed up? It'd look gorgeous. | 0:25:49 | 0:25:51 | |
It's beautiful, actually, yes. | 0:25:51 | 0:25:53 | |
There's a little bit of staining around the sides, | 0:25:53 | 0:25:56 | |
but nothing too desperate, I don't think. | 0:25:56 | 0:25:59 | |
I love this piece. | 0:25:59 | 0:26:00 | |
The more I look at it, the more I love it. | 0:26:00 | 0:26:03 | |
-I'm not going to put a big price on it. -No. | 0:26:03 | 0:26:05 | |
I'm going to put £40 to £60. | 0:26:05 | 0:26:08 | |
-Oh, well, that's good. -I've got a good feeling about this. | 0:26:08 | 0:26:11 | |
-We'll put 40 to 60, with a 40 reserve. -Thank you very much. | 0:26:11 | 0:26:14 | |
-Because I don't think it should go below that. -No. | 0:26:14 | 0:26:16 | |
-I think we should protect it. Great piece of history. -Thank you. | 0:26:16 | 0:26:19 | |
A very unusual echo of Italy's past, | 0:26:21 | 0:26:24 | |
but will the marks affect its chances at auction? | 0:26:24 | 0:26:26 | |
What a fabulous day we've had here at Lulworth Castle, | 0:26:29 | 0:26:31 | |
our valuation day venue. | 0:26:31 | 0:26:33 | |
It couldn't be a better setting, a place steeped in so much history. | 0:26:33 | 0:26:36 | |
And I know our "Flog It!" crowds have enjoyed it. | 0:26:36 | 0:26:39 | |
But, before we say goodbye for the very last time, | 0:26:39 | 0:26:41 | |
I want to let you into Dorset's little secret. | 0:26:41 | 0:26:44 | |
Fossils are one thing, | 0:26:44 | 0:26:46 | |
but Dorset lies above Europe's largest onshore oilfield, | 0:26:46 | 0:26:49 | |
believe it or not. | 0:26:49 | 0:26:51 | |
Yes, the oil created by ancient organisms | 0:26:51 | 0:26:53 | |
that came even before the dinosaurs. | 0:26:53 | 0:26:56 | |
Now, that's about as old as we can ever talk about on "Flog It!" | 0:26:56 | 0:26:59 | |
But, right now, it's time to recap on something a little more recent, | 0:26:59 | 0:27:02 | |
our last items to take off to auction. | 0:27:02 | 0:27:04 | |
And here they are. | 0:27:04 | 0:27:05 | |
There's the bracelet with some standout charms, | 0:27:05 | 0:27:08 | |
whose value could go a long way towards paying | 0:27:08 | 0:27:11 | |
for a bedroom makeover for Sue's daughter. | 0:27:11 | 0:27:14 | |
We have Susan's satirical Punch pictures | 0:27:15 | 0:27:17 | |
given to a relative as payment for a bill. | 0:27:17 | 0:27:20 | |
But will the buyers see the humour at the saleroom? | 0:27:20 | 0:27:23 | |
And Gay's unusual souvenir scarf from Italy, | 0:27:23 | 0:27:26 | |
bought for a bargain five pence in a jumble sale. | 0:27:26 | 0:27:30 | |
70. At £70 still in the room. | 0:27:31 | 0:27:33 | |
We're back in the saleroom for our next item, | 0:27:33 | 0:27:35 | |
the Italian scarf bought for a song. | 0:27:35 | 0:27:38 | |
Sadly, owner Gay couldn't be with us today. | 0:27:38 | 0:27:41 | |
These silk scarves are very collectable, | 0:27:41 | 0:27:43 | |
-especially the top names, like Chanel. -Oh, yes. | 0:27:43 | 0:27:45 | |
If we've got the Chanel name, the Hermes, Gucci, great name... | 0:27:45 | 0:27:50 | |
But what I love about this, is all the transport coming towards Rome. | 0:27:50 | 0:27:54 | |
Lovely. The colours... She paid 5p for this. | 0:27:54 | 0:27:57 | |
So, whatever it makes, she's made a profit. | 0:27:57 | 0:28:00 | |
What's the reserve? | 0:28:00 | 0:28:02 | |
The reserve is £40. I wouldn't sell it. I think it's lovely. | 0:28:02 | 0:28:04 | |
Can you imagine it framed up? | 0:28:04 | 0:28:06 | |
Yes, I can. Let's find out what the bidders think. | 0:28:06 | 0:28:08 | |
Here we go. We need 40 quid. | 0:28:08 | 0:28:09 | |
Lot 252. Straight in at £20 I have bid now. At 20. | 0:28:09 | 0:28:12 | |
And 5 to oblige for the vintage scarf. £20 I have. And 25. 30. | 0:28:12 | 0:28:16 | |
-Come on, ladies. -£35 the room bid. | 0:28:16 | 0:28:18 | |
Room bid at 35. £40 bid on the internet. At £40. Last chance. | 0:28:18 | 0:28:23 | |
-Beautiful colours. -Selling at 40. | 0:28:23 | 0:28:25 | |
It's gone. £40. We just got it away on the reserve. | 0:28:25 | 0:28:28 | |
-She'll be happy with 40. -I think she will. | 0:28:28 | 0:28:30 | |
5p to £40... That's not bad. | 0:28:30 | 0:28:33 | |
How will those satirical Punch cartoons fare, | 0:28:35 | 0:28:38 | |
received in payment for a bar bill by Susan's uncle? | 0:28:38 | 0:28:42 | |
So why are you selling them? You said outdated humour. | 0:28:43 | 0:28:46 | |
Partly, yes. | 0:28:46 | 0:28:48 | |
But I've got no space for them at home. | 0:28:48 | 0:28:50 | |
I've got too many pictures already, so... | 0:28:50 | 0:28:52 | |
Well, the good thing is they are originals. | 0:28:52 | 0:28:54 | |
I mean, the comedy is there. It's a bit dated. | 0:28:54 | 0:28:57 | |
-I like that humour, though. -Well, it's social commentary. | 0:28:57 | 0:28:59 | |
-It captures an era, doesn't it? -Yes, it does. | 0:28:59 | 0:29:02 | |
Yes, that's what I think. | 0:29:02 | 0:29:03 | |
But, above all, I think he's a very good, | 0:29:03 | 0:29:05 | |
and probably underrated, artist. | 0:29:05 | 0:29:07 | |
Right, let's see what the bidders think. This is it. | 0:29:07 | 0:29:10 | |
Group of four George Denholm Armour Punch cartoon sketches here. | 0:29:10 | 0:29:14 | |
With me at £40 and away now. At £40. At 40. 45. | 0:29:14 | 0:29:17 | |
£50 I have now. At 50. | 0:29:17 | 0:29:18 | |
At 50. 60. It's online at £60. | 0:29:18 | 0:29:20 | |
60 quid. | 0:29:20 | 0:29:22 | |
It's on the internet at £60, I have. Can I sell? | 0:29:22 | 0:29:25 | |
Going away at 60. At 60. | 0:29:25 | 0:29:27 | |
Just... We just got away on the reserve. | 0:29:28 | 0:29:31 | |
Gosh, we're flying by the seat of our pants. | 0:29:31 | 0:29:33 | |
I'm pleased they've sold. Of course I am. | 0:29:33 | 0:29:36 | |
But as we said, | 0:29:36 | 0:29:37 | |
-they're just not as fashionable as they were ten years ago. -No. | 0:29:37 | 0:29:40 | |
The same could be said for our final item, this charm bracelet. | 0:29:42 | 0:29:45 | |
But we still have high hopes for it | 0:29:45 | 0:29:47 | |
because of those unusual charms. | 0:29:47 | 0:29:49 | |
-Who've you brought, your daughter? -This is my daughter. | 0:29:50 | 0:29:53 | |
-What's your name? -Gemma. -Gemma, right, OK. | 0:29:53 | 0:29:55 | |
And all the money is going towards decorating your bedroom, is it? | 0:29:55 | 0:29:59 | |
It is, yes. | 0:29:59 | 0:30:00 | |
OK. Have you got it all sort of stylised in your mind, | 0:30:00 | 0:30:02 | |
you know what you want? | 0:30:02 | 0:30:03 | |
-I know exactly what I want. -Go on, paint the picture. | 0:30:03 | 0:30:05 | |
It's golds, silvers and creams. | 0:30:05 | 0:30:08 | |
And I've got a lot of dark mahogany furniture. | 0:30:08 | 0:30:10 | |
Oh, quite nice, because that stands out with the creams and the beiges. | 0:30:10 | 0:30:13 | |
Oh, very, very nice. | 0:30:13 | 0:30:15 | |
-Expensive. -A little bit. | 0:30:15 | 0:30:17 | |
She likes Victorian things. | 0:30:17 | 0:30:19 | |
I just get my grandad to go to auctions and buy me furniture. | 0:30:19 | 0:30:22 | |
I don't blame you, because it's great value for money | 0:30:22 | 0:30:24 | |
and it's not second hand or third hand, | 0:30:24 | 0:30:26 | |
it's, like, seventh or ninth hand. | 0:30:26 | 0:30:27 | |
-And I know that it lasts. -It does. | 0:30:27 | 0:30:29 | |
Right, let's see if we can get the top end, | 0:30:29 | 0:30:31 | |
because there's a lot there. | 0:30:31 | 0:30:32 | |
And a lot of bids in, as you'd expect. And I'm straight in at £480. | 0:30:32 | 0:30:36 | |
500. 520. 550. 580. 600. 620. | 0:30:36 | 0:30:40 | |
-620? -£620. It's on commission. | 0:30:40 | 0:30:42 | |
You're all out. The bid is with me. Can I sell? | 0:30:42 | 0:30:44 | |
Top end. | 0:30:44 | 0:30:46 | |
At 620. | 0:30:46 | 0:30:48 | |
So who's going to do all the decorating? | 0:30:48 | 0:30:50 | |
I'm talking people into doing it. | 0:30:50 | 0:30:52 | |
Well, she'll be able to now. | 0:30:52 | 0:30:54 | |
Because it is the labour costs, really. | 0:30:54 | 0:30:56 | |
She has got the charm to do it. | 0:30:56 | 0:30:57 | |
You've got the charm? I bet you have. | 0:30:57 | 0:30:59 | |
It's been a great show today, | 0:31:01 | 0:31:03 | |
with items bought for a snip showing a tidy profit. | 0:31:03 | 0:31:06 | |
So, if you have something at home, | 0:31:06 | 0:31:08 | |
however little you paid for it, bring it along | 0:31:08 | 0:31:11 | |
to one of our valuation days and you just might get lucky. | 0:31:11 | 0:31:16 | |
Join us again for many more surprises | 0:31:16 | 0:31:18 | |
in many more auction rooms. | 0:31:18 | 0:31:19 | |
But until then, it's goodbye. | 0:31:19 | 0:31:21 |