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Recognised the world over as iconic symbols of Scotland, | 0:00:02 | 0:00:05 | |
the two bridges spanning the majestic Firth of Forth. | 0:00:05 | 0:00:09 | |
And in 2016, they'll be joined by a third bridge, | 0:00:09 | 0:00:13 | |
making this the only place in the world where you can see | 0:00:13 | 0:00:16 | |
three magnificent bridges at once, spanning three centuries. | 0:00:16 | 0:00:20 | |
And later on in the programme, | 0:00:20 | 0:00:21 | |
we'll be crossing over to the other side. | 0:00:21 | 0:00:23 | |
Welcome to Flog It! | 0:00:23 | 0:00:25 | |
In 1964, tens of thousands of people turned out to see the Queen | 0:00:46 | 0:00:51 | |
open the new Forth Road Bridge which, | 0:00:51 | 0:00:54 | |
at the time, was the longest suspension bridge in Europe. | 0:00:54 | 0:00:57 | |
But the Scottish weather paid no notice to the important occasion | 0:00:57 | 0:01:01 | |
and a thick mist hung over the bridge all day long. | 0:01:01 | 0:01:03 | |
Luckily, the fog has lifted today | 0:01:06 | 0:01:08 | |
and just a few miles away in the distance, you can | 0:01:08 | 0:01:11 | |
see our venue with its own tales of visiting royalty, | 0:01:11 | 0:01:15 | |
from King George IV to Prince Philip. | 0:01:15 | 0:01:17 | |
Welcome to the beautiful Hopetoun House | 0:01:17 | 0:01:20 | |
for a rather regal valuation day with just a spot of rain. | 0:01:20 | 0:01:25 | |
Nice jugs. Thank you. | 0:01:29 | 0:01:31 | |
THEY LAUGH | 0:01:31 | 0:01:32 | |
I was hoping you would say that! | 0:01:32 | 0:01:34 | |
Well, the queues have definitely gathered here, | 0:01:34 | 0:01:37 | |
laden with antiques and collectables. | 0:01:37 | 0:01:38 | |
Hopefully, when they go to auction, we'll have a royal flush, as well. | 0:01:38 | 0:01:42 | |
I think we're all blushing here, don't you? Yeah. | 0:01:42 | 0:01:44 | |
Giving their seal of approval to today's proceedings | 0:01:47 | 0:01:50 | |
are the king and queen of the auction room. | 0:01:50 | 0:01:52 | |
James Lewis... | 0:01:52 | 0:01:54 | |
I know that feeling. Oh, dear! | 0:01:54 | 0:01:56 | |
..and Caroline Hawley. | 0:01:56 | 0:01:58 | |
Isn't that nice? Just the thing for today(!) | 0:01:58 | 0:02:01 | |
A competent and professional team at all times. | 0:02:01 | 0:02:05 | |
Head down! Aargh! Relax. Try and breathe. I'm fine. I can breathe. | 0:02:05 | 0:02:08 | |
SHE LAUGHS | 0:02:08 | 0:02:10 | |
Oh, dear! | 0:02:10 | 0:02:12 | |
So now it's time for our loyal subjects to get inside | 0:02:12 | 0:02:15 | |
and get out of the rain and let our experts start valuing, and | 0:02:15 | 0:02:18 | |
if you're happy with the valuation you get, what are you going to do? | 0:02:18 | 0:02:21 | |
ALL: Flog it! | 0:02:21 | 0:02:23 | |
Let's get them in. | 0:02:23 | 0:02:25 | |
On today's show, three items of commemoration. | 0:02:26 | 0:02:30 | |
A ceremonial tipstaff, dated 1836. | 0:02:30 | 0:02:33 | |
This, if it were a car, would be a Rolls-Royce. Really? | 0:02:33 | 0:02:38 | |
And ever wondered what the cake is like at a Royal Wedding? | 0:02:38 | 0:02:41 | |
Well, Caroline finds out. Have you never been tempted to eat these? | 0:02:41 | 0:02:45 | |
I ate Princess Anne's. You ate Princess Anne's? | 0:02:45 | 0:02:49 | |
And an unusual set of medals awarded to a nurse on the front line. | 0:02:49 | 0:02:53 | |
They are so much rarer than anything you can imagine awarded to a man. | 0:02:53 | 0:02:58 | |
But can you guess which celebratory item makes over ?1,000 at auction? | 0:02:58 | 0:03:03 | |
Good luck, everybody, and enjoy the day. | 0:03:06 | 0:03:09 | |
It could be you or you going home with a lot of money. | 0:03:09 | 0:03:11 | |
As you can see, everybody's now safely seated, | 0:03:11 | 0:03:13 | |
but it's not just about the money. | 0:03:13 | 0:03:15 | |
It's about great British craftsmanship, | 0:03:15 | 0:03:17 | |
objects that show us a window into the past, | 0:03:17 | 0:03:20 | |
documents of social history, and we're here to find them, | 0:03:20 | 0:03:22 | |
and James Lewis has made a cracking start. | 0:03:22 | 0:03:24 | |
Let's hand the proceedings over to him. He's just over there. | 0:03:24 | 0:03:27 | |
Glynis, there are certain things that, | 0:03:29 | 0:03:32 | |
when you pick them up, | 0:03:32 | 0:03:35 | |
just send tingles down my spine. | 0:03:35 | 0:03:37 | |
And this sends tingles for me. | 0:03:39 | 0:03:42 | |
I absolutely love it. | 0:03:42 | 0:03:44 | |
It's an incredible document. | 0:03:44 | 0:03:47 | |
It says at the top, "The Oaths of Allegiance" and here we have, | 0:03:47 | 0:03:52 | |
down the right-hand column, a whole list of local people who have | 0:03:52 | 0:03:59 | |
signed up to say that they will support | 0:03:59 | 0:04:02 | |
King George III in 1768. | 0:04:02 | 0:04:07 | |
Now, before we go into the historical importance of what | 0:04:07 | 0:04:10 | |
they're saying, how did you get that? | 0:04:10 | 0:04:13 | |
About 40 years ago, I was a student in Edinburgh, | 0:04:13 | 0:04:17 | |
and weekend entertainment, we would go and look at historical buildings | 0:04:17 | 0:04:21 | |
and places of interest, and a friend and myself went to Culross, | 0:04:21 | 0:04:26 | |
which is a historical village just across the water from here, | 0:04:26 | 0:04:30 | |
and a local caretaker allowed us into a building that he was helping | 0:04:30 | 0:04:36 | |
clear and restore. | 0:04:36 | 0:04:38 | |
As a memento of the day, when we were leaving, | 0:04:38 | 0:04:40 | |
he put his hand in one of the boxes and said, | 0:04:40 | 0:04:44 | |
"Glynis, here's a memento," | 0:04:44 | 0:04:47 | |
and I took it and I didn't know what it was till I got it home. | 0:04:47 | 0:04:51 | |
OK, to understand what we're looking at, we need to go back | 0:04:51 | 0:04:57 | |
to when King George II is confronted with the uprising. | 0:04:57 | 0:05:02 | |
Bonnie Prince Charlie, the Jacobite rebellion, and they start to make | 0:05:02 | 0:05:06 | |
their way down into England and they are fighting for the British crown. | 0:05:06 | 0:05:11 | |
That's what he wants. He wants to become King of England. | 0:05:11 | 0:05:15 | |
They got as far as Derby. | 0:05:15 | 0:05:17 | |
He was defeated and he went back and fled back to France. | 0:05:17 | 0:05:22 | |
So that's 1745. | 0:05:22 | 0:05:24 | |
23 years later, George II's son, King George III, is thinking, | 0:05:24 | 0:05:31 | |
"Gosh, what happens if it happens again, if they return?" | 0:05:31 | 0:05:36 | |
So he gathers signatures | 0:05:37 | 0:05:41 | |
and oaths of allegiance from people all over Scotland. | 0:05:41 | 0:05:44 | |
Now, I read it through and made some notes earlier and it says here, | 0:05:44 | 0:05:49 | |
"I do sincerely and faithfully promise to maintain | 0:05:49 | 0:05:53 | |
"and defend His Majesty's government | 0:05:53 | 0:05:56 | |
"and I will do my utmost endeavours to disclose | 0:05:56 | 0:05:59 | |
"and make known to His Majesty all the reasons of conspiracies." | 0:05:59 | 0:06:05 | |
So I reckon these guys are spies. Yeah. | 0:06:05 | 0:06:08 | |
I think they're important people and I think they are people that have | 0:06:08 | 0:06:11 | |
been commissioned by the King to find out what's | 0:06:11 | 0:06:16 | |
going on here in Scotland and report back. | 0:06:16 | 0:06:19 | |
My goodness, I never knew. So, tingles, lovely. | 0:06:19 | 0:06:22 | |
What will it make? I don't know. | 0:06:23 | 0:06:26 | |
It's very much that. | 0:06:26 | 0:06:28 | |
They're not rare, these things. | 0:06:29 | 0:06:31 | |
There are lots of papers relating to this sort of thing. Antiquity value. | 0:06:31 | 0:06:37 | |
?100 maybe. It's not its real value. It's so much more than that. | 0:06:37 | 0:06:41 | |
It's just so much more. I love it. Good. | 0:06:41 | 0:06:44 | |
One of my favourite things for years. I'm delighted. Thank you. | 0:06:44 | 0:06:47 | |
You're very welcome. | 0:06:47 | 0:06:49 | |
# Speed, bonnie boat, like a bird on the wing... # | 0:06:49 | 0:06:54 | |
How incredible that Linda rescued this special document 40 years ago | 0:06:54 | 0:06:58 | |
and has kept it safe. | 0:06:58 | 0:07:00 | |
Now this humble piece of paper transports us | 0:07:00 | 0:07:02 | |
back to a poignant moment in history. | 0:07:02 | 0:07:05 | |
Now that's antiques for you. | 0:07:05 | 0:07:07 | |
And Caroline's found another slice of social history. | 0:07:09 | 0:07:13 | |
Hello, Robert. Hello. | 0:07:13 | 0:07:14 | |
Now, you have brought some fantastic things along | 0:07:14 | 0:07:18 | |
and they're wedding cakes from both the marriage of Charles and Diana | 0:07:18 | 0:07:25 | |
and Andrew and Sarah. Yeah, that's right. | 0:07:25 | 0:07:29 | |
You tell me how you came to own these two pieces of wedding cake. | 0:07:29 | 0:07:32 | |
Well, on Charles and Diana's wedding, | 0:07:32 | 0:07:35 | |
I was coachman to Princess Margaret and Princess Anne. | 0:07:35 | 0:07:39 | |
For the actual wedding day? Actual wedding day at St Paul's. | 0:07:39 | 0:07:43 | |
Oh, my goodness! | 0:07:43 | 0:07:44 | |
And then, on Andrew's wedding, I drove Princess Diana and Charles. | 0:07:44 | 0:07:49 | |
I've never met a real-life coachman in my life, | 0:07:49 | 0:07:53 | |
so how long did you work for the Royal Family? | 0:07:53 | 0:07:56 | |
Between 25 to 30 years. What got you into that line of work? | 0:07:56 | 0:08:01 | |
I started off in the coal mines | 0:08:01 | 0:08:03 | |
and then I went into racehorses for a little bit | 0:08:03 | 0:08:07 | |
and then I went into carriage driving. | 0:08:07 | 0:08:09 | |
Goodness me, you went right to the top in the carriage-driving stakes. | 0:08:09 | 0:08:13 | |
Yes, I started at the bottom and went up. | 0:08:13 | 0:08:16 | |
And do you still have horses yourself? I'm lucky. | 0:08:16 | 0:08:18 | |
When I left, I got two horses. You got two horses? | 0:08:18 | 0:08:22 | |
Two horses from Her Majesty. | 0:08:22 | 0:08:24 | |
That beats a gold watch, doesn't it, any day? Yeah, it did to me. | 0:08:24 | 0:08:27 | |
Wow, Robert! | 0:08:27 | 0:08:29 | |
It must have been fabulous to be there. | 0:08:29 | 0:08:31 | |
I mean, we all remember the royal weddings, | 0:08:31 | 0:08:33 | |
but you were given these wedding cakes? Yes. Fabulous. | 0:08:33 | 0:08:38 | |
Now, this one here from Charles and Diana's wedding, July 29th, | 0:08:38 | 0:08:43 | |
1981, because Charles was Commander in the naval forces, | 0:08:43 | 0:08:49 | |
this cake was made by the naval forces and it was in five tiers. | 0:08:49 | 0:08:53 | |
Yes. | 0:08:53 | 0:08:54 | |
So you can imagine, you'll have seen it, what a beautiful cake it was. | 0:08:54 | 0:08:59 | |
Now this one here from Sarah | 0:08:59 | 0:09:02 | |
and Andrew's wedding has the little card in it. | 0:09:02 | 0:09:04 | |
Yes. And then if we open this one up... | 0:09:04 | 0:09:09 | |
..and have a look, oh, it smells a bit like it's gone off, doesn't it? | 0:09:11 | 0:09:16 | |
Have you never been tempted to eat these? I ate Princess Anne's. | 0:09:16 | 0:09:20 | |
You ate Princess Anne's! Yes, by mistake. I was hungry at the time. | 0:09:20 | 0:09:25 | |
Oh, dear, Robert. It was nice. Was it? It was lovely. | 0:09:25 | 0:09:29 | |
And you've not been tempted to eat these then? No, no. | 0:09:29 | 0:09:32 | |
It's very difficult to put a price on such history | 0:09:32 | 0:09:36 | |
and it's full of memories for you. | 0:09:36 | 0:09:38 | |
But put a price on I must, and I would say if we put | 0:09:38 | 0:09:41 | |
an estimate for auction for ?60-?80, would you be happy with that? Yeah. | 0:09:41 | 0:09:47 | |
They're fabulous pieces of royal memorabilia | 0:09:47 | 0:09:51 | |
and it's just a pleasure to talk to you. | 0:09:51 | 0:09:54 | |
Let's hope we can get them to the saleroom before any of us eat them! | 0:09:54 | 0:09:58 | |
Well, you do find all sorts at a Flog It! evaluation day. | 0:09:59 | 0:10:02 | |
Moira, we are, at the moment, about 100 years | 0:10:04 | 0:10:09 | |
since the outbreak of the First World War | 0:10:09 | 0:10:12 | |
and when we see two service medals awarded to a woman, | 0:10:12 | 0:10:19 | |
they are so much rarer than anything you can imagine awarded to a man. | 0:10:19 | 0:10:24 | |
Tell me, what's the history behind them? What do you know? | 0:10:24 | 0:10:28 | |
The only thing I know is they were given | 0:10:28 | 0:10:31 | |
to my husband by my sister-in-law. | 0:10:31 | 0:10:34 | |
And what relation... | 0:10:34 | 0:10:36 | |
If we turn this one over, it's named | 0:10:36 | 0:10:38 | |
"Miss JJ Roy - Civil Hospital Reserves." | 0:10:38 | 0:10:42 | |
I really don't have that information. You don't know who she was? | 0:10:42 | 0:10:45 | |
I don't know, no. What a shame. I bet she was a relation somewhere. | 0:10:45 | 0:10:49 | |
Probably, yeah. So, let's start here. | 0:10:49 | 0:10:53 | |
We've got the most fancy-looking medal, that one. | 0:10:53 | 0:10:56 | |
"RRC" - Royal Red Cross. Yes. And it says, "2nd". | 0:10:56 | 0:11:00 | |
That's second class and this is made in silver. | 0:11:00 | 0:11:03 | |
The first class were a gilt metal, gold-coloured. | 0:11:05 | 0:11:09 | |
It's not something that's awarded for bravery. | 0:11:09 | 0:11:12 | |
It's something that's awarded for being a good nurse. Yes. | 0:11:12 | 0:11:17 | |
It was an interesting group, these reserves, | 0:11:17 | 0:11:20 | |
because they found themselves in 1914, only about 60 of them, | 0:11:20 | 0:11:25 | |
straight to the front into these mobile hospitals, | 0:11:25 | 0:11:29 | |
almost on the front line. Yes. | 0:11:29 | 0:11:32 | |
And this also was unheard of for women to be there. | 0:11:32 | 0:11:36 | |
This is really quite a rare group of medals. | 0:11:36 | 0:11:39 | |
So we've got this one which is for being a nurse. | 0:11:39 | 0:11:42 | |
We've got this one, a 1914 star. | 0:11:42 | 0:11:45 | |
The 1914 is a rarer star than the 14-18 or 14-15 star | 0:11:45 | 0:11:51 | |
and this is the Victory Medal that was awarded to everybody who | 0:11:51 | 0:11:56 | |
served throughout the First World War, and here, this one, | 0:11:56 | 0:11:58 | |
if we turn it over, May 1935, almost all the nurses were given one of | 0:11:58 | 0:12:04 | |
those, reflecting the service they had given to the country, really. | 0:12:04 | 0:12:08 | |
But that's a commemoration medal for the Coronation. | 0:12:08 | 0:12:11 | |
So...value. | 0:12:11 | 0:12:14 | |
Any ideas? No, I haven't any idea at all. OK. None whatsoever. | 0:12:14 | 0:12:20 | |
That's worth about ?40, something like that. Really? | 0:12:20 | 0:12:24 | |
That's worth about ?30. Right. | 0:12:24 | 0:12:26 | |
But on top of that, we've got these two. Yes. | 0:12:26 | 0:12:29 | |
If they were awarded to a private, just a foot soldier, | 0:12:29 | 0:12:34 | |
they would also be worth about ?30. OK. But they're not. | 0:12:34 | 0:12:39 | |
They're awarded to a nurse, a lady. Yes. | 0:12:39 | 0:12:43 | |
And therefore they're worth ?200. Oh, yeah. So it's a good group. | 0:12:43 | 0:12:48 | |
So this little group together is worth ?250 to ?350. Right, OK, yeah. | 0:12:48 | 0:12:53 | |
Would you like to put a reserve on them? I think so. | 0:12:53 | 0:12:56 | |
Where would you like it to be? | 0:12:56 | 0:12:58 | |
250, 200. 200? Yeah. | 0:12:58 | 0:13:01 | |
200, let's put 200 on them and that should be absolutely fine. | 0:13:01 | 0:13:05 | |
Thank you very much. Well, thank you for bringing them. | 0:13:05 | 0:13:07 | |
It's an absolute pleasure. Thank you. | 0:13:07 | 0:13:10 | |
Let's hope we have a good result at auction. | 0:13:11 | 0:13:14 | |
Up next, Caroline's found a quiet spot to value | 0:13:16 | 0:13:19 | |
a lovely collection of animals, of the stuffed variety, of course. | 0:13:19 | 0:13:23 | |
So here we are in this fabulous yellow-silk drawing room | 0:13:23 | 0:13:27 | |
of Hopetoun House. | 0:13:27 | 0:13:28 | |
Thank you so much, Andrew, | 0:13:28 | 0:13:30 | |
for bringing these gorgeous little toys in. | 0:13:30 | 0:13:33 | |
My pleasure. | 0:13:33 | 0:13:34 | |
Now, you tell me what you know about them first. | 0:13:34 | 0:13:36 | |
I've collected toys for quite a few years. | 0:13:36 | 0:13:39 | |
German toys, I specialise in, and Schuco is a very good make. | 0:13:39 | 0:13:44 | |
I'd had these for about 15-20 years, and I arrived this morning | 0:13:44 | 0:13:49 | |
and forgot to bring a key to wind them up. | 0:13:49 | 0:13:51 | |
Oh, Andrew! | 0:13:51 | 0:13:52 | |
And it's just a very standard clock key? Yeah. | 0:13:52 | 0:13:55 | |
What can I say? | 0:13:55 | 0:13:57 | |
Well, not to worry. They're all here, and they're beautiful. | 0:13:57 | 0:14:00 | |
Now, as you say, they're all made by the famous German toy maker Schuco. | 0:14:00 | 0:14:06 | |
Now, Schuco is one of a group of German toymakers, | 0:14:06 | 0:14:08 | |
mainly based in Nuremberg, but there was Steiff... | 0:14:08 | 0:14:11 | |
Have you heard of the Steiff company that make teddies? Yeah, the bears. | 0:14:11 | 0:14:14 | |
Yeah. | 0:14:14 | 0:14:15 | |
Bears, and then the Lehmann Brothers, that specialised | 0:14:15 | 0:14:18 | |
in tin plate toys, but these little felt animals I think are lovely. | 0:14:18 | 0:14:23 | |
They're in very good condition apart from the little bear at the front, | 0:14:23 | 0:14:28 | |
which is missing an ear, isn't he? Yeah. | 0:14:28 | 0:14:31 | |
They would all wind up at the back and do the actions. | 0:14:31 | 0:14:33 | |
This one here would play the drum, | 0:14:33 | 0:14:36 | |
and then this one is a sort of dancing bear. | 0:14:36 | 0:14:39 | |
I think this here one at the front, missing an ear... | 0:14:39 | 0:14:42 | |
I think if he was wound, he'd do sort of tipple-tails, wouldn't he? | 0:14:42 | 0:14:46 | |
Tipples over. Tipples over. | 0:14:46 | 0:14:47 | |
Yeah, and then this one, my favourite, holding the stein, | 0:14:47 | 0:14:50 | |
the pottery stein, he would take it to his mouth and drink this, and | 0:14:50 | 0:14:55 | |
it's lovely that this little pottery stein is in perfect condition. | 0:14:55 | 0:15:00 | |
Survived. Survived, yeah. Actually, coming from the theatres, you know, | 0:15:00 | 0:15:03 | |
you would think... | 0:15:03 | 0:15:05 | |
They should be actually worse than that, but they've been looked after. | 0:15:05 | 0:15:08 | |
An awful lot worse than that. | 0:15:08 | 0:15:09 | |
If we look this good nearly 100 years on, | 0:15:09 | 0:15:11 | |
we're going to be all right, aren't we? | 0:15:11 | 0:15:13 | |
Well, I'm 127 as it is. I'm doing well, you know? | 0:15:13 | 0:15:16 | |
You're doing very well. You look great on it. | 0:15:16 | 0:15:19 | |
These would've belonged in a fairly wealthy family. | 0:15:19 | 0:15:22 | |
They're not everyday items. No. No, no. | 0:15:22 | 0:15:26 | |
They would've cost a fair amount. | 0:15:26 | 0:15:29 | |
Do you recall what you paid for them? | 0:15:29 | 0:15:31 | |
I probably paid maybe ?15 each or something like that for them, | 0:15:31 | 0:15:36 | |
you know? | 0:15:36 | 0:15:38 | |
But we need to look at today's value. | 0:15:38 | 0:15:40 | |
As a group, I would say we'd put | 0:15:40 | 0:15:45 | |
an auction estimate of ?150-200 on them, | 0:15:45 | 0:15:49 | |
with a fixed reserve of ?150. I'm sure... | 0:15:49 | 0:15:53 | |
You know, they could fly. They could do a lot better than that. | 0:15:53 | 0:15:56 | |
I've every confidence. Every confidence. Well, I have. | 0:15:56 | 0:15:59 | |
I've got every confidence. I think they'll make that. | 0:15:59 | 0:16:01 | |
So shall we take them to auction? Let's do it. | 0:16:01 | 0:16:03 | |
Excellent. Let's do it. What is it they say in "Flog It!"? | 0:16:03 | 0:16:06 | |
It is... Let's flog it! Let's flog it! | 0:16:06 | 0:16:10 | |
That's the spirit! | 0:16:11 | 0:16:12 | |
Before we head off to auction, | 0:16:13 | 0:16:15 | |
there is something I would like to show you. | 0:16:15 | 0:16:18 | |
Hopetoun House has been home to the Hopetoun family | 0:16:18 | 0:16:21 | |
for ten generations, | 0:16:21 | 0:16:23 | |
and it sits amongst 6,500 acres of beautiful landscape. | 0:16:23 | 0:16:26 | |
This is a family home full of remarkable history. | 0:16:31 | 0:16:35 | |
For over 300 years, the Hopetouns have lived on this land, | 0:16:35 | 0:16:38 | |
and looked after this fine house. | 0:16:38 | 0:16:40 | |
The earls of Hopetoun were military men, politicians | 0:16:42 | 0:16:45 | |
and some of the first bankers in Scotland. | 0:16:45 | 0:16:47 | |
They played important roles in Scottish society, | 0:16:47 | 0:16:50 | |
and were very well-respected for their clean reputation. | 0:16:50 | 0:16:53 | |
Here at Hopetoun, they were looked after by dozens of staff, | 0:16:53 | 0:16:57 | |
from chambermaids to gamekeepers and footmen. | 0:16:57 | 0:17:00 | |
Hopetoun remains a family home with loyal staff and volunteers. | 0:17:01 | 0:17:05 | |
Without all of these people, | 0:17:05 | 0:17:07 | |
Hopetoun could not survive as a living, breathing historic building. | 0:17:07 | 0:17:11 | |
Meet the people of Hopetoun, past and present. | 0:17:11 | 0:17:16 | |
The 11th Earl, Andrew Hopetoun, | 0:17:16 | 0:17:19 | |
Hilda and Mabel, | 0:17:19 | 0:17:21 | |
volunteers with over 60 years' service between them, | 0:17:21 | 0:17:25 | |
head guide and dapper gentleman, Ian Low, | 0:17:25 | 0:17:28 | |
and education coordinator Kath Ward. | 0:17:28 | 0:17:30 | |
Who better to tell us about their favourite Hopetoun characters? | 0:17:32 | 0:17:35 | |
This is the small library, | 0:17:39 | 0:17:41 | |
and what we have been doing this winter is taking the books down... | 0:17:41 | 0:17:46 | |
The cleaning staff do that for us. | 0:17:46 | 0:17:48 | |
We're not allowed to go up ladders any more. | 0:17:48 | 0:17:51 | |
..and gently clean them, and I'm making a shelf index as well, | 0:17:51 | 0:17:55 | |
and I do that at home on the computer. | 0:17:55 | 0:17:58 | |
My favourite person is the sixth Earl and Countess, | 0:18:01 | 0:18:04 | |
because of the wonderful travels they did. | 0:18:04 | 0:18:07 | |
With the coming of railway, | 0:18:07 | 0:18:08 | |
they travelled all over the Continent, | 0:18:08 | 0:18:10 | |
and they went to Russia, they went to Oberammergau, and they also took | 0:18:10 | 0:18:16 | |
a trip up the Nile and back again, and then all over the Holy Land. | 0:18:16 | 0:18:21 | |
Can you imagine? | 0:18:21 | 0:18:22 | |
It would be very, very hard to pick a single favourite | 0:18:26 | 0:18:30 | |
character from Hopetoun's history, not least | 0:18:30 | 0:18:32 | |
because they're all members of my family, | 0:18:32 | 0:18:34 | |
so they'd get very upset if they were to hear me | 0:18:34 | 0:18:36 | |
choosing favourites, but, having said that, | 0:18:36 | 0:18:40 | |
the fourth Earl of Hopetoun, who is behind me here, | 0:18:40 | 0:18:44 | |
is a truly magnificent man. | 0:18:44 | 0:18:46 | |
He was a general in the Napoleonic Wars. | 0:18:48 | 0:18:50 | |
He was one of, ultimately, Wellington's generals, | 0:18:50 | 0:18:54 | |
and Wellington described him as the ablest man in his army. | 0:18:54 | 0:18:57 | |
He was an extraordinary character. He was very tall. | 0:18:58 | 0:19:02 | |
He was probably six foot five, six foot six, | 0:19:02 | 0:19:05 | |
so he was a good three or four inches taller than me. | 0:19:05 | 0:19:08 | |
He was a very brave man, | 0:19:08 | 0:19:10 | |
and when he was on the field of battle with his troops, | 0:19:10 | 0:19:13 | |
he did keep getting wounded, | 0:19:13 | 0:19:14 | |
which was a concern for all those about him. | 0:19:14 | 0:19:18 | |
After that, once he'd retired from the army, | 0:19:19 | 0:19:22 | |
he came back to live here after his brother had died. | 0:19:22 | 0:19:25 | |
He did a huge amount for Hopetoun, | 0:19:26 | 0:19:28 | |
but he also did a huge amount for the community as well. | 0:19:28 | 0:19:31 | |
He did a lot of works on the estate. | 0:19:31 | 0:19:33 | |
He built a lot of buildings, he built a lot of walls, | 0:19:33 | 0:19:35 | |
purely in order to create jobs and employment. | 0:19:35 | 0:19:38 | |
He really must have been a fascinating character. | 0:19:38 | 0:19:41 | |
The children come here to learn about life | 0:19:48 | 0:19:51 | |
in the Georgian and Victorian times - in particular, | 0:19:51 | 0:19:54 | |
life as a domestic servant. | 0:19:54 | 0:19:56 | |
We do have a particular favourite. | 0:20:00 | 0:20:02 | |
He was a man called Mr George Jameson, | 0:20:02 | 0:20:05 | |
and he was the under-butler at Hopetoun, | 0:20:05 | 0:20:06 | |
and I know that because I happen to have his jacket here in front of us, | 0:20:06 | 0:20:09 | |
and this is one of the jackets that the children actually get | 0:20:09 | 0:20:12 | |
to wear when they dress up as servants, | 0:20:12 | 0:20:14 | |
so they really are wearing a piece of history. | 0:20:14 | 0:20:16 | |
It says on the nametag, | 0:20:16 | 0:20:18 | |
"The Most Honourable Marquess of Linlithgow Under Butler Jameson." | 0:20:18 | 0:20:22 | |
We do have a lovely photograph in the servery upstairs. | 0:20:28 | 0:20:30 | |
It shows a gathering at Hopetoun with the servants at the front, | 0:20:30 | 0:20:34 | |
and in particular, there's a butler there, | 0:20:34 | 0:20:36 | |
and we like to believe that's Butler Jameson. | 0:20:36 | 0:20:38 | |
Well, we open the house at 10.30. | 0:20:49 | 0:20:51 | |
I walk round the house room by room, | 0:20:51 | 0:20:53 | |
checking that everything's where it should be, | 0:20:53 | 0:20:56 | |
and at 10.30 we open the doors and welcome the visitors in | 0:20:56 | 0:20:59 | |
to share with us the experience of Hopetoun House. | 0:20:59 | 0:21:02 | |
I'm drawn particularly to Hersey, | 0:21:03 | 0:21:06 | |
who was the wife of the seventh earl, | 0:21:06 | 0:21:08 | |
who went on to become the first Marquess, | 0:21:08 | 0:21:10 | |
so she was the first Marchioness of Linlithgow. | 0:21:10 | 0:21:14 | |
She was a very Victorian lady. Painfully shy. | 0:21:14 | 0:21:17 | |
When they went out to Australia, | 0:21:17 | 0:21:19 | |
that shyness was regarded as haughtiness and aloofness. | 0:21:19 | 0:21:23 | |
Now, nothing could be further from the truth. | 0:21:23 | 0:21:26 | |
The earl was offered an opportunity to shoot in a gallery, | 0:21:26 | 0:21:29 | |
and she asked if she could shoot as well, | 0:21:29 | 0:21:31 | |
and she hit five bull's-eyes in a row, | 0:21:31 | 0:21:33 | |
and that happened after she fell from her horse and nearly died, | 0:21:33 | 0:21:37 | |
and it came out that she could ride a horse and shoot a gun like a man. | 0:21:37 | 0:21:41 | |
The news of that got back to Australia, | 0:21:41 | 0:21:44 | |
and she became very much one of them. | 0:21:44 | 0:21:47 | |
One of my very favourite people involved with Hopetoun would be | 0:21:51 | 0:21:55 | |
third Marquess, who was the laird when we started coming here. | 0:21:55 | 0:22:00 | |
He was a honey. | 0:22:00 | 0:22:02 | |
One of his claims to fame, in inverted commas, | 0:22:02 | 0:22:06 | |
was that sadly he was taken prisoner early in the war, | 0:22:06 | 0:22:11 | |
and because his father was who he was, Charles ended up in Colditz. | 0:22:11 | 0:22:18 | |
Charles and several others were considered the "prominenti", | 0:22:18 | 0:22:23 | |
and I gather that the Germans retreated | 0:22:23 | 0:22:27 | |
with the "prominenti" as hostages, which must have been very scary. | 0:22:27 | 0:22:32 | |
It's a house and it's a home. It's not just "a" home. | 0:22:38 | 0:22:41 | |
It's the home of the Hope family, so it's an ongoing story, | 0:22:41 | 0:22:46 | |
it's a living story. | 0:22:46 | 0:22:47 | |
It's not something about the past, which is dead. | 0:22:47 | 0:22:49 | |
It's something which is continuing on today. | 0:22:49 | 0:22:53 | |
It's a lovely house, it's a lovely family, | 0:22:53 | 0:22:55 | |
and we, as guides, just seem to be absorbed into it. | 0:22:55 | 0:23:01 | |
But it is a lovely house. | 0:23:01 | 0:23:03 | |
It's one of Scotland's well-kept secrets. | 0:23:03 | 0:23:05 | |
It is an extraordinary privilege to live here. | 0:23:07 | 0:23:11 | |
I mean, it's a very, very beautiful house. | 0:23:11 | 0:23:13 | |
It's a wonderful house, and one of the great joys is that it works | 0:23:13 | 0:23:17 | |
very well now to live in as a family home, | 0:23:17 | 0:23:21 | |
in the same way that it did in, I imagine, the 1750s. | 0:23:21 | 0:23:25 | |
Hopetoun has filled my retirement. | 0:23:27 | 0:23:32 | |
I also embroidered one of the chairs in the dining room, | 0:23:32 | 0:23:36 | |
so I've made my mark. | 0:23:36 | 0:23:39 | |
And now a quick reminder of what's going off to auction. | 0:23:46 | 0:23:50 | |
A document of huge historical significance, but will anyone | 0:23:50 | 0:23:54 | |
pay the ?100 reserve for this 18th-century oath of allegiance? | 0:23:54 | 0:23:58 | |
Now, don't call her a fruitcake. | 0:23:59 | 0:24:01 | |
Caroline picked these out as top royal memorabilia. | 0:24:01 | 0:24:05 | |
Will the bidders agree? | 0:24:05 | 0:24:06 | |
The Schuco collection is in great condition, | 0:24:06 | 0:24:08 | |
and that's really important when selling toys. | 0:24:08 | 0:24:12 | |
Will they make over the estimate? | 0:24:12 | 0:24:14 | |
And the medal collectors will have a field day tracing | 0:24:17 | 0:24:20 | |
the provenance of this group. | 0:24:20 | 0:24:22 | |
Let's see how they do when they go under the hammer, | 0:24:24 | 0:24:27 | |
over the bridge in the city of Glasgow, | 0:24:27 | 0:24:29 | |
at the Great Western auction house, | 0:24:29 | 0:24:31 | |
owned and run by our very own Anita Manning. | 0:24:31 | 0:24:34 | |
Our first lot to go under Anita's hammer is the oath of allegiance. | 0:24:35 | 0:24:40 | |
Going under the hammer right now, | 0:24:40 | 0:24:42 | |
two 18th-century handwritten documents | 0:24:42 | 0:24:44 | |
pledging allegiance to King George III and the constitution. | 0:24:44 | 0:24:48 | |
Bit of a hot potato back then, Glynis, what do you think? | 0:24:48 | 0:24:50 | |
Fingers crossed somebody will get it who will appreciate it. | 0:24:50 | 0:24:53 | |
Oh, I love this. I wish I was there bidding, not here. | 0:24:53 | 0:24:57 | |
I want maximum money for this, | 0:24:57 | 0:24:58 | |
because you won't find another two on the market. | 0:24:58 | 0:25:01 | |
It's going under the hammer right now and this is it, here we go. | 0:25:01 | 0:25:04 | |
Two documents of historical interest, and at that time... | 0:25:04 | 0:25:10 | |
Should be serious money. Don't you? Well, they SHOULD be. | 0:25:10 | 0:25:15 | |
200. 150. | 0:25:15 | 0:25:18 | |
Will you start me at ?100 for these rare documents? | 0:25:18 | 0:25:22 | |
?100. Come on! 100. 80, then. 90. | 0:25:22 | 0:25:26 | |
100. 120. This is more like it. Come on. 130. | 0:25:26 | 0:25:30 | |
140. ?140. | 0:25:30 | 0:25:34 | |
150. ?150. Any advance on 150? | 0:25:34 | 0:25:41 | |
Any advance on 150, all done at 150, 150? | 0:25:41 | 0:25:44 | |
Well, you were right at the valuation, | 0:25:46 | 0:25:47 | |
spot on with the valuation. Absolutely. | 0:25:47 | 0:25:49 | |
Well done, James, don't be disappointed. | 0:25:49 | 0:25:51 | |
But, I just... Oh, I know, I know. | 0:25:51 | 0:25:52 | |
You kind of... You think, "Hang on a minute, | 0:25:52 | 0:25:55 | |
"these are handwritten by a quill. Back in the late 1700s." | 0:25:55 | 0:25:58 | |
I've got goose bumps. Yes. It's not about the money, though, | 0:25:58 | 0:26:02 | |
it's about someone having them that really wanted them. | 0:26:02 | 0:26:05 | |
Will look after them. | 0:26:05 | 0:26:06 | |
I'm certain they've gone to a good home, Linda. | 0:26:06 | 0:26:08 | |
Now let's see if anyone wants to have some cake and keep it, | 0:26:08 | 0:26:11 | |
not eat it. | 0:26:11 | 0:26:13 | |
Robert. Royal carriage driver. And the pieces of wedding cake. | 0:26:13 | 0:26:18 | |
I'm surprised you kept them for such a long time and didn't eat them. | 0:26:18 | 0:26:21 | |
I ate one, I ate Princess Anne's. Princess Anne's. Unfortunately. | 0:26:21 | 0:26:24 | |
It was good. What a job, and what a career you've had. | 0:26:24 | 0:26:28 | |
It was good cake, was it? Was it a fruitcake? It was a fruitcake. | 0:26:28 | 0:26:31 | |
Like me! I tell you what. | 0:26:31 | 0:26:34 | |
You're an auctioneer, | 0:26:34 | 0:26:35 | |
have you ever sold anything like that in your life? Never. | 0:26:35 | 0:26:38 | |
And I'm sure Anita hasn't, either. So it's a first for all of us. | 0:26:38 | 0:26:42 | |
So do enjoy this moment. This is it, here we go, good luck. | 0:26:42 | 0:26:46 | |
Two pieces of royal wedding cake. | 0:26:46 | 0:26:48 | |
Now, wonderful conversation pieces, ladies and gentlemen. | 0:26:48 | 0:26:51 | |
You could pretend to your friends | 0:26:51 | 0:26:53 | |
that you attended both of these weddings. | 0:26:53 | 0:26:56 | |
I have two bids on the books. I can start the bidding at ?40. | 0:26:57 | 0:27:01 | |
40. 50. | 0:27:01 | 0:27:03 | |
60. 70. | 0:27:03 | 0:27:05 | |
80. 90. | 0:27:05 | 0:27:07 | |
It's with the lady at ?90. 100. | 0:27:07 | 0:27:12 | |
Oh, she's going to go again, she's going again. | 0:27:12 | 0:27:14 | |
She's got to go again. 110, 120. | 0:27:14 | 0:27:17 | |
Yes. 130, 140. This is good, this is good. | 0:27:17 | 0:27:21 | |
?140. 140 over there now. | 0:27:21 | 0:27:24 | |
It's with you, sir, at 140. Any advance on 140? | 0:27:24 | 0:27:29 | |
150, fresh bidder. | 0:27:29 | 0:27:31 | |
150. | 0:27:31 | 0:27:33 | |
Any advance on ?150, all done at 150? 150? | 0:27:33 | 0:27:39 | |
Great result, ?150, that's brilliant, isn't it? | 0:27:39 | 0:27:42 | |
Well, thank you for bringing those in. | 0:27:42 | 0:27:44 | |
I tell you what, if you were a baker or a cake maker, | 0:27:44 | 0:27:46 | |
to own those and have them on display in your shop window, | 0:27:46 | 0:27:50 | |
would just attract all the people off the pavement. | 0:27:50 | 0:27:54 | |
Thank you so much, because I've not seen anything like that before. No! | 0:27:54 | 0:27:59 | |
A distinctive item with provenance, | 0:27:59 | 0:28:01 | |
always a winner at auction. | 0:28:01 | 0:28:03 | |
Up next, the little drummer and his friends. | 0:28:03 | 0:28:06 | |
This lot will definitely put a big grin on your faces. | 0:28:07 | 0:28:10 | |
It's the Schuco toys, | 0:28:10 | 0:28:11 | |
and I particularly love the pig playing the drum. | 0:28:11 | 0:28:14 | |
Andrew, it's fantastic! | 0:28:14 | 0:28:16 | |
OK, look. We had a valuation of ?150-200. | 0:28:16 | 0:28:18 | |
Anita thinks it should do 2-3, | 0:28:18 | 0:28:20 | |
so she's put a fixed reserve at 2, and I think she's right. | 0:28:20 | 0:28:24 | |
I think you could get the top end of that. Are we ready for this? Ready. | 0:28:24 | 0:28:27 | |
Fingers crossed. Let's do it. Let's put them under the hammer. | 0:28:27 | 0:28:30 | |
Here we are. Will you start me at ?100 for the Schucos? 100. | 0:28:30 | 0:28:32 | |
100 bid. 110. 120. 130. | 0:28:32 | 0:28:35 | |
140. 150. 160. | 0:28:35 | 0:28:38 | |
170. 180. 180. | 0:28:38 | 0:28:40 | |
Yes, we're in. Look. 190. We've got another bid. | 0:28:40 | 0:28:43 | |
190. 200. | 0:28:43 | 0:28:44 | |
210. 220. | 0:28:44 | 0:28:47 | |
Any advance on 220? | 0:28:47 | 0:28:48 | |
230. Yes. There's a guy bidding down there. | 0:28:48 | 0:28:51 | |
230. Any advance on... It's a nice little lot. Good lot. Good lot. 250. | 0:28:51 | 0:28:56 | |
Good nucleus for a collection to start. Absolutely. | 0:28:56 | 0:28:59 | |
290. ?290. 300. | 0:28:59 | 0:29:04 | |
Yeah, that's more like it. 310. | 0:29:04 | 0:29:06 | |
Any advance on 310? Any advance on 310? | 0:29:07 | 0:29:12 | |
310. | 0:29:12 | 0:29:13 | |
Yes. Yes. ?310. We're happy. Are you happy? | 0:29:13 | 0:29:16 | |
Over the moon. Over the moon. | 0:29:16 | 0:29:18 | |
That's a brilliant result. It's a good deal. | 0:29:18 | 0:29:19 | |
Thank you, and I've got one thing to say to that... | 0:29:19 | 0:29:21 | |
IMITATES DRUM STING | 0:29:21 | 0:29:23 | |
Toys in good condition are really sought after, | 0:29:24 | 0:29:27 | |
so it's no surprise his collection beat the estimate. | 0:29:27 | 0:29:31 | |
Next up, Moira's medals. | 0:29:31 | 0:29:33 | |
So far, so good, | 0:29:33 | 0:29:34 | |
going under the hammer right now, World War I medals. | 0:29:34 | 0:29:37 | |
Nurses' medals, in fact, belonging to Moira. | 0:29:37 | 0:29:40 | |
These have been in the family quite some time. They have, yes. | 0:29:40 | 0:29:43 | |
In the attic. | 0:29:43 | 0:29:45 | |
And we're looking for ?250-?350. Let's put the value to the test. | 0:29:45 | 0:29:48 | |
They're going under the hammer right now. | 0:29:48 | 0:29:50 | |
The group of four medals, to Sister JJ Roy, | 0:29:50 | 0:29:55 | |
and I can start the bidding at ?150. | 0:29:55 | 0:30:01 | |
For Sister Roy's medals. OK. 150. | 0:30:01 | 0:30:04 | |
Any advance on 150, 160, 170, 180, 190. | 0:30:04 | 0:30:08 | |
200, 220. | 0:30:08 | 0:30:11 | |
240, 260. | 0:30:11 | 0:30:13 | |
280, 300. | 0:30:13 | 0:30:16 | |
On the books at 300. 320, I'm out. | 0:30:16 | 0:30:20 | |
It's with you, sir, at ?320. | 0:30:20 | 0:30:25 | |
320. Any advance on 320, all done at 320? | 0:30:25 | 0:30:30 | |
320. They've gone, Moira. Gone, yes. | 0:30:30 | 0:30:33 | |
Oh, well, to a good home, hopefully. Yes, exactly. | 0:30:33 | 0:30:37 | |
And go to a good home they did, Moira - | 0:30:37 | 0:30:40 | |
to a father and daughter, in fact. | 0:30:40 | 0:30:41 | |
My name is Elise Reilly and my dad bought some medals at auction. | 0:30:41 | 0:30:47 | |
The medals that I bought, it was really for my daughter. | 0:30:47 | 0:30:51 | |
She's been doing some history at school, on the First World War, | 0:30:51 | 0:30:54 | |
so I thought it would be nice if she could do | 0:30:54 | 0:30:56 | |
a bit of history on those medals, as well. Well, there you go, | 0:30:56 | 0:30:58 | |
World War I medals enjoyed by the next generation. | 0:30:58 | 0:31:02 | |
That's our first visit to the auction complete. | 0:31:02 | 0:31:05 | |
We'll be back later on in the show. | 0:31:05 | 0:31:08 | |
On a clear day, from our | 0:31:08 | 0:31:10 | |
valuation-day location, Hopetoun House, | 0:31:10 | 0:31:12 | |
in the distance you can see two magnificent engineering | 0:31:12 | 0:31:15 | |
structures spanning the water. | 0:31:15 | 0:31:17 | |
They are of course the Forth Bridges, | 0:31:17 | 0:31:19 | |
taking hundreds of people each day - in fact, thousands of people - | 0:31:19 | 0:31:22 | |
backwards and forwards across the Firth of Forth. | 0:31:22 | 0:31:25 | |
Soon, that load will be shared by a third bridge, | 0:31:25 | 0:31:28 | |
the Queensferry Crossing, | 0:31:28 | 0:31:29 | |
so I donned a hard hat and work boots | 0:31:29 | 0:31:31 | |
to check out this engineering marvel. | 0:31:31 | 0:31:34 | |
It's a claim that's thought to be unique the world over. | 0:31:42 | 0:31:45 | |
Three bridges built in three centuries, spanning one river. | 0:31:45 | 0:31:51 | |
Striking engineering and cutting-edge construction. | 0:31:51 | 0:31:54 | |
The first rail bridge that you can see in the distance over there, | 0:31:58 | 0:32:01 | |
the red one, that was built in the 19th century. | 0:32:01 | 0:32:03 | |
The second road bridge, the one with the traffic running over it, | 0:32:03 | 0:32:06 | |
was built in the 20th century. | 0:32:06 | 0:32:08 | |
And the bridge you can see behind me here, look, | 0:32:08 | 0:32:11 | |
under construction now, again of epic proportions. | 0:32:11 | 0:32:14 | |
Take a look at that. That is colossal! | 0:32:14 | 0:32:18 | |
That will be completed in 2016. | 0:32:18 | 0:32:20 | |
"But why three bridges?" you're probably asking, | 0:32:20 | 0:32:23 | |
and what does each superstructure tell us | 0:32:23 | 0:32:26 | |
about the century it was built in? | 0:32:26 | 0:32:30 | |
The new bridge is the biggest engineering project | 0:32:30 | 0:32:32 | |
Scotland has seen for a generation. | 0:32:32 | 0:32:34 | |
The ?1.45 billion project, | 0:32:34 | 0:32:37 | |
named by the public as the Queensferry Crossing, | 0:32:37 | 0:32:41 | |
will carry traffic from Edinburgh to Fife | 0:32:41 | 0:32:44 | |
on a road equal in size to a motorway. | 0:32:44 | 0:32:46 | |
Well, this is where it's all happening. | 0:32:46 | 0:32:48 | |
I'm surrounded by bridge and it's all going on right now. | 0:32:48 | 0:32:52 | |
There are five piers that form the supporting platform | 0:32:52 | 0:32:55 | |
for the bridge on the land, and out at sea there, | 0:32:55 | 0:32:58 | |
there are three huge, great big towers | 0:32:58 | 0:33:01 | |
and you can just see one there. | 0:33:01 | 0:33:03 | |
Now, they stand firmly like a rock in these turbulent waters, | 0:33:03 | 0:33:06 | |
and they go down to a depth of 28 metres, which is around 85 feet. | 0:33:06 | 0:33:11 | |
And the foundations are filled with 28,000 tonnes of concrete. | 0:33:11 | 0:33:15 | |
Nearly 1,000 people from all over the world are working on the site. | 0:33:17 | 0:33:22 | |
The road is being constructed and pushed out onto the viaduct, | 0:33:22 | 0:33:25 | |
and over the next two years, | 0:33:25 | 0:33:27 | |
the three towers will rise up 200 metres above sea level. | 0:33:27 | 0:33:33 | |
The Queensferry Crossing was commissioned | 0:33:33 | 0:33:35 | |
because the Forth Road Bridge is no longer up to the job. | 0:33:35 | 0:33:38 | |
Although only just over 50 years old, | 0:33:38 | 0:33:41 | |
it's showing signs of wear and tear, | 0:33:41 | 0:33:43 | |
and that's not surprising when it was designed to carry | 0:33:43 | 0:33:46 | |
a load of five million cars per year | 0:33:46 | 0:33:48 | |
and now it's ended up carrying 24 million. | 0:33:48 | 0:33:52 | |
Although it hasn't stood the test of time as well as initially hoped, | 0:33:53 | 0:33:57 | |
the Forth Road Bridge still represents a massive achievement. | 0:33:57 | 0:34:01 | |
It was opened in 1964 by Queen Elizabeth. | 0:34:01 | 0:34:04 | |
It was Europe's largest suspension bridge, spanning 1.5 miles, | 0:34:04 | 0:34:09 | |
using 30,000 miles of cable. | 0:34:09 | 0:34:12 | |
That's long enough to go all the way around the world. | 0:34:12 | 0:34:15 | |
It took 400 men six years to build. | 0:34:17 | 0:34:20 | |
It was hard and sometimes dangerous work. | 0:34:20 | 0:34:23 | |
And the conditions in the early '60s were rather different to today. | 0:34:23 | 0:34:27 | |
Alex Porteous worked on the bridge when he was just 18 | 0:34:29 | 0:34:32 | |
and remembers the time fondly. | 0:34:32 | 0:34:35 | |
Alex, what section of the bridge did you work on? | 0:34:35 | 0:34:38 | |
I worked on two sections. | 0:34:38 | 0:34:39 | |
I worked on the south viaduct here, | 0:34:39 | 0:34:42 | |
with a company called Reed and Mallik, on the concrete squad. | 0:34:42 | 0:34:45 | |
And later on I got a job with the ACD Bridge Company. | 0:34:45 | 0:34:48 | |
Happy days, were they hard days? | 0:34:48 | 0:34:50 | |
Oh, it was one of the best jobs I ever had. | 0:34:50 | 0:34:53 | |
I look back now and I think, yeah, | 0:34:53 | 0:34:54 | |
it definitely was one of the best jobs I ever had. | 0:34:54 | 0:34:56 | |
Was it dangerous at times? Depends how stupid you were! Really? | 0:34:56 | 0:35:00 | |
I went up one day and I was curious as to what was over the edge, | 0:35:00 | 0:35:05 | |
just to have a look. To see how high it was? And I tripped. | 0:35:05 | 0:35:09 | |
I just fell from a vertical to horizontal, lying down, | 0:35:09 | 0:35:13 | |
looking at the safety net below me. You were lucky. | 0:35:13 | 0:35:16 | |
What did you trip on? Oh, there'd be electric cables up there. | 0:35:16 | 0:35:19 | |
Just stuff lying around? Yeah. Which you won't get today? No. | 0:35:19 | 0:35:24 | |
It was a good job. You were well-paid, good team to work with. | 0:35:24 | 0:35:29 | |
What about the weather? That was a killer. That stopped everything. | 0:35:29 | 0:35:33 | |
Shirley-Smith, who was the head of the resident engineers, | 0:35:33 | 0:35:36 | |
he'd built bridges all over the world and he said this was | 0:35:36 | 0:35:39 | |
the worst stretch of water that he's ever worked on. | 0:35:39 | 0:35:42 | |
But I mean, this is Scotland. You can get four seasons in one day. | 0:35:42 | 0:35:46 | |
You must be so proud of what you've helped achieve, really. | 0:35:46 | 0:35:50 | |
Well, you see it now, it's very unique. | 0:35:50 | 0:35:53 | |
You worked on one bridge as a young man, | 0:35:53 | 0:35:55 | |
and then as a 68-year-old man now, they're building another one. | 0:35:55 | 0:35:59 | |
So to see two bridges in your lifetime is very unique. | 0:35:59 | 0:36:02 | |
Look at it now, it is fantastic, isn't it? It is. | 0:36:02 | 0:36:05 | |
The first bridge, opened for rail in 1890, | 0:36:09 | 0:36:12 | |
has one thing in common with the others - the use of steel. | 0:36:12 | 0:36:16 | |
It may be an everyday material now, | 0:36:17 | 0:36:19 | |
but at the time it was considered a wonder material | 0:36:19 | 0:36:22 | |
and was taking construction to new heights. | 0:36:22 | 0:36:26 | |
Properties of steel enabled engineers to build huge structures | 0:36:26 | 0:36:30 | |
like this that were strong, but not too heavy. | 0:36:30 | 0:36:34 | |
The Forth Bridge was one of the first bridges in the world | 0:36:34 | 0:36:36 | |
to be built using steel, and at the time, this was considered to be | 0:36:36 | 0:36:39 | |
a cornerstone in the history of modern civil engineering. | 0:36:39 | 0:36:43 | |
It was the world's longest cantilever bridge, | 0:36:45 | 0:36:48 | |
at 1.6 miles long. | 0:36:48 | 0:36:51 | |
And at its peak, 4,600 men were employed on the project. | 0:36:51 | 0:36:55 | |
Working conditions were treacherous, | 0:36:55 | 0:36:57 | |
and upwards of 60 men lost their lives, and thousands were injured. | 0:36:57 | 0:37:03 | |
And some of those men were painters who had the unenviable task | 0:37:03 | 0:37:06 | |
of painting this bridge that notorious red colour. | 0:37:06 | 0:37:10 | |
And it's said that it took such a long time to do, | 0:37:10 | 0:37:13 | |
by the time you started on the north side | 0:37:13 | 0:37:15 | |
and got all the way over to the south side and finished, | 0:37:15 | 0:37:18 | |
it was time to paint the north side again. | 0:37:18 | 0:37:20 | |
And start all over! | 0:37:20 | 0:37:23 | |
And that gave rise to the expression "Painting the Forth Bridge", | 0:37:23 | 0:37:26 | |
used to describe a never-ending, monotonous job. | 0:37:26 | 0:37:31 | |
I tell you what, I wouldn't fancy doing that. I really wouldn't. | 0:37:31 | 0:37:35 | |
Truth be told, the painting was never continuous | 0:37:35 | 0:37:38 | |
and the metaphor can no longer be applied, | 0:37:38 | 0:37:40 | |
as a new type of long-lasting paint has been used | 0:37:40 | 0:37:44 | |
so the bridge won't need a fresh coat for another 25 years. | 0:37:44 | 0:37:49 | |
This really is, truly, an exceptional bridge. | 0:37:49 | 0:37:52 | |
It's one of my favourites in the world. | 0:37:52 | 0:37:54 | |
And it's 123 years old, believe it or not. | 0:37:54 | 0:37:58 | |
And trains still rattle across it every day - hundreds of them. | 0:37:58 | 0:38:01 | |
It caused some controversy in its day, | 0:38:04 | 0:38:06 | |
but its place as a Scottish icon is assured. | 0:38:06 | 0:38:11 | |
In 2016, | 0:38:11 | 0:38:13 | |
when these two bridges are joined by the Queensferry Crossing, | 0:38:13 | 0:38:16 | |
this stretch of water will be one of the most distinctive in the world. | 0:38:16 | 0:38:20 | |
Welcome back to Hopetoun House and, as you can see, | 0:38:35 | 0:38:38 | |
our valuation day is still in full swing. | 0:38:38 | 0:38:40 | |
Hundreds of people keep turning up throughout the day. | 0:38:40 | 0:38:43 | |
So let's now meet up with our experts again | 0:38:43 | 0:38:45 | |
and see what else we can find to take off to auction. | 0:38:45 | 0:38:48 | |
Pearl, you're a brave lady. Oooh! | 0:38:53 | 0:38:56 | |
Transporting mercury in a barometer! | 0:38:56 | 0:38:59 | |
I know... | 0:38:59 | 0:39:00 | |
Though the good news is, | 0:39:00 | 0:39:01 | |
though, you clearly know how to move a barometer. | 0:39:01 | 0:39:03 | |
Do you know, the first time I ever handled | 0:39:03 | 0:39:06 | |
a barometer in a saleroom, I was a porter, I was 19 years old. | 0:39:06 | 0:39:10 | |
The first thing I did was put it flat. | 0:39:10 | 0:39:12 | |
Right. Big mistake. Yes. Mercury went everywhere. | 0:39:12 | 0:39:16 | |
But this is a really lovely piece of 19th-century interior furnishings. | 0:39:16 | 0:39:22 | |
Known as a stick barometer for obvious reasons... Yeah, well, yeah. | 0:39:22 | 0:39:25 | |
Barometers come in three various forms. | 0:39:25 | 0:39:28 | |
The most valuable is the signpost barometer. | 0:39:28 | 0:39:31 | |
The most common are the wheel barometers. | 0:39:31 | 0:39:35 | |
And those, at the moment, are very unfashionable, | 0:39:35 | 0:39:38 | |
and they're selling for as little as ?100. | 0:39:38 | 0:39:40 | |
These are somewhere in the middle. This one, towards... | 0:39:40 | 0:39:43 | |
Much, much closer towards the wheel barometer. | 0:39:43 | 0:39:47 | |
Sorry to be the bearer of bad news. | 0:39:47 | 0:39:49 | |
But what we've got is a glass tube, | 0:39:49 | 0:39:53 | |
and then that goes right the way down into | 0:39:53 | 0:39:56 | |
the mercury reservoir here, and you can see that that compresses there. | 0:39:56 | 0:40:01 | |
Yeah. | 0:40:01 | 0:40:03 | |
Pressure can be applied, and as the atmospheric pressure changes, | 0:40:03 | 0:40:07 | |
the mercury rises up the tube | 0:40:07 | 0:40:11 | |
and comes to a temperature gauge here at the top. | 0:40:11 | 0:40:15 | |
And in very, very fine weather it raises, | 0:40:15 | 0:40:20 | |
and in cold weather it falls. | 0:40:20 | 0:40:23 | |
The case itself is mahogany, | 0:40:23 | 0:40:25 | |
but it does have a feel that it's been somewhere unloved. | 0:40:25 | 0:40:30 | |
Yes. | 0:40:30 | 0:40:31 | |
Neglected. So why is it neglected? | 0:40:31 | 0:40:34 | |
Um... Well, we found it... | 0:40:34 | 0:40:36 | |
It was lying in the back of a wardrobe in the house. | 0:40:36 | 0:40:38 | |
I mean, a chappie did offer us ?50 for it, but... I bet he did. | 0:40:38 | 0:40:42 | |
..we thought, "Well, it's a curious thing." | 0:40:42 | 0:40:44 | |
We hadn't seen one before. We thought, | 0:40:44 | 0:40:46 | |
"Well, we'll just go and see. | 0:40:46 | 0:40:48 | |
"Get some information on it." | 0:40:48 | 0:40:50 | |
Well, that's certainly a cheeky offer. | 0:40:50 | 0:40:52 | |
Judging by its style, I would say it's a British maker. | 0:40:52 | 0:40:56 | |
Very, very plain. | 0:40:56 | 0:40:57 | |
Now, in terms of value, I would put an estimate | 0:40:59 | 0:41:04 | |
of ?180-250 on it, | 0:41:04 | 0:41:09 | |
and I'd like to see a reserve of about 180. | 0:41:09 | 0:41:13 | |
But I would think it would certainly make that. | 0:41:13 | 0:41:14 | |
I'm hoping it'll make top end. | 0:41:14 | 0:41:17 | |
It's a good thing, and thank you for bringing it in. Thank you. | 0:41:17 | 0:41:21 | |
And well done for not selling it to the man for ?50. | 0:41:21 | 0:41:25 | |
Antiques go in and out of fashion, | 0:41:26 | 0:41:28 | |
and barometers are not as popular as they once were. | 0:41:28 | 0:41:32 | |
Will it make the ?180 reserve? | 0:41:32 | 0:41:34 | |
And now Caroline has snuck off to the peace and quiet | 0:41:36 | 0:41:39 | |
of the red drawing room. | 0:41:39 | 0:41:41 | |
Lovely to see you both. And thank you for bringing this gorgeous object. | 0:41:41 | 0:41:46 | |
Now, are you going to tell me anything about it? | 0:41:46 | 0:41:48 | |
I don't know a great deal about it, | 0:41:48 | 0:41:49 | |
but I do know it comes from the branch of the family | 0:41:49 | 0:41:53 | |
personified to me through three maiden aunts. | 0:41:53 | 0:41:56 | |
And was their name, by any chance, Strachan? | 0:41:56 | 0:41:58 | |
I didn't mention the name because if there are any Strachans out there, | 0:41:58 | 0:42:01 | |
they might be outraged by what I'm going to say. Right! | 0:42:01 | 0:42:05 | |
Continue saying it. Now it's out in the open. So it's fine. | 0:42:05 | 0:42:07 | |
So, it was in their house and it came down to my dad, | 0:42:07 | 0:42:10 | |
but it brought back to me memories of being in their house with them. | 0:42:10 | 0:42:14 | |
And they were three Victorian aunts, | 0:42:14 | 0:42:17 | |
in this dark and gloomy Victorian house. | 0:42:17 | 0:42:20 | |
And after church every Sunday - and we're going back to the 1950s - | 0:42:20 | 0:42:24 | |
after church I'd be there in my kilt and we'd go in to visit the aunts. | 0:42:24 | 0:42:29 | |
And I wasn't allowed to speak unless spoken to. | 0:42:29 | 0:42:33 | |
And so, the goblet personifies these dark and disturbing memories. | 0:42:33 | 0:42:38 | |
I can see why you want rid! It is a beautiful object. It is. | 0:42:38 | 0:42:42 | |
Well, I'll tell you what I know about it. I've had a good look. | 0:42:42 | 0:42:46 | |
It's solid hallmarked silver. The date of it is 1862. | 0:42:46 | 0:42:52 | |
It's made in London. And the inscription on the front is 1860. | 0:42:52 | 0:42:57 | |
Which... That might commemorate a birth or something. | 0:42:57 | 0:43:02 | |
The extraordinary thing is, this wasn't made until 1862. | 0:43:02 | 0:43:07 | |
So two years afterwards. | 0:43:07 | 0:43:10 | |
It's a lovely thing, | 0:43:10 | 0:43:11 | |
and not only does lily of the valley happen to have | 0:43:11 | 0:43:14 | |
a particular significance for me, | 0:43:14 | 0:43:16 | |
it's my favourite flower, I adore lily of the valley. | 0:43:16 | 0:43:20 | |
And it's beautifully embossed and etched here. | 0:43:20 | 0:43:23 | |
Do you have any idea of value? About 100, 150? You're spot on. | 0:43:23 | 0:43:28 | |
You're spot on, John! I don't need to be here! | 0:43:28 | 0:43:31 | |
Well, I would absolutely agree with that. | 0:43:31 | 0:43:33 | |
I think between ?100 and ?150, but I would put a reserve on of 100. | 0:43:33 | 0:43:38 | |
Yes. Would you like that a fixed reserve or a discretionary reserve? | 0:43:38 | 0:43:42 | |
Oh, I think fixed. I'd rather take it home. Fixed, OK. We'll do that. | 0:43:42 | 0:43:46 | |
That's made my day, I adore that. Oh, good! | 0:43:46 | 0:43:49 | |
Maybe with a little more digging into the family archive, | 0:43:49 | 0:43:53 | |
John will be able to find out where the Strachan connection comes from. | 0:43:53 | 0:43:57 | |
I love you too! I love you back! | 0:43:57 | 0:44:01 | |
THEY LAUGH I love you all! | 0:44:01 | 0:44:03 | |
Without you guys we would not have a show. | 0:44:03 | 0:44:04 | |
You know what, it's still raining outside. | 0:44:04 | 0:44:06 | |
Ah, we're used to it. It's just Scottish weather! | 0:44:06 | 0:44:10 | |
Well, it's warm inside the ballroom | 0:44:10 | 0:44:12 | |
and every single person will be seen by one of our experts. | 0:44:12 | 0:44:17 | |
And James is one of the best. | 0:44:17 | 0:44:20 | |
Whatever the subject matter, there are always differences in quality | 0:44:20 | 0:44:24 | |
of whatever it might be - whether tea caddies, | 0:44:24 | 0:44:28 | |
or snuff boxes, cars. | 0:44:28 | 0:44:30 | |
And this, if it was a car, would be a Rolls-Royce. Really? | 0:44:30 | 0:44:34 | |
It's a lovely example. Tell me what you know. | 0:44:34 | 0:44:39 | |
It was given to my father | 0:44:39 | 0:44:41 | |
by an old lady who lived with us for several years. | 0:44:41 | 0:44:45 | |
And she died while I was still a little girl. OK. | 0:44:45 | 0:44:49 | |
Been in the family since then, and you remember it as a child? Yes. | 0:44:49 | 0:44:52 | |
1950s, yeah. Gosh. Well, do you know what a tipstaff is? | 0:44:52 | 0:44:57 | |
Well, I just thought it was a truncheon. | 0:44:57 | 0:44:59 | |
Someone else put me right, told me it was a tipstaff. Yeah. | 0:44:59 | 0:45:03 | |
A tipstaff is something that was often to do with the police, | 0:45:03 | 0:45:07 | |
and I guess originally it would have been something that would have been | 0:45:07 | 0:45:10 | |
bashed over the head, used as a weapon. | 0:45:10 | 0:45:13 | |
But in latter years, it became a ceremonial staff of office in a way. | 0:45:13 | 0:45:18 | |
The shaft of this one is in mahogany, | 0:45:18 | 0:45:21 | |
and then we've got a solid silver end and terminal at the base. | 0:45:21 | 0:45:26 | |
Then we've got a Chester hallmark. | 0:45:26 | 0:45:30 | |
And also the date letter for 1836. | 0:45:31 | 0:45:34 | |
At the top here, we've got the N for the maker. | 0:45:34 | 0:45:37 | |
And then the start of the L. Yes. | 0:45:37 | 0:45:39 | |
For Nicholson Lee, who were Liverpool makers, | 0:45:39 | 0:45:42 | |
who specialised in the making of tipstaffs. | 0:45:42 | 0:45:45 | |
OK. That matches. | 0:45:45 | 0:45:46 | |
So, that's your maker. Now, you've done some research, I understand. | 0:45:46 | 0:45:51 | |
Yes, I tried to find out who they were. James Magnell Esq. | 0:45:51 | 0:45:54 | |
He's the boroughreeve. Yeah. And William Haslam? And Robert Knowles? | 0:45:54 | 0:46:00 | |
Two constables. Two constables? Yes, they're constables. | 0:46:00 | 0:46:03 | |
I found out that they were in Salford in Manchester. Brilliant. | 0:46:03 | 0:46:09 | |
It's a lovely thing. It is, yeah. Oh, it's a lovely one. 1836. | 0:46:09 | 0:46:14 | |
In good condition. Names that are traceable. Solid silver. | 0:46:14 | 0:46:19 | |
It's got everything, | 0:46:19 | 0:46:21 | |
everything that you want to see from a tipstaff is there. | 0:46:21 | 0:46:24 | |
I think it's worth about ?1,000. | 0:46:24 | 0:46:29 | |
That's very good. I think that's good money for it, at ?1,000. | 0:46:29 | 0:46:32 | |
But I'm hoping it'll do that and maybe a shade more. OK! | 0:46:32 | 0:46:37 | |
What a wonderful thing. | 0:46:37 | 0:46:38 | |
We're always on the lookout for quality | 0:46:38 | 0:46:41 | |
and Caroline's next item is no exception. | 0:46:41 | 0:46:44 | |
Sheena, these are lovely. | 0:46:44 | 0:46:46 | |
I'm very much a jewellery lady and these shout quality to me. | 0:46:46 | 0:46:53 | |
And they would be worn by a lady | 0:46:53 | 0:46:55 | |
that was lucky enough to grace a drawing room such as this. | 0:46:55 | 0:46:58 | |
Have you worn these, Sheena? | 0:46:58 | 0:47:00 | |
Yes, I've been lucky enough to wear them. | 0:47:00 | 0:47:02 | |
I've worn them to a ball, | 0:47:02 | 0:47:04 | |
and I wore them to a wedding in a chateau in France. | 0:47:04 | 0:47:06 | |
And how did it come to you? | 0:47:06 | 0:47:08 | |
A lady, a friend gave it to my grandmother, and she gave it to me | 0:47:08 | 0:47:12 | |
when I was a student, for the very first ball I went to. | 0:47:12 | 0:47:15 | |
Oh, wow. And then she said, "You can keep it." | 0:47:15 | 0:47:18 | |
Oh, how... And did your grandmother wear it? I don't think she did. | 0:47:18 | 0:47:23 | |
And you've decided now you don't want to keep them any longer? | 0:47:23 | 0:47:26 | |
You know, maybe you go to one big ball or one wedding, | 0:47:26 | 0:47:30 | |
and twice in a lifetime is not enough for a necklace like this. | 0:47:30 | 0:47:33 | |
No. Right. | 0:47:33 | 0:47:35 | |
Well, I can see why you say that, but to me, it's a beautiful object. | 0:47:35 | 0:47:39 | |
It's three strands of cultured pearls. | 0:47:39 | 0:47:42 | |
Do you know what a cultured pearl is? | 0:47:42 | 0:47:44 | |
No. Right, well, a cultured pearl is a pearl that's made, | 0:47:44 | 0:47:48 | |
fabricated, so the oyster shell would be opened | 0:47:48 | 0:47:52 | |
and something would be put in, a chemical would be put in | 0:47:52 | 0:47:55 | |
to stimulate the growth of the pearl. | 0:47:55 | 0:47:58 | |
So it was cultured. And the clasp is what also screams quality to me. | 0:47:58 | 0:48:04 | |
That is a nine-carat gold clasp, set with garnets, | 0:48:04 | 0:48:09 | |
and seed pearls, surrounded with seed pearls. | 0:48:09 | 0:48:12 | |
So the clasp is an item of beauty in itself. | 0:48:12 | 0:48:15 | |
And if we turn it over, we can see, it's marked nine carat here. | 0:48:15 | 0:48:21 | |
And the clasp itself, you would open it like that and put it on. | 0:48:21 | 0:48:26 | |
It just... To me, it screams glamour, all that is gorgeous. | 0:48:26 | 0:48:32 | |
It dates from the 1920s, '30s. | 0:48:32 | 0:48:35 | |
Now, to me, a valuation in today's market, | 0:48:35 | 0:48:39 | |
I would put an auction estimate of between ?300 and ?400. Really? | 0:48:39 | 0:48:45 | |
That would be good. | 0:48:45 | 0:48:47 | |
And I'm sure somebody would be very happy to pay that. Really? Yeah. | 0:48:47 | 0:48:51 | |
If we put a reserve, a fixed reserve of 200? | 0:48:51 | 0:48:54 | |
Just to stop them falling into that net. | 0:48:54 | 0:48:57 | |
And thank you so much for bringing them, | 0:48:57 | 0:48:59 | |
it's a pleasure to see them, I love them. | 0:48:59 | 0:49:01 | |
Thank you very much. That's a pleasure, Sheena. | 0:49:01 | 0:49:03 | |
Have you all enjoyed yourselves? Yes, thank you. | 0:49:03 | 0:49:06 | |
Good, that's what it's all about. | 0:49:06 | 0:49:08 | |
Thank you so much for turning up, because you've all made my day. | 0:49:08 | 0:49:10 | |
And I think it's fair to say we've found some wonderful treasures | 0:49:10 | 0:49:13 | |
here today at Hopetoun, worthy of our regal surroundings. | 0:49:13 | 0:49:17 | |
Right now, we're racing off to the auction room for the very last time, | 0:49:17 | 0:49:20 | |
and here's a quick recap of what we're taking with us. | 0:49:20 | 0:49:24 | |
John remembers the goblet from his childhood, | 0:49:24 | 0:49:27 | |
but has no idea where the name Strachan comes from. | 0:49:27 | 0:49:30 | |
Nevertheless, it's up for grabs with a reserve of ?100. | 0:49:30 | 0:49:35 | |
And an item that has been replaced by technology - the barometer. | 0:49:35 | 0:49:38 | |
The pressure is on to see if it will sell. | 0:49:38 | 0:49:40 | |
And jewellery goes in and out of fashion, | 0:49:44 | 0:49:46 | |
so will anyone be willing to pay ?200 for a pearl necklace? | 0:49:46 | 0:49:51 | |
And the Rolls-Royce of tipstaffs. | 0:49:52 | 0:49:54 | |
Will it make the weighty sum of ?1,000-?2,000? | 0:49:54 | 0:49:58 | |
Well, there's only one way to find out. Let's flog it! | 0:49:58 | 0:50:02 | |
First up, the goblet. | 0:50:03 | 0:50:05 | |
Hopefully, it's going to be cheers all round | 0:50:05 | 0:50:07 | |
when we get over the top end for the silver goblet | 0:50:07 | 0:50:10 | |
belonging to Claire and John, | 0:50:10 | 0:50:11 | |
who are with me and our expert, Caroline. | 0:50:11 | 0:50:13 | |
Now, I know this has been in the family some time. | 0:50:13 | 0:50:16 | |
The name Strachan, there's a family connection somewhere | 0:50:16 | 0:50:18 | |
but you couldn't establish that at the valuation day. | 0:50:18 | 0:50:20 | |
So we dug out a family tree and it turns out that | 0:50:20 | 0:50:25 | |
Alexander Strachan was married to one of John's great-aunts. | 0:50:25 | 0:50:30 | |
OK. There were three great-aunts. | 0:50:30 | 0:50:33 | |
Now, does that make you want to keep it and not sell it? Yes, it does. | 0:50:33 | 0:50:37 | |
That's just what I was going to say! | 0:50:37 | 0:50:38 | |
This is what we find, it's all about provenance and family connections. | 0:50:38 | 0:50:42 | |
It's too late because it's going under the hammer right now, | 0:50:42 | 0:50:45 | |
this is it. | 0:50:45 | 0:50:47 | |
This charming Victorian silver goblet. | 0:50:47 | 0:50:50 | |
Can we say... Oh, I have three bids on the books. | 0:50:50 | 0:50:54 | |
Oooh! And I will start the bidding at... | 0:50:54 | 0:50:58 | |
..?180. Yes! Wow. Brilliant. | 0:50:59 | 0:51:03 | |
180, 190, 200, 210, 220. | 0:51:03 | 0:51:07 | |
220 on the book. 220. 230, fresh bidder. | 0:51:07 | 0:51:12 | |
230. With you, sir, at 230. | 0:51:12 | 0:51:15 | |
240 on the book. 250, 260. | 0:51:15 | 0:51:19 | |
It's on the book at ?260. | 0:51:19 | 0:51:21 | |
260. That's a good price, that. Commission bid. It's very good. | 0:51:21 | 0:51:24 | |
At 260. Any advance on 260? All done at 260, 260? | 0:51:24 | 0:51:30 | |
The hammer's gone down! Sold. That's fantastic! | 0:51:30 | 0:51:34 | |
Over the top end. I half thought for a moment | 0:51:34 | 0:51:36 | |
you might put your own hand up and try and buy it back! | 0:51:36 | 0:51:38 | |
Honestly, honestly, I nearly did! | 0:51:38 | 0:51:41 | |
Well, that's a great result, and John and Claire found out | 0:51:41 | 0:51:44 | |
a little more about their family history. | 0:51:44 | 0:51:46 | |
Well, so far, so good, | 0:51:49 | 0:51:51 | |
and I'll tell you what - things are really flying out today, | 0:51:51 | 0:51:54 | |
and it's getting so hot in here, and I know that because we've got | 0:51:54 | 0:51:57 | |
a stick barometer, and I've just read it, and it belongs to Pearl. | 0:51:57 | 0:52:00 | |
I reckon this is going to fly out of the room. Well, hopefully. | 0:52:00 | 0:52:02 | |
I reckon everyone needs one of these at home. | 0:52:02 | 0:52:04 | |
I don't think they're that accurate, but I'll tell you what - | 0:52:04 | 0:52:07 | |
they look fabulous, don't they? They do. It's hot. | 0:52:07 | 0:52:09 | |
Look at those. Oh, wow, look! I told you it's getting hot in here! | 0:52:09 | 0:52:12 | |
They're really the in thing. What are they called? | 0:52:12 | 0:52:15 | |
Hot...hot glasses. Hot glasses, because it's getting hot in here. | 0:52:15 | 0:52:20 | |
They're just fantastic. They are brilliant. | 0:52:20 | 0:52:23 | |
Well, keep them on, James. Sorry. Anyway, moving on. | 0:52:23 | 0:52:26 | |
19th century mahogany-case stick barometer with inset ivory scale. | 0:52:26 | 0:52:32 | |
Can we say 300, 200? Start me at ?100. | 0:52:32 | 0:52:36 | |
?100 on the barometer. | 0:52:36 | 0:52:38 | |
100. 100. | 0:52:38 | 0:52:41 | |
100 bid. | 0:52:41 | 0:52:42 | |
Any advance on ?100? | 0:52:42 | 0:52:44 | |
Go on! | 0:52:44 | 0:52:45 | |
Any advance on 100? | 0:52:45 | 0:52:47 | |
110. 120. | 0:52:47 | 0:52:49 | |
Any advance on ?120? Come on, Anita! | 0:52:49 | 0:52:52 | |
Any advance on 120? | 0:52:52 | 0:52:54 | |
Any advance on 120? No! 120. | 0:52:54 | 0:52:58 | |
Not sold. | 0:52:58 | 0:53:00 | |
It's suddenly cooling down. | 0:53:00 | 0:53:02 | |
I'm going to have to take it all the way home again. | 0:53:05 | 0:53:07 | |
Give it some love. Yes. | 0:53:07 | 0:53:09 | |
Give it some love. I mean, you know... | 0:53:09 | 0:53:11 | |
It's just so insane, isn't it, | 0:53:11 | 0:53:13 | |
that that stick barometer would have made ?500 just, what, ten years ago? | 0:53:13 | 0:53:17 | |
Yeah. Quite easily. Stick it on the wall for another five, ten years. | 0:53:17 | 0:53:20 | |
Exactly. Then see what happens then? OK. Yes. Good luck with that. | 0:53:20 | 0:53:23 | |
OK. Thank you. Thank you very much. | 0:53:23 | 0:53:25 | |
Fashions come and go, so maybe Pearl will have more luck selling | 0:53:25 | 0:53:29 | |
her barometer in a few years' time. | 0:53:29 | 0:53:32 | |
Fingers crossed, Sheena. Good luck, Caroline. | 0:53:32 | 0:53:34 | |
Going under the hammer right now, we have that seed pearl necklace. | 0:53:34 | 0:53:37 | |
It is absolutely gorgeous. And you're selling this because...? | 0:53:37 | 0:53:40 | |
I need a new car. You need a new car. No pressure, Paul! No. | 0:53:40 | 0:53:44 | |
Well, at least it adds towards the kitty, let's face it, | 0:53:44 | 0:53:47 | |
if we can get that top end of ?400? That would be fantastic. Will we? | 0:53:47 | 0:53:51 | |
The reserve's two. I saw that! HE EXHALES HEAVILY | 0:53:51 | 0:53:55 | |
We'll get two, surely, we'll get ?200. Yes. Got to. | 0:53:55 | 0:53:58 | |
Well, it's going under the hammer right now, this is it. | 0:53:58 | 0:54:02 | |
Three-strand pearl necklace. | 0:54:02 | 0:54:05 | |
Three strands of superb cultured pearls. | 0:54:05 | 0:54:09 | |
Can we see ?400? | 0:54:09 | 0:54:11 | |
400? | 0:54:11 | 0:54:13 | |
300? | 0:54:13 | 0:54:15 | |
Will you start me at ?200? Start me at 200. | 0:54:15 | 0:54:19 | |
Start me at ?100. THEY GROAN | 0:54:19 | 0:54:21 | |
100 bid. 100 bid. We're in. | 0:54:21 | 0:54:25 | |
Any advance on ?100? 110. | 0:54:25 | 0:54:29 | |
There's a reserve at two, isn't there? Yeah. 130. | 0:54:29 | 0:54:32 | |
140, 150. 160, 170. | 0:54:32 | 0:54:36 | |
180, 190. 200. | 0:54:36 | 0:54:39 | |
?200. | 0:54:39 | 0:54:41 | |
It's with the lady at 200. | 0:54:41 | 0:54:44 | |
Any advance on 200? All done at 200, 200? | 0:54:44 | 0:54:49 | |
Just! Just! Are you pleased? Yes. | 0:54:49 | 0:54:53 | |
We did it. We did it. We did it. Yes! | 0:54:53 | 0:54:57 | |
Gosh, that was close, wasn't it? | 0:54:57 | 0:54:59 | |
That's auctions for you, it really is quite tense, isn't it? | 0:54:59 | 0:55:02 | |
Very! Yeah. You deserve a cup of tea now. | 0:55:02 | 0:55:05 | |
Oh, no, I'll have a pint, thank you! A pint! | 0:55:05 | 0:55:08 | |
Yeah, and you'll get a few drinks for that money, Sheena! | 0:55:08 | 0:55:11 | |
And finally, the tiptop tipstaff. | 0:55:11 | 0:55:14 | |
Well, this will ARREST your attention. | 0:55:14 | 0:55:16 | |
Going under the hammer right now, | 0:55:16 | 0:55:18 | |
we have a policeman's ceremonial tipstaff and James, | 0:55:18 | 0:55:20 | |
you're nicked if it doesn't sell. | 0:55:20 | 0:55:22 | |
We've got a value of ?1,000-?2,000. I like it a lot. | 0:55:22 | 0:55:25 | |
Now, I know since the valuation day, | 0:55:25 | 0:55:27 | |
you've done a bit more additional homework, haven't you? | 0:55:27 | 0:55:29 | |
And what have you come up with? | 0:55:29 | 0:55:30 | |
Well, I wanted to find out who the people were on the engraving, | 0:55:30 | 0:55:34 | |
so I did a lot of research online. | 0:55:34 | 0:55:37 | |
And in the end I found a newspaper in 1836 | 0:55:37 | 0:55:40 | |
had an announcement saying that that had been presented to them. | 0:55:40 | 0:55:45 | |
So there's a photocopy of that. | 0:55:45 | 0:55:47 | |
Really nice, so we've got a little bit of provenance to go with it. | 0:55:47 | 0:55:50 | |
It's going under the hammer right now, good luck. | 0:55:50 | 0:55:52 | |
Thank you. Let's put it to the test. Here we go. | 0:55:52 | 0:55:56 | |
Can we say 2,000? | 0:55:56 | 0:55:59 | |
1,500, 1,000? | 0:55:59 | 0:56:01 | |
Would you start me at 800? | 0:56:01 | 0:56:04 | |
800, 850. | 0:56:04 | 0:56:05 | |
850. Any advance on 850? | 0:56:05 | 0:56:09 | |
900, 950. | 0:56:09 | 0:56:12 | |
It's on the books at ?950. | 0:56:12 | 0:56:15 | |
950, 1,000. | 0:56:15 | 0:56:18 | |
?1,000. | 0:56:18 | 0:56:20 | |
1,000. | 0:56:20 | 0:56:22 | |
Any advance on 1,000? We've got to that magic number. | 0:56:22 | 0:56:26 | |
1,100. ?1,100. Any advance on the 1,100? | 0:56:26 | 0:56:31 | |
I'll take 50. 1,150. 1,200. | 0:56:31 | 0:56:35 | |
?1,200. Any advance on 1,200? | 0:56:35 | 0:56:39 | |
All done at 1,200? All done at 1,200? | 0:56:39 | 0:56:42 | |
1,200? | 0:56:42 | 0:56:43 | |
Hammer's gone down, ?1,200. Brilliant, I'm happy. | 0:56:43 | 0:56:48 | |
You're happy with that, aren't you? Yes. | 0:56:48 | 0:56:50 | |
Fantastic, thank you for bringing that in. Thank you. Quality. | 0:56:50 | 0:56:53 | |
Quality, quality. | 0:56:53 | 0:56:55 | |
And as we always say, quality sells. | 0:56:55 | 0:56:58 | |
Well, there you are, it's all over for our owners | 0:57:00 | 0:57:02 | |
and what a fabulous day we've had here in Glasgow. | 0:57:02 | 0:57:05 | |
All credit to our experts, they were right on the money today. | 0:57:05 | 0:57:08 | |
And that's not easy. | 0:57:08 | 0:57:09 | |
All I can say is, I love Scotland | 0:57:09 | 0:57:11 | |
and I love the Scottish people, so thank you to everyone here. | 0:57:11 | 0:57:15 | |
Hope you've enjoyed the show, see you next time. | 0:57:15 | 0:57:17 | |
That's why we come to work. | 0:57:54 | 0:57:55 | |
We know we're the last thing | 0:57:55 | 0:57:56 | |
between something disastrous... | 0:57:56 | 0:57:58 | |
..and something hopeful. | 0:58:00 | 0:58:01 |